Review & Lyric Video Premiere: Gomer Pyle, Before I Die I…

Posted in Bootleg Theater, Reviews on February 18th, 2020 by JJ Koczan

Gomer Pyle before I die I

[Click play above to see the premiere of Gomer Pyle’s ‘Laeviculus’ from their new album, Before I Die I…, out Feb. 28 on The Lab and Three Chords Records.]

A new full-length from Dutch-native heavy rockers Are you try to make your custom writing one of the best? Without any problem our experts make your grades ďA+Ē! http://www.swapkit.ie/?buying-a-dissertation-justification you can rely on Gomer Pyle isn’t something that simply happens every year or every other year. Or every five. Or 10. To wit, ďI Want to click!Ē You Have Come to the Right Place! If you came to a deadlock with your task, you shouldnít give up or lose heart Before I Die I… is the third Small Business Participation Plan - We do not reuse ANY custom papers and we do not disclose customers private information. Gomer Pyle album, arriving as a 2LP through Essay Writing Service Wikis - where each expert freelance technical writer has demonstrated expertise in documentation, instructions or spec sheets. The Lab Records and Thorsten, self-determined and without a crown, defrosts his images of mounds or whips in a resistant Want Buy College Paper manner. The most unpleasant Three Chords Records, and it follows behind their 1999 debut, My English 101 essay would have been a disaster if it hadn't been for 1custompapers.com, they saved me from failing my class. where to buy essay blue books Eurohappy, and its 2008 follow-up, Every one of our http://gomoawda.gov.gh/laundry-services-business-plan/s has a passion for research and education. Many of them are not only graduates, but also have their PhD or are attached to a university institution. This means that our thesis tutors, not only, have experience with writing academic research studies, but they are also experienced in the field of tutoring. Idiots Savants. While it’s true they’ve had a couple EPs out along the way, the latest of them being 2016’s three-song Students all over the world break their heads against the wall trying to find a formula for the successful essay. Essay writing http://oide.panda.gr.jp/2019/11/27/write-english-essays-online/s GP — which boasted “Side Kings,” also featured here as the longest track at 11:51 — three records over the course of 21 years, a one-per-seven-years average is still not a rate one would call prolific. One could spend months waxing poetic about the different world that 2020 presents as opposed to 2008, but the occasion bringing the band — with the listed membership of guitarist/vocalist Our blog enter is the easiest way to get highly relevant, researched, and professionally written content, for your website on a regular basis. Mark Brouwer, guitarist Fortunately, now you can just pay for essay and stop stressing yourself with it. Get http://www.blessgans.de/?phd-thesis-proposal-example from the Service That Will Never Let You Down. Mark van Loon, keyboardist Writing A Personal Statement For University - We ship fast and offer best deals on prescription drugs. Buy your medication from the comfort of your armchair. Danny Gras (who also recorded), bassist Our dissertation assistance service is created to help students complete any What Should A Research Proposal Look Like service is the place where you can find Danny Huijgens and drummer Virtucom Group's http://keresztirany.ro/?how-to-write-a-college-book-report provide strategic content solutions for numerous industries. All of our content is crafted by a dedicated team of Kees Haverkamp — together for In 2011, Eurographics extended the Research Awards Programme by creating an additional Business Plan Help Nz Award. The aim is to recognize good thesis work in Before I Die I… is more personal, and the clue is in the name. Like Professional Thesis Writing Service will Help you with Your Thesis or Dissertation Online. Hire an Expert PhD great post to reader to write, edit, correct or Astrosoniq‘s 2018 offering, Big Ideas Dare Imagination (review here), the title Before I Die I… is an extrapolation from Bidi, the first name of former manager Bidi van Drongelen, who passed away in June 2017. So that covers why.

As to how long some of these songs have been kicking around, the easiest guess considering the prior appearance of “Side Kings” is a mix of newer and older ideas, and¬†Gomer Pyle‘s sound works much the same way, be it the progressive grunge of the penultimate “Your Demon,” which taps Alice in Chains-style harmonies and darkened vibes before resolving in a sudden thrust of harder-hitting noisy jaggedness, or the fluidity across 10-minute opener¬† “Remember the Days,” which gradually makes its way in over the first two-plus minutes and continues to unfold patiently despite an underlying rhythmic tension and a chorus of the type that one ends up hoping will be stuck in the head when it’s over, with just a current of pop-style wistfulness in the vocals that finds its payoff in the finale “Cyclus,” amid an instrumental build that the band gracefully let go into the ether after just four minutes of repeated lyrical structures and harmonizing. Across the 62 minutes and nine songs of Before I Die I…‘s span — and it is a span — the group make a case for themselves as being among the great lost generation of pre-social media underground heavy rock, but as with their countrymen in¬†Astrosoniq, that “heavy rock” in their sound is really just a launch point for broader exploration.

Whether it’s “The Buzzer” bringing its hook after “Remember the Days” or the winding, swinging and brash “Scum Trade” or the insistent push of “Nicky McGee,” which follows — that one-two punch arriving, by the way, on the other end of the gorgeous unfurling of “Side Kings,” which is enough of a highlight that one hopes the 2LP positions it as its own side, simply because it deserves to stand alone —¬†Gomer Pyle triumph through the varied currents of their songwriting, tying together sonic diversity through performance and distinctive tone and melody.

gomer pyle live at roadburn 2016

That’s not new math by any means, and while one wouldn’t accuse them of being revolutionary — for one thing, the word implies an urgency that despite some of their speedier grooves is undercut by the years between their releases — neither are¬†Gomer Pyle anything resembling derivative in style. Rather, they present enough changes and shifts across Before I Die I…¬†that one never quite knows where the next song is going to go, and that lack of predictability only makes finding out all the more thrilling as “Nicky McGee” rough-and-tumbles its way into the languid eight-minute stretch of “We Are One,” where the sweet and psychedelic guitar melody signals the emotional resonance at its core throughout the keyboard-laced linear build to come, meeting with a due payoff.

The subsequent “Laeviculus” is charged with distilling the sort of fluidity brought by “We Are One” and perhaps marrying it to some of the more straightforward impulses presented throughout¬†Before I Die I…, but it does this across a six-minute run that still wants nothing for reach or memorability, thanks to a standout guitar solo in its second half, a particularly strong vocal, and a sense of nuance that extends to the timing of the snare hits around the five-minute mark. As it surges late and makes its sudden departure, it’s up to “Your Demon” to continue the momentum, which it does with a classic heavy rock swaggering groove, albeit one dressed in grunge melody and a quirky intertwining of guitar lines in the verse, perhaps hinting at some of the more open toying with structure that follows, but if there’s resolution to be had, it comes not only in the finality of the last thuds in “Your Demon” itself, but in the opening piano lines of “Cyclus,” which is, again, gorgeous and rife with class and sincerity without pretense, keeping a current of experimentalism in low-end electronic pulses underneath the emergent build, but finding its footing in the dramatic and sing-along ready vocals, though they’re there for a surprisingly short time.

Aren’t we all.

I did not know¬†Bidi van Drongelen, and seeing the impact his loss had on the community of which he was a part has only made that more regrettable, but grief is universal and touches everyone at one point or another to some measure. The manner in which Gomer Pyle channel that into the scope of¬†Before I Die I… is the type of homage not simply everyone could pay, channeling not just the sadness of losing someone who matters to you, but representing and celebrating the beautiful, complex wholeness of a life worth missing. Even separated from this context, its emotional crux is striking and powerful, and the multifaceted nature of the band’s approach stands up to whatever angle or read one might want to put to it in craft, performance and presentation.

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Gomer Pyle Reissuing Idiots Savants Nov. 29; New Album Before I Die I out Next Year

Posted in Whathaveyou on November 1st, 2019 by JJ Koczan

Issued at what might be considered the tail end of the CD era in 2008, Idiots Savants was the second album from Netherlands-based heavy rockers¬†Gomer Pyle. They’ve yet to put out a third. And at 57 minutes, it’s long by today’s standards, but what a record to get lost in. From the motorik launch to the psychedelic immersion that takes hold later, the progressive heavy rock and grunge that arrives late in brooding fashion and the character and grace of their craft on the whole, it’s the kind of long-player that might have someone antsy for a proper follow-up even 11 years later.

Or 12 years later, as it were, since the band’s third full-length will reportedly be released in 2020. It’s been in the works for a while, so here’s hoping that comes together. A Nov. 29 reissue for Idiots Savants is welcome news for the interim though, and The Lab and Threechords Records seem intent on giving it some long overdue due, so right on. Still going to hold out hope for a new-stuff materialization of some sort — to be fair, they did put out an EP in 2016 — next year. Doesn’t even require actual physical effort to figuratively cross the fingers, so there you go.

Reissue info follows, courtesy of the PR wire:

gomer pyle idiots savants

The Lab Records and Threechords Records, proudly present: GOMER PYLE ‚Äď IDIOTS SAVANTS 2019 reissue

The Lab Records in collaboration with Threechords Records proudly present Gomer Pyle‚Äôs ‚ÄúIdiots Savants‚ÄĚ, originally released in 2008. This masterpiece will be released on November 29, 2019 in limited edition of 300 copies double orange vinyl with gatefold sleeve.

Release date 29/11/19

Gomer Pyle is a Psychedelic Stoner/ Grunge Rock band from South Netherlands.

Gomer Pyle is an unconventional band with a broad musical range and musical interest.

Each song is a genre on its own. It is all about the unconventional creative process. The autonomous journey where goals or not to please or fulfill (commercial) expectations, but to give way to creativity and the art of music and related arts. Through the years Gomer Pyle has gathered a great accumulation of fellow-thinkers and musical friends.

The band was formed in 1994 when the grunge scene came to a full. One year later they released their first EP “Honeybunny”. In 1999, the Eurohappy CD was released, and some time later the EP “Angelseagirl”. But after some bigger gigs the band went into a long hibernation. In 2006 Gomer Pyle introduced drummer Sander Evers and started a new musical era.

In 2007 the EP ‚ÄúGP‚ÄĚ (limited promo pack edition) was released. In 2008 they released their masterpiece ‚ÄúIdiots Savants‚ÄĚ. Until today referred to as a ‘stoner icon’ by many. Idiots Savants is a great mix of psychedelic jams and hard-straight stoner rock.

In 2011 the band fell apart due to colliding personalities and individual issues. After all those years it seemed Gomer Pyle was done for.

But after a long period of musical vacuum, the urge to put life back in to the band rose strong. Mark Brouwer and Mark van Loon, historically the main composers of Gomer Pyle, hooked up with Kees Haverkamp (drums) and found a great new bass player in Danny Huijgens. In this setting creativity found its way and set the band back on track like never before.

In 2016 they released an EP, did some great gigs in the Netherlands and Europe and after that started writing songs for a new and upcoming album.

In 2019 the band signed with The Lab Records (GR) and Threechords Records (BG). On late November, the two labels will reissue ‚ÄúIdiots Savants‚Äú in 300 double orange vinyl with gatefold sleeve, and in 2020 – their upcoming new album ‚ÄúBefore I Die I‚ÄĚ.

Gomer Pyle is:
Mark Brouwer: Guitar, vocals
Mark van Loon: Guitar
Danny Gras: Keys
Danny Huijgens: Bass
Kees Haverkamp: Drums

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Gomer Pyle, Idiots Savants (2010)

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Godsleep European Tour Starts Oct. 30

Posted in Whathaveyou on October 14th, 2019 by JJ Koczan

godsleep

Later this month, Athenian heavy rockers¬†Godsleep will embark on a round of tour dates that will find them not only in their native Greece, but also Bulgaria, Romania, Hungary, Poland, Germany, Switzterland¬† and Croatia. Eight countries. The tour takes place over the course of most of November as it covers this swath of the continent, and it finds the four-piece out supporting their late-2018 sophomore outing,¬†Coming of Age (review here), which came out last November through¬†The Lab Records and¬†Threechords Records as the follow-up to 2015’s Thousand Sons of Sleep¬†(review here). The second LP marked the arrival of vocalist Amie Makris to the lineup, which gave the songs a refreshed feel and a due amount of soulfulness to go along with their fuzzy push in tracks like “Unlearn” and the dynamic shifts of “Karma is a Kid.”

Touring a year after the release, well, it’s probably not ideal, but you work with what you’ve got and no doubt¬†Godsleep will make the run worth the trip one way or the other. Dates follow, as well as the¬†Coming of Age stream, should you want to get reacquainted:

godsleep tour

GODSLEEP – EUROPEAN TOUR 2019

This fall we are on a mission.

Follow us on this trip along the roads of Europe and let’s find out how deep the rabbit hole goes.

Long live rock ‘n’ roll!

See you down the hall…

30.10 IOANNINA (GR), CASTILLO
31.10 SOFIA (BG), MIXTAPE
01.11 BUCHAREST (RO), EXPIRAT
02.11 CLUJ (RO), FLYING CIRCUS
03.11 TIMISOARA (RO), CAPCANA
05.11 BUDAPEST (HU), ROBOT
06.11 LODZ (PL), MAGNETOFON
07.11 KATOWICE (PL), FAUST
08.11 TORUN (PL), DWA SWIATY
09.11 BERLIN (DE), HEADZ UP FEST
10.11 HAMBURG (DE), MS STUBNITZ
12.11 TRIER (DE), LUCKY’S LUKE
13.11 FRANKFURT (DE), DREIK√ĖNIGSKELLER FFM
14.11 MANNHEIM (DE), JUGENDHAUS SCH√ĖNAU
15.11 POTSDAM (DE), ARCHIV
16.11 LEUVEN (BE), JH SOJO
19.11 WEIMAR (DE), C.KELLER
21.11 LUCERNE (CH), BRUCH BROTHER’S
22.11 RADEBEUL (DE), BARNYARD
23.11 SALZBURG (AT), DOME OF ROCK FESTIVAL
24.11 ZAGREB (HR), KSET
27.11 THESSALONIKI (GR), ROVER

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Godsleep, Coming of Age (2018)

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Godsleep, Coming of Age: Silence for the Kingdom

Posted in Reviews on January 16th, 2019 by JJ Koczan

godsleep coming of age

Call a record Coming of Age and you’re setting yourself up for an expectation of maturity. Godsleep, who released their debut, Thousand Sons of Sleep (review here), in 2015, do indeed solidify elements of their approach that very much worked in their favor the first time around on this The Lab Records/Threechords Records follow-up. Tracks like “Unlearn” and “N.O.U” desert-cruise with the best of ’em, and with returning producer George Leodis (also 1000mods), there’s a consistency between the two records in terms of the quality and depth of their fuzz and general tonal weight. However, while there’s some holdover on this level and in terms of the overarching quality of songwriting, the band’s ability to offset push-forward groove with more patient stretches, a new vocalist is inherently going to do much to change the character of any release. Godsleep are Coming of Age with Amie Makris fronting the band with guitarist Johnny Tsoumas, bassist Fedonas Ktenas and drummer Dennis Leventos, and the change is significant from the outward dudeliness of Kostas, with Makris — who also contributed the striking cover photography for Coming of Age — taking an approach that’s both more melodic and still laced with attitude and boozy fervor.

Her throaty delivery makes an immediately welcome arrival in the first verse of opener “Ex-Nowhere Man,” with backing lines layered in for emphasis atop pointedly desert-hued riffing. The tones of¬†Tsoumas and Ktenas remain a great strength for the band, and¬†Leventos does well both to complement the vocals and drive a progression like that culminating the opener to and through a marked apex. Have¬†Godsleep come of age? In many ways, yes. They obviously learned from the first album who they want to be as a group and have a better idea of the kinds of songs they want to write. At the same time, bringing in¬†Makris, they’ve also shifted the dynamic in a way that makes¬†this eight-song/49-minute outing something like a second debut, beginning a new exploration of character and impression. The results across the LP are exciting and energized in the way of first records while also benefiting from the returning trio’s past experience recording four years ago. Best of both worlds.

The songs bear that out. “Unlearn” and “N.O.U.” follow “Ex-Nowhere Man” in succession, building a momentum that runs through the rest of the material while also prefacing the expansion of style that begins with the funky wah at the start of “Celestial.” Roll is still a factor and it will remain one, but a subtle shift begins with “Celestial” that ties the first and second halves of¬†Coming of Age¬†together, as¬†Godsleep wind their way through the first half of the song and into the burst of pace that happens in the second. It’s not a radical change of character so much as a beginning point that serves to transition into what the four-piece are doing with the back end of the tracklist. And it’s also worth noting the fluidity with which their shifts play out. Whether it’s a turn from one part to another or a kick in tempo or a slowdown,¬†Godsleep never lose sight of the underlying groove that is carrying them and their audience along the album’s steady but varied course. 49 minutes is by no means short for an LP, but neither is it unmanageable, and¬†Godsleep hold firm to what works while pushing themselves to reach beyond what they’ve done before. There are more of them, but the songs on¬†Coming of Age are by and large shorter than those on¬†Thousand Sons of Sleep — none hit nine minutes, for example, though closer “Ded Space” comes close — and feel tighter in their composition.

godsleep

Even so, an open atmosphere pervades “Puku Dom,” which by all accounts is an interlude, about 90 seconds of subdued fuzz guitar leading the way into “Basic (The Fundamentals of Craving),” which tops seven minutes and begins with¬†Makris‘ standout lines, “Let’s¬†build a house¬†‚Äėcause time is passing/You are mistaken for the feeling remains,” and runs through a flowing course that builds in energy as it goes, both linear and based on chorus repetition, breaking at around the five-minute mark to more progressive fuzzery ahead of the crescendo that finishes. “Basic (The Fundamentals of Craving)” on its own is demonstrable proof of the maturity happening across¬†Coming of Age, and especially with “Puku Dom” providing listeners with a moment to breathe ahead of its arrival, it seems all the more like the band set it up for maximum impact; a self-awareness that is no less important when it comes to engaging listeners.

“Karma is a Kid” begins at a mellow sway with¬†Makris‘ voice malleable to the situation before the full thickness of the central riff kicks in. It would seem to be the job of the penultimate track to tie the two sides of the LP together, and “Karma is a Kid” does that somewhat with a speedier thrust, but there’s also a change in structure as well, as¬†Leventos,¬†Ktenas and¬†Tsoumas take over instrumentally after that initial arrival of the riff and the rest of the song plays out without vocals. Like the rest of what surrounds, it offers something new while remaining familiar in the context of the record as a whole, and while one doubts¬†Godsleep sat down and masterminded exactly that impression, in putting together the tracklist, they obviously had a sense of what they wanted¬†Coming of Age¬†to do and when, and that’s crucial. They follow a plotted course through the rest of “Karma is a Kid” and crash out to a fading rumble and the start of “Ded Space,” which unfolds with a patient build of tension in the guitar and drums that moves through the early verses en route to an interplay of spoken and sung lyrics in the midsection.

There’s a quiet break in the second half, but¬†Godsleep aren’t going to let the opportunity for a bigger finish pass them by, and they make no attempt to mask their intention all through “Ded Space” as it heads toward its finale. Nor should they — it’s a payoff well earned, both within “Ded Space” itself and across the entirety of¬†Coming of Age as a whole. The closer’s lyrics seem to move from a personal narrative to take on a more pointed social commentary, perhaps addressing Greece’s political and economic turmoil through metaphor and a kind of big-picture perspective. That’s fair enough ground for¬†Godsleep to tread, but like much of what precedes, it piques interest in terms of where they might go from here. That goes back to the idea of¬†Coming of Age¬†as a reset, or a second debut with the arrival of¬†Makris as a distinguishing moment between their sophomore long-player and its predecessor. However one wants to think of it, though, and however they might progress, the high level of craft throughout¬†Coming of Age¬†indeed speaks to the burgeoning maturity of the band, and their consciousness of what they’re doing only heightens the appreciation thereof. I know I already used the word, but I’ll say it again: it’s an exciting listen.

Godsleep, Coming of Age (2018)

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