Roadburn 2019: LOOP, Sumac, Crippled Black Phoenix, Sherpa and More Added

Posted in Whathaveyou on November 15th, 2018 by JJ Koczan

roadburn 2019 banner

A return appearance from Crippled Black Phoenix seemed like asking a lot. A return appearance from LOOP seemed unrealistic. A complete showcase from Exile on Mainstream? Well now that’s just silly. But silly’s how it goes for Roadburn, which in 2019 will apparently continue to exist on a plane all its own, much to the general betterment of humanity. I’ll happily take the chance to see Emma Ruth Rundle and Sherpa and to get exposed to Cave, who sound so much up my alley that I’m kind of embarrassed I’ve never heard them before. Plus underrated sludgesters Treedeon and you know, Sumac, because Aaron Turner hasn’t curated a Roadburn yet and we might as well build up to that seeming inevitability with an unofficial kind of residency, and Young Widows and enough others that I forgot what the point of this sentence was when I started out and it doesn’t even matter because the lineup is so staggeringly incredible.

Fuck it. Dive in:

loop roadburn 2019

More additions for Roadburn 2019, including curated acts; day tickets on sale in December

TOMAS LINDBERG chooses LOOP and SLÆGT for his curated event
SUMAC to perform
YOUNG WIDOWS to play Old Wounds in full
Return performances for CRIPPLED BLACK PHOENIX and EMMA RUTH RUNDLE

TOMAS LINDBERG’S THE BURNING DARKNESS

LOOP
LOOP are no strangers to Roadburn – they headlined the 2014 edition of the festival. The psych titans split in 1991, reforming in 2013 and cementing themselves as legends of the scene – and amongst other activities, brought their glorious technicolour to the Roadburn stage. We’re thrilled to welcome them back for a special, one off show as part of Tomas Lindberg’s curated event, The Burning Darkness.
Lindberg comments: “I expect to see you all in the front row for this one. I have goosebumps already.”

SLÆGT
As the frontman for At The Gates, we know Tomas is something of an extreme metal connoisseur. He’s flexing that muscle with his latest addition to the line up, which comes in the shape of SLÆGT. Tomas explains:
“When I think of heavy metal, there is a certain feeling I am after. A special haunting, emotional impact that I’m seeking. I will always be super excited when I get that same feeling that was there when I first got into underground metal. SLÆGT is one of those rare examples.”

SUMAC
Aaron Turner is not a man who likes to sit still. When he realised that he would technically have a day off at Roadburn, his brain started to click and whirr. And soon enough we had SUMAC on the bill.

When Love In Shadow landed in September, it was a swift reminder not to assume you know all there is to know about a band. Turner has promised us something special at Roadburn: a titillating promise. But we can’t help but feel that any SUMAC experience is going to be a special SUMAC experience – and surely better than a day off.

YOUNG WIDOWS
If it’s true that absence makes the heart grow fonder, it doesn’t discount the fact that the occasional tease of a live show can still be pure agony, especially when Europe has historically been somewhat starved of YOUNG WIDOWS. So it’s with something akin to relief mixed with pure joy that we announce YOUNG WIDOWS’ performance at Roadburn 2019. For fans of their 2008 release, Old Wounds, the treat is two-fold; the band will be playing the album in full for us!

CRIPPLED BLACK PHOENIX
Following their mind-warping set on Roadburn’s main stage in 2017, we welcome back the progressive darkness of CRIPPLED BLACK PHOENIX. In the band’s decade and a half career, they have released an incredible ten studio records, the latest of which Great Escape is a powerful, treacherous exploration into a the bleakest realms of Justin Greaves’ psyche. A CRIPPLED BLACK PHOENIX performance is the sound of a band following their own path, their own rules, for their own enjoyment. And ours.

CAVE
Channeling Krautrock staples like Can and Neu! with Miles Davis/Funkadelic style funk, CAVE offers an instrumental galaxy of hypnotic jams. It’s the band’s groove-heavy – yet loose – approach which gives way to an intricate backdrop for these spontaneous explorations; from fuzzy leads to free jazz fusion, from prog to psychedelic library music, from subtle funk to South American delights.

EMMA RUTH RUNDLE
Emma Ruth Rundle made such a mark on Roadburn 2017, we’re overjoyed to have her back for 2019 – and we expect the results to be just as powerful and mesmerising as the first time around.
Her first solo performance at the festival was a pivotal moment for us. Not only did it mark a definitive turning point for the artistic scope of the festival, it was also the moment that we adopted Emma as one of our own. A kindred spirit, a sonic explorer, a soul sister.

LINGUA IGNOTA
Boldly straddling the classical music world and the often hellish soundscapes of harsh noise, LINGUA IGNOTA plucks what she wants from both – and elsewhere – to form a towering inferno of raging fury, manifesting as sonic indignation. The challenge of a visceral and abrasive show is one that we relish. If you’re looking for an experience, something that that burrows into your consciousness and niggles at you for months to come, sign up now. LINGUA IGNOTA will deliver a masterclass.

EXILE ON MAINSTREAM X ROADBURN
EXILE ON MAINSTREAM Records is celebrating twenty years of existence with us at Roadburn 2019. The iconic label has released almost 90 records over the past two decades.The label’s history is somewhat entwined with our own; in fact they celebrated their 15th birthday with us too! We guess we make good cake!
The label will commandeer the Hall of Fame venue on Saturday, 13 April and the following bands will perform:
OSTINATO
NOISEPICKER
CONNY OCHS
TREEDEON
BELLROPE
CONFUSION MASTER

ALSO CONFIRMED:
FEAR FALLS BURNING will see Dirk Serries performing an exercise in minimalism
JAYE JAYLE will reprise their 2017 performance – in the more spacious Green Room
OVTRENOIR will deliver a dose of sludgy post-metal
SHERPA will perform Tigris & Euphrates in full
SOFT KILL will perform both Savior and Heresy in full
THROANE offer a cold and violent take on modern black metal
TREHA SEKTORI will bring an innovative and immersive take on dark ambient sound

TICKETS:
Single day tickets will go on sale on Thursday, December 13. Weekend tickets are on sale now

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
4 days ticket (Thu-Sun) €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

Click here for more ticketing information.

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Roadburn 2019 November announcement video

Tags: , , , , , , , , , , , , , , , , , , , , , , , , ,

Quarterly Review: The Sword, Mountain Tamer, Demon Head, Bushfire, Motherslug, Dove, Treedeon, Falun Gong, Spider Kitten, Greynbownes

Posted in Reviews on April 3rd, 2018 by JJ Koczan

Quarterly-Review-Spring-2018

Okay then. We got past the first day and I thought it went reasonably well. No casualties. Nobody’s brain melted from trying to find another word for “riffs” for the 19th time, so yeah, mark it a win. There’s a good spread of stuff in today’s batch — a little of this, a little of that — so hopefully somewhere in the mix you’re able to run into something you dig. Hell, I’ll say the same for myself as well. Come on, let’s go.

Quarterly Review #11-20:

The Sword, Used Future

the sword used future

Now-veteran Austin heavy rockers The Sword have gotten a mixed response to the more progressive approach their recent work has taken, and I doubt Used Future (on Razor & Tie) is going to be any less polarizing, but its crisp 13 tracks/43 minutes are pulled off with professionalism. Yes, it has its self-indulgent aspects in “Sea of Green” or the earlier instrumental “The Wild Sky,” but The Sword have never done anything other than deliver accessible heavy rock and tour like hell, so while I get the mixed response, at this point I think the band has at very least earned a measure of respect for what they’ve accomplished as ambassadors of underground heavy. They wanna throw a little John Carpenter influence into “Nocturne?” Fine. They’re not hurting anybody. The unfortunate truth about The Sword is that neither polarized side is right. They’re not the end of heavy metal as we know it; some crude ironic take on what metal should be. And they’re not the greatest band of their generation. They have a good record deal. They write decent songs. Where’s the problem with that? I don’t hear it on Used Future.

The Sword on Thee Facebooks

Razor & Tie website

 

Mountain Tamer, Living in Vain Demo

mountain tamer Demo 2017

If it was Mountain Tamer’s intention to get listeners excited about the prospect of a second full-length from the Santa Cruz, CA three-piece, then the Living in Vain demo serves this purpose well. Their 2016 Argonauta Records self-titled debut (review here) expounded on the potential they originally showed with 2015’s Mtn Tmr demo (review here), and though it’s only two songs, Living in Vain would seem to do the same in building on the accomplishments of the album before it. The opening title-track is labeled “Living in Vain Pt. 1” and nestles easily into a mid-paced shuffle before shifting into psychedelic lead layering and a more jammed-out spirit, from which it returns in the last 30 seconds to hit into a more solidified ending riff, leading to the immediately slower “Wretched.” More spacious, more of a march, it plays into an instrumental hook and holds to its structure for its entire 5:40, ending with guitar on a quick fade. Obviously the intention with a release like this is to entice the listener with the prospect of the band’s next album. Living in Vain does that and more.

Mountain Tamer on Thee Facebooks

Mountain Tamer on Bandcamp

 

Demon Head, The Resistance

demon head the resistance

Returning just about a year after issuing their second album, Thunder on the Fields (review here), Copenhagen-based proto-metallers Demon Head offer a new two-songer single titled The Resistance that at least to my ears speaks to the current political moment of populism opposing liberalism – as much at play in Europe as in the US, if not more so – and the fight for an open society. They present it as a six-plus-minute languid groove with flashes of militaristic snare; something of a turn from the cult rock of their two-to-date long-players. One could say the same of the sci-fi themed “Rivers of Mars,” though like its predecessor, it remains sonically on-point with the band’s vintage aesthetic, fostered through naturalist guitar and bass tones, bluesy, commanding vocals and classy, creative drumming. Actually, apply that “classy” all around. As Demon Head continue to come into their own sound, they do so with poise that’s all the more striking for how raw their presentation remains.

Demon Head on Thee Facebooks

The Sign Records

 

Bushfire, When Darkness Comes

bushfire when darkness comes

When Darkness Comes is German heavy rocking five-piece Bushfire’s follow-up to late-2013’s Heal Thy Self (review here), and it retains the Darmstadt-based outfit’s penchant for quality riffcraft and a showcase for the vocals of frontman Bill Brown, which hit in bottom-of-the-mouth melodies and gruff shouts fitting to cuts like “The Conflict” and the swinging “Shelter.” Bushfire are no strangers to a semi-Southern element in their sound, and that remains true on When Darkness Comes from the opening title-track through the later “Another Man Down” and closer “Liberation.” Somewhat curiously, that closer is instrumental, and where the vocals play such a role in the overarching impression the record makes, it’s an interesting twist to have them absent from the final statement, leaving guitarists Marcus Bischoff and Miguel Pereira, bassist Vince and drummer Sascha to finish out on their own. If groove is the measure, they’re certainly up to the task, but then, that was never really in doubt.

Bushfire on Thee Facebooks

Bushfire on Bandcamp

 

Motherslug, The Electric Dunes of Titan

motherslug the electric dunes of titan

I’m sorry. I don’t see how you could dig anything calling itself “stoner” and not be down with what Motherslug are doing with their second long-player, The Electric Dunes of Titan. Plus-sized riffing all over the place, languid rollouts, excursions into psychedelic splendor (see “Followers of the Sun,” etc.), explosions into massive groove (see “Staring at the Sun”), a nod to High on Fire in “Tied to the Mast” and a Sleep-style march on closer “Cave of the Last God” that’s probably the best I’ve heard since the Creedsmen Arise demo in 2015. Really, if Motherslug doesn’t do it for you, nothing will. Five years after they initially released their self-titled EP (review here), which was later expanded into their debut album for NoSlip Records (review here), the Melbourne outfit charge back with what should be a litmus test for riff-heads. In all seriousness, from tone to structure to songwriting to production to the cover art, there’s just nothing here that doesn’t deliver the message. Should’ve been on my best of 2017 list.

Motherslug on Thee Facebooks

Motherslug on Bandcamp

 

Dove, Dove Discography

dove discography

In the wake of Floor’s disbanding, drummer Henry Wilson formed Dove. They were around for about five years, did some touring (one remembers picking up their self-titled in a Manhattan basement with $2 Rolling Rocks calling itself The Pyramid), and disbanded to a cult status not so different from that which Floor enjoyed prior to their own reunion, if to something of a lesser degree. As the title indicates, Dove Discography compiles “every listenable track” the band ever put out, including their self-titled, Wilson’s original demo for the project, compilation and 7” material. All told, it’s 20 tracks and just under an hour of documentation for who Dove were and the kind of punk metal they were about, never quite stoner, but heavy rock to be sure, and definitely of the Floridian ilk that produced both Floor and Cavity and a style Wilson has progressed with House of Lightning. Dove could be blazingly intense or they could plod out a huge riff, holding a deceptively wide purview that was only part of the reason they were so underrated at the time.

Dove on Bandcamp

House of Lightning on Thee Facebooks

 

Treedeon, Under the Manchineel

treedeon under the manchineel

To anyone who might complain that all sludge sounds the same, I humbly submit Treedeon, whose second album for Exile on Mainstream, Under the Manchineel, is a work both noise-laden and righteously avant garde. Perhaps even more ferocious than its 2015 predecessor, Lowest Level Reincarnation (review here), the seven-track/44-minute outing offers a touch of melody in “Breathing a Vein” and buried deep in the midsection of 16-minute closer “Wasicu,” and arguably in guitarist Arne Heesch’s delivery in opener “Cheetoh” as well, but he and bassist Yvonne Ducksworth mostly keep to harsh shouts as they create consuming washes of noise over the madcap drumwork of newcomer Andy Schuenemann, who punctuates every punch of Ducksworth’s gotta-hear-it bass tone on album centerpiece “No Hell” as Heesch goes lands the chorus with the line “No hell can hold me” as its standout line. Bringing a sense of themselves to an established style to a degree that’s rare, rarer, rarest, Treedeon are no less aggressively weird than they are aggressive, period.

Treedeon on Thee Facebooks

Exile on Mainstream website

 

Falun Gong, Figure 1

Falun Gong Figure 1

There are some post-Electric Wizard shades that emerge in the debut single from London’s Falun Gong by the time it reaches its feedback-soaked finale, but really, “Figure 1” is much more about digging into its own cultistry than that of the Obornian sort. Still, the overarching impression is somewhat familiar, and will be particularly to those who were fans of The Wounded Kings, but the duo who remain anonymous present themselves with a clearheaded intent toward maximum sonic murk, and with the lumbering misery they trod out in “Figure 1,” they seem to achieve what they’re going for. I don’t know who they are, but I’d guess this isn’t their first band, and as crowded as London’s heavy underground has become over the course of this decade, acts like Falun Gong are fewer and farther between than some others, and during these 10 minutes, they make a striking first impression. One hopes for “Figure 2” sooner rather than later.

Falun Gong on Bandcamp

 

Spider Kitten, Concise and Sinister

http://theobelisk.net/obelisk/wp-content/uploads/2018/03/spider-kitten-concise-and-sinister.jpg

Intended as a thematic continuation to some degree of 2016’s Ark of Oktofelis, the four-song Concise and Sinister finds long-running multi-genre UK outfit Spider Kitten bookending two extended crushers around two shorter pieces, one of which is a cover of Hank Williams’ “Alone and Forsaken” (also memorably done by 16 Horsepower) and the other of which is a noise-punk assault that lasts 46 seconds and is called “I’m Feeling So Much Better.” Whether fast or slow, loud or quiet, the intention of Spider Kitten doesn’t seem even at its most abrasive to be to punish so much as to challenge, and whether it’s the cinematic elements dug into the march of opener and longest track (immediate points) “A Glorious Retreat” (11:33) or the harmonies that accompany especially-doomed 10-minute closer “Martyr’s Breath,” Spider Kitten and founder Chi Lameo demonstrate a creativity acknowledging that bounds exist and then simply refusing to accept them, making even the familiar seem unfamiliar in the process.

Spider Kitten on Thee Facebooks

Spider Kitten on Bandcamp

 

Greynbownes, Grey Rainbow from Bones

greynbownes grey rainbow from bones

Comprised of guitarist, vocalist and songwriter Lukas, bassist Martin and drummer Jakub, Greynbownes hail from Moravia in the Czech Republic and the moniker-explaining Grey Rainbow from Bones is their self-issued debut full-length. It is comprised of nine tracks of inventive heavy rock, pulling elements from grunge and ‘90s-era stoner noise on cuts like “Across the Bones” while veering into fare more aggressive, or psychedelic or jammy in the trio of six-minute tracks “Seasons,” “Death of Autumn Leaves” and “B 612” that precedes the closing duo of the funky “Sitting at the Top” and the mellow-but-still-heavy finisher “Weight of Sky,” which feels far removed from the opening salvo of “Boat of Fools,” the fuzz-punker “Madness” and the fuckall-chug of “What is at Stake.” Yes, it’s all over the place, and one might expect Greynbownes’ sound to solidify over time, but to the trio’s credit, Grey Rainbow from Bones never flies apart in the way that it seems at multiple points it might, and that’s an encouraging sign.

Greynbownes on Thee Facebooks

Greynbownes on Bandcamp

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Treedeon Announce New Album Under the Manchineel Due Feb. 23

Posted in Whathaveyou on January 18th, 2018 by JJ Koczan

treedeon

Right on the line between crunching noise rock and weighted sludge roll is where you’ll find the new track from Berlin sludge outsiders Treedeon, who three years after issuing the willfully bizarre Lowest Level Reincarnation (review here) will return on Feb. 23 via Exile on Mainstream with Under the Manchineel, their latest album. You can hear the rumbling-but-still-melodic-and-by-the-way-absolutely-crushing “Breathing a Vein” at the bottom of this post if you’re so inclined, and keep your ears open for the swell in intensity as it moves toward its blown-out, scream-topped finish. Shit is masterful and bombastic in kind.

Oh, and in case you’re wondering, a manchineel is a tree. Its fruit is apparently sweet but poisonous as all hell — clearly Treedeon working on a metaphor there. If you didn’t know, don’t feel bad. I had to look it up.

The PR wire brings album art and details and whatnot:

treedeon under the manchineel

TREEDEON: German Sludge Trio To Release Under The Manchineel LP Via Exile On Mainstream In February

German trio TREEDON will release their monstrous second LP, Under The Manchineel, this February through their allies at Exile On Mainstream.

Offers bassist/vocalist Yvonne Ducksworth, “We recorded Under The Manchineel at Studio Wong in Berlin; they have a great Live setup for us. The song “Breathing a Vein” surprised me; turned out to be one of our favorite songs on the record. As far as vocals: it really melds what Arne and I do best to accompany one another. The song lyrics are echoing that as well: Two opposites who manage to belong together.”

Exile On Mainstream Records will release Under The Manchineel on CD, LP, and digital formats on February 23rd; find preorders RIGHT HERE.

Under The Manchineel Track Listing:
1. Cheetoh
2. Death Of Ceres
3. Breathing A Vein
4. No Hell
5. Manchineel
6. Protoplanet
7. Wasicu

TREEDEON returns with the follow-up to their debut, Lowest Level Reincarnation, which was released some three years ago. The bruising second album, Under The Manchineel marks the arrival of a new drummer Andy Schuenemann, of post-rock instrumental duo Alphatrip, joining bassist/vocalist Yvonne Ducksworth and vocalist/guitarist Arne Heesch, and taking the band in an even heavier direction.

The seven tracks on Under The Manchineel have foundations in sludge, noise, and doom, also incorporating unexpected melodies into their colossal wall of sound. This thunderous catharsis, reaches levels of emotional intensity previously untapped within the album’s forty-five-minute lifespan. The lyrics are fueled by a multitude of political issues including general disenchantment with world events, and the current world order. The track “Manchineel” — one of the album’s many highlights — is a clear example of this as raging vocals of lyrical angst target all the forces declaring war on our society and our planet.

https://www.facebook.com/Treedeon
http://www.mainstreamrecords.de

Tags: , , , , ,

Treedeon Premiere “Terracide” from Lowest Level Reincarnation

Posted in audiObelisk on January 20th, 2015 by JJ Koczan

treedeon

“Terracide” feels somewhat tucked away in the tracklist of German noise rockers Treedeon‘s debut album, Lowest Level Reincarnations. The closer, it arrives after the lumbering 12 minutes of the title-track, a monstrous and thick, dual-vocalized barrage, and it feels decidedly more barebones, more in line with earlier cuts like “Wendigo” or “Satan’s Need.” Both of those are also shorter bursts of aggression that speaks to the noise pedigree of guitarist/vocalist Arne Heesch in Ulme and bassist/vocalist Yvonne Ducksworth in Jingo de Lunch.

Treedeon got together — initially as an acoustic project; something they got over as you’ll hear — when Heesch and Ducksworth‘s bands went belly-up, and on their Exile on Mainstream debut, they’re joined by drummer Christian “Boomer” Böhm, who underscores the lumber and the plunder with suitable thud, as a live-sounding track like “Blankapitation” demonstrates,Treedeon_Vinyl_test Ducksworth taking the lead vocal early on after Heesch helmed the eight-minute opener “Love Turns Liquid.” They trade back and forth between and within songs effectively, with particularly nasty results on “Venus with Teeth,” but on “Terracide,” it’s Ducksworth at the fore, backed by Heesch‘s screams and the densely-toned, insistent rhythm, still somehow punkishly mean.

Lowest Level Reincarnations releases on April 7 in North America (earlier in Europe, it looks like), and in wanting some background about the band, it seemed only fair to turn to Exile on Mainstream head honcho Andreas Kohl, whose deeply admirable tastes have led to celebrated signings for BeehooverWinoDarsombra and Black Shape of Nexus, among many others. Kohl offers some perspective on what stood out to him about Treedeon in the quote which you can find after “Terracide” itself, which is streamable on the player below.

Please enjoy:

Andreas Kohl on Treedeon:

In what has become an over 15 years history of Exile On Mainstream I have seen a lot happening when it comes to bands becoming a part of the family and history of this label this – from the somehow traditional way of listening to a demo, seeing the band playing live, being a longtime fan to establishing a friendship first and later getting hooked on what their musical approach and output is.

The signing of Treedeon now marks walking this path full circle and simultaneously adds a new, almost holistic way of incorporating a band in the Exile On Mainstream roster as I had the fortune of watching a band finding themselves, trying out different ways and approaches to finding their sound and observing their progressions. It was stunning to see how the three-piece became what they are now: one of Europe’s most staggering outfits to lay pure emotional heaviness in sound and attitude over your maltreated souls. Get stunned as I am. NOW.

Treedeon on Thee Facebooks

Treedeon website

Exile on Mainstream

Tags: , , , , ,