Uncle Acid and the Deadbeats Post New Video for “Melody Lane”

Posted in Bootleg Theater on August 28th, 2015 by H.P. Taskmaster

uncle acid melody lane video

If it’s Uncle Acid‘s particular brand of threat and inescapable hooks you’re looking for, you’re probably not going to find it anywhere on their upcoming fourth album, The Night Creeper — out Sept. 4 on Rise Above Records — so much as on “Melody Lane.” Arriving after the instrumental “Yellow Moon,” it’s a fitting opener to side B of The Night Creeper, and among the record’s catchiest single choruses. I won’t take anything away from “Waiting for Blood” or “Murder Nights,” but it’s a highlight of the record.

The video covers familiar-enough feeling visual ground to go with the audio. Certainly for anyone who has caught the band’s clips for last year’s “Runaway Girls” single or the prior “Mind Crawler” from 2013’s Mind Control (review here) will recognize the form. The band themselves make fuzzy cameo appearances, standing in line for what I think turned out to be their latest round of promo pics — we don’t actually see photographer Ester Segarra in the video, but the window they’re in front of at one point looks familiar — and there is some grainy interspersion of The Night Creeper‘s cover art as well, so if there are any promotional bases to cover for the video, they’re covered.

As for the rest? Well, sort of a standard runthrough of the ’60s and ’70s hotties spliced with bouts of sexualized violence, knives as implements of penetration, and so on. But there’s also a few clips out of old film noir features, and if you had the chance to read the interview posted here last week with Uncle Acid guitarist/vocalist Kevin Starrs, that’s the thematic basis for more or less the whole album, so it’s not just a mishmash of hijacked footage set to the song. There’s a purpose looming behind all that psychosis, which I suppose is also what’s made Uncle Acid and the Deadbeats so effective over their entire run so far.

Their upcoming US tour dates follow under the video — I feel like I haven’t gone more than two days in the last three weeks without plugging that tour one way or another — along with more on the album itself courtesy of the PR wire. Enjoy:

Uncle Acid and the Deadbeats, “Melody Lane” official video

Uncle Acid & the Deadbeats Share Music Video for New Track “Melody Lane”

The Night Creeper Out September 4 via Rise Above Records, Pre-Order Now

Touring the US This Fall + in NYC 9/12

The United Kingdom’s greatest cult band Uncle Acid & the Deadbeats are to return with their fourth full-length studio album The Night Creeper on September 4 via Rise Above Records.

Their newest single from the album is “Melody Lane” which has now been paired with a music video comprised of clips from classic B and exploitation films. It is an unprecedented peek into the brain of Uncle Acid himself and the inspirations that led to The Night Creeper. The album is available for pre-order now with an instant download of “Waiting for Blood” and “Melody Lane” on iTunes and Amazon.

Recorded at Toe Rag Studios in early 2015 with engineer Liam Watson (White Stripes, Tame Impala, Electric Wizard), The Night Creeper oozes louche evil. Hear flesh-melting riffs that creep like hot magma bubbling up through the earth’s crust combine with an ear for melody born out of the bands love for girl groups like The Ronettes and The Shangri-La’s. This is Sabbath-meets-Spector and it’s a heady combination. In support of the release they will also be embarking on their largest and longest tour to date, with a variety of US shows which can be viewed below.

Uncle Acid Tour Dates with Ruby the Hatchet and Ecstatic Vision
9/9 at Center Stage in Atlanta, GA
9/11 at Baltimore Sound Stage in Baltimore, MD
9/12 at Webster Hall in New York, NY
9/13 at Union Transfer in Philadelphia, PA
9/14 at Royale in Boston, MA
9/16 at Corona Theater in Montreal, QC
9/17 at Phoenix Theater in Toronto, ON
9/18 at Mr. Smalls in Pittsburgh, PA
9/19 at Metro in Chicago, IL
9/20 at Mill city Nights in Minneapolis, MN
9/22 at Summit Theater in Denver, CO
9/23 at Urban Lounge in Salt Lake City, UT
9/25 at Commodore Ballroom in Vancouver, BC
9/26 at El Corazon in Seattle, WA
9/27 at Wonder Ballroom in Portland, OR
9/29 at Slims in San Francisco, CA
9/30 at Slims in San Francisco, CA
10/1 at The Fonda Theater in Los Angeles, CA
10/2 at The Observatory in Santa Ana, CA

Uncle Acid on Thee Facebooks

Uncle Acid and the Deadbeats website

Rise Above Records

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audiObelisk Transmission 051

Posted in Podcasts on August 25th, 2015 by H.P. Taskmaster

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

The last one was so late, it seemed only fair to get back on track and do this one early. Not that you’re sitting and waiting with baited breath for the next podcast, I know — not deluding myself to think otherwise — but it keeps me sane to stick to some imaginary/arbitrary feeling of timeliness that changes more often than not, so I’ll just say up front that I appreciate your indulgence. Wow. Sometimes these imaginary conversations get pretty heavy.

Speaking of heavy — and speaking of masterful segues! — the new podcast has plenty of it. The second hour actually gets pretty pummeling, what with the Ahab track and all, so I made sure a little extra psychedelic stuff got in at the front. Dig that Red Mountains track. Their album’s coming out on Nasoni, which should be all the endorsement you need. I’m also very much into the Pyramidal space jam, and if you get to hear it, that Brian Ellis & Brian Grainger record (El Paraiso is putting it out) is a gem. Think a more psychedelic Six Organs of Admittance, all instrumental.

Some killer samplings to be had here, so I won’t delay further. Hope you enjoy:

First Hour:
0:00:00 Tony Reed, “Still Born Beauty (Necromandus ’73)” from The Lost Chronicles of Heavy Rock Vol. 1
0:04:02 All Them Witches, “Dirt Preachers” from Dying Surfer Meets His Maker
0:07:43 Uncle Acid and the Deadbeats, “Waiting for Blood” from The Night Creeper
0:12:33 Red Mountains, “Sleepy Desert Blues” from Down with the Sun
0:19:58 T.G. Olson, “Heavy on Your Head” from The Boom and Bust
0:23:18 Pyramidal, “Motormind” from Jams from the Sun Split with Domo
0:33:30 Brian Ellis & Brian Grainger, “Treesmoke” from At Dusk
0:37:53 Vinnum Sabbathi, “Hex II: Foundation Pioneers” from Fuzzonaut Split with Bar de Monjas
0:45:18 Spelljammer, “The Pathfinder” from Ancient of Days
0:53:41 Derelics, “Ride the Fuckin’ Snake to Valhalla” from Introducing

Second Hour:
1:02:03 Ahab, “The Weedmen” from The Boats of the Glen Carrig
1:16:56 Lost Orb, “Low Ebb’s Lament” from Low Ebb’s Lament
1:34:10 Hotel Wrecking City Traders, “Droned and Disowned” from Split with Hey Colossus

Total running time: 2:00:41

 

Thank you for listening.

Download audiObelisk Transmission 051

 

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Uncle Acid and the Deadbeats Interview with Kevin R. Starrs: The Creeping Noir

Posted in Features on August 21st, 2015 by H.P. Taskmaster

Ester Segarra

When guitarist vocalist Kevin R. Starrs of Uncle Acid and the Deadbeats croons, “I know you love murder nights/I know you love death,” on the song “Murder Nights” from his band’s latest LP, The Night Creeper, he might as well be speaking directly to his audience. Uncle Acid‘s fourth outing overall, The Night Creeper (on Rise Above) follows the unmitigated success of 2013’s Mind Control (review here) and 2011’s Blood Lust, as the latest step in a surge of profile that’s seen them go from releasing 100 copies of their Vol. 1 debut in 2010 to featuring at Roadburn in 2013 — for their third show, ever — opening for Black Sabbath, and headlining across the US, which is something they’ll do again in support of The Night Creeper, bringing Ecstatic Vision and Ruby the Hatchet along for the ride (info here).

Not only is it a feat that Uncle Acid have managed to accomplish this, but they’ve done so while vigorously maintaining a mystique that few bands can claim as their own in the age of social media, Instagram ubiquity, cellphone concert videos, etc. I remember wondering how they were able to get such an ethereal, eerie vocal sound until I actually saw them on stage and realized it was Starrs and fellow guitarist Yotam Rubinger — the band is rounded out by bassist/backing vocalist Vaughn Stokes and drummer Itamar Rubinger — singing together. They’ve become the household name of cult compounds, and that’s utterly perfect for the atmospheres they conjure with their tales of murder, vibes transposed from grainy horror VHS tapes, biker movies, bad-trip psychedelia and other ominous, analog threats brought to bear across songs that are correspondingly classic in their structures, melodically rich and at times unbearably catchy.

Where one might expect after Mind Control that Uncle Acid would begin to smooth out their sound as their audience continues to grow, The Night Creeper is their grittiest offering yet. Recorded mostly live at Toe Rag Studio by Liam Watson, cuts like “Pusher Man” and “Melody Lane” — which sounds like it would be a Beatles reference but actually seems to nod at The Rolling Stones in its lyrics; the ol’ switcheroo — demonstrate just how identifiable Uncle Acid and the Deadbeats‘ sound has become over the last half-decade and the impact and influence they’ve already had on heavy rock, while ambient pieces like “Black Motorcade” and the instrumental “Yellow Moon,” as well as the nine-minute hypno-jam “Slow Death” serve notice that as much as their aesthetic has developed to this point, the progression has by no means hit its endpoint.

In the interview that follows, Starrs talks about making The Night Creeper and especially how the advent of Uncle Acid and the Deadbeats as a live act has allowed them to grow in the studio.

Q&A follows after the jump. Please enjoy:

Read more »

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The Debate Rages: What are the Best Songs of the Last Five Years?

Posted in The Debate Rages on July 10th, 2015 by H.P. Taskmaster

what are the best songs from the last five years

Mostly around here I concentrate on albums. Best albums of the year. Best albums of the decade. Still, kind of on a whim this morning I was thinking about the shape of heavy of the last half-decade — or rather, the shapes of it.

Different scenes moving in various directions, the emergence of the Pacific Northwest as a hotbed, the growth of West Coast psych and how in-conversation that seems to be both with California’s skater past and the current European market, itself branched out between heavy psych and ’70s traditionalism, which has also begun to take root throughout the US while, at the same time, a new generation has come up to embrace full-on stoner riffing and/or desert rock ideals.

While I have my album lists going back six years to refer to, this time around, I was wondering specifically about individual songs from the same era. What are the best songs from the last five years?

It’s not always the best album that has the best single piece of work on it, so it seemed worth asking the question separately.

Me, I go in for epics: YOB‘s “Marrow” (2014), Ancestors‘ “First Light” (2012), Colour Haze‘s “Grace” (2012), Hypnos 69‘s “The Great Work” (2011), Witch Mountain‘s “Can’t Settle” (2014), Elder‘s “Lore” (2015) definitely is worth having in the conversation, Solace‘s “From Below” (2010), Grayceon‘s “We Can” (2011), and so on.

But then you have Uncle Acid and the Deadbeats‘ “I’ll Cut You Down,” which has had a massive influence since it came out in 2011. And what about a cut like Clutch‘s “D.C. Sound Attack,” or Goatsnake‘s “Grandpa Jones,” or Graveyard‘s “Ain’t Fit to Live Here,” or Mars Red Sky‘s “Strong Reflection?” Does a track have to be long to make an impact? What if there’s a perfectly-executed two-minute verse/chorus trade? Shouldn’t that also be considered?

I guess that’s the question.

We haven’t done one of these in a while, so I’m hoping you’ll take the time to add your answers and picks for the best songs of the last five years 2010-2015 in the comments to this post. I know we’re not through 2015 yet, but we’re just trying to have some fun anyway.

Thanks to all who take the time to leave a note in the comments below.

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Uncle Acid and the Deadbeats to Release The Night Creeper Sept. 4

Posted in Whathaveyou on June 15th, 2015 by H.P. Taskmaster

uncle acid

New Uncle Acid kind of speaks for itself, doesn’t it? Some breaking-ish news in that the UK four-piece, who’ve only gotten huger since the release of their 2013 sophomore outing, Mind Control (review here), are set to make a direct assault on US shores this fall. They’ll still be releasing The Night Creeper on Rise Above, but I think it’s especially telling in terms of the band’s priorities that they’ll launch the new album just a few days later with a full run of North American major markets.

Not a thing to complain about, at least if you happen to live in one of those markets. Last time I caught Uncle Acidlast Sept., in NYC — they held the stage in full command under mostly-dim lights, backed by tube-television static and a single pair of light-up cat’s eyes. What grainy and lysergic horrors will unfold with The Night Creeper? We’ll know come the fall.

From the PR wire:

uncle acid the night creeper

Uncle Acid & the Deadbeats Announce New Album The Night Creeper

Out September 4 via Rise Above Records

Touring the US This Fall

The United Kingdom’s greatest cult band Uncle Acid & the Deadbeats are to return with their fourth full-length studio album The Night Creeper on September 4 via Rise Above Records. In support of the release they will also be embarking on their largest and longest tour to date, with a variety of US shows which can be viewed below.

Recorded at Toe Rag Studios in early 2015 with engineer Liam Watson (White Stripes, Tame Impala, Electric Wizard), The Night Creeper oozes louche evil. Hear flesh-melting riffs that creep like hot magma bubbling up through the earth’s crust combine with an ear for melody born out of the bands love for girl groups like The Ronettes and The Shangri-La’s. This is Sabbath-meets-Spector and it’s a heady combination.

The Night Creeper has a distinct concept as a starting point. “The idea is that this album could have started life as an old cheap, grime-covered 25 cent pulp paperback like the type sold at news-stands outside train stations,” says enigmatic band leader Kevin Starrs. “But then perhaps it is adapted into a film noir, which itself is then re-made twenty years later as an ultraviolent, slasher Italian Giallo film. The album follows this aesthetic lineage as it descends from trash to noir to something discernibly darker…”

Uncle Acid & the Deadbeats have been called many things: a subversive, dark-hearted, pop band who sing about death and murder; a psyche-frazzling heavy psychedelic band; the greatest cult quartet in the British rock scene by a country mile; the heirs apparent to the dark satanic majesty of both The Beatles and Black Sabbath. They exist in their own self-created world; hoovering up trash/pop culture and spitting it back out in hot chunks of finely hewn riffola and righteous rock ‘n roll noise.

Uncle Acid & the Deadbeats’ breakthrough album Blood Lust (2011) was an homage to British Hammer and folk horror films of the 1970s, a candle-lit head-trip of withered hands, ritual knives and gallows ropes. Mind Control (2013) looked further afield, to the post-Charles Manson US for inspiration: Jim Jones dosing the Kool-Aid, Blue Cheer, Blue Oyster Cult, B-movie biker movies, war, Watergate, serial killers, and suicidal TV evangelists. Now comes The Night Creeper, their darkest journey yet.

The Night Creeper will be released on September 4 via Rise Above Records. Check out the band’s North American tour dates below.

Tour Dates

9/9 at Center Stage in Atlanta, GA
9/11 at Baltimore Sound Stage in Baltimore, MD
9/12 at Webster Hall in New York, NY
9/13 at Union Transfer in Philadelphia, PA
9/14 at Royale in Boston, MA
9/16 at Corona Theater in Montreal, QC
9/17 at Phoenix Theater in Toronto, ON
9/18 at Mr. Smalls in Pittsburgh, PA
9/19 at Metro in Chicago, IL
9/20 at Mill city Nights in Minneapolis, MN
9/22 at Summit Theater in Denver, CO
9/23 at Urban Lounge in Salt Lake City, UT
9/25 at Commodore Ballroom in Vancouver, BC
9/26 at El Corazon in Seattle, WA
9/27 at Wonder Ballroom in Portland, OR
9/29 at Slims in San Francisco, CA
9/30 at Slims in San Francisco, CA
10/1 at The Fonda Theater in Los Angeles, CA
10/2 at The Observatory in Santa Ana, CA

https://www.facebook.com/uncleacid
http://acidcoven.com/index.html

Uncle Acid and the Deadbeats, “Mt. Abraxas” Live at Truckstop Alaska, Gothenburg, Sweden, 11.23.13

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Live Review: Uncle Acid and the Deadbeats and Danava in New York, 09.26.14

Posted in Reviews on September 29th, 2014 by H.P. Taskmaster

uncle acid and the deadbeats 1 (Photo by JJ Koczan)

The tour had started two nights prior at Underground Arts in Philadelphia. The night before, they were in Boston, and it would’ve been a much shorter drive to hit that show, but it was my 10th wedding anniversary. A drive down to New York to pop into Manhattan and catch Uncle Acid and the Deadbeats with Danava at Bowery Ballroom didn’t seem unreasonable. Traffic on the way down, on the other hand, was. I still managed to get to the venue before they opened the doors to the upstairs room where the show was actually happening — I’d never seen a line inside the downstairs bar before — so though I felt like I was going to be late the whole danava 1 (Photo by JJ Koczan)time, I still managed to get a spot up in front of the stage. Doomly serendipity.

Portland, Oregon’s Danava, who are veterans of Kemado Records, were the lone openers. A double-guitar foursome, they weren’t unknown to me, having made a somewhat less than favorable impression at Roadburn in 2012. I wasn’t looking forward to seeing them, to be quite honest. I don’t even remember what it was about their Roadburn slot that had me so irked — maybe just the simple fact that they were on before Conan and the room was so crowded– but by the time their set was three songs in, it was clear I was the one with the problem and not the band, who boogied down on winding ’70s-style riffage like they were born to do it, bangs-sporting guitarist/vocalist Gregory Meleny trading riffs with Pete Hughes, also of Sons of Huns, in a flurry of shuffle and push met head-on by the bass and drums, not quite retro but definitely skipping a couple decades in its influence.

It was a sold-out show, and people came early, so Bowery Ballroom was plenty packed for Danava‘s set. danava 2 (Photo by JJ Koczan)“Shoot Straight from a Crooked Gun” and “White Nights of Murder” from their most recent album, 2011’s Hemisphere of Shadows, were both aired, but the primary impression I had of them was mostly of my own jackassery after our paths last crossed. Again, not sure what my deal was or where the distaste came from, but they were more than solid and held the fickle attention of a Friday night Manhattan crowd. For that alone they deserve some measure of credit. I guess one of these days I’ll have to go back and dig into their records, but at least I know for the next time they come through that it’s worth showing up. Lesson learned.

Old tube televisions, one or two with built-in VCRs — there was a time when these things were a premium — were spread throughout Uncle Acid‘s amp backline, and they’d flicker on and off with static as part of the UK outfit’s lightshow, otherwise minimal. Guitarist/vocalists Kevin “Uncle Acid” Starrs and Yotam Rubinger and bassist/backing vocalist Dean Millar were backlit, their faces obscured, as the lights above switched colors from red to blue to green, orange, yellow, etc., each song in the set seeming to come with its own hue. Light-up cat’s eyes were attached to uncle acid and the deadbeats 2 (Photo by JJ Koczan)cymbal stands on either side of Itamar Rubinger‘s drum kit, and they remained on for the duration, feeding into the band’s schlock horror cultistry and malevolent mystique, the crowd eating it up from the start of “Mt. Abraxas” onward.

For a band to sell out a place like Bowery Ballroom is not an inconsiderable achievement, and NYC is far from the only city on the tour to receive the band thusly, but that it’s Uncle Acid and the Deadbeats‘ first run through the US only emphasizes the passionate response they have received. In the UK, they toured with Black Sabbath, and after a couple shows in London, they made their official live debut at Roadburn in 2013 with a slot on the Main Stage curated by Jus Oborn of Electric Wizard. Their two latest albums, 2011’s Blood Lust (review here) and 2013’s Mind Control (review here), are among the most lauded records in this half of the decade, and their influence is already being felt in a burgeoning movement of garage doom that one expects will only continue to grow. They’ve got a lot riding on their next full-length, but Uncle Acid are already a uncle acid and the deadbeats 3 (Photo by JJ Koczan)big fucking deal, and they were greeted accordingly in Manhattan, the audience roaring like something off a live record as the first recognizable strains of “I’ll Cut You Down” emanated from the stage.

I wouldn’t dare understate the power behind that song’s foreboding swing, murderous threat and otherworldly melody, but it was one highlight among several, “Crystal Spiders,” new single “Runaway Girls,” “Death’s Door,” “13 Candles” and “Mind Crawler” doling out rapturous hooks in Starrs‘ and Rubinger‘s vocals. They finished the regular set with “Withered Hand of Evil” and made an encore out of “13 Candles,” “Desert Ceremony” and the thudding “Devil’s Work,” a catchy finish but subdued in comparison to a lot of what preceded. No doubt this was by design, as was the entirety of the presentation, but the scale and realized sensibility with which Uncle Acid conjured up their demons and those of the multitudes in attendance — who almost to a head stuck through until the end — seemed to show a band rising to the occasion of the fervency they’ve induced. That is, while their ascendancy uncle acid and the deadbeats 4 (Photo by JJ Koczan)was already well underway by the time they started playing out, they’ve more than caught up with it. It would not be a surprise if on their next US tour, they play on even bigger stages.

Walking back the couple blocks to my car, it felt good to be back in New York. It had been a full year to the day since I last went to a show in Manhattan, which I think was the longest stretch I’ve had in more than a decade. I stopped into a cafeteria with some fantastic smelling Middle Eastern food and got a bottle of water for the road and then hit it, back up the FDR and toward the drunk-driver nightmare that was I-95 North heading into the weekend.

More pics after the jump. Special thanks to Jon Freeman for making this one happen and thanks to you as always for reading.

Read more »

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Uncle Acid and the Deadbeats Post Video for “Runaway Girls”

Posted in Bootleg Theater on August 19th, 2014 by H.P. Taskmaster

Look hard enough amid all the vintage bikes, cult leaders and sexualized violence in Uncle Acid‘s new video for “Runaway Girls” and you might find something that surprises you: The band. They showed up in glimpses last year as well in the similarly-minded “Mind Crawler” video — no doubt also a nightmare in the editing — but they’re just a little more present in “Runaway Girls,” and fair enough. The UK garage doom forerunners are a more public entity than they were a year ago, what with a handful of live shows under their belt alongside Black Sabbath and an impending US tour beginning next month. The world already knows what you look like. Might as well show up in your own video.

Beyond that, “Runaway Girls” is all the tanlines and devil-worship one might expect from Uncle Acid and the Deadbeats, who by now have converted more than a handful of bands to their cultish ways following the 2013 release of Mind Control (review here), an album that pushed the grainy riffage of 2011’s landmark sophomore outing, Blood Lust, into more psychedelic expanses. The song itself is the highlight, of course, and it pulls back on some of the spaciousness of Mind Control to the eerie threats of Blood Lust. If it’s a leftover from the Mind Control sessions, it’s easy to see why it didn’t fit on the record, and if it’s older, then the many who salivated over Blood Lust at the time should be all the more pleased. I don’t think it’s a brand new recording either way, but if it is, then perhaps Uncle Acid are teaching a lesson about what we can do with our expectations, even as they reaffirm them with the video.

The Runaway Girls single is out Aug. 25 on Rise Above, and Uncle Acid and the Deadbeats start their US tour on Sept. 24 at the Underground Arts in Philly. Dates follow the clip, which was directed by Marc Morris, below.

Enjoy:

Uncle Acid, “Runaway Girls” official video

UNCLE ACID AND THE DEADBEATS North American Tour:
9/24: Philadelphia, PA @ Underground Arts
9/25: New York, NY @ Bowery Ballroom
9/26: Cambridge, MA @ Middle East
9/27: Montreal, QC @ Il Motore
9/28: Toronto, ON @ Lee’s Palace
9/30: Chicago, IL @ Subterranean
10/1: Minneapolis, MN @ Triple Rock Social Club
10/3: Denver, CO @ Marquis Theater
10/4: Salt Lake City, UT @ Urban Lounge
10/6: Seattle, WA @ Neumos
10/7: Vancouver, BC @ Rickshaw
10/8: Portland, OR @ Hawthorne Theatre
10/10: San Francisco, CA @ Slim’s
10/11: Los Angeles, CA @ The Roxy Theater – SOLD OUT
10/12: Los Angeles, CA @ The Roxy Theater

Uncle Acid on Thee Facebooks

Rise Above Records

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Uncle Acid and the Deadbeats Announce US Tour Dates

Posted in Whathaveyou on June 24th, 2014 by H.P. Taskmaster

UK cult-psych/garage doom progenitors Uncle Acid and the Deadbeats will embark on their first US tour this fall. Already slated for European shows this August, they’ll subsequently arrive Stateside in support of their third album, Mind Control (review here). Already veterans of RoadburnUncle Acid supported Black Sabbath on tour in the UK and Europe this past winter, completed another full run this spring, and most recently appeared at Maryland Death Fest last month.

Dates and whatnots follow, just off the PR wire:

UNCLE ACID AND THE DEADBEATS Announce First North American Tour

UNCLE ACID AND THE DEADBEATS, one of the most talked about rock bands currently in existence, and an enigma in the international underground scene, released their third album Mind Control last year via Metal Blade Records/ Rise Above Records in North America. The reviews were phenomenal and UNCLE ACID AND THE DEADBEATS began to take North America by storm. The band recently concluded a highly successful tour of Europe and the UK as well as sold out dates in New Zealand and Australia.

In support of Mind Control, UNCLE ACID played North America for the first time this May as part of the Maryland Deathfest. After the amazing reception and breathtaking performance, UNCLE ACID AND THE DEADBEATS are set to return to North America this fall for a full North American tour. The tour kicks off September 24th in Philadelphia, PA and runs through October 11th in Los Angeles, CA. Danava will provide support on the tour and tickets go on sale this Friday June 27th.

UNCLE ACID commented on the upcoming tour:
“Deadbeats of North America! We’re very pleased to announce our first tour of the U.S. and Canada. It’s been a long time coming but we’re looking forward to finally destroying your minds!”

Mind Control is a concept album with a theme that makes the acts and intentions of the likes of Charles Manson and Jim Jones seem like petty crimes. What makes Mind Control scarier than most albums is that it doesn’t seem as sinister on the surface as it really is deep down, within the core of its black acid-drenched world of pain and torture.

Imagine the original Alice Cooper band jamming in a cell with early Black Sabbath and the Stooges, whilst sitting on murder charges and you may get a glimpse into their fuzzed up world of exploding tube amps and cymbal smashing mayhem. However, this enticing act of musical manipulation is merely the icing upon a very sick cake.

Recorded at the legendary Chapel Studios over an autumnal full moon using the finest western electrical technology, engineer Jim Spencer (Bert Jansch, Robert Wyatt) has captured perfectly the bands live sound of saturated fuzz, mind-bending riffs and 60’s vocal harmonies.

UNCLE ACID AND THE DEADBEATS North American Tour:
9/24: Philadelphia, PA @ Underground Arts
9/25: Cambridge, MA @ Middle East
9/26: New York, NY @ Bowery Ballroom
9/27: Montreal, QC @ Il Motore
9/28: Toronto, ON @ Lee’s Palace
9/30: Chicago, IL @ Subterranean
10/1: Minneapolis, MN @ Triple Rock Social Club
10/3: Denver, CO @ Marquis Theater
10/4: Salt Lake City, UT @ Urban Lounge
10/6: Seattle, WA @ Neumos
10/7: Vancouver, BC @ Rickshaw
10/8: Portland, OR @ Hawthorne Theatre
10/10: San Francisco, CA @ Slim’s
10/11: Los Angeles, CA @ The Roxy Theater

http://acidcoven.com/
https://www.facebook.com/uncleacid/
http://www.riseaboverecords.com/

Uncle Acid and the Deadbeats, “I’ll Cut You Down” Live at Maryland Deathfest 2014

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