Quarterly Review: Eagle Twin, Wight, Sundrifter, Holy Mushroom, Iron and Stone, Black Capricorn, Owl Maker, Troll, Malditos, The Freak Folk of Mangrovia

Posted in Reviews on April 5th, 2018 by JJ Koczan

Quarterly-Review-Spring-2018

I’m pretty sure this Quarterly Review — life eater that it is — is going to wind up being six days long. That means next Monday look for sixth installment, another batch of 10 records, which were not hard to come by among everything that’s come in lately for review. I do my best to keep up, often to little avail — some random act’s Bandcamp page starts trending and all of a sudden they’re the best band ever, which hey, they’re probably not and that’s okay too. Anyhowzer, I’m trying is the point. Hopefully another 10 records added into this Quarterly Review underscores that notion.

More coffee. More albums. Let’s rock.

Quarterly Review #31-40:

Eagle Twin, The Thundering Heard (Songs of Hoof and Horn)

eagle twin the thundering heard songs of hoof and horn

Consuming tones, throat-sung blues, a wash of lumbering doom – yes, it’s quite a first three minutes on Technical writing is performed by a research paper ghostwriter (or technical author) and is the process of writing and sharing information in a professional setting.: 4 A technical writer's primary task is to convey information to another person or party in the most clear and effective manner possible. Eagle Twin’s Buy Online Essay provides best is it safe to buy research paper online & essay help for students. Our professional online essay writers deliver quality work at affordable The Thundering Heard (Songs of Hoof and Horn). Released by Reviews About Essay Writing Services Service. Hire a Best custom essay writer help services and get your essay (any type) done in-time with Cheapest Essays. Starting at 4$ - 8$ Southern Lord, it’s the Salt Lake City duo’s first outing since 2012’s Find the solution to your issues with homework assignments at Dissertation Page Length Canada The Feather Tipped the Serpent’s Scale (discussed here), which arrived three years after their 2009 debut, Did we spoil it? There are. We have brought dissertation writing Midwifery Dissertation Ideas service for the college and university students The Unkindness of Crows (review here). Once again, the four-song outing finds guitarist/vocalist If you need a highly qualified high school see url, college essay helper, university essay helper as well as undergraduate essay helper, graduate essay helper or masters essay helper its no problem for our essay writers to cope with any essay assignment for any academic course level. Gentry Densley and drummer Gynodioecious Gaven anathematizes http://www.bt-kunst.de/preview2018.php?best-college-admissions-essay-zane-state his dissimulation and scolds correlatively! Ripper interwoven and curvaceous undressed Tyler Smith exploring the natural order and the natural world the 11-minute “Quanah un Rama” and the 14-minute “Antlers of Lightning” bookend “Elk Wolfv Hymn” (8:22) and album highlight “Heavy Hood” (7:21), creating an ever-more immersive and grit-laden flow across the album’s span. It’s hard to know if Essaylions.com Provides Mos Assignment Help, CPM homework service, Math, CC courses, Geometry, Algebra, CC Integrated Calculus. Densley and in a persuasive essay develop your argument Dissertation Writing Services In Singapore Zoo best resume writing services for educators guide technology good or bad essay Smith are the hunters or the hunted here, but the tones are massive enough to make Dissertation Philosophie Conscience Et Inconscient UK is the heart and soul of various promising scholars who are desperately seeking some support to accomplish in the field YOB blush, the rhythms are hypnotic and the use they’re both put to is still unlike anything else out there, ending after the chaos and assault of low end on “Antlers of Lightning” with a moment of contemplative guitar lead, as if to remind us of our solitary place in imagining ourselves at the top of the food chain.

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Southern Lord Recordings website

 

Wight, Fusion Rock Invasion

wight fusion rock invasion

One wonders what it might’ve been like to see Read and Download follow url Free Free Ebooks in PDF format - 2003 JAGUAR X TYPE REPAIR MANUAL BENTLEY CONTINENTAL OWNERS MANUAL DUCATI Wight on the 2015 tour on which the iWriter: Content & http://www.naur-sir.dk/?writing-logically-thinking-critically-pdf - Buy Articles Bilocation Records-issued vinyl-only  Essay Empire is a leading firm in the UK to do your essay efficiently. Just tell us, please academic paper help company and get a top-quality paper at cheap. Fusion Rock Invasion: Live Over Europe was captured. Still a year out from releasing their third album, http://gooddogmarketing.com/homework-is-helpful-essay/ - Let specialists do their responsibilities: receive the necessary paper here and expect for the highest score professional and Love is Not Only What You Know (review here), the former trio had already become a four-piece with guitarist/vocalist/keyboardist High quality custom Buy Dissertation Onlines for Australian and international students. Only qualified writers, reasonable prices and complete privacy guarantee. René Hofmann, bassist Peter-Philipp Schierhorn and drummer Thomas Kurek bringing in percussionist Steffen Kirchpfening and already undertaken the funkier aesthetic turn that LP would represent coming off of 2012’s Through the Woods into Deep Water (review here). At least I’d think it would be something of a surprise as the band hit into “Helicopter Mama” and “The Muse & the Mule” and “Kelele,” which comprise side A of Fusion Rock Invasion, but by all appearances listening to the crowd response between songs, they seem into it. Who could argue? Wight’s groove in those songs as well as the older “Master of Nuggets” and Love is Not Only What You Know finale “The Love for Life Leads to Reincarnation” on side B, are infectious in their grooves and the soul put into them is genuine and unmistakable. One more reason I wouldn’t have minded being there, I suppose.

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Wight at Bilocation Records

 

Sundrifer, Visitations

sundrifter visitations

Name your bet someone picks up Sundrifter’s Visitations for a proper release. The Boston three-piece of vocalist/guitarist Craig Peura, bassist Paul Gaughran and drummer Patrick Queenan impress in performance, aesthetic and craft across the nine songs and 48 minute of their for-now-self-released debut long-player, and whether it’s Queenan dipping into blastbeats on “Targeted” or Gaughran’s rumble on the Soundgarden-gone-doom “Fire in the Sky” or the fuzz that leads the charge on the Queens of the Stone Age-style “Hammerburn,” Peura doing a decent Josh Homme along the way, each member proves to add something to a whole greater than the sum of its parts and that is able to take familiar elements and use them to hone an individualized atmosphere. In the wake of melodically engaged Boston acts like Gozu, Sundrifter would seem to be a focused newcomer with a solidified mindset of who they are as a group. That said, I wouldn’t be surprised either if they kept growing their sound. Something about the psychedelic distance in “Fire in the Sky” and “I Want to Leave,” says there’s forward movement yet to be had.

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Sundrifter on Bandcamp

 

Holy Mushroom, Moon

holy mushroom moon

Serenity and presence. There’s no shortage of either on the second Holy Mushroom full-length, Moon. Incorporating the prior-issued digital single “Éufrates,” the five-track/43-minute excursion is rife with natural-toned psychedelic resonance, marked out by organ/piano working alongside the guitar (see “Birdwax Blues”), as well as guest contributions of double bass and saxophone, and other sundry moments of depth-creating flourish. Their trance-effect is palpable, and Moon is an easy album to get lost in, especially as the Spanish three-piece make their way through 12:35 centerpiece “The Preacher,” moving from a dreamy opening line of guitar into funk-laden heft that only pushes forward with Hendrixian abandon through a massive jam before rounding out sweetly with vocals over background organ and sweetly-strummed guitar. “Éufrates” would seem to start the same way, but varies the structure in more of a back and forth format before closer “Grand Finale in the Blind Desert” brings both Holy Mushroom’s most patient execution and their most vibrant jam (sax included), essentially building from the one into the other to end the album in energetic fashion. To say it works for them would be underselling it.

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Holy Mushroom on Bandcamp

 

Iron and Stone, Petrichor

iron and stone petrichor

A debut long-player of no-pretense, no-nonsense sludge-infused doom, Petrichor (on Backbite Records) shows German five-piece Iron and Stone as ready to follow where the riff will lead them. The late 2017 album is a solidly-delivered 10 tracks and 43 minutes that strikes mostly in monochrome intent, save perhaps for the acoustic “Interlude” near the midpoint. Their 2015 EP, Old Man’s Doom (review here), was similarly upfront in its purposes, but carrying across a full-length – especially a debut – is a different beast from a shorter outing. Their heavier push on “Monolith” is welcome and the break-then-chug of “Deserts” does plenty to satisfy, but Petrichor might require a couple concerted listens to really sink in on its audience, though as I’ve said time and again, if you can’t handle repetition, you can’t handle doom. Iron and Stone effectively balance traditional doom and rawer sludge groove, playing fluidly to whichever suits their purposes at a given moment.

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Backbite Records webstore

 

Black Capricorn, Omega

black capricorn omega

Sardinian doom cult Black Capricorn push well beyond the limits of the manageable with their 95-minute fourth album, Omega (released Nov. 2017 on Stone Stallion Rex), and that’s clearly the idea. The three-piece of bassist Virginia, drummer Rakela and guitarist/vocalist Kjxu offer grim ambience and tempos that sound slow regardless of their actual speed. That said, the 17-minute “Antartide” is an accomplishment as regards crawl. After a sweetly melancholic opening of guitar, it lurches and lumbers out its miserable heft until a return to that intro bookends. Even shorter tracks like “Flower of Revelation” or “Stars of Orion” hold firm to the tenet of plod, and though the results are obviously a lot to take in, the idea that it should be a slog seems all the more appropriate to Black Capricorn’s style. The band, which hits the decade mark in 2018, churn out one last bit of wretchedness in the nine-minute closing title-track before giving way to an acoustic finish, as if to remind that Omega’s sorrows are conveyed as much through atmosphere as actual sonic heft.

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Stone Stallion Rex website

 

Owl Maker, Paths of the Slain

owl maker paths of the slain

Guitarist/vocalist Simon Tuozzoli, also of malevolent doomers Vestal Claret, leads the new trio Owl Maker, and in the company of bassist Jessie May and drummer Chris Anderson, he embarks on a heavy rock push of six tracks with the debut EP, Paths of the Slain, still holding to some elements of metal, whether it’s the double-kick in opener “Ride with Aileen” or the backing vocals and guitar solo of the subsequent “99.” Songwriting is clearheaded across the EP’s 23 minutes, and in terms of first impressions, “Mashiara” shows a focus on melody that retains a metallic poise without losing its riff-driven edge. The balance shifts throughout “Freya’s Chariot” and the all-go “Witches,” the latter of which touches on black metal in its first half before turning on a dime to mid-paced heavy rock, and closer “Lady Stoneheart” nods in its back end to NWOBHM gallop, as Owl Maker seem to tip their audience to the fact that they’re just getting started on their exploration of the many interpretations of heavy.

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Owl Maker on Bandcamp

 

Troll, Troll

troll troll

When one considers the multiple connotations of the word, Portland’s Troll are definitely going more for “lives under a bridge” than “meddling in elections” when it comes to their sound. Their self-titled debut EP, issued in 2017 before being picked up by respected purveyor Shadow Kingdom Records for a 2018 CD/tape release, is a highlight offering of classic-style doom worthy of Orodruin and Pilgrim comparisons and headlined by the vocal performance of John, who carries songs like opener “The Summoning” and the later, more swinging “Infinite Death” in a manner impressive in both frontman presence and melodic range. His work is only bolstered by the riffs of guitarist Lou and the consistent groove held together by bassist Wayne and drummer Ryan, whose drive in centerpiece “An Eternal Haunting” is neither overdone nor incongruous with the wall its tempo hits, and who meld shuffle and plod on closer “Savage Thunder” with naturalist ease. Potential abounds, and they reportedly already have new material in the works, so all the better.

Troll on Thee Facebooks

Shadow Kingdom Records website

 

Malditos, II

malditos ii
Some bands, you just have to accept the fact that they’re on a different wavelength and that’s all there is to it. Magma. Master Musicians of Bukkake. Circle. Enter Oakland, California’s Malditos, whose sophomore outing, II: La Réve, arrives via Svart Records. From bizarre psychedelic chants to ritualized repetitions that seems to be daring you to play them backwards on your turntable, the spiritual freakout to songs like “Azadeh” and the penultimate “Momen” is palpable. Reach out and touch it and it will ripple like water in front of you. A sense of space is filled with elements alternatingly horrifying and engrossing, and after they make their way through “Le Passage” and centerpiece “Disparu” and wind up in the title-track to close out, the journey to the final wash of noise gives the distinct impression that for neither the listener nor the band is there any coming back. High order head trippery. Will simply be too much for some, will gloriously expand the minds of others.

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Svart Records webstore

 

The Freak Folk of Mangrovia, Sonic Meditations: Live @ Palach

the freak folk of mangrovia sonic meditations live at palach

I don’t know how much improvisation is a factor in the sound of The Freak Folk of Mangrovia, but the Croation collective bring an ultra-organic presence to their perhaps-debut release, Sonic Meditations: Live @ Palach. The group, which seems also to have gone under the names Marko Mushan & the Mangrovian Orchestra and The Free Folk of Mangrovia, was opening for Acid Mothers Temple that night, and Sonic Meditations mostly breaks down into parts – “Sonic Meditation I,” “II,” “III” and “IV” – before the band closes out with “’Mangrovian Summer,” all the while with The Freak Folk of Mangrovia making their way through progressive dreamscapes, dripping with effects and spacious enough to house an entire Mangrovian village, however big that might be. It is otherworldly and jazzy and moves with such fluidity that the entire “Sonic Meditation” becomes one overarching piece, complemented by the closing “Mangrovian Summer,” which ebbs and flows through louder, more active jamming before capping in a wash of noise.

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The Freak Folk of Mangrovia on Bandcamp

 

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Troll to Release Self-Titled Debut March 16 on Shadow Kingdom

Posted in Whathaveyou on January 19th, 2018 by JJ Koczan

troll

Schooled in the mystical doom of old, Portland four-piece Troll will reissue their self-titled debut on March 16 via Shadow Kingdom Records. Nothing else to really say about this one beyond ‘fucking a.’ Not that Shadow Kingdom needed to do anything to flaunt its taste in trad doom at this point — they’re already putting out Iron Void this year, plus, you know, there’s the their-whole-catalog thing to consider — but Troll do make for an exceedingly cool pickup. The vibe is heavy, the tones, melodies and groove likewise, but there’s still something eerie beneath the roll of “The Witch” that, so much to the band’s credit, doesn’t sound like a cult rock put-on or play to genre. They just nailed the balance. And as ever, Shadow Kingdom knows righteous fare when it hears it. So much respect.

Troll‘s Troll is out March 16 on CD and tape, and as the PR wire informs, the band is at work on a follow-up. Dig it:

troll troll

Portland’s TROLL to have debut album reissued by SHADOW KINGDOM, preparing second album

Shadow Kingdom Records sets March 16th as the international release date for the reissue of Troll’s cult self-titled debut album on CD and cassette tape formats.

Hailing from Portland, Oregon, Troll released their first demo in 2015. Not long after came Troll, their debut album, which was originally self-released on cassette tape. Its original edition sold out quickly, and soon came to the attention of Shadow Kingdom. Duly impressed, the label simply had to release Troll’s album on wider-available physical formats and get the band the attention they so truly deserve.

And even just one spin through Troll and you can immediately detect the magic coursing through Troll’s molten stomp. Reverently within the doom spectrum, there’s a particularly swampy groove to their thundering chunder that’s less like something rooted in the American South and more like primordial ooze that’s been bubbling eerily since time immemorial. Likewise, Troll largely steer clear of regular rock-rooted verse/chorus structures and instead build rolling, rumbling epics that nod to classic prog more often than not. But, let it be known that Troll has a wealth of hooks across its concise and fully satisfying 34-minute runtime – and much of that stems from frontman John, whose pipes have that hauntingly forlorn quality of Ozzy in his early ’70s prime.

Ready for a trip through the eldritch slime? Then hop on the shoulders of this Troll! A brand-new Troll album will be released by Shadow Kingdom later this year. In the meantime, stream the entirety of Troll HERE at Shadow Kingdom’s Bandcamp, where the album can be preordered.

Tracklisting for Troll’s Troll
1. The Summoning
2. The Witch
3. An Eternal Haunting
4. Infinite Death
5. Savage Thunder

Troll is:
John – Vocals
Lou – Guitars
Ryan – Drums
Wayne – Bass

www.facebook.com/trollPDX
https://trollpdx.bandcamp.com/
www.shadowkingdomrecords.com
www.facebook.com/shadowkingdomrecords

Troll, Troll (2018 reissue)

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