Red Fang, Crowbar, High on Fire, All Them Witches and More Confirmed for Scion Rock Fest

Posted in Whathaveyou on March 26th, 2014 by H.P. Taskmaster

If you’re wondering why every other post this week is about a fest I’d like to go to, please rest assured it’s not a coincidence. The latest addition to that growing list is the Scion Rock Fest, set for May 17 in Pomona, California, with High on Fire, Red Fang, All Them Witches, Aqua Nebula Oscillator, recent EasyRider Records signees The Well and many, many others in the lineup. I’ve never been a huge Machine Head guy, but I think there’d be plenty besides with which to keep occupied.

RSVP for the free fest is open as of today, so if you’re thinking you’re gonna hit it up, you’ll probably want to do so on the quick:

SCION ROCK FEST RETURNS TO SOUTHERN CALIFORNIA ON MAY 17 FOR SIXTH ANNUAL HARD ROCK/METAL BLOW OUT

MACHINE HEAD AND HIGH ON FIRE HEADLINE

Scion Audio Visual’s annual hard rock/metal festival, Scion Rock Fest, returns to Pomona, Calif. on May 17 with an all-star line-up of the biggest names in hard rock as well as metal’s most buzz-worthy newcomers.

Headlining Scion Rock Fest, which has quickly become established as one of heavy music’s biggest live outings, are Machine Head and High On Fire. Other prominent artists appearing on the sixth installment of Scion Rock Fest are Red Fang, King Buzzo, Hot Lunch, Pins of Light and Windhand (full list below).

Concertgoers should visit www.scionav.com to RSVP beginning March 26 at 10 a.m. pacific.

Since the 2009 debut of Scion Rock Fest, the annual outing has featured Mastodon, Down, Neurosis, Baroness, Morbid Angel and the Melvins. A rotating location has found the Fest in
Atlanta, Columbus, Tampa, Memphis as well as the 2011 event, which was also in Pomona.

Scion Rock Fest is one of the many music and cultural events curated by Scion Audio Visual, the entertainment division founded by Scion in 2003. Over the past decade, Scion AV has hosted numerous concerts and tours including the monthly Scion Rock Show in Los Angeles and High on Fire’s recent North American trek, sponsored Phil Anselmo’s Housecore Horror Festival and Revelation Records’ 25th Anniversary celebrations, brought together the brightest minds in the music industry for the annual Scion Music(less) Music Conference and offered numerous free singles and EPs from a wide variety of musicians including Meshuggah, Corrosion of Conformity and Municipal Waste.

The full Scion Rock Fest 2014 line-up:
Machine Head
High On Fire
Red Fang
Orchid
Crowbar
BL’AST!
Speedwolf
Power Trip
Jex Thoth
Coffins
King Buzzo
Big Business
Hot Lunch
Aqua Nebula Oscillator
All Them Witches
Pins of Light
Carousel
The Well
Midnight
Exhumed
In Cold Blood
Nekrogoblikon
Windhand
Lord Dying
Moab
Black Sheep Wall

http://www.scionav.com/2014/03/25/scion-rock-fest-2014-rsvp/
http://scionav.com

Hot Lunch, “She Wants More” Live at Scion Rock Fest 2013

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The Well to Release New Album Monomyth on EasyRider Records

Posted in Whathaveyou on March 11th, 2014 by H.P. Taskmaster

Last I heard of Austin trio The Well was their 2012 single, Seven (review here), which apparently means I have some catching up to do on their 2013 First Trip EP, already in its third pressing. While I ponder whether or not that means it’s actually the third trip, the three-piece have inked a deal to release their full-length, Monomyth, through ascendant imprint EasyRider Records. They join an impressive and growing roster of acts, from Hornss and Salem’s Pot to Electric Citizen and Sons of Huns. Solid company to keep.

Here’s looking forward to the arrival of Monomyth (perhaps the band Monomyth can name their next album The Well). If you happen to be in Texas this week for SXSW, they’re playing several showcases. Details on that, the announcement of the signing, background on the band and the stream of First Trip follow, should you like to familiarize:

THE WELL signs with EasyRider Records

The Well Signs with EasyRider Records, Catch them at SXSW this week!

EasyRider records is very excited to welcome Austin’s Hottest Export The Well to the EasyRider family. Their upcoming full length “MONOMYTH” will release in late summer of 2014! The Well is a 3 piece out of Austin TX, that captured my attention a few months ago. The sound is raw and big and extremely catchy. The are a hard working band from Austin that have come a long way and are excited to hit the road and support this beast of a record. They will be ALL over SXSW this week here are the dates and shows….

SXSW
3/12- RoadHouse Management/Nuclear Blast Official Showcase @ Red 7
3/13 – Unofficial Showcase Sons of Huns Orchid, Scorpion Child and Mothership. @ Wonderland.
3/14 – Texas Rock ‘n Roll Massacre – Sons of Huns Orchid, Scorpion Child and Mothership. @ Spider House Ballroom.

More About The Well -
Austin based Power trio The Well formed in early 2011 lead by Guitarist/vocalist Ian Graham. Seeking a sound that grew from his own nostalgic desire, Ian sought a return to the musical memory of his youth. He began crafting songs that emulated the classical heaviness of his childhood heroes. Riffs the size of mountains, distorted and cuttingly sharp—slow, patient, dominating and heavy. The kind of sound that smashed open the doors and let loose the darkness. To help him capture the tonality of the sound inside his head, he enlisted the talents of bassist Lisa Alley and drummer Jason Sullivan.

In the Spring of 2012 The Well began working with Tia Carrera’s Jason Morales and recorded their debut 7? at the Barbeque Shack. By the fall, the band was back in the studio, this time at Ohm Recording Facility with Producer Mark Deutrom (The Melvins and Sun O)))) and Engineer Chico Jone working on a full length LP. The Well recorded with Converse Rubber Tracks during SXSW 2013, and put the resulting track, “Eternal Well” with a handful from the Ohm sessions together to form their EP entitled, “First Trip”.

The end of that year would see The Well performing alongside such acts as NAAM, Orange Goblin, Holy Grail, Lazerwulf and Dead Meadow. Sonic Vault Austin named The Well their 2013 Metal Band of the Year and the Austin Chronicle invited the band to be their showcased artist in their PaperCuts Series for February of 2014.

With ever growing press both locally and nationally, a 2014 SXSW Nuclear Blast showcase alongside the likes of Orchid and Kadavar, the band is ready for a busy year of touring and promoting their upcoming release.

http://thewellaustin.bandcamp.com/
www.instagram.com/thewellband
https://www.facebook.com/thewellband

The Well, First Trip EP (2013)

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The Well, Seven 7″: First Act of Trespass

Posted in Reviews on November 23rd, 2012 by H.P. Taskmaster

It’s hard to know where to start with Seven, the debut 7” single by Austin, Texas-based trio The Well. The band self-released the two-track outing, featuring the songs “Act II” and “Trespass,” at the end of September in a limited marble-vinyl edition of 300, and coupled the record with a variety of artworks in what they called a “rip-off series,” with hand-drawn sketches from Casey Cork and bassist/vocalist Lisa Alley reinterpreting album art from Electric Wizard, Wicked Lady (the one I got, hence the flapper above), Black Sabbath and Blue Cheer to suit their own purposes, as well as some with an original design. Musically, I suppose The Well do pretty much the same thing. Having formed in 2010, the band are pretty clearly getting their bearings in terms of their development, but they already have a firm grip on their aesthetic, taking new (nouveau?) American laidbackitude and melding it with simple grooving riffs, obscure but catchy lyrics and an echoing sense of open space. Seven doesn’t really find The Well coming out of the gate with anything that’s never been done before, but it works no less well for them in 2012 than it did for Lords of the North in 2008, and the oft-concurrent dual vocals of Alley and guitarist Ian Graham are an immediate distinguishing factor on “Act II,” which rolls in casual-like on a stonerly bounce from drummer Jason Sullivan and nod-ready bassline from Alley. Graham offers crunch in his rhythm tone and classic fuzz for the bluesy lead he takes near the halfway point, and when the song breaks following the next verse into a post-Vitus noisefest, the effect is jarring in probably the best way it could be. Alley’s bass and Sullivan’s drums keep going while the guitar drops out and Graham and Alley – whose voices already prove impeccably matched – take the fore and make a viable hook out of the lines “Twisting ropes and needle pokes can’t harm me/Pious minds can’t understand what charms me,” and lock into wah-driven shuffle for what seems like it will be the instrumental outro until they pull back for one last run through the chorus, well timed and crisply executed on the live-sounding recording, helmed by Jason Morales of Austin heavy psych improvisators Tia Carrera.

Such moves make it easy to get into both songs on Seven, accessible in a totally non-commercialized but still traditional sense of pop songwriting. “Trespass,” which is more explicitly led by Graham’s guitar, shorter by just over a full minute and overall thicker in its chug, is no less catchy. Graham opens with a wash of Hendrix wah and is joined in time by Alley and Sullivan for another solid mid-paced groover, Sullivan’s fills telegraphing the transitions but not detracting from them. After the intro, which takes up 50 seconds of the total 4:43, “Trespass” follows a much simpler structure than did “Act II,” but the vocals tap into that same lysergic drawl that made the first Witch album so irresistible and a double-layered solo from Sullivan provides a point of interest leading into the build of the bridge, even if the song is clearly a B-side. As they did with “Act II,” they pull back to the central groove just when it seems like they’ve gone too far out to recover, and they end Seven with a return to the chorus, giving a final nod to the potential in their craft before the guitar clicks off and the release is over. The Well have reportedly already returned to the studio to record a full-length, this time with Mark Deutrom (who played bass in the Melvins during their Atlantic years), and their commitment to aligning themselves to producers with experience in heavy rock speaks to a professional mindset as much as any last chorus speaks to a quality of craft, so while Seven is the first time The Well have made their presence known, it seems unlikely it will be the last. All the better. Both “Act II” and “Trespass” give an impression of a trio taking off on a creative trip. Their efficiency on a musical level and their penchant for strong hooks can only serve them well as they continue to develop, and whatever they do next, I’ll be interested to hear what other tricks they might have up their collective sleeve in terms of changing up their approach or adding diversity to their sound or even just establishing a flow over the course of a debut LP. For now, though, Seven makes a welcome introduction.

The Well on Thee Facebooks

The Well on Bandcamp

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