audiObelisk Transmission 034

Posted in Podcasts on January 20th, 2014 by H.P. Taskmaster

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I was all set to pat myself on the back for making a podcast and posting it when someone might actually see it, unlike the last two (033 and 032), which rather impractically both went up on the eve of a major holiday, and then I remembered today was Martin Luther King, Jr. Day. Whoops. Seemed like a good idea at the time. Oh well. There’s always next month.

This one took kind of a strange and fun turn in the making and got very languid, very spaced out and sort of dreamy but still heavy in the bottom end. We start out with new stuff from We Hunt Buffalo, Truckfighters and Dwellers right in a row, and I guess that set the tone for a heavy roll that carried through a lot of the rest of the nearly-two-hour span. Not a complaint. I think it flows really well, and of course I hope you do too.

Once again, no real theme, though in addition to the aforementioned, you’ll also find new tracks from Sahg, Papir, Radar Men from the Moon, Pontiak and The Wounded Kings, the latter providing a grim finish after All Them Witches and Black Skies offer prime terrestrial psychedelia. It’s a good mix, all told. It grooves. It nods.

First Hour:
We Hunt Buffalo, “Blood from a Stone” from Blood from a Stone (2014)
Truckfighters, “Get Lifted” from Universe (2014)
Dwellers, “Creature Comfort” from Pagan Fruit (2014)
Salitter, “But I am Not Consoled” from Salitter EP (2013)
Papir, “I” from IIII (2014)
Radar Men from the Moon, “Surrealist Appearance” from Strange Wave Galore (2014)
The Ravenna Arsenal, “The Desert Shows No Mercy” from I (2013)
Pontiak, “Surrounded by Diamonds” from Innocence (2014)
Sahg, “Blizzardborne” from Delusions of Grandeur (2014)

Second Hour:
Doctor Cyclops, “Cobweb Hands” from Oscuropasso (2014)
Mammatus, “Brainbow/Brain-Train” from Heady Mental (2013)
Sun Voyager, “Space Queen” from Mecca (2013)
All Them Witches, “Swallowed by the Sea” from Lightning at the Door (2013)
Black Skies, “Lifeblood” from Circadian Meditations (2013)
The Wounded Kings, “Consolamentum” from Consolamentum (2014)

Total running time: 1:58:52

 

Thank you for listening.

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Tomorrow’s Dream: 42 of 2014′s Most Anticipated Albums

Posted in Features on January 13th, 2014 by H.P. Taskmaster

Getting ready to type this list is like standing on the precipice of a canyon. Maybe that’s a little dramatic, but you get the idea. Last year was an all-out assault of music. I couldn’t have heard it all even if I’d wanted to, and while it’ll probably be June before I feel like I’m sufficiently caught up on 2013, the new-car-smelling rush of 2014 is already underway.

And the only thing to do is press on — though I’ve tried on several occasions, I can’t seem to stop time and review everything that I’m fortunate enough to encounter — and that means glancing ahead to what’s coming in 2014. I know I said so before, but once again, Happy New Year.

One of my favorite things to do is to look forward to a new album. I consider it a sign of the endurance of the human spirit not only that new creative works are being completed and distributed at such a constant rate, but that we can still anticipate the resonance of those works upon their arrival. I don’t mind telling you this is the largest of any such list I’ve ever written for this site. Even as I start it, I’m finding more to add, and I’m sure when it’s done it won’t be complete. So it goes.

There’s more to say, but I’ve delayed enough. We’ll go alphabetically, which is only unfortunate because it puts YOB last. Thanks in advance for reading.

 

1. Acid King, TBA

We start the same place we started in 2013, with Acid King. The San Francisco giants have sworn up and down they’ll have a new record out this year, and while I’ve yet to see any solid word of its coming manifest, I remain hopeful that it happens. Of course, that was also pretty much the case going into 2013, but they toured Europe last fall and even came out to the East Coast for a show and played some new material (review here), so if it’s to be that III finally gets a follow-up some nine years later, it’s worth keeping an eye out ahead of time. Acid King on Thee Facebooks.

 

2. Alcest, Shelter

To be released this coming week on Prophecy Productions, the fourth Alcest full-length, Shelter (review here), is billed as a major sonic turn away from the France-based outfit’s black metal influences toward brighter sonic fare. It is that, but the nostalgic melodies and crucial emotionality that has always been the root of Alcest’s sound remains intact. It will be interesting to see what the response is upon its release, but Shelter is an early point of fascination for 2014. Alcest on Thee Facebooks.

 

3. All Them Witches, TBA


I’m not sure what they’re doing in the studio, if it’s a single, an EP or a full-length album, but this past weekend, on Jan. 11, Nashville heavy psych rockers All Them Witches posted the above picture with the simple tagline “Recording.” Fair enough. It seems soon for them to have another LP after 2013′s excellent Lightning at the Door (discussed here), but that album seemed to arrive soon after 2012′s Our Mother Electricity (reissued by Elektrohasch in 2013; review here), so who knows? It’ll be fun to find out either way. All Them Witches on Bandcamp.

 

4. Alunah, TBA

UK doomers Alunah will make their debut on Napalm Records with yet-untitled third album. With wider distribution at their disposal than that received by their 2012 outing, White Hoarhound (review here), I wouldn’t be surprised to see Alunah really leave a mark on 2014, but more fascinating to me than how many people get to hear it is how the band — who’ve swapped out bassists since their last outing — will follow-up the tremendously memorable songs on White Hoarhound. No doubt they can do it, it’s just hard not to be impatient. Alunah on Thee Facebooks.

 

5. Blackwolfgoat, Drone Maintenance

I was fortunate enough to be invited down to Amps vs. Ohms in Boston when Blackwolfgoat (aka Darryl Shepard, also of Black Pyramid, The Scimitar, ex-Hackman, Roadsaw, etc. and a new project I don’t think I’m allowed to talk about yet) was tracking the follow-up to 2011′s Dronolith, which was released on this site’s in-house label, The Maple Forum. Raw tracks can sometimes prove to tell little about the finished product of an album, but each piece on Drone Maintenance that I heard had a distinct atmosphere, and “Cyclopean Utopia” was heavy enough on its own to warrant inclusion here. Rumor also has it that Black Pyramid offshoot The Scimitar will release a studio debut this year. Blackwolfgoat on Bandcamp.

 

6. Causa Sui, Live at Freak Valley

Holding the promise of over 90 minutes of live-recorded material from the 2013 Freak Valley festival in Germany, Causa Sui‘s Live at Freak Valley will see release through the band’s own El Paraiso Records and should provide further insight as a companion piece to their 2013 studio full-length, Euporie Tide. As that album boasted such an engaging live and progressive feel, successfully meshing desert and krautrock influences, I’d expect no less from the live outing, which though they’ve put out studio jams before — their three-volume 2008-2009 Summer Sessions is a joy worthy of the season — is their first official concert recording. El Paraiso Records website.

 

7. Conan, Blood Eagle

Six devastating tracks that both continue Conan‘s sonic dominance and usher in a new era for the band. Not only is their second full-length, Blood Eagle, their debut on Napalm Records, but it’s also the first Conan LP to be recorded at Skyhammer Studios, which was built and is owned by guitarist/vocalist Jon Davis. Producer Chris Fielding worked with the band previously on 2012′s Monnos (review here) and 2010′s Horseback Battle Hammer EP (review here), and Blood Eagle benefits from that now familiar collaboration, bridging the gap between the faster, catchy sides of Monnos and the complementing ultra-plod of its longer tracks. Album opener “Crown of Talons” also ranks among the heaviest things they’ve ever done, and “Foehammer” takes it’s name from Gandalf’s sword, Glamdring, so I don’t know what more you could ever ask of a full-length than that. Conan on Thee Facebooks.

 

8. Eggnogg, You’re all Invited

With the addition of bassist Corey Dozier to the rhythm section with drummer Jason Prushko, Brooklynite doom-funk stompers Eggnogg have been able to move vocalist Bill O’Sullivan to guitar from bass, giving Justin Karol a chance to act all the more as a lead player. How this new four-piece dynamic might play out on You’re all Invited — or even if Dozier played on it — remains to be seen, but from what I’ve caught live, it’s turned them into a thicker, fuller-sounding band, and on new material and old, Eggnogg are coming into their own. They’re still a better band than they know, and one hopes they can get some road time in as well as release the LP to continue to refine their approach. Eggnogg on Thee Facebooks.

 

9. Elder, Live at Roadburn 2013

Granted it’s been available through Burning World Records digitally since last November, but Elder‘s Live at Roadburn 2013 is set for physical issue early this year through the label, and having stood in front of the stage to witness the set myself at Het Patronaat in Tilburg and then seen the line running outside the venue and down the block, I can tell you it’s a beast. Put it on vinyl with cover art by Adrian Dexter and maybe a photo or two by yours truly and you’ve got a good way to get a preview for what their sets at the two Desertfests might hold this year. Elder on Thee Facebooks.

 

10. 40 Watt Sun, TBA

Speaking of Roadburn, emotive UK doomers 40 Watt Sun are set to make a return appearance at the fabled fest in the Netherlands, and the word was they’d do so with material from the follow-up to their 2011 Metal Blade debut, The Inside Room (review here), which established the band, led by guitarist/vocalist Patrick Walker (Warning), as a deeply affecting act with a rich sonic texture. No word of an exact release date for the sophomore effort yet, but one expects it will receive no shortage of fanfare prior to and upon its arrival. 40 Watt Sun on Thee Facebooks.

 

11. The Golden Grass, TBA

Brooklyn trio The Golden GrassOne More Time b/w Tornado debut single was one of the best short releases of 2013, and the sunshiny classic heavy rockers will look to follow it with a first long-player this year. Recording is completed — the tracking was helmed by Andréa Zavareei, who also did the 7″ — and so is mixing, done by Jeff Berner (Naam, etc.), so with mastering in progress, hopefully it’s not too long before The Golden Grass can offer a right-on cure for wintry blues. It will be interesting to hear how they sustain and work within their positive vibes over the course of a complete LP. The Golden Grass on Thee Facebooks.

 

12. Greenleaf, Trails and Passes

Trails and Passes will be Greenleaf‘s first outing since 2003′s Secret Alphabets not to be fronted by Oskar Cedermalm (also of Truckfighters) and also finds the Swedish unit both with a new drummer (hello, Sebastian Olsson) and down from two guitars to one. It was five years between their third album, 2007′s Agents of Ahriman and 2012′s Nest of Vipers (review here), so with a quicker turnaround and a stripped-down songwriting approach that seems geared more toward a live-sounding heavy rock presentation, Greenleaf could easily be positioning themselves as a full(er)-time touring act. The more the merrier. Greenleaf on Thee Facebooks.

 

13. Grifter, The Return of the Bearded Brethren

UK power trio Grifter surprised some with the quality of songwriting on their 2011 self-titled debut (review here), the lacking pretense of which was in proportion to its classic heavy rock influence, but The Return of the Bearded Brethren, which is set to release on Ripple Music, won’t have the advantage of sneaking up. If they’re throwing down a gauntlet, the confrontational pose of the shirtless tattooed beardo on their LP cover would seem to indicate it’s a considerable one indeed, but I wouldn’t be shocked if Grifter made following up on their self-titled sound as easy as they made infectious hooks sound the last time out. Grifter on Thee Facebooks.

 

14. Hull, TBA

Down from a five-piece to a foursome after having lost one of their three guitars since the release of 2011′s stellar second LP, Beyond the Lightless Sky (review here), 2014 marks an interesting point for singular Brooklyn post-thrashers Hull. With a Roadburn appearance slated and a limited vinyl reissue of their 2007 Viking Funeral debut EP in hand, they’ll look to bring their conceptual songwriting into a new presentational arc, and while that’s a fascinating prospect, I’m also looking forward to their new album because it promises to be heavy as fuck whenever it happens to arrive, hopefully by the end of the year. Hull on Thee Facebooks.

 

15. Lowrider, TBA

Were this list numbered in anticipatory rather than alphabetical order, Lowrider would be much closer to the top than lucky number 13. The Swedish four-piece will be recording their first outing since 2000′s genre-landmark Ode to Io this year after reuniting on stage at Desertfest 2013 — they’ll return to London next month with Dozer — and while I don’t know if it’ll be out by the time 2014 is done, I do know that the sheer prospect of a new Lowrider makes this year much better than it would be otherwise. I already invited myself to Sweden for an in-studio. More to come. Lowrider on Thee Facebooks.

 

16. The Machine, TBA

A couple weeks back, Dutch heavy psych rockers The Machine — whose split with now-defunct countrymen Sungrazer (review here) was my favorite short release last year — held a poll on their Thee Facebooks page to name their upcoming fifth album, which will follow 2012′s Calmer than You Are (review here) on Elektrohasch. My suggestion? Come to Light. It has the advantage of sounding psychedelic with an undertone of enlightenment to speak to the band’s continuing progression and it keeps with the prior album in being a reference to The Big Lebowski. No word on whether or not they’ll use it, but I’ve got my fingers crossed. The Machine’s website.

 

17. Mars Red Sky, TBA

Currently in the mixing stage, the second Mars Red Sky long-player will arrive on the heels of 2013′s Be My Guide EP (review here) and the Bordeaux fuzz trio’s self-titled 2011 debut (review here) and a host of tours and festival appearances. While their plans to record in the California desert reportedly didn’t pan out, the trio put much of the album to tape over the course of a week in Brazil following dates in South America, so it should boast plenty of sunshine either way. The album is due for release in April — a pro-shot live video of the new song “Satellites” was recently unveiled — and Mars Red Sky will also play at Hellfest in their native France in June. Mars Red Sky on Bandcamp.

 

18. Mos Generator, Electric Mountain Majesty

The Washington trio’s first album for Listenable Records and their second since picking back up after several years of inactivity while guitarist/vocalist Tony Reed concentrated on Stone Axe, Electric Mountain Majesty is done and mastered as of Jan. 5. Recorded by Reed himself, it will follow a pair of live outings in 2013 (reviews here and here) and 2012′s infectious return, Nomads (review here). I am fully prepared to have these songs stuck in my head for most of 2014, so bring it on. A March release has been floated, which would come ahead of an appearance at Freak Valley in late May. Mos Generator on Thee Facebooks.

 

19. Mr. Peter Hayden, Archdimension Now

Triumphantly creative Finnish cosmic doomers Mr. Peter Hayden will complete a trilogy with Archdimension Now that began with 2010′s Faster than Speed (review here) and 2012′s single-song 68-minute LP, Born a Trip (review here). Crushing tones and a formidable scope don’t seem like unreasonable expectations, though what really interests me is how the Satakunta five-piece will expand on the sound of their last album, which still seems to reveal something new each time I put it on. Their new single “We Fly High,” was streamed here recently and bodes well. Mr. Peter Hayden on Bandcamp.

 

20. Pallbearer, TBA

Pallbearer have toured hard since their 2012 debut, Sorrow and Extinction (review here), hit a nerve with doomers across the globe, and the four-piece from Arkansas are set to begin recording their next LP (presumably) for Profound Lore in February. If that puts a release for sometime in late Spring/early Summer, I would imagine it will come coupled with no shortage of live dates, since the band seems most at home on tour. Should be intriguing to have a document of how all that stage time has manifested in solidifying and adding confidence to their approach, and this is another one preceded by much anticipation. Pallbearer on Thee Facebooks.

 

21. Papir, IIII

It would seem I have some purchases to make in order to catch up with Danish heavy psych jammers Papir. Aside from their recent collaboration with Electric Moon, the upcoming IIII will sure enough be their fourth album. Available now to preorder through El Paraiso Records, it is a vinyl-ready 47 minutes of smoothly shifting transitions between lush atmospherics and driving fuzz-heavy rock, ready to stand in line with progressive European instrumentalists like 35007, My Sleeping Karma and indeed their label honchos, Causa Sui. I had caught wind of 2013′s III previously, but deeper back catalog investigation is definitely warranted. Papir on Thee Facebooks.

 

22. Pilgrim, TBA

Just before they left to tour Europe with Windhand, Providence, Rhode Island, doomers Pilgrim recorded their sophomore full-length at Moonlight Mile Recording in scenic Jersey City, NJ. After the huge response garnered — and, I should say, earned — by their 2012 debut, Misery Wizard, the band jumped from Alan Averill of Primordial‘s Metal Blade imprint, Poison Tongue Records, to Metal Blade proper for the new one, which along with Pallbearer, 40 Watt Sun, Serpent Venom and The Wounded Kings (and no doubt others) makes a prospect for a thoroughly doomed 2014. So be it. Pilgrim on Thee Facebooks.

 

23. Radio Moscow, TBA

As I type these words, heavy rockers Radio Moscow are mixing their yet-untitled fourth album (fifth if you count 2012′s 3 & 3 Quarters, which was comprised of early unreleased material) at Big Fish Recording in Encinitas, CA. Details on the release are sketchy at best at this point, and by that I mean nil, but at least there’s progress being made, and since it’s still January, it seems entirely likely the album will surface one way or another in the next 11 months, barring disaster. The bombastic blues jammers led by Parker Griggs toured Europe last fall and rumor is there’s a run in the works for the US at the end of February into March. Radio Moscow on Thee Facebooks.

 

24. Sigiriya, Darkness Died Today

What’s not to like about a new Sigiriya album? The UK four-piece premiered “Tribe of the Old Oak” from Darkness Died Today here last month, and in addition to the considerable pipes of new vocalist Matt Williams, the track showcased a somewhat moodier psychedelic vibe from the band, who continue to distance themselves from Acrimony, of which bassist Paul Bidmead, guitarist Stuart O’Hara and drummer Darren Ivey were members, while also exploring new avenues from those of Sigiriya‘s debut, 2011′s Return to Earth (review here). I haven’t heard the whole thing yet, but they set a high standard last time. Sigiriya on Thee Facebooks.

 

25. Sixty Watt Shaman, TBA

Reason to Live, was released by Spitfire Records (remember them?) in… wait for it… 2002. Some 12 years ago. Now, these dudes have been kicking around in other bands since Sixty Watt Shaman sort of melted away in the manner that underrated bands often unfortunately do, but with the announcement of their appearances this year at Desertfest (info here) in April and The Eye of the Stoned Goat 4 in May (info here) came word of a new studio release. EP or LP unknown at present. As killer as Reason to Live was, it just doesn’t seem fair to expect Sixty Watt Shaman to be the same band they were more than a decade ago. As such, I don’t know what’s coming, but I’m keen to find out. Sixty Watt Shaman on Thee Facebooks.

 

26. Skraeckoedlan, Gigantos

The 2011 debut from upstart Swedish heavy-hitters Skraeckoedlan, titled Äppelträdet (review here), was recorded by Oskar Cedermalm of Truckfighters and had much of that band’s fuzzy compression in blend with their own Mastodon-ic plod. It was a combination that worked so well I thought for sure the young outfit would return to Studio Bombshelter for their next outing, but no dice. As a result, I’m not sure what to expect from Gigantos, but I dug what I heard in a recent live video from them, so we’ll see how it turns out when the LP is done and I’m not about to judge either way until then. Skraeckoedlan on Thee Facebooks.

 

27. The Skull, TBA

I have no interest in downplaying any of the original members of Trouble‘s contributions to that legendary Chicago doom band (nor the work they’re doing now or those contributing to it), but there can be no question that Eric Wagner‘s voice is a signature element, and right now, that’s something The Skull has over the outfit from whence they sprang. Add to that Ron Holzner‘s bass and Jeff “Oly” Olson‘s drums and you’re well on your way to some foundational heavy. Among the best signs is that The Skull were recording with Billy Anderson (Sleep, the Melvins, Acid King, etc.), who obviously knows his shit and is likely to capture their sound as it should be: Completely doomed. Also keep an eye out for Wagner‘s side-project, Blackfinger, who have an LP coming. The Skull on Thee Facebooks.

 

28. Sleep, TBA

This would be the mother of them all, I guess. A new Sleep album. In addition to hinting at new studio outings by his own three-piece Om and Matt Pike‘s High on Fire, bassist/vocalist Al Cisneros let it slip casual-style in an interview somewhere that Sleep were working on new material, thus snapping my Thee Facebooks feed in half. Fair enough. Working on material doesn’t mean we’ll see a record this year, or at all, but obviously if there’s a chance a new album might happen (I’ve been nerding out about the idea for a while; see here and here), it would be proof of justice in the universe. Seems an obvious thing that Billy Anderson would record this as well, and all the better. Can the Sons of Sabbath prove there’s life after Dopesmoker? For now, only the Antarcticans know. Sleep’s website.

 

29. Slough Feg, Digital Resistance

Slated for release through Metal Blade — they’re taking preorders — what if I’m not mistaken is the 32nd Slough Feg LP is due on Feb. 18. As much as I’m looking forward to the release of the record itself, having very, very much enjoyed 2010′s The Animal Spirits (review here), I’m even more interested to see if I finally get up the gumption to interview guitarist/vocalist Mike Scalzi. Something about a dude who doubles as a philosophy professor and who’s been putting out records in his band since I was nine and long before anyone gave a shit I’ve always found intimidating. We’ll see if I’m up to it this year. @Slough_Feg.

 

30. Snail, Feral

Last summer, West Coast riffers Snail announced the departure of guitarist Eric Clausen, which means that their fourth outing, Feral, will be their first as the trio of guitarist/vocalist Mark Johnson, bassist Matt Lynch and drummer Marty Dodson since their 1993 self-titled debut full-length (reissue review here). Should be interesting to see how the shift to their original lineup changes the tenor of Feral as opposed to their two albums with Clausen, 2009′s comebacker Blood (review here) and 2012′s Terminus (review here), but as the first audio from the record begins to surface, Snail‘s sound seems to still very much have its core intact. Terminus brought in something of a rawer heavy metal influence coming off the languid, dreamy Blood, but as they’ve been back together now for going on half a decade, no doubt a few more twists are in store. Snail on Thee Facebooks.

 

31. Steak, TBA

Quickly emerging at the fore of London’s enviable up and coming heavy rock scene — and, in the case of guitarist Reece Tee, helping shape it as one of the architects of DesertfestSteak are set to debut this year on Napalm Records with what will be their first full-length following two EPs, 2012′s Disastronaught (review here) and 2013′s Corned Beef Colossus (review here). They’ve put in time on tour — they’ll play in Spain with Monster Magnet and in London with Lowrider and Dozer in February — and seem to be ready to take the next step in releasing an album, and after the conceptual elements of both EPs, I’m eager to see where the next chapter of their story goes. Steak on Bandcamp.

 

32. Stubb, TBA

Tracking is to begin a few weeks from now for Stubb‘s second album at Jon Davis of Conan‘s Skyhammer Studios. After the release of their 2013 single, Under a Spell (review here), and the departure of drummer Chris West, guitarist/vocalist Jack Dickinson and bassist/vocalist Peter Holland acquired Tom Fyfe to fill the position, and subsequently found a label home on Ripple Music. It’ll be a different Stubb than they were on their 2012 self-titled debut (review here), but the fuzz runs strong in them however the changes might manifest in the finished product from the studio, and I can’t even think of “Under a Spell” without hearing the chorus in my head, so yeah, I’m on board. Stubb on Thee Facebooks.

 

33. SunnO))) & Ulver,Terrestrials

A collaboration between drone lords SunnO))) and Norwegian post-black metal progenitors Ulver probably isn’t the kind of thing that’s going to make you crush a beer can on your forehead and call your bros to come over and check it out (actually, I don’t know what kind of music does that, but it probably sucks), but Terrestrials has the potential to be one of 2014′s most unique releases all the same. After Ulver‘s delving into orchestral minimalism on 2013′s Messe I-IX, it’s really anyone’s best guess what this will sound like when it comes out on Feb. 4. SunnO))) explored some cinematic ground with 2009′s Monoliths and Dimensions (review here), but still, to speculate seems like setting myself up to be a fool later. Southern Lord Recordings website.

 

34. Tombs, Savage Gold

For their third album for Relapse, Brooklyn three-turned-four-piece Tombs headed south to Florida to record with Hate Eternal‘s Erik Rutan. If vague Thee Facebook posts are anything to go by, the resulting LP is 57:18 and titled Savage Gold. I’m not sure when it’ll be out, but as the follow-up to 2011′s widely and loudly lauded Path of Totality, whatever it’s called and whenever the new Tombs shows up, chances are it’s going to receive as much extremity as it doles out. Tombs on Thee Facebooks.

 

35. Triptykon, Melana Chasmata

Heirs to the black, shiny and probably spiky throne of Celtic Frost, ultra-dark metallers Triptykon will answer 2010′s Eparistera Daimones (review here) with Melana Chasmata, which though it’s somewhat easier to type is no doubt even more gleefully excruciating a listen. As with the debut, they’ll mark the release with an appearance at Roadburn (info here). No audio has surfaced yet, but with a release date set for April 24, that can’t be too far off. Will Tom G. Warrior push Triptykon further away from their Celtic Frost lineage? I don’t know, but if there’s beauty in darkness, he’s the one to find it. Triptykon on Thee Facebooks.

 

36. Truckfighters, Universe

Feb. 4 is the stated release date for Universe (review here), the fourth album from Örebro fuzzdudes Truckfighters. The Swedish three-piece explore ground that at the same time is more emotionally complex than their last outing, 2009′s Mania (review here), and also more straightforward in the songwriting, resulting in a collection of tracks not necessarily as upbeat as some of what they’ve done in the past, but ultimately working toward a different kind of realization. No doubt hard touring will follow throughout the rest of this year, so if you want to catch Truckfighters, you’re likely to get your chance. Truckfighters on Thee Facebooks.

 

37. Valley of the Sun, Electric Talons of the Thunderhawk

Like Truckfighters, Midwestern heavy rockers Valley of the Sun will issue their new album, the somewhat cumbersomely-titled Electric Talons of the Thunderhawk on Fuzzorama Records, and the two acts are slated to tour together in Europe from Feb. 8 through March 14 ahead of Valley of the Sun‘s April 1 release date. If you contributed to their crowdfunding campaign, you might already have a copy of Electric Talons of the Thunderhawk on vinyl, but either way, the official release is worthy of note, particularly for as much growth as the full-length (their debut) shows from 2011′s already-impressive The Sayings of the Seers (review here). Valley of the Sun on Thee Facebooks.

 

38. Weedeater, TBA

Not certain how to tell you this, but I’m not sure we’re going to see a new Weedeater album this year. Between the North Carolina sludgers’ busy tour schedule and Season of Mist reissuing their other four albums, it seems like an awful lot for Weedeater to then also write and record a follow-up to 2011′s Jason… the Dragon (review here). I’m not saying it can’t be done — hell, for all I know they’ve finished writing and the studio is booked — but if a new Weedeater arrives, although it was mentioned with their West Coast tour dates that start this week, right now it seems like it would be later in 2014 or maybe early 2015 by the time it gets here. Hey, I could be wrong. I’d prefer it that way. Weedeater on Thee Facebooks.

 

39. Wolves in the Throne Room, TBA

They put out BBC Session 2011 Anno Domini last year as a kind of holdover release, but last month brought news of new songs for 2014, which would be Wolves in the Throne Room‘s first since Celestial Lineage in 2011. They toured their heaviest yet that record, so a bit of a break wasn’t necessarily out of order, but for an act who inspire the kind of loyalty that Wolves in the Throne Room do, three years can be a long time. Not much by way of specifics on the new release, whether it’s a full-length or not, when they might record, where, or when it might surface, but we know they’ve got new material, and that’s a step. Wolves in the Throne Room’s website.

 

40. The Wounded Kings, Consolamentum

Due Feb. 24 on Candlelight, Consolamentum is the fourth long-player in the tumultuous career of British progressive doomers The Wounded Kings, who despite a seemingly endless series of lineup shifts have managed to release their four albums in a span of six years. With guitarist/founder Steve Mills at the core and the eerie but powerful vocals of Sharie Neyland over top, The Wounded Kings have tapped into a doom quick to separate itself from the pack, and Consolamentum conjures some of their most oppressive atmospherics yet, with expansive cuts like “Gnosis” and “The Silence” fed into by ambient passages and interludes. The Wounded Kings on Thee Facebooks.

 

41. Yawning Man, Gravity is Good for You

Desert legends Yawning Man released a split with Fatso Jetson in 2013 — only appropriate, since the two acts share Mario Lalli — but Gravity is Good for You, like whatever Acid King might have in store, is a holdover from last year’s list. Guitarist Gary Arce of the long-running and hugely influential instrumental jammers has reportedly been in the studio with Lalli and Third Ear Experience drummer Erik Mouness (video surfaced), but there’s yet to be concrete word on when Gravity is Good for You, reportedly a double album and the band’s follow-up to 2010′s Nomadic Pursuits (review here), might be finished. Got my fingers crossed it’s this year. Yawning Man on Thee Facebooks.

 

42. YOB, TBA

Feels like a terribly long way to go only to get to one of the albums I’m most looking forward to hearing, but the alphabet works in mysterious ways sometimes. On Jan. 7, Eugene, Oregon, überdoomers YOB posted the following on their Thee Facebooks: “Had an amazing YOB practice. The new songs are fully in focus. 2 mega DOOM bludgeoners, one “faster” song, and the most beautiful arrangement we’ve ever written to close. 4 songs, 55 minutes.” Last I heard, they were to begin recording for their seventh (man, time flies) LP this week with a release in the months to follow, and since YOB haven’t put out an album since 2004 that I didn’t pick it as my Album of the Year, you can bet your ass I’m looking forward to what they do next. Particularly that part about “the most beautiful arrangement we’ve ever written.” Sold. YOB on Thee Facebooks.

Others to keep an eye on, some mentioned above, some not:

Ararat, III (Another 2013 holdover)
The Atlas Moth, The Old Believer (Out in June)
Brant Bjork, Jakoozi
Blackfinger, Blackfinger
Godhunter, City of Dust
Ice Dragon (Some older releases are being physically pressed and new stuff is never far off)
King Buffalo (Their demo ruled)
King Dead (First audio just surfacing, but holds promise)
Lo-Pan (Been a while in the making at this point, hopefully 2014)
Pet the Preacher, The Cave and the Sunlight
The Proselyte (EP coming on Gypsyblood Records)
Rainbows are Free, Waves ahead of the Ocean
Saint Vitus (Began writing last Fall)
Salem’s Pot, Lurar ut dig på prärien
The Scimitar (Debut from Black Pyramid offshoot)
Seedy Jeezus (Recording in Australia now with Tony Reed)
Serpent Venom, Of Things Seen and Unseen
Spirit Caravan (Nothing announced but you never know)
Various Artists, Songs of Townes Van Zandt Pt. II
Wino & Conny Ochs (Maybe, maybe not)
The Wisdoom, Hypothalamus
Wo Fat (New album recorded)

I’m quite positive that the first thing to happen after this is posted is that someone will chime in with something I forgot. At least I hope that’s what happens. As large as this list has turned out to be (much, much larger than I thought it would be when I started taking notes for it), there’s no way it could cover everything, and I hope if there’s an upcoming release in particular that you’re looking forward to, you’ll please let me know in the comments.

Thank you so much for reading and for all of your support. Here’s to an amazing 2014.

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Truckfighters, Universe: Call to Order

Posted in Reviews on January 3rd, 2014 by H.P. Taskmaster

When Swedish three-piece Truckfighters debuted in 2005 with Gravity X, it was clear they had a firm grip on the traditions of fuzz rock. That album bristled with desert and stoner influence; Kyuss, Fu Manchu, flourishes of countrymen acts like Dozer. There were flashes of brilliance in cuts like “Desert Cruiser” — which still opens all their shows with its clarion riff — and “Manhattan Project,” “In Search of (The)” and elsewhere.On 2007′s Phi, lineup changes brought a second guitar and though the output was quality, the dynamic didn’t work quite as well as the debut. Phi and subsequent touring led them to 2009′s Mania (review here), which seemed like the capstone on the decade of quality semi-revivalist fuzz. Progressive in songs like “The New High,” “Majestic” and “Con of Man,” the trio of vocalist/bassist Oskar “Ozo” Cedermalm, guitarist Niklas “Dango” Källgren and drummer Oscar “Pezo” Johansson proved there was more to their sound than riff worship and that they indeed had something to offer that even their Californian influences couldn’t at that point match: A future. It’s been four years since Mania – twice as long as all the other breaks between albums — and after years of road time across Europe and the US and losing Johansson to Witchcraft only to replace him with Andre “Poncho” Kvarnström, the trio from Örebro make a return with the long-awaited Universe on their own Fuzzorama Records. Self-sustaining between the label and recording in their own Studio Bombshelter, Truckfighters are a more mature band than they were four years ago, but they keep both the roots in fuzz from their earliest work and the progressive mindset of Mania intact on the 44-minute/seven-track Universe, resulting in a vinyl-minded flow that in longer cuts like “The Chairman” (7:54), “Get Lifted” (7:55) and closer “Mastodont” (13:54) pushes the boundaries of what Truckfighters have done before and blends that with catchy hooks and strong riffing on the shorter opener “Mind Control” (3:57), on “Prophet” (4:47) and the penultimate “Dream Sale” (4:30).

The tracklisting is ordered in alternating fashion, shorter song into longer, into shorter, and so on. Anomalous in this is standout and (what I imagine is) side B opener “Convention,” which clocks in at 1:40 and arrives before “Dream Sale” and “Mastodont.” One might expect an interlude or throwaway filler based on its runtime, but they actually launch and completely payoff an instrumental build in that time and manage to provide a hook as well. A lesson in efficiency, then. It’s not the first on Universe. From the gritty-to-full launch of “Mind Control” on through its signature Truckfightersian tonality and chorus, there’s little waste to be found. Cedermalm sounds clear, comfortable and dynamic as a vocalist and as the layers in the chorus of “Mind Control” illustrate, Truckfighters are continuing to do something they’ve always done: Making complex ideas sound easy. He pushes himself vocally throughout, perhaps most of all on “Get Lifted,” but between touring with Truckfighters and his tenure in Greenleaf supporting their 2012 outing, Nest of Vipers (review here) — he’s since left the band — there’s clearly growth evident in his approach and comfort with harmonies, as displayed both in “Mastodont,” which very much is the culmination of Universe, and in “Prophet,” which feels almost in direct conversation with the unceasing movement of “Monte Gargano” from Mania. Second cut “The Chairman,” which also served as the title-track for a late-2013 EP released by Fuzzorama and Last Hurrah Records, offers a glimpse  at Truckfighters‘ more exploratory tendencies, with Cedermalm starting on vocals before Källgren and Kvarnström join in and lead the way toward the first verse. The tone is fuzz but there’s an underlying thud to “The Chairman” in the bass and drums that works exceedingly well to give it a sense of gravity, and though they hold back on delivering the chorus, that only serves to make it all the more satisfying upon its arrival, Källgren soloing past the halfway point to a boogie break that leads to a payoff that is both a landmark within the album itself and a foreshadow for what “Get Lifted” and “Mastodont” will continue to build upon.

It’s worth pointing out that for as much as Universe was intentionally structured to feed shorter songs into longer ones, it has already mounted considerable momentum by the time “The Chairman” is done, getting quiet and wandering a bit in layers of acoustic and electric guitar with steady drum thump and subdued vocals before exploding into its apex just before seven minutes in, and positioned as it is, “Prophet” only keeps that push going. Kvarnström is steady on his kick for a desert rocker with a restrained verse with open guitar and underscoring bass rumble, and the song solidifies around its chorus, which is one of Universe‘s strongest. A full stop around the three-minute mark gears into full-on fuzz riffing for the bridge that builds, stops, repeats, and the drums circle around to establish the transition back to a final chorus, ending cold with a ringing cymbal that gives way to the silence from which “Get Lifted” fades in its bassline. Were it not for the level of execution shown in “Mastodont” and the diversity within that song, “Get Lifted” would be the high point of Universe. Its build is masterful, its hook infectious, and its linear construction only highlights how far Truckfighters have come as songwriters and how seamlessly Kvarnström has blended with the founding and core duo of Cedermalm and Källgren, being a player of both power and character. He’s rarely driving the material here — that’s mostly left to the guitar or bass — but in moments like that bridge in the back half of “Prophet” and in his transitions throughout “Get Lifted,” he’s no less fluid than either of the other two members, and at 2:25 when “Get Lifted” launches from its quiet start to full-breadth, full-weight rocking, he doesn’t oversell it, doesn’t overplay it, just rides the groove with class. Like “The Chairman” before it, “Get Lifted” teases its chorus before it actually unveils the thing, but they get there around the halfway point and though Cedermalm‘s vocals are deep in the mix as if to suggest he’s being swallowed by the fuzz emanating from his and Källgren‘s amps, you just know in listening that a bigger payoff is soon to arrive.

Read more »

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Video Premiere: Truckfighters Unveil New Clip for “Prophet” from Universe

Posted in Bootleg Theater on December 12th, 2013 by H.P. Taskmaster

While I wouldn’t expect the track to be any more indicative of the overall scope of Universe than “Monte Gargano” was when it came to the expansive sound the band presented on 2009′s Mania, it’s good to hear Truckfighters‘ fuzz once again, and “Prophet” has me anticipating the new album’s arrival even more than I already was. True, it was pretty recently that the riff-rocking trio from Örebro — who one gets the sense are just beginning to make their mark on North American shores — unleashed their EP based around “The Chairman” (video here), but a full-length release is a different beast entirely and I can’t wait to hear the context that surrounds “Prophet” when the time comes. It’s going to be a fuzzy start to the New Year.

Truckfighters Oskar “Ozo” Cedermalm on bass/vocals, Niklas “Dango” Källgren on guitar and Andre “Poncho” Kvarnström on drums — will issue Universe through their own Fuzzorama Records on Feb. 4. They’re taking pre-orders through PledgeMusic now, and one can expect they’ll support the album with a massive run of touring. They’ve been to the US a couple times the last few years (the latest was this summer), and that was before even The Chairman got released, so that’s an awful lot of work to put in not to return and hopefully reap the reward. Until they make their appearance at SXSW next year, we’re left with drips and drops ahead of the new long-player, and as the first audio from Universe made public, “Prophet” shows some of the moodier side of the band.

Not at all surprisingly, they’ve kept the desert rock tonality that’s made their recorded output so essential, but Mania saw them expand their emotional and atmospheric reach with those tones, and “Prophet” seems to be continuing that progression. See for yourself as they quite literally get screwed in the video below, which was directed by Joerg Steineck (who also helmed the feature-length documentary about the band with Christian Maciejewski), and please enjoy:

TRUCKFIGHTERS to Release New Album “Universe” February 4

Swedish Hard Rock Buzz Band Sets Sights on North American Takeover Including Major Touring, Appearance at SXSW 2014

Scandinavian power trio TRUCKFIGHTERS will release its fourth studio LP Universe in North America on February 4 via Fuzzorama Records. The spectacular Swedish band, who Queens of the Stone Age front man Josh Homme has called “not just the best band I’d ever heard, but the best band that ever existed” and who has created some of the best stoner rock records of the last decade, describes the new album as simply “the ultimate fuzz.” Universe supercharges the riff-heavy roots of TRUCKFIGHTERS’ signature sound while charting a more progressive, challenging path — a hybrid of fuzz and prog — with an increased focus on textures and dense arrangements loaded with engaging melodies and outstanding musicianship. These advancements don’t come at the expense of the catchy and heavier aspects of the group’s sound, rather it shoots TRUCKFIGHTERS psychedelically-tinged rock into rich and rewarding new dimensions. Universe is available for pre-order purchase now at this location.

With Universe, the ideas TRUCKFIGHTERS have offered since 2001 — a colossal, airtight rhythm section, psychedelically-tinged guitarmonies, teasing maneuvers/crushing payoffs and pure climactic catharsis — are realized with purpose and aim. From the sonic high arc of the opening cut “Mind Control” to the fuzzy riffs, vocal hooks and proggy passages of the leviathan-like “The Chairman” to the monstrous groove of “Convention” and through to the album-closing, tongue-in-cheek nod to buddies Mastodon (“Mastodont”), TRUCKFIGHTERS’ Universe is a definitive mission statement and an accurate portrait of a band that has molded its veracious desert session anthems into chiseled hard rock monoliths.

Tracklisting:
1.) Mind Control
2.) The Chairman
3.) Prophet
4.) Get Lifted
5.) Convention
6.) Dream Sale
7.) Mastodont

TRUCKFIGHTERS will tour North America extensively this spring in support of Universe, bringing its explosive energy and contagious enthusiasm to as many cities as possible. The band is also planning an appearance at the 2014 South by Southwest Music and Media Conference and Festival, this coming March in Austin, TX. This, you won’t want to miss.

https://www.facebook.com/truckfighters
http://www.truckfighters.com/

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Truckfighters to Release Universe on Feb. 4; Tracklisting and Details Revealed

Posted in Whathaveyou on December 9th, 2013 by H.P. Taskmaster

Not really much of a surprise that Truckfighters are coming back to North America to support the Feb. 4 release of their fourth album, Universe, but it’s nice to see it made official anyway. The Örebro trio will hit up SXSW and presumably a bunch of other cities as well, and hopefully some of the roadtime they’ve put in since the release of Mania in 2009 will pay off. That remains to be seen, but in the meantime, Universe is pretty high on my list of gotta-hear records for 2014, so any news about it is good news as far as I’m concerned.

Can’t stop the PR wire today:

TRUCKFIGHTERS to Release New Album “Universe” February 4

Swedish Hard Rock Buzz Band Sets Sights on North American Takeover Including Major Touring, Appearance at SXSW 2014

Scandinavian power trio TRUCKFIGHTERS will release its fourth studio LP Universe in North America on February 4 via Fuzzorama Records. The spectacular Swedish band, who Queens of the Stone Age front man Josh Homme has called “not just the best band I’d ever heard, but the best band that ever existed” and who has created some of the best stoner rock records of the last decade, describes the new album as simply “the ultimate fuzz.” Universe supercharges the riff-heavy roots of TRUCKFIGHTERS’ signature sound while charting a more progressive, challenging path — a hybrid of fuzz and prog — with an increased focus on textures and dense arrangements loaded with engaging melodies and outstanding musicianship. These advancements don’t come at the expense of the catchy and heavier aspects of the group’s sound, rather it shoots TRUCKFIGHTERS psychedelically-tinged rock into rich and rewarding new dimensions. Universe is available for pre-order purchase now at this location.

With Universe, the ideas TRUCKFIGHTERS have offered since 2001 — a colossal, airtight rhythm section, psychedelically-tinged guitarmonies, teasing maneuvers/crushing payoffs and pure climactic catharsis — are realized with purpose and aim. From the sonic high arc of the opening cut “Mind Control” to the fuzzy riffs, vocal hooks and proggy passages of the leviathan-like “The Chairman” to the monstrous groove of “Convention” and through to the album-closing, tongue-in-cheek nod to buddies Mastodon (“Mastodont”), TRUCKFIGHTERS’ Universe is a definitive mission statement and an accurate portrait of a band that has molded its veracious desert session anthems into chiseled hard rock monoliths.

Tracklisting:
1.) Mind Control
2.) The Chairman
3.) Prophet
4.) Get Lifted
5.) Convention
6.) Dream Sale
7.) Mastodont

TRUCKFIGHTERS will tour North America extensively this spring in support of Universe, bringing its explosive energy and contagious enthusiasm to as many cities as possible. The band is also planning an appearance at the 2014 South by Southwest Music and Media Conference and Festival, this coming March in Austin, TX. This, you won’t want to miss. Or as Josh Homme said, “Beatles, Schmeatles; Rolling Stones, Rolling Bones. Truckfighters: that’s the good shit.”

https://www.facebook.com/truckfighters
http://www.truckfighters.com/

Truckfighters, “The Chairman” official video

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Desertfest 2013: Live in London Vinyl Compilation Released

Posted in Whathaveyou on December 6th, 2013 by H.P. Taskmaster

As Desertfest 2014 continues to take shape, the bi-city festival announced today the release of a new vinyl compilation, Desertfest 2013: Live in London. All tracks were recorded live at this year’s fest, and whether you were there or not, you should be able to appreciate exclusive live recordings from Colour Haze, Fatso Jetson, Yawning Man, Unida, Truckfighters, Lowrider, Dozer and House of Broken Promises recorded there. One can only hope this is just the beginning of many Desertfest documents to come.

Info and links — you know the drill:

***** DESERTFEST ‘LIVE IN LONDON AVAILABLE NOW ****

Good news Friends, The Vinyl has arrived at DF Towers and its looking and sounding super slick..Those that have pre-ordered should start to receive their copies next week..If you are yet to order your copy, we are running an XMas special where you can purchase a ticket to DF14 & the Vinyl for just £95..1st 30 orders receive a free poster too…

you can watch the latest promo video here

Desertscene are pleased to bring you ‘ Live In London ‘ a Special Coloured Limited Edition LP. Recorded live at London’s renown 3 day Stoner/Doom festival ‘Desertfest’ in April 2013!

The Record is out now and you can order your copy here.

The track listing features some of the best bands from the Stoner, Doom and Desert scene such as Unida, Colour Haze, Fatso Jetson and Yawning Man. Mixed by Harper Hug in Palm Springs this heavy weighted compilation is a unique and collectable item for anyone in the scene.

We have limited it to a 12″ Vinyl only meaning it will not be available in any other formats.

TRACKLISTING:

UNIDA – STRAY
FATSO JETSON – FLAMES FOR ALL
YAWNING MAN – DARK MEET
TRUCKFIGHTERS – CHAMELEON
LOWRIDER – FLAT EARTH
DOZER – RISING
HOUSE OF BROKEN PROMISES – HI-WAY GRIT
COLOUR HAZE – TEMPEL

Xmas Special £95:
http://www.leedstickets.com/eventinfo/4054/XMAS-SPECIAL-Desertfest-2014-Vin

Vinyl Only £20:
http://desertfest.bigcartel.com/

Desertfest 2014 ticket £85:
http://www.leedstickets.com/eventinfo/3843/Desertfest-2014

Desertfest 2013: Live in London Promo

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Truckfighters to Release New Album Universe on Jan. 24

Posted in Whathaveyou on November 1st, 2013 by H.P. Taskmaster

It’s Truckfighters‘ universe, we’re all just living in it. The fuzz forerunner trio from Örebro already have a new EP, The Chairman, available, and they’ve backed that up with the announcement below that they’ll release a new full-length, titled Universe, in January 2014. This will be the first Truckfighters long-player since 2009′s spectacular third offering, Mania (review here), and it’s already high up on my gotta-have list for the New Year. Awesome.

The news just came down the PR wire:

BACK IN THE GAME. NEW ALBUM ”UNIVERSE” TO BE RELEASED IN JAN 24TH, 2014

It’s been almost five years since last time around but we are now delighted to announce the release of our fourth studio album, due Jan 24th, 2014.We’ve been working on this piece of art that we named ”Universe” the last year and more and are now satisfied to 100%.

We are so much looking forward to sharing our new music with you. Inspired by our touring over four continents, this album is the deepest and widest one we’ve done so far. Simply the best songs we’ve ever made. We feel confident you will like it a lot! Start the countdown, the fuzzy tones will open up a new Universe.

“Universe” will be released on Jan 24th, 2014, in Germany / Switzerland / Austria / Scandinavia & Finland, rest of the world to follow on Jan 27th / 28th onwards.

+++ PLEDGEMUSIC CAMPAIGN ON NEW ALBUM +++

Universe will come with many many special incentives – so don’t miss it!

Pre-orders of the new album can already be placed through PledgeMusic: http://www.pledgemusic.com/truckfighters

This system is a fan friendly way to purchase the longplayer, but to also having it bundled in some special deals and w/ cool stuff associated with the new album. You can buy stuff here that you can not buy in any store, not even in our webshop. It also gives a percentage of profits to a charity organization.

We decided to donate our share (after reaching the campaign’s goal / 100%) to LIFEWATCH, a Swedish foundation that supports research targeting autism and cancer.

So not only you will purchase exclusive items nowhere else available, but also will purchase this for a good cause. We thaught this is an honorable way to offer out the album and all its exclusives. And – among those things we are offering – there is also a gig at your very own place!!!

+++ LIVE! LIVE! LIVE! +++

Just home from the Chairman Central European tour, we are alrady preparing for weekends in Sweden, Russia, and Norway the coming month.
Nov 01 KlubbFuzz – Gavle, Sweden
Nov 02 Dynamo – Norrköping, Sweden
Nov 16 Mod St. – Petersburg, Russia
Nov 17 Plan B Club – Moscow, Russia
Nov 27 Union Scene – Drammen, Norway
Nov 28 Hulen – Bergen, Norway
Nov 29 Checkpoint Charlie – Stavanger, Norway
Nov 30 Trashpop – Kristiansand, Norway
Dec 27 Sticky Fingers – Goteborg, Sweden

Greece is also on the map in January 2014:

Jan 10 An Club – Athens, Greece
Jan 11 Eightball – Thessaloniki, Greece

Big thanks to everone who came out to the shows in October. We hope you had a super good time just as we did. See you next time around! That next time around is not too far away from now. We can already alert you that the Truck from Örebro, Sweden, will conquer Europe in February / March 2014 again, more details on exact cities and venues to follow soon! Also, there are likely to be other continents on our roadmap in 2014, so stick around, we will alert you soon!!!

Please always check TRUCKFIGHTERS.com for exact live dates!

Truckfighters, “The Chairman” official video

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Truckfighters’ The Chairman Special Edition EP Available to Preorder; Band on Tour in Europe

Posted in Whathaveyou on October 3rd, 2013 by H.P. Taskmaster

Attention fuzzdudes and fuzzladies: The new Truckfighters EP is available to pre-order. If you’re having trouble receiving this message, then check your fuzztenna. Repeat: TruckfightersThe Chairman EP can now be pre-ordered in a special edition through Last Hurrah Records — who, it should be noted, have also gone suitably all out in the packaging, what with the 12″ 45RPM vinyl and the variations on the colors with mixtures of opaque and transluscent. I’m not sure what the difference between “Desert Sunset” and “Desert Sunrise” might be, but I don’t mind the excuse to pick up an extra copy and find out.

Truckfighters are on tour in Europe now — dates below — and the EP is limited to 500 copies in the Last Hurrah edition. Check it out:

Pre-orders are now available for the Truckfighters The Chairman Special Edition EP multi-colored vinyl 12-inch. Sweden’s Truckfighters blaze an incendiary trail through high desert plains and mountains of stoner rock. Presented at 45 RPM for best possible sound quality, The Chairman Special Edition contains over 30 minutes of power “fuzz” and features the title track plus three live songs recorded on tour in Australia earlier this year.

The jacket cover artwork has spot UV gloss, spot PMS, and silver metallic ink designed by artist Lindsey Kuhn.

The 12-inch vinyl comes in two different vinyl colors: Desert Sunset and Desert Sunrise, each a mix of oqaque and translucent colors, limited to 500 copies (250 of each color).

Pre-order available here and should start shipping on October 31.

In the meantime, while you are waiting for the record to arrive, check out the video for the title track “The Chairman” below…

Truckfighters European Tour Dates
02.10.13, [DE] LEIPZIG – UT Connewitz
03.10.13, [DE] ASCHAFFENBURG – Colos Saal
04.10.13, [DE] Dortmund – FZW (Visions Westend Festival)
05.10.13, [CH] Pratteln – Z7 (Up In Smoke Festival)
07.10.13, [FR] Nantes – Le Ferraeulier
08.10.13, [LX] Luxembourg – Rock Box
09.10.13, [NL] Rotterdam – Baroeg
10.10.13, [BE] Antwerp – Trix
11.10.13, [NL] Groningen – Vera
12.10.13, [DE] Siegen – Vortex
13.10.13, [DE] Karlsruhe – Alte Hackerei
15.10.13, [AT] Innsbruck – PMK
16.10.13, [IT ] Milan – Lo-Fi Club
17.10.13, [IT ] Bolzano – Point
18.10.13, [AT] Linz – Stattwerkstatt
19.10.13, [DE] Munich – Feierwerk
20.10.13, [DE] Bremen – Römer

Truckfighters, “The Chairman” official video

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Truckfighters Unveil “The Chairman” Video; New Tour Dates

Posted in Bootleg Theater on September 19th, 2013 by H.P. Taskmaster

Where there are big rigs and fuzz, one must not be surprised to encounter Truckfighters. Sweden’s foremost deliverers of high-octane fuzz, fresh off a US tour, have today posted a new video for the eight-minute jammer “The Chairman,” from their upcoming EP of the same name. It’s the band’s first release in four years, so even more interesting to hear how they’ve progressed in that time from the riffy contemplations of Mania, and “The Chairman” finds the Örebro trio working in jazzy noodling guitars with the expected blast of energetic groove and underlying melody.

Seems like wherever these guys go sound-wise, they always manage to make it a good time. “The Chairman” will reportedly be joined by live tracks on the EP, but if this is the only taste we’re getting of new Truckfighters heading into 2014, which will hopefully bring a studio full-length, at least it’s a substantial one.

Enjoy:

Truckfighters, “The Chairman” official video

NEW MUSIC: “THE CHAIRMAN” EP OUT IN OCTOBER

Us being lazy? Don’t you dare even thinking of it. We just finished a full EP, featuring the video track “The Chairman”. It does feature a fuzzy live recording of “Desert Cruiser” (taped in Australia this year) and will be released on a nice heavyweight 10″ vinyl outside the US. Release date is Oct 4th outside North America.

In the US, the EP will come as a 4track 12″ vinyl, carrying 3 lengthy live tracks along “The Chairman”. The US version will be out later in October as well.

The digital EP always comes with 4 tracks and is available by Oct 4!

ON TOUR !

King Kurt called it the road to rack’n’ruin back in the 80s … Well, we just call it our living room. This is where we feel at home: on stage.

Join us for our “Chairman-Tour” in October, conquering almost 20 places and cities.

02.10.13, [DE] LEIPZIG – UT Connewitz
03.10.13, [DE] ASCHAFFENBURG – Colos Saal
04.10.13, [DE] Dortmund – FZW (Visions Westend Festival)
05.10.13, [CH] Pratteln – Z7 (Up In Smoke Festival)
07.10.13, [FR] Nantes – Le Ferraeulier
08.10.13, [LX] Luxembourg – Rock Box
09.10.13, [NL] Rotterdam – Baroeg
10.10.13, [BE] Antwerp – Trix
11.10.13, [NL] Groningen – Vera
12.10.13, [DE] Siegen – Vortex
13.10.13, [DE] Karlsruhe – Alte Hackerei
15.10.13, [AT] Innsbruck – PMK
16.10.13, [IT ] Milan – Lo-Fi Club
17.10.13, [IT ] Bolzano – Point
18.10.13, [AT] Linz – Stattwerkstatt
19.10.13, [DE] Munich – Feierwerk
20.10.13, [DE] Bremen – Römer

Still not enough truckfighting live-mania?

Well, we will play sweden and Norway in November as well, Russia, too. And for next year, we promise you a totally filled calendar full of Truckfighters dates around the globe. Keep checking with truckfighters.com and with the newsletter!

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Live Review: Truckfighters, Kings Destroy, Iron Tides and Mirror Queen in Brooklyn, 08.19.13

Posted in Reviews on August 20th, 2013 by H.P. Taskmaster

A four-band bill at Brooklyn’s St. Vitus bar after a full workday with a drive to Massachusetts afterwards lurking on the horizon, moving ever closer to reality — I will say immediately that attending the opening night of Truckfighters‘ latest US tour was probably the least responsible decision I’ll make all week. Well, maybe not, but still: Resoundingly irresponsible. Part of doing it was proving to myself that I could, and sure enough, I came out of it on the other end alive, despite the best efforts of I-95′s endless stretch to claim my heavy eyelids as part of its likewise endless stream of trophies. Behold, the living dope.

But if you have to be an eternal sucker, at least an act like Truckfighters put on a show to make it worth your while. The Swedish trio of bassist/vocalist Oskar “Ozo” Cedermalm, guitarist Niklas “Dango” Källgren and drummer Andre “Poncho” Kvarnström were joined by NYC locals Kings Destroy, Iron Tides and Mirror Queen on a surprisingly diverse and at times surprisingly aggressive lineup at the Vitus, and the night proved quickly to have been worth the commute there and back again. Mirror Queen, who were fresh back from a European jaunt with Tee Pee labelmates Earthless and The Atomic Bitchwax that included a stop at Stoned from the Underground sounded crisp and tight, and since the last time I saw them was on the Rocks off Concert Cruise in June, part of the fun this time out was watching their set not get toppled by the choppy waters of the East River.

Not that that wasn’t its own kind of excitement, I’m just saying it’s a little easier to get a sense of the chemistry between lead guitarist Phi Moon and guitarist/vocalist Kenny Sehgal when they can stand up and play. That chemistry, as it happens, is formidable and was in top form at the Vitus bar, Moon tearing into technically and spiritually engaging press-me-to-8-track classic rock solos on the right side of the stage while Sehgal, bassist James Corallo and drummer Jeremy O’Brien jammed out on “Into the Nebula” from the band’s 2011 outing, From Earth Below. A contingent of (apparently Australian?) bros in the front of the stage wearing red Truckfighters tanktops quickly let it be known they were going to be the biggest douchebags in the room for the duration, and much sweaty man-on-man-but-supposedly-not-at-all-homoerotic moshing and grabassery did ensue.

That didn’t impede enjoyment of Mirror Queen, however, who round out as they did the last time I saw them with a jam on Captain Beyond‘s “Mesmerization Eclipse.” It’s a bouncing groove that’s always welcome in my cranium, but it did little in the end to foretell the aggression that would come with Brooklynites Iron Tides, who arrived with their own floodlites and an assortment of homemade-looking amps and cabinets — but for the Verellen heads behind bassist/vocalist Markus — to remind of the raw volume and power of earliest Zoroaster while keeping an underlying touch of New York noise in the jagged playing of guitarist Matt. They were loud, angry and, well, let’s go with “loud” again. Drummer Michele locked in impressive grooves throughout, and though Iron Tides had an EP for sale in the back (got it) that came out last year mixed and mastered by Hull drummer Jeff Stieber, most of what they played was reportedly new.

It was easy enough to guess that by Markus‘ remembering on stage who started what song, which gave their set a bit of humor and charm to go with its aggressive churning and tonal push. Their lights triggered by foot-switches, Iron Tides were nonetheless cohesive in their aesthetic and tight through the more angular aspects of their sound, which were complemented by stretches of ambience driven by Matt‘s guitar, sometimes seeming to nod at earlier Isis but never fully giving itself over to the heavy/atmospheric tradeoffs that have by now become post-metal cliche. Though their sound was obviously much different, I’d put Iron Tides in a similar category to Brooklyn heavy acts like Blackout and Polygamyst, who also take various familiar elements and seem to be making efforts to craft something of their own from them. Their effort in this regard and overall fervor were appreciated.

Kings Destroy hit probably the angriest set I’ve ever seen them play. Tossing in older cuts like “The Whittler” and “Dusty Mummy” alongside the newer “Blood of Recompense,” “The Toe” and “Turul” from this year’s A Time of Hunting (go buy it), they only seemed to get more pissed off after the aforementioned tanktop brigade — who, by the way, all matched — got into some hooliganry with vocalist Steve Murphy as he came down from the stage. I noted when one of them tried to pull him off again, the result was a fast as-he-was-jumping-to-the-floor kick square to the chest — no doubt a move leftover from Murphy‘s days in Uppercut. Laughed a bit at that.

Despite the shenanigans, Kings Destroy were tight and heavy as ever, made only more malevolent for the meanness that seemed to accompany their delivery. By the time they got around to “The Whittler,” it was like they were throwing the songs at you. They’re probably the single band I’ve seen most over the last two-plus years (live reviews here, here, here, here, here, here, here, here, here, here and here) and I already look forward to seeing them with Pelican in October if I don’t run into them between now and then — they’re playing Vitus again on Thursday with Caltrop, should you happen to be in town – so please take it as coming from the voice of experience (oh yeah, their first record also came out on The Maple Forum, so there’s that) when I say that it wasn’t a put-on, or “show-anger.” Whatever it was, they played like they were fucking pissed off and it came through in the songs. Even “Turul” at the end was nastier than I’ve ever heard it, and while it’s always had a certain undefinable sneer, with the quiet riffing from guitarists Carl Porcaro and Chris Skowronski and the everyone-together-now timed hits driven by bassist Aaron Bumpus and drummer Rob Sefcik there isn’t much room for all-out belligerence. They made room.

There seemed like a long break between Kings Destroy and Truckfighters, but once the latter got on stage, they were hard to miss. The crowd seemed to know the opening riff to “Desert Cruiser” was coming even before Källgren started playing it, and once Cedermalm and Kvarnström joined in, they locked in immediately from the start. I knew from seeing them at Desertfest in April that even with the new drummer addition they were as riotous as ever, and even though Kvarnström is a quieter presence behind the kit than was Oscar “Pezo” Johansson, now of Witchcraft, “Desert Cruiser” and longer jams like “Chameleon” from 2007′s Phi and “Last Curfew” from 2009′s Mania were as unbelievably tight as one could ask, the band stomping a sneaker print in the line between technical precision and showmanship as few can. I think Källgren alone put more energy into his performance than 90 percent of the entire bands I’ve seen this year, not including his own of course, jumping up and down, running back and forth, headbanging and all the rest.

And that’s the thing about Truckfighters. Because if they were just a band who got crazy on stage, you’d go, “Well okay, that’s cool,” and move onto the next thing. But not only are they out of their collective mind when they play, but over the years they’ve become increasingly progressive songwriters, so that a riff as epically memorable as that opening and comprising much of “Desert Cruiser” can exist next to a cut like “Majestic” from Mania, the sprawl of which outlasts even its 13-minute runtime, and they don’t miss a beat going from one to the next. Cedermalm tipped the mic into the crowd for the opening track, at one point Källgren jumped off the stage and made his way through to the bar in back of the Vitus, playing the whole time — I think it was during the jam on “Monte Gargano,” but don’t quote me on that — and when the set was over, Cedermalm also got off stage to add to his already considerable bass cacophony by running his strings on the torso of some kid in a Big Lebowski t-shirt. They’re fun to watch, but if they didn’t have the songs to back them up — which I’m glad to argue they do — they wouldn’t get beyond the novelty factor.

In the end, they obviously did, and I think they wore out the crowd in the process. I had competing impulses of exhaustion and dehydration fighting it out, but though I knew it was the wrong choice on a practical level, I didn’t at all regret inconveniencing later-me to see the show. Catching Truckfighters again as they started this tour was obviously the onus for my being there, but front-to-back it was a killer show. I didn’t make it all the way back to Massachusetts, but stopped in New Haven, CT, to crash for a few hours before resuming the trip this morning. I’ve felt like I got my ass kicked all day, but this one was well worth a beating.

More pics after the jump. Thanks for reading.

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Truckfighters Announce Release of The Chairman EP; US and Euro Tour Dates

Posted in Whathaveyou on August 9th, 2013 by H.P. Taskmaster

Hope you’re ready for fuzzy times. Örebro-based megafuzzers Truckfighters are heading back to the States for a coast-to-coast run that starts in Brooklyn with Kings Destroy at the St. Vitus bar, and from there will head westward where they’ll perform with the likes of Fatso Jetson (in L.A.), Valley of the Sun (in Ohio) and a slew of other killer acts. In addition to that, the trio just announced a follow-up European tour for October that will coincide with the arrival of their new EP, The Chairman, which will be the first Truckfighters release since 2009′s golly-gee-whiz-that’s-a-good-record Mania (review here).

I had to cull the news from a couple different sources to get it all in for both tours, but what the hell, it’s Truckfighters. If they’re anywhere near as good at these shows as they were at Desertfest in London earlier this year, they’re going to leave scars:

CELEBRATED SWEDISH ROCK BAND TRUCKFIGHTERS ANNOUNCE U.S. TOUR DATES

Örebro, Sweden fuzz frontrunners TRUCKFIGHTERS have announced a U.S. headlining tour in support of their forthcoming new EP The Chairman. The highly respected trio – called “the best band that’s ever existed” by QUEENS OF THE STONE AGE frontman Josh Homme – will kick off the U.S. trek on August 19 in Brooklyn, NY. The two week trek will hit Philadelphia (August 20), Chicago (August 24), Los Angeles (August 27), Tucson (August 31) and more showcasing TRUCKFIGHTERS incredibly fuzz-tastic and electric live performance.

The band from Örebro (SWE) just announced its limited 10″ vinyl EP “THE CHAIRMAN” (also available as download) will be released on October 4th, once again via their very own and highly regarding label Fuzzorama Records!

Check out the EP’s cover art designed by Swedish artworker Jerker Josefsson! TRUCKFIGHTERS just revealed it.

(** The Chairman EP in the US will come in a different artwork and as a 12″ vinyl, also featuring a different tracklist than in the rest of the world **)

This release will be accompanied by an extended European tour, presenting the trio in its prime element: Live!
Please see the dates below :

TRUCKFIGHTERS U.S. tour dates:
August 19 New York, NY Saint Vitus Bar
August 20 Philadelphia, PA KungFu Necktie
August 21 New York, NY ** Secret Show **
August 22 Dayton, OH Blind Bob’s bar
August 23 Rock Island, IL RIBCO
August 24 Chicago, IL Reggies Rock Club
August 24 Chicago, IL Bash On Wabash Street fest
August 25 Milwaukee, WI Cactus Club
August 26 Cedar Rapids, IA Chez Beavun’s Garden of Fuzz
August 27 Los Angeles, CA The Satellite
August 29 San Diego, CA The Griffin
August 30 Palm Desert, CA The Hood Bar
August 31 Tucson, AZ The Rock
September 1 Indio, CA Indio Performing Arts Center

TRUCKFIGHTERS European tour dates:
02.10.2013 (GER) Leipzig, UT Connewitz
03.10.2013 (GER) Aschaffenburg, Colos Saal
04.10.2013 (GER) Dortmund, FZW (Westend-Festival)
05.10.2013 (CH) Pratteln, Z7 (Up In Smoke Festival)
07.10.2013 (FR) Nantes, Le Ferrailleur
08.10.2013 (LUX) Luxembourg, RockBox
09.10.2013 (NL) Rotterdam, Baroeg
10.10.2013 (BEL) Antwerp, Trix
11.10.2013 (NL) Groningen, Vera
12.10.2013 (GER) Siegen, Vortex
14.10.2013 (GER) Karlsruhe or Mannheim, venue tba
15.10.2013 (AT) Innsbruck, PMK
16.10.2013 (IT) Milano, Lo-Fi Club
17.10.2013 (IT) Egna / Bolzano, Point
18.10.2013 (AT) Linz, Kapu
19.10.2013 (GER) Munich, Feierwerk
20.10.2013 (GER) Bremen, Roemer

Truckfighters, New Song Live in Poland, 2013

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Up in Smoke Festival Announced — Pentagram, Colour Haze, Truckfighters and More Added to Lineup

Posted in Whathaveyou on August 9th, 2013 by H.P. Taskmaster

Who wouldn’t want to settle in for a Switzerland autumn? Frankly, it sounds about as close to ideal as I can picture, and it would seem that Sound of Liberation — the booking powers that be behind the last few years’ Up in Smoke traveling fest — are in agreement. In league with the Swiss venue Z7 in Pratteln, they’ll present the first Up in Smoke indoor festival, and they’ve put together a killer lineup for their first outing. With Pentagram, Colour Haze, My Sleeping Karma and Truckfighters among their first batch of announced headliners, the Up in Smoke fest is sure to get a heavy beginning and hopefully it’ll be the first of many to come.

Here’s the poster and official announcement, plus a live clip of Colour Haze from the first Up in Smoke tour, just for the hell of it:

UP IN SMOKE indoor Festival

Born in 2011, the concept initially called UP IN SMOKE Roadfestival is a tribute to the clouds of blue smoke which wave around the dances and trances of music lovers around the world ! Each time, for each volume, we offered a well suiting band package and got them to hit the European roads to meet their fans and rock the crowds with psychedelic, doom, heavy rock and experimental riffs.

As free to move as a cloud of smoke were the four first editions of the road festival…
But this year, the UP IN SMOKE festival becomes sedentary, and sets up in PRATTELN (CH), a location close to the French and German borders.
On October 5th 2013, a new puff of smoke will rise up from the one of the very best Swiss venues : Z7 KONZERTFABRIK ! Take part and join us !

date : 05th October 2013
place: Z7, Pratteln, Switzerland

The roadfestival UP IN SMOKE stops its caravan in Switzerland for a new rendez-vous: after 3 years of wandering around Europe, we have decided to offer a “home” to UP IN SMOKE for one full day in the sweetest swiss rock venue : Z7.
Description: Heavy Rock, Stoner, Sludge, Doom & Psychedelic Festival
16 bands – 2 stages – 1 day

Line up so far:

PENTAGRAM (US) ***excl.Switzerland Show
COLOUR HAZE (D) ***excl.Switzerland Show
TRUCKFIGHTERS (SWE) ***excl.Switzerland Show
MY SLEEPING KARMA (D) ***excl.Switzerland Show
RADIO MOSCOW (US)
GLOWSUN (F)
MONKEY 3 (CH)
SHEVER (CH)
JOULES (CH)
MARANT (CH)
+ more bands to be announced soon

www.soundofliberation.com

Colour Haze, “Lights” Live at Up in Smoke 2011

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Stoned from the Underground 2013 Lineup Finalized — Lowrider, Acid King, Earthless and More

Posted in Whathaveyou on May 22nd, 2013 by H.P. Taskmaster

I really, really don’t have a spare grand-plus lying around at this point, but golly that’s a cool lineup posted for Stoned from the Underground this year in Erfurt, Germany. It seems Lowrider‘s reunion — they were a highlight of the London Desertfest in a one-two punch of Swedish awesomeness completed by a set from Dozer immediately following — continues, which is unmistakably good news, and along with the likes of Earthless, Acid King, Troubled Horse, The Gates of Slumber, Pelican and the many others listed below, it seems like it’s going to be a killer weekend July 11-13. The kind of weekend I’d like very much to see, let’s say with a camera and laptop in tow. One of these years, maybe.

Indulge a bit of escapism with me, won’t you?

Welcome to the Mother of all German Stoner Rock Meetings

July 11th , 12th & 13th – Alperstedter Lake near ERFURT

Festival founded in 2001 and located in the very geographical center of Germany, in the area of Erfurt (Thuringen): Stoned From The Underground grew from a one day indoor event with 400 visitors in 2001 to a 3 days outdoor event with 3000 visitors last year !

Located a few kilometers away from the city, in a nest of nature bordered by the Alperstedter Lake, the festival is the perfect location for a very first relaxing summer weekend !

Whether you want to sit in the grass, puffing up clouds of smoke, sipping a beer while checking out the best Rock & Stoner acts of the moment,

Or whether you want to chill out laying on your belly on the sand of the beach with your toes cooling down in Lake’s water…..

STONED FROM THE UNDERGROUND is the place where all your dreams will come true.

LINE- UP 2013:
EARTHLESS ( Usa)
MUSTASCH (Swe)
POTHEAD (Ger)

TRUCKFIGHTERS (Swe)
THE GATES OF SLUMBER (Usa)
BEEN OBSCENE (At)
LOWRIDER (Swe)
HORISONT(Swe)
TROUBLED HORSE (Swe)
ISOPTERA (Ger)
LORD VICAR (Fin)
MIRROR QUEEN (Usa)
ACID KING (Usa)
PELICAN (Usa)
THE OPERATORS (Ger)
THE ATOMIC BITCHWAX (Usa)
FIVE HORSE JOHNSON (Usa)
SARDONIS (Bel)
HYNE (Ger)
DEVILLE (Swe)
BLACK BOMBAIM (Por)
HERKULES PROPAGANDA (Ger)
TRECKER (Ger)

Stoned from the Underground 2013 Trailer

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LONDON DESERTFEST 2013 Day Three: Shine in a Being

Posted in Features on April 28th, 2013 by H.P. Taskmaster

04.28.13 — 11:13PM GMT — Sunday — Holiday Inn, Camden

The photo above is of my wristband for this year’s Desertfest. You’ll note it’s not attached to my wrist. I got back just a little bit ago from the Electric Ballroom and had meant to ask at the front desk of the hotel for them to cut it off with scissors, since it’s pretty sturdy material — it’s had to be to last these several days — but forgot on my way up and wound up just pulling it off around my hand. I feel like I should have it framed.

Late nights beget later nights, so I’m not gonna waste time here. Day three was no less righteous than one would have to expect after the first two. Here’s how it went down for me:

Throne

The other day I received a vehement recommendation to check out Throne, to which I responded, “Yeah, I’m pretty sure they played last year and were cool.” Turns out they did play Desertfest 2012, at The Underworld, but this year the trio moved over to The Black Heart, which was where my day began with their unpretentious Sleep riffing and nodding rhythms. They still didn’t have an album for sale downstairs that I could find, but The Black Heart was, as it has been this whole weekend, packed out. On my way through, I watched a couple seconds through the doorway in the spirit of Roadburn and found myself still persuaded by their languid pacing and largely-unfrilled stonery. I had finished my cup of coffee about two minutes before they started playing, so it was a cool way to wake up.

Blackstorm


Meanwhile, at The Underworld, Brighton/Manchester-based Blackstorm were dishing out a pounding the likes of which I’d not yet seen here. They were a band about whom I knew next to nothing, but their double-guitar uptempo crushcore was a longer way away from what Throne were doing at The Black Heart than the street that divided the two acts physically. I arrived part of the way through their set, which the five-piece delivered in lively fashion, with lots of movement, a swinging mic stand and big, chunky riffs set to breakdown beats. “Then You’ll Drown” was a burly basher, and I caught “Run with the Wolves” from their late-2012 EP, The Darkness is Getting Closer, which was distinguished by the dual vocals of guitarist Neil Kingsbury and frontman Karl Middleton. They were tight and had it together on stage, though my head was already preparing itself for the cleaving it would no doubt receive from who followed them.

Conan

Suddenly I had to wonder why I bothered bringing earplugs in the first place. British trio Conan weren’t through the second verse of “Hawk as Weapon” from last year’s low-end raging Monnos (review here) before I felt like they’d melted in my ear canal. Guitarist/vocalist Jon Davis, bassist/vocalist Phil Coumbe and drummer Paul O’Neil just released their set from last year’s Roadburn as the new Mount Wrath CD and vinyl, and while that’s definitely a satisfying listen, I was glad to see them in-person again, because no matter how loud you turn up a record, I don’t know if there’s any way to do justice to what Conan are live. Beastly heavy. Heavy to whatever degree hyperbole you might want to put to it, and while that heaviness and Davis and Coumbe‘s tones are still the star of the show, the three-piece also have grown as a stage act since I last had the good fortune to see them. Coumbe‘s low growls and Davis‘ shouting worked especially well together, and in addition to “Hawk as Weapon,” “Battle in the Swamp” and “Grim Tormentor” from Monnos, Conan also played two new songs, “Foehammer” and “Gravity Chasm,” which continued the warmongering gallop of the earlier album tracks that set up an excruciatingly slow finale, all the while keeping their fury front and center and proving there’s more to their heaviness than what comes through their amps. The other day, when I got stopped by that customs agent, he accused me of trying to illegally emigrate to the UK. I’m still not planning on it, but Conan make a solid argument in favor of doing so.

Toner Low

Kudos to whoever handled scheduling the bands’ timeslots for putting Conan and Toner Low right next to each other. I’d never seen the Dutch three-piece before — they’re now in their 15th year and have just released their third album — but they actually share a lot in common with Conan in terms of their general ethic. They are unreasonably loud, unremittingly heavy in tone and seem like they’re ready to follow a riff anywhere it might lead them. The difference is aggression. Where Conan are all beheadings and mayhem, Toner Low are purely stoned. Toner Low played in the dark but for a psychedelic lightshow setup they placed in front of their drummer and a sheet with projected falling pot leaves on the guitarist/vocalist, but yeah, they’re about as stoner as stoner gets, working in elements of more primal drone here and there, but keeping a solid foundation of riffs at hand at almost all times. They brought their own rigs, which made sense for the bassist since her gear was different from what seemed to be on hand, but the guitar — which seemed to be actually coated in resin from the look of it — ran through an Orange half-stack and amp they brought, and there’s been so much Orange around Desertfest I can practically taste it. I can’t argue with their having done it, though, since Toner Low sounded unbelievably good. I bought their new record and am looking forward to checking it out.

Naam

Naam beckoned. I won’t lie, there was a part of me that was like, “Why the hell would you go to London and see a band you can see in New York?” The other part of me was all, “No way dude, this is gonna be awesome. Naam have a new record coming out,” and that part of me won. Once a trio, now a foursome and tonight playing as a five-piece with the addition of a second guitar — not that they were lacking texture before, but more never hurts – Naam‘s universe seems to be in permanent expansion, both in terms of their lineup and their sound. Tonight was the best I’ve seen them play, and I’ve seen them play a few really killer shows. The integration of John Weingarten‘s keys along with Ryan Lugar‘s guitar/vocals, John Bundy‘s bass/vocals and Eli Pizzuto‘s drums is complete, and to show that, “Starchild” from last year’s The Ballad of the Starchild EP was the highlight of their whole set, though “Beyond” from their forthcoming sophomore full-length, Vow, came pretty close. They’ve nearly perfected a balance between stoner riffing and Hawkwindian space rush, and not surprisingly, their heavy psych went over huge at the Electric BallroomNaam are just starting a two-month European and UK tour that will have them in this part of the world for a while — perhaps it’s telling of their relative receptions that they’ll be in Europe when Vow releases — so I imagine they’ll only further solidify, but already they played a headliner’s set, closing as always with “Kingdom” from the EP of the same name (it also appeared on their 2009 debut LP), the layers of which shimmered with psychedelic vibes prior to a full-on freakout at the end of pushed-over drums and guitar destruction. Awesome.

Truckfighters


Here’s a direct quote from my notes on Truckfigters‘ set: “Everyone in the world who’s never seen Truckfighters live is a jive sucker and that’s that.” More or less, that covers my feelings on the matter. The Örebro trio — Ozo on vocals/bass, Dango on guitar and now Poncho on drums — are easily the most energetic and engaging fuzz rock acts I’ve ever seen, and before they were through perpetual opener “Desert Cruiser,” both Ozo and Dango had gone past the monitors at the front of the stage to be closer to the crowd, who were singing along loud enough to be heard over the instruments. But Truckfighters – who are fresh off a tour with Norwegian blackened punkers Kvelertak and shortly headed to Australia and New Zealand for a run of shows — aren’t just getting their cardio in, they’re also nailing the material and delivering it with a genuine sense of spontaneity and the impression that anything can happen at any given moment, such as Ozo jumping into the crowd during closer “In Search of The” or the band launching into “Chameleon” after someone in the crowd requested it, jamming on “Desert Cruiser” or unveiling two new songs, the first which fit (“fett?”) well with the bounce of “Monte Gargano,” which came later, and the second which had a fuller, fuzzier shuffle in the beginning and wound up thicker but still moving, with a quick bass and drum break to set up a return to what seemed on first impression to be a solid hook. “Majestic” was welcome, and from their audience interaction to the tightness of their performance — at one point Dango fell on stage after jumping off the drum riser and didn’t even stop playing as he got up — there are few records supposedly coming out before the end of this year that I’m looking forward to as much as the new Truckfighters.

Colour Haze

An hour hardly seemed like enough time for a proper Colour Haze set. Back in September 2012, the ultra-influential Munich heavy psych trio rolled through London and did a full three hours, complete with guest appearances, keys, and so on. Still, I’ll take what I can get, and when it came to “Transformation” from She Said (review here) — my album of the year last year — I still heard the horn parts in my head even though no one was playing them live, so I’m not about to bitch that the experience was somehow lacking. It wasn’t. Colour Haze were a complete 180 in terms of presence from Truckfighters, mostly subdued, no jumping, no running around, plenty of grooving, but less about getting the heart rate up than giving the audience something to shut its eyes and get lost in. As guitarist/vocalist Stefan Koglek, bassist Philip Rasthofer and drummer Manfred Merwald jammed past “Moon” from 2008′s All and into “Love” from their ’04 self-titled, they were so locked into what they were doing that the real miracle of it seemed to be they didn’t lose the crowd in the slightest. An extended take only gave everyone watching more to dig on, so that by the time “Peace, Brothers and Sisters” and “Tempel” came around, the Electric Ballroom was suitably hypnotized. Seriously, I just wanted to give them money. Like, “Here, Colour Haze, I have 50 Euro left over from last weekend. Please take it.” I’ve seen them before — their set at Emissions from the Monolith in 2006 changed my life (ask me about it sometime), and at one or two Roadburn fests along the way — but even though this felt like a sampling, it was ultra-satisfying to watch these godfathers of the modern European scene do what quite simply nobody does better. As I already knew I wouldn’t be staying for the entire Pentagram set, Colour Haze were sort of my closeout for Desertfest, and I couldn’t have asked for a warmer farewell than that. They were masterful.

Pentagram

I got a press release earlier this week that oft-imitated doom pioneers Pentagram had a new guitarist in the form of Philly-based Matt Goldborough, but that the lineup was otherwise the same as when Victor Griffin was still slinging axe, with Sean Saley on drums and Greg Turley on bass with frontman/defining presence Bobby Liebling on vocals. Of course, lineup changes are nothing new for Liebling‘s band — their legacy is as much about tumult as it is about the riff to “Forever My Queen” — but Griffin‘s presence brought a certain legitimacy to Pentagram‘s recent run and their 2011 Last Rites comeback album (review here), and his departure, whatever the circumstances may have been, changes the context of the band, Griffin – who also played today with his new outfit In~Graved – being one of very few others who’ve done time in Pentagram who can lay reasonable claim to the material. He may well have come out to guest on guitar (I recall seeing the band in 2009 when he wasn’t with them and that happened), but if he did, I wasn’t there to see it. I stayed for about four songs and then had to split to come back to the hotel, write and pack for my flight out tomorrow. For the portion I did catch, however — “Day of Reckoning,” “Forever My Queen,” “Treat Me Right” and “Livin’ in a Ram’s Head” — Pentagram were tight and Liebling was Liebling. There are few things as much fun to watch in a concert setting as Bobby Liebling flipping out to a guitar solo. Like he hasn’t been staring at them for 40 years now. Awesome. Turley and Saley have the material on lockdown, and as the new guy, Goldborough more than held his own on guitar, a younger presence giving some freshness to what might just as easily have come across stale otherwise. I’ve seen worse from Pentagram, and though one can dream of this or that reunion lineup, the simple fact that they exist and persist is to be… respected? Maybe. Probably. Definitely gazed at in astonishment. And so they were.

I have work to do. As in, for my job. And so I know that Desertfest, as blissful as it has been, must be over. My plan is to write up some concluding thoughts for this whole trip tomorrow on the plane, and I’ll include a thanks list with that, but before I switch off to picture-sorting mode, I just want to say it’s been an absolute pleasure and an honor to be back here in Camden this weekend, to see the bands I’ve been lucky enough to be here to see and to meet the people I’ve been lucky enough to meet. This place is awesome (but for the weather), the music is great and I feel like even more than last year, Desertfest is developing a genuine vibe all its own. I was beat today, t-i-r-e-d, but at the same time, I knew I wanted to take as much of the proceedings in as possible, because when I’m back home slogging away in the office, I’m going to miss it.

More to come tomorrow, and more pics after the jump. Thanks as always for reading.

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Looking for Today: 20 Albums to Watch for in 2013

Posted in Features on January 15th, 2013 by H.P. Taskmaster

Last year was a monster. You might say I’m still catching up on reviews for records that came out in October. Yet here we stand in 2013. It’s a whole new year and that means instead of looking back at some of the best releases, it’s time to look ahead and nerd out at what’s to come. Frankly, either way is a good time, but with some of what’s included on this list, 2013 has the potential to be yet another incredible year for lovers of the heavy.

Across a range of genres and subgenres, there are bands big and small, known and unknown, getting ready to unleash debuts, follow-ups and catalog pieces that by the time December rolls around, will have defined the course of this year. It’s always great to hold an album in your hands, to put it on and listen to it for the first or 19th time, but part of the fun is the excitement beforehand too, and that’s where we’re at now.

Some of these I’ve heard, most I haven’t, and some are only vague announcements, but when I started out putting this list together, my plan was to keep it to 10 and I wound up with twice that many because there was just too much happening to ignore. The list is alphabetical because it doesn’t make any sense to me to rate albums that aren’t out yet, and I hope if you find something you’d like to add, you’ll please feel free to leave a comment below.

Thanks in advance for reading, and enjoy:

Acid King, TBA


We begin with only the basest of speculations. Would you believe me if I told you that 2013 makes it eight years since the heavier-than-your-heavy-pants San Francisco trio Acid King released their last album, III? Of course you wouldn’t believe me. You’d be like, “Dude, no way,” but it’s true. Eight friggin’ years. They’ve hinted all along at new material, toured Europe and played fests in the States like Fall into Darkness, but really, it’s time for something new on record. Even an EP. A single! I’ll take what I can get at this point, so long as it’s Lori S. riffing it.

Ararat, III


Chances are, the above isn’t the final art for Argentinian Los Natas-offshoot Ararat‘s forthcoming III, but frontman Sergio Chotsourian has posted a few demos over the last several months and the logo image came from that. Either way, with as far as last year’s II (review here) went in expanding their sound, I can’t wait to hear the final versions of the tracks for the next one. They’re still flying under a lot of people’s radar, it seems, but Ararat are quickly becoming one of South America’s best heavy psych acts. Do yourself a favor and keep an eye out.

Bezoar, TBA


Brooklyn trio Bezoar‘s 2012 debut, Wyt Deth, might have been my favorite album that I never reviewed last year, and needless to say, that’s not a mistake I’m going to make twice. The new songs I’ve heard the three-piece play live have ruled and an alliance with engineer Stephen Conover (whose discography includes Rza and Method Man) is intriguing to say the least. I’m sure whatever Bezoar come out with, the performances from bassist/vocalist Sara Villard, guitarist Tyler Villard and drummer Justin Sherrell will be as hard to pin down as the debut was. It’s a record I’m already looking forward to being challenged by.

Blaak Heat Shujaa, The Edge of an Era


Due out April 9, Blaak Heat Shujaa‘s The Edge of an Era will mark the full-length debut for the ambitious trio (now based in L.A.) on Tee Pee Records following on the heels of the impressive The Storm Generation EP (review here). From the Scott Reeder production to the band’s engaging heavy psych/desert rock blend, this one seems bound to win Blaak Heat Shujaa a lot of new friends, and if the advance EP is anything to go by, The Edge of an Era could prove to be aptly-titled indeed.

Black Pyramid, Adversarial


No release date yet, but so far as I know, Adversarial, which is Massachusetts doom rockers Black Pyramid‘s third album and first to be fronted by guitarist/vocalist Darryl Shepard, is recorded, mixed and mastered. Song titles include “Swing the Scimitar,” “Onyx and Obsidian,” “Issus,” “Bleed Out” and “Aphelion” (the latter was also released as a limited single in 2012 by Transubstans as a split with Odyssey), and having seen the band live with this lineup, expect no less than a beheading. Also watch for word from the recently announced side-project from Shepard and bassist Dave Gein, The Scimitar.

Black Sabbath, 13


There was a bit of a shitstorm this past weekend when the title of Black Sabbath‘s first Ozzy Osbourne-fronted album since 1978 was revealed in a press release. Nonetheless, 13 is set for release in June and will feature Brad Wilk of Rage Against the Machine on drums in place of Bill Ward, who last year was engaged in a well-publicized contract dispute with the band. Bummer though that is and as crappy and generic a title as 13 makes — especially this year — let’s not forget that Heaven and Hell‘s The Devil You Know also had a crap title and it was awesome. I’m not sure if I’m willing to stake anticipation on the difference between the vocals of Ronnie James Dio circa 2010 and Ozzy Osbourne in 2013, or Rick Rubin‘s production, but hell, is Geezer Butler playing bass on it? Yes? Well, okay then, I’ll listen. The world can do a lot worse than that and another batch of Tony Iommi riffs, whatever else may be in store.

Clutch, Earth Rocker


It’s a ripper. With Earth Rocker, Clutch reunite with Blast Tyrant producer Machine and the results are a record varied enough to keep some of the recent blues elements of the past couple albums (“Gone Cold”) while also showcasing a reinvigorated love of straight-up heavy rock numbers on tracks like “Crucial Velocity,” “Book, Saddle & Go” and “Cyborg Betty.” Longtime Clutch fans can expect a bigger guitar sound from Tim Sult, killer layering and much personality from vocalist Neil Fallon and yet another stellar performance from the best rhythm section in American heavy, bassist Dan Maines and drummer Jean-Paul Gaster. No doubt in my mind it’ll prove one of the year’s best when 2013 is done. Once more unto the breach!

Devil to Pay, Fate is Your Muse


Last month, I hosted a Devil to Pay video premiere for the Indianapolis-based rockers’ new track, “This Train Won’t Stop,” from the 7″ single of the same name that precedes the release of their Ripple Music debut full-length (fourth overall), Fate is Your Muse. If the 575-plus Thee Facebook “Likes” are anything to go by, anticipation for the album is pretty high. Reasonably so. When I saw Devil to Pay at last year’s SHoD fest, the new material was killer and the band seemed more confident than ever before. Stoked to hear how that translates to a studio recording and how the band has grown since 2009′s Heavily Ever After.

Egypt, Become the Sun


Technically speaking, Become the Sun is the full-length debut from North Dakota doomers Egypt. The band released their self-titled demo through MeteorCity in 2009 (review here), were broken up at the time, and reassembled with a new guitarist for Become the Sun – which is the only album on this list to have already been reviewed. I don’t know about a physical release date, but it’s available now digitally through iTunes and other outlets, and however you do so, it’s worth tracking down to get the chance to listen to it. Underrated Midwestern riffing, hopefully with a CD/LP issue coming soon.

The Flying Eyes, TBA


Currently holed up in Lord Baltimore Studios with producer Rob Girardi, Baltimore’s The Flying Eyes are reportedly putting the finishing touches on the follow-up to 2011′s immersive Done So Wrong, an album full of young energy and old soul. Along with Blaak Heat Shujaa above, I consider these dudes to be right at the forefront of the next generation of American heavy psych and I’m excited to hear what kind of pastoral blues works its way into their tracks when the album finally gets released. They’re a band you’re probably going to hear a lot about this year, so be forewarned.

Gozu, The Fury of a Patient Man


The melodicism of Boston-based Gozu‘s second Small Stone full-length, The Fury of a Patient Man (I swear I just typed “The Fury of a Patient Mrs.”) is no less striking than its album cover. I’ve had this one for a while, have gotten to know it pretty well and my plan is to review it next week, so keep an eye out for that, but for now, I’ll just say that the sophomore outing is a fitting answer to the potential of Gozu‘s 2010 debut, Locust Season (review here) and marks the beginning of what already looks like another strong year for Small Stone. I never thought I’d be so into a song called “Traci Lords.”

Halfway to Gone, TBA


What I’d really like to see happen is for Halfway to Gone – who are high on my list of New Jersey hometown heroes and who haven’t had a new LP out since their 2004 self-titled — to put out a new record in 2013, for it to lay waste to everyone who hears it, and for the band to finally get the recognition they’ve long since deserved. I’ve been charged up on revisiting their three albums since I saw them at the Brighton Bar this past July and after a long wait, rumors, breakups, makeups, etc., I’ve got my hopes up that this year is when these dudes pull it together and make a new one happen. It’s been too long and this band is too good to just let it go.

Kings Destroy, TBA


Confession time: I have the Kings Destroy record. I’ve had it for a bit now. It rules. I don’t know when you’re gonna hear it, but it’s strange and eerie and kind of off the wall stylistically and it doesn’t really sound like anything else out there. Last I heard they’re looking for a label, and whoever ends up with it is lucky. I use a lot of descriptors for bands and their albums, but rarely will I go so far as to call something unique. This album is. If you’ve had the chance to check out songs like “The Toe” and “Turul” live, you know what I’m talking about, and if you haven’t, then stick around because with all the sessions I’ve had with the tracks, I still feel outclassed by what these guys are doing. Shine on, you doomed weirdos.

The Kings of Frog Island, Volume IV


I keep going back to the video for “Long Live the King” that Leicester, UK, fuzz rockers The Kings of Frog Island put up back in October. No, really, I keep going back. It’s a good song and I keep listening to it. Just about any other details regarding their fourth album and first without guitarist/vocalist Mat Bethancourt (Josiah, Cherry Choke), Volume IV, are nil, but periodic updates on the band’s Thee Facebooks have it that progress on the recording is being made, and in the meantime, I don’t seem to have any trouble paying return visits to “Long Live the King.” Hopefully Elektrohasch stays on board for a CD release, and hopefully it happens soon.

Lo-Pan, TBA


Several times over the last couple months I’ve had occasion to say it to people and I’ll say it here as well: I think Lo-Pan are the best American stoner rock band going right now. I was interested to see how they handled the bigger stage for their opening slot for High on Fire and Goatwhore (review here), and as ever, they killed. I haven’t the faintest idea what their recording plans might be, if they’ll even sit still long enough to put an album to tape in time to have it out in 2013 — I suspect it depends on what tour offers come up in the meantime — but new songs “Colossus” and “Eastern Seas” bode well for their being able to continue the course of momentum that the excellence of 2011′s Salvador (review here) and all their hard work before and since has put them on.

Queens of the Stone Age, TBA


It probably wouldn’t be fair to call the upcoming Queens of the Stone Age album a reunion between Josh Homme and Dave Grohl since the two also played together in Them Crooked Vultures and Grohl only drummed on Songs for the Deaf, but it’s exciting news anyway and could mean good things are coming from QOTSA, whose last outing was 2007′s comparatively lackluster Era Vulgaris. The big questions here are how the time apart from the band may or may not have affected Homme‘s songwriting and where he’s decided he wants to take the Queens sound. We’ll just have to wait and see.

Sungrazer & The Machine, Split


With the Strikes and Gutters tour already booked to support it (dates above; or here), Dutch upstart heavy psych jammers The Machine and Sungrazer have teamed up for a split release as well that’s bound to feature some of the year’s best fuzz. The two bands have a lot in common, but they’re pretty distinct from each other sonically too, and with The Machine guitarist/vocalist David Eering helming the recording, you can safely bet it’ll capture the live, jammy feel both groups share. Latest word has it that the mastered tracks are in-house, so watch for more to come as we get closer to the Valentine’s Day launch of the tour.

Truckfighters, TBA


The Swedish fuzz juggernauts’ fourth album overall, this will be Truckfighters‘ first with new drummer McKenzo alongside the core songwriting duo of Dango and Ozo. They’ve been teasing recording updates and threatening song clips, but as soon as I run into something concrete, I’ll share. I’m especially looking forward to the Truckfighters album since it means they’ll likely come back to the US for another tour, and since 2009′s Mania (review here) was so damned brilliant. Not sure on a release date, but it’s high on the list of necessities anyway, however low it may appear alphabetically.

Valley of the Sun, TBA


All I’m going on in including Ohio-based desert rockers Valley of the Sun on this list is a New Year’s message they put out there that read, “Happy New Year, Brothers and Sisters!!! You can count on a Valley of the Sun full-length in 2013.” Hey, I’ve relied on less before, and even if you want to call it wishful thinking, the Cincinnati trio are due a debut full-length behind 2011′s righteous The Sayings of the Seers EP (review here). Even if it doesn’t show up until November or December, I’ll basically take it whenever the band gets around to releasing. Riffs are welcome year-round.

Vhöl, TBA


Well, I mean, yeah. Right? Yeah, well, sure. I mean. Well. Yeah. I mean, sure. Right? It’s a supergroup with YOB‘s Mike Scheidt on vocals, John Cobbett of Hammers of Misfortune on guitar, Sigrid Sheie of Hammers of Misfortune on bass and Aesop Dekker of Agalloch and Worm Ouroboros on drums. Album’s done, set for release on Profound Lore. So, I mean, you know, yeah. Definitely. No music has made its way to the public yet — though that can’t be far off — but either way, sign me the fuck up. Anywhere this one goes, I’m interested to find out how it gets there.

Vista Chino, TBA

After that lawsuit, it’s not like they could go ahead and call the band Kyuss Still Lives!, so the recently-announced Vista Chino makes for a decent alternative and is much less likely to provoke litigation. But still, the Kyuss Lives! outgrowth featuring former Kyuss members John GarciaNick Oliveri and Brant Bjork along with guitarist Bruno Fevery is of immediate consequence. I’m not sure what the timing on the release is, but they’ve already been through enough to get to this point that one hopes a new album surfaces before the end of 2013. What I want to know next is who’s recording the damn thing.

Yawning Man, Gravity is Good for You


Not much has been said in the time since I interviewed Gary Arce, guitarist and founder of influential desert rock stalwarts Yawning Man, about the 2LP Gravity is Good for You release (the Raymond Pettibon cover for which you can see above), but the band has been confirmed for Desertfest since then and they’re playing in L.A. on Jan. 25, so they’re active for sure and presumably there’s been some progress on the album itself. It remains to be seen what form it will take when it surfaces, and the lineup of the band seems somewhat nebulous as well, but when there’s a desert, there’s Yawning Man, and there’s always a desert. 2010′s Nomadic Pursuits (review here) was a triumph, and deserves a follow-up.

Anyone else notice that the “20 Albums to Watch for” list has 22 albums on it? Maybe I wanted to see if you were paying attention. Maybe I can’t count. Maybe I just felt like including one more. Maybe I had 21 and then added Vista Chino after someone left a comment about it. The possibilities are endless.

So too is the list of bands I could’ve included here. Even as I was about halfway through, a new Darkthrone track surfaced from an album due Feb. 25 called The Underground Resistance, and news/rumors abound of various substance concerning offerings from YOB, EggnoggWhen the Deadbolt Breaks, Mars Red SkyAsteroid, Apostle of Solitude, WindhandPhantom Glue, the supergroup Corrections House, Kingsnake, Sasquatch — I’ve already made my feelings known on the prospect of a new Sleep record — news went up yesterday about Inter Arma‘s new one, and you know Wino‘s gonna have an album or two out before the end of the year, and he’s always up to something good, so 20, 22, 35, it could just as easily go on forever. Or at least very least the whole year.

If there’s anything I forgot, anything you want to include or dispute, comments are welcome and encouraged.

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