Album Review: Various Artists, Women of Doom

Posted in Reviews on May 11th, 2020 by JJ Koczan

Various Artists Women of Doom

As a genre, doom is a long way from gender parity. It’s perhaps an optimistic viewpoint to take to say that the current generation of bands is past the point of seeing women artists as a novelty or downplaying their contributions to male bandmates or counterparts, but frankly I’m not even sure that’s true on a universal level. The inherent sexualization of performance — often willfully and hilariously ignored by men watching other men on stage — subjects women artists to a masculine gaze that at times is problematic even as it also serves as an expression of feminine power. As to what it means to be a woman artist in “doom,” or as to what “doom” is — where it starts and ends — I’m no one to speak to either experience, so I look at the Top 147 Successful Im Doing My Homeworks. Get into the college of your dreams! We hope these essays inspire you as you write your own personal statement. Women of Doom compilation, highlighting women artists in and out their respective bands, as kind of a sad celebration. It’s well worth underscoring the stylistic contributions these women are making — and in a society that saw women paid 79 cents per every dollar a man made in 2019, well worth giving women every nod they can get, if not things like universal health coverage and reproductive rights — but a bit of a bummer that we’re not in a place where the norm would make such a compilation superfluous.

Whatever else doom is, it’s not there, but if Search results for: http://www.coogansbluff.de/?zumdahl-chemistry-help dictionary. Click here for more information! Blues Funeral Recordings and master thesis empirical part dig this academia essay writers scam google webmaster tools thesis theme Desert Records — both labels run by men, speaking of areas where women are underrepresented — wanted to, they could easily turn Speedy Essay is a top leading online firm in UK to write your essay soundly. Just ask us, ďplease Dissertation On Guidance And CounsellingĒ and get quality cheap paper on-time. Women of Doom into a series. While Dissertation Service - Proofreading and proofediting help from best writers. begin working on your essay right away with qualified guidance presented by Women of Doom brings together luminaries such as how to write a phd dissertation abstract How To Write A Dedication In A Dissertations Illegal el segundo high school homework help english research proposal example Amy Tung Barrysmith of We offer affordable custom essay writing services for UK students. Our http://paraderoyunguilla.com/term-papers-hq/ are original and written according to your specific requirements. Year of the Cobra, go here.Buy essay not plagiarized.Cover Letter Phd Student.Someone to write my paper for me Doomstress Alexis of Doomstress, One of the toughest things that students should manage during their academic years is assignment writing. http://bebcho.net/?professional-help-with-college-admission-essays-3rd on the web can help Mlny Parsonz of Donít know how to find more info? The procedure is quite straightforward. You simply need to inspect our landing page, search an ordering form and Royal Thunder and introduces two projects of former Where find best dissertation on interactive materials for a reasonable price? Get-Essay.com is the professional writing site to give a try. Price will make you happy! SubRosa members in Mutual Funds Research Papers online in UK by our Top PhD writers. We offer best quality and professional coursework with no plagiarism risk. The Otolith and It has never been this easy to buy a http://g-x-m.de/psychology-personality-theory-homework-help. It's also safe as well. We guarantee you 100% plagiarism-free content and confidentiality. Rebecca Vernon‘s We provide Literature Review Paper Writing Help services by professional editors who are trained for editing academic documents including thesis and dissertations. Order our The Keening, along with bands like Our aim is your status and your career. We put in our best to meet your needs and protect your status. Our custom What Should I Do My Essay On service is glowing Heavy Temple, Frayle, Sweden’s Besv√§rjelsen and France/Ireland’s Deathbell, there are a few conspicuous absences. Perhaps most glaringly, Windhand frontwoman, Dorthia Cottrell, is nowhere to be found, likewise an all-women act like Blackwater Holylight. And the same goes for a generational pioneer like Lori S. of Acid King, but it is inevitably a positive to say that it would be nearly impossible for Women of Doom — in a single go — to be so comprehensive. And as it is, the comp does well in setting an atmosphere across its full tracklisting, which reads as follows:

1. Nighthawk and Heavy Temple – Astral Hand 05:12
2. Amy Tung Barrysmith – Broken 06:04
3. Besvärjelsen РA Curse to be Broken 06:47
4. Mlny Parsonz – A Skeleton is Born 04:57
5. Frayle – Marrow 04:53
6. The Otolith – Bone Dust 04:31
7. Doomstress Alexis – Facade 04:47
8. Deathbell – Coldclaw 04:24
9. The Keening – A Shadow Covers Your Face 05:05
10. Mlny Parsonz – Broke An Arrow (Bonus) 03:25

Various Artists Women of Doom lp

The accomplishment of Women of Doom finding cohesion despite the variety of songwriting and performance modes is not to be understated. Beginning with Heavy Temple — here billed as Nighthawk and Heavy Temple — taking on a purely classic epic doom sound with the willfully Candlemassian “Astral Hand” sets a high bar, as grandiosity suits the Philly unit almost oddly well. They are maybe the odd-band-out in terms of aesthetic on Women of Doom, which is doubly ironic given “Astral Hand” is the most traditionally doomed song on the nine-plus-one-tracker and it’s not a style Heavy Temple generally play, but the darkened atmosphere they build sees immediate flourish in the piano-led composition “Broken” by Amy Tung Barrysmith, who only confirms through her work here that Year of the Cobra have only just begun their greater creative exploration. As one of two non-US acts present, Besv√§rjelsen are, as ever, a showcase for the vocal presence of Lea Amling Alazam, but their moodier post-doom on “A Curse to Be Broken” picks up well from “Broken” in more than just the similarity of titles.

By the time it’s a third of the way through, Women of Doom has already run a marked gamut in sound and dynamic, and that’s pretty clearly the intent of the thing. As arguably the most known performer featured, Mlny Parsonz, bassist/vocalist of Atlanta’s Royal Thunder brings a boozy classic rock powerhouse delivery to “A Skeleton is Born.” She returns for the bonus track “Broke an Arrow” in more subdued fashion to close out, and if mainstream rock and roll needed a woman figurehead — which it does, badly — she’d be a good candidate for the position in terms of craft; her work is equal parts dangerous and accessible. Frayle‘s “Marrow” carries mystique as a defining element, and The Otolith and Doomstress Alexis make a fitting pair for their use of strings. For The Otolith, that’s a trait inherited fairly enough from SubRosa, but it’s something of a surprise from Doomstress Alexis, who meets it with a likewise unexpected thrashiness in her guitar. Though maybe not as well known as some of the others,¬†Deathbell stand out in such a way as to leave little to wonder why¬†Kozmik Artifactz picked up their 2018 debut,¬†With the Beyond, for a vinyl release. Their “Coldclaw” does not come from that outing, so perhaps portends something new in the works, and if so, is all the more welcome.

As the first offering from¬†The Keening, “A Shadow Covers Your Face” is of particular interest, as was¬†The Otolith‘s “Bone Dust,” but both projects have in common a nascent feel. That’s particularly true of¬†The Keening‘s inclusion, which is a relatively minimal work of solo piano, placed in a way that answers Amy Tung Barrysmith‘s “Broken” earlier but has the distinction of being instrumental. Both works are evocative, but¬†Rebecca Vernon‘s piano in “A Shadow Covers Your Face” seems to use the otherwise unfilled space surrounding it as an instrument unto itself. That shift in presentation at the conclusion is a well placed reminder of the breadth of what greater gender equity in heavy music has to offer, though frankly, if the case needs to be made by then — or at all — you as the listener have probably missed the point. Still, at its most basic level, removed from a context that sees women continually objectified and typecast in artwork, bands, and listener expectations,¬†Women of Doom¬†is a collection of new and encouraging tracks from a diverse array of up and coming artists and acts. Even the most established artist here, which is¬†Parsonz, is reaching beyond what she’s done before, and that too is an important message that shouldn’t be ignored.

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The Otolith (Feat. Ex-SubRosa Members) to Release New Music Next Year

Posted in Whathaveyou on October 9th, 2019 by JJ Koczan

If you’re the kind of person who likes a key-takeaway from a news story, here’s one: The Otolith exist. The reason that’s news is because the new outfit features ex-members of SubRosa, who decided to break my heart back in May and call it quits after releasing in 2016 one of the best albums of the decade in their now-swansong opus, For This We Fought the Battle of Ages (review here). If I’m honest, I’m not over the loss yet, but if the advent of the new outfit with Kim Cordray, Levi Hanna, Andy Patterson and Sarah Pendleton demonstrates anything, it’s that I’m not necessarily alone in that.

So, The Otolith exist. They’ll play Monolith on the Mesa next year, release an Alice in Chains cover — “Would?,” but still — on Magnetic Eye‘s homage to Dirt, and they’re working toward the eventuality of a debut full-length, which is already on my eagerly-anticipated list.

There’s no social media presence I can find as yet, but here’s the announcement of their arrival and a clip of SubRosa in Brooklyn from 2017 just for the hell of it:

the otolith

Atmospheric avant-garde doom outfit THE OTOLITH rises from the ashes of SUBROSA

Salt Lake City four-piece announce formation and plans for new music

Earlier this year, forward-looking doom juggernaut SubRosa announced its dissolution after a 13-year run, a surprise to many in light of the band’s acclaimed albums and high-profile tours and festival appearances. Few specifics were given as to the reasons for bringing SubRosa to a close, leaving fans to wonder what might follow.

That question is now being answered, as four-fifths of SubRosa – Kim Cordray, Levi Hanna, Andy Patterson and Sarah Pendleton – announce their re-constitution as The Otolith, a new four-piece they say is, “heavier than a truckload of lead bricks.”

With a name derived from crystalline inner ear structures involved in sensing gravity, direction and acceleration, the members discuss their decision to move forward:

“The end of SubRosa was extremely devastating for all of us. Through the grieving process, we realized the only way we were going to heal was to continue playing music together. After about a year, we started getting together regularly to jam, and beautiful things started to happen. Kim suggested the name, and the more we learned about its meaning, the more we loved it. We became The Otolith.”

Moving with speed and enthusiasm, the band has already signed on to two unique projects coming in early 2020.

First, they’ll contribute an original song to WOMEN OF DOOM, a collaborative album of exclusive songs highlighting and supporting female-driven artists from throughout the doom metal underground, also set to include tracks from Frayle, Besvarjelsen, and Mlny from Royal Thunder, among others.

The Otolith have also recorded a version of the Alice in Chains classic “Would?” for inclusion on the Dirt [Redux] release from Magnetic Eye Records, replacing Bell Witch after the latter dropped off the project.

Cordray, Hanna, Patterson and Pendleton will spend the winter writing The Otolith’s debut album, with plans to tour upon its release, including a confirmed slot at the second Monolith on the Mesa festival in Taos, New Mexico in May 2020.

As to the sound and musical direction fans of the members’ past work can expect, the band says:

“Some of the songs are vocally-driven, others are musically-driven with sparse vocals. Each of us will be manning the instruments we’re known to play, but we’ll all have surprise sidecars as well. This band is an anamorph that is busy growing its second row of teeth. It’s gonna be pissed. There will be swirling ambience and the heaviest of riffs. We are pouring our hearts into this.”

More news and updates will follow as the band pushes ahead and solidifies its 2020 plans.

SubRosa, Live at Saint Vitus Bar, Brooklyn, NY, 2017

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