Austin Terror Fest Becomes Oblivion Access; Initial 2020 Lineup Announced

Posted in Whathaveyou on November 21st, 2019 by JJ Koczan

As someone who spent roughly five minutes not-at-all-surviving in the corporate sector working in something loosely related to marketing, I’m sometimes interested in moves like this. Obviously it’s a play toward a wider appeal, right? More people will be interested in Oblivion Access than Austin Terror Fest, which sounds like an extreme metal festival exclusively. A name like Oblivion Access — taken from the 2015 album of Lil Ugly Mane, who’ll be part of the 2020 lineup — also opens up the possibility of tapping into the kind of modern American post-Coachella emergence of the “festival experience,” which sometimes extends to art and other stuff and sometimes just means that if you pay more you get more. “Oblivion” connotes danger and “Access” connotes exclusivity. You could sit a team down in a brightly lit open office space surrounded by MacBook Pros and they’d be hard-pressed to come up with a more suitable banner to fly.

Swans, Converge, Anna von Hausswolff, True Widow, Despise You and Primitive Man are confirmed so far, in addition to the aforementioned Lil Ugly Mane, and badges are available now.

Details follow via the PR wire:

oblivion access 2020 lineup

AUSTIN TERROR FEST ANNOUNCES REBRAND AS OBLIVION ACCESS MUSIC FESTIVAL CELEBRATES 2020 RETURN WITH INITIAL LINEUP REVEAL FEATURING SWANS, CONVERGE, LIL UGLY MANE, ANNA VON HAUSSWOLFF, DESPISE YOU, TRUE WIDOW, & PRIMITIVE MAN

— FOURTH ANNUAL HEAVY METAL, EXTREME ROCK, & EXPERIMENTAL MUSIC FESTIVAL RETURNS JUNE 5-7 TO MULTIPLE VENUES ACROSS DOWNTOWN AUSTIN, TEXAS —

— FESTIVAL BADGES ON SALE NOW WITH FULL LINEUP DROPPING IN JANUARY —

The founders of Austin Terror Fest are proud to announce the music festival has recently rebranded to become Oblivion Access. The heavy metal, extreme rock, and experimental music festival is set to return to the Red River Cultural District of Austin, Texas, on June 5-7. Additionally, the festival has revealed some of the first acts added to the 2020 lineup, with three-day badges on sale now for just $200 through the festival’s official Facebook event page.

Oblivion Access is an annual celebration of underground music and rock culture, which will take place across a three-day weekend from Friday, June 5 to Sunday, June 7, 2020. Each night of the festival, Oblivion Access will take over some of the most popular music venues in the renowned Red River Cultural District of downtown Austin—including returning fan-favorites like Barracuda and Empire Control Room & Garage, as well as a new location at Mohawk—to offer attendees performances from some of the most in-demand metal and experimental acts from across the globe.

The new name, Oblivion Access, is meant to serve as an homage to Lil Ugly Mane’s 2015 album of the same title. Still ringing true to the festival’s original identity, Oblivion Access will continue to provide fans with some of today’s most sought-after heavy metal, experimental, and punk rock music performances. The festival will also expand into new genres and sounds, continuing the transition that began during last year’s festival to make the event a more inclusive and encompassing celebration of both counterculture and experimental music.

In celebration of the festival’s new name, as well as its expansion to now include Mohawk, the festival team has decided to unveil several acts in this year’s lineup, including a very special headlining performance from Swans as the band reunites for the first time after going on hiatus in 2017. The oft-labeled “world’s loudest experimental rock band” just released their latest album, Leaving Meaning, and continue to be heralded as pioneers in the industrial rock scene.

The 2020 bill will also feature Boston-based hardcore punk band Converge; Lil Ugly Mane, a critically acclaimed rap project from the mind of Travis Miller, whose last album in 2015 is the namesake for the festival; and Swedish singer/songwriter Anna von Hausswolff, as she embarks on her first-ever tour across the US. Other notable acts include Los Angeles-based hardcore punk band Despise You, best known for their power-violence sound that combines extremely dissonant and fast metal; and Texas’ own doom rockers True Widow, hailing from nearby Dallas. Lastly, sludge metal trio and Oblivion Access’ artist-in-residence Primitive Man will be returning to perform several sets featuring never-before-played deep cuts.

The current music lineup is listed below, with the full lineup being revealed in January 2020:

OBLIVION ACCESS 2020 – INITIAL MUSIC LINEUP
Swans
Converge
Lil Ugly Mane
Anna von Hausswolff
Despise You
True Widow
Primitive Man

Three-day GA passes are on sale now for $200 through the festival’s official Facebook event page. Weekend GA passes guarantee access to all official festival shows at Barracuda, Empire Control Room & Garage, and Mohawk throughout the three-day festival weekend. These Weekend GA passes are in limited supply due to venue capacities, so those interested are encouraged to act fast. Single-show passes will also be made available for purchase online at a later time closer to the festival dates.

Oblivion Access (formerly Austin Terror Fest) was created in 2016 and continues to be independently produced by Austin-based entrepreneurs Dusty Brooks and Dorian Domi. Brooks and Domi are not only successful music talent bookers, but they are also metal enthusiasts who look to continue growing the new brand for years to come. Each year the event continues to grow, with last year’s festival hosting the largest number of attendees to date. The 2019 festival included 2,500 attendees and more than 30 music acts from Texas and around the globe, including Lighting Bolt, Pig Destroyer, Goatwhore, TR/ST, Alcest, Bongzilla, and more.

The official music lineup poster for Oblivion Access 2020 was designed and illustrated in collaboration with the talented Russ Goldston, an experienced calligrapher and digital artist based in Chicago. More of their work can be found on Instagram at @late.fate.

For more information, please visit the official Oblivion Access Facebook Event page and follow along on Instagram at @OblivionAccessFest for updates and special promotions. The Festival’s official hashtag is #OblivionAccess2020.

https://www.eventbrite.com/e/oblivion-access-2020-tickets-82569635001
https://www.facebook.com/events/417718199127009/
https://www.facebook.com/oblivionaccessfest/
https://www.instagram.com/oblivionaccessfest/

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Monolith on the Mesa Lineup Confirmed; Om, Dead Meadow, Wovenhand, The Obsessed, Cloud Catcher & More to Play

Posted in Whathaveyou on January 25th, 2019 by JJ Koczan

monolith on the mesa banner

So, uh, you wanna go get weird in the desert for a weekend? Sure, we all do. And if you’re up for making it the trip of a lifetime, Monolith on the Mesa has a bunch of decked-out vintage trailers available for you to hide from the New Mexico sun while you wait for the show to start. From the pre-party to The Obsessed headlining the second day, the inaugural edition of Monolith on the Mesa looks like the stuff of pilgrimage dreams. Om and Dead Meadow? Wovenhand? Tia Carrera jamming in a brewery? Duel? It’s an obviously curated lineup very purposefully put together with the setting in mind, and whether it’s the indoor or outdoor stage, it’s easy to see where it has the potential to be an incredible time. I’ve gone on at some length about the growth of US festival culture over the course of this decade. Look no further if you need an example of the fruit that would seem to be bearing.

If you make it down, congratulations on your life. You pretty much win.

Lineup and ticket links as per the social medias:

monolith on the mesa poster

Monolith on the Mesa: A High Desert Rock & Art Experience

Join Us On May 16th, 17th, & 18th In Taos New Mexico At Taos Mesa Brewing Mothership For Monolith on the Mesa A High Desert Rock Experience Like Non Other! A Music Festival with Art Visuals & Installations from Local NM Artists. And Of Course Some Of The Worlds Finest Dark, Psych, Stoner, Doom & Heavy Rock from All Over the Globe and SW Region! Browse Our Website monolithonthemesa.com For VIP And check out our Vintage Trailer Packages!!

http://www.monolithonthemesa.com/vintage-trailer-experience/

Hold My Ticket Link:
Pre party Show* https://holdmyticket.com/event/329481
2 Day Pass Ticket * https://holdmyticket.com/event/329524
Day 1 Pass Ticket * https://holdmyticket.com/event/329477
Day 2 Pass Ticket * https://holdmyticket.com/event/329482

MotherShip Outside Stage: Featuring Visuals By Mad Alchemist Liquid Light Show * Day 1: OM * Dead Meadow * Wovenhand * True Widow * EYE * Green Druid * Spirit Mother** Day 2: The Obsessed * Pinkish Black * Castle * The Well * Crypt Trip * WEEED * Cloud Catcher * The Munsens

Taos Mesa Worshipper Inside Stage: Day 1: * Tia Carrera * Wino (Acoustic) * Lord Buffalo * Pharlee * SuperGiant * YOU * Via Vengence * Deep Cross** Day 2 Duel * Stone Deaf * In The Company Of Serpents * Pale Horse\Pale Rider * Communion * Oryx * Sorex * Dysphotic * Devil’s Throne

https://www.facebook.com/events/260645364631316/
https://www.facebook.com/monolithonthemesa
https://www.instagram.com/monolithonthemesa/
http://www.monolithonthemesa.com/

Dead Meadow, “Good Moanin'” live at Endless Daze Fest 2018

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Roadburn 2017 Adds 24 New Bands: Bongzilla, Disfear, Serpent Venom, Lycus, Ruby the Hatchet, Harsh Toke, Joy and Many More

Posted in Whathaveyou on December 13th, 2016 by JJ Koczan

Roadburn 2017 banner

As one has come to expect by now, there’s an awful lot of badassery in this latest announcement from Roadburn 2017. The Tilburg-based festival doesn’t seem to do anything small at this point — though it boasts not one, but two delightfully intimate venues, so take that assertion with a grain of reality’s salt — and that certainly includes this round of 24 lineup additions. For me, particularly notable is the West Coast heavy psych invasion underway with the likes of Joy and Harsh Toke added — Tee Pee labelmates Ruby the Hatchet are no slouches themselves in that regard — and UK doomers Serpent Venom, who, as noted in the expansive update below, are overdue for an appearance at this showcase of showcases. I’ve included the stream of their last album as a refresher of its righteousness, in case you need one.

Also dig Bongzilla added to perform Gateway in its entirety. They’ll be part of a killer Main Stage lineup that day that’s basically untouchable and bound to engender much whining when the schedule is released and is packed as ever in all the other rooms. See also Big Business, Pontiak, Radar Men from the Moon, The Devil and the Almighty Blues, Lycus and so on. In the immortal words of pre-cold-dead-hands Charlton Heston, “it’s a madhouse.”

Check it out:

Twenty-four new additions to Roadburn’s 2017 line up

• John Dyer Baizley adds four new bands to his curated event, plus confirms a live interview at Roadburn 2017.
• Bongzilla confirm their first trip to Roadburn
• Big Business return to Roadburn ten years after their last performance at the festival.
….and more

JOHN DYER BAIZLEY

John Dyer Baizley has confirmed four more bands for his curated event, with the line up now almost complete. In addition, he will also take part in a live interview at Roadburn 2017 as part of the festival’s side programme.

Few others, if any, hardcore bands carry so much weight and impose so much respect outside their own scene as INTEGRITY do, perhaps because they have always transcended their “root” genre, both stylistically and conceptually. Baizley comments: “I hope to see you all there, while Integrity proves to all present that the ferocity has neither dulled nor become disingenuous throughout their career. Reality is bleak, but through darkness we are able to find connectivity and community.”

DISFEAR have been one of the leading lights of the Swedish d-beat scene in the almost three decades they have existed. They might not record of perform often, but when they do, you know it’s going to be something extraordinary, as John says: “I don’t know exactly what to expect from this re-emergence, but I’m sure it won’t be a gentle one. This should be a no-hold-barred, fists-in-the-air, mandatory-circle-pit set, and you better believe I’m not missing a minute of it.”

OATHBREAKER have wowed audiences around the world with the release of their latest album, Rheia. John counts himself among the devoted, commenting of the album: “Therein exists a healthy reverence and understanding of the genres it references; yet it’s a record that is beholden to no style, genre or convention. There are layers upon layers of sound that recall black metal, pop, indie, hardcore, shoe-gaze, you-name-it; yet as I listen, I am aware of none of this – it has been presented so artfully and with such earnest and unpretentious conviction.”

If you trace the history of post-rock, you’ll go all the way down the family tree to find Nathan Means, Philip Manley and Sebastian Thomson, the three members of TRANS AM, at the very root of it all. “I have always been a massive Trans Am fan, and I think their performance at Roadburn will be an incredible moment during next year’s festival,” John says, “I’m sure Sebastian will have his work cut out for him, playing two very intense and completely different sets, with both Baroness and Trans Am (Friday and Saturday, respectively). Do not miss this show, it will be a truly incomparable experience during Roadburn 2017.”

John Dyer Baizley will also be participating in Roadburn’s popular side programme, having confirmed that he will take part in a live interview hosted by Ula Gehret. John will talk through his personal and professional highs and lows before taking questions from the audience.

BONGZILLA

In an unparalleled stoner celebration, reformed Wisconsin riffmasters BONGZILLA have been confirmed to perform their classic album Gateway in its entirety at Roadburn Festival 2017. Next year marks 15 years since BONGZILLA originally released Gateway in 2002. Their third album, it indeed was for many listeners a doorway into a new world – a dimension of crust-laden sludge that, in the years since, has gone on to put an entire generation of bands under its influence. Unmatched in its dankness, coated in purple and green tonal wash, Gateway’s weedian righteousness is no less potent today than a decade and a half ago.

BIG BUSINESS

The last time this dynamic duo set foot at Roadburn was way back in 2007, in the company of their Melvins bros, but now, fully grown up and with a bunch more records, experience and exactly the same amount of boundless creativity, they will return on their own, as the singular, unique musical force they are.

WHORES.

Their live shows have a reputation for being way beyond the norm in terms on intensity, so we are super stoked to bring this power trio, WHORES.to Roadburn for the first time. We have the feeling it just might be one of those shows that everyone will talk about for years afterwards, so make sure you don’t miss WHORES. when they play Roadburn 2017 – they have a curious knack for melody that’ll ensure these tunes stay with you long after the bruises have healed up.

ALSO CONFIRMED:

Alaric will deliver a hybrid of post-punk’s tense, angular structures with the size and spread of extreme metal’s most dynamic sonic components.
Author & Punisher heralds the rise of the machines with a unique take on industrial doom.
Cobalt offer atypical excursions through black metal via apocalyptic tribalism, old Americana, and a doom-laden, ritualistic atmosphere.
Fórn bring both soul-crushing lows and groovy assaults at higher moments.
Gnaw Their Tongues have promised “something special” for their Roadburn set. Prepare for aural torture.
Harsh Toke will perform a set comprised entirely of Roky Ericsson covers.
Hedvig Mollestad Trio touch on genre-blurring hardrock and metal riffery as well as the noisier realms of jazz improvisation.
Joy are a San Diego heavy psych power trio, inviting you to ride along with them at Roadburn.
King Woman heavy, dark, emotional, beguiling, confrontational.
Lycus – monolithic, mournful, and massive sounding doom.
Pinkish Black will be making waves and breaking hearts with their chilling synthesiser dirges.
Pontiak are primal and fiery and often fuzzy and psyched out; ready to give a lesson in rock.
Radar Men From The Moon will team up with Roadburn 2017 artist in residence GNOD for a collaborative performance known as Temple Ov BBV, as well as playing their own show.
Ruby The Hatchet invite you to follow them on their kosmiche trip.
Serpent Venom – they’re trippy, they’re heavy, they are long overdue a Roadburn appearance.
The Devil & The Almighty Blues are heavily inspired by Delta blues, and standing at the crossroads of both American and British blues-based rock.
True Widow return with more sultry yet syrupy fuzzed out trips.

Artists already announced for Roadburn 2017 include Coven, Warning (playing Watching from a Distance in full), Artists in Residence – GNOD, My Dying Bride (performing Turn Loose The Swans in its entirety), Ulver and Hypnopaz?zu (David Tibet & Youth) and Zeal & Ardor, Mysticum, Deafheaven, Chelsea Wolfe, and our 2017 curator, John Baizley who will perform with Baroness, plus many more. Roadburn Festival will take place 20-23 April, 2017 at the 013 venue, Tilburg, The Netherlands.

Tickets (and campsite tickets) are on sale for Roadburn 2017 and can be purchased from this link.

4 day – 195 Euro
3 day (Thu, Fri, Sat) – 172 Euro
Single day ticket, Sunday only – 54 Euro

Thursday, Friday and Saturday single day tickets will be on sale on January 12 priced at 59 Euro.

http://www.roadburn.com/
https://www.facebook.com/roadburnfestival
https://twitter.com/roadburnfest

Serpent Venom, Of Things Seen and Unseen (2014)

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Sleep, Pentagram and Cult of Luna to Headline Psycho California 2015

Posted in Whathaveyou on January 15th, 2015 by JJ Koczan

True to their word, it’s Jan. 15 and Psycho California 2015 has announced the headliners for what looks like the best American festival lineup I’ve seen since the days of Emissions from the Monolith. That’s not to take away from the hard work anyone else is doing, but just look at the list of bands. It’s unreal. You’d want to be everywhere at the same time to see all of it. Absolutely wild.

Sleep and Pentagram were pretty clear choices to headline. Not only for being legends in the heavy underground, but for also being just about two of the only bands left. Sweden’s Cult of Luna were something of a surprise, but for a festival already showing a European reach in bringing aboard the likes of Samsara Blues Experiment and Stoned Jesus, they make sense. Hell of a bill. Kudos to anyone who actually gets to go to the thing.

Announcement follows, courtesy of the PR wire:

PSYCHO-CALIFORNIA-2015-POSTER-1400

PSYCHO CALIFORNIA ANNOUNCES HEADLINERS: SLEEP, PENTAGRAM AND CULT OF LUNA

WEST COAST METAL FESTIVAL HAPPENING MAY 15, 16 & 17 AT THE OBSERVATORY IN SANTA ANA

FIRST WAVE OF ARTISTS ANNOUNCED INCLUDED KYLESA, EARTH, OM AND RUSSIAN CIRCLES

Psycho California, the west coast’s first annual metal festival and a must see for fans of doom, heavy psych and sludge, has announced the headliners for this year’s event: Cult of Luna (May 15), Sleep (May 16) and Pentagram, who will perform First Daze Here in its entirety (May 17).

“2015 is going to be a slow year for Cult of Luna. However as much as we are musicians we are also fans,” said Cult of Luna’s Johannes Persson. “Evaluating if the offer to play Psycho California was worth dusting off our instruments was not hard after looking on the line-up. Being on the same bill as Pentagram, Sleep and a festival packed with the best bands around is a privilege in itself and we’ll try to live up to that honor.”

The lineup for Psycho California is: Sleep, Pentagram, Cult of Luna, Kylesa, OM, Earth, Russian Circles, Bedemon, Conan, Wrench, Eyehategod, Indian, Earthless, Pallbearer, Stoned Jesus, Old Man Gloom, Cave In, Acid Witch, Truckfighters, Tombs, Bang, Electric Citizen, Coffinworm, SubRosa, Eagle Twin, Mammatus, True Widow, Anciients, Bellwitch, Dead Meadow, Lord Dying, Death By Stereo, Radio Moscow, Ancient Altar, Samsara Blues Experiment, Atriarch, Elder, Mothership, The Well, Deathkings, Wo Fat, Rozamov, Destroyer of Light, Highlands, Bloodmoon, Slow Season, Goatsnake, Crypt Trip, Wrench, Lords of Beacon House, Tumbleweed Dealer, Sinister Haze, Blackout, Red Wizard, Banquet and Loom.

Festival interludes will be provided by Housecore Records’ artist Author & Punisher and vinyl DJ set from Bob Lugowe (Relapse Records) and Sean Pellet (Last Daze Here).

Previously announced early bird tickets sold out immediately. Tickets for the festival are on-sale this morning with both a 3-day pass ($149.50) and a 3-day VIP pass available ($256.66)

VIP packages include a 3-day festival pass, a signed screen print concert poster by David D’Andrea, express entry via artist check-in booth, access to artist VIP lounge, a limited edition Thief X Obey festival tee, a Psycho record bag and patch as well as access to a complimentary craft tequila bar, premium microbrews and artisan snacks.

www.psychoca.com
www.facebook.com/psychocalifornia
https://www.facebook.com/Thiefpresents

Sleep, “The Clarity/Dragonaut” Live in Chicago, Aug. 28, 2014

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Psycho California 2015 Announces Initial Lineup

Posted in Whathaveyou on December 15th, 2014 by JJ Koczan

The list of bands, quite frankly, is astonishing, but even more astonishing is the fact that  Thief Presents‘ Psycho California 2015 (formerly Psycho de Mayo) hasn’t announced its headliners yet, because these sure as shit look like headliners to me.

A three-day festival set to take place at The Observatory in Santa Ana, CA, Psycho California will feature the following acts:

psycho california

Here’s that list again: Kylesa, Om, Earth, Russian Circles, Orange Goblin, Bedemon, Conan, Indian, Pallbearer, Cave In, Old Man Gloom, Tombs, Earthless, Truckfighters, Bang, Eyehategod, Crowbar, SubRosa, Lord Dying, Acid Witch, Electric Citizen, Coffinworm, Eagle Twin, Stoned Jesus, Mammatus, True Widow, Bell Witch, Death by Stereo, Radio Moscow, Samsara Blues Experiment, Anciients, Elder, Mothership, Ancient Altar, The Well, Deathkings, Wo Fat, Rozamov, Destroyer of Light, Highlands, Bloodmoon, Slow Season, Crypt Trip, Lords of Beacon House, Tumbleweed Dealer, Sinister Haze, Blackout, Red Wizard, Banquet, Loom.

Plus interludes by Author and Punisher.

God damn.

Not only does it cover both coasts, huge bands, legends and up and comers, but the reach is international. Take special note of Conan, since their appearance means that Maryland Deathfest won’t be their only US date, and also Samsara Blues Experiment and Stoned Jesus — two killer European bands that you don’t even go after unless you know what the fuck you’re doing. That also hugely extends the possibilities for headlining acts. It’s an assemblage that’s beyond impressive, and if you haven’t already looked up flights to Southern California, I don’t know what to tell you. As I write this it’s after one in the morning on Sunday night, and you know I wouldn’t be doing that if my mind wasn’t leaking out of my ears at the thought of experiencing this thing.

Stay tuned for more to come, since as the poster says, headliners will be announced on Jan. 15. I’ll be looking forward to finding out who else is in store.

Psycho California on Thee Facebooks

Thief Presents on Twitter

Thief Presents on Thee Facebooks

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Extolling Ignorance: The Top 10 Albums I Didn’t Hear in 2013

Posted in Features on January 6th, 2014 by JJ Koczan

Some of these, I just don’t have an excuse. Others, I have an excuse but it’s pretty lame. The basic fact of the matter is that the recently-departed 2013 brought an onslaught of gotta-hear-it-gotta-get-it records and I don’t care if it’s your full-time job and you actually get paid to do it, there’s no way you heard it all. I know I certainly didn’t.

I’m only one dude. I sit in front of this keyboard more or less all day, Monday to Friday each week, and I think the volume of output from this site and the fact that it’s just me (Hi, my name is JJ) putting it out speak for themselves. Maybe they don’t and that’s why I feel compelled to say it. Whatever.

Point is I do the best I can, but whether it’s my general and increasingly visceral disdain for digital promos or not being cool enough to be on somebody’s radar — or hell, even just the time factor, as in “there’s only so much of it” — some probably-killer stuff just slipped through the cracks. This list is me apologizing for not being everywhere at once and for having a limited record-buying budget. Again, I do the best I can.

List is alphabetical because it’s not like I can really rank them. Here goes:

1. Carcass, Surgical Steel

Man, Carcass kick ass. I know their early stuff is grind gospel, but even their last two records, 1993’s Heartwork and 1996’s Swansong, are fantastic. Why the hell wouldn’t I want to get on board with a new Carcass album? I don’t know. I guess I didn’t want to download it, like it a lot, put time into reviewing it and then go out and have to buy it like a punk. Easier not to listen, so that’s what I did. Carcass on Thee Facebooks.

2. Carlton Melton, Always Even


When Carlton Melton got added to Roadburn 2014, I took a sampling of their wares and it sounded like really interesting stuff. Synth-driven kraut-psych with a touch of West Coast spaceout gets a hearty “right on” in my book. Mostly a budget concern as to why I didn’t dig further. I could’ve YouTube’d it, but that’s no way to get to know an album if you’re actually interested in listening to music. Carlton Melton’s website.

3. Causa Sui, Euporie Tide

I was actually given this as an Xmas present after having it on my Amazon wishlist and it’s fucking fantastic. Really, really, really good. I imagine at some point I’ll probably put together a Buried Treasure post that more or less touts the virtues of Euporie Tide‘s desert tones and progressive explorations, but I didn’t get there before the end of 2013, so here it is anyway. But seriously, wow. El Paraiso Records on Thee Facebooks.

4. Deafheaven, Sunbather

There was so much hype around Deafheaven‘s Sunbather that I was just completely turned off. Not much more to it than that. I probably could’ve chased down a promo download if I’d been so inclined, but what’s the point? The whole world’s already up its ass, I’d rather spend my limited-as-hell time not adding my voice to a chorus of hyperbole. Maybe it’s really cool. Okay. Deafheaven on Bandcamp.

5. Fuzz, Fuzz

In a bizarre twist, turns out I have heard Fuzz‘s Fuzz, the self-titled heavy psych debut from indie darling Ty Segall. It’s the reason I wound up ending last week with the Witch self-titled, because I think the two albums work in a very similar fashion. Cool release either way, something like a dirtier Radio Moscow. I probably won’t review it at this point, but it’s on my shopping list for next time I happen to have two cents to my name. Ty Segall on Thee Facebooks.

6. Ghost, Infestissumam

The single most misspelled title in the Readers Poll. My feeling on Ghost at this point is as follows: “Yeah, so?” You’re a costumed pop-cult act with insanely catchy songs and a massive promotional machine behind you. So what? I wound up ambivalent about the first Ghost album and I guess when it came to this there wasn’t anything Ghost was going to deliver that I couldn’t get in a more substantive package from Uncle Acid. Ghost’s website.

7. Grayceon, Pearl and the End of Days

If there’s anything on this list that I’m actually pissed off at myself for not having heard, it’s probably Grayceon‘s Pearl and the End of Days. Technically it’s an EP and this is a list of albums, but either way, I wound up loving their 2011 full-length, All We Destroy (unabashed fawning here), so I can only consider missing the subsequent release the result of some deep-seated character flaw on my part. It came out in February! I had all year! What a jerk.

8. Mammatus, Heady Mental

Didn’t even know this one existed until Spiritual Pajamas put it out in November. Nobody told me, and I guess it had been a while since I last checked in on the Santa Cruz County space jammers to see about a follow-up to 2007’s The Coast Explodes. Still hope to hear Heady Mental at some point. The sooner the better, since it’s another band whose work I’ve legitimately enjoyed in the past. Mammatus on Thee Faceboooks.

9. Purson, The Circle and the Blue Door

No question Rise Above puts out some of the best underground heavy the world over. Not an issue that’s up for debate at this point, and they’ve found a decent niche to mine through with cult rock that seems to resonate with their audience. All well and good. I guess when it came to Purson, everything was just a little too perfect, just a little too aligned for me to be interested. Maybe I’ll stumble on it at some point and regret having passed it up initially. Purson on Thee Facebooks.

10. True Widow, Circumambulation

Circumambulation is the same story as a lot of these. I had promo mp3s and they just sat there. If I’ve got people in Japan and Australia who are willing to mail me a CD or LP out of their own pocket, I have a hard time arguing with myself as to why I should bother with others who don’t care enough about my opinion to send the work they want to have evaluated. If I’ve missed out on good music in the process, well, I’m still alive,which is more than I can say for the fucking music industry. True Widow on Bandcamp.

There we have it. If there’s a takeaway from all of this downer cynicism, it’s how unbearably lucky we are to live in an age where (one) I could immediately access the music on any one of these albums if I really wanted to or immediately shell out for hard copies if I had the funds. I know I really missed out on some of these, but it’s also worth pointing out just how many incredible albums are out there that I could let some of these pass and still live with myself.

This is the last of the 2013 wrap-ups, so thanks for checking it all out.

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