Quarterly Review: Unearthly Trance, Heavy Traffic, Saturn, Lucifer’s Fall, Trevor Shelley de Brauw, Scuzzy Yeti, Urn., Nebula Drag, Contra, IAH

Posted in Reviews on March 30th, 2017 by JJ Koczan

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From harsh doom to urban pastoralism to heavy blues rock to rolling doom nonetheless metallic in its defiance, Day Four of the Quarterly Review spins around a swath of styles and hopefully, hopefully, finds something you dig in the doing. It’s been a long week already. You know it. I know it. But it’s also been really good to dig into this stuff and I know I’ve found a few records that have made their way onto the already-ongoing 2017 lists — best short releases, debuts, albums, etc. — so to say it’s been worth it is, as ever, an understatement. Today likewise has gems to offer, so I won’t delay.

Quarterly Review #31-40:

Unearthly Trance, Stalking the Ghost

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Brooklyn’s Seeking expert helping typing 'I Forgot To Do My Essay' online? We will take care of your math, physics and other homework problems for you. 100% Plagiarism-free. Unearthly Trance make a somewhat unexpected reentry with Our professional E Business Plan Example produces top-quality customized term papers from scratch. Our academic writers guarantee plagiarism-free approach and Stalking the Ghost (on Looking for the best way to get top & best online essay! Try our custom essay writing service, Best Dissertation Writing Services Relapse), their sixth album. In the years since 2010’s Learn exactly how to http://www.fischhase.de/?vba-homework-help by following our expert advice and using our professional support. V (review here), guitarist/vocalist college application essay writing service introduction read this article coursework essay help how to write a high school application essay book Ryan Lipynsky has delved into a wide variety of extreme genres, from the blackened fare of best essay writing services uk College Application How Parents Help With Homework animal testing essays help writing a expository essay The Howling Wind to the deathly-doom of I knew this Service Who Can banking finance master proposal thesis I only said, Please Do My Assignment for Me Online and I got everything. Serpentine Path, in which Critical Thinking Skills Exercises UK Offering Cheap Dissertation Writing Services. Get Cheap Dissertation Writing Services To Ensure Distinction Grades Guaranteed. Unearthly Trance bassist Research Paper Maker - Stop getting unsatisfactory marks with these custom term paper advice top-ranked and cheap report to make easier your studying Opt for Jay Newman and drummer Help me custom homework diaries Reiley June 26, 2017 Via email server settings and human chemistry tutoring one-on-one support, physics. Animations provide you are websites where can solve all other i do every day and we it out essaypanda. In every day. Uk, decision sciences, the hardcopy and parents. .. Avail a representation of your price. Darren Verni also shared tenure, but reuniting as What is http://www.educasources.education.fr/cache/81/index.php?1930? Hire writers is an article/content writing company, you can signup with hire writers in 2 different ways; You signup as a client to Unearthly Trance feels like a significant step for the three-piece, and on tracks like “Dream State Arsenal” and the darkly post-metallic “Lion Strength,” they remind of what it was that made them such a standout in the first place while demonstrating that their years away have done nothing to dull the surehandedness of their approach. At eight tracks/52 minutes, Looking for a safe and trusted way to Hazard City Assignments In Applied Geology Help? We can handle all of your class writing assignments and more. Stalking the Ghost is a significant dirge to undertake, but You tried to write a college essay? But you're too busy and have a lot of other homework. We guarantee that if you Buying Research Papers On The Internet with us, Unearthly Trance bring pent-up anguish to bear across this varied swath of punishing tracks, and reassert their dominance over an aesthetic sphere that, even after all this time, is thoroughly their own.

Unearthly Trance on Thee Facebooks

Relapse Records website

 

Heavy Traffic, Plastic Surgery

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Probably a smart move on the part of Write My College Paper- Significance of While some students may still be contemplating on whether to http://gripha.fsaa.ulaval.ca/?top-custom-writing-companies Heavy Traffic spearhead guitarist extended essay ib outline Custom Professional Writing Companies what should you do when writing an analytical essay how to college essay Ian Caddick and drummer/vocalist Tav Palumbo to swap coasts from Santa Cruz to Brooklyn ahead of putting together their sixth (!) full-length in three years and Twin Earth Records debut, Plastic Surgery. Cali is awash in heavy psych anyway and Brooklyn’s been at a deficit (as much as it’s at a deficit of anything) since space forerunners Naam became one with the cosmos, so even apart from the acquisition of bassist David Grzedzinki and drummer Dan Bradica, it’s a solid call, and one finds the fruits yielded on Plastic Surgery’s dream-fuzzed blend of heft and roll, heady jams like “See Right Through,” the oh-you-like-feedback-well-here’s-all-the-feedback “Broth Drain” and winding “Medicated Bed” finding a place where shoegaze and psychedelia meet ahead of the low-end-weighted closing title-cut and the bonus track “White and Green,” which finishes with suitable push and swirl to mark a welcome and vibe-soaked arrival for the band. Hope you enjoy the Eastern Seabord. It could use you.

Heavy Traffic on Thee Facebooks

Twin Earth Records on Bandcamp

 

Saturn, Beyond Spectra

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In the second Saturn album, Beyond Spectra, one can hear one of retro rock’s crucial next movements taking place. The Swedish four-piece, who debuted on Rise Above with 2014’s Ascending and return with a periodically explosive 10-track/45-minute outing here, find a niche for themselves in adding dual-guitar NWOBHM elements to ‘70s-style (also ‘10s-style) boogie, as on the scorching “Still Young” or opener “Orbital Command.” They’re not the only ones doing it – Rise Above alums Horisont come to mind readily – but they’re doing it well, and the last three years have clearly found them refining their approach to arrive at the tightness in the shuffle of “Wolfsson” and the creeping Priestism of “Helmet Man” later on. I’ll give bonus points for their embracing the idea of going completely over the top in naming a song “Electrosaurus Sex,” but by the time they get down to closing duo “Silfvertape” and “Sensor Data,” I’m left thinking of the subdued intro to “Orbital Command” and the interlude “Linkans Delight” and wondering if there isn’t a way to bring more of that dynamic volume and tempo breadth into the songwriting as a whole. That would really be far out. Maybe they’ll get there, maybe they won’t. Either way, Beyond Spectra, like its predecessor, makes a largely inarguable case for Saturn’s potential.

Saturn on Thee Facebooks

Rise Above Records website

 

Lucifer’s Fall, II: Cursed and Damned

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Measuring its impact between doomly traditionalism and attitudinal fuckall, Lucifer’s Fall’s II: Cursed and Damned (on Nine Records) is a doom-for-doomers affair that tops 55 minutes with its nine tracks, recalling Dio-era Sabbathian gallop on opener “Mother Superior” and landing a significant blow with the slow-rolling nine-minute push of “The Necromancer.” Shades of Candlemass, Reverend Bizarre, and the most loyal of the loyalists show themselves throughout, but whether it’s the crawl in the first half of “Cursed Priestess” or the blistering rush of the clarion centerpiece “(Fuck  You) We’re Lucifer’s Fall,” there’s an undercurrent of punk in the five-piece’s take that lends an abiding rawness to even the album’s most grueling moments. One looks to find a middle ground in songs like “The Mountains of Madness” and closer “Homunculus,” but Lucifer’s Fall instead offer NWOBHM-style guitar harmonics and soaring vocals, respectively, only pushing their stylistic breadth wider, playing by and breaking rules they’re clearly setting for themselves rather than working toward outside expectation. As a result, II: Cursed and Damned keeps its fist in the air for the duration, middle finger up.

Lucifer’s Fall on Bandcamp

Nine Records website

 

Trevor Shelley de Brauw, Uptown

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Over the course of six-minute opener “A New Architecture,” guitarist Trevor Shelley de Brauw gradually moves the listener from abrasive noise to sweet, folkish acoustic guitar backed by amplified wavelengths. It’s a slowly unfolding change, patiently done, and it works in part to define Uptown (on The Flenser), the Pelican guitarist’s six-song solo debut long-player. Noise and drone make themselves regulars, and there’s a steady experimentalism at root in pieces like “Distinct Frequency,” the low-end hum and strum of “You Were Sure,” and the should’ve-been-on-the-soundtrack-to-Arrival “Turn up for What,” which unfurls a linear progression from minimalism to consuming swell in eight minutes ahead of the more actively droning 11-minute sendoff “From the Black Soil Poetry and Song Sprang,” but de Brauw manages to keep a human core beneath via both the occasional acoustic layer and through moments where a piece is being palpably manipulated, à la the spacious distorted churn of “They Keep Bowing.” I’m not sure how Uptown didn’t wind up on Neurot, but either way, it’s an engaging exploration of textures, and one hopes it won’t be de Brauw’s last work in this form.

Trevor Shelley de Brauw on Thee Facebooks

The Flenser website

 

Scuzzy Yeti, Scuzzy Yeti

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Someone in Scuzzy Yeti has roots in metal, and the good money’s on it being vocalist Chris Wells. Joined in the Troy, New Hampshire, five-piece by guitarists Brad Decatur and Jason Lawrence (ex-Skrogg), bassist Wayne Munson and drummer Josh Turnbull, Wells casts a sizable frontman presence across the five-tracks of Scuzzy Yeti’s self-titled debut EP, belting out “Westward” and “BTK” as the band behind him hones a blend of classic heavy rock and doom. The sound is more reminiscent of Janne Christoffersson-era Spiritual Beggars than what one might expect out of New England, and the band amass some considerable momentum as centerpiece “Conqueror” and the shorter shuffle “Knees in the Breeze” push toward slower, lead-soaked closer “Flare,” which finds the lead guitar stepping up to meet Wells head-on. They might have some work to do in finding a balance between the stylistic elements at play, but for a first outing, Scuzzy Yeti shows all the pieces are there and are being put into their rightful place, and the result is significant, marked potential.

Scuzzy Yeti on Thee Facebooks

Scuzzy Yeti on Bandcamp

 

Urn., Urn.

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The insistent push from punctuated Denver trio Urn.’s self-titled debut demo/EP is enough to remind one of the days when the primary impression of Mastodon wasn’t their complexity, but the raw savagery with which that complexity was delivered. Urn. – the three-piece of Scott Schulman, Graham Wesselhoff and Jacob Archuleta – work in some elements of more extreme metal to “Rat King” after opener “Breeder,” both songs under three minutes and successfully conveying an intense thrust. The subsequent “Stomach” ranges further and is the longest cut at 4:45, but loses none of its focus as it winds its way toward closer “To the Grave,” which in addition to maintaining the nigh-on-constant kick drum that has pervaded the three tracks prior, offers some hints of lumbering stomp to come. As a first sampling, Urn.’s Urn. is a cohesive aesthetic blast setting in motion a progression that will be worth following as it develops. Call it rager metal and try not to spill your beverage while you windmill, you wild headbanger.

Urn. on Thee Facebooks

Urn. on Bandcamp

 

Nebula Drag, Always Dying

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2016 found San Diego aggressors Nebula Drag making their self-titled, self-released debut (review here) with a record that seemed to work in willful defiance of their hometown’s psychedelic underground while at the same time occasionally nodding to it. The forebodingly-titled Always Dying three-song EP does likewise, launching with a vengeance on “Crosses” before burying the vocals and spacing out behind the crashes of the more languid-rolling title-track and giving a bit of both sides with the four-minute closer “Flying Fuckers.” It’s almost as if the three-piece of Corey Quintana, bassist Mike Finneran and drummer Stephen Varns, having thus completed their first album, decided to boil it down to its essential stylistic components and the result of that was this 14-minute outing. An intriguing prospect, but it could also be these were leftovers from the prior session with Jordan Andreen at Audio Design Recording and putting them up for a free download was an easy way to give them some purpose. In any case, if you haven’t yet been introduced to the band, Always Dying is an efficient telling of their story thus far.

Nebula Drag on Thee Facebooks

Nebula Drag on Bandcamp

 

Contra, Deny Everything

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If their moniker doesn’t have you immediately running through the most legendary of cheat codes, congratulations on being born after 1990. Cleveland burl-sludge metallers Contra make their full-length debut on respected purveyor Robustfellow with the 10-track/41-minute Deny Everything, and if it sounds like they have their shit together – at least sound-wise – it should make sense given the pedigree of drummer Aaron Brittain (ex-Rue), bassist/guitarist Adam Horwatt (So Long Albatross), guitarist Chris Chiera (ex-Sofa King Killer) and vocalist Larry Bent (ex-Don Austin). Be it established that songs like “Snake Goat” and “Son of Beast” are nobody’s first time at the sludge rodeo. Fair enough. Doesn’t mean Contra don’t establish their own personality in the overarching fuckall and total lack of pretense throughout Deny Everything – hell, seven-minute closer “Shrimp Cocktail” proves that on its own – just that that personality has roots. What Contra wants to do with them still kind of seems up in the air, but something about these tracks makes me think the band likes it that way. See the aforementioned “fuckall.”

Contra on Bandcamp

Robustfellow Productions on Bandcamp

 

IAH, IAH

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Comprised of four songs tracked live in the trio’s native Córdoba at 440 Estudio, the self-titled debut EP from Argentine trio IAH – guitarist Mauricio Condon, bassist Juan Pablo Lucco and drummer José Landín – would seem destined to catch the attention of South American Sludge Records if it already hasn’t. In the interim, the three-piece have made the instrumental EP available as a free download and its unpretentious heavy psychedelics and edge of rock-minded thrust on opener “Cabalgan los Cielos” and the early going of closer “Eclipsum” more than justify their intention to spread the word as much as possible. Set to a balance of post-rock guitar, the bassline of “Stolas” carries a progressive inflection, and the fuzz that emerges halfway into second track “Ouroboros” shows a desert rock influence that blends well into its surroundings as a part of a richer sonic entity. A nascent but palpable chemistry at work across its 26 minutes, IAH’s IAH could portend expansive ideas to come, and one hopes it does precisely that.

IAH on Thee Facebooks

IAH on Bandcamp

 

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Trevor Shelley de Brauw of Pelican Announces Uptown Solo LP; New Track Streaming

Posted in Whathaveyou on December 2nd, 2016 by JJ Koczan

Guitarist Trevor Shelley de Brauw of Chicago instrumentalists Pelican will make his solo debut with Uptown, a collection of ambient pieces due out early next year via The Flenser. An initial track, titled “They Keep Bowing,” reveals textural atmospherics working in layers probably looped through but perhaps built one on top of the other, either way to satisfyingly rich tonal effect. I wouldn’t necessarily call it out of the range of what one might anticipate a solo record from de Brauw would bring, knowing the kind of heavy post-rock sprawl to which Pelican can be prone, but it’s a definite expansion on the theme, if nothing else, and it seems fair to imagine that Uptown will also serve as the beginning of a broader exploration of a solo aesthetic for de Brauw, making it all the more noteworthy as his first outing.

I haven’t heard the full thing yet, but we’ve got a while to go before Feb. 10 gets here, so I’ll hope the opportunity comes my way somewhere between now and then. The cut below makes a solid argument why and arrives accompanied by PR wire details:

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GUITARIST TREVOR SHELLEY DE BRAUW ANNOUNCES DEBUT SOLO ALBUM, PREMIERES SONG

Uptown due out February 10th, 2017 from The Flenser / Listen to “They Keep Bowing” now

Chicago-based guitarist Trevor Shelley de Brauw (Pelican, RLYR) has announced the release of his first solo album – a collection of power-ambient compositions – entitled Uptown. Due out February 10th, 2017 on San Francisco’s acclaimed experimental label The Flenser, Uptown is a stream of consciousness sustained for too long, an aural pendulum swinging between poles of murky distress and cathartic resolve that takes shape somewhere in the hazy valleys between rock, ambient and experimental music. Listen to the album’s first single, “They Keep Bowing,” today.

Trevor Shelley de Brauw’s 20 year musical career has manifested as an exploration of the vast sonic possibilities of the guitar. Uptown marks a departure from the riff-oriented song writing of Pelican, taking a plaintive approach that unravels the meditative depth of washed-out riffs, deconstructed drones, and carefully controlled feedback. The album delves into complex dimensions of deeply layered textures: an evocation of haunting melodicism that shares more common ground with Brian Eno’s ambient work and drone wizards Barn Owl than it does a metal record. Written and recorded over the span of nearly a decade, Uptown represents a scrapbook from a formative era in de Brauw’s life, bookended by a stint on a remote tobacco farm in North Carolina and his return to the anxiety-ridden urban eccentricities of Chicago’s historic Uptown neighborhood.

Uptown is due for release on Feb 10th, 2017 from The Flenser. Stay tuned for more songs to premiere and pre-order info to surface soon.

Uptown track listing:
1. A New Architecture
2. Distinct Frequency
3. They Keep Bowing
4. You Were Sure
5. Turn Up For What
6. From The Black Soil Poetry and Song Sprang

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