Thunderbird Divine Premiere “Qualified”; Magnasonic Preorders Available

Posted in audiObelisk on December 13th, 2018 by JJ Koczan

Thunderbird Divine (Photo by Dante Torrieri)

Philadelphia’s Thunderbird Divine make a much-anticipated debut on Jan. 11 with Magnasonic through Salt of the Earth Records. All along the way since the band came into being in 2017, they’ve released material in drips and drabs, a rehearsal clip here, a video there. Songs like “Quaalude Thunder” (posted here), “Madras Blue” (posted here) and “Djinn au Jus” (posted here) have made their way to public ears and eyes, but every cut that’s come out so far has one thing in common: it’s not on the record. Less than a month to go before the release date and Thunderbird Divine haven’t put so much as a riff out there for mass consumption that features on Magnasonic.

You know where this is going.

Enter “Qualified.” The seven-point-five-minute opener of Magnasonic in all its funk-riffed, swaggering, oh-wait-did-we-just-get-to-outer-space-and-was-that-Thunderbird Divine Magnasonica-piano-oh-okay-I-guess-the-riff-is-back-wow-that-was-awesome glory. A song that sets its rhythm early and holds its welcome late, “Qualified” boasts a hook begging for a barroom singalong as guitarist/vocalist/etc.-ist Erik Caplan (ex-Wizard Eye) leads the nod with Skeleton Hands veterans Adam Scott (bass), Flynn Lawrence (guitar, more etc.) and Mike Stuart (drums) further the take-your-favorite-muscle-car-and-stick-it-in-orbit vibe. Think new-classic stoner riffage — Monster Magnet shortly before the commercial boom — and you might have the right timeframe, but Thunderbird Divine are for sure telling the squares to get their hats regardless of the decade to which you want to draw parallels. And “Qualified” is one of four slabs on the half-hour stack, so, you know, more to come, chief.

I’ll get a proper, way-too-wordy-but-probably-less-hyphenated review up sometime after the New Year, but I’m honor’d to host the first Thunderbird Divine track to actually come from Magnasonic, which you’ll find on the player below, followed by a few words from Caplan and the preorder link to get your copy of the album.

Please enjoy:

Thunderbird Divine, “Qualified” official premiere

Erik Caplan on “Qualified”:

“Qualified” is the first song we wrote together. The repeated riff in the beginning and at the chorus is based on something I found compelling during my home practice sessions before I joined the band. When I showed it to the other guys, we agreed it could be the basis of something cool. That riff set the stage for the rest of the song.

As an early collaboration, we were still feeling each other out as a band during the writing process, and, in particular, it was the first opportunity for Flynn (Lawrence, guitar) and I to figure out how our guitar sounds would mesh. Since neither of us had worked with another guitarist in a long time, it fortuitously happened that our styles were complementary. Flynn is an extremely accurate, concise player with a passion for riffs and a somewhat metallic tone, whereas I’m basically a fuzzy, guitar-soloing mess, so we don’t step on each other’s toes. You can hear him nailing down some massive chord sounds while I play a wonky fuzz melody in various parts of the song. Mike (Stuart, drums) and Adam (Scott, bass) have a very natural interplay after having played together for several years.

The basic structure came together fairly quickly, but, as with most collaborations, the devil was in the details, especially when it came to recording. We were ambitious. For example, the psychedelic section in the middle is usually a theremin and bass-feedback freakout in the live arena, but we wanted to do something with more class and refinement on the studio recording. We layered electric sitar, piano, theremin, water drum and other oddities on top of the usual band arrangement. We wanted it loose and trippy, but not random and sloppy, with interesting layers of sound to bear repeated plays and reveal more of itself to the listener each time.

The entire song was given that level of attention, with synth drones and percussion throughout. It’s truly a testament to the skills of Ted (Richardson, engineer, TedAudio) and Charles (Newman, mixing engineer, Cottage Sounds Unlimited) for cleanly tracking and mixing so many layers of sound together in such a cohesive way.

Vocally, this is a departure from my past efforts in that I used a clearer sound with less grime. It was different and a little daunting, but I was ready to try something new, so I just went for it. It’s a pretty clean take – the main vocal is single-tracked to keep it sounding natural. You’ll hear some lovely backing vocals from Brittany Marie (Mike’s partner) and Avy (my ex-wife) in the pre-chorus, with equally lovely gang vocals from our Mike, Andy Martin (Clamfight) and Kermit Lyman III (Sheena and Thee Nosebleeds) on the choruses.

The lyrical concept comes from Jamaican street slang. This kind of slang is ever-changing, and there was a recent time where folks referred to anything bad-ass or really excellent as “qualified.” It could apply to anything from mangoes to movies to beautiful women, and I thought it was an evocative way to write our own version of something like ZZ Top’s “Nationwide.” I would never claim to be as cool as the little band from Texas, but we did our thing with it. I’m proud of the result.

Philly’s psychedelic space hippy enclave, Thunderbird Divine, has set an official domestic release date of January 11, 2019 for its debut album, Magnasonic, with Salt of the Earth Records (https://www.saltoftheearthrecords.com/). The offering, a 30-plus-minute exploration of riffs and psychedelia, features custom art design by the band’s bassist, Adam Scott.

Produced by the band and recorded at both Ted Richardson at TedAudio in Philadelphia (www.facebook.com/TedAudio) and Charles Newman (who also mixed the album) at Cottage Sounds Unlimited in Brooklyn (https://www.facebook.com/cottagesounds/), Magnasonic shows the quartet, which coalesced in March of 2017, is not willing to be pigeonholed as a strictly stoner/doom rock band. Featuring Scott on bass and guitars, Flynn Lawrence on guitars and additional instrumentation, Mike Stuart on drums and percussion and Erik Caplan on guitars and various instruments,Thunderbird Divine went for an unexpectedly broad tonal variety with Magnasonic.

Preorder at: https://saltoftheearthrecords.com/product/295609

Thunderbird Divine on Thee Facebooks

Thunderbird Divine on Instagram

Salt of the Earth Records on Thee Facebooks

Salt of the Earth Records website

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Thunderbird Divine Post “Djinn au Jus” Video; Magnasonic Due Jan. 11

Posted in Whathaveyou on November 21st, 2018 by JJ Koczan

Thunderbird Divine (Photo by Dante Torrieri)

I don’t know what the hype is ultimately going to be like for Thunderbird Divine when it comes to their debut album, Magnasonic, but I do know that the record resides in its own niche of psych-informed classic stoner and sludge rock, and I do know that there’s more going on with it the more one listens. It’s been on my list of most anticipated albums pretty much since the band announced they’d gotten together last year as formed by members of Philly-based outfits Skeleton Hands and Wizard Eye. Now that we’re at the point of preorders going up Dec. 7 ahead of the Jan. 11 release, I find I’m all the more curious to know what the response will be.

As has been their method all along, Thunderbird Divine are giving a teaser for Magnasonic by unveiling a video clip for a song that’s not on the album. If you need an extra second to wrap your head around that — I do — feel free to take it. The latest one, “Djinn au Jus” taps into Snoop Dogg‘s similarly-titled single a from quarter-century ago while retaining its psychedelic flair worthy of the old sci-fi imagery that accompanies.

Album art and details came down the PR wire:

thunderbird divine magnasonic

THUNDERBIRD DIVINE release date!

Philly’s psychedelic space hippy enclave, Thunderbird Divine, has set an official domestic release date of January 11, 2019 for its debut album, Magnasonic, with Salt of the Earth Records (https://www.saltoftheearthrecords.com/). The offering, a 30-plus-minute exploration of riffs and psychedelia, features custom art design by the band’s bassist, Adam Scott.

“The inspiration for Magnasonic’s artwork stems from classic optical and psychedelic line art,” Scott explains. “It then evolved to the stargate space exploration of graphic symbolism, which we feel reflects the music’s loud vibrance.”

Connecticut-based Salt of the Earth Records, home to releases by Earthride, When the Deadbolt Breaks, Atala, Rifflord and more, is enthusiastic about this upcoming release.

“Everything about this album is beautiful, focused and original,” says Scott Harrington (Salt of the Earth Records). “From the instrumentation, songwriting, performances and recordings to the sacred geometry in the art direction, everything about Magnasonic speaks to the depth and talent of Thunderbird Divine. This will set the bar for bands to come.”

Produced by the band and recorded at both Ted Richardson at TedAudio in Philadelphia (www.facebook.com/TedAudio) and Charles Newman (who also mixed the album) at Cottage Sounds Unlimited in Brooklyn (https://www.facebook.com/cottagesounds/), Magnasonic shows the quartet, which coalesced in March of 2017, is not willing to be pigeonholed as a strictly stoner/doom rock band. Featuring Scott on bass and guitars, Flynn Lawrence on guitars and additional instrumentation, Mike Stuart on drums and percussion and Erik Caplan on guitars and various instruments,Thunderbird Divine went for an unexpectedly broad tonal variety with Magnasonic.

“A first record is often considered a band’s mission statement,” Caplan says. “We feel a lot of bands’ first releases set the tone for their careers as heavy, funky, trippy, fast or sludgey, and once they do that, any deviation from the initial sound can be perceived as false or a slacking in its rock responsibilities. We wanted come out of the gate with something diverse but representative. We wanted to leave ourselves with plenty of sonic options for the future.”

Layered with unlikely elements like marxophone, electric sitar, piano and a variety of synths, Thunderbird Divine is unlikely to be stylistically shackled in upcoming releases.

“This album pulls out a lot of stops and frees us from genre limitations,” says Stuart. “After this debut, our next record could be total Motorhead worship, and anyone who hears this one first should be able to hear how we got there. Not that we’ll necessarily do that, but it’s certainly an option.”

As with the band’s previous press releases, Thunderbird Divine once again offers listeners a non-album track with a promotional video. The band’s newest video track, “Djinn Au Jus,” is an unconventional pairing of early ’90s R&B with ’70s arena rock instrumental explorations. The self-recorded song was set to video by drummer/percussionist Stuart.

“The story continues here,” Stuart explains. “We’re moving forward; onward and upward. We’re setting the tone for Magnasonic with these short songs and videos.”

Advance orders for Magnasonic start December 7, 2018 at www.saltoftheearthrecords.com

https://www.facebook.com/thunderbirddivine
https://www.instagram.com/thunderbird_divine/
https://www.facebook.com/SaltOfTheEarthRec/
www.SaltOfTheEarthRecords.com

Thunderbird Divine, “Djinn au Jus” official video

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Thunderbird Divine Announce Debut Album Title Magnasonic; Post “Madras Blue” Video

Posted in Whathaveyou on July 17th, 2018 by JJ Koczan

Tomorrow night, Philadelphia four-piece Thunderbird Divine take the stage at Arlene’s Grocery in Manhattan atop the bill for the latest installment of the Ode to Doom show series. The band is only just now announcing the title of their Salt of the Earth Records debut album will be Magnasonic and that it will be released in the coming months via Salt of the Earth Records. To lead the way into the record, Thunderbird Divine — who first made their presence known in Spring 2017 and confirmed the album being through Salt of the Earth earlier this year — have a new video.

Does the track come from the album? No. It doesn’t. Why not? I think because, at least in part, that would be predictable. You’d see that coming. A band who are about to put out their debut LP? Well of course they have a video, probably for the catchiest cut on the thing. Thunderbird Divine? Their video is for an off-album instrumental weirdo exploration piece called “Madras Blue,” because screw expectation. One can only hope the entire full-length is so willing to follow its own impulses.

And yeah, that means I haven’t heard it yet. Hopefully sooner than later. I watch my email like a hawk these days. Like the sleepiest motherfucking hawk you ever saw in your life.

But that’s a matter for a different discussion. Here’s the latest from Salt of the Earth, as well as the “Madras Blue” video, which is down at the bottom:

thunderbird divine in studio

Thunderbird Divine Reveals Debut Album Title “Magnasonic,” Releases Promotional Video for “Madras Blue”

Philly’s crew of psychedelic riffologists, Thunderbird Divine, has revealed the title of its first recording. Titled Magnasonic, meaning “great sounds” in Latin, the 30-plus-minute album will be released in both CD and digital download formats via Connecticut’s Salt of the Earth Records (https://www.saltoftheearthrecords.com/) in late Summer/early Fall.

“The rough mixes I’ve heard thus far are next-level,” says Scott Harrington, president of Salt of the Earth Records. “Nobody we know has a record like this. With Thunderbird Diviine’s Magnasonic, Salt of the Earth Records is going to have a landmark release. It’s heavy, it’s psychedelic, it’s layered… it’s really like nothing else out there right now.”

Produced by musician/songwriter LD Beghtol (Flare/Moth Wranglers/Magnetic Fields), the sounds on the upcoming release offer a different flavor from past projects made by this conglomeration of musicians. The quartet, which coalesced in March of 2017 from the remains of Wizard Eye (vocalist/guitarist Erik Caplan) and Skeleton Hands (drummer Mike Stuart, bassist Adam Scott and guitarist Flynn Lawrence), is open to experimentation.

“We all wanted to stretch out and try some different things with our first record,” Caplan says. “It’s not like we abandoned the idea of big riffs, but we went for some progressive moments and embraced the idea of embroidering the songs with textures you don’t tend to hear in heavy music. LD certainly encouraged and instigated this kind of behavior.”

For a band holding a straightforward stoner and riff-rock pedigree, the inclusion of varied textures like piano, sitar, pump organ, bouzouki, marxophone, mandolin, synths and choral voices may seem disparate, or, more damnably, weird for the sake of being weird.

“We were aware this album might be perceived as an attempt to do too much or cram a square peg into a round hole,” Caplan says. “I think the heart of this collection is a solid, heavy band playing good rock songs, and the additional instrumentation takes the music to a fully realized place with the textures the songs need to make them complete. When you’re a musician imagining a piano in one of your songs, for example, it makes sense to get that piano part into the recording of that song if at all possible. The recording will be around forever.”

In keeping with the band’s promise to offer fresh, non-album tracks with promotional videos, Thunderbird Divine’s newest video track, “Madras Blue,” is a trippy intergalactic foray into a realm of swirling electric sitars, pulsing beats and staggered drones. The self-recorded song was set to video by drummer/percussionist Stuart.

“The narrative here follows the story we set in motion with ‘Quaalude Thunder,'” Stuart explains. “There was an arrival in the first video. Now there’s a celebration of that arrival and a birth. We can’t wait to continue telling this tale.”

Check out Thunderbird Divine at New York’s Ode to Doom at Arlene’s Grocery July 18: https://www.facebook.com/events/138916263419072/

https://www.facebook.com/thunderbirddivine
https://www.instagram.com/thunderbird_divine/
https://www.facebook.com/SaltOfTheEarthRec/
www.SaltOfTheEarthRecords.com

Thunderbird Divine, “Madras Blue” official video

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Thunderbird Divine Sign to Salt of the Earth Records; Premiere Video for “Quaalude Thunder”

Posted in Whathaveyou on May 7th, 2018 by JJ Koczan

First discussed here last May, Philadelphia four-piece Thunderbird Divine have signed on to release their debut album through Salt of the Earth Records. Inking the deal makes them labelmates to the likes of EarthrideScissorfight and Atala, though if their first public audio in the track “Quaalude Thunder” premiering in the video at the bottom of this post is anything to go by, they’re way dug into their own wavelength. All the better for the group, which features guitarist/vocalist/thereminist Erik Caplan, formerly of Wizard Eye and guitarist Flynn Lawrence, bassist Adam Scott and drummer Mike Stuart, all of whom used to play in Skeleton Hands.

I’d doubt “Quaalude Thunder” speaks for the whole of Thunderbird Divine‘s aesthetic, but it’s a pretty engaging introductory sampling, and one hopes it’s not too long before they dole out a follow-up ahead of the yet-untitled first long-player.

Salt of the Earth made the signing official by sending over the following announcement. Stoked on this one. Expect more to come:

Thunderbird Divine (Photo by Dante Torrieri)

Thunderbird Divine Signs With Salt of the Earth Records for First Album, Releases Exclusive Video Track

Colchester, Connecticut-based label, Salt of the Earth Records, has inked a contract with Philadelphia’s Thunderbird Divine for its first, as-yet unnamed album due late Summer 2018. The band, comprising former members of the now-defunct bands Skeleton Hands and Wizard Eye, formed in March 2017 and is presently wrapping up the recording process.

“I couldn’t be more psyched, nor could I be prouder to be able to announce the signing of Thunderbird Divine to Salt Of The Earth Records,” says label president, Scott Harrington. “These guys are doing something truly interesting, different and exciting–make no mistake, this is definitely a heavy record, but there are complex elements of psychedelia and weird, wild textures mixed with classic riffing. This thing has class, style and balls. That’s a rare combination.”

Thunderbird Divine, featuring guitarist/vocalist Erik Caplan, bassist Adam Scott, drummer Mike Stuart and guitarist Flynn Lawrence, is extremely pleased to be working with Salt of the Earth Records as well, a label featuring releases from the likes of Scissorfight, Atala and Earthride.

“I knew Scott very well from his work with my last project, and he did some wonderful stuff for that band,” says Caplan. “I have always considered him to be a solid, stand-up guy who shoots straight and makes things happen, and we’re proud to join the Salt of the Earth Records roster of talented, creative artists who feel the same way about Scott and his work ethic. We’re in good company.”

The band has been recording in both New York and Philadelphia, at TedAudio with Ted Richardson and Mother West with Charles Newman, respectively. The foursome also chose to work with a producer for its first release, landing Caplan’s longtime friend, composer/multi-instrumentalist/artist/producer LD Beghtol. Beghtol, known for his solo music as well as work with Flare, Magnetic Fields and various other ventures, is not the typical choice as producer for music on the heavier side of the music spectrum.

“I’ve known LD for 20 years or so, and he’s a great friend as well as a ridiculously talented person,” says Caplan. “He’s always been an excellent touchstone and confidante for me, and I knew he would bring a fresh mindset to our sound. I think it would have been easy to approach one of the usual sludge or stoner/doom producers with our music, and I think the result would have been a really strong but typical album. Working with LD has really expanded our horizons and made this into something extraordinary.”

Thunderbird Divine has also created a series of advance self-produced non-album tracks with video treatments to herald this release. The first of these, an instrumental called “Quaalude Thunder,” is a tongue-in-cheek reference to the way the late, great Frank Zappa described self-indulgent drumming.

“We have the capability to create our own recordings and make our own videos, so we wanted to offer some appetizers before we served up the main course,” says Stuart. “Every one of these tracks is a short teaser related to something you’ll hear on the album–variations on themes we’ve explored. ‘Quaalude Thunder’ certainly could have been a section of an album track, but we decided to give it a home of its own as an advance video track. The videos offer glimpses into the kinds of things we embrace as visual inspiration. Expect more as we get closer to the release date for the album.”

Photo credit: Dante Torrieri
(l-r) Erik Caplan, Flynn Lawrence, Adam Scott, Mike Stuart

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https://www.instagram.com/thunderbird_divine/
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Thunderbird Divine, “Quaalude Thunder” official video premiere

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Descendants of Crom 2018 Announces Initial Lineup with Geezer, Devil to Pay, Kind, Curse the Son, Come to Grief, Heavy Temple and Many More

Posted in Whathaveyou on November 24th, 2017 by JJ Koczan

There are still headliners to be announced and others to come as well, and no doubt between now and then there will be one or two shakeups to what’s listed here between bands being added and bands dropping off as will invariably happen, but kudos all the same to organizer Shy Kennedy for the super-early unveiling of what’s probably the bulk of the lineup for Descendants of Crom 2018, the second installment of the Pittsburgh-based heavy fest. In addition to her own band, Horehound, Kennedy has already assembled a killer roster of acts, from Heavy Temple to Come to Grief to a slew of Steel City reserves in OutsideInside, Molasses Barge and others, and even if this was going to be the ultimate shape the festival would take — that is, if no one else was going to be added, which, again, they are — you’d still have to call it a good time in the making.

If you’ve got a 2018 calendar yet, mark it. Earlybird tickets are linked below. Here’s the announcement as posted by the fest, along with a quote graciously provided by Kennedy herself:

descendants of crom 2018

Blackseed Records Presents: Descendants of Crom 2018

The Descendants of Crom 2018 will be held in Pittsburgh, PA, USA in September 2018.

Pre Gala at Howlers in the evening on Thursday, September 27th.

Full days on September 28th and 29th at Cattivo.

“Descendants of Crom has been one of the most incredibly rewarding endeavors I’ve ever been involved with,” says fest organizer Shy Kennedy. “Having so many great people working and coming together for their underground music community the way they did that day was inspiring enough to erase any doubt that it has to grow. It has to be an annual event. Next year’s event may seem far away but it lends the time to really build it and get more people aware of it. As you know, a lot of work goes into a musical festival and if you take your time, it becomes a very enjoyable task. Descendants of Crom 2018 will be here all too soon and I, for one, cannot wait!”

Once upon a time there were 17 bands who joined forces to create one killer day of live, riff-ripping performances to celebrate the great community of our heavy, underground music here in the Northeast of the United States. That time was just a couple months back in Pittsburgh, Pennsylvania. The all day event was a great collaboration in effort by local organization, bands from the region as well as a few touring and some very generous scene contributors. It was called the Descendants of Crom. Let’s do it again!

The second annual Descendants of Crom will be held on the last weekend of September of 2018 in Pittsburgh again. This time span three days in length as we are including a Thursday evening pre gala and all day events happening Friday and Saturday. There will be over 30 bands in total coming from all over the United States with a strong regional focus.

Tickets will be offered for single day to day events or in combinations. An Early Crow ticket sale will be held for the weekend combo for a 3 month period, limited to 125. These will be live soon today.

Stay tuned to find out the bands who will be rounding out the evenings of each night as well as the completed schedule.

Today, we announce the “meat” of the Descendants of Crom. These bands are the ones supporting this scene locally, regionally and or nationally. They are strong, beautiful creators of the jam, the breakdown, the beat, and the undeniable riff… they are the Descendants of Crom:

Descendants of Crom 2018 lineup:
The Long Hunt (PGH)
JaketheHawk (PGH)
Mires (PGH)
Solarburn (PGH)
Doctor Smoke (PGH)
Fist Fight In The Parking Lot (PGH)
Thunderbird Divine
Cloud
Curse the Son
Disenchanter
Molasses Barge (PGH)
OutsideInside
Wolftooth
Sierra
Horehound (PGH)
Cavern
Doomstress
Heavy Temple
Devil to Pay
Serpents of Secrecy
Eternal Black
Demon Eye
Geezer
Kind
Freedom Hawk
Duel
Come to Grief

Headliners and sub-headliners to be announced soon.
Early Crow tickets available for all event and 2 day passes for 3 months (11/23 – 2/23).

https://www.facebook.com/DescendantsOfCrom/
https://www.facebook.com/events/177536592803763
https://www.brownpapertickets.com/event/3186333
http://descendantsofcrom.com

Solace, Live at Descendants of Crom 2017

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Thunderbird Divine: Wizard Eye & Skeleton Hands Members Announce New Band

Posted in Whathaveyou on May 12th, 2017 by JJ Koczan

Well hello there, Thunderbird Divine. While I’m sorry to hear about the untimely disbanding of Philadelphia riff-rolling trio Wizard Eye, there’s nothing quite like a brand new band emerging to heal that wound. Thunderbird Divine brings Wizard Eye guitarist/vocalist Erik Caplan together with three former members of Philly heavy rockers Skeleton Hands — guitarist Flynn Lawrence, bassist Adam Scott and drummer Mike Stuart — and from the description below of how they got together, it hardly seems like it could’ve worked out any better timing-wise. They needed a frontman, he needed a band. Add to that the fact that both parties have a long established history of ass-kickery, and it’s all the better to find them joining forces.

They have a couple rehearsal clips up on their Thee Facebooks page, and they’re working toward hitting the studio for a first proper recording this Fall, but in the meantime, if you’d like to catch them in the flesh, your first opportunity to do so will be June 30 at The Century Bar with Faith in JanePale Divine and Sheena and Thee Nosebleeds. Good show. More info follows here:

thunderbird divine

Thunderbird Divine: Ex-Members of Wizard Eye and Skeleton Hands Join Forces in New Project

Erik Caplan, guitarist/vocalist/thereminist of Philadelphia’s now-defunct stoner-psych rockers Wizard Eye has teamed up with drummer Mike Stuart, bassist Adam Scott and guitarist Flynn Lawrence, all three of Skeleton Hands, to create Thunderbird Divine.

“Wizard Eye was very dear to me, and I am extremely proud of the work I did with those guys,” Caplan says. “Bands have a shelf life, unfortunately, and, as sad as it made me to see my involvement with Wizard Eye end, when it was over, I knew I wouldn’t be happy unless I was playing music again. I took some time, met new people and did some jamming, but nothing gelled into a real band situation until I met up with these fellows.”

Literally one hallway away in the same rehearsal complex, the former members of Skeleton Hands (minus a vocalist) were working on material and auditioning potential new members. In a situation paralleling Caplan’s, none of their prospects fit the bill.

“We played with some good people, but there weren’t any solid fits for what we wanted to do,” says Stuart. “We were standing on the sidelines, just waiting to get back into the game.”

Eventually, Caplan fostered an uneasy pairing with a young bassist, created some material and was ready to engage the services of a drummer to build what he imagined might be a new trio. While cataloging area drummers, one of the first skinsmen he considered was Stuart.

“I remembered a Facebook post about Skeleton Hands breaking up, and I remembered Mike’s style from playing shows with them,” Caplan explains. “I recalled a pleasant guy who was also a fun, energetic player with chops and a bit of flash, so I was hoping I could lure him into my new project.”

He reached out to Stuart and found a receptive audience, and when his almost-bassist stepped out, he and the drummer decided that the idea of combining his mojo with the remaining members of Skeleton Hands had the potential to bear fruit. Luckily, Lawrence and Scott agreed,

“The three of us always liked Wizard Eye, and we were really searching for the right final element for our group, so this opportunity just seemed to drop into our laps at the right time,” Stuart says.

Caplan was also enthusiastic about the collaboration.

“It was pretty cool to walk into the room and have a ready-made, experienced group of guys waiting to get to work,” he says. “You couldn’t really ask for a better situation. I was able to find a niche in their groove almost instantly.”

The band settled on Thunderbird Divine for a name, using the title of a Wizard Eye song with lyrics written by Caplan as inspiration.

“Thunderbird Divine was the street name of a homeless Vietnam veteran from my childhood neighborhood,” Caplan explains. “He was a wild character, and that name always stuck with me. I didn’t want that name to disappear after Wizard Eye folded, and I was very happy that my new band mates thought it had a nice ring.”

The members of this newly formed group got to work immediately, writing new material at every rehearsal. The vibe of the band will probably sound and feel familiar to those who enjoyed this collaboration’s previous work.

“I didn’t want to retread earlier ground with these guys, and I don’t think the Thunderbird Divine stuff sounds too much like either Wizard Eye or Skeleton Hands, but a lot of elements are obviously the same,” Caplan says. “I mean, we still play a lot of riffs, and I’m still singing and playing both guitar and theremin, so some similarities are obviously going to be present, but I think we’ll carve out our own space and sound in time.”

Caplan’s divorce from Wizard Eye also didn’t leave him empty-handed in terms of industry resources. His relationship with Scott Harrington of 313 INC Artist Management has carried through to his involvement with Thunderbird Divine, an endeavor Harrington fully supports.

“I’ve been a fan of Erik’s style as a guitarist and vocalist from the first time I saw Wizard Eye live at the Stoner Hands of Doom Fest in 2012,” Harrington says. “The work he did with that group was phenomenal, and that is what initially attracted me to the band. I mean, seriously, here’s this guy so lost in his music, trading off from guitar to theremin–it was absolutely mesmerizing. And now that he’s moved on to a new project with Thunderbird Divine, I can’t wait to see what they do in the future.”

The band is in the process of writing material for its first recording sessions, which will occur in the fall, and Thunderbird Divine will see its inaugural live performance venue June 30 at The Century Bar in Philadelphia with doom greats Pale Divine and Faith in Jane and Philly’s own Sheena and Thee Nosebleeds.

https://www.facebook.com/thunderbirddivine
IG: @thunderbird_divine

Wizard Eye, “Thunderbird Divine”

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