Roadburn 2018: Wear Your Wounds, All Pigs Must Die, Supersonic Blues, Spotlights and More Added; Day Tickets on Sale This Week

Posted in Whathaveyou on January 17th, 2018 by JJ Koczan

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Pretty clearly the overarching message of Roadburn 2018 has become that if you thought you had a snowball’s chance in hell of pinning the festival down to a single idea, genre or theme, it’s simply grown too massive, too sprawling and too complex to ever be subject to such easy definition. I mean it. If you squint and look at the lineup above, from Earthless jamming with Kikagaku Moyo to the likes of returning Icelandic black metal entities Misþyrming, Naðra, and Svartidauði, to Hague-based boogie newcomers Supersonic Blues — whose writeup I did and whom I’m particularly stoked to see — to All Pigs Must Die and all the bizarre stuff Justin Broadrick seems to have involved himself in, I think it’s inarguable this is the farthest ‘OUT THERE’ Roadburn has ever been, and as a result, I’m not sure the festival has ever been so exciting on a creative level.

As always, there’s a lot to dig into in the announcement that follows. Make sure you let the varied implications sink in. Then go ahead and get yourself a ticket while you still can.

Here’s to ya:

Roadburn 2018: details of second commissioned performance, final bands for Jacob Bannon’s curation & more

– Icelandic black metal bands unite for the second of Roadburn 2018’s specially commissioned performances
– Jacob Bannon confirms final bands for his curation including All Pigs Must Die.
– Day tickets go on sale – January 18!
– Further to the already announced commissioned project featuring Oranssi Pazuzu and Dark Buddha Rising, Roadburn Festival is thrilled to announce details of the second of such projects, among the next batch of confirmations for the 2018 edition of the festival.

Artistic Director Walter Hoeijmakers comments:

“For several years now, I have been a passionate supporter and advocate of the incredible music scene that is brewing in Iceland. I have witnessed some truly awe-inspiring performances, both on their home soil and further afield, and it is always an honour to have these musicians join us at Roadburn. What makes all of this even more exciting to me, is that I believe that the best is still yet to come for these talented performers – and I have every confidence that we’re going to get a good dose of that with this commissioned performance at Roadburn 2018.

“We’re nearing the end of our announcements for 2018 as the festival looms ever closer – our side programme and Cul de Sac bands announcement is pencilled in for early February. With day tickets going on sale this week, Roadburn 2018 looks like it will be another sell out edition, and yet another artistic triumph.”

COMMISSIONED PROJECT: Vánagandr – Sól án varma

The second of Roadburn’s specially commissioned projects will encapsulate the spirit and creativity of the thriving Icelandic black metal scene. Leading the charge has been Misþyrming who were our artists in residence in 2016, a tenure that surely peaked with their ritualistic Úlfsmessa performance.

We’re thrilled to confirm that the second of our specially commissioned performances for Roadburn 2018 will unite the might of Misþyrming, Naðra, Svartidauði, and Wormlust under the banner Vánagandr.

The title of the piece these six musicians will perform is Sól án varma, which roughly translates to “sun without radiance”. The opus will encompass a slow primal roar – a process which cannot be stopped once started, and that only continues to grow, reinventing itself in its complexity.

Chaos. Dissolution. Confusion.

JACOB BANNON’S CURATION: WEAR YOUR WOUNDS

Jacob Bannon’s own Wear Your Wounds will reprise their 2017 performance this year, promising improvisation and experimentation into the mix.
“I’m extremely excited to perform live with Wear Your Wounds at Roadburn 2018. Playing the 2017 edition of the festival was a creative high point for me and I am honored to return. This time we will be integrating different songs into the set from both the “WYW” double album, the “Dunedevil” album, as well as other material. In a live setting we plan on expanding on the studio recordings, using them as a skeleton for improvisation and experimentation. Hope to see some of you there.”
– Jacob Bannon

JACOB BANNON’S CURATION: ALL PIGS MUST DIE

“In my opinion All Pigs Must Die are one of the best bands playing dark hardcore/punk today. Founded by friends bonded by their collective obsession of heavy music, they have evolved from merely a project into a true force in aggressive. With their members so busy with other bands/projects, live performances have been rare over the years. It is an honor to bring them to Roadburn 2018, so their brand of heavy can be experienced by the masses.”
– Jacob Bannon

JACOB BANNON’S CURATION: STOMACH EARTH

Beginning in 2001 under the name Nyarlathotep, the one-man doom/death metal project of Mike McKenzie (The Red Chord, Wear Your Wounds, Unraveller) released a few demos and sunk back into the shadows for several years, with little to no activity beyond a name change. Over a decade after its inception, a full length was released on Black Market Activities. This release prompted two live performances before it would lie dormant once more. As part of Jacob Bannon’s curation, Stomach Earth will surface again to perform their self-titled debut in its entirety. Joining McKenzie on stage as Stomach Earth will be multi-instrumentalist Greg Weeks (The Red Chord, Wormwood).

NYIÞ & WORMLUST PERFORMING HIEROS GAMOS

At the core of most innovative work is the collaborative spirit. While Icelandic ritual drone and folk act NYIÞ is already an inherently collaborative entity, they’re really stepping things up this year by fusing with psychedelic black metal giant Wormlust to create a new beast: Hieros Gamos.

Little of this planned masterwork shall be revealed before the performance itself, but those with any familiarity can imagine what otherworldly horrors and delights await. Those who witnessed NYIÞ’s massive performance piece as part of the Úlfsmessa in 2016 knows just how deep the currents run. With the addition of such a force as Wormlust, we need say little beyond urging you to arrive early to be the first to witness Hieros Gamos in its live debut.

GALLOPS

Having broken up shortly after the release of their debut album back in 2012, Gallops left quite the hole in the ranks of bands who push at the boundaries of rock music. Fortunately, Gallops returned in 2016. “It just needed a nap,” was how Mark Huckridge, Liam Edwards and Brad Whyte jokingly put it, so we’re very happy and also relieved that someone remembered to set an alarm. They’ll keep you guessing at every turn, moods fluctuating from eeriness to jubilation, from intimidating darkness to feverish light, but always pulsating and engaging.

SCATTERWOUND FEAT. JUSTIN K BROADRICK

Known experimentalist Dirk Serries (YODOK III, The Void Of Expansion, Fear Falls Burning) and Hellmut Neidhardt, aka N, had this collaboration idea floating around in the ether for, rumour has it, almost a decade. Before the universe shifts and we lose sight of it for good, measures have been taken, both by the band and by Roadburn: Scatterwound will perform at Roadburn 2018 with none other than Justin K Broadrick as their special guest.

SPOTLIGHTS

Coming from the streets of Brooklyn, New York, Sarah and Mario Quintero, the pair at the core of this remarkable entity, don’t shy away from genre hopping, and capture a voice of their own by mainlining doom with shoegaze, pairing post rock to sludge, and forming a dreamy yet very melodic concoction. Spotlights are capturing audiences with their emotional depth, and by the time they’ve finished with us at Roadburn, we’ll all have a really bad case of Spotlights (and no doubt love every minute of it!).

SUPERSONIC BLUES

Hailing from The Hague and infused with a funk-fuzz power in their delivery that makes them an immediate standout, the young trio Supersonic Blues are welcomed to Roadburn 2018 with open arms this April. Supersonic Blues will perform at the San Diego Clubhouse AKA the Hall of Fame alongside kindred spirits from the San Diego scene on Friday, April 20.

POSTER ARTIST: RICHEY BECKETT

As our day tickets go on sale this week, we’re delighted to present the day splits in the form of four spell-binding posters by renowned artist, Richey Beckett.

TICKET ONSALE INFORMATION

Roadburn 2018 tickets are on sale now. 3 and 4 day tickets are currently available and day tickets will go on sale on January 18, 2018.

Thursday, 19 April – €62.40
Friday, 20 April – €62.40
Saturday, 21 April – €62.40
Sunday, 22 April – €57.40

4-day-tickets €198,40
3-day-tickets €175,40
(all prices include €3,40 service fees)

Camping tickets are also available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

A brand new hotel is due to open in Tilburg just weeks prior to Roadburn 2018. The Valk Exclusive hotel is offering a special deal for Roadburners. Click here for more information

Click here for more information on tickets and the campsite

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Roadburn 2018 Fifth Announcement Video

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Roadburn 2018 Announces Boris Playing Absolutego, Godflesh Playing Selfless, Hooded Menace Playing Fulfill the Curse, Commissioned Oranssi Pazuzu and Dark Buddha Rising Collaboration, and Much More

Posted in Whathaveyou on December 14th, 2017 by JJ Koczan

Well, here’s Roadburn 2018 wishing you happy holidays as pretty much only Roadburn can. With Boris and Stephen O’Malley playing Absolutego in full, a one-off collaboration between Oranssi Pazuzu and Dark Buddha Rising kicking off the festival, additional whole-record performances from Godflesh and Hooded Menace, a European debut from Khemmis, plus the likes of Thou & The Body, Motorpsycho, Fuoco Fatuo, Forgotten Tomb, Wolfbrigade and of course a completely overwhelming ton of others. So yeah, happy holidays from Roadburn, I guess. Probably even happier if you already have your tickets for next April.

If you don’t, gadzooks, I hear it’s the holidays.

From the PR wire:

roadburn 2018 new flyer

Further artists confirmed for 2018 edition of Roadburn Festival; including details of specially commissioned performance

– Dark Buddha Rising and Oranssi Pazuzu collaborate on commissioned project, Waste of Space Orchestra
– Boris join forces with Stephen O’Malley for Absolutego performance
– Jacob Bannon adds Godflesh, Motorpsycho, Thou x The Body and Forgotten Tomb to his curation
– Justin K Broadrick and Kevin Martin unite as Zonal, with Moor Mother
– Hooded Menace to play Fulfill The Curse in its entirety

COMMISSIONED PROJECT: WASTE OF SPACE ORCHESTRA

Artistic Director Walter Hoeijmakers commented:

“Roadburn has always been about bringing people together, creating a network where the line between friend, fan, performer and artist is blurred. The very foundation of Roadburn is the community that it is built upon, around, and within. Alongside this, Roadburn has always sought to push the boundaries of creativity and expression.

These two defining facets of Roadburn have been brought together for a brand new project – or rather, two brand new projects – for 2018. For the first time, we have commissioned a two groups of entirely separate musicians to create music to be performed specifically at Roadburn. Today we’re thrilled to announce the first of those groups of musicians.”

Familiar to most Roadburners, Dark Buddha Rising and Oranssi Pazuzu are combining their forces to write and perform a new concept piece especially for Roadburn 2018. The collaboration will be titled the Waste of Space Orchestra.

The performance will include ten musicians onstage plus an original video accompaniment, designed to tell a parallel story with the music. The ten-part, one hour piece is a dive into the consciousnesses of three beings – all of whom are on a search for deeper truths in comprehending reality.

The Waste of Space Orchestra performance will open the main stage on the first day of Roadburn 2018 – Thursday, April 19.

BORIS AND STEPHEN O’MALLEY PERFORMING ABSOLUTEGO

It was Absolutego that kickstarted everything for Boris in 1996 and put that strange little band from Tokyo named after a Melvins song on the map. If you further exercise your memory, you will surely recall that Absolutego was – above everything – a drone album, one single track that took the listener on a strange, intense and very dark trip.

We’ve invited Boris to come and perform that whole Absolutego giant of sound, and they said yes. Joining them for this exclusive, one off performance is none other than Stephen O’Malley.

Boris with Stephen O’Malley will play Absolutego on Saturday, April 21 at the 013 venue, Tilburg, The Netherlands.

JACOB BANNON’S CURATION

MOTORPSYCHO

“When discussing with Walter potential artists that fit the experimental spirit of Roadburn Festival, we both landed on the idea of Motorpsycho. I was first exposed to the band through their Demon Box album and have attempted to follow their unique twists and turns since. Their output is legendary and their need for experimentation has been inspiring to follow over the years. It is a true honor to help bring this diverse voice to the Roadburn audience.”

– Jacob Bannon.

GODFLESH

As part of Jacob Bannon’s curation, Godflesh will perform their groundbreaking album Selfless at Roadburn Festival 2018.

“I first experienced Godflesh when I picked up the Grindcrusher compilation from Earache Records as a teenager. The otherworldly power of Streetcleaner effected me in a way that I still find hard to describe. Since then I have been an avid follower of all music that Justin creates. Though I celebrate the expansive Broadrick catalog as a whole, it is his forays into melody under the Godflesh name I really connect with. Selfless as is an album that has everything for me. Punishing heaviness, incredible hooks, and limitless emotional depth. It is a true honor that they have agreed to play this album in its entirety at Roadburn 2018.”

– Jacob Bannon.

CURATION: THOU X THE BODY

“Since their inception I’ve been following Thou. Their restlessness and drive for experimentation has been inspiring to follow. The same goes for The Body. They’ve been such an incredible band to watch evolve from release to release. When they joined together on their Released From Love and You Whom I Have Always Hated collaborations I was floored. Together, they amplify the best parts of each band’s individual output. Making some of the heaviest and most intense music of the last few years. This collaboration is a must listen and perfect fit for Roadburn Festival.”

– Jacob Bannon

CURATION: FORGOTTEN TOMB

“I was first exposed to Forgotten Tomb through their incredible Springtime Depression album. To me, Herr Morbid’s vision was immediately appealing. Carrying a relatable sadness and inescapable darkness unequaled by other artists of the time. Since then I’ve been following his growth as an artist and the evolution of the band. I feel that artistically Forgotten Tomb are a perfect fit for the core Roadburn audience. They are a musical black hole that claims everything around it. I can’t wait to experience their set at Roadburn Festival 2018.”

– Jacob Bannon

ZONAL WITH MOOR MOTHER

Justin K. Broadrick is such an integral part of the Roadburn backbone by now that he needs little introduction. When it was announced that Justin and Kevin Martin, aka The Bug – who already made himself part of Roadburn with a staggering show alongside Dylan Carlson of Earth this year – would reunite under the name Zonal (a spiritual continuation from their iconic Techno Animal duo) it registered on our always-on radar. They will be joined by Camae Ayewa, the musician, activist and poet from Philadelphia who also goes by the name Moor Mother.

HOODED MENACE

Since their earliest rumblings, Finnish cult doomsters Hooded Menace have held an astonishingly high profile in the underground realms. Their uniquely energetic take on the classic hybrid of doom and death metal has been invigorating audience since the release of their 2008 classic, Fulfill the Curse. We’re thrilled to announce that the band will perform this classic album in full at Roadburn 2018.

ALSO CONFIRMED

Classic heavy doom from Khemmis

Move or be moved by Wolfbrigade 

Tribulation’s Jonathan Hultén will haunt Het Patronaat

Worship will perform Last Tape Before Doomsday in its entirety

Get sucked into a cold, dark void by Fuoco Fatuo 

Welcome the wild and unrestrained spirit of Alda

Zuriaake will be the first Chinese band to perform at Roadburn Festival.

Some nightmares take us towards Vampillia

VMO will prove they are more than “just” a side project

Head out on an exhilarating ride with Watter

Allow yourself to shape shift with Hail Spirit Noir

Watch Kairon; Irse! defy time and space

Dive headfirst into Hortes dreamy slumber

Old Tower make their live debut at Roadburn 2018.

TICKET ONSALE INFORMATION
Roadburn 2018 tickets are on sale now. 3 and 4 day tickets are currently available, with day tickets going on sale at a later date.

4-day-tickets €198,40 (including €3,40 service fees)
3-day-tickets €175,40 (including €3,40 service fees)

Camping tickets are also available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

Click here for more information on tickets and the campsite

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Roadburn 2018 Fourth Announcement Video

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Drive by Wire Announce Spellbound Album Details; Preorders Available

Posted in Whathaveyou on December 13th, 2017 by JJ Koczan

drive by wire danyel weideman

Netherlands-based heavy rockers Drive by Wire are set to release their new album, Spellbound, on Feb. 23. You might recall it was very nearly a year ago the four-piece announced they had signed to Argonauta Records and unveiled the single “Blood Red Moon” (posted here) in order to showcase where they were at coming off of their 2015 outing, The Whole Shebang (review here). The results were encouraging, and though I haven’t heard it yet, I’d expect no less from Spellbound when it arrives, as the band are no strangers when it comes to capturing a desert-style vibe with a marked impression of their own in their songwriting.

I was about to say “one more for the most-anticipated-for-2018 list,” and add them to that section of my notes, but it turns out Drive by Wire were already in there. Go figure.

Details and whatnots from the PR wire:

drive by wire spellbound

DRIVE BY WIRE, “Spellbound” cover-art and preorders

Dutch Desert Rockers DRIVE BY WIRE reveal cover art-work and track-list of their highly anticipated new album “Spellbound”.

“Spellbound” is a new massive effort of the band, a big step forward after celebrating their 10th year of activity with the recent reissue of the critically acclaimed album “The Whole Shebang”.

Drive By Wire are able not only to focus their sound into the best Heavy Rock tradition, yet also to blend it into an original and unique proposal made of psych interludes, desert vibes and bluesy attitude.

While you can already have a taste of it by the “Blood Red Moon” single, the band is currently working on a new video-clip.

DRIVE BY WIRE “Spellbound” will be released on CD edition by ARGONAUTA Records and available from February 23rd, 2018.

LP edition out via Minstrel Music.

TRACK-LIST:
1. Glider
2. Where Have You Been
3. Mammoth
4. Apollo
5. Blood Red Moon
6. Superoverdrive
7. Van Plan
8. Lost Tribes
9. Devil’s Fool
10. Lifted Spirit
11. Spellbound

Drive By Wire are:
Vocals/ Guitar: Simone Holsbeek
Leadguitar: Alwin Wubben
Drums: Jerome Miedendorp De Bie
Bassguitar: Marcel Zerb

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Drive by Wire, Spellbound album teaser

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SubRosa Premiere “The Mirror” from SubRosa Subdued: Live at Roadburn 2017

Posted in audiObelisk on November 22nd, 2017 by JJ Koczan

subrosa

SubRosa will release SubDued: Live at Roadburn 2017 on Dec. 1 through Burning World and Roadburn Records. Today I have the extreme pleasure of hosting the official premiere of ‘The Mirror,’ and as the entire album has already been reviewed here, I thought I might just take a minute to speak about the experience of seeing the Salt Lake City outfit play in this context. Won’t take a minute.

Het Patronaat is a revamped church included as a venue for the Roadburn festival in Tilburg, the Netherlands. It has stained glass windows, a high, vaulted ceiling, and hardwood floors. subrosa-subdued-live-at-roadburn-2017When it’s empty, before a band goes on, it feels cavernous. Massive. When it’s full and you’re pressed up against the stage, it can be as intimate as the smallest of Roadburn‘s venues. You’re right there. The band’s right there. And, oh yeah, there are about 700 other people in the room with you, but if you don’t turn around and look, it’s easy enough to pretend you’re in your own world. That’s basically how I watched SubRosa play their ‘SubDued’ set at this year’s Roadburn.

They’d been on the Main Stage the prior afternoon, playing their most recent album, the brilliant For this We Fought the Battle of Ages (review here), in its entirety, but the concept behind ‘SubDued’ being that they’d strip away much of the distortion in favor of a mostly-acoustic presentation made it unmissable from my point of view. The setlist was older tracks — nothing off the latest record — and highlights like “Whippoorwill,” “The Inheritance” and “Cosey Mo” received new life through their revamped arrangements, the focus on meditative melody, raw rhythmic sway and a masterful presentation that turned deeply-weighted goth-tinged post-metal into exploratory neofolk no less complete in its realization. I don’t think any single moment emphasized this so much as when they played “The Mirror” as the second to last song in the set.

In terms of the arrangement, “The Mirror” was as minimal as SubRosa got: voice, drumsticks against microphone stands and a single floor tom for percussion, and that’s it. The violins, flutes, bass, acoustic and electric guitar, and samples/other noises that filled out other inclusions were set aside. Rebecca Vernon led Sarah Pendleton and Kim Pack in harmony as she and drummer Andy Patterson — situated behind a front-line of players that also included bassist Levi Hanna and guest flutist/vocalist Kelly Schilling — kept time together in that seemingly simple fashion. subrosa subdued (photo jj koczan)It was beautiful and affecting in kind.

The song itself tells the story of a woman who, by her own admission, “took the easy road.” She gets married and has five kids in five years because that’s what you’re supposed to do where she’s from, but when her husband leaves her, she’s alone and poor and full of regret. In the end, she blames not him for the affair she had, but herself for not seeing the error of the lifepath she chose: the line, “I just look in the mirror and I find I only have myself to blame” stands out in a verse preceding the ultimate moral lesson of, “You gotta push against the current to get somewhere.” It’s a powerful sentiment, powerfully presented.

I’ll admit I wasn’t familiar with “The Mirror” before seeing it performed at Het Patronaat this past April. It comes from SubRosa‘s 2006 demo/EP The Worm has Turned and to my knowledge hasn’t featured on any subsequent release. This would seem to make its inclusion on SubDued: Live at Roadburn 2017 all the more special, since it’s a standout and something kind of exclusive to this form, this time, and this moment for the band. It certainly felt that way when they were playing it, and as I watched and listened, I became utterly entranced in the melody and the storytelling in a way that hasn’t left my mind in the half-year since. I feel fortunate for having been there to witness it and know that, in fact, I was.

Enjoy the premiere of “The Mirror” below, followed by some more preliminaries from the PR wire:

First ever live album by Subrosa after 5 studio albums on labels as Profound Lore and I Hate Records.

Recorded at the prestigious Roadburn Festival 2017 in a packed Patronaat. Mixed and mastered by Andy Patterson of Subrosa.

Vinyl version will follow in early 2018.

TRACKLIST
1. Whippoorwill
2. Borrowed Time Borrowed Eyes
3. Sugar Creek
4. The Inheritance
5. Cosey Mo
6. The Mirror
7. No Safe Harbor

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Roadburn 2018: Earthless to be Artist-in-Residence; Crowbar, Kikagaku Moyo, Zola Jesus, Mutoid Man, Joy, Harsh Toke, Petyr, and More Added

Posted in Whathaveyou on November 15th, 2017 by JJ Koczan

This invariably happens every year. Roadburn hits a point where the festival loses its damn mind and delivers a completely overwhelming onslaught of lineup additions, greatly affirming the overall character of the event as well as its ongoing utter creative dominance of the Spring festival scene in Europe. I knew it was coming. I guess I just didn’t expect it so soon.

More the fool I. Today, Roadburn 2018 confirms Earthless will serve as Artist-in-Residence, and in addition to playing a set on their own, they’ll jam out with krautrock legend Damo Suzuki of Can as well as lead the charge of a ‘San Diego Takeover’ featuring the likes of Harsh TokeJoyPetyr and Sacri Monti. Not only that, but Crowbar will play Odd Fellows Rest in full at Jacob Bannon‘s curated event, and another takeover — this time by Japanese psychedelia — brings confirmation of Kikagaku MoyoMinami Deutsch and Dhidalah. Oh, and there’s a shit ton of others added as well, including Mutoid ManJarboe and Ruins of Beverast.

If you can get your head around it, you’ve got one up on me, though it’s certainly fun to try. I got to write the Earthless announcement, so make sure you read that one. Here’s all of it from the PR wire:

roadburn 2018 banner

Roadburn Festival 2018 Artist in Residence announced; plus more lineup confirmations

– Earthless confirmed as 2018 Artist in Residence
– Huge San Diego Takeover project announced feat. collaborations and jam sessions.
– Japanese Psych Experience courtesy of Kikagaku Moyo, Minami Deutsch and Dhidalah
– Crowbar & Zola Jesus confirmed for Jacob Bannon’s curated stages

Artistic Director, Walter Hoeijmakers commented:
“To be Roadburn’s Artist in Residence is quite a prestigious position; it really gives bands a chance to open up and explore different facets of their collective personalities. Earthless are – to me – the perfect fit for this next year; their bond with Roadburn is strong and we’re thrilled to have seen them grow and develop over the years since they first played Roadburn. In fact, it will be a full decade since their first performance on a Roadburn stage – and what a way to mark the occasion.

“The whole San Diego Takeover has been over a year in the planning, and we’re still working on even more ways to enhance what is already going to be such an incredibly special part of Roadburn 2018.”

ARTIST IN RESIDENCE: EARTHLESS

Roadburn is proud to welcome back our benevolent cosmic instrumentalist overlords in 2018! Earthless will perform three sets as our Artist in Residence, including some incredibly special, Roadburn-exclusive jams.

It’s been a decade since the San Diego three-piece of guitarist Isaiah Mitchell, bassist Mike Eginton and drummer Mario Rubalcaba set a standard for epic with the performance that became their landmark Live at Roadburn 2LP in 2008. Since then, Earthless have become the standard-bearers of a heavy psychedelic boom in California, inspiring countless acts around them.

As our Artist in Residence they will take the stage three times. For the first set, they’ll play in their standard three-piece incarnation, showcasing material from their upcoming 2018 album. The second set unites Earthless with progressive rock and improvisational legend Damo Suzuki, a set that is bound to be an occurrence of galaxy-shaking significance. If that’s not enough, Earthless will also take part in an ‘East Meets West’ psych jam with other members of the San Diego scene and members of Kikagaku Moyo from Japan.

The poster for Earthless was created by Maarten Donders.

Read more about Earthless, and Damo Suzuki.

SAN DIEGO TAKEOVER

Steeped in psychedelia and inspired by Earthless – who played a pivotal role in sparking this particular fire – the new breed of San Diego psych-rock bands is gearing up to launch themselves on Tilburg next April. Stand by; the San Diego circus is coming to town.

A veritable gang of musicians will be leaving behind the Pacific Ocean and making their way to the slightly less sun soaked – although no less open minded – vistas of Tilburg.

Each participating band will perform over the course of the weekend as part of the main festival programme at the 013, but a movement this influential deserves it’s own space to spread out, bloom, and indeed envelope us all. So, with that in mind, there will be a Californian takeover at the Hall of Fame on both Friday and Saturday; welcome to the San Diego Clubhouse!

When you count professional skaters among your ranks, it would seem remiss to not factor a skate expo into proceedings. Plus there will be visual exhibitions by the likes of JT Rhoades, Lannie Rhodes and BB Bastidas (the man responsible for the incredible poster below), there will also be stalls featuring Vol.4 Clothing and Psockadelic. We didn’t know we needed Roadburn branded socks until just now, but now we really need them…

More details will unfurl over the next couple of months, but for now, it’s time to get stoked: California is coming. Performing as part of the Roadburn 2018 San Diego takeover will be:
Harsh Toke
Sacri Monti
Joy
Petyr

Read more about the San Diego Takeover.

JAPANESE PSYCH: KIKAGAKA MOYO, MINAMI DEUTSCH, DHIDALAH

In conjunction with the San Diego Takeover, Roadburn 2018 will also host a Japanese psych experience! Steeped in ’60s and ’70s tradition, these bands are exploring psychedelia in a transportive and meditative way. Emphasis is put on the past, but they’re pushing the envelope, and it’s their forward-looking vision that’s prompted us to bring them to Roadburn 2018.

Please brace yourself to explore the sonic spectrum with these new champions of Japanese psych!

Centered around cult-label GuruGuruBrain, the following bands will perform as the Japanese counterparts of The San Diego Takeover:
Kikagaku Moyo
Minami Deutsch
Dhidalah

JACOB BANNON’S CURATION: CROWBAR

Crowbar have been at the forefront of heavy music for nearly three decades, and in 1998 released the album Odd Fellows Rest. This incredible album merged their existing heaviness with a refined melodic sensibility, creating one of the most powerful metal albums of the era.

Jacob Bannon comments:
“In 1991 I was introduced to Crowbar when I bought a tape of their Obedience Thru Suffering album. The sheer heaviness of the band floored me and I was hooked ever since. For me personally, their 1998 album Odd Fellows Rest is a high watermark of creativity. It is an incredible collection of songs that have been daily listens for me for nearly two decades. It’s an honor to have the band perform this record live at Roadburn Festival 2018.”

Read more about Crowbar.

JACOB BANNON’S CURATION: ZOLA JESUS

Zola Jesus is the stage name of Russian American musician Nika Roza Danilova. Under the name Zola Jesus, she has released a number of genre bending EPs and albums. Her approach is a cross pollination of electronic/industrial, classical, and gothic sounds; all of it coming together as a dark and emotional artistic experience.

Jacob Bannon comments:
“I first heard Nika’s work on the Stridulum EP. Every aspect of the release connected with me and it soon became a daily listen. The record (and all of her work) was relatable and infectious. I’ve been an avid listener ever since. Watching her artistry grow and deepen over time has been inspiring. Okovi, the latest from Zola Jesus is such a powerful album. I am truly honored to have Nika and Company at Roadburn 2018 as part of my curation.”

Read more about  Zola Jesus.

JARBOE FT. FATHER MURPHY

Jarboe has always made collaboration an essential part of her work, and her work with Italian duo Father Murphy has so far been incredibly fruitful. When they perform together at Roadburn, Father Murphy will take to the stage first and set the mood with heir creepy and enveloping aural tapestries, after which Jarboe, in all her glory, will join them to perform those songs. After that, the trio will perform a selection of some of the most powerful moments of the singer’s career so far.

Read more about Jarboe ft Father Murphy.

BIG BRAVE invite us to peek further into the shadows. Read more
DAWN RAY’D will be initiated into the Roadburn family. Read more.
HÄLLAS carry the heart and soul of the seventies. Read more.
KÆLAN MIKLA soundtrack the apocalypse with threatening darkwave rumblings beneath ominous monologues. Read more.
MUTOID MAN shake off the “super group” shackles and re-write the rules. Read more.
PLANNING FOR BURIAL are set to defy description and capture our hearts.Read more.
THE RUINS OF BEVERAST will reprise their 2013 show-stealing performance, this time with added Exuvia; they’ll play their latest album in full. Read more.
UNE MISÈRE are an explosive combination of elongated atmospherics and insanely meaty riffs. Read more.
WIEGEDOOD: furious catharsis, raging obscurity and fiery destruction from the Church of Ra  Read more.
WRECK AND REFERENCE shall devour genres and resist categorisation. Read more.
YELLOW EYES… With burning intention and a sight without limits, BLACK METAL AS SPIRITUAL WAR. Read more.

TICKET ONSALE INFORMATION
Roadburn 2018 tickets are on sale now. 3 and 4 day tickets are currently available, with day tickets going on sale at a later date.

4-day-tickets €198,40 (including €3,40 service fees)
3-day-tickets €175,40 (including €3,40 service fees)

Camping tickets are also available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

Click here for more information on tickets and the campsite

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Roadburn 2018 Third Announcement Video

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SubRosa, Subdued: Live at Roadburn 2017: Finding Safe Harbor

Posted in Reviews on October 31st, 2017 by JJ Koczan

subrosa subdued live at roadburn 2017

On the first day, SubRosa took to the Main Stage of the 013 venue in Tilburg to play their latest album in its entirety. And it was early in an afternoon and night of excellent performances, but seeing the Salt Lake City, Utah, outfit give my 2016 Album of the Year, the Profound Lore-issued For this We Fought the Battle of Ages (review here), a complete runthrough was still a highlight of the entirety of my experience at the 2017 Roadburn festival (review here). It was something special. The next day, across the alley at Het Patronaat, the band played once again, but this time for a set that became even more of a landmark in my mind for the long weekend.

Given the billing of ‘SubDued,’ it was SubRosa — the core lineup of guitarist/vocalist Rebecca Vernon, violinists/vocalists Sarah Pendleton and Kim Pack, bassist Levi Hanna and drummer/noisemaker Andy Patterson joined for a second time by flutist/vocalist Kelly Schilling of Denver’s Dreadnought — arranged with everyone up front in a line across the stage save for Patterson who was situated behind with a percussion and sampler setup, seated, facing the audience directly. Surrounded by stained glass windows, the high cathedral ceiling and the hardwood floors of ‘The Church,’ as Het Patronaat has also come to be known — appropriately, since it is one — it felt like a ceremony unto itself.

I stood at the very front of the stage and watched as SubRosa reinterpreted songs from 2013’s More Constant than the Gods, 2011’s No Help for the Mighty Ones (review here), 2008’s Strega and the preceding 2006 demo, The Worm has Turned — leaving the performance of their fourth full-length the day before as it was, but boldly recontextualizing past material into a mostly-acoustic neofolk rife with atmosphere, emotion and progressive sonic insight.

Simply put, it was one of the best shows I’ve ever seen, at Roadburn or anywhere else.

Taking that into account, I have to admit there’s just about no way I can be properly impartial when it comes to assessing the Subdued: Live at Roadburn 2017 live album released through Burning World and Roadburn Records. None. I was too close to it — literally — and as the band began their just-under-an-hour-long set with the graceful unfolding of “Whippoorwill,” too consumed by the immediate breadth of what they were doing to maintain any proper distance from the experience. I think most who were there to see it would likely say the same. It would be like being impartial about a sunrise whose warmth cast away months of frigid temperatures. Impartiality about a first meal after days of starving. It was a time for worship, for communion, not equanimity, and “Whippoorwill” was only the start.

One can hear that on the recording. With Patterson thudding away behind, “Borrowed Time, Borrowed Eyes” emphasizes its rhythmic punctuation as much as Vernon‘s vocal melody, recalling some of the sludgy churn of the original that led off No Help for the Mighty Ones, but with more of a reliance on the strings to fill out an arrangement still given heft by Hanna‘s bass, SubRosa set up the harmonies later in the song for the repeated lines “How long must my journey go?,” and giving way to “Sugar Creek,” which might be the most radical arrangement shift of the entire set, taking the original opener of Strega, pulling out the guitar heft and drums and replacing them with electronic beats, manipulated noise and violins on a five-minute linear build that offers rare patience and still finds a way to capture the band’s underlying emotional intensity that was present even in their earliest work. It marks a transition as well into a crucial point in the set, wherein “The Inheritance” from No Help for the Mighty Ones and “Cosey Mo” from More Constant than the Gods pair together to fully embody the ‘subdued’ experience in texture and arrangement.

subrosa

Over minimal guitar, Vernon‘s solo vocals on “The Inheritance” are soon joined by companion harmonies, and sparse percussion echoes behind, marking the path as it unfolds. Strings arrive and the arrangement builds on itself, recedes for another verse and builds again, arriving at the line, “We’re in the shadow of a dying world,” which the pervasive melancholy of “Cosey Mo” seems to bring to life all the more. Both cuts hover around the eight-minute mark and become a dark kind of gothic Americana with the treatment they’re given on Subdued: Live at Roadburn 2017, the level of depth particularly on the latter highlighting Patterson‘s work in mixing and mastering as well as on percussion. “Cosey Mo” finds a level of balance and emotional resonance by its halfway point that feels like the apex of the performance as a whole, and SubRosa continue to ride that progression fluidly, but it’s ultimately “The Mirror” that serves as the moment of their greatest impact.

With a rhythm created by hitting drumsticks on mic stands complemented by Patterson behind, “The Mirror” weaves a story of rural disaffection — “Got married in the winter/Gave birth in the summer/In five years time had five little ones…” — set to the most gorgeous vocal harmonies here present from VernonPendleton and Pack, who deep-dive into folk-ballad traditionalism with what I’d gladly argue is the boldest and bravest abandon shown on the release. The song, which originally appeared on The Worm has Turned, is the oldest of the material to make it into the set and yet could not fit more perfectly, casting off the complexity of strings, samples, bass, guitar and percussion in favor of an approach as organic as possible: raw human voice.

They thank Roadburn Creative Director Walter Hoeijmakers when they’re done and then launch into “No Safe Harbor” from More Constant than the Gods to close the set. It would be easy for it to be an afterthought, but with Schilling‘s flute added, SubRosa instead push further into the scope established by “The Inheritance” and “Cosey Mo,” finding resolution in a series of thudding crashes that, even in this setting, are viscerally weighted. To call it a suitable ending undercuts the beauty that actually holds sway for the duration of the track itself, or the obvious care put into the presentation, which like the original, ends with a chaos of rumble and strings ceding ground to a single line of percussion. Violins circle around single pulled notes on bass, and whether taken on an ambient level or in terms of the pure aural resonance, it leaves the band with just about nowhere else to go. So they end.

I have been to nine editions of the Roadburn festival. Each year offers at least one landmark performance — the one for which the festival is ultimately remembered. I don’t know if the effect could possibly be the same for someone who wasn’t there to witness it — and it’s precisely for that reason that I consider myself too close to it to be properly impartial, as noted above — but having witnessed SubRosa ‘SubDued’ and now having heard Subdued: Live at Roadburn 2017, it only further cements this set as that in my mind for 2017. It’s been six months now since and I continue to feel affected by what they did on that Het Patronaat stage, and with these tracks documenting it as gorgeously and as essentially as they do, I can only hope that will sustain for years to come. It is a reminder of the power a live performance can have and, again, as rich an experience as I’ve ever had in that regard.

SubRosa, “No Safe Harbor” live at Roadburn 2017

SubRosa website

SubRosa on Bandcamp

SubRosa on Thee Facebooks

SubRosa on Twitter

Burning World Records website

Burning World Records on Thee Facebooks

Burning World Records on Twitter

Burning World Records on Instagram

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Death Alley Sign to Century Media; New Song Posted; On Tour Now

Posted in Whathaveyou on October 16th, 2017 by JJ Koczan

Heartfelt congratulations are in order for Amsterdam’s Death Alley. The four-piece, who issued their Live at Roadburn (review here) live album earlier in 2017 via Suburban Records and Tee Pee Records, have had a tumultuous year, including an unceremonious separation in April with bassist Dennis Duijnhouwer and the subsequent bringing-aboard of Sander Bus as his replacement as well as former In Solitude drummer Uno Bruniusson to join the remaining founding duo of guitarist Oeds Beydals and vocalist Douwe Truijens. The news this time is mind-blowingly good, however, as the band have signed to Century Media for the release of their next album.

Currently on tour with Kadavar, the veterans of Psycho Las Vegas 2016 — who also stopped by Brooklyn to play The Obelisk All-Dayer (video here) — released their debut, Black Magick Boogieland (review here), via Tee Pee in 2015, and aside from reaffirming once more that New York label’s tastemaker stature (let’s not forget the likes of Kadavar and Graveyard and Earthless, let alone High on Fire, are Tee Pee alums), their signing to Century Media represents the next step in an upward, forward trajectory that’s been blasting out ever since. An absolutely scorching live act, Death Alley blend space rock and heavy psych with motor-fueled charge in their studio material, and one can hear shades of both represented in the new track “The Sewage, Pt. 1,” which is streaming now at the bottom of this post.

Am I stoked at the prospect of a new Death Alley record tracked once again by Pieter Kloos (ex-35007, producer for MotorpsychoDoolBeaverMonomyth7Zuma7Celestial SeasonSpoiler, and so, so many others) at his The Void studio in Eindhoven? Well that’s kind of a stupid question. Yes I fucking am. Right onto the list of 2018’s most anticipated albums Death Alley‘s Century Media debut goes, where it will remain until I actually get to hear the thing and proclaim it one of the year’s best records (no pressure; ha). Won’t happen nearly soon enough, as far as I’m concerned.

Announcement from Century Media from the PR wire, Death Alley‘s current remaining tour dates, and of course that song stream follow here. Dig it:

death alley

DEATH ALLEY Sign Worldwide Deal with Century Media Records; Premiere New Song, “The Sewage”

Dutch destroyers DEATH ALLEY already raised attention with their debut album, “Black Magick Boogieland”, in 2015. The band, revolving around former The Devil’s Blood guitarist Oeds Beydals, singer Douwe Truijens, Swedish drummer Uno Bruniusson (ex-In Solitude) and latest addition Sander Bus on bass, mainline an unorthodox cross contamination of psychedelic hard rock and punk, played with excellent precision and power. The spirit of Bad Brains and King Crimson, Hawkwind and Poison Idea, and hints of The Stooges and Black Sabbath-worship form the fundament for DEATH ALLEY’s solid rock and roll presented with metal finesse and a pitch black psychedelic soul cherry on top.

Since their debut release, DEATH ALLEY have relentlessly toured the world. From the smallest underground venues to the bigger stages at festivals like Psycho Las Vegas, Hellfest in France, and multiple Desertfests, the band has been leaving a lasting impact with their energetic performance. Their show at the prestigious Roadburn Festival resulted in a critically acclaimed live album, released earlier this year.

The ink on their new deal with Century Media Records isn’t dry yet and they just left the Moon Studios where they recorded their sophomore album with producer Pieter Kloos (Motorpsycho, The Devil’s Blood, Dool, etc.). Right now, they are hitting the road again with their friends Kadavar with whom they release a very special tour split 7”.

“The Sewage” is also available as a digital single on all streaming and download platforms.

The band comments: “We’ve been sailing the sewage for quite a while now, and time has come to harvest the gold and offer it to you on a silver platter. We can spend much time and effort describing the feeling of the new music, the upcoming record, and the European tour with Kadavar, but that will always be just a faint shadow of showing it: so just come to the shows and blast the new song with volume at 11 – that’ll say more than the dozens of synonyms for ‘stoked’. Let us feast on it.”

DEATH ALLEY live:
KADAVAR / MANTAR / DEATH ALLEY
16.10.2017 Antwerpen (BE), Desert Fest
17.10.2017 Strassbourg (FR), La Laiterie Club
18.10.2017 Paris (FR), Le Trabendo
19.10.2017 Rennes (FR), L’Ubu
20.10.2017 Bordeaux (FR), La Krakatoa
21.10.2017 Madrid (ES), But
22.10.2017 Barcelona (ES), Bikini
24.10.2017 Lyon (FR), Feyzin
25.10.2017 Monthey (CH), Pont Rouge
26.10.2017 Aarau (CH), Kiff
27.10.2017 München (GER), Backstage
28.10.2017 Wien (AT), Flex
29.10.2017 Graz (AT), PPC
30.10.2017 Zagreb (CRO), Mocvara
01.11.2017 Budapest (HU), A38
02.11.2017 Warschau (POL), Progresja
03.11.2017 Krakau (POL), Kwadrat
04.11.2017 Prag (CZ), Nova Chmelnice
05.11.2017 Nürnberg (GER), Hirsch
07.11.2017 Amsterdam (NL), Paradiso Noord
08.11.2017 Hannover (GER), Capitol
09.11.2017 Copenhagen (DK), Pumpehuset
10.11.2017 Stockholm (SV), Debaser
11.11.2017 Oslo (NO), BLA
12.11.2017 Gothenburg (SV), Pustervik
13.11.2017 Deventer (NL), Burgerweeshuis
15.11.2017 Köln (GER), Stollwerck
16.11.2017 Wiesbaden (GER), Schlachthof
17.11.2017 Stuttgart (GER), LKA Longhorn
18.11.2017 Berlin (GER), Columbiahalle

DEATH ALLEY is:
Douwe Truijens – vocals
Oeds Beydals – guitar
Uno Bruniusson – drums
Sander Bus – bass

http://deathalleyband.tumblr.com/
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http://deathalley.bigcartel.com/
http://www.deathalley.nl/
http://smarturl.it/DeathAlleyTheSewage1
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Death Alley, “The Sewage, Pt. 1”

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Roadburn 2018: Weedeater, Greenmachine, Grave Pleasures, Årabrot and Many More Added; Tickets on Sale Oct. 19

Posted in Whathaveyou on October 12th, 2017 by JJ Koczan

Looks like Roadburn 2018 is already doing that thing that Roadburns do where they completely overwhelm with their scope and the promise of what’s to come with their lineup each year. This is, what, the second announcement for next April? Seems early for such things, but to have Weedeater confirmed to play God Luck and Good Speed and Greenmachine doing all of D.A.M.N. is pretty gosh darn special. I’m eager to find out who’s going to be the artist-in-residence — though Walter very pointedly uses “artists” below, so maybe there’s more than one — but there’s plenty to chew on in the meantime, so I won’t delay any further and let you get to it.

Also note the new venue. This fest just keeps expanding. Pretty soon every streetcorner in Tilburg will have a Roadburn venue. I’d be cool with that, by the way. Totally cool with that.

Here’s the latest:

ROADBURN 2018: Further names confirmed ahead of ticket onsale

– Cult of Luna and Julie Christmas to perform Mariner for the final time at Roadburn 2018

– Weedeater will play God Luck and Good Speed in full

– Grave Pleasures confirmed

– Greenmachine will play D.A.M.N in full as part of Jacob Bannon’s curation

Sixteen new artists have been confirmed for Roadburn 2018 ahead of tickets going on sale next week, on October 19.

Artistic Director, Walter Hoeijmakers commented:
“We’re thrilled to bring you this set of announcements ahead of the tickets going on sale next week. We have a lot more still to come including our Artists in Residence for 2018, and two specially commissioned performances. The artists that we’ve commissioned will be familiar to Roadburners, but they will be performing pieces of music that have never been heard before – just for us! We’re still confirming the final details before we can announce those shows but we already know this is going to raise the creative bar for Roadburn.

“We’re also very pleased to confirm that we’ll be making use of a new venue at Roadburn 2018. In response to feedback from our attendees, we have found the perfect space at the Koepelhal – just up the road from the 013 – to spread out a little bit and provide a fantastic space for bands and audiences alike.”

CULT OF LUNA AND JULIE CHRISTMAS

No strangers to the Roadburn stage, Cult of Luna have a rich back catalogue that has traversed many a strange land over their almost two decades. But when they teamed up with inimitable New Yorker, Julie Christmas, to create 2016’s Mariner album, the collaboration brewed up something truly magical.

Originally planned as a studio-only venture, the Swedish-American collaborators were coaxed into playing out last year as they performed a handful of European shows. The demand for North American shows warranted a short tour this past summer, and now they look to add a full stop to the Mariner experience, with a final performance at Roadburn 2018.

We find it hard to say no to Cult of Luna in any guise, so we’re thrilled that the feeling is mutual – and that this time around Julie will be along for the Roadburn ride to perform Mariner, in her words “one more fucking time!”. Whilst we are inclined to refute the adage that all good things must come to an end, if that’s really the case, we’re determined to give Mariner a proper send off.

Cult of Luna and Julie Christmas will perform Mariner on Thursday, 19 April at the 013 venue. Read more here.

WEEDEATER

Weedeater have always epitomised the true essence of what “stoner” music should be. It’s not enough to just add fuzz, or to jam out for hours while super high. Weedeater flirt unashamedly with doom and sludge, they have bite, a sharp attitude, gigantic riffs and a unique personality, not to mention the unpredictability factor brought by Dixie Dave’s irresistible antics.

Which is why, in 2018, the return of the much-loved weed-fuelled trio is not just a “normal” return. Braces yourselves… Weedeater are going to play, exclusively for Roadburn, their seminal 2007 album God Luck And Good Speed in full.

We’ll let you know what time Weedeater will be playing on Thursday, 19 April at the 013 venue in a few months, but you know it doesn’t matter – it’ll be 4:20 in any case. Read more here.

GRAVE PLEASURES

Grave Pleasures have now finally truly arrived at the peak of their creative powers; their new album Motherblood is a truly defining piece of work that will delight anyone – old Beastmilk fans, more recent Grave Pleasures devotees, absolute newcomers, essentially everyone with ears will not be able to resist the cheeky, mischievous glee with which the Finnish band welcome the end times.

Grave Pleasures play on Sunday, 22 April. Read more here.

JACOB BANNON’S CURATION: GREENMACHINE

As part of Jacob Bannon’s curation, Japan’s GREENMACHiNE will reunite and perform their D.A.M.N. album in its entirety at Roadburn Festival 2018. Originally released by Man’s Ruin Records in 1995, D.A.M.N. is the monumental album that raised GREENMACHiNE to cult like status, making them the Japanese counterpart to bands like Buzzoven, Cavity, Jesuit, and others. Its sound blurred the lines between Stoner Rock, Sludge/Doom, and Hardcore/Punk worlds.

Jacob Bannon comments:
“D.A.M.N.” was released by Man’s Ruin Records during the golden era of that influential label. For me, GREENMACHiNE were one of the bands that really connected with me in that stable. They were more intense than other releases the label was producing, and their origins within the Japanese Punk/Hardcore scene made them a welcomed mystery. A quality that was deepened by their subsequent breakups and brief reformations throughout the years. I am excited to finally see them unleash these brutal songs live at Roadburn 2018, it is an exclusive experience that is not to be missed.”

Greenmachine will perform as part of Jacob Bannon’s curation at Het Patronaat on Saturday, 21 April. Read more here.

FUTURE OCCULTISM

Currently reinventing himself musically and spiritually, ever forward thinking and his eyes and ears set on the future, is Dutch breakcore pioneer, Bong-Ra. Together with his cohorts – whether it’s his partner in dark matters, Svart Lava, or by way of inspiring the elusive Phuture Doom collective – they are pairing a futuristic take on modern day occultism with an eclectic outlook on (doom) metal and electronics.

Future Occultism will be presented at Roadburn in three parts: Bong-Ra, Servants Of The Apocalyptic Goat Rave (the binary view and vision of Future Occultism), and Phuture Doom (their preachings: digital sonic alchemy).

Future Occultism will take place in the 013 venue on Thursday, 19 April. Read more here.

ÅRABROT will defy explanation as they take to the stage  FURIA set to balance unhinged ferocity with intricate melody *European Exclusive*  Read more here
GOST will help us party our way to oblivion  Read more here
HELL to perform potent and evocative self titled album  Read more here
MAGGOT HEART will be making themselves known by force Read more here
MIZMOR  rise from a slumber to play Yodh in full *European Exclusive* Read more here
OCCVLTA will raise your fists for old school black metal  Read more here
SANNHET promise a sensory assault   Read more here
THAW to deliver a night of challenging sonic chaos  Read more here
UNIFORM are a duo defying convention, bringing audio warfare to Roadburn Read more here
WREKMEISTER HARMONIES will captivate hearts and minds with an unpredictable set  Read more here

Already announced:
Godspeed You! Black Emperor playing two sets, Converge (performing You Fail Me, and The Dusk In Us in full), Hugsjá (a collaboration between Ivar Bjørnson and Einar Selvik), Panopticon playing two sets, The Heads, Bell Witch, Ex Eye, Igorrr, Sangre De Muerdago, Aerial Ruin.

NEW VENUE: KOEPELHAL

As Roadburn’s popularity has increased over the years, we have strived to maintain the intimate atmosphere whilst comfortably accommodating our growing audience, and the demand for certain shows. We’re thrilled our 2018 edition will see the introduction of the Koepelhal as a Roadburn venue.

Located just a few minutes walk from the 013, the venue will house our merchandise for artists (meaning a return to a more laid back atmosphere and greater opportunity for interaction between bands and fans!), as well as being used as a 1,200 capacity stage on the Friday and Saturday of Roadburn 2018! This will allow us a bit more room and help to avoid queues, which we know will please attendees! More info on venues will be available in due course.

TICKET ONSALE INFORMATION

Roadburn 2018 tickets will go on sale on October 19. They will be available to purchase in person from the 013 box office from 18.30- 20.30 local time, and online worldwide from 21.00 CEST / 20:00 BST /15:00 EDT / 12:00 PDT.

3 and 4 day tickets will be available, with day tickets going on sale at a later date.

4-day-tickets €198,40 (including €3,40 service fees)
3-day-tickets €175,40 (including €3,40 service fees)

Camping tickets will also be available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

Click here for more information on tickets and the campsite

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http://www.roadburn.com

Roadburn 2018 lineup announcement by Costin Chioreanu

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