Red Mesa & Blue Snaggletooth, The Second Coming of Heavy — Chapter Four: Deserts and Mystic Waters

Posted in Reviews on December 7th, 2016 by JJ Koczan

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One can’t help but wonder if, when genetically modified food essays Custom Resume Writing Vancouver online assignments pay ancient order of hibernians irish essay Ripple Music first announced their Professional Nursing Paper offering custom essays, amazing research paper writing services, speeches, and term paper writers. If you have ever said write The Second Coming of Heavy series of splits in early 2015, the California-based imprint had any idea what they were getting into. They committed at the outset to make it 10 releases, each one dubbed a “Chapter,” and aside from the logistical nightmare of coordinating such a thing from recordings to cover art to pressing and the invariable presence of bands outside their window in long jackets holding boomboxes over their heads playing their own songs to try to be a part of it, even timing out the arrival of each subsequent LP seems daunting. There’s a reason most “series” of splits or comps don’t get past their first installment, and it’s because they’re a monumental pain in the ass to put make happen.

After bringing together  how to write an admission essay plan Homework Harmful Helpful Argumentative Essay purpose of writing term paper do kids get tests for homework Borracho and  e marketing phd thesis Dissertation Upon Roast Pig Summary paper presentation on satellite communication social web research paper Geezer (review here),  research paper writing services in delhi. You can save more than 25%* on your order with us! Supervoid and  No.1 Most trusted my blog provides complete dissertation help from top domain writers for Guaranteed Good Grades. Red Desert (review here), and  As far as research papers for sale go, Written in one copy, a pro choice abortion essay stands as a great value for money. However, BoneHawk and  Searching for a http://www.vasmetal.net/a-essay/? We are what you were looking for! Only expert academic writing assistance from professional writers is Kingnomad (review here),  my blog See Catalog for Policy on Acceptable Use of Computing Resources, and Policy on the Use of Material in Web Pages. Each offering delves into The Second Coming of Heavy — Chapter Four highlights two more acts from the American underground in desert-is-as-desert-does Albuquerque trio  Looking for the best way to get top & best custom essay writing services! Try our custom essay writing service, custom writing service phd research proposal Red Mesa and Ann Arbor, Michigan, power rockers Essay Help For Romeo And Juliet - Essays & dissertations written by high class writers. experienced writers engaged in the company will write your paper within the Blue Snaggletooth. As has been the custom of the series, each band gets a side on the limited edition vinyl to work with —  CT Cheapest custom essay writing, Bayside, New York. 505 likes 1 talking about this. Get your message or story out the way you intended when you hire CT Ghost... Red Mesa‘s is about 22 minutes,  Searching for the best place for preparing a business plan, you look through dozens of Dissertation Publizieren Verlag reviews spending hours checking each one. Blue Snaggletooth‘s about 19 — and an opportunity to ply their wares to a wider audience and collectors alike by teaming up. Dog Ate My Homework Glens Falls New York. Writing of text for website, blog articles, news, periodicals and presentations by native speaking copywriters. Red Mesa and  Should Students Be Able To http://skolahustopece.cz/research-paper-outline-sample/? This is the key question that every college student wrestles with: should I use a writing service to buy Blue Snaggletooth do this while at the same time complementing each other’s style and, ultimately, adding to the breadth of  The Second Coming of Heavy as a whole, underscoring the core belief of the project that heavy rock and roll knows no boundaries or other limits of any kind. It can, and does, emerge from anytime, anyplace.

The first line of the release tops a speedy motor riff. It’s Red Mesa‘s “Cactus Highway,” one of their four inclusions, and the lyric is “Let’s go to the desert/Leave it all behind.” Immediately, the impression is straightforward, somewhere between a vocalized Karma to Burn and Kyuss, and through that opener and “Low and Slow,” which follows, it seems like that’s going to be the course of the thing. Nothing wrong with that. “Cactus Highway” has a touch of shuffle in the drumming of Duane Gasper, and the tone of guitarist/vocalist Brad Frye is well-suited to the Motörhead-style thrust of the track, on which he’s backed by bassist Shawn Wright, but particularly the second half of “Low and Slow” begins to hint at a broader approach. Slower overall as one would hope based on the title, it opens to a wider feel under the solo and then gets even more spacious after its final chorus. This makes it an even more jarring turn when Red Mesa shift into the jangly-party-time strum of “Goin’ to the Desert,” with its handclaps and howls and intentional barroom blues, vaguely countrified but only lasting about 90 seconds of the song’s seven minutes before thunder crashes, a cymbal washes and the three-piece shift into minimalist psychedelia, vocals and guitar gradually returning, leading to a crash-in at the midpoint of heavier riffing and subsequent build of Monster Magnet-esque heavy space rock noise wash, the apex of which gradually fades out over the last minute with more thunder and rain sounds remaining.

It’s a sudden, somewhat odd turn for “Goin’ to the Desert” to make — seeming to present people’s ideas about actually doing so measured against the terrifying reality of the ecosystem — and it completely shatters the expectation for what “Utopia,” which closes Red Mesa‘s side, might present. As plausible as it seemed going into “Cactus Highway” to get a handle on their aesthetic of dudely desertism, coming out of “Goin’ to the Desert” renders most guessing irrelevant. They finish over the course of the 6:51 track by trading volume back and forth between “Planet Caravan” impulses filtered through Southwestern nighttime skies and harder riffing, but shift into an acoustic-led psychedelic bridge in the midsection that acts as the foundation for their last build, setting up a return to the chorus that highlights the notion of just how much Red Mesa‘s side flows across its abbreviated course, and the outward progression the band effectively sets up. It feels way more like an EP than a split side simply bringing songs together — a genuine mini-album to follow their self-released 2014 self-titled debut — and hopefully speaks to where they’re headed in terms of sound overall.

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Comparatively, Blue Snaggletooth have the benefit of experience over Red Mesa. With frontman and founder Chris “Box” Taylor at the fore, Blue Snaggletooth debuted in 2011 with Dimension Thule (review here) and followed that with 2014’s Beyond Thule (discussed here) and last year’s The Last Voyage of Amra EP, settling in the meantime on a formidable lineup with Taylor working alongside guitarist Casey O’Ryan (also Bison Machine), bassist Joe Kupiec (also Wild Savages) and drummer Mike Popovich, which is the four-piece present on these three tracks as well. Beginning with the 8:30 “Sand Witch,” an opener and longest inclusion (immediate points), Blue Snaggletooth reinforce the classic heavy basis from which modern riffery stems, all the while refusing to give into cliché vintage-ism or sacrifice a modern tonal presence in the name of worshiping at the altar of their forebears. Across “Sand Witch,” “Crystal’s Gaze” and “Mystic Waters,” they demonstrate a wah-prone take that owes more to 1972 than 1968, but takes the lessons of psychedelia and suits them to their straight-ahead, mostly structured purposes.

Some echo in the chorus of “Mystic Waters” goes a long way, for example, and the swirl of intertwining guitar leads with what may or may not be Deep Purple-style organ underneath the peak of “Sand Witch” makes for an exciting stretch worthy of any size stage that thinks it could contain it. Updating that classic heavy grandeur by blending it with a humbler semi-desert fuzz is a major factor in making “Sand Witch” work so well, but Blue Snaggletooth tie their three inclusions together through a consistency of songwriting that makes each chorus a standout, and whether it’s “Sand Witch” pushing out into that dual-guitar mythology creation, or “Crystal’s Gaze” calling to mind the early fuzz triumphs of Sasquatch and drenching them in wah, or “Mystic Waters” bringing the whole thing together and making it boogie, the four-piece hold firm to their own processes and thus their identity, executing their material with confidence and a fluidity that contrasts the linear outward course of Red Mesa, emphasizing a different manner of stylistic blend in the process.

As though in conversation with their side A companions, Blue Snaggletooth start at their farthest-out point and seem to work their way back in, and while that gives The Second Coming of Heavy — Chapter Four an overarching progression through its two sides, it’s worth noting that, like all of the offerings thus far issued as a part of the series, this LP draws strengths as much from the differences between the players involved as from the similarities. I don’t think I’ve let a review pass yet without noting my issue with the number in the name — that is, that “heavy” has had more than two comings at this point in its span of generations — but as The Second Coming of Heavy — Chapter Four clearly demonstrates, Ripple and the bands it’s selected to be a part of this increasingly pivotal project are less about looking back at history than casting a new place within it.

Red Mesa on Bandcamp

Red Mesa on Thee Facebooks

Blue Snaggletooth website

Blue Snaggletooth on Twitter

Blue Snaggletooth on Instagram

Ripple Music website

Ripple Music on Thee Facebooks

Ripple Music on Bandcamp

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Red Mesa & Blue Snaggletooth to Feature on The Second Coming of Heavy: Chapter Four Next Month

Posted in Whathaveyou on November 9th, 2016 by JJ Koczan

Ripple Music‘s steady ascent continues with the next edition of the label’s dubiously-titled The Second Coming of Heavy series of limited split LPs. After broadening the reach to international terrain the last time out in bringing together Michigan’s BoneHawk with Sweden’s Kingnomad (review here), The Second Coming of Heavy: Chapter Four once again pairs two US bands — Red Mesa from New Mexico and Blue Snaggletooth from Michigan — in keeping with earlier chapters that highlighted the work of Geezer and Borracho (review here) and Supervoid and Red Desert (review here). As with the entire series, cover art is supplied by Joseph Rudell and Carrie Olaje, and the release date is set for Dec. 9.

Each band has a song streaming now that you can check out under the PR wire info below:

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The return of Ripple Music’s The Second Coming Of Heavy; Chapter IV | New split album from Red Mesa and Blue Snaggletooth

The Second Coming Of Heavy; Chapter IV is released on vinyl on 9th December 2016

Already recognised as one of the world’s leading purveyors of Rock ‘n’ Roll, Stoner, Doom and Heavy Psych, Ripple Music upped the ante in 2015 with the arrival of one of the year’s most ambitious projects, The Second Coming Of Heavy Series.

Serving as an ongoing showcase for some of the best and heaviest bands emerging from the underground, each installment shines a light on those worthy of your attention. Consisting of one, 12” slab of multicoloured vinyl with full colour sleeves and inserts, the series is designed to be saved and treasured, like a fine anthology of books. So much so when the albums are filed next to each other, the complete collection of aligned spines form a mind-blowing image direct from the underground.

Following on from the series’ first installment released in 2015 featuring Geezer and Borracho; Chapter II’s split between Supervoid and Red Desert earlier this year and last June’s BoneHawk and Kingnomad offering, the latest installment brings you brand new music from Albuquerque trio Red Mesa and Ann Arbor quartet Blue Snaggletooth.

RED MESA – Coming at you from yonder, down the mountain atop the deserted mesas of New Mexico, like their name suggests Red Mesa instill a sense of desert haze. Touting a varied psychedelic-stoner sound that begs for maximum volume with a high octane, pedal to the metal attitude, the Albuquerque trio – consisting of vocalist/guitarist Brad Frye, bassist Shawn Wright and drummer Duane Gasper – will take you on a vivid journey. Utilizing elements of doom, punk rock and psychedelic fuzz, Red Mesa are the living embodiment of hard riffing hallucinogens.

BLUE SNAGGLETOOTH – If anyone is proving that you can honor hard rock’s past while pumping fresh blood into its future, it’s Blue Snaggletooth. Billing themselves as purveyors of “Psychedelic D&D Rock & Roll,” the Ann Arbor, Michigan quartet combine elements of hard rock, heavy metal, and psychedelia (all pre-1975), and fuse those styles with lyrics inspired by classic sci-fi and fantasy. While the results are likely to please anyone into stoner rock, Blue Snaggletooth have no truck with irony or tongue-in-cheek glances at the past, and instead embrace their classic influences to build a sound that’s physically powerful but with plenty of sinewy groove.

The Second Coming Of Heavy; Chapter IV will get an official vinyl release on 9th December 2016 and is limited to 300 copies in three alternative versions (100 of each) – The Resurrection Edition, The Risen OBI and The Ascension Edition.

Track Listing:
1. ‘Cactus Highway’ by Red Mesa
2. ‘Low And Slow’ by Red Mesa
3. ‘Goin’ To The Desert’ by Red Mesa
4. ‘Utopia’ by Red Mesa
5. ‘Sand Witch’ by Blue Snaggletooth
6. ‘Crystal’s Gaze’ by Blue Snaggletooth
7. ‘Mystic Waters’ by Blue Snaggletooth

https://redmesarock.bandcamp.com/
https://www.facebook.com/redmesaband
http://www.bluesnaggletoothmusic.com/
https://twitter.com/BSnaggletooth
https://www.instagram.com/bluesnaggletoothmusic/
http://www.ripple-music.com/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/

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