Trippy Wicked and the Cosmic Children of the Knight Premiere “75 What the Hell” Video

Posted in Bootleg Theater on May 25th, 2017 by JJ Koczan

trippy wicked and the cosmic children of the knight

Tomorrow, May 26, Trippy Wicked and the Cosmic Children of the Knight will issue Lost Songs, a two-songer double-A-side seven-inch with material originally intended for use on a 2011 split with Dopefight that never came to fruition, not the least because that band called it quits. Still missed. Anyhoozle, it’s the first Trippy Wicked standalone offering since their 2013 EP, Underground (review here), and their second outing through HeviSike Records behind last year’s Guppy split/collaboration with Gurt (review here). They mark its coming by today unveiling a new video for the song “75 What the Hell.”

Over the years, we’ve heard Trippy Wicked — guitarist/vocalist Peter Holland, bassist Dicky King and drummer Chris West — cover a pretty wide range of sonic terrain. trippy wicked lost tracksTheir earlier material on 2009’s Movin’ On (review here) explored a kind of semi-Southern heavy rock, and over time they gradually took on a more aggressive edge, resulting in a particularly metallic feel for the songs on Underground. “75 What the Hell,” which would’ve preceded their 2012 second album, Going Home (review here), once again turns expectation on its head by featuring a two-minute punker blast built off an almost Karma to Burn-style riff. It’s got a hook to be sure, but Holland‘s vocals are blown-out in a way that’s way more Helmet-style noise rock than one would think. I guess sometimes you just have to belt one out.

“75 What the Hell” comes accompanied on the platter by “In a Bottle,” and it seems like Lost Songs will be a lead-in for the next Trippy Wicked full-length, which would be their first since the aforementioned Going Home. I don’t know the timeline on when one might expect that, but given that it’s already been half a decade, it doesn’t seem like there’s much of a rush on it, particularly with Holland keeping busy in Elephant Tree and West (who might be tapped to record even though he’s not currently in the lineup of the band) playing bass in psych-proggers Landskap. Still, as a fan and someone who’s been fortunate enough to see Trippy Wicked live, their next long-player will be welcome whenever it wants to show up. Hell, I’ll be around either way.

Enjoy “75 What the Hell” below, followed by more info from HeviSike about Lost Songs, courtesy of the PR wire:

Trippy Wicked, “75 What the Hell” official video

London-based hard rock / metal trio TRIPPY WICKED & THE COSMIC CHILDREN OF THE KNIGHT are set to unleash two previously unheard tracks on 26th May.

When founding member Chris West opened the great vault that is the Trippy Wicked archive, he found two songs that were recorded in 2011 for a planned split release with Brighton sludge act DOPEFIGHT. The two bands couldn’t co-ordinate schedules before Dopefight split up and the songs went on the backburner eventually lost to time. Now exhumed from their digital resting place the songs have been freshly mastered by Tony Reed (MOS GENERATOR) for release by UK label HeviSike Records.

‘Lost Songs’ captures a snapshot at a key period in the band’s evolution and will prove to be essential listening for fans of Trippy Wicked and the wider underground rock & metal community. A promotional video for ’75 What The Hell’ was planned and has now, 6 years later, been completed.

Trippy Wicked are currently writing their next album; their first full-length since 2012’s Going Home. The trio have recently released a split EP ‘GUPPY’ with fellow Londoners GURT, with whom they share current sticksman Bill Jacobs. At the same time as working on Trippy Wicked material, frontman Peter Holland has been gigging extensively across the UK and Europe with new band ELEPHANT TREE, including memorable sets at this year’s Desertfests London & Berlin. Chris West, who also previously played in STUBB alongside Peter, is currently performing bass duties in the psychedelic rock group LANDSKAP.

Regarding the recently completed video for ‘75 What The Hell’, West comments “Because the the songs had been shelved indefinitely I’d actually forgotten about the video we started work on. Releasing these songs has been a great opportunity to finish editing that. The song is a little unusual for the band but the video is 100% in the spirit of Trippy Wicked. I’d also say with the time it took to filming/photograph that last sequence Pete has a solid career as a living statue ahead of him.”

As well as a digital release, Lost Songs will be made available via a limited edition 7” single.

Side A – 75 What The Hell // Side AA – In A Bottle

‘Lost Songs’ credits
Pete Holland: Vocals, Guitar, Tuba
Dicky King: Bass
Chris West: Drums

Recorded by Westminster Brown at Dropout Studios.
Mixed and mastered by Tony Reed at HeavyHead Recording Co.
Artwork & Video by Chris West

Trippy Wicked and the Cosmic Children of the Knight on Thee Facebooks

Trippy Wicked and the Cosmic Children of the Knight on Bandcamp

HeviSike Records webstore

HeviSike Records on Thee Facebooks

Tags: , , , , ,

Snuff’est 2016 Announces Final Lineup… Mostly

Posted in Whathaveyou on September 1st, 2016 by JJ Koczan

Snuff’est 2016 is keeping secrets. As in, the Bristol-based all-dayer festival has finalized its lineup, adding Belzebong, Asteroid and Radar Men from the Moon alongside the formidable likes of Gnod, Hang the Bastard, Bong, Sigiriya, Beehoover and others. However, there’s one band who has yet to be announced and Snuff Lane, which is putting on the show Sept. 17 as well as the newly-announced pre-party the night before with Deville, Gurt, Trippy Wicked and Wiht, aren’t telling.

Sometimes in cases like that, it happens that the band is contractually obligated because of a show elsewhere not to announce other gigs, so if you happen to be familiar with who will be around Bristol or elsewhere in the UK on the nights before or after, you could maybe make a guess, but for me, I haven’t a damn clue. Will be fun to find out though.

Final posters and (announced) lineup came down the PR wire:

Snuff’est – Doom/Stoner/Psych

Snuff Lane loudly brings you Snuff’est; Bristol’s newest intimate Doom, Stoner, Psych sonic-sounding rifforgy, due next month.

All Tier-1 and Tier-2 tickets already Sold-Out and we still have another act to announce, alongside a surprise performance from some extraordinary Special Guests.

Boasting a beautiful blend of national and international artists, with some unmissable special performances; starting with stage headliners:
Belzebong – UK EXCLUSIVE
Asteroid – 1 0f 2 UK appearances for 2016
Radar Men From The Moon
Also confirmed are:
Hang The Bastard (last South-West show ever) / Gnod / Sigirya / Bong / Enos / Beehover / ANTA / Hogslayer / Oak / Sugar Horse, as well as hidden ‘Surprise Special Guests’.

Both Tier-1 and Tier-2 Early-Bird tickets have completely SOLD-OUT, with a limited number of remaining tickets on sale now.

Snuff’est All-Dayer
1 Day / 2 Venues / 3 Headliners
Saturday 17th September
Exchange and The Stag and Hounds, Bristol
Doom/Stoner/Psych
RSVP/FB Event: https://www.facebook.com/events/265112073822604/
Ticket Link: Big Cartel / Bristol Ticket Shop

There is also a special Snuff’est Pre-Party taking place the day before, which also boasts a special UK Headline Debut performance from Deville, who have only ever grace the UK at Desertfest London 2014. They’ll be joined by Gurt, Trippy Wicked and the Cosmic Children of the Knight and Wiht.

Snuff’est Pre-Party
Friday 16th September
The Stag & Hounds, Bristol
Deville (SWE) / Gurt / Trippy Wicked and the Cosmic Children of the Knight / Wiht
RSVP/FB Event: https://www.facebook.com/events/601810993310243/
Ticket Link: Big Cartel

http://snufflane.bigcartel.com/
https://www.facebook.com/snuffylane
https://twitter.com/snuffylane

Belzebong, “Bong Thrower” live at Keep it Low 2015

Tags: , , , , , , , , , , , , , ,

Buried in Smoke All-Dayer Set for Nov. 12

Posted in Whathaveyou on July 13th, 2016 by JJ Koczan

With 12PM doors and 13 bands on the bill, the Buried in Smoke All Dayer should most certainly live up to its name. The dirt-cheap and dirtier-heavy onslaught is set to take place Nov. 12 at The Bullingdon in Oxford, UK, and along with Desert Storm — who are also directly involved in putting the event and all of Buried in Smoke Promotions‘ shows together — the lineup boasts several noteworthy names out of the UK’s ultra-fertile underground heavy scene. Worth noting that Desert Storm fit right where they are in closing out the night, and to have them joined by Trippy Wicked and the Cosmic Children of the Knight, Grifter, Chubby Thunderous Bad Kush Masters and Lacertilia at the top of the bill shows the utter strength of the scene in which this show is taking place.

No less encouraging, however, are the names toward the earlier part of the day: Morass of Molasses, King Goat, Mastiff, The Atrocity Exhibit, Black Skies Burn, The Darkhorse, My Diablo and Crimson Tusk. You’re doubtless already familiar with all of the above (also below), because you’re more in touch than I am and/or you live in the UK, but they would seem to represent a decent cross-section of underground rock and metal, and as always with this kind of gig, it’s as much about seeing the bands you don’t know as the bands you do.

At least that’s how it should work. Full lineup info and links follow here, as hoisted from the social medias:

buried in smoke all dayer poster

Nov. 12 – B.I.S. All Dayer

The Bullingdon
162 Cowley Road, OX4 1UE Oxford, United Kingdom

Buried In Smoke promotions present:

Desert Storm
Trippy Wicked
Grifter
Chubby Thunderous Bad Kush Masters
Lacertillia
Morass Of Molasses
King Goat
Mastiff
The Atrocity Exhibit
Black Skies Burn
The Darkhorse
My Diablo
Crimson Tusk

Doors at 12pm
£10 on the door

https://www.facebook.com/events/1752579818352918/
https://www.facebook.com/Buried-In-Smoke-Promotions-152851731433057/

Desert Storm, “Signals from Beyond” official video

Tags: , , , , , , , , , , , , , , ,

Gurt & Trippy Wicked Release Guppy Split May 6

Posted in Whathaveyou on April 20th, 2016 by JJ Koczan

If you’re wondering where Gurt and Trippy Wicked and the Cosmic Children of the Knight got the name of their new split, Guppy, that’s due to release on May 6, take a look at their names: “Gu” from the former, “ppy” from the latter. That bit of cleverness, no doubt, is emblematic of the shenanigans throughout the CD/DL set to arrive via When Planets Collide and the limited run of tapes that’ll be out through HeviSike Records, and it works even more because they not only recorded together and collaborated on a song, but they share drummer Bill Jacobs between them, so yes, the running theme is togetherness. And togetherness if great. Who doesn’t like togetherness?

A trailer for the release has surfaced that emphasizes the level of good times involved, if indirectly. Find that under the info below, which comes from the PR wire:

gurt trippy wicked guppy

Gurt & Trippy Wicked team up for GUPPY split – May 6th

The build up has been pretty long and a lot of work has gone in to creating it but When Planets Collide are very happy to announce that ‘GUPPY’, the new split release between GURT and Trippy Wicked and the Cosmic Children of the Knight is ready for release on Friday May 6th!

Digital / CD – When Planets Collide
Limited Edition Cassette Tape – HeviSike Records

The release features 5 songs clocking in just short of half an hour with two brand new songs from each band and one epic collaboration which features both guitarists, both bassists and both vocalists… we really can’t wait for you to hear what we hope will be one of the best releases so far in 2016.

The bands have been close friends for many years (as well as now sharing a drummer in Bill Jacobs) so entering the studio together to create GUPPY was a natural move. With the help of Steve Sears and Tony Nigelson at TITAN Studios in Watford the record sounds absolutely massive and showcases the expert groove and wicked sense of humour that both bands pride themselves on!

The track-listing is as follows:

1: OWLMEGGEDON
2: SUPER FUN HAPPY SLIDE
3: REVOLTING CHILD
4: I REGRET NOTHING

You’ll have to work out for yourself which songs are by which band!

GURT are:
Bill Jacobs – Drums
Richard Williams – Guitar
Gareth Kelly – Vocals
David Blakemore – Bass

TRIPPY WICKED are:
Peter Holland – Guitar/Vocals
Dicky King – Bass
Bill Jacobs – Drums

https://www.facebook.com/GURTsludge/
https://www.facebook.com/trippywicked
https://www.facebook.com/whenplanetscollideuk
https://whenplanetscollideuk.com/
https://www.facebook.com/hevisike
http://hevisike.com/

Gurt & Trippy Wicked, Guppy teaser

Tags: , , , , , , , ,

Trippy Wicked, Wizard Fight and Lacertilia Set for Long Weekender

Posted in Whathaveyou on October 7th, 2015 by JJ Koczan

UK’s heavy rock scene continues to reshape itself and grow. Trippy Wicked and the Cosmic Children of the Knight, who haven’t been heard from much since 2013’s Underground EP (review here), have joined forces with Wizard Fight and Lacertilia to hit the road for a handful of shows next weekend in England, hitting Cardiff, Bristol, Manchester for the Noiz All-Dayer, which also features GroanAlunahChubby Thunderous Bad Kush Masters and Monolith Cult, among others, and closing out in London. They’re calling the long weekender “Carry on Tripping,” but really, whatever they wanted to call it, it’s heavy.

Silly poster, info and dates follow:

wizard fight trippy wicked lacertilia

In the year of 2015 three bands come together to bring fourth the heaviest, dirtiest carry on saga one would struggle to fully comprehend! Coming October 15th-18th 2015!

Trippy Wicked and the Cosmic Children of the Knight
A rolling, thundering mass of infectious riffs, distorted gut-busting bass, tripped out vocals, relentless beats and hairy sweaty faces twisted with grins and gurns. Trippy Wicked & the Cosmic Children of the Knight cut a groove deeper than the ocean abyss.

Wizard Fight
Formed in 2012 by Luke Bolton (ROTS) and former Steak drummer of 7 years, Dan Kinsey. They set out as a two piece to play insanely sludgey filth with a good measure of Doom and a wee bit of hazy Stoner groove. Early 2013 see the addition of Dave on bass adding the much needed earth shaking guts needed to add to the Wizard Fight sound.

Lacertilia
Lacertilia are a tripped out rock n roll machine from South Wales that brings together the manic stomp and wild stage performance of The Stooges, the fuzzy desert sounds of Kyuss, the weird psychedelic frequencies of The 13th Floor Elevators and the proto doom of Pentagram.

Rolling in on….
October 15th – Fuel Rock Club, Cardiff
October 16th – Stag & Hound, Bristol
October 17th – Rebellion, Manchester (NOIZ ALL-DAYER)
October 18th – The Unicorn – London

https://www.facebook.com/events/1679292702289298/
https://www.facebook.com/trippywicked
https://trippywicked.bandcamp.com/
https://www.facebook.com/LacertiliaUKBand
https://lacertilia-uk.bandcamp.com/releases
https://www.facebook.com/Wizardfightuk
https://wizardfight.bandcamp.com/

Trippy Wicked, “Hillbilly Moonshine” Live in Newcastle under Lyme

Tags: , , , , ,

Winter Warmer Weekender 2015 Full Lineup and Set Times Announced

Posted in Whathaveyou on January 6th, 2015 by JJ Koczan

With Steak and Desert Storm as headliners, the Winter Warmer Weekender 2015 is set for Jan. 16 and 17 and will pull together some of the London-area underground’s finest in heavy. The two-night festival has been put together by When Planets Collide, which traditionally is also responsible for the sludgiest stage at the London Desertfest, and that side of things isn’t left out here either — looking at you, BongCauldron — though there’s plenty of variety within the sphere of heavy rock between the lineups.

Also noteworthy that Desert Storm are getting ready to release their new album, Omniscient, on Jan. 26 via Blindsight Records. No doubt they’ll be in a celebratory mood as they close out the Friday night lineup, and with good reason.

When Planets Collide posted the schedule and info for the fest:

winter warmer weekender 2015

Full timings for the WINTER WARMER WEEKENDER!!

After a cracking SUMMER SIZZLER SESSION just a couple of weeks ago I have decided to put all my efforts into making the WINTER WARMER WEEKENDER 2015 the best show yet so we shall all be convening on Friday 16th and Saturday 17th January 2015.

This means that once again you have the whole Sunday to recover and it also means that you can beat those winter blues by coming and seeing 12 of the greatest new offerings in our scene today!

To start things off we are blown away to announce 2 previous good friends of WPC who really have shot to stardom since last appearing at an event of ours so we are truly chuffed to have them return again to headline.

On Friday we have the stoner Groovers DESERT STORM who have only played with us once back 2 years ago but we have brought them back and placed them where they belong in headlining position!

On Saturday we have the desert rock Titans STEAK who have played a lot of shows with us over the years but since performing last have not only Signed to Napalm Records but recorded one of the best albums of 2015 which even includes guest vocals from Lord John Garcia himself!

FRIDAY 16th January

DJs – 00:00 – 1:00

DESERT STORM – 23:00 – 00:00
XII BOAR – 22:00 – 22:40
MOTHER CORONA – 21:10 21:40
MAGE – 20:20 – 20:50
WORT – 19:30 – 20:00

DOORS 18:30PM

SATURDAY 17th January

DJs – 00:00 – 1:00

STEAK – 23:00 – 00:00
TRIPPY WICKED – 21:40 – 22:20
BONGCAULDRON – 20:50 – 21:20
GODSIZE – 20:00 – 20:30
BURDEN OF THE NOOSE – 19:10 – 19:40
SONS OF MERRICK – 18:20 – 18:50

DOORS 17:00PM

https://www.facebook.com/events/774975529232137/
http://whenplanetscollideuk.com/

Desert Storm, “Night Bus Blues” Live in Glasgow

Tags: , , , , , , , , , , , , , ,

The Obelisk Presents: The Top 20 EPs, Demos and Singles of 2013

Posted in Features on January 2nd, 2014 by JJ Koczan

I’ve been trying to get this one on the page for a couple weeks now — really since last year if you want to go back that far — and I finally just decided to do it. Granted, it’s already 2014, but I’m pretty used to being behind the times, so I hope you’ll indulge me on this one.

The thing is, of course we already did the Top 20 Albums of 2013, but that leaves an awful lot out in terms of quality shorter releases. Demos, singles, EPs, splits — whatever it might be — there’s a lot more to the story of a year in music than who’s putting out what full-length. That might be true now more than ever, with digital releases and artists having the ability to more or less give a song-by-song feed of new material should they so choose. Since this is the first time I’ve done this list, I’ve kept the presentation pretty basic, but there’s a lot to dig into here anyway in terms of the quality of the music and what people were able to accomplish in, in some cases, just one or two tracks.

My basis for judgment here is basically the same as with the full-albums list, and by that I mean how much I listened to something played a huge role, and it’s not just how important I think an EP or a split or a demo was that got it included on this list — though of course that stuff matters as well. Like spelling, repeat listens count. And it goes without saying these are my picks and have nothing to do with the Readers Poll, the results of which are here.

Okay, let’s do this:

The Top 20 Short Releases of 2013

1. The Machine/Sungrazer, Split
2. Dozer, Vultures
3. Mars Red Sky, Be My Guide
4. Black Thai, Seasons of Might
5. Wo Fat/Egypt, Cyclopean Riffs Split 12″
6. Young Hunter, Embers at the Foot of Dark Mountain
7. Shroud Eater, Dead Ends
8. Steak, Corned Beef Colossus
9. Geezer, Gage
10. The Golden Grass, One More Time b/w Tornado 7″
11. Trippy Wicked and the Cosmic Children of the Knight, Underground
12. King Buffalo, Demo
13. Groan, Ride the Snake
14. Crypt Sermon, Demo MMXIII
15. Stubb, Under a Spell b/w Bullets Rain 7″
16. Salem’s Pot, Watch Me Kill You Tape
17. Undersmile/Coma Wall, Wood and Wire Split
18. Second Grave, Antithesis
19. Sinister Haze, Demo
20. Olde Growth, Owl

Honorable mention has to go to the Fatso Jetson/Yawning Man split, C.O.C.‘s Megalodon EP, which was right on but which I didn’t really hear enough to include. The Gates of Slumber‘s Stormcrow as well.

Just a couple notes: In the case of Olde Growth, putting them last was actually more about not being sure when the official release date of Owl was than anything else. I actually listened to that quite a bit, and “Tears of Blood” remains my favorite work of the duo’s to date. In terms of demos, it was a good year for doom debuts, with Crypt Sermon and Sinister Haze both showing some malevolent classicism, and King Buffalo‘s demo grew on me almost immediately upon hearing it and right away made me look forward to whatever might come next from them.

I was a little hesitant to put a split in the number one spot, but The Machine‘s riff for “Awe” alone made it necessary. I’ve kept this disc on my person for almost the entire year and continue to have no regrets in doing so. For Dozer, yeah, it was a collection of older material, but I still enjoyed the crap out of it. Both Mars Red Sky and Black Thai signaled considerable creative growth in four-song EPs, and the Wo Fat and Egypt split more than lived up to its mission. The riff lives in bands like that, and as we get further into stylistic nuance and subgenre development, it’s those groups who are holding on to the Heavy.

Young Hunter are one of the most promising bands I’ve heard in the last three years. Flat out. Killer release. Ditto that in a much different context for Shroud Eater, whose take on heavy only got more sinister and more effective with Dead Ends. Steak emerge as tops among the five British bands — a quarter of the list! — here. Their Corned Beef Colossus also had the best title I heard all year, and though Trippy Wicked, Groan, Stubb, and Undersmile/Coma Wall (the latter earning bonus points for putting out a split with themselves) all thrilled, Steak‘s potential got them that spot. Time for a full-length, guys.

Not to leave out New York — though the geographical alignment is a coincidence — Geezer‘s Gage tapped into a jammier feel that I thought suited the band remarkably well, and The Golden Grass‘ debut single offered one of the most charming irony-free good times I’ve heard in a long while. The Salem’s Pot cassette was one of my most-listened-to tapes this year, last mentioned but not at all least, Second Grave‘s Antithesis probably would’ve clocked in higher if I’d had more time with it, but was definitely one I wanted to put in here anyway.

As I said, a lot of really astounding shorter outings, and worthy of attention in their own right. If I missed anything, I hope you’ll let me know in the comments.

Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

Trippy Wicked and the Cosmic Children of the Knight, Underground EP: New Beginnings

Posted in Reviews on September 3rd, 2013 by JJ Koczan

With last year’s Going Home full-length, UK heavy rockers Trippy Wicked and the Cosmic Children of the Knight began to show growth in a heavier direction tonally. Their second album (review here), it kept some of the riffier elements of 2009’s Movin’ On (review here), but was clearly headed someplace else stylistically — a burlier and more metal vibe persisted. The new Underground EP stands as the follow-up to Going Home, and as it was also recorded by drummer Chris West and guitarist/vocalist Pete Holland — also mixed and mastered by West; the three-piece is completed by Dicky King on bass — it’s not so much a surprise that it is likewise loud, meaty and weighted. Where Underground really makes itself separate from the trio’s work up to this point is in its overarching thematic. True to its artwork by Dan Schooler, the five-track collection clocks in at 30 minutes of science fiction-minded lyrics that seem to frame a loose narrative. This happens over the course of the opening title-track and closer “New Beginnings,” while between them, “Echoes Return” gives a personal angle to the story and “Enlightenment” and “Discoveries” provide instrumental continuity. At the same time, Underground is more dynamic stylistically than Going Home, and particularly in “Enlightenment” and “Discoveries,” embellishes a touch of heavy psychedelia that feels like a definite departure from the last album. In terms of approach and storyline, then, Trippy Wicked are trying something new, and whatever sonic similarities the EP has to the LP before it, that’s not the whole tale. In the interest of clarity, I consider myself a fan of Trippy Wicked both as a band and as people, so while my observations on Underground may be and I hope they’re found to be considered, I won’t exactly call them impartial. With that said, Underground strikes as the most complex and accomplished outing Trippy Wicked have crafted yet, and feels more complete as a whole work than its EP tag can properly convey. Released on the band-affiliated Superhot Records, it could just as easily have been dubbed a short album and I’d find no argument.

Holland, whose confidence and range have grown in kind over the band’s five years of releases, is at his most melodically adept here. Whether he’s following his guitar on “Echoes Return” and “Underground” or subtly branching out in the verses of “New Beginnings,” he sounds comfortable in the more relaxed spaces and able to convey a depth of emotionality that wasn’t attempted even on Going Home, which had a narrative thread of its own, mostly about drinking and the resulting raucousness. Maybe it’s the more nuanced thematic bringing out the performance, but it makes more sense to me to think of the evolution as coinciding rather than sparked by one or the other. An all-around growth, in other words. Likewise, the band’s songwriting, while it has long since “clicked” in terms of creating memorable hooks across a variety of moods, seems to have stepped up as well, and Holland, King and West are a tight and fluid trio, each bringing out the best from the compatriot two. Repetition in the choruses of the three tracks with vocals also provides a consistency across the release, giving it even more of a sense of being one whole work, as “Underground” features a series of lines starting with “World slows down/Sun’s burnt out,” and ends with an almost nursery rhyme made of “Down, down, round and round/We’re lost until we’re found,” while “Echoes Return” plays homophones with “I find it hard to believe in you today/I find it hard to be leaving you this way” as a secondary chorus and “New Beginnings” moves into a first-person-plural in starting more of its chorus lines with “We had” or “We can” as it winds down the storyline. All this feeds into the overarching cohesion of Underground, making it a compelling listen that satisfies in more than just its actual audio, but it’s important to remember that although Trippy Wicked are engaging these new methods (or at very least developing past ideas to new levels of refinement), Underground is still very much a heavy rock record. Pretense is nil, and while the production is crisp and full and professional, it’s not so overblown as to take away from the natural feel of the songs themselves.

Read more »

Tags: , , , , , ,