Quarterly Review: Trippy Wicked, Dunbarrow, The Vintage Caravan, Zatokrev & Minsk, Owl Maker, Orbital Junction, Bourbon, Birnam Wood, Wytch Hazel, The Soulbreaker Company

Posted in Reviews on December 3rd, 2018 by JJ Koczan

quarterly-review

You know how this goes by now, right? Well, okay, except that because I skipped the Quarterly Review that I otherwise would’ve done in September (or, more likely, October), I’m doubling-up this time. 100 reviews instead of 50. Two full weeks of 10 albums per day. Will I survive? Yeah, probably. Will it be completely overwhelming? Already is. Thanks for asking.

I’ll save the summaries of the year that was for list-time, which is fast approaching, but consider the fact that there are well more than 100 albums I could include in this roundup emblematic of just how vibrant heavy rock and doom are in the US, EU, UK, Australia and elsewhere. It’s a universal thing, and accordingly, there’s a whole universe of it to explore. This is just a sampling.

But yeah, time’s a wastin’, so let’s get to it.

Quarterly Review #1-10:

Trippy Wicked and the Cosmic Children of the Knight, Stakes n Scale

trippy wicked stakes n scale

An acoustic EP from Essay Writing Service In Uk - Get started with essay writing and compose the best essay ever Quality and cheap essay to ease your education Cooperate with Trippy Wicked and the Cosmic Children of the Knight — who, let’s face it, were way ahead of the curve when it comes to the UK scene’s thing for long and ridiculous band names — is a considerable departure from where they were two years ago on their split/collaboration with thesis master security - Order a 100% authentic, non-plagiarized paper you could only dream about in our paper writing assistance Why be concerned about GurT (review here), but those familiar with the band might recall their past penchant for the occasional unplugged cover recorded for YouTube. This Site Might Help You. RE: Does anyone know of a website that will Resources for me? I am a junior in high school who was forced Chris West (also Capstone Essay online in UK by our Top PhD writers. We offer best quality and professional coursework with no plagiarism risk. Crawling for Carrion, http://meteo.geo.auth.gr/?banking-business-plan - Hire the professionals to do your homework for you. Let specialists accomplish their tasks: order the required task here and Glanville, etc.), who engineered the recording and plays guitar, and vocalist Our PhD research dna research thesis can help you complete your work fast and according to all the requirements. Get a custom research proposal for PhD. Peter Holland (also doggy ate my homework poem is a great solution to avoid writing a research papers. And our writing service is the best from others, due to team of Elephant Tree) revamp Professional https://cheapdissertationwriting.com/. Expert resume writers help develop a custom resume that get results for your jobs search Trippy Wicked‘s “Up the Stakes” from 2012’s ĹAre You Able to Write My Essay Paper Well?ĺ ľ Sure We Are! We frequently see the ĹVisit Websiteĺ or Ĺwrite my essay onlineĺ searches Going Home (review here), and cover “Scale the Mountain” by Read and Download http://g-x-m.de/homework-ks1 Free Ebooks in PDF format - 2013 500 FIAT OWNERS MANUAL D120 JOHN DEERE MANUALS KTM 500 EXC MANUAL MATRIC Stubb, of which both were members when the song was written. Together, they make for a nine-minute showcase for the character in How To Write A Successful Essay: 1.53%: article authors: copy writers: articles writers: article writer: Domain Registration Data. Compare it to Articlewriters.com.au Holland‘s voice and the melodies and craft at root in both tracks, and while its arrival feels like kind of a one-off, it’s certainly no less welcome for that.

Trippy Wicked on Thee Facebooks

Trippy Wicked on Bandcamp

 

Dunbarrow, II

dunbarrow ii

The novelty of new bands playing through vintage gear in order to capture a heavy ’70s sound may have faded, but like all subgenres, as time goes on, the retro-ist style continues to shift and change as bands like corporate social responsibility dissertation proposal Tudor Homework Help Tudor House 6 Months essay competition online a tale of two cities essay help Dunbarrow bring new character to established tenets. Their second LP for Free Research Papers On Education - Stop receiving unsatisfactory grades with these custom research paper recommendations Spend a little time and money to get the report RidingEasy is aptly-titled dissertation job quitting 1979 http://para-sun.com/uwb-phd-thesis/ research paper consumer buying behaviour process how to outline master thesis II and sways between honoring the likes of Essey Masters Helps online from our Essay Writing Service: Discounts, Bonus, Affordable, 100% Original, Nil-plagiarized, Term paper, Reports Pentagram and acts like Witchcraft who’ve helped craft that band’s hindsight-founded legacy. Dunbarrow‘s noodly style, restrained rhythmic shove and ride-the-riff melody on “Weary Lady” and the foresty creep of “The Demon Within” capture the vibe well, the latter occurring in a second half of II populated with “The Wolf” and “Witches of the Woods Pt. II,” a sequel to the closer of their 2016 self-titled debut (review here) that here leads to the more severe roll of the finale, “On this Night,” emblematic of the changing character of the band even as it reaffirms in its tense midsection the roots from which they sprung.

Dunbarrow on Thee Facebooks

RidingEasy Records on Bandcamp

 

The Vintage Caravan, Gateways

the vintage caravan gateways

With their third record and second for Nuclear Blast, Icelandic trio The Vintage Caravan affirm not only their passion for the boogie of old on cuts like “The Way” and the strutting “Hidden Streams,” but secure a place as being worthy of the consideration they’ve been given to a degree by the wider Continental European heavy underground. They are strikingly mature in their approach for still being a relatively young band, and their albums have worked quickly to develop a character that is becoming more and more their own. They do the fests and they tour, and so on, but they seem to be engaged in building their listenership one pair of ears at a time. Having a metal-major label behind them hasn’t hurt their promotional cause, but frankly, they’re not as big as they should be for the level of work they’re doing, and even with songs like “Reset” and “Reflections” and the composed-strictly-for-vinyl-sounding closer “Tune Out” to their credit, they’re still largely a word of mouth band, especially in the US. Well, consider this your word of mouth. If you haven’t heard Gateways yet, you should get on that.

The Vintage Caravan on Thee Facebooks

The Vintage Caravan at Nuclear Blast

 

Minsk & Zatokrev, Bigod

zatokrev minsk bigod

Post-metallic powerhouses Minsk and Zatokrev — both of whom hit their 15th anniversary last year — teamed up for a European tour this Fall. To mark the occasion, Consouling Sounds and Czar of Crickets celebrated with Bigod, a split with two tracks from each band arranged in alternating order — Minsk, then Zatokrev, etc. — intended to highlight the symmetry between them not just of circumstance and root influence in the Neurosis school of atmospheric sludge, but the fact that they share these commonalities despite their origins in Illinois and Switzerland, respectively. Each band opens with a longer track (double points) in Minsk‘s “Invoke/Revive” and Zatokrev‘s “Silent Gods,” each of which push past 13 minutes as likely at any moment to be pummeling as ambient, and follows with two shorter cuts, Minsk‘s “Salvatore” swelling theatrically from its minimalist beginnings while Zatokrev‘s “The Chalice and the Dagger” seems to explode from the foundation the prior band laid out. It must have been a hell of a tour, but whether you saw it or not, the split is a welcome conglomeration from two of post-metal’s strongest acts.

Minsk on Thee Facebooks

Zatokrev on Thee Facebooks

Consouling Sounds website

Czar of Crickets Productions website

 

Owl Maker, Sky Road

owl maker sky road

Self-recording guitarist/vocalist Simon Tuozzoli (Vestal Claret, ex-Guerra, etc.) leads Connecticut-based three-piece Owl Maker through a complex thematic of Native American folklore and heavy metal classicism. The NWOBHM plays a strong role in his riffing style, but one of the two tracks included on the two-songer single Sky Road, “Owl City,” also veers into more extreme territory with a departure from clean vocals to harsher screaming. All told, it’s about eight minutes of music, but Sky Road nonetheless follows┬áOwl Maker‘s earlier-2018 EP,┬áPaths of the Slain┬á(review here), with an uptick in melodic presence in the vocals of┬áTuozzoli and bassist┬áJessie May and progression in the chemistry between the two of them and drummer┬áChris Anderson, and with the fluidity of their transitions between various styles of heavy, their scope seems only to be growing. To wit, “Sky Road” itself is only 3:42, but still demonstrates a clear-headed compositional method based around storytelling and a subtly encompassing range. Whether it’s early warning for what they do next or a conceptual one-off, its quick run seems just to be begging for a 7″ pressing.

Owl Maker on Thee Facebooks

Owl Maker on Bandcamp

 

Orbital Junction, Orbital Junction

Orbital Junction orbital junction

The Londonderground continues to produce acts ready and willing to worship at the altar of riffs. Orbital Junction‘s self-release debut EP makes an impression not only because of the markedly pro-shop production by Chris Fielding at Skyhammer Studios and the cover art by SoloMacello, but the hooks to live up to those high standards. “6 ft. 2” follows opener “Space Highway” with a bit of dudely chestbeating — note: I don’t know how tall any of them actually are — but the swing of EP centerpiece “Devil’s Double” and the bounce of “Gypsy Queen” speak for the four-piece’s roots and appreciation of straightforward heavy, void of pretense and tapping into an easy mid-paced fluidity that slows up somewhat on closer “Pagan” without really losing the central groove of the offering overall. They’ll have their work cut out for them in distinguishing themselves over the longer term amongst London’s burl-fueled hordes, but their first outing shows their instincts headed in the right direction in terms of songwriting, performance and presentation.

Orbital Junction on Thee Facebooks

Orbital Junction on Bandcamp

 

Bourbon, Fuente Vieja

Bourbon Fuente Vieja

Crisp but warm in its tone and presentation, rife with melody and carrying a laid back spirit despite a fervent underlying groove — the bass on “El Sendero” rests well within gotta-hear-it territory — Spanish purveyors Bourbon emobody some of the best of post-Viaje a 800 Andalusian heavy rock and roll on their third LP, Fuente Vieja (on Spinda). Their fuzz makes its presence known early on “Si V├ęis La Luz, Corred” and continues as a running theme as tracks like “A Punto de Arder” and the side-A-capping title-cut grow increasingly progressive. There’s room for some shuffle, of course, as side B begins with “La Triste Realidad,” and the slower “Hacia el Sol” gracefully blends electrified wah and acoustic guitars beneath a well-timed standout vocal performance, but the highlight might be eight-minute closer “Destierro,” which seems to bring everything else under one roof while tapping into a poppier structure early — acoustics and electrics aligning effectively circa two minutes in — while providing the album with a graceful and fittingly organic-sounding finale.

Bourbon on Thee Facebooks

Spinda Records webstore

 

Birnam Wood, Wicked Worlds

birnam wood wicked worlds

Birnam Wood don’t have time for bullshit, but they do have time for a bit of shenanigans. Thus the 1:44 surge of opener “Time of Purification” leads into the sample-laden roller groove of “Richard Dreyfuss” on their as-of-now-self-released Wicked Worlds, and the “Hole in the Sky”-style “Dunsinane” shifts into the more blown-out “Early Warning,” which, by the time its tectonic low end kicks in, is indeed something of a clarion. At seven-tracks/34-minutes, Wicked Worlds is somewhere between an EP and an LP, but I’d argue it as the latter with the flow from “Greenseer” into the massive “A Song for Jorklum” and the seven-minute finale “Return to Samarkand” making for a righteous side B, but either way, it’s a Boston-crafted assault of grit-tone and aggro doom that finds the band not overwhelmed by the heft of their own tones but able to move and manipulate them to serve the purposes of their songs. Those purposes, incidentally, are mostly about kicking ass. Which they do. Copiously.

Birnam Wood on Thee Facebooks

Birnam Wood on Bandcamp

 

Wytch Hazel, II: Sojourn

Wytch Hazel II Soujorn

It would not seem to be a coincidence that UK self-aware four-piece Wytch Hazel — guitarists Conlin Hendra (also vocals) and Alex Haslam, bassist Matt Gatley and drummer Jack Spencer nod to Wishbone Ash‘s Argus with the cover of their second LP, II: Sojourn (on Bad Omen). They do a lot of that kind of nodding, with a sound culled from a valiant blend of classic progressive and early NWOBHM styles that makes the point of how closely related the two have always been. “The Devil is Here” starts out at a fervent gallop with just an underpinning of Thin Lizzy, while the later “See My Demons” shifts from its steady roll and rousing hook into an acoustic/electric break that seems to pull from Jethro Tull as much as Scorpions. At 10 tracks/45 minutes, they have plenty of time to flesh out their ideas, and they do precisely that, whether it’s the careful unfolding around the keys and acoustics of closer “Angel Take Me” or the over-the-top instrumental push of “Chorale” or the moodier “Wait on the Wind,” the wah solo of which is a highlight on its own. There are some burgeoning harmonies in Hendra‘s vocals, which is an impulse he should follow as it would only enhance the material, but after making their debut with 2016’s Prelude, II: Sojourn finds Wytch Hazel sounding comfortable and well established in their niche.

Wytch Hazel on Thee Facebooks

Bad Omen Records on Bandcamp

 

The Soulbreaker Company, Sewed with Light

the soulbreaker company sewed with light

Progressive, expansive and engaging, the sixth album from Spanish sextet The Soulbreaker Company, Sewed with Light (on Underground Legends), taps into classically Floydian influences on songs like “The Word, the Blade” while still keeping a foot in heavy rock on the prior “Together,” and setting a quick course into a varied sonic persona via the seven-minute opener and longest track (immediate points) “Inner Dark.” Hypnotizing not necessarily with drift but with sheer willful exploration, The Soulbreaker Company work with a variety of key sounds and craft-minded ranging guitar in order to effect an atmosphere of thoughtful songwriting even in their most outwardly trippy moments. The sneering semi-psychedelic rock of “Avoid the Crash” and the more stripped-down roll of “Arrhythmia” (video premiere here) lead the way into closer “In the Beginning,” which marks yet another departure with its grandeur of string sounds and electronic beats leading to a chugging big finale. As with the bulk of The Soulbreaker Company‘s work, it requires an active ear, but Sewed with Light both encourages and well earns consideration as more than background noise.

The Soulbreaker Company on Thee Facebooks

Underground Legends on Bandcamp

 

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The Vintage Caravan Post New Single “Reflections” from Gateways; Preorders Available

Posted in Whathaveyou on July 5th, 2018 by JJ Koczan

I haven’t heard the new album from The Vintage Caravan yet, which is kind of a bummer, but they’ve got a new track for all to check out. Preorders are up for the third album from the Icelandic heavy rockers, which is called Gateways and due out at the end of next month on Nuclear Blast, and accordingly, the three-piece have released the track “Reflections” to give a sample of what the record is all about. From here, it sounds like it’s about hooks, uptempo classic heavy rock swing, and a timeless approach to riff-led fare that the band has been making their own since the start. I know Nuclear Blast has some pretty heavy hitters in their lineup, what with the Graveyard and the Kadavar and the whatnot, but The Vintage Caravan are by no means to be lost in the shuffle when it comes to quality of output or effort put in supporting their stuff. As you’ll see in the list of tour dates below.

Also, check out the fucking song at the bottom of this post. It’s a good ‘un.

Blah blah blah PR wire:

the vintage caravan gateways

THE VINTAGE CARAVAN – new single + track listing + album pre-order

Icelandic classic rock trio THE VINTAGE CARAVAN are back! Featuring 10 new stirring tracks, their highly-anticipated 4th studio album Gateways, will be released on August 31st, 2018 through Nuclear Blast. Today, the band can finally present a first taster of their upcoming record in the form of the first single, ‘Reflections’.

Guitarist/vocalist ├ôskar Logi comments, “We are so pleased to finally give you guys the first taste of Gateways. The track is a powerful one, heavy and melodic. The song came quickly together in the songwriting process but we spent a lot of time during the mixing and mastering to get the song (and the entire album) sounding as good as possible. We are super proud and we hope you’ll enjoy ‘Reflections’!”

Gateways can now be pre-ordered in various formats, here: http://nblast.de/VintageCaravanGateways
Download or stream the new song ‘Reflections’ here: http://nblast.de/TVCReflections
Pre-save the album via Spotify: http://nblast.de/TheVintageCaravanPreSa
Listen to the track in the NB Novelties Playlist: https://open.spotify.com/user/nuclearblastrecords/playlist/6aw9wiedFzzhJiI96DhNhw

Gateways will be available in the following formats:
– DIGI
– 2LP (black, white)
– DIGITAL

Gateways track listing:
01. Set Your Sights
02. The Way
03. Reflections
04. On The Run
05. All This Time
06. Hidden Streams
07. Reset
08. Nebula
09. Farewell
10. Tune Out
Bonus Track (DIGI and 2LP only!)
11. The Chain (FLEETWOOD MAC Cover)

The band commented on their upcoming record, “We are very proud to present our new album, Gateways! Recorded in the legendary Sundlaugin Studios in Iceland (owned by Sigur R├│s). Produced by Ian Davenport (BAND OF SKULLS, GAZ COOMBES). Overall we think this album feels more mature than the previous ones. We really pushed ourselves to make this album sound as great as possible. I won’t name any names but some people have been heard saying this is the greatest thing since sliced bread. We can’t wait for you all to hear it/taste it.”

The band will be touring extensively in support of their new album. Recently, Spanish dates have been added to the itinerary. All dates are below.

THE VINTAGE CARAVAN live:
11.07. IS Neskaupsta├░ur – Eistnaflug (Performing ┬╗Voyage┬ź in its entirety)
12.07. IS Neskaupsta├░ur – Eistnaflug
28.07. D Neuensee – Rock im Wald
04.08. E Gij├│n – Tsunami Xix├│n

┬╗2018 Gateways Tour┬ź
w/ supports
13.10. NL Hengelo – Beerland
15.10. D Hamburg – Molotow
16.10. D Berlin – Lido
17.10. PL Warsaw – Hydrozagadka
18.10. PL Pozna? – Pod Minog?
19.10. A Vienna – Arena
20.10. D Kempten – Rock The Box
22.10. D Leipzig – Moritzbastei
23.10. D Munich – Strom
24.10. D Karlsruhe – Substage
25.10. D Cologne – Luxor
26.10. F Paris – Backstage
27.10. F Rennes – Garmonbozia
30.10. E Bilbao – Santana 27 *NEW*
31.10. E Madrid – Nazca Club *NEW*
01.11. E Barcelona – Sala B├│veda *NEW*
08.11. UK Nottingham – Rescue Rooms
09.11. UK Camp HRH – Hard Rock Hell
10.11. UK London – The Borderline
12.11. UK Glasgow – King Tut’s Wah Wah Hut
13.11. UK Manchester – Rebellion
14.11. UK Bristol – Exchange
16.11. B Brussels – Ancienne Belgique

w/ FLYNOTES
01.12. RUS St. Petersburg – Mod
02.12. RUS Moscow – Zil Arena

Tickets: www.thevintagecaravan.eu/tour

THE VINTAGE CARAVAN is:
Óskar Logi | guitars, vocals
Alexander ├ľrn | bass, backing vocals
Stefán Ari | drums, backing vocals

https://www.facebook.com/vintagecaravan
https://www.instagram.com/thevintagecaravan/
https://twitter.com/_vintagecaravan
http://www.thevintagecaravan.eu/
https://www.facebook.com/nuclearblastusa
https://twitter.com/nuclearblastusa
http://shop.nuclearblast.com/en/shop/index.html

The Vintage Caravan, “Gateways”

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The Vintage Caravan Confirm Aug. 31 Release Date for Gateways

Posted in Whathaveyou on June 5th, 2018 by JJ Koczan

the vintage caravan

Three years in the making, the third full-length from Icelandic classic heavy rockers The Vintage Caravan arrives following a busy time of touring, pushing their sound forward with each new stop, city, country, etc. And like its two predecessors, 2015’s Arrival (review here) and their 2012 debut, Voyage — which unless I’m remembering wrong was comprised of two earlier EPs — its title gives a sense of motion and travel from one place to another. That running theme hardly seems like an accident for a young band who both groove so voraciously and are on the road so steadily, and as you can see below, in addition to a few summer fests, The Vintage Caravan also have dates in Germany, the UK and Russia to support the new album after it’s out. One expects more touring announcements to follow.

As well as videos, promo audio and so on. Very interested to hear what they come up with this time around. I wouldn’t at all be surprised if, with all the experience of the last three years behind them, they really put together something special. The potential’s been there all along. Keep an eye out and I’ll do the same.

From the PR wire:

the vintage caravan gateways

THE VINTAGE CARAVAN To Release New Studio Album Gateways On August 31, 2018!

Their very first, 2-month European headline tour, a Latin American headline tour, 2 UK headline tours, supporting the legendary EUROPE in the European mainland & Scandinavia, performing at 60+ festivals… The time after the release of THE VINTAGE CARAVAN’s latest studio album Arrival in May 2015 was full of highlights. But during the last year, the Icelandic classic rock trio had retired and focussed on writing and recording their 4th studio album entitled Gateways. Now it’s a wrap and will see the light of day on August 31st, 2018 through Nuclear Blast.

The band comments, “We are very proud to present our new album, Gateways! Recorded in the legendary Sundlaugin Studios in Iceland (owned by Sigur R├│s). Produced by Ian Davenport (BAND OF SKULLS, GAZ COOMBES). Overall, we think this album feels more mature than the previous ones. We really pushed ourselves to make this album sound as great as possible. I won’t name any names but some people have been heard saying this is the greatest thing since sliced bread. We can’t wait for you all to hear it/taste it.”

Stay tuned for further information!

THE VINTAGE CARAVAN live:
23.06. B Dessel – Graspop Metal Meeting
11. – 14.07. IS Neskaupsta├░ur – Eistnaflug
28.07. D Neuensee – Rock im Wald
04.08. E Gij├│n – Tsunami Xix├│n

Gateways Tour 2018
w/ special guests
15.10. D Hamburg – Molotow
16.10. D Berlin – Lido
20.10. D Kempten – Rock The Box
22.10. D Leipzig – Moritzbastei
23.10. D Munich – Strom
24.10. D Karlsruhe – Substage
25.10. D Cologne – Luxor

08.11. UK Camp HRH – Hard Rock Hell

w/ FLYNOTES
01.12. RUS St. Petersburg – Mod
02.12. RUS Moscow – Zil Arena

Tickets: www.thevintagecaravan.eu/tour

More dates in other countries to be added soon…!

THE VINTAGE CARAVAN is:
Óskar Logi | guitars, vocals
Alexander ├ľrn | bass, backing vocals
Stefán Ari | drums, backing vocals

https://www.facebook.com/vintagecaravan
https://www.instagram.com/thevintagecaravan/
https://twitter.com/_vintagecaravan
http://www.thevintagecaravan.eu/
https://www.facebook.com/nuclearblastusa
https://twitter.com/nuclearblastusa
http://shop.nuclearblast.com/en/shop/index.html

The Vintage Caravan, “Babylon” official video

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