Posted in Whathaveyou on April 8th, 2013 by H.P. Taskmaster
It just wouldn’t be hypocrisy if I hadn’t said it’d never happen. Many things change in four years’ time, and I’ve signed up for a Twitter account for The Obelisk. What does this mean to you? Well, if you don’t use Twitter, probably not a whole lot. If you do, it means you can keep up with The Obelisk-y doings via that most brevity-inducing of social media platforms by using the image on the right or the link below:
I’ve never been an early adopter of this kind of technology, so if I’m late to the party here, you won’t find me claiming otherwise. Nonetheless, if you’re on Thee Twitters, I hope you’ll take a second to follow along with my many fumbles as I figure out how to use a hashtag — it’ll always be a pound sign to me — and all the rest of it.
Posted in The Numbers on January 31st, 2013 by H.P. Taskmaster
I just wanted to take a minute out today to note the fourth anniversary of launching The Obelisk. The time has gone fast. I started this site because I had just gotten semi-laid-off — I’d be fully laid off within days of it going live — and when I put up the first post, I had no idea what it would become or how much of my everyday it would consume. I was like, “Oh, I’ll just put one thing up a day or every other day. Whatever. No big deal.” The fool.
And as I’m noting The Obelisk’s birthday, it seems only fair to single out Slevin and thank him for the last four years of diligent, mostly thankless, certainly without compensation work that he’s put into the site. From helping me that first weekend with registering the domain name and installing WordPress, to designing, putting up and managing the forum, to securing the box that houses the hard drive for The Obelisk Radio and dealing with the flurry of technical issues that have cropped up in the wake of that, Slevin has been dedicated to this site from day negative-one, and I feel lucky to be able to rely on him with issues that otherwise would’ve sunk me before I even started. I wouldn’t be typing this right now without him. Thanks dude.
On a level far less related to CSS customization but still ultimately vital, thanks to The Patient Mrs. for putting up with me talking for the last four years about “having work to do” and then going to post some band’s new video at 10 at night, or being anxious because some review I wanted to write I didn’t get time to write, or having to transcribe an interview, always wanting to listen to someone’s new album at midnight and so forth. I’m not an easy person to be with, and for the life of me I don’t know why she’d bother, but she does and I appreciate it.
Before I started, I said to myself to keep this short, so I’ll end off by thanking you, as always, for reading. I say it a lot, but I’m constantly astounded and humbled by the fact that I can type something up, put it online and someone — even if it’s only one person — gives a crap for what I’m talking about. If you’ve been along for the whole ride (as I know a few of you have), or if you’ve only come aboard recently, I hope you feel welcome here, because you are, and I hope that you continue to find this site useful or entertaining, that you continue to point it out when I screw up, and that you continue to share this passion for music.
I’ve never known what’s coming next with The Obelisk, and I still don’t, but four years later I’m still excited to find out. Thank you for that.
I’ve got 300 of these bad boys on their way from Skillit, and whatever else I do with them, I know they’ll be included with pre-orders of the Clamfight CD. More info about that next week, but until then, check out the sticker design, once again courtesy of Skillit — who if I haven’t said it enough times by now — is the fucking man:
The reason I ask is this: I said a while back I wanted to start some hall-of-fame-esque series of posts covering the classics of the genre, going all the way back to the start. It was — I’ll be honest — an excuse to slather even more praise onto Master of Reality, which I don’t think ever has enough. That never quite materialized, but this whole time I was thinking to myself about what makes an album really great?
There’s so much context involved. When did it come out? What was happening at the time? Where is the band from? What was the response? How influential was it? What made it so special? Who was on it? What else did they do and how much of it was defined by this single album? Never mind questions about what counts as stoner rock and when that began — was it the ’90s or was it when Robert Johnson sold his soul to the devil? — but what is it about an individual record that lets it stand the test of time, and is standing the test of time a basis for judgment of greatness? What about those albums you listened to when you were younger that sound dated now? Are they any less great because you’ve grown out of them?
So I’ve decided to open it up. Everything counts, everything’s in.
If you’ve got a list of 30 essentials or just one you want to add to the others, that’s cool. Let’s put everything out there and see what comes back, what we can agree on, disagree on, whatever. It’s all valid. If you think Welcome to Sky Valley is the best because it happens to be the album you listened to while you went trekking through the desert that one time, awesome. If you think it’s crap, pick something else.
In demographic research, they call it crowd-sourcing, but I’m not even sure what we’re crowd sourcing for, so let’s just have at it. The best of the best. What are the 10 greatest stoner rock records?
I’m looking forward to seeing your picks (and I think I already gave away two of mine). Leave a comment and let’s just have some fun with it.
Posted in The Numbers on September 4th, 2012 by H.P. Taskmaster
Feels more like 3,002, doesn’t it? Well it isn’t. According to my WordPress dashboard — which I trust the way most people trust gods — this is post number 3,000 since the site went up. I just wanted to take a second and mark the occasion and of course to say thanks to everyone who has read, commented, signed up on the forum, contributed, sent in albums for review, tipped me onto new bands or shared their love of music in any way as we’ve gone along.
It’s been a hell of a trip so far, and I don’t think when I started this site three and a half years ago I had any idea what I was getting myself into (maybe a little), but it’s been great up till now, and as this past weekend proved, there are still plenty of adventures to be had. Thanks so much for being a part of it.