Well, this is convenient. Now a two-day fest, the Eye of the Stoned Goat 4 is coming to Allston, MA, and is set for May 3-4 at O’Brien’s Pub. I think I can safely say this will be the least amount of driving I will have ever done to get to a festival. And while that’s not as appealing as the the fact that Sixty Watt Shaman are doing a reunion set or that I’ll have another chance to check out Beelzefuzz and Curse the Son along with native Boston acts like Summoner, The Scimitar, Cortez and Ichabod, the ease of commute is not to be overlooked. I don’t have a 2014 calendar yet, but once I get one, you can pretty much consider it marked.
Kudos to Brendan Burns, who’s also gearing up to present Stoner Hands of Doom XIII in Virginia next weekend. Check out the poster for the event and the preliminary announcement below. More to come:
***SNAKE CHARMER BOOKING ANNOUNCES ESG4!***
Saturday May 3rd- Sunday May 4th 2014 O’Briens Pub / Allston, MA
Tickets On Sale: Jan 1st 2014 9am.
THIS IS A LIMITED ENGAGEMENT, THIS EVENT WILL SELL OUT!!! More details as they develop!
Posted in Reviews on July 22nd, 2013 by H.P. Taskmaster
True, I probably should’ve been looking over housing rentals and formulating a plan for what apartments to see the next day — since that’s why I was in Boston a week and a half ahead of moving to Massachusetts anyway — but on the other, far less responsible hand, The Brought Low. The NYC trio were coming up to play Radio in Somerville with local-types Planetoid, The Scimitar and Hey Zeus also on the bill, and well, if I’m going to be living somewhere, there’s no time like the present to start getting my ass out to shows. What at its most convenient is a four-hour drive had taken more than six, my car’s air conditioner cutting out on the way. I’d been up since five in the morning. It was time to rock and roll.
I’ve been to Radio a few times now — I think every time I’ve been there a band on Small Stone has played, usually Gozu — and it’s a cool room. I had to remind myself that Boston’s a rocker town with a rocker crowd, so the place would probably be packed, and by the time Hey Zeus were finished, indeed it was. Last time I saw the native outfit was their first show, in January. It was one of the coldest nights of the winter. Go figure that I should run into them again as the heat index pushed its way past 110. A band for all seasons, they apparently are.
Opening up, I thought it was a pretty ballsy move for them to throw in a “Space Truckin’” cover halfway through, but they absolutely nailed it, vocalist Bice Nathan channeling his inner Ian Gillan to hit the screaming pre-chorus “Yeah!” high notes on the ultra-catchy Deep Purple classic. Ballsy as it was, they’d double-down by closing out a set otherwise comprised of driving original material with a take on “Speed King” from In Rock. It was almost like the set had a side A and side B and each closed out with a Deep Purple song. Not a bad way to go out, come to think of it.
Between Nathan‘s expert fronting the band, guitarist Pete Knipfing‘s red-hot Southern-style classic rock leads and the groove held down by the rhythm section of bassist Ken Cmar and drummer Todd Bowman, Hey Zeus were as tight as you could possibly ask them to be, varying their pacing somewhere between mid-moving stonerly lumber and the grown-up punk that has fueled so much of Boston’s heavy rock over the years. I dug it last time, I dug it this time, but more importantly, I’ll look forward to digging it next time.Feeling more metallic from their very start, The Scimitar followed in plundering fashion.
Guitarist/vocalist Darryl Shepard (see also Blackwolfgoat, Hackman, Roadsaw, and the League of Excellent Human Beings) announced from the stage that it was just The Scimitar‘s second Boston show. The trio, made up of Shepard, his Black Pyramid bandmate Dave Gein and drummer Brian Banfield, more or less functioned as an extension of that band’s marauding musical ideology, walking a line between thrashing metal and doom that Shepard‘s riffs navigated with ease. Some parts reminded me of Black Pyramid‘s 2013 outing, Adversarial(review here), but in cuts like “World Unreal” and “Forever and Ever and Ever” — based on The Shining and being played for the first time — there began to shine an individual personality for The Scimitar that will inevitably win out.
Gein and Shepard, recently back from a European tour in support of Adversarialwith Black Pyramid, were dead on from the start, which gave Banfield a task in locking in with the two of them, but the drummer handled it well, the trio sounding solid if formative in their chemistry and like they were only going to get filthier sounding as time went on. I wondered if crusty battle doom was a thing, or if it could be, and as if either to answer or to shake me out of my bout of overthinking, they ran through “Void Traveler” on their way to closing out with the Motörhead cover “Metropolis,” giving a suitably grooving treatment to the mid-paced swagger of the original, which appeared on the 1979 landmark, Overkill. Needless to say, beer was spilled.
Dressed up in elaborate and professional-looking alien costumes — one guy actually looked so much like Nightcrawler from the X-Men that I thought that’s what he was going for at first — as they walked around Radio loading in and hanging out, Planetoid were playing last, which meant The Brought Low went on third after The Scimitar. There was a moment right before they took the stage that I could feel myself hit the wall. I stifled yawns and kept myself standing upright, but wow, I was ready to be done. The Brought Low, who were viewing this show as something of a makeup from having to cancel on the Small Stone Boston showcase last fall owing to the post-Hurricane Sandy gas shortage, hadn’t even started yet. I’d only seen two bands!
Proud to report that I didn’t split before The Brought Low‘s set was finished. The trio — Ben Smith (guitar/vocals), Bob Russell (bass/vocals) and Nick Heller (drums) — were on my hypothetical list of stuff to see before no longer living in the New York area, so even though it wound up being in Boston rather than their hometown I caught them in, I wasn’t about to complain. Their on the cusp of 15 years together and lived up to the high standard the sets I’ve seen them play have set, Smith and Heller both having grown out their hair some since I last encountered the band in Fall 2011. In that time, they haven’t put out anything new — their last offering was a three-song EP on Coextinction Recordings (stream and track-by-track here) — but even “What I Found” from their 2001 self-titled debut sounded fresh among newer songs like “Army of Soldiers” and “Black River” from the aforementioned three-tracker.
“Black River” in particular made for an exciting shift just past the halfway mark in the set as Russell took the fore vocally with Smith backing, where the band’s usual process works the other way around, their chemistry and unique blend of country twang and rocking city grit underscored by the swing in Heller‘s drums, perhaps most prevalent of all in the slower “My Favorite Waste of Time” from 2010′s Third Record (review here), which was also a highlight. I don’t know how many times I’ve called The Brought Low the best rock band in New York, but I’m still right. Whether it was “Old Century” or “The Kelly Rose,” the only thing they left me wanting was more The Brought Low. Beat to hell though I was, I’d have stayed if they went on twice as long.
As it was, they didn’t go much further than 40 minutes. An encore after “Blues for Cubby” rounded out and I said a few quick goodnights and made my way back to the hotel, feeling guilty for not catching Planetoid but assuming this wouldn’t be my last opportunity to do so. The next day I got up and went and found a place to live.
Posted in Whathaveyou on January 7th, 2013 by H.P. Taskmaster
Over the weekend, your buddy and mine, Darryl Shepard (also Blackwolfgoat, Milligram, etc.) announced that he and his Black Pyramid bandmate Dave Gein had formed a new band, The Scimitar, with drummer Brian Banfield. The name comes from a song Shepard wrote with Gein and drummer Clay Neely in Black Pyramid, and with a new album from that band expected this year — it’s mixed and last I heard was being mastered — I can’t help but wonder if the difference won’t show itself in terms of the amount of live shows being played by The Scimitar. I guess we’ll just have to wait and see.
Until then, Shepard says they’re working on material and will start playing out in the spring:
I’d like to announce the formation of a new band called The Scimitar. It consists of myself and Gein from Black Pyramid as well as drummer Brian Banfield. Black Pyramid will be playing out much less in 2013, so Gein and I decided to start a new project. It will basically be just an extension of BP, same style of songwriting, same tunings, etc. We have two songs near completion, and we’re working on a cover of Motörhead’s “Metropolis”. Black Pyramid isn’t going anywhere, just think of The Scimitar as an extension of that band. We should be ready to play shows in March or April.