After posting some rehearsal-room pictures over the last couple weeks, Los Angeles-based The Ultra Electric Mega Galactic have made the official announcement that Brigitte Roka has joined the band as their full-time vocalist. Formerly the trio of bassist Collyn McCoy (also Sugarfly), drummer Rick Ferrante (also Sasquatch) and guitarist Ed Mundell (ex-Monster Magnet/The Atomic Bitchwax), The UEMG — as they’re mercifully abbreviated — released their Through the Dark Matter EP (review here) as the follow-up to their 2013 self-titled debut (review here), and while McCoy stepped to the mic on a cover of Willie Dixon‘s “Spoonful” on that shorter release, Roka marks the first standalone singer the band has had.
They have a couple shows coming up for the summer — I know I wouldn’t mind seeing them with Sun and Sail Club and The Freeks — and I’d expect some video or live audio to surface to give a sense of how their sound will have shifted with Roka on vocals, whether their space/acid rocking jams will solidify or stay as molten as they were on the self-titled, but as Mundell states in the announcement below, it won’t be until later this year that they hit the studio as a four-piece. It’s already on my most-anticipated-for-2016 list.
Word came in as follows:
The Ultra Electric Mega Galactic welcomes vocalist Brigitte Roka to the fold
Instrumental power trio The Ultra Electric Mega Galactic is instrumental (and a power trio) no more.
After releasing a full length CD in 2013, an EP in 2014 and performing the main stages of both DesertFests London and Berlin sans vocals, UEMG – comprised of Ed Mundell on guitar (Monster Magnet, the Atomic Bitchwax), Rick Ferrante on drums (Sasquatch) and Collyn McCoy on bass (Trash Titan, Sugar Fly) — has decided to change it up in 2015 with the addition of a permanent vocalist: Brigitte Roka of Los Angeles.
“My intention when leaving Monster Magnet after eighteen years was to work with new musicians, singers, producers and engineers,” says guitarist Ed Mundell. “In this quest, we have found an incredible singer in 19-year-old Brigitte Roka. She brings a fresh yet bluesy 70’s vibe to our sound. We are playing a few shows in Southern California debuting a few of our new songs and plan to go into the studio later in the year.”
The year is 1969,” enthuses bassist Collyn McCoy. “Robert Plant and Janis Joplin have a one-off fling backstage at the Texas International Pop Festival, producing a love child. Only the embryo is frozen and thawed out 27 years later, in Moscow, Russia of all places. Said embryo immigrates to Los Angeles where she’s raised on a steady diet of Deep Purple, Uriah Heep, Atomic Rooster and of course, the musical stylings of her biological parents. That’s Brigitte. I mean, perhaps I’ve mythologized her origin story a bit, but really it’s the only plausible explanation for how awesome she is.”
Upcoming shows: June 20th, 2015 – Yucca Man Shakedown, Yucca Valley, CA (private event) August 29th, 2015 – Alex’s Bar, Long Beach, CA (with Sun and Sail Club and The Freeks)
Posted in Features on December 23rd, 2014 by JJ Koczan
Please note: These are not the results of the Readers Poll. That’s still going on. Please feel free to submit your list.
I did this last year mostly as a result of not having somewhere to put Elder‘s Spires Burn/Release EP in 2012, but it went pretty well, so I thought we’d do another round for 2014. The 2013 list covered demos, singles, EPs and splits — basically everything that’s not a full-length album — and the same rules apply here. It’s a pretty basic idea, but it makes sense to me to consider short releases apart from full-lengths because very often they’re trying to accomplish different things.
For example, if an album is trying to tell a story or describe a central theme, either blatantly in its lyrics or atmospherically through the music itself, a demo might just be the work of a band trying to feel their way into their sound. It doesn’t strike me as fair to judge the two on the same standard. Likewise, if a band releases a single, should that really be judged alongside an hour-long release? Granted, some bands’ singles actually are an hour long, but that’s another category entirely. “The ‘Dopesmoker’ Awards” will be handed out at another date.
No, not really. At least not this year.
If you didn’t see the full-albums Top 30 of 2014, please feel free to check it out and think of this and the year-end podcast as companion pieces, albeit both a little more casual. Let’s get to it:
The Top 20 Short Releases of 2014
1. Sleep, The Clarity
2. Fatso Jetson/Herba Mate, Early Shapes
3. All Them Witches, Effervescent
4. Cortez/Borracho, Split 7″
5. Naam/White Hills/Black Rainbows/The Flying Eyes, 4-Way Split
6. Heavy Temple, Heavy Temple
7. Death Alley, Over Under/Dead Man’s Bones 7”
8. Geezer, Live! Full Tilt Boogie
9. The Sun, the Moon and the Witch’s Blues, The Sun, the Moon and the Witch’s Blues
10. Demon Head, Demo 2014
11. Gold & Silver, Azurite and Malachite
12. The Proselyte, Our Vessel’s in Need
13. Hull, Legend of the Swamp Goat
14. Lamp of the Universe/Krautzone, Split
15. The Ultra Electric Mega Galactic, Through the Dark Matter
16. The Heavy Co., Uno Dose
17. Wren, Wren
18. He Whose Ox is Gored, Rumors 7”
19. Lewis and the Strange Magics, Demo
20. Godhunter/Secrets of the Sky, Gh/0st:s
21. Lord, Alive in Golgotha
Some honorable mentions to the Young Hunter/Ohioan split tape (the Young Hunter portion of which was included last year, otherwise it would probably be number two on this list), Inter Arma‘s The Cavern 40-minute single-song EP/LP, Harvest Bell‘s debut EP, Goya and Wounded Giant‘s split, Fuzz Evil and Chiefs‘ split, Cruthu‘s demo, Disenchanter‘s second EP, the White Dynomite/Hey Zeus split 7″, Humo del Cairo‘s EP, The Golden Grass‘ Realisations EP, Dune‘s Progenitor, Godflesh‘s comeback EP, and Blackwitch Pudding‘s reinterpretations/covers EP, Covered in Pudding.
A couple notes: The Sleep single was a given. I don’t think anything could’ve topped it one way or another, even if I hadn’t listened to it 100 times since its release in July as part of the Adult Swim Singles Series. In any case, there was no debate about where to place it. You might notice on the other end the list goes to 21. I thought that being the element of chaos suited Lord well, and since I’m not entirely sure their Alive in Golgotha EP has been officially released, they warranted inclusion just in case.
One thing that struck me in putting this list together was the amount of splits included. You’ll notice Fatso Jetson and Herba Mate‘s Early Shapes right in behind Sleep. That one was an utter joy, as far as I’m concerned, and made me wish both of them would get on putting out full-lengths as soon as possible. Not far behind is Cortez and Borracho‘s split single, which had killer tracks from both bands, and the Naam/White Hills/Black Rainbows/The Flying Eyes split from Heavy Psych Sounds that, even with four bands involved, managed to keep a flowing atmosphere front to back, which was impressive enough in and of itself, never mind the individual contributions of those four acts, which were also top quality. The Krautzone/Lamp of the Universe split also provided a considerable psych blissout, and Godhunter‘s split/collaboration with Secrets of the Sky earned extra points for its adventurous spirit and the payoff its risk-taking brought to bear.
Like their Lightning at the Door LP, All Them Witches‘ Effervescent 25-minute jam figured heavily in my 2014 listening habits, as did Heavy Temple‘s self-titled debut EP. Dutch garage/heavy punkers Death Alley earned spins with their debut 7″, a lack of pretense in melding proto-thrash and heavy rock impulses allowing them to quickly find a niche that one hopes they continue to develop. Their debut single, along with Demon Head‘s Demo 2014 (and, indeed, that band’s follow-up single) and the Lewis and the Strange Magics demo were an allay to concerns retro-minded rock might be stagnating.
Geezer featured on the Short Releases list last year as well. I wasn’t sure what to do with their Gage 12″, since it was released in 2013 as an EP and 2014 as an LP, but either way, their Live! Full Tilt Boogie tape effortlessly recalled classic blues rock performances and demonstrated the fluid chemistry at work in the New York trio, I hope it’s not the last live release they do. Along similar bluesy lines, The Heavy Co.‘s Uno Dose found the Hoosier three-piece dipping into heavy jams more than their last full-length, and if that’s the direction they’re headed, you won’t hear me argue. Hailing from Sweden and arriving as an offshoot of Asteroid, the single-song EP from The Sun, the Moon and the Witch’s Blues had more than a touch of heavy blues to it too, and made me look forward to that project’s development from here on out.
There’s little I’m going to complain about less than hearing Ed Mundell bust out Miles Davis-inspired solos, so yeah, The Ultra Electric Mega Galactic‘s Through the Dark Matter EP gets a nod. Impressive guitar work ran a current through Boston duo Gold & Silver‘s debut EP, Azurite and Malachite, but the proggy feel was what ultimately sold me on the two extended instrumentals included there, whereas with fellow Beantowners The Proselyte, it was the catchy songwriting and variety they showed in just four tracks. The He Whose Ox is Gored 7″ was likewise modern and satisfyingly weighted, though obviously shorter, and last but not at all least, the progressive sludge of Wren‘s self-titled EP seemed to fly under a lot of people’s radar but was a markedly individual take on a well established form that portended of good things to come.
As with everything, I’m sure there’s something in this mix that I forgot. If you’ve got a call you want to make on something, please let loose in the comments. Thanks for reading.
Some combinations in life, you just can’t go wrong. Ed Mundell and a wah pedal, for example. This proved to be the case last year when Mundell‘s jammy trio with bassist Collyn McCoy (Trash Titan) and Rick Ferrante (Sasquatch), the cumbersomely-named The Ultra Electric Mega Galactic, made their self-titled debut (review here), as it proved to be the case so many times over the guitarist’s years holding down leads in Monster Magnet and The Atomic Bitchwax. Well, further affirmation is welcome by me, and Mundell, McCoy and Ferrante seem only too pleased to provide it on the new tape EP, Through the Dark Matter.
A front-and-back j-card with blacklight-sensitive art from Brad Moore meant to invoke Miles Davis is included with the bright-orange cassette, which is pressed through Orbit Unlimited Records in a numbered (the numbers are also blacklight sensitive) edition of 200 copies. CDs were made available for the power trio’s recent European tour alongside Sasquatch, but 500 of those were made, so the tapes are somewhat harder to come by. Understandably, since the recording job by Snail‘s Matt Lynch at Mysterious Mammal Studios does so well in capturing the live dynamic between The UEMG‘s members, whether it’s Ferrante and McCoy stomping out on side 2’s “Day of the Comet” or Mundell setting an initial mood with minimal effects ambience on the introductory “Small Magellanic Cloud.”
Like the self-titled, Through the Dark Matteris clearly instrumental in its focus, but The UEMG do introduce some vocals for the first time to their studio work, McCoy stepping in for a suitably bluesy delivery on the Willie Dixon cover “Spoonful,” which is the centerpiece of the CD/digital version but closes side 1 of the tape following the intro and the jammed-out title-track. The effect its placement has is to ground the tape somewhat — these cats can jam, and when they do, they go pretty far out — a hook and start-stop funk-wah lead line reminding me no less of Clutch now than when I first streamed “Spoonful” and “Through the Dark Matter” here in April, and the relatively straightforward, traditional structure sits well between “Through the Dark Matter”‘s cosmic pulsations, the bass-heavy push of “Day of the Comet” and the space-jazz blissout of “Large Magellanic Cloud,” which closes out side 2, guitars, bass and drums all seeming to intertwine even as they stretch out in their own directions.
While it’s a relatively short 26 minutes — you wouldn’t call Through the Dark Mattera full-length, though it flows well — The Ultra Electric Mega Galactic‘s EP is all the more worth digging into for how natural it sounds coming from the band. Lynch is an experienced engineer and gets a clear, professional sound here that plays well with the Rhodes McCoy adds or the layers in Mundell‘s guitar, but the overall vibe is that The UEMG could more or less show up somewhere, plug in and make this happen. Maybe that’s a testament to the experience of the players involved or the several years they’ve already been jamming together, but whatever it is, a short release that plays out with such substance is an accomplishment that makes Through the Dark Mattera worthy follow-up to the debut. Wherever their voyage next takes them, I doubt it’s going to be much of a challenge to follow.
The Ultra Electric Mega Galactic, Through the Dark Matter EP (2014)
Here is the Music Player. You need to installl flash player to show this cool thing!
It was getting on two in the morning last night and I was yet again trying to figure out how to get the audio editing software I use to make podcasts to work on this laptop. Numerous failed downloads later, I decided screw it, I had nothing to lose, and I zipped up the directory containing the program on my old computer, WeTransfered it to myself, and unzipped it on the newer machine. Frickin’ worked. I couldn’t believe it. Proof that sometimes the stupidest solution of all is the way to go.
This is the first new podcast in a long time, I know. There’s been a lot of really cool stuff coming out in the last few months, but I wanted to still keep it as recent as possible. Some of this is out now and has been for a couple weeks, some of it isn’t out yet. I think it’s a good mix or I wouldn’t have uploaded it, and it gets pretty heavy for a while there, so watch yourself. Figured a good couple of rockers to open wouldn’t meet any complaints either, and hopefully that’s the case. Please enjoy.
Fu Manchu, “Radio Source Sagittarius” from Gigantoid (2014)
Radio Moscow, “Death of a Queen” from Magical Dirt (2014)
Abramis Brama, “Blåa Toner” from Enkel Biljett (2014)
The Ultra Electric Mega Galactic, “Spoonful” from Through the Dark Matter (2014)
Boris, “Heavy Rain” from Noise (2014)
Eyehategod, “Robitussin and Rejection” from Eyehategod (2014)
Serpentine Path, “House of Worship” from Emanations (2014)
Triptykon, “Boleskine House” from Melana Chasmata (2014)
Wovenhand, “Field of Hedon” from Refractory Obdurate (2014)
Been Obscene, “Memories of Salvation” from Unplugged (2014)
1000mods, “Reverb of the New World” from Vultures (2014)
Electric Citizen, “Light Years Beyond” from Ghost of Me b/w Light Years Beyond (2014)
Mars Red Sky, “The Light Beyond” from Stranded in Arcadia (2014)
Salem’s Pot, “Creep Purple” from Lurar Ut Dig På Prärien (2014)
Black Bombaim, “Arabia” from Far Out (2014)
Dopelord, “Pass the Bong” from Black Arts, Riff Worship and Weed Cult (2014)
Holly Hunt, “Prometheus” from Prometheus (2014)
They’re ultra electric. They’re mega galactic. And in just a couple days’ time, The UEMG — or The Ultra Electric Mega Galactic, if you’re not into the whole brevity thing, man — will begin a European tour alongside fellow Californian heavy rock mavens Sasquatch, launching the shindig at Desertfest in London before hopping over to Berlin and taking the show on the road from there for more shows in Germany as well as Italy, Austria, France, Switzerland and Belgium. To mark the occasion, the trio of guitarist Ed Mundell (ex-Monster Magnet), bassist/sometimes-vocalist Collyn McCoy (ex-Trash Titan) and drummer Rick Ferrante — the latter of whom will be pulling double duty on the road in Sasquatch — put a new EP to tape with Snail‘s Matt Lynch at his Mysterious Mammal Studios that they’re calling Through the DarkMatter.
For anyone who may have caught (solar) wind of The UEMG‘s self-titled debut last year (review here), the five-track/26-minute Through the Dark Mattertakes a somewhat different approach. Sandwiched by the spaced-out feel of the shorter “Small Megallanic Cloud” and longer “Large Magellanic Cloud,” the three middle cuts present distinct takes on the three-piece’s when-in-doubt-jam-it-out methodology, blending heavier space rock thrust from Ferrante and McCoy with Mundell‘s storied leads in acid jazz profundity. “Spoonful,” the centerpiece, is a cover of Willie Dixon and boasts a suitably bluesy boogie, Mundell stepping in to deliver funky start-stops that bring Clutch to mind while McCoy — for the first time recorded in The UEMG — takes the mic to handle vocals, which he does with a gravelly but not overly affected style. As he seems to hint in discussing the EP and Euro tour plans below, he won’t be the only vocalist for The UEMG, but “Spoonful” proves he could be.
“Through the Dark Matter” preceding and “Day of the Comet” following show the development in dynamic at the heart of The UEMG. The EP’s title-track puts Mundell‘s guitar front and center, while on “Day of the Comet,” it seems to be McCoy‘s bass at the fore — Ferrante ever-steady behind and not shy to step up and hold down the proceedings on his own when asked — while the guitar wails out noisy leads in cosmic echoing form. However you might approach the EP, The Ultra Electric Mega Galactic continue to wow with their fluidity, and their motion into and out of “Spoonful” is as seamless as one could ask. It’s like they hid a party behind a moon deep in their own solar system.
As they get ready for Desertfest and more, I’m fortunate enough today to stream the title cut from Through the Dark Matterand “Spoonful” for your listening enjoyment. Please find them below, followed by some words from McCoy about the recording, the tour with Sasquatch and future plans for The UEMG.
Here is the Music Player. You need to installl flash player to show this cool thing!
The EP – “Through the Dark Matter” – was recorded at Mysterious Mammal earlier this month with engineer/studio honcho Matt Lynch (of Snail).
Track list is as follows:
1. Small Magellanic Cloud 2. Through The Dark Matter 3. Spoonful (Willie Dixon) 4. Day of the Comet 5. Large Magellanic Cloud
Artwork by Brad Moore (who did the cover for Morpheus Descends’ “Ritual of Infinity” and a lot of other death metal classics). We chose this particular piece for its Bitches Brew/Abraxas vibe.
Includes the first UEMG track to feature vocals. A cover of Willie Dixon’s “Spoonful.” We aren’t doing the Cream version, we’re actually are doing the Howlin’ Wolf version from his first (and only) “psychedelic” record, 1969’s “The Howlin’ Wolf Album.” Wolf hated this album, but we love it! For the five people who remember my band Trash Titan, you’ll remember that I do croon a bit.
In addition to singing (which I’ve been doing live with UEMG for a while, as the mood strikes) I played upright bass and Fender Rhodes electric piano.
Will be limited to 500 CDs and 200 cassettes. These will debut at the merch table of DesertFest London and we will (at least initially) sell them exclusively on tour. Also, as it turns out, the EP will be available online at CD Baby (today, I’m told) as well as on the merch table in Europe. But once they’re gone, they’re gone. No reprints!
While it still rocks, there’s more of a late 60s/early 70s jazz fusion influence on this record, which can be heard on the long jams (side B of the cassette). Miles Davis’ Bitches Brew, Mahavishnu Orchestra, and “Sextant” era Herbie Hancock were some touchstones.
The cassette artwork is printed in blacklight sensitive ink. They’ll also be hand-numbered in blacklight sensitive ink. Includes a download code for people who don’t want to risk wearing it out in the tape deck of their ’86 Nissan.
We’ll also be bringing a small number of bootlegs for the merch table. We’ve got a buddy, Scrit, who tapes all of our shows. The sound quality is pretty great for field recordings. Eventually (by this summer), we hope to have a number of these bootlegs available for download through our website.
Which reminds me…fans, feel free to tape our shows! We try to play a different set every night, and we try to play the songs a little different each time.
We’ll also be doing some jamming with Sasquatch, and vice versa. These guys are our brothers from way back – shit, we share a drummer. Ed’s been playing with them and Keith’s been playing with us for years.
Tour Dates are below. We plan on making each show special in its own way, so fans should feel free to follow us around like we’re frickin’ Phish or something.
25.04.14 FRI UK London Desertfest 26.04.14 SAT GER Berlin Desertfest 27.04.14 SUN A Vienna Arena 28.04.14 MON GER Wiesbaden Schlachthof 29.04.14 TUE GER Munich Feierwerk 30.04.14 WED ITA Montecchio (VI) E20 Underground 01.05.14 THU ITA Milano Lo-Fi 02.05.14 FRI A Millstatt Bergwerk 03.05.14 SAT GER Hohenstein 15 Jahe Voice of Art 04.05.14 SUN GER Cologne Underground 05.05.14 MON GER Hamburg Markthalle 06.05.14 TUE GER Stuttgart Goldmarks 07.05.14 WED CH Pratteln Z7 08.05.14 THU BEL Leuven Sojo´s 09.05.14 FRI F Paris Glazart 10.05.14 SAT CH Winterthur Gaswerk
We hope to have some special guests joining us on stage at DesertFest Berlin. Who could it be? Ed has a lot of friends in the stoner rock music community, that’s all I’m gonna say.
Which reminds me, our next full length will feature some guest vocals. It’ll still be mostly instrumental, but we’re going to include some guest singers on a few tracks. Again, I can’t say who, but rest assured, if you’re reading this blog, you know who they are.
Posted in Whathaveyou on January 29th, 2014 by JJ Koczan
Here’s a quick impression of me the last time I saw Hull. Ready? Okay, here goes: “Duh Hull are fucking fantastic and I’m an idiot for not listening to them like every day. Duh.”
I was right, actually, because even now as I put on their 2011 to-date magnum opus, Beyond the Lightless Sky(review here), I’m reminded immediately of just how righteous the Brooklyn four-piece can get. I haven’t seen much word of new material for a follow-up, though they played some live if that counts (I think it does), and they reissued their debut EP, Viking Funeral, last year, so they’re definitely still active. Really interested to hear what they turn out for a new album though, since both their albums at this point have had such a conceptual framework. Like mom says though, good food takes time.
Hull will join the lineups for Desertfest in London and Berlin (they’re also playing Roadburn), and I’ve also included recent announcements below for Ed Mundell‘s The Ultra Electric Mega Galactic and German rockers Powder for Pigeons, who’ll play Berlin.
We are thrilled to announce today that Sludge rock conjurors HULL will play at DESERTFEST BERLIN 2014!
Hailing from the streets of Brooklyn, HULL materializes as a massive entity storming stages and immersing their audiences in a blanket of grandiose down-tuned compositions. A shifting fault line of decibel heavy harmony, this collective force converges in a collision of thrash, doom, classic rock, and formal orchestral works. Submerged in cosmic soundscapes, HULL challenges the mind with flowing, off-time fugues and powerful, dynamic movements.
Hard at work since the release of their seminal EP “Viking Funeral” in 2006, HULL unleashed in 2009 a new creation “Sole Lord” that offered a promising extension of the ambitiously psychedelic doom legacies of Neurosis and Isis. Two years after, the band’s sprawling latest saga “Beyond the Lightless Sky” emerged, and was a colossal and cohesive statement full of misdirection and surprises.
Moment of atmospheric drift, mathematical twist, and belligerent march tied together into the suggestion that this was a band to watch. Fortunately for all of us, HULL has planned to embarked on a European mission with Elder this spring, and we are proud to get them at DESERTFEST BERLIN 2014 (with maybe new songs, if we believe what we could read on their facebook page!)
Some of you expected them, and here they are : THE ULTRA ELECTRIC MEGA GALACTIC! We are proud to welcome Ed Mundell (ex Monster Magnet, The Atomic Bitchwax) at DESERTFEST BERLIN 2014!!
When he left Monster Magnet in 2010, Ed Mundell began to explore a range of psychedelic jams. Gradually, this jammy impulse led to the formation of THE ULTRA ELECTRIC MEGA GALACTIC (from now on refered to as TUEMG), and toward the end of the last decade, the band composed of Ed Mundell, bassist Collyn McCoy (Trash Titans, Otep) and drummer Rick Ferrante (Sasquatch), began playing out here and there on the American West Coast.
TUEMG play an instrumental psychedelic, heavy spaced out power rock and it’s bloody fantastic! Hard Rocking, 70’s inspired, the band bring a new fresh take on the power trio set-up and they know how to make their instruments talk. As soon as you start listening TUEMG, the atmospheric mix of terrific and imaginative bass runs, cosmic guitar sounds and fanstastic drumming takes you for a trip into the furthest reaches of the seventies flavoured psychedelic universe the trio inhabits.
Early 2013 brought their S/T debut, and if you dig space travelling, these 9 songs are a must that you European people will be abe to enjoy in live for the first-time ever at DESERTFEST BERLIN 2014!
We are pleased to announce today the German-based Australian-born rockers POWDER FOR PIGEONS!!
POWDER FOR PIGEONS are an exceptional rock duo that was founded in 2012 by Rhys Jones (vocals/guitar) and Meike Hindemith (drums) in the hot and dusty Outback of Western Australia. Inspired by the rugged surroundings, they have crafted a gigantic sound that fills the frequency spectrum with punchy, warm, fuzzy guitar riffery and thumpin drums to be heard for miles around.
After releasing their debut album “Hell outta here” in March 2013 which they recorded live in the arid Australian desert, the Power Duo has toured extensively throughout Europe with stops in Germany, Latvia, Estonia, Poland, UK, Switzerland, Austria.
Stationed in Germany for months now, with a swag full of dirty new material, the band released last week their new amazing and thriving Rock and Roll effort making quite clear that they “live and breathe” the music for/on every rocking note! We are very happy to have them bringing their brand of sweaty fuzz/grunge to DESERTFEST BERLIN 2014!
Posted in Whathaveyou on September 20th, 2013 by JJ Koczan
Palm Springs desert rockers Dali’s Llama, led by Zach and Erica Huskey , will celebrate their 20th anniversary as a band on Oct. 5. They’re throwing a killer party to mark the occasion, and before you ask, yes of course it’s in the desert. Forest music they are not, though their last album, 2012’s Autumn Woods(review here), leaned that way a bit in its atmosphere.
I’ve gone on before about how I consider Dali’s Llama‘s ethic of following their passion for two decades deeply, richly admirable and inspiring, so I’ll spare you that, but suffice it to say that even in a realm of the underground where people say they are on their own path all the time, Dali’s Llama actually are. And they have been for a long, long time. 20 years, or so I’m told. Kudos. One of these days I’ll get to interview Zach or Erica. Maybe for the next record, which never seems to be far off.
The cast of characters they’ve assembled to help them celebrate two decades at what they’ve awesomely decided to call “Dali’s Llama’s Wild Rumpus” reads like a desert wishlist for people you’d want to have show up to a party. Lineup, link and a cool Skillit poster follow:
Dali’s Llama’s Wild Rumpus
Celebrating 20 Years Underground
13 Bands (only $5)
at The Palms in Wonder Valley
All Ages • Bar with ID
Free Overnight Camping
Bands start at 2:00 pm!
We hope you’ll join us to celebrate our band’s 20th Anniversary with a gathering of friends, music & fun.
Rubber Snake Charmers (feat Mario Lalli & family + special guests)
The Freeks (former members Nebula, Fu Manchu, Backbiter, The Angry Samoans)
Ultra Electric Mega Galactic (former/current Monster Magnet, Sasquatch, Trash Titan)
Hornss (members of Solarfeast & The Jack Saints)
Rise of the Willing (high desert DOOM masters!)
Whiskey and Knives (desert stoner/punk kings!)
Brave Black Sea (former members Kyuss, QOTSA & Slo Burn)
Undead Cuervo (L.A. stoner rock!)
Caveman Voicebox (feat member of The Adolescents)
Hit It! (like early Redd Kross)
and special acoustic performances by
Joe Dillon & Scott Brooks (The Hot Beat Duo!)
Josh Heinz (the Big Daddy of Blasting Echo)
After the show there will be a free informal test screening of the music documentary “Lo Sound Desert”.
The lineup is admirably varied and unflinchingly heavy, and Doom in June III is set to take place June 1, 2013, at the Cheyenne Saloon in Las Vegas, Nevada. Tickets for the day-long get-down are now available via the link embedded below in the info sent down the PR wire:
DOOM IN JUNE III MUSIC FESTIVAL
Saturday, June 1st, 2013
The Cheyenne Saloon in Las Vegas
April 2, 2013 – Las Vegas, NV — The celebrated DOOM IN JUNE MUSIC FESTIVAL returns for the third time on Saturday, June 1st, 2013 with some of the coolest names in Doom, Stoner Rock and Metal. The event provides a full day of immersion into some of the greatest music of the genres, drawing people from around the world to Las Vegas to get down and get rockin’. Prepare for another wicked dose of the heaviest of the heavy.
Remaining true to the original format, Doom In June III kicks off the summer on the first weekend in June. Thirteen bands are confirmed – including many established acts — as well as providing an opportunity for guests to catch some of the brightest young talents. The venue offers a carefree, good time environment which is why bands and guests alike look forward to returning to The Cheyenne Saloon (3103 N. Rancho Blvd.).
Performances include THE SKULL featuring former TROUBLE vocalist Eric Wagner and bass player Ron Holzner offering the best of Trouble; legendary ‘80s cult favorites MANILLA ROAD; instrumental power trio KARMA TO BURN, ANCESTORS, New Mexico’s LAS CRUCES, CASTLE, SNAIL; Monster Magnet guitarist’s Ed Mundell’s new band ULTRA ELECTRIC MEGA GALACTIC; Las Vegas’ female-fronted doom four-piece DEMON LUNG — who will celebrate the event as a record release show for their highly anticipated debut album on Candlelight Records; a couple San Diego area bands DALI’S LLAMA and ALBATROSS OVERDRIVE and two promising locals opening the day – MEGATON and SPIRITUAL SHEPHERD.
Doors are at 1:00 pm and event features thirteen bands performing for twelve hours on one stage. Tickets now on sale atwww.brownpapertickets.comfor only $16 advance. Rooms are available at The Fiesta Rancho Hotel/Casino which is located very close to the Cheyenne Saloon and offers affordable accommodations.
For more information email email@example.com or visit Doom In June III on Facebook atwww.facebook.com/doominjune. Event sponsors include Fly PR, Heavy Planet, Planet Fuzz, Doom Metal Alliance, All That Is Heavy Shop and Hellride Music.