Posted in Whathaveyou on November 20th, 2015 by H.P. Taskmaster
It’s been fun particularly over the last two years or so to really watch the two springtime Desertfests distinguish themselves as more bands are added to each lineup. Desertfest London and Desertfest Berlin 2016 will still share many bands between them, no doubt, but in seeing acts like Kaleidobolt and Desert Storm (who played London in 2015) join the roster for Berlin in 2016, alongside the newly announced Crowbar, Truckfighters and Egypt — each of whom will also play London — gradually the shape of the German fest itself becomes apparent, and likewise for its European counterpart.
To be perfectly honest, I wouldn’t mind ending up at either or, but there are some considerable arguments to be made in those steely owl eyes.
Here are the latest announcements:
Desertfest Berlin 2016 – TRUCKFIGHTERS, CROWBAR, EGYPT, DESERT STORM, KALEIDOBOLT added to the line-up!
We all love heavy music and rock concert. Needless to say that we were as shocked as everybody else about the horrible things which happened in Paris last Friday. Our thoughts and hearts are with all the people who lost family members and friends in that senseless attempt…
After such a terrible event , it´s not easy to switch back to “normal”… nevertheless we would like to announce a few more bands today for DESERTFEST BERLIN 2016. We are pleased to welcome Sweden’s phenomenal, bone-rattling godfathers of fuzz Truckfighters, New Orlean’s sludge titans Crowbar, North Dakota based doom/psychedelic/stoner Rock Pharaohs Egypt, Oxford based heavy stoner / blues metal riff hounds Desert Storm and Helsinki’s groovy 1970’s Classic/Hard Rockers Kaleidobolt.
These 5 acts join the first 8 bands previously announced Electric Wizard, Elder, Wo Fat, Monolord, Death Alley, Monomyth, Mothership and Somali Yacht Club. Happening from APRIL 28th to 30th, DESERTFEST BERLIN 2016 might be the trippiest experience of your life, so join us… take the ride and buy your ticket now! (tickets’ links below).
See you all in 162 days!
Regular HARD TICKETS or E-TICKETS can be purchased on our WEBSITE! Our ticketprices remain the same, that’s 85 Euros for all you newbies! But remember that we were sold out last time about 7 weeks ahead, and we think we may top that this year!
Posted in Whathaveyou on October 29th, 2015 by H.P. Taskmaster
Goodness gracious. There wasn’t really any doubt that Desertfest London 2016 meant business when it came out of the gate with Electric Wizard, Elder and Conan in the lineup, but the Camden Town festival has continued to swing hard with its next batch of adds, which includes Godflesh, Crowbar, Truckfighters, Wo Fat, Mothership, Egypt (if those last three aren’t touring Europe together around their Desertfest appearance, they should be), Monolord, Rotor and Planet of Zeus. It’s a pretty significant round two from Desertfest London 2016, which, again, wasn’t exactly struggling to make its quota of awesome to start with. If I had a bank holiday weekend, that would seem to be the way to spend it.
Tickets are on sale now. Details follow, as seen on the PR wire:
Godflesh, Crowbar, Truckfighters, Egypt and more acts confirmed to play DESERTFEST LONDON 2016!
UK’s #1 stoner, doom, sludge and psych event DESERTFEST LONDON is thrilled to announce the second wave of artists who will be taking the stage at the 2016 edition, taking place in April 29th to May 1st across multiple venues in the legendary musical hub of Camden Town…
NOLA’s sludge metal heroes CROWBAR will be heading back over seas to make ears bleed, bringing their influential slow-and-low sound to an eager, ready, and willing Desertfest. Kirk Windstein and his crew of titans haven’t graced UK revellers with their rowdy presence since 2014; and Crowbar has never played Desertfest London. Making for a truly exciting, and long over-due, addition to the already stellar proceedings next year has in store.
Desertfest are also pleased to reveal that our friends at Old Empire will once again be curating a stage, bringing an eclectic and exciting array of acts to broaden the pallet. First to be announced are industrial legends GODFLESH, who will be headlining the Old Empire offerings. Their experimental and aggressive sound has established the Birmingham-based duo as one of the most innovative bands in industrial music, cited as influencing everyone from Metallica to Faith No More.
As if all that wasn’t enough to process, there’s of course a healthy helping of doom and stoner rock goodness joining the mix for Desertfest 2016. Heavy-hitting warriors TRUCKFIGHTERS will be chucking riffs left, right and centre, alongside fellow Swedish fuzz lords MONOLORD, who will be riding easy and destroying all in one slow, hard and loud blow. Psychedelic monsters WO FAT are a welcome return, having well and truly mastered the art of trippy doom – many can do it, but few do it as well as the Dallas desert trio. EGYPT will also be heading over and hitting the bill hard to bring some Dakota doom goodness to the haze, alongside eccentric instrumental gurus ROTOR. Southern rock lovin’ PLANET OF ZEUS are bringing their raw grooves out of the Greek underground and into thirsty a London, and finally heavy rockers MOTHERSHIP will be taking fans well out the galaxy – musically speaking, of course.
– DESERTFEST LONDON 2016 – April 29th to May 1st in Camden, London (UK) Weekend tickets availableAT THIS LOCATION
Current lineup is as follows: ELECTRIC WIZARD GODFLESH CROWBAR TRUCKFIGHTERS ELDER EGYPT CONAN WO FAT MOTHERSHIP MONOLORD ROTOR RAGING SPEEDHORN PLANET OF ZEUS WITCHSORROW
In part because its opener has become such a clarion, reliably launching — and I do mean launching — every gig the band plays, and because July marks 10 years since its original release, it’s tempting to view Truckfighters‘ 2005 debut full-length, Gravity X, as a watershed moment or generational swap-out in Swedish heavy rock. The truth of that is more complicated. Even as Truckfighters were stomping their way onto the scene after their first release following two early EPs, a 2003 joint offering with bassist/vocalist Oskar “Ozo” Cedermalm‘s prior outfit, Firestone, titled The Fuzzsplit of the Century (discussed here), that was also Fuzzorama Records‘ premiere catalog entry, bands like Dozer were well into their tenure, releasing Though the Eyes of Heathens the same year, while at the same time, fellow Örebro natives Witchcraft were releasing their second album, Firewood, almost precisely the same day on Rise Above. Nonetheless, if Gravity X‘s arrival through Fuzzorama and MeteorCity has become something of a landmark in the annals of Swedish and/or European heavy rock at large — and it’s pretty easy to argue that it has — that status is a testament to the grueling work that the band has put in in the years since it was first issued, writing and recording, touring incessantly across an ever-widening geographic range, and of course fostering other acts at the helm of Fuzzorama. As much as “Desert Cruiser” seems now to be an immediate and resounding call to those ready to worship at the altar of fuzz, it’s worth remembering it took Truckfighters years of hand-delivering what’s become their signature riff to audiences for it to become that.
The athleticism involved in that delivery notwithstanding, there has always been more to Truckfighters — the core of Cedermalm and guitarist Niklas “Dango” Källgren, as portrayed in the 2012 “fuzzomentary” A Film about a Band Called Truckfighters (review here), along with a cast of drummers that has continued to rotate over the last several years — than jumping around on stage. Even on Gravity X, the reaches of which are considerable with a 67-minute runtime, the band showcased a penchant for instrumental exploration that would continue to serve them well as they progressed through subsequent offerings like 2007’s Phi, 2009’s Mania (review here) and last year’s long-awaited Universe (review here), balanced against a core of songcraft that remained prevalent no matter who happened to be in the band with Källgren and Cedermalm at the time — former drummers Oscar Johansson and Andre Kvarnström have gone on to play in Witchcraft and Blues Pills, respectively — and cuts like “Gargarismo,” “In Search of (The),” “Gweedo-Weedo” and “Manhattan Project” have maintained their vitality over the 10-year span as highlights both of Truckfighters‘ catalog and that of Swedish heavy rock, the one only becoming more and more pivotal to the other over that same stretch. Meanwhile the toying with spaciousness of “Superfunk” seems in hindsight to presage some of the moodier turns of Universe and Mania before it, the band’s dynamic growing as relentlessly as their tour schedule, which has seen them become a fixture of both the European and American circuits particularly over the last half-decade.
Gravity X was compiled with Phi onto what was dubbed the Super 3-LP in 2013 — the band also put out their The Chairman EP that year as a stopgap between Mania and Universe — and of course, as forward as they’ve progressed in the years since, some of this material remains a staple of live sets, and among heavy rock records, I think you’ll find Gravity X has rare staying power, undulled by time. Hope you enjoy.
Well, next week is it: the Quarterly Review. I’ve been teasing it for about the last month, I’ll be writing reviews all weekend to get a jump on it, and next week, from Monday to Friday, somehow, some way, we’ll have 10 reviews each day for a total of 50. Don’t ask me how that’s going to get done. It just is.
Not much more to come other than the Quarterly Review, honestly. I’ve got a Mammoth Mammoth video premiere slated for Thursday, but I’m basically trying to keep it pretty stripped down other than the big post each day and whatever news comes down the PR wire. That should be plenty to work with. I’m thinking of doing a vinyl week the next week, just to keep things as complicated and time-consuming for myself as possible. You know, bash my head on the rocks to keep from drowning and all that.
If you’re headed to the Maryland Doom Fest this weekend — should be starting right around now, actually — I hope it’s great. I wish I could be there as well. I’ll look forward to seeing video of Spirit Caravan and hopefully they do a The Obsessed cover or two.
To be perfectly honest, there’s more, but I’m so beat I don’t even know what it is. Long work day, and I’m planning on spending the next two days working behind the scenes on the site, so while nothing’s going to be posted Saturday and Sunday, I’m not so much signing off as checking out for the evening.
Either way, I hope you have a great and safe weekend. See you back here Monday and please check out the forum and radio stream.
Posted in Whathaveyou on January 15th, 2015 by H.P. Taskmaster
True to their word, it’s Jan. 15 and Psycho California 2015 has announced the headliners for what looks like the best American festival lineup I’ve seen since the days of Emissions from the Monolith. That’s not to take away from the hard work anyone else is doing, but just look at the list of bands. It’s unreal. You’d want to be everywhere at the same time to see all of it. Absolutely wild.
Sleep and Pentagram were pretty clear choices to headline. Not only for being legends in the heavy underground, but for also being just about two of the only bands left. Sweden’s Cult of Luna were something of a surprise, but for a festival already showing a European reach in bringing aboard the likes of Samsara Blues Experiment and Stoned Jesus, they make sense. Hell of a bill. Kudos to anyone who actually gets to go to the thing.
Announcement follows, courtesy of the PR wire:
PSYCHO CALIFORNIA ANNOUNCES HEADLINERS: SLEEP, PENTAGRAM AND CULT OF LUNA
WEST COAST METAL FESTIVAL HAPPENING MAY 15, 16 & 17 AT THE OBSERVATORY IN SANTA ANA
FIRST WAVE OF ARTISTS ANNOUNCED INCLUDED KYLESA, EARTH, OM AND RUSSIAN CIRCLES
Psycho California, the west coast’s first annual metal festival and a must see for fans of doom, heavy psych and sludge, has announced the headliners for this year’s event: Cult of Luna (May 15), Sleep (May 16) and Pentagram, who will perform First Daze Here in its entirety (May 17).
“2015 is going to be a slow year for Cult of Luna. However as much as we are musicians we are also fans,” said Cult of Luna’s Johannes Persson. “Evaluating if the offer to play Psycho California was worth dusting off our instruments was not hard after looking on the line-up. Being on the same bill as Pentagram, Sleep and a festival packed with the best bands around is a privilege in itself and we’ll try to live up to that honor.”
The lineup for Psycho California is: Sleep, Pentagram, Cult of Luna, Kylesa, OM, Earth, Russian Circles, Bedemon, Conan, Wrench, Eyehategod, Indian, Earthless, Pallbearer, Stoned Jesus, Old Man Gloom, Cave In, Acid Witch, Truckfighters, Tombs, Bang, Electric Citizen, Coffinworm, SubRosa, Eagle Twin, Mammatus, True Widow, Anciients, Bellwitch, Dead Meadow, Lord Dying, Death By Stereo, Radio Moscow, Ancient Altar, Samsara Blues Experiment, Atriarch, Elder, Mothership, The Well, Deathkings, Wo Fat, Rozamov, Destroyer of Light, Highlands, Bloodmoon, Slow Season, Goatsnake, Crypt Trip, Wrench, Lords of Beacon House, Tumbleweed Dealer, Sinister Haze, Blackout, Red Wizard, Banquet and Loom.
Festival interludes will be provided by Housecore Records’ artist Author & Punisher and vinyl DJ set from Bob Lugowe (Relapse Records) and Sean Pellet (Last Daze Here).
Previously announced early bird tickets sold out immediately. Tickets for the festival are on-sale this morning with both a 3-day pass ($149.50) and a 3-day VIP pass available ($256.66)
VIP packages include a 3-day festival pass, a signed screen print concert poster by David D’Andrea, express entry via artist check-in booth, access to artist VIP lounge, a limited edition Thief X Obey festival tee, a Psycho record bag and patch as well as access to a complimentary craft tequila bar, premium microbrews and artisan snacks.
Posted in Features on January 2nd, 2015 by H.P. Taskmaster
It was close for a long time, but in the last week or so, one record pulled ahead to stake a definitive claim on the top spot. Even so, more than the 2013 poll, this was a fun one to watch, three albums duking it out, trading back and forth in the raw votes depending on who happened to submit a list at any given time. In the end, 355 people participated in this year’s poll, which is an average of over 11 per day — there was a significant push at the end — and up from 2013, which now that it’s 2015 will no doubt soon feel like ancient history.
To that end, Happy New Year and huge, huge thanks to everyone who took the time to contribute a list to the poll. Even if it was one or two records, the simple fact that you felt it was worth your time to type out the names of bands and albums and take part in this thing is unbelievably gratifying to me. I do a lot of the talking around here, apart from comments and the forum, so to have your participation in this really means a lot to me. It’s nice knowing you give enough of a crap to take part.
You’ll find two lists below. The first, measured in points, is the weighted tally. A 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one. After that comes the raw votes, a measure of what caught the most attention along the way.
After the jump, you’ll also find all the lists contributed to the poll — including my own, which seemed fair since I do a lot of reading on this site, mostly to experience shame at the typos and correct them hoping no one else noticed — presented in the order in which they were received. Thank you all again.
Top 20 of 2014 — Weighted Results
1. YOB, Clearing the Path to Ascend (560 points)
2. Wo Fat, The Conjuring (404)
3. Electric Wizard, Time to Die (367)
4. Pallbearer, Foundations of Burden (334)
5. Conan, Blood Eagle (275)
6. Orange Goblin, Back from the Abyss (254)
7. Greenleaf, Trails and Passes (240)
8. Truckfighters, Universe (237)
9. Brant Bjork and the Low Desert Punk Band, Black Power Flower (235)
10. Earth, Primitive and Deadly (230)
11. Fu Manchu, Gigantoid (225)
12. Blues Pills, Blues Pills (211)
13. Lo-Pan, Colossus (202)
14. Eyehategod, Eyehategod (198)
15. Monolord, Empress Rising (190)
16. Mastodon, Once More ‘Round the Sun (188)
17. Mars Red Sky, Stranded in Arcadia (161)
18. John Garcia, John Garcia (156)
19. Bongripper, Miserable (141)
20. Radio Moscow, Magical Dirt (127)
Honorable mention to:
Goat, Commune (126)
Swans, To be Kind (117)
Monster Magnet, Milking the Stars (116)
Blood Farmers, Headless Eyes (105)
Floor, Oblation (104)
Mothership, II (104)
Stubb, Elephant Tree, Thou and plenty of others also did very well in the voting, but everything else I could find was less than 100 points. Again, it was close for a while between Wo Fat, Electric Wizard and YOB — and Pallbearer wasn’t so far behind them, either — but YOB pulled it out in the end and jumped way in front of everyone else. A lot of number-one votes for Clearing the Path to Ascend, which I can understand completely, since I happened to agree with the position.
On to the raw votes:
Top 20 of 2014 — Raw Votes
1. YOB, Clearing the Path to Ascend (138 votes)
2. Wo Fat, The Conjuring (111)
3. Electric Wizard, Time to Die (104)
4. Pallbearer, Foundations of Burden (89)
5. Orange Goblin, Back from the Abyss (78)
6. Conan, Blood Eagle (72)
7. Fu Manchu, Gigantoid (71)
8. Truckfighters, Universe (66)
9. Earth, Primitive and Deadly (65)
10. Greenleaf, Trails and Passes (64)
11. Blues Pills, Blues Pills (63)
12. Brant Bjork and the Low Desert Punk Band, Black Power Flower (60)
13. Lo-Pan, Colossus (58)
14. Eyehategod, Eyehategod (55)
15. Monolord, Empress Rising (52)
16. Mars Red Sky, Stranded in Arcadia (48)
16. Mastodon, Once More ‘Round the Sun (48)
17. John Garcia, John Garcia (47)
18. Bongripper, Miserable (41)
18. Radio Moscow, Magical Dirt (41)
19. Goat, Commune (37)
19. Mothership, II (37)
20. Swans, To be Kind (32)
And some honorable mentions:
Dwellers, Pagan Fruit (31)
Floor, Oblation (31)
Monster Magnet, Milking the Stars (31)
Mos Generator, Electric Mountain Majesty (30)
Thou, Heathen (30)
The Well, Samsara (30)
A couple ties here make the raw votes list a little more inclusive, and since it’s not like we’re giving out olympic medals, it didn’t seem fair to count out ties and sacrifice other numbers. The top 20 has 23 entries? Yeah, sounds about right. Again, not much mystery ultimately to who came out on top, but it was a more thrilling race than the final numbers might suggest. Cool to see some differences in placement emerge between the two lists as well, Greenleaf and Brant Bjork doing really well in the weighted results since they obviously inspire some strong support, and a couple of others working their way into the raw votes top 20. I’m not really a numbers guy, but it’s been cool putting this together.
About not being a numbers guy: All the lists that came in appear after the jump below. If you find some glaring error in my math, or something seems like it really got enough votes to be included in one or the other, it’s possible I just missed it. I hope you’ll point it out in the comments so that if there is a mistake, I can get on correcting it as soon as possible. Your vigilance is sincerely appreciated.
And thank you again so much for being a part of this readers poll. It’s been a really great experience and I look forward to doing it again come Dec. 2015.
Please find everybody’s list after the jump, and have fun browsing:
Here is the Music Player. You need to installl flash player to show this cool thing!
Since I don’t do theme podcasts or anything, the thoroughly unofficial subtitle of this latest one is “SOME of the Best of 2014.” Truth be told, it’s four hours long and I feel like I barely scratched the surface, so definitely the emphasis should be on “some.” By no means is it meant to be comprehensive, or am I claiming that it’s all the best and the rest sucked or anything like that. But some of the best stuff is here, so, you know, I hope you enjoy.
My intent was to make it three hours long, and then I got there and it just didn’t feel done without another hour’s worth of extended psych jams. That’s an odd habit to have. Could be worse. For what it’s worth, I was thinking of this as a companion for some of the year-end coverage that’s already been posted and is still to come. Some of this was inspired by picks from the Readers Poll, the submissions for which are still open. If you haven’t added your list yet, I’d greatly appreciate it.
And once again, hope you dig it:
YOB, “Nothing to Win” from Clearing the Path to Ascend
Fu Manchu, “Radio Source Sagittarius” from Gigantoid
Radio Moscow, “Death of a Queen” from Magical Dirt
The Golden Grass, “Stuck on a Mountain” from The Golden Grass
Monster Magnet, “No Paradise for Me” from Milking the Stars: A Reimagining of Last Patrol
Pallbearer, “The Ghost I Used to Be” from Foundations of Burden
The Skull, “Sick of it All” from For Those Which are Asleep
Electric Wizard, “Time to Die” from Time to Die
Orange Goblin, “The Devil’s Whip” from Back from the Abyss
Moab, “No Soul” from Billow
Sleep, “The Clarity” from The Clarity 12”
Mars Red Sky, “Hovering Satellites” from Stranded in Arcadia
Floor, “Rocinante” from Oblation
Slomatics, “And Yet it Moves” from Estron
Conan, “Foehammer” from Blood Eagle
Druglord, “Feast on the Eye” from Enter Venus
Apostle of Solitude, “Die Vicar Die” from Of Woe and Wounds
Pilgrim, “Away from Here” from II: Void Worship
Blood Farmers, “The Road Leads to Nowhere” from Headless Eyes
Lo-Pan, “Regulus” from Colossus
Elephant Tree, “Vlaakith” from Theia
The Well, “Mortal Bones” from Samsara
Lucifer in the Sky with Diamonds, “Counting Time” from The Shining One
Brant Bjork and the Low Desert Punk Band, “Stokely up Now” from Black Power Flower
Joy, “Driving Me Insane” from Under the Spell of Joy
Greenleaf, “Depth of the Sun” from Trails and Passes
Mothership, “Priestess of the Moon” from Mothership II
Truckfighters, “Get Lifted” from Universe
Mos Generator, “Enter the Fire” from Electric Mountain Majesty
Mammatus, “Brain Drain” from Heady Mental
Øresund Space Collective, “Beardlandia” from Music for Pogonologists
My Brother the Wind, “Garden of Delights” from Once There was a Time When Time and Space were One
The Cosmic Dead, “Fukahyoocastulah” from Split with Mugstar
Montibus Communitas, “The Pilgrim to the Absolute” from The Pilgrim to the Absolute
Posted in Whathaveyou on December 15th, 2014 by H.P. Taskmaster
The list of bands, quite frankly, is astonishing, but even more astonishing is the fact that Thief Presents‘ Psycho California 2015 (formerly Psycho de Mayo) hasn’t announced its headliners yet, because these sure as shit look like headliners to me.
A three-day festival set to take place at The Observatory in Santa Ana, CA, Psycho California will feature the following acts:
Here’s that list again: Kylesa, Om, Earth, Russian Circles, Orange Goblin, Bedemon, Conan, Indian, Pallbearer, Cave In, Old Man Gloom, Tombs, Earthless, Truckfighters, Bang, Eyehategod, Crowbar, SubRosa, Lord Dying, Acid Witch, Electric Citizen, Coffinworm, Eagle Twin, Stoned Jesus, Mammatus, True Widow, Bell Witch, Death by Stereo, Radio Moscow, Samsara Blues Experiment, Anciients, Elder, Mothership, Ancient Altar, The Well, Deathkings, Wo Fat, Rozamov, Destroyer of Light, Highlands, Bloodmoon, Slow Season, Crypt Trip, Lords of Beacon House, Tumbleweed Dealer, Sinister Haze, Blackout, Red Wizard, Banquet, Loom.
Plus interludes by Author and Punisher.
Not only does it cover both coasts, huge bands, legends and up and comers, but the reach is international. Take special note of Conan, since their appearance means that Maryland Deathfest won’t be their only US date, and also Samsara Blues Experiment and Stoned Jesus — two killer European bands that you don’t even go after unless you know what the fuck you’re doing. That also hugely extends the possibilities for headlining acts. It’s an assemblage that’s beyond impressive, and if you haven’t already looked up flights to Southern California, I don’t know what to tell you. As I write this it’s after one in the morning on Sunday night, and you know I wouldn’t be doing that if my mind wasn’t leaking out of my ears at the thought of experiencing this thing.
Stay tuned for more to come, since as the poster says, headliners will be announced on Jan. 15. I’ll be looking forward to finding out who else is in store.
At best, this stuff is a crapshoot. Until something’s just about in your hand, you never really know when or if it’s going to come out. But they’re fun, and it’s exciting to think of good music being released, so you do it anyway. On the whole, I don’t think I did that badly between the two lists. Of course there was stuff that wasn’t anticipated — Colour Haze‘s new album, To the Highest Gods We Know, walks by and waves en route to its Dec. 15 release date — but for what we got, it worked out well.
That’s the general overview, but because I hold myself to a standard of accountability more rigorous than, say, my nation’s torture-happy secret police, here’s a full rundown of the list as it was, now (as then), presented alphabetically and with the titles listed as they were at the time:
42 of 2014’s Most Anticipated Albums — REVISITED!
1. Acid King, TBA: Word is Acid King‘s first in 10 years was mastered last month and will be out in Feb. 2015 on Svart.
2. Alcest, Shelter: Was way less post-black metal than their prior stuff, and I think it threw a lot of people off. Not a bad record (review here), but worked against lofty expectations.
3. All Them Witches, TBA: I remember including this because they said they were going back into the studio. Turned out they were recording the Effervescent EP/jam (review here). No regrets.
4. Alunah, TBA: Their new one was their Napalm Records debut, Awakening the Forest (review here). It was awesome. Score one for the list.
5. Blackwolfgoat, Drone Maintenance: Yeah, it was cheating to include this since I was there when it was recorded. Still a killer record though.
7. Conan, Blood Eagle: What does complete dominance sound like? Sounds like Conan to me.
8. Eggnogg, You’re all Invited: Was dying to hear what the Brooklyn trio came up with. No word on it yet.
9. Elder, Live at Roadburn 2013: Still don’t have a copy of this. Maybe I can pick one up when I get their forthcoming third studio album, Lore, out early next year.
10. 40 Watt Sun, TBA: More like “MIA” than TBA. Anyone heard from these guys?
11. The Golden Grass, TBA: Their self-titled debut (review here) was one of the finest first-albums I heard all year.
12. Greenleaf, Trails and Passes: Any Greenleaf is a treat. Trails and Passes (review here) was no exception.
13. Grifter, The Return of the Bearded Brethren: Solid follow-up (review here). Grifter‘s humor and lack of pretense serves them well.
14. Hull, TBA: Well, they had the Legend of the Swamp Goat single (review here) to coincide with their Euro tour. Waiting on the album.
15. Lowrider, TBA: I wouldn’t mind if this materialized right now. Or now. Or now. Or 2015. Or 2016.
16. The Machine, TBA: Might’ve jumped the gun on this. Hopefully in 2015.
17. Mars Red Sky, TBA: Easily one of the year’s best records. Stranded in Arcadia (review here) continues to get regular spins.
18. Mos Generator, Electric Mountain Majesty: A highlight of early 2014. Darker record (review here), but inarguable songwriting.
19. Mr. Peter Hayden, Archdimension Now: Fitting end to their trilogy and hopefully not their last outing.
20. Pallbearer, TBA: Their Foundations of Burden has topped year-end lists already. It’s still on my desktop. I’ve barely listened to it.
21. Papir, IIII: Very, very good. They seem to be developing, but IIII (review here) was a satisfying chronicle.
22. Pilgrim, TBA: Can’t say II: Void Worship (review here) wasn’t a win for the band since they did a month on the road with Spirit Caravan. Maybe overshadowed by more recent stuff, but a quality record.
23. Radio Moscow, Magical Dirt: Their incendiary heavy blues was in top form on Magical Dirt (review here). Glad I got to see them live once or twice (or 18 times) as well this year.
24. Sigiriya, Darkness Died Today: Also residing on my desktop. A vocalist switch caught me off guard and I feel like I still haven’t given it a fair shot.
25. Sixty Watt Shaman, TBA: Really? I had Sixty Watt on the list? That seems ambitious. No doubt they’ll have something new eventually, but that was a pretty high expectation it would be out this year.
26. Skraeckoedlan, Gigantos: If this came out, no one told me. Seems like not yet.
27. The Skull, TBA: A stunner. As much as I looked forward to it, For Those Which are Asleep (review here) exceeded the excitement.
28. Sleep, TBA: Included as wishful thinking. Their The Clarity single (review here) was something to celebrate.
29. Slough Feg, Digital Resistance: I was really looking forward to this one. Kind of fell off with Digital Resistance (review here) after a while. Hard to argue with Slough Feg though.
30. Snail, Feral: Waiting on it for 2015.
31. Steak, TBA: The London four-piece followed two strong EPs with Slab City(review here), as heartfelt a showing of desert rock loyalty as I’ve heard.
Damn, this was a long list.
32. Stubb, TBA: I had my doubts it would arrive, but Stubb‘s Ripple Music debut, Cry of the Ocean (review here), found welcome when it did.
33. SunnO))) & Ulver, Terrestrials: One of two collaborations SunnO))) would have out in 2014. Heard a lot about it at the beginning of the year. Less now.
34. Tombs, Savage Gold: Good band, doing interesting stuff. I have a hard time transitioning from appreciating it to actually being a fan.
35. Triptykon, Melana Chasmata: Sorry, but when Tom G. Warrior puts out a record, you hop to. I didn’t review it to save myself having to buy a copy, but dug it anyway.
36. Truckfighters, Universe: I feel like this one picked up steam as the year went on. I didn’t go back to it as much as its predecessor, but Universe (review here) was a logical next step for them.
37. Valley of the Sun, Electric Talons of the Thunderhawk: Nothing to complain about with the Ohio three-piece’s debut (review here) or the effort they put into supporting it throughout the year.
38. Weedeater, TBA: Nope. At least I knew it at the time.
39. Wolves in the Throne Room, TBA: Surprised a lot of people when Celestite (review here) was a companion piece for their last record instead of a new album proper, myself included.
40. The Wounded Kings, Consolamentum: 2014 was quite a year for doom, and The Wounded Kings were right there at the start. This lineup may be gone, but Consolamentum (review here) holds up.
41. Yawning Man, Gravity is Good for You: Rumor is guitarist Gary Arce has a few projects in the works for next year. Not sure if this is one of them or not.
42. YOB, TBA: We certainly know how this worked out, don’t we? If the votes in the Readers Poll are anything to go by, yes. Clearing the Path to Ascend (review here) was a landmark, and this won’t be the last year-end list around here on which YOB make a showing.
The list from July had a few winners on it as well — Apostle of Solitude, Blues Pills, Bongripper, Brant Bjork, Earth, Lo-Pan, The Well, Witch Mountain, etc. — but I think we’ve probably got enough as it is.
With the year starting to wind down, I’ll be putting together my Top 30 Albums of 2014 in the next week or so. Please keep an eye out for that, and thanks for reading.