Days of Rona: Adam Nohe of Horseburner

Posted in Features on April 20th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

horseburner adam nohe

Days of Rona: Adam Nohe of Horseburner (West Virginia)

When Students in the UK Come Across a Hectic Essay, They are Likely to Ask, Dissertation Writing Services Malaysia Printing and Make it Easy for Me to Impress My Professor? How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

In the grand scheme of people’s lives and, you know, all these dire elements, our little musical world seems small. But it definitely has temporarily derailed quite a bit of work. We had to cancel our first European tour which we’d been working on for over half a year with Howling Giant, never mind the years of work to get to that point. We had to cancel a couple gigs in Ohio and Pennsylvania as well. We have five shows in May we’ve been looking forward to, including one opening for one of our favorite bands, that I have a real bad feeling about. And then we were working on a three week June tour that hadn’t even been announced yet that I’m starting to wonder if it’s going to happen now as well. And we can’t effectively start rescheduling anything yet because we don’t know if there’s an end in sight. Honestly, it’s a complete mess right now and it’s disheartening to see all of our work just come to such an abrupt halt.

I was thinking we’d at least have time to really do some work writing, everything is mic’d up in the basement right now. We demoed a new song, recorded a few covers we’ve been wanting to do, but now that this Stay at Home rule is in effect we can’t really do that anymore either. We want to work, but we also want to be smart.

Jack and I both left full-time employment to really focus on music and touring this year. I’m a substitute teacher in two counties in WV and wait tables in the evenings, and I can’t do any of that right now. Jack’s focused more on recording bands, can’t really do that. Seth’s restaurant closed down for the time being. I think Matt’s the only one of us still getting a regular paycheck.

Affordable Resume Cover Bbc Homework Help Geographys. Hire a freelance resume writer and get your cover letter for your resume done remotely online within 24hr What are the quarantine/isolation rules where you are?

All the nonessential businesses are closed, and even grocery stores are all shutting down earlier than they normally do so there’s time to clean. We’re supposed to stay home unless it’s absolutely necessary.

Lynn Gabbay Phd Thesis So that will do my dissertation / professional academic writing service, harvard, or research paper info. Are well known custom How have you seen the virus affecting the community around you and in music?

You know, West Virginia was celebrating being the last state with any cases of the virus, but we also weren’t testing anyone for the longest time. It seems like a lot of people in these parts still think it’s a hoax or not that serious. I’ve had to make a couple supply runs, and I swear I actually see more people out at the stores that are still open. Grocery stores are packed. Home Depot is packed. I’m really hoping people around here start taking it more seriously.

The greater music community is suffering for sure. I’m worried about some of our favorite venues making it. But I will say this, I’ve seen a ton of people really step up and support bands and artists online right now. I know we got a bunch of orders the day Bandcamp waived their fees, and something like 4 million dollars were spent on music that day around the world. Honestly, it’s kind of beautiful. I hope people keep that love and fighting spirit once we’re all out in the world again.

Writing Aid online. Our cheap custom dissertation writing service makes your education much easier. Save your time and nerves with our service. What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I just want everyone to try to stay positive through this. We’re trying hard to, even if some of us are going a bit stir crazy. But we are not alone. We may be isolated, but this entire community is in this together. If people take this seriously and do what they’re asked, we can get back to our lives. I’m hoping to see some positive societal change come from this. People are learning, many for the first time, that a lot of our systems don’t have to be the way they are forever. It can get better for all of us.

And man, I cannot wait for that first show post-quarantine. It’s going to be magical.

https://www.horseburner.com/
https://www.facebook.com/Horseburner/
https://horseburner.bandcamp.com/
https://www.instagram.com/horseburner/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

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Horseburner Postpone European Tour Plans

Posted in Whathaveyou on March 13th, 2020 by JJ Koczan

You don’t need me to tell you these are uncertain times, but kudos to West Virginia’s Leading name among proposal writing companies. Get premium quality business http://volnapodarkov.ru/?adhd-phd-thesis from the best proposal writing consultants in USA. Horseburner for being smart enough to pull the plug on what would’ve been a nightmare trip to Europe instead of going over there and being thoroughly screwed without shows or money, etc., because that’s the kind of crap that breaks up good bands. So better they put off the tour than do it wrong.

And hey, if you want to take something positive from the story below — it is quite a story — at least it’s not just COVID-19 that’s their reason. Apparently whoever was booking their tour — they seem purposefully not to name said individual or entity — just didn’t do it. That’s a rough one. They were set to play homework helpers of lv visite site online essay bank electrical circuit homework help Ripplefest Cologne with a bunch of other good bands and I assume like the rest of existence that’s up in the air now as to whether it’s even happening, but yeah. From how they tell the tale, it’s easy to see why they’re waiting. It’s the right call.

Here’s what they have to say:

HORSEBURNER

When this band started touring, our goal was to make it over to Europe within 5 years. We’ve been actively touring since 2011. If you know us, if you’ve followed us, you know some of the struggles we’ve had. Life gets in the way of keeping a band together. And the older you get, the more difficult it is. People’s goals change. Their ideals change. To be honest, I think most people would call us idiots for sinking as much of ourselves for so long into a band that is still touring and playing some empty rooms. The truth is we are total idiots who believe too much in what we’re doing to give up. But we’re lucky that we’ve found like minded idiots along the way, like Seth and Matt and and Rob and Scott and Mike and Chad, etc, who share this vision and tenacity. So even though we’ve had to postpone goals along the way, we’ve continually refused to give up. And because of that refusal to give up, we finally got our opportunity to take our music overseas this year.

We now have the unfortunate duty to announce that we will not be playing Ripple Fest in Cologne, Germany later this month. I really don’t want people to think we just easily threw in the towel, so here’s what we’ve gone up against in the past few months. Hope you’re ready to get a sneak peak into the struggles of a DIY band.

Due to a laundry list of reasons that are not in the slightest bit his fault, we found out Seth was not going to be able to go. This was heartbreaking because Seth has worked his tail off for this band, and he deserves to have all the amazing experiences a tour like this should bring. But as sad as we were, we are lucky to have excellent friends. Scott from Bridesmaid was going to fill in for the tour just as he has many times in the past. Then one day Scott called with some potential terrible news and suddenly we didn’t know if he could go either. Strike two. After a few weeks of back and forth, some fingers crossed, and lots of positive vibes, Scott called and said everything was a go. Only now, we had a different problem. We only had one show (Ripple Fest).

The person who was hired to book the tour… didn’t. We were scheduled to be overseas for nearly three weeks, hoping to play as many shows as possible. As amazing as it would be to simply go explore Europe, we were going to work, not vacation. So as of two weeks ago, we had one show. The smart thing to do would have been to cancel as soon as we found out there was no tour. But we had already bought plane tickets and we’re not smart. So Ripple and Blues Funeral rallied the troops, and we had an amazing crew of true brothers and sisters go into hyperdrive, and as of yesterday, we had nine shows. Are we the type of people who will fly to a separate continent to play a handful of shows that have not even been advertised with insane drives due to emergency routing? Truthfully, yes. Yes we are. But now on top of all of this, some European countries are now closing off their borders and encouraging people to avoid public gatherings. So the show that came together in Italy was going to be canceled. And it really looks like other countries are going to be following suit in the coming weeks. There are too many uncertainties and too much risk of shows getting canceled last minute, and we’d still be sunk for thousands and thousands of dollars for renting gear and a van for the tour. Or even worse, getting stuck quarantined in a foreign country and not able to get home, not able to get back to our families or our jobs after the tour, and any other awful situation you can imagine. So here we are.

I don’t think any of us have ever been this disappointed. But we’re doing what we always do, we’re looking to the future. This is not the end of the road, this is just one more obstacle we’re going to overcome. We’re going to reschedule this tour, and as soon as we have news, we’re going to share it with you.

Lastly, we want to send our deepest gratitude to the folks who banded together over the last couple weeks and put together what should have been an amazing time. All our love to Buddy from Great Electric Quest and Mikaela from Loitsu Booking who did the bulk of the work the last couple weeks, Todd from Ripple and Jadd from Blues Funeral, Matt Bacon, Electric Avenue Music, Max from Plainride, Doza from Lightning Born, Tom from 20 Watt Tombstone, Nick from Stonecutters, and anyone else who tried to help us out. Lastly, to Howling Giant. Our plans for world domination will have to wait a few months, but we love you dudes and we’ll make this work eventually.

As always, we’ll see you on the road… in the US. Stay dirty.

Horseburner:
Adam Nohe – Drums/Vocals
Jack Thomas – Guitar/Vocals
Matt Strobel – Guitar
Seth Bostick – Bass

https://www.horseburner.com/
https://www.facebook.com/Horseburner/
https://horseburner.bandcamp.com/
https://www.instagram.com/horseburner/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Horseburner, The Thief (2019)

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Horseburner Touring the Midwest and West Coast in November

Posted in Whathaveyou on October 10th, 2019 by JJ Koczan

horseburner

West Virginia’s  Professional freelance business writers deliver professional http://www.chacf.co.uk/online-essay-editing/ and copy editing services, plain language business writing, and Horseburner made a suitably barnstorming label debut on Assignment Valley is the UKs legit assignment service catering queries like do my assignment or write my assignment cheap "hop over to here?" Ripple Music a couple months back with make custom thesis theme Help With My Thesis Statement how to write findings in dissertation nyu essay prompt The Thief (review here), and in November, they’ll be heading out westward to support the album, aligning with Boston’s  You should dissertation sur la poesie lyrique to relieve your academic pressure and stress, and we are here to help you get the best paper based on individual needs. Worshipper and of course a host of others for shows along the way. Sound cool? It is. Looking for best dissertation of english pronunciation problems Services in UAE? Essayassignmenthelp.ae is one of the best solutions for students to get the essay assignment help Horseburner have a few tours under their collective belt at this point, but they go with a new and marked level of accomplishment following the issue of their second album, and increasingly their reputation is preceding them. This is the kind of thing that only continues a band’s forward momentum, and  By We do not reuse ANY custom papers and we do . Have you ever wondered why do teachers and professors give you Why http://www.queen-jungle.com/content-writing-company-us/ is it Horseburner have plenty of that, in sound and circumstance alike.

If the style of the poster looks familiar, it’s probably because you’ve been staring at  california bar essayss - Proofreading and editing services from best writers. All kinds of academic writings & custom papers. witness the Lo-Pan artwork. It’s Pittsburgh-based Phd Thesis On Nutrition - experienced scholars, top-notch services, instant delivery and other benefits can be found in our academy writing help Chris Smith behind the design, and it rules in such a way as to wonder what it would cost to ask for a t-shirt design for this site. Probably more than I’ve got, but still. Might be worth finding that out.

Anyway, here are the dates:

horseburner tour

We are pleased as can be to announce the entirety of our November tour. We’re hitting a ton of places we’ve never played before, so we’re looking forward to getting out there and meeting you. Yes, you.

Even more stoked to be meeting up with our brothers in the mighty Worshipper for the west coast dates!

As always, we’ll see you on the road. Stay dirty.

11-1: Cleveland, OH – Now That’s Class
11-2: Bloomington, IL – Nightshop
11-3: Rock Island, IL – RIBCO
11-5: Lawrence, KS – Replay Lounge
11-6: Denver, CO – HI DIVE
11-7: Cheyenne, WY – Ernie November
11-8: Salt Lake City, UT – The Greek Station
11-9: Seattle, WA – Substation**
11-10: Portland, OR – High Water Mark**
11-11: Eugene, OR – Luckey’s**
11-13: San Francisco, CA – The Elbo Room**
11-14: Las Vegas, NV – Count’s Vampd**
11-15: Los Angeles, CA – The Lexington**
11-16: Oceanside, CA – The Pourhouse**
11-17: Albuquerque, NM – Moonlight Lounge
11-18: El Paso, TX – Neon Rose
11-19: Fort Worth, TX – Main at South Side
11-20: Austin, TX – Lost Well
11-21: Lafayette, LA – Freetown Boom Boom Room
11-23: Nashville, TN – Cobra
11-29: Marietta, OH – The Adelphia

** with Worshipper **

Poster by Chris Smith/Grey Aria Design Studio

Horseburner:
Adam Nohe – Drums/Vocals
Jack Thomas – Guitar/Vocals
Matt Strobel – Guitar
Seth Bostick – Bass

https://www.horseburner.com/
https://www.facebook.com/Horseburner/
https://horseburner.bandcamp.com/
https://www.instagram.com/horseburner/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Horseburner, The Thief (2019)

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Review & Track Premiere: Horseburner, The Thief

Posted in audiObelisk, Reviews on July 29th, 2019 by JJ Koczan

horseburner the thief

[Click play above to stream ‘Drowning Bird’ from Horseburner’s The Thief. Album is out Aug. 9 on Ripple Music.]

Though the inherent energy of their material and the fact that they’re newly signed to college application writing zemach best site help writing 5 paragraph essay research papers on english literature Ripple Music read otherwise, West Virginia’s Horseburner are not actually a new band. They played their first show just over a decade ago, and released two EPs before making such a splash with their 2016 full-length debut, Dead Seeds, Barren Soil (review here). That album was picked up for release through Hellmistress Records and subsequent touring and response led to the Ripple signing ahead of The Thief, their second LP and label debut. It’s worth mentioning not only for basic background, because when one listens to The Thief front-to-back, Horseburner‘s chemistry is not that of a new band.

While they recently parted ways with guitarist Zach Kaufman and brought in Matt Strobel to take on the role alongside guitarist/vocalist/keyboardist Jack Thomas, drummer/vocalist Adam Nohe and bassist Seth Bostick, the lineup that appears on the nine-song/46-minute The Thief feels wholly solidified in its songwriting approach, taking cues from modern progressive metal, NWOBHM and shades of traditional doom. Thomas‘s vocals remind here and there of Butch Balich‘s work in Argus — thinking of songs like “A Joyless King” and the later “Fathoms,” but it’s a comparison one might make elsewhere too, and not a comparison made lightly — and the winding course of riffing over which he and Nohe harmony-shout is reminiscent of the likes of Leviathan-era Mastodon in its hard edge and obviously considered composition.

Across intense pieces like “Drowning Bird” and “The Fisherman’s Vow,” they manifest crunch and gallop in kind and still set up a smooth-moving flow within and between the songs. It’s fast, and it’s a lot to keep up with, but that’s the idea, and when Horseburner are at a sprint, as on “Hand of Gold, Man of Stone” (premiered here), the effect is righteously head-spinning. Movements within songs mesh well together and take shape as verses and choruses, and as its two-minute titular introduction, and the likewise-timed centerpiece “Seas Between” and closer “Thiefsong” weave an acoustic-based thread throughout all the heft, the feeling of a masterplan at work becomes all the more prevalent.

If Horseburner are telling a story here — and they may or may not be; I haven’t had the benefit of a lyric sheet — then it’s one that sets up across intricately conceived chapters that balance indulgence and creative will against sheer impact of groove, “A Joyless King,” “Drowning Bird” and “The Fisherman’s Vow” separated by “Seas Between” from the side B salvo “Hand of Gold, Man of Stone,” “The Oak” and “Fathoms.” The underlying modus doesn’t necessarily change between the two sections — in fact, I’d argue The Thief is best enjoyed on a linear format so as to get the whole effect of “Seas Between” as the centerpiece without having to worry about a side flip as one would on vinyl — but flourish of proggy guitar interplay and keyboard in “The Oak” and the fact that “Fathoms” is the only song on the record to top eight minutes does speak to a certain amount of branching out, though there’s no question that in the case of the latter, its position as the full-album payoff is purposeful as well.

 

HORSEBURNER new lineup

One imagines that if Horseburner didn’t already know it when they were writing the song, it quickly became clear in the recording process that “Fathoms” would close out ahead of “Thiefsong,” such is the thump with which it lands and the heights to which it soars in its finishing, solo-topped sway. That puts further emphasis on the flow that’s been happening all along throughout The Thief, as all the more it seems “A Joyless King” and “Drowning Bird” are meant to draw the listener into the varied but linear whole-album progression. The short version is it works, and with deceptive subtlety, because as they’re setting up this linear motion, Horseburner are also bashing and crashing through killer chug and hairpin-turn rhythms, stomping through headbang-ready heavy parts and adding more than hints of nuance to deepen the proceedings beyond what might otherwise be “cool riffs, bro.”

Nothing against that, understand, but The Thief is on a different and more complex mission, and the band bear that out in the means by which they maintain both the thoughtfulness of the material and the conversation they’re having with their audience here. Because whatever layering there might be between Thomas‘s keys and guitar, the recording itself is geared toward capturing a live setting. With so much vitality, it could hardly be otherwise. Tracked at Amish Electric Chair Studios and Green Mist Studios respectively by Neil Tuuri (who also mixed) and Thomas himself, there’s no lack of clarity in the offering, and even the most distorted, driving moments have a crispness to them that speaks further to the band’s will to actively engage their listenership, but the balance with raw energy across The Thief‘s span is striking, and it’s exactly that engagement that’s the reason why.

Horseburner want you to get into this album. They make it plain. The Thief is the output of a band who’ve been around for 10 years, have gotten their shit together, built up some momentum and decided to make a real push at having an impact. They sound hungry more than angry, but most of all they sound ready, and that’s true in the brief quiet interlude in “The Fisherman’s Vow” as much as in the fist-pumping early dual-guitar theatrics and subsequent all-out start-stop crunch of “The Oak.” The only question is what that engagement is leading to? If, after 10 years as a band, Horseburner want to hit the road and make a go of selling full-color t-shirts to various US and eventually European cities, I have no doubt in my mind they could pull that off in a fashion that’s at least no more or less sustainable than anyone else doing the same. Time will tell what their goals ultimately are and whether or not they get there, but most importantly, The Thief is a resonant announcement of their arrival, and that is not at all to be missed.

Horseburner website

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Horseburner on Bandcamp

Horseburner on Instagram

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Ripple Music website

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Horseburner Set Aug. 9 Release for The Thief; Tour Dates Announced

Posted in Whathaveyou on July 11th, 2019 by JJ Koczan

horseburner

Yeah, I’ve got it on now and this one’s pretty sick. Like, gonna-be-on-a-lot-of-lists sick. Maybe mine. Horseburner will make their debut on Ripple Music with The Thief and they’ve already got shows booked into November to support it, so that’s nifty, but listening to the album, it’s got stomper riffs and modern prog metal inflection galore in its winding guitar lines and not-at-all-overplayed drums, taking a cue from the Mastodons of the world without, well, sucking, I guess. It can be a fine line to walk, but Horsebuner would seem to have found the balance between nuance and groove and melody in these tracks that, yes, will be very well received. Bandcamp’s gonna go apeshit for this one. I hope Ripple has an ample supply.

I’m gonna try to set up another track premiere — the first one was here back in March — to go with a review a proper review, but in the meantime, here’s some info from the PR wire:

horseburner the thief

HORSEBURNER: Hard Hitting Road/Riff Merchants Return With New Album + Tour Dates

The Thief by Horseburner is officially released on 9th August on Ripple Music

Pre-order the album now at www.ripple-music.com

Together since 2008 and borne from the wild Appalachian green of West Virginia, Horseburner has never cowered from hard toil. From performing their first live show, self-recording and releasing two EPs (2009’s Dirt City and Strange Giant in 2013), putting on an inaugural tour in 2011 and releasing their debut full-length album, Dead Seeds, Barren Soil in 2016, the band has quite simply, done it all themselves.

Having played hundreds of shows over the past decade, performing alongside acts such as Torche, Weedeater, Goatwhore, Obituary, Corrosion of Conformity, The Obsessed, Karma to Burn and Bell Witch, in 2017 the band reissued their debut album through Hellmistress Records, which quickly reignited that song writing/recording flame, resulting in the gift of new music.

This year, as well as hitting the road for a monster Summer/Fall Tour of the US, the band join forces with Ripple Music, the California-based record label and world leader in Heavy Rock, Stoner, Doom and Heavy Psych to bring you the hard rocking yield of that fruitful and inspired year. The official worldwide release of their brand-new album, The Thief. As the band explains:

“We are thrilled to finally be putting out new music after almost three years and several member changes, and we can’t wait for people to hear, ‘Hand of Gold, Man of Stone’. It was the first song we finished for this new album, and we think it really sets the tone for what’s to come this summer when the full album is released. It’s loud, it’s aggressive, it’s a little weird… It’s also the shortest song. Brevity has never been our strong suit, but there is a much larger story waiting to be told, and this song is just one chapter. We’re even more excited to be teaming up with Ripple Music for the new record. We love so many bands on their roster, it’s such a well curated label. We’re honored to be joining the Ripple Family, and honestly, that’s what it feels like, a family.”

TRACK LISTING:
1. The Thief
2. A Joyless King
3. Drowning Bird
4. The Fisherman’s Vow
5. Seas Between
6. Hand of Gold Man of Stone
7. The Oak
8. Fathoms
9. Thiefsong

LIVE DATES (MORE DATES TBC):
2/8 – Richmond, VA – Wonderland
3/8 – Beckley, WV – Melody’s
23/8 – Athens, OH – Casa
24/8 – Youngstown, OH – Westside Bowl
25/8 – Cleveland, OH – Grog Shop
27/8 – Canton, OH – Buzzbin
5/9 – Huntington, WV – V Club
6/9 – Johnson City, TN – Hideaway
7/9 – Charlotte, NC – Skylark
8/9 – Jacksonville, FL – Jack Rabbits
9/9 – Miami, FL – Las Rosas
11/9 – Savannah, GA – El Rocko
12/9 – Athens, GA – Caledonia Lounge
27/9 – Toronto, ON – Bovine Sex Club
5/10 – Pittsburgh, PA – Gooski’s
6/10 – Buffalo, NY – Electric Avenue
7/10 – Saratoga Springs, NY – Desperate Annie’s
11/10 – Brooklyn, NY – The Well
12/10 – Wilmington, DE – Oddity Bar
13/10 – Baltimore, MD – The Depot
29/11 –Marietta, OH – Adelphia

HORSEBURNER:
Adam Nohe – Drums, Vocals, Percussion
Jack Thomas – Guitar, Vocals, Keys
Seth Bostick – Bass
Zach Kaufman – Guitar

https://www.horseburner.com/
https://www.facebook.com/Horseburner/
https://horseburner.bandcamp.com/
https://www.instagram.com/horseburner/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Horseburner, “Hand of Gold, Man of Stone”

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Horseburner Premiere “Hand of Gold, Man of Stone”; Announce The Thief on Ripple Music

Posted in audiObelisk, Whathaveyou on March 15th, 2019 by JJ Koczan

horseburner

It’s a time of change for West Virginian riffers Horseburner. A decade into their run and after releasing their incredibly well received debut, Dead Seeds, Barren Soil (review here), on their own in 2016 and through Hellmistress Records in 2017, the band are getting ready to bid farewell to guitarist Zach Kaufman following some final dates together as part of their Spring tour, most of which will feature StonecuttersNick Burks in that role alongside guitarist/vocalist Jack Thomas, bassist Seth Bostick and drummer/vocalist Adam Nohe.

At the same time, Horseburner have signed to Ripple Music and are newly unveiling the single “Hand of Gold, Man of Stone” taken from their upcoming second album, The Thief, which will be their first outing for the label. In a sharply-edged five minutes, the song burns horses and barns alike with heroic guitar lines and vocal harmonies drawn from modern progressive metallurgy, but manages as well to hold tight to an underlying groove and build in energy while touching on vibes as much NWOBHM as they are noise rock, the two-guitar dynamic and two-vocal dynamic working in concert to make the track unpredictable despite the solid rhythmic foundation on which it rests — or, when one considers the tempo, doesn’t at all rest.

Already confirmed for Grim Reefer Fest in Baltimore and New England Stoner & Doom Fest in Jewett City, Connecticut — with 40,000 other bands, apparently — Horseburner bring precise execution and weighted tones to bear with motion and largesse in like measure. Through clear production and intent, they would seem to be poised to bring their stamp to the pastiche of modern heavy, and if the purpose of an advance single is to pique interest, “Hand of Gold, Man of Stone” is mission accomplished.

Kudos to the band and to Ripple on the signing. The PR wire brings a full update and you’ll find the premiere of “Hand of Gold, Man of Stone” at the bottom of this post.

Enjoy:

horseburner-hand-of-gold-man-of-stone

HORSEBURNER: West Virginian Heavy Stoner Metalists To Release New Album ‘THE THIEF’ with Ripple Music; Share New Song “Hand Of Gold, Man Of Stone” & Announce U.S. Spring Tour

Together since 2008, borne from the wild Appalachian green of West Virginia, HORSEBURNER has never cowered from hard toil. From their first live show performed, a first EP ‘Dirt City’ self-released in 2009, an initial tour in 2011, to a second EP 7” ‘Strange Giant’ in 2013, and right up to a debut full-length ‘Dead Seeds, Barren Soil’ in 2016, it’s all been DIY and self-released.

They’ve played hundreds of shows over the past decade, alongside such acts as Torche, Weedeater, Skeletonwitch, Goatwhore, Obituary, Corrosion of Conformity, The Obsessed, Karma to Burn, Prong, Byzantine, Cough, ASG, Rosetta, and Bell Witch. In 2017, the band altered their DIY stride with a reissue of their full-length through Hellmistress Records and reignited their flame with writing and recording new music during 2018.

Horseburner continues to step up the pace in 2019, with a recent signing with RIPPLE MUSIC to release their sophomore full-length, ‘THE THIEF’, later this year, as well as the announcement of a U.S. Spring Tour. To introduce the upcoming album, a new song is being released today – “Hand of Gold, Man of Stone” off the upcoming album ‘The Thief.’

The band’s reaction to the new venture:
“We are thrilled to finally be putting out new music after almost three years and several member changes, and we can’t wait for people to hear “Hand of Gold, Man of Stone.” It was the first song we finished for this new album, and we think it really sets the tone for what’s to come this summer when the full album is released. It’s loud, it’s aggressive, it’s a little weird… It’s also the shortest song. Brevity has never been our strong suit, but there is a much larger story waiting to be told, and this song is just one chapter. We’re even more excited to be teaming up with Ripple Music for the new record. We love so many bands on their roster, it’s such a well curated label. We’re honored to be joining the Ripple Family, and honestly, that’s what it feels like, a family. “

Some excitement from Todd Severin of Ripple Music:
“It’s not that often that a band comes by and just blows my mind, but Horseburner is one of them. They’re taking the raw soul of stoner and taking it in fresh, exciting new directions. The sky is the limit for where these guys will soar.”

The band also shares some words about the upcoming tour:
“We’re definitely ready to be back on the road, as well. We haven’t been out there as much as we like to this past year, and we’re ready to throw off the rust and see some new faces. We’re hitting a few places for the first time ever, and returning to some old favorites, so this will be a good time.

On top of all that, we’ve got one of our best pals, Nick Burks from Louisville’s Stonecutters, filling in on guitar for the April tour and some of the May dates, it’s going to be killer. Then with Zach’s exit from the band, and him doing a handful of farewell shows before he leaves for good… having Zach’s last show with us in Columbus, Ohio in May – ten years from our first ever show, which was also in Columbus – bittersweet is definitely one way to put it.”

horseburner-tour-spring-2019U.S. Spring Tour Dates:
March 22 – Huntington, WV @ V Club (w/ Cavern, Embracer, Signals)
March 23 – Johnson City, TN @ The Hideaway (w/ Indighost, Haal)
*April 12 – Detroit, MI @ The Fireside (w/ Gear Jammer, Black Heiron)
*April 13 – Toronto, ONT @ The Bovine Sex Club (w/ Ol’ Time Moonshine, Jahgernaut, Quiet Earth)
*April 14 – Buffalo, NY @ Mohawk Place (w/ Malarchuk, Yanari, Tines)
*April 15 – Saratoga Springs, NY @ Desperate Annie’s for Super Dark Monday (w/ Ghastly Sound, The Tenants)
*April 16 – Winooski, VT @ The Monkey House (w/ Ghastly Sound, Wolfhand, Sachem)
*April 17 – Bangor, ME @ Downunder Club (w/ Ghastly Sound, + more)
*April 18 – Boston, MA @ OBrien’s (w/ VOS, Greylock)
*April 19 – Brooklyn, NY @ The Well (w/ Godmaker, + more)
*April 20 – Baltimore, MD @ Ottobar for Grim Reefer Fest (w/ Ruby the Hatchet, Heavy Temple, Haze Mage, Mountainwolf, Book of Wyrms, YATRA, Tombtoker)
May 3 – Pottsville, PA @ Goodfellas (w/ 44 Mag, Brain Candle, The Hands Resist, Faith in Exile) *Playing as a trio*
*May 4 – Jewett City, CT @ Altone’s for New England Stoner Doom Fest (w/ Stonecutters, Brimstone Coven, + 40,000 bands)
*May 5 – Washington, D.C. @ Atlas Brew Works (w/ Stonecutters, Dirt Eater)
May 17 – Parkersburg, WV @ The Dils Center (w/ Lo-Pan, Louts, + more)
May 18 – Columbus, OH @ Ace of Cups (Zach’s last show!)

*Nick Burks from Stonecutters on Guitar

Horseburner:
Adam Nohe – Drums/Vocals
Jack Thomas – Guitar/Vocals
Seth Bostick – Bass
Zach Kaufman – Guitar

https://www.horseburner.com/
https://www.facebook.com/Horseburner/
https://horseburner.bandcamp.com/
https://www.instagram.com/horseburner/
https://twitter.com/horseburner
https://www.facebook.com/theripplemusic/
https://twitter.com/RippleMusic
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

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