Stoned Jesus Set Sept. 7 Release for Pilgrims

Posted in Whathaveyou on June 6th, 2018 by JJ Koczan

STONED JESUS

I haven’t been fortunate enough yet to have heard Stoned Jesus‘ upcoming fourth album and Napalm Records debut, Pilgrims, but I think it’s fair to say that through the circumstances of its arrival and through the massive amounts of touring the Kiev trio have done to lead up to it, it’s relatively safe to call them the forerunners of the Ukrainian heavy underground. That a label with the profile of Napalm would take a shot on them is telling, but as they move into the cycle for Pilgrims, I’m more interested to hear how the three-piece will follow-up 2015’s The Harvest (review here).

That record found Stoned Jesus departing the comforting and riffy confines of its predecessor, 2012’s done-gone-viral Seven Thunders Roar (review here), but then last year, they spent several tours playing that album in its entirety. Will that have an influence on the overarching impression Pilgrims makes? Hell if I know, but Stoned Jesus haven’t put out a long-player yet that didn’t push their sound forward, so it’ll be interesting to find out.

They’re on tour in Sept. in Europe with Mothership and Elephant Tree. Info comes care of the PR wire:

STONED JESUS PILGRIMS

STONED JESUS Announce New Album Details!

Watch Out for Pilgrims This September!

On September 7th STONED JESUS will deliver their next solid slab of progressive stoner rock on Napalm Records: Pilgrims.

With their fourth album the Ukrainian trio offers much more than an average desert session: Pilgrims is a rather multi-faceted affair mixing groove with noise rock elements, lots of proggy infusions and maybe even a sick bass line reminiscent of good old Deftones (“Thessalia”). Giants such as Mastodon and Melvins come to mind since STONED JESUS can’t be pigeonholed.

The band comments on the new album:

“This record was inspired by our relentless touring and the feelings you get – or more precisely you lose – because of it. It’s weird how disconnected one becomes when constantly surrounded by people. Musically it’s pretty different from what we’ve done, it’s more song-oriented but simultaneously more challenging than before – sonically and structurally”

The full track listing of Pilgrims reads as follows:
1. Excited
2. Thessalia
3. Distant Light
4. Feel
5. Hands Resist Him
6. Water Me
7. Apathy

Pilgrims will be available in the following formats:
-1 LTD Edition 4 Page Digipack
-Various LP Gatefolds (different colours)
-Digital Album

Pre-Orders will be available shortly, keep your eyes open!

Tour Dates:
STONED JESUS
14.07.18 SP – Viveiro / Resurrection Fest
27.07.18 DE – Neuensee / Rock im Wald
02.08.18 GR – Almiros / Los Almiros Festival
19.08.18 FR – Saint-Nolff / Motocultor Festival
02.09.18 GR – Thessaloniki / Street Mode Festival

07.09.18 UA – Kyiv / Bingo Club
13.09.18 DE – Wiesbaden / Schlachthof
14.09.18 DE – Stuttgart / JH Hallschlag
15.09.18 CH – Pratteln / Z 7
17.09.18 DE – Munich / Feierwerk
18.09.18 AT – Graz / PPC
19.09.18 AT – Vienna / Arena
20.09.18 DE – Leipzig / Werk 2
21.09.18 DE – Berlin / Bi Nuu
22.09.18 NL – Nijmegen / Doornroosje
23.09.18 NL – Amsterdam / Melkweg
24.09.18 DE – Köln / Helios 37
25.09.18 DE – Bielefeld / Forum
26.09.18 BE – Brussels / Magasin 4
27.09.18 FR – Paris / Petit Bain
28.09.18 UK – London /The Garage
29.09.18 UK – Sheffield / Doom vs Stoner Festival
12.10.18 UA – Lviv / FESTrepublic
19.10.18 UA – Kharkiv / ART AREA DK
20.10.18 UA – Dnipro / Makhno Pub

Line-up:
Ihor Sydorenko – Vocals & Guitars
Serhij Sljussar – Bass
Dmytro Zinchenko – Drums

https://twitter.com/stonedjesusband
https://www.facebook.com/stonedjesusband
https://www.instagram.com/stonedjesusband/
www.napalmrecords.com
www.facebook.com/napalmrecords

Stoned Jesus in the studio

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Stoned Jesus, Mothership & Elephant Tree Announce September Tour

Posted in Whathaveyou on March 28th, 2018 by JJ Koczan

Holy rat farts that’s a good tour. You’ve got Stoned Jesus, fresh off a year celebrating their 2012 sophomore album Seven Thunders Roar and itching to promote their new album, teaming up with Texas’ Mothership, who by then should be road-testing new material for their next record, and Elephant Tree, who’ll have a new album in the hopper if not already out by the time the tour starts. Three absolutely killer bands, all fired up and ready to bring their best to the assembled masses. It’s an easy one to get excited about, you know, if you like things that are awesome.

The run is presented by Sound of Liberation, who in addition to umpteen festivals throughout the Spring and Fall seasons, specialize in precisely this kind of righteousness. Still, I didn’t see this one coming.

It was announced thusly:

stoned jesus mothership elephant tree tour

We are thrilled to unveil today the dates for an incredible 3-band package taking over European clubs in September!

Featuring the Ukrainian much-loved trio Stoned Jesus (working on a new album to be released by Napalm Records in September), along with Texas live-beasts Mothership (who will promote their last-year highly-acclaimed album “High Strangeness”) and Uk-based doom-explorers Elephant Tree (also sharping up some new tunes for an upcoming album), we believe this bill has the potential to rock your nights!

This will happen from September 13th to 29th in the best European dens. Get in touch with your local rock dealer to get your ticket quick!

13.09.18 | DE | Wiesbaden | Schlachthof
14.09.18 | DE | Stuttgart | JH Hallschlag
15.09.18 | CH | Pratteln | Z7 (Up In Smoke Warm-Up)
16.09.18 | CH | TBA
17.09.18 | DE | Munich | Feierwerk
18.09.18 | AT | Graz | PPC
19.09.18 | AT | Vienna | Arena
20.09.18 | DE | Leipzig | Werk 2
21.09.18 | DE | Berlin | Bi Nuu
22.09.18 | NL | Nijmegen | Doornroosje
23.09.18 | NL | Amsterdam | Melkweg
24.09.18 | DE | Cologne | Helios 37
25.09.18 | DE | Bielefeld | Forum
26.09.18 | DE | Brussels | Magasin 4
27.09.18 | FR | Paris | Petit Bain
28.09.18 | UK | London | The Garage
29.09.18 | UK | Sheffield | Doom vs Stoner Fest*
(* Stoned Jesus & Elephant Tree only)

www.soundofliberation.com
https://www.facebook.com/Soundofliberation/
https://twitter.com/sol_ug

Stoned Jesus, “I’m the Mountain” live in 2017

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Risin Sabotage Release New Single “Serpent”; Polish Tour Announced

Posted in Whathaveyou on March 20th, 2018 by JJ Koczan

risin sabotage poland

Next month, Kiev-based heavy rockers Risin Sabotage take off on a four-date stint through Poland with Weird Tales. It’s basically an extended weekender, and there’s nothing wrong with that whatsoever. They go heralding their just-released new single “Serpent,” which has been posted digitally and may or may not receive a physical pressing. The band has also announced an allegiance for digital distribution through respected countryman purveyor Robustfellow Productions — worth noting that Risin Sabotage appeared on Robustfellow‘s expansive Electric Funeral Cafe Vol. 3 compilation (review here) last year, so it’s not by any means the first time the two parties have worked together — and that will include not only the new single, but the band’s prior single “Sabotage Rising” and their 2017 debut album, Planet Dies, as well.

You can stream the song itself below and it’s a quick and unpretentious bit of heavy rock riffing that asks little for its two and a half minute run more than a nod along to its spaced-out hook and fervent groove. Grunge is an element at play, but the focus seems to be more on a blend of earthy tones and cosmic effects, and it works well in the brief stretch, especially the solo section that closes out.

Dig it:

risin sabotage serpent

New single “Serpent” by Risin Sabotage.

Exclusive premiere now via Robustfellow Digital.

Also Robustfellow Prods. is happy to distribute the following groovy tunes by Risin Sabotage [Kyiv, UA] digitally:

“Planet Dies” (March 10, 2017)
“Sabotage Rising (live)” single (October 28, 2017)
“Serpent” single (March 16, 2018)

Find your favourite tracks on Apple Music, Spotify, Google Play, Amazon, Deezer and 150+ smaller outlets!

APR 26 Protokultura – Klub Sztuki Alternatywnej Gdansk PL w/ Weird Tales
APR 27 Klub pod Minog? Poznan PL w/ Weird Tales & Bad Luck Experience
APR 28 Beczka Pub Olsztyn PL w/ Weird Tales & PostNatura
APR 29 NRD Klub Turun PL w/ Diuna & Weird Tales

Risin Sabotage is:
Igor Nediuzhyi (Drummer)
Kirill Chepilko (Vocals)
Vitya Panchishko (Guitar)
Valery Skorzhenko (Bass)

https://risinsabotage.bandcamp.com/
https://www.facebook.com/risin.sabotage/
https://instagram.com/risin_sabotage/
robustfellow.bandcamp.com
facebook.com/RobustfellowProds

Risin Sabotage, “Serpent”

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Soom Set April 20 Release Date for New Album Djebars

Posted in Whathaveyou on March 8th, 2018 by JJ Koczan

soom

Oh, be certain: weirdness abounds on Soom‘s new full-length, Djebars, which the Ukrainian three-piece will issue on April 20 via no fewer than four labels: Robustfellow ProductionsAddicted LabelKvlt ov I and Voron Nest, and the band could hardly be more at home in that weirdness. Enough so that I’d like to hear them do a cross-continental collaboration Queen Elephantine, just to see what comes out of it — wait until you hear “Wheelchair.” They share some of the ritualistic elements one finds in their countrymen an labelmates Ethereal Riffian, but Djebars, and Soom as whole, are on their own wavelength.

The PR wire has the news like this:

soom-djebars

Soom – Djebars – Robustfellow Prods. | Addicted Label | Voron NEST | KVLT OV ?

A lo-fi heavy juggernaut Soom which won the attention of many lovers of low-tuned, dark, vicious, filthy, shake-the-fucking-ground metal are releasing their second album via Robustfellow Prods. on the 20th of April.

Soom, who have previously combined heavy weirdness, hypnotic rhythms, otherworldly chanting and ‘recorded in a cavern’ sound with an ancient mysticism grounded in Ukrainian folk, are ready to go further and project the spirit of their native city through unearthly soundscapes of their sophomore album.

Preserving the traditions of the first album, Soom creates a conceptual story, more uncanny in “spoken words”, more chaotic and deeper in music, combining doom metal with dark side of rave and Slobozhansky folk. The result of this mixture is unpredictable, so make sure you are ready for immersion.

Soom was founded in Kharkiv at the end of 2013. The band was set up on the outskirts of the projects that had been lying in the sources of the Kharkiv stoner sludge scene since 2010. After a lot of changes in consciousness, in 2016 the golden composition was formed: Amorth – drums, Tomrer – bass, Kova – guitar and vocals. For the period from 2013 to 2017, Soom recorded three splits with Pressor, Diazepam, Il and Vena, one EP “Fear and Loathing” and one full-length album “Night on the Meadow”. They also got into the Electric Funeral Café compilation from RobustFellow three times.

soom.bandcamp.com
facebook.com/soomdoom
robustfellow.bandcamp.com
facebook.com/RobustfellowProds
facebook.com/NonameRecordz
noname666.bandcamp.com
https://voron-nest.bandcamp.com
facebook.com/VoronNEST
facebook.com/pg/kvltovyee

Soom, Fear and Loathing (2015)

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Stoned Jesus Sign to Napalm Records

Posted in Whathaveyou on February 14th, 2018 by JJ Koczan

And well fucking earned, I should say. Aside from being the internet’s favorite heavy rock band thanks in no small part to the ongoing proliferation of their 2012 album, Seven Thunders Roar (review here), on YouTube — the clip at the bottom of this post for “I’m the Mountain” has over 8.4 million views — Kiev trio Stoned Jesus have spent the better part of the last several years touring their collective ass off in support of their increasingly progressive output, which draws with equal comfort from punk, heavy rock and metal and creates something of its own from them. Yeah, they have a silly name, but they have done and continue to do important work aesthetically and their ongoing development has made them thrillingly unpredictable.

Accordingly, I have no idea what might be in store for Stoned Jesus‘ fourth album, which will be out later this year as the follow-up to 2015’s The Harvest (review here) and their debut for Napalm. Whatever may come, though, you can count on two things: It will be their own, and they will tour it hard for the next 12 months-plus. Because that’s what they do. And look where it got them.

So once again, well fucking earned.

The PR wire makes it official:

stoned jesus

STONED JESUS SIGNS WITH NAPALM RECORDS!

Napalm Records is proud to welcome a new band to their artist roster: Heavy rock trio STONED JESUS have just signed a worldwide deal with the Austrian powerhouse label!

Founded back in 2009 in Kyiv, STONED JESUS have released three highly acclaimed records to date and toured almost all around the globe.

Says guitarist Igor Sydorenko:
“We’re delighted to announce that Stoned Jesus is signing with Napalm Records, one of the biggest and oldest rock/metal labels on the planet! By joining the likes of My Sleeping Karma, Greenleaf, Monster Magnet, Alter Bridge, Powerwolf, Moonspell and many other well-established bands in Napalm’s eclectic roster, we’re getting ready to start the new page in Stoned Jesus’ testament.”

Napalm Records A&R Sebastian Muench comments:
“We are absolutely happy and thrilled to finally anounce the signing of STONED JESUS. In the last couple years I was able to witness STONED JESUS live many times at various Up In Smoke and Desertfest events. The Ukrainian band perfect blend of Stoner, Psych and Prog is absolutely brilliant and we expect nothing less than another masterpiece of a release in 2018. Stoned Jesus, welcome to the family and I hope you feel confortable among your band mates of Greenleaf, My Sleeping Karma, Monster Magnet or Monkey3.”

With their powerful mix of Psych, Stoner, Progressive Rock and Doom, STONED JESUS manage to always create a finest fusion of the heavy but yet still melodic sounds. Emotional lyrics meet a heavy wall of tunes, especially live the band already left their huge stamp in the international stoner rock scene and beyond. And even if you haven’t heard their albums, you probably know “I’m the Mountain” – one of the most popular songs of the genre.

While the band is currently working on their fourth full length record, set to be released with Napalm Records later this year, STONED JESUS will be heavily hitting the road again in 2018!

Make sure to catch them live on the following dates:

04.04.18 PL – Warsaw / Klub Proxima
05.04.18 PL – Gdynia / Klub Muzyczny Ucho
06.04.18 PL – Poznan / tba
07.04.18 PL – Wroclaw / Klub Firley
08.04.18 PL – Krakow / Zet Pe Te
10.05.18 RO – Cluj Napoca / Soundart Festival
11.05.18 RO – Bucharest / Soundart Festival
12.05.18 RO – Timisoara / Soundart Festival
13.05.18 BG – Sofia / Mixtape 5
15.05.18 BA – Sarajevo / Underground Club
16.05.18 HR – Zagreb / Vintage Industrial Bar
17.05.18 SRB – Belgrade / Bozidarac
18.05.18 HUN – Pecs / Pecsi Est
19.05.18 RO – Satu Mare / Gravel Room
20.05.18 RO – Lasi / Rock N Iasi Open Air
14.07.18 ES – Estrella Galicia / Resurrection Fest
27.07.18 DE – Neuensee / Rock Im Wald
02.09.18 GR – Thessaloniki / Street Mode Festival
29.09.18 UK – Sheffield / HRH Doom vs Stoner Festival

www.facebook.com/pg/stonedjesusband
www.instagram.com/stonedjesusband
www.twitter.com/stonedjesusband
www.stonedjesus.bandcamp.com
www.napalmrecords.com

Stoned Jesus, “I’m the Mountain”

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Review & Track Premiere: Somali Yacht Club, The Sea

Posted in audiObelisk, Reviews on January 15th, 2018 by JJ Koczan

somali yacht club the sea

[Click play above to hear ‘Vero’ from Somali Yacht Club’s The Sea. Album is out Jan. 22 on Robustfellow Productions and Kozmik Artifactz.]

The second full-length from Lviv-based three-piece Somali Yacht Club, The Sea, would seem to speak more to a spirit of progressive melancholia than its predecessor, 2014’s The Sun (discussed here). This is despite the fact that the two records share in common deep-toned heavy psychedelic underpinnings and an overarching rhythmic fluidity. One could argue that it’s been four years and perhaps the Ukrainian trio of guitarist/vocalist Mez, bassist Artur and drummer Lesyk have grown as an outfit as a result of touring and appearing at notable gatherings like Desertfest Berlin, SonicBlast Moledo, etc., but to listen to the six-track/53-minute outing and ignore the apparent mindfulness behind its drift is to miss out on one of the album’s most resonant appeals.

It’s not just a record that jams out spacious tones and gently echoing melodic vocals in a tossed-off manner; there is an overarching purposefulness to its fluidity and to its presentation, which begins with the opening salvo provided by the extended “Vero” (11:38) and “Religion of Man” (12:02) and moves directly into the Elder-style heavy-prog shimmer of the shortest inclusion, “Blood Leave a Trail,” which still has enough swirl to not be a contrast in its 6:20 run. If one wanted, I suppose, they could hear The Sea and simply get lost in the wash of “Vero” and suddenly snap back to consciousness after the finale of “Crows” has ended, but whether it’s Arthur‘s bassline as the foundation for the volume swell of effects at the start of “Hydrophobia” or the swinging taps on Lesyk‘s ride cymbal as “Vero” jazzily approaches its peaceful, atmospheric midsection, the collection is rife with details that warrant active engagement.

In other words, the more one puts into hearing it, the more satisfaction one is likely to reap from The Sea on the whole. To wit, the initial pairing of “Vero” and “Religion of Man” is perhaps the most obvious showcase of intent on the part of Somali Yacht Club in terms of their desire to fully engage and hypnotize, and while they come close to earning the immediate points of opening with their longest track — there should be a partial credit system for the salvo as a whole, but I haven’t worked out the metrics of such things; check back (or don’t) — it’s the breadth in the midsection of “Vero” that’s most likley to entrance outright. All throughout The Sea, the band demonstrate an ability to transition between wide-cast ambience and more directly weighted, riffier fare, and that’s true of the linear build in the second half of “Vero” as well as it picks up past the seven-minute mark and lumbers to its exciting conclusion, but it’s the patience there and in “Religion of Man” as well (speaking of details: the low-end angularity and feedback interplay in the eighth minute has to be heard to be believed) that makes the execution such a thrill to fully embrace and in tempo as much as construction, the songs are truly progressive in the sense of being thoughtful works manifesting a decisive creative growth.

somali yacht club

That Somali Yacht Club then manage to shift modus into the six-minute “Blood Leave a Trail” essentially without missing a beat shows how well they’ve already managed to carry their listeners with them, and as the rest of The Sea rolls toward the shore, there is never a moment at which they seem either to be out of control or unaware of what effect their material might be having on their audience. Certainly they take their time getting to where they’re going, but as a whole, The Sea is almost perfect in its pacing, and the fact that MezArtur and Lesyk so confidently move at such a languid clip only further speaks to their progress in developing a chemistry over the last several years coming off the debut.

Serene and still a little sad, “Hydrophobia” begins the second half of the tracklisting (one assumes side B of the vinyl actually starts with “Blood Leave a Trail” before it) with an exploratory feel, but splits shortly after its midpoint to the most driving moment on The Sea, quicker in its tempo and more forceful in its swing, but still holding to the reach of the prior tracks in tone and reverb. The final four inclusions on The Sea — “Blood Leave a Trail,” “Hydrophobia,” “84 Days” and aforementioned closer “Crows” — are arranged longest to shortest, so the effect is that the record works to re-immerse the listener as it goes, and it’s telling that the last pairing of “84 Days” and “Crows” are shorter at 7:27 and 9:13, respectively, than the tracks were at the outset, as though Somali Yacht Club didn’t want to ask too much indulgence on the part of their listenership.

That may or may not be their motivation, I don’t know, but the track arrangement works just the same like a rising tide that gradually swells to engulf the shore. “84 Days” is massive by the time the vocals arrive late, having grown so subtly along the way that it’s perhaps the easiest point on the record to lose one’s self, and as the standalone riff of “Crows” begins the last piece, the band seem to be securing their triumph with a victory lap of a groove. Well earned. There’s an uptick in pace as they move toward the middle — Lesyk seeming to double-time it on drums — but it’s shortlived, and the core of “Crows” resides around a singular, nod-ready progression that lumbers in the fullness of its fuzz early and reemerges from the psych-gazing middle third to cap the finale with due payoff for the reaches plumed before it.

If 75 percent of the earth is water, The Sea might just be wet enough to earn its name, but where the album’s true achievement lies is in the grace with which its component pieces come together and the flow that unites them as a whole work, cohesive in sound and purpose and resonant in tone and emotion. One is curious to think what might happen if Somali Yacht Club, after The Sun and The Sea, finally approach landfall with their third outing, but wherever these sonic waves ultimately carry them, the journey is a joy to behold.

Somali Yacht Club, The Sea (2018)

Somali Yacht Club on Thee Facebooks

Somali Yacht Club on Bandcamp

Somali Yacht Club on Twitter

Somali Yacht Club on Instagram

Robustfellow Productions on Thee Facebooks

Robustfellow Productions on Bandcamp

Robustfellow Productions on Twitter

Robustfellow Productions on Instagram

Kozmik Artifactz on Thee Facebooks

Kozmik Artifactz website

Kozmik Artifactz webstore

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Somali Yacht Club Post New Song “Blood Leave a Trail”; The Sea Available to Preorder

Posted in Whathaveyou on December 27th, 2017 by JJ Koczan

In the swaying rhythm, melody and swirling lead in the back half of the newly-unveiled ‘Blood Leave a Trail,’ one can hear Ukrainian trio Somali Yacht Club working under the progressive heavy rock influence of Elder‘s Lore album as they follow-up their 2014 debut,  The Sun (discussed here), but there’s some dreamy psychedelic vibes underlying that spirit and that suits them no less well than the directed cohesion around which the track is ultimately based. The Sea, which is the album from whence “Blood Leave a Trail” comes, is set to release Jan. 28 via Robustfellow and Kozmik Artfactz both, and preorders have been made available for those who like to get these things out of the way early, before, you know, spending money on less important stuff like paying bills or buying food or whatever it might be. Priority goes to rock.

Hard not to dig this cover art, right? I don’t know who did it, but yeah. If I was the kind of guy to keep a list of awesome album covers throughout the course of a year and post it every December, I might just think 2018 had its first entry on same.

From the PR wire:

somali yacht club the sea

Robustfellow announce pre-orders for SOMALI YACHT CLUB’s sophomore album “The Sea”, out on January 28th.

Robustfellow Prods. announce pre-orders for “The Sea”, the long anticipated sophomore album of Ukrainian dream-toned psychedelic trio SOMALI YACHT CLUB.
After the release of their highly acclaimed first album “The Sun”, which demonstrated the band’s ability to create dreamy vibe, mix styles and immerse listeners into phantasmagorical sound landscapes, SOMALI YACHT CLUB expand their musical horizons with their next LP “The Sea”. Warm grooves, atmospheric psychedelia, rich fuzz, airy leads masterfully blend in one sonic canvas and show progression of the band both in terms of songwriting and lyricism.

“The whole album is built upon the story about love, friendship, hope, and trust”, vocalist and guitarist Ihor comments. “Our music gets darker, more sophisticated and deep with each song. Imagine the dark clouds that are sinking lower and lower and dark-blue waves that are rising higher and higher.”

From the 22nd of December, you can pre-order CDs, limited editions, t-shirts, patches, bundles and many more via Robustfellow Prods. The album release will be accompanied with a massive merchandise sale at this location. Vinyls will be available via Kozmik Artifactz (links below) in the beginning of spring.

1. Vero
2. Religion Of Man
3. Blood Leave A Trail
4. Hydrophobia
5. 84 Days
6. Crows

http://facebook.com/Somaliyachtclub
http://somaliyachtclub.bandcamp.com
http://twitter.com/somaliyachtclub
http://instagram.com/somaliyachtclub
http://facebook.com/RobustfellowProds/
http://robustfellow.bandcamp.com
http://twitter.com/robust_fellow
http://instagram.com/robustfellow_prods
http://facebook.com/kozmikartifactz
http://kozmik-artifactz.com
http://shop.bilocationrecords.com

Somali Yacht Club, “Blood Leave a Trail”

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Risin Sabotage Post Video for “Sun is God”

Posted in Bootleg Theater on December 12th, 2017 by JJ Koczan

risin sabotage

Whatever your expectations might be for this video from Kiev-based desert-style groovers Risin Sabotage, put them aside. You remember how when South Park first came on in the late ’90s it was made with paper cutouts? Well, the clip below for “Sun is God” was no doubt animated on computer, but it has that same look and as its raw riffing plays out across an efficient four and a half minutes, we see the story of a Christian-looking congregation meeting their match as the band itself shows up in the form of horned dinosaurs, blows out the mass, burns everyone’s eyeballs and then turns the church into a rocketship and blasts it off, presumably into the sun. Yes it’s as awesome as it sounds. Yes you should watch it immediately.

The track comes from Risin Sabotage‘s 2017 album, Planet Dies, which saw LP issue through the ultra-respected Nasoni Records and a CD pressing from Japanese imprint Voron Nest, and which, if you’re so inclined, you can stream in its entirety at the bottom of this post. It’s definitely worth checking out for the barebones style of fuzz Risin Sabotage present, but make sure you hit up the thick shuffle of “Sun is God” first and dig into the video, because yeah, it’s definitely worth your time. Imaginative in its story, engaging in its look and creative use of color, and fitting to the track itself — I’m not going to disparage those who do the band-rocking-in-rehearsal-space video, because hey, at least they’re making an effort, but “Sun is God” reminds of what a difference some very obviously hard work can make when the results come out just right.

Clip and more info follow here. Please enjoy:

Risin Sabotage, “Sun is God” official video

Made by:
Michelle Feldman
Matous Valchar
Tomas Cerveny

Sun is God is a song from our latest album Planet Dies

Check it https://risinsabotage.bandcamp.com/

The second trip from our essence and conscious to the stars and galaxies through the deserts and stones of our existence. There are always a stepping stones on the way questioning about the life and death, bearing thoughts about the end and the beginning and who watches us on this way. No matter is it the line or the cycle pass it with Risin Sabotage accompanied.

Risin Sabotage is:
Igor Nediuzhyi (Drummer)
Kirill Chepilko (Vocals)
Vitya Panchishko (Guitar)
Valery Skorzhenko (Bass)

Risin Sabotage, Planet Dies (2017)

Risin Sabotage on Thee Facebooks

Risin Sabotage on Instagram

Risin Sabotage on Bandcamp

Voron Nest on Bandcamp

Nasoni Records website

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