Roadburn 2019: Grails, Hexvessel, Uran, Lucy in Blue, Bismuth, Third Commissioned Project and More Added

Posted in Whathaveyou on December 14th, 2018 by JJ Koczan

roadburn 2019 banner

I mean. Look. Hey. You know. It’s, uh. Yeah.

Roadburn and I kind of hit this point every year — at least we have for the last decade. The lineup announcements come through, and after a while, I just don’t even know what to say about it anymore. “Hey, so, look’s like Roadburn‘s gonna be all things to all people again” doesn’t really cut it as far as editorial content goes.

Here’s a point I’ll make: I think if you look at the Roadburn 2019 lineup, with its three commissioned projects — the third of which is newly announced — two career-spanning headline slots from Sleep, bands from multiple corners of the globe, a couple label showcases thrown in for good measure, and more still to come, it’s pretty safe to say it’s the biggest, farthest-reaching Roadburn yet. And even that. Is something I say. Every friggin’ year.

Doesn’t mean it doesn’t apply. It’ll be nice to see Grails again, and I was hoping Hexvessel would get added when their new video showed up earlier this week. A little more Aaron Turner doesn’t hurt either.

The PR wire has the lot of it, and you’ll see below the gorgeous individual day posters by Maarten Donders.

Dig:

More names announced for Roadburn 2019 including third commissioned project

– Tomas Lindberg adds more names to The Burning Darkness including GRAILS and URAN
– HEXVESSEL to perform All Tree in full
– Dutch black metal to be showcased in commissioned project MAALSTROOM
– Aaron Turner, Will Brooks and Dennis Tyfus to unite as DOOLHOF

Roadburn’s artistic director, Walter Hoeijmakers comments:

“We’re thrilled that 4-day tickets have sold out this side of Christmas – with still some of the line up to announce! Don’t delay on day tickets as we hope that they too will go quickly. We are nearing the end of our announcements, but there is still a handful of bands to present in the new year.”

TOMAS LINDBERG’S THE BURNING DARKNESS

GRAILS

GRAILS are set to return to Roadburn Festival exactly ten years after they performed at Neurosis’ curated event, Beyond The Pale back in 2009. We’re thrilled to announce that they’ll be making a return to join us in Tilburg – once again as a result of an invitation from our curator.

FONTÄN

“The whole vibe of FONTÄN reeks of folky, trippy melancholia, in the most unsentimental way. This is something that could easily have been produced by Brian Eno in his prime.” says Lindberg of his choice.

THE EXORCIST GBG

One of three Gothenburg based bands in this latest announcement, Lindberg describes THE EXORCIST GBG as: “a mind and time bending electronic psych experience, with a serious funk dance groove, like the legendary Goblin on dangerous cult-ritual-inducing drugs.”

URAN

When Tomas Lindberg describes a band as Sweden’s best kept secret, it’s time to start paying attention. He comments of URAN: “Imagine the heaviest psych, in a street fight with the most hypnotizing Stooges riffs, with an electronic Kraut edge and a monstrous Hawkwind presence.”

HEXVESSEL

HEXVESSEL’s new album, All Tree, will be released in February and the sole track released at the time of writing gives a tantalising glimpse of what to expect. It’s considered, haunting and – quite honestly – downright beautiful.
Prepare yourselves for some pin-drop moments amongst some soul shaking sonic shifts: Hexvessel are back!

DOOLHOF

The component parts of DOOLHOF are Aaron Turner, Will Brooks and Dennis Tyfus. Musically and artistically these three men appear to be worlds apart but look a little deeper and it’s obvious there’s a streak of experimental vigour and curiosity that runs through them all – and in this case, unites them.

When the idea of a collaborative project was floated, Turner singled out Will Brooks early on. Brooks made his Roadburn debut with Dälek in 2017; one of the most talked about performances of that edition, Dälek were instrumental in expanding the scope of the festival. Tyfus is a Belgian audio/visual artist whose Ultra Eczema label has served as the nucleus for a vast and eclectic array of creative endeavours.

That its participants have named it DOOLHOF (Dutch for ‘maze’) leads our minds to bubble over with possibilities.

MAALSTROOM

The third and final commissioned piece for Roadburn 2019 is a collaboration between a seething mass of up and coming – not to mention, vitally important – Dutch black metal bands. The project is titled MAALSTROOM and will unite over a dozen musicians from Laster, Verwoed, Witte Wieven, Turia, Fluisteraars, Grey Aura, Terzij de Horde, Folteraar, Nefast – and more.

Roadburn has showcased slivers of this innovative and burgeoning scene in previous years, but never before has such a heavy and accomplished array of Dutch musicians gathered together under one banner.

Exclusively for Roadburn Festival, MAALSTROOM will compose and perform a piece that spans five movements, with an evolving line-up of performers embellishing an ambient backdrop. This is not merely a show, nor a ritual; it is a current to be dragged along by.

MAALSTROOM is possible thanks to the continued support of the City of Tilburg and Brabant C.

As well as participating in MAALSTROOM the following bands will perform their own sets at Roadburn Festival 2019:
LASTER
TERZIJ DE HORDE
WITTE WIEVEN
DODECAHEDRON
TURIA
NUSQUAMA

ALSO ANNOUNCED TODAY:
BISMUTH bring ethereal doom to Roadburn
COILGUNS are primed to deliver an ear pummelling
CROWHURST will bring a world of pain
CROWHURST & GNAW THEIR TONGUES unite in harsh noise
FAUNA evoke manifestations of nature and wilderness through the lens of black metal
FOTOCRIME will shed light on a darkened room
LUCY IN BLUE set off on a psychedelic prog quest to Roadburn
PHARMAKON will summon disconnecting ambience and caustic crescendos of industrial noise
THOR & FRIENDS to bring their warm, hypnotic songs to Roadburn
TWIN TEMPLE’s Satanic doo-wop will reign supreme
WRONG will deliver angular melody and abrasiveness

TICKETS:
Single day tickets will go on sale on tonight – Thursday, December 13 at 8pm CET/7pm GMT/ 2pm EST. 4-day tickets are SOLD OUT, 3-day tickets are still available in limited numbers.

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Hexvessel, “Old Tree” official video

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Roadburn 2019 Adds Commissioned Project Molasses with Members of The Devil’s Blood, Astrosoniq, Birth of Joy and More

Posted in Whathaveyou on November 27th, 2018 by JJ Koczan

roadburn 2019 banner

Roadburn 2019 has announced a second commissioned project for its lineup. Following word that Tom G. Warrior would complete Celtic Frost‘s ‘Requiem’ triptych at the festival to be held next April, as always, in Tilburg, the Netherlands, details of a new project entirely have emerged that seems to have come about at least in part at Roadburn‘s behest. Molasses hits close to home in the native Dutch underground, bringing together members of The Devil’s BloodDeath AlleyBirth of JoyAstrosoniq and Donnerwetter. On vocals is Farida Lemouchi, formerly of The Devil’s Blood and whose brother, Selim, was regarded as a figurehead in the scene around Eindhoven prior to his death in 2014 — one remembers the tribute in his honor at Roadburn 2014 and still feels like an intruder for having watched something so personal, even on such a large stage as it was — and on drums is no less than Marcel van de Vondervoort of Astrosoniq, who’s Roadburn fest-family in that it’s under his watch as engineer that so many sets are recorded, resulting in the glut of live albums that have surfaced over the years.

With Oeds Beydals of the newly-hiatused Death Alley and other The Devil’s Blood alumni Job van de Zande and Ron van Herpen, as well as Birth of Joy‘s Bob Hogenelst and Matthijs Stronks of Donnerwetter in the lineup, it’s bound to be a formidable showcase — their first live date — and it may not be a one-off by any means. You’ll note it says “a new beginning” below.

From the PR wire:

roadburn 2019 molasses

Second commissioned project for 2019 announced; MOLASSES will debut at Roadburn

Roadburn is ecstatic to announce the second commissioned piece of music to be performed at the 2019 edition of the festival. Following the recent announcement of Tom G. Warrior’s Celtic Frost/Triptykon Requiem which will be performed by Triptykon and the Dutch Metropole Orkest in April, and the success of the first commissioned pieces earlier this year – the series continues.

It’s time to redefine a bond that never ceased to ascend. Loosen the valve and let the blood flow!

A little over ten years since The Devil’s Blood made its live debut at Roadburn Festival, something is stirring once again in the souls of many of those involved in pulling that first performance together. The last track on Selim Lemouchi’s post-TDB album, Earth Air Spirit Water Fire, titled Molasses has lent its name to a burgeoning, specially commissioned project. An ensemble bound together by a unwavering thread, a shared bond and a definitive presence in their lives. The fragmented pieces of The Devil’s Blood are piecing themselves back together, bereft of a very specific physical form but enriched by his spiritual company.

Farida Lemouchi, Oeds Beydals, Job van de Zande, and Ron van Herpen – all former members of The Devil’s Blood – are joined by kindred spirits, Marcel Van De Vondervoort of Astrosoniq, Bob Hogenelst (Birth of Joy) and Matthijs Stronks (Donnerwetter) to form Molasses.

Those hoping to hear some tracks from The Devil’s Blood back catalogue will come away empty handed; if you’re keeping an ear out for some Astrosoniq, it won’t come. Molasses may be shot through with the DNA that made those bands tick, but this is very clearly – and definitively – a new beginning.

Artwork by Max Rovers.

Artistic director, Walter Hoeijmakers comments: “When we started to commission music for Roadburn, it was a given that I wanted to reconnect Farida, Ron, Oeds and Job, along with Marcel from Astrosoniq, as they are such a gifted musicians, who simply belong on stage together. Plus, I wanted to give them the opportunity to grow into a new space as artists, and really hope that Molasses will help them personally as well, giving them strength to embrace the future – whatever that holds.”

Molasses will be embracing the future on Thursday, April 11.

It reaches out to neverending times
Eats itself to be born again
There is just space but it holds the lines
For an ever growing love and deep affection
To rise and rise and rise and rise

TICKETS:
Single day tickets will go on sale on Thursday, December 13. Weekend tickets are on sale now

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
4 days ticket (Thu-Sun) €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

Click here for more ticketing information.

https://www.facebook.com/Molassesofficial
https://www.instagram.com/molassesofficial/

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Selim Lemouchi & His Enemies, “Molasses”

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Roadburn 2019: LOOP, Sumac, Crippled Black Phoenix, Sherpa and More Added

Posted in Whathaveyou on November 15th, 2018 by JJ Koczan

roadburn 2019 banner

A return appearance from Crippled Black Phoenix seemed like asking a lot. A return appearance from LOOP seemed unrealistic. A complete showcase from Exile on Mainstream? Well now that’s just silly. But silly’s how it goes for Roadburn, which in 2019 will apparently continue to exist on a plane all its own, much to the general betterment of humanity. I’ll happily take the chance to see Emma Ruth Rundle and Sherpa and to get exposed to Cave, who sound so much up my alley that I’m kind of embarrassed I’ve never heard them before. Plus underrated sludgesters Treedeon and you know, Sumac, because Aaron Turner hasn’t curated a Roadburn yet and we might as well build up to that seeming inevitability with an unofficial kind of residency, and Young Widows and enough others that I forgot what the point of this sentence was when I started out and it doesn’t even matter because the lineup is so staggeringly incredible.

Fuck it. Dive in:

loop roadburn 2019

More additions for Roadburn 2019, including curated acts; day tickets on sale in December

TOMAS LINDBERG chooses LOOP and SLÆGT for his curated event
SUMAC to perform
YOUNG WIDOWS to play Old Wounds in full
Return performances for CRIPPLED BLACK PHOENIX and EMMA RUTH RUNDLE

TOMAS LINDBERG’S THE BURNING DARKNESS

LOOP
LOOP are no strangers to Roadburn – they headlined the 2014 edition of the festival. The psych titans split in 1991, reforming in 2013 and cementing themselves as legends of the scene – and amongst other activities, brought their glorious technicolour to the Roadburn stage. We’re thrilled to welcome them back for a special, one off show as part of Tomas Lindberg’s curated event, The Burning Darkness.
Lindberg comments: “I expect to see you all in the front row for this one. I have goosebumps already.”

SLÆGT
As the frontman for At The Gates, we know Tomas is something of an extreme metal connoisseur. He’s flexing that muscle with his latest addition to the line up, which comes in the shape of SLÆGT. Tomas explains:
“When I think of heavy metal, there is a certain feeling I am after. A special haunting, emotional impact that I’m seeking. I will always be super excited when I get that same feeling that was there when I first got into underground metal. SLÆGT is one of those rare examples.”

SUMAC
Aaron Turner is not a man who likes to sit still. When he realised that he would technically have a day off at Roadburn, his brain started to click and whirr. And soon enough we had SUMAC on the bill.

When Love In Shadow landed in September, it was a swift reminder not to assume you know all there is to know about a band. Turner has promised us something special at Roadburn: a titillating promise. But we can’t help but feel that any SUMAC experience is going to be a special SUMAC experience – and surely better than a day off.

YOUNG WIDOWS
If it’s true that absence makes the heart grow fonder, it doesn’t discount the fact that the occasional tease of a live show can still be pure agony, especially when Europe has historically been somewhat starved of YOUNG WIDOWS. So it’s with something akin to relief mixed with pure joy that we announce YOUNG WIDOWS’ performance at Roadburn 2019. For fans of their 2008 release, Old Wounds, the treat is two-fold; the band will be playing the album in full for us!

CRIPPLED BLACK PHOENIX
Following their mind-warping set on Roadburn’s main stage in 2017, we welcome back the progressive darkness of CRIPPLED BLACK PHOENIX. In the band’s decade and a half career, they have released an incredible ten studio records, the latest of which Great Escape is a powerful, treacherous exploration into a the bleakest realms of Justin Greaves’ psyche. A CRIPPLED BLACK PHOENIX performance is the sound of a band following their own path, their own rules, for their own enjoyment. And ours.

CAVE
Channeling Krautrock staples like Can and Neu! with Miles Davis/Funkadelic style funk, CAVE offers an instrumental galaxy of hypnotic jams. It’s the band’s groove-heavy – yet loose – approach which gives way to an intricate backdrop for these spontaneous explorations; from fuzzy leads to free jazz fusion, from prog to psychedelic library music, from subtle funk to South American delights.

EMMA RUTH RUNDLE
Emma Ruth Rundle made such a mark on Roadburn 2017, we’re overjoyed to have her back for 2019 – and we expect the results to be just as powerful and mesmerising as the first time around.
Her first solo performance at the festival was a pivotal moment for us. Not only did it mark a definitive turning point for the artistic scope of the festival, it was also the moment that we adopted Emma as one of our own. A kindred spirit, a sonic explorer, a soul sister.

LINGUA IGNOTA
Boldly straddling the classical music world and the often hellish soundscapes of harsh noise, LINGUA IGNOTA plucks what she wants from both – and elsewhere – to form a towering inferno of raging fury, manifesting as sonic indignation. The challenge of a visceral and abrasive show is one that we relish. If you’re looking for an experience, something that that burrows into your consciousness and niggles at you for months to come, sign up now. LINGUA IGNOTA will deliver a masterclass.

EXILE ON MAINSTREAM X ROADBURN
EXILE ON MAINSTREAM Records is celebrating twenty years of existence with us at Roadburn 2019. The iconic label has released almost 90 records over the past two decades.The label’s history is somewhat entwined with our own; in fact they celebrated their 15th birthday with us too! We guess we make good cake!
The label will commandeer the Hall of Fame venue on Saturday, 13 April and the following bands will perform:
OSTINATO
NOISEPICKER
CONNY OCHS
TREEDEON
BELLROPE
CONFUSION MASTER

ALSO CONFIRMED:
FEAR FALLS BURNING will see Dirk Serries performing an exercise in minimalism
JAYE JAYLE will reprise their 2017 performance – in the more spacious Green Room
OVTRENOIR will deliver a dose of sludgy post-metal
SHERPA will perform Tigris & Euphrates in full
SOFT KILL will perform both Savior and Heresy in full
THROANE offer a cold and violent take on modern black metal
TREHA SEKTORI will bring an innovative and immersive take on dark ambient sound

TICKETS:
Single day tickets will go on sale on Thursday, December 13. Weekend tickets are on sale now

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
4 days ticket (Thu-Sun) €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

Click here for more ticketing information.

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Roadburn 2019 November announcement video

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Komatsu to Begin European Touring This Friday

Posted in Whathaveyou on November 7th, 2018 by JJ Koczan

If you want to hear something funny, as I was first putting together this post about Komatsu‘s upcoming release show and tour, I had November listed as ‘next month.’ I guess I’m still in a pre-Halloween mindset, and fair enough because it’s pretty early in the morning and there’s a baby screaming upstairs who needs to go back to sleep, but you know, I could probably still get a handle on what month it is. I’m just happy that the post didn’t actually go up that way, though I can’t promise either that that’s a mistake I’ve never made in the past or that I won’t make it (again) sometime in the future. I know better than to swear to something like that.

Komatsu‘s tour actually starts not only this month, but this very week. They’ll play the release show for their new album, A New Horizon (discussed here), on Friday in Eindhoven, which is a city I’ve been to precisely once, and continue on from there with a stretch through Switzerland, Italy and Germany before hitting Iberia and turning back to their home in the Netherlands before closing out the month again in Germany. It’s a good run, all told, and should serve the record well, which as it happens is a cause worth supporting.

Dates come via the PR wire:

komatsu

Dutch stoner rock collective KOMATSU will embark on an European tour through 7 countries to present their brand new full-length “A New Horizon”.

See KOMATSU on the following dates:

FRI 09-11 – Blue Collar, Eindhoven (NL) (album release party EU)
SAT 10-11 – Pörompömpöm, Oberendfelden (CH)
SUN 11-11 – Krach Club, Treviso (IT)
WED 14-11 – Gaswerk, Winterthur (CH)
THU 15-11 – Ziggy, Turin (IT)
FRI 16-11 – 11er, Frankfurt (GER)
SAT 17-11 – Dirtfeast, Osnabrück (GER)
SUN 18-11 – Le Midland, Lille (FR)
TUE 20-11 – Metalpoint, Porto (PT)
WED 21-11 – Rock Beer The New, Santander (ES)
FRI 23-11 – Bibelot, Dordrecht (NL)
SAT 24-11 – Hedon, Zwolle (NL)
FRI 30-11 – Limes, Koln (GER)

Komatsu is:
Mo Truijens: Guitar + Lead vocals
Mathijs Bodt: Guitar + vocals
Martijn Mansvelders: Bass + vocals
Joris Lindner: Drums + vocals

https://www.facebook.com/komatsurock/
https://www.instagram.com/komatsurock/
http://komatsu.bandcamp.com/
http://www.komatsurock.com/
https://www.facebook.com/ArgonautaRecords/
http://www.argonautarecords.com/

Komatsu, “A New Horizon” official video

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Friday Full-Length: Mühr, Messiah

Posted in Bootleg Theater on November 2nd, 2018 by JJ Koczan

If you have headphones handy, go ahead and put them on. I’ll wait.

I’ve now false-started this post three times. That’s a lot. Usually, one, two at the outside. Three false starts — a sentence or two deep, then scrap, start over — means I’m having legitimate trouble framing a discussion of something, and when it comes to Messiah (review here), the lone full-length by Amsterdam-based cosmic doomers Mühr, I take it as a sign of how continually affecting I find the record. I’m closing out this week with it in part because it’s November, which means that we’re officially in the wind-down on 2018 (whew) and somehow I couldn’t let the year pass without marking a half-decade since this album’s release. Comprised of just a single track running 47 minutes, it was released on vinyl through Canardian Records and is as close to a perfect execution of weighted-soul psychedelia as I’ve heard. From the opening bassline to its many drones and swirls and explorations, the song “Messiah” operates on its own level entirely and five years later I’ve yet to hear a piece that captures a sense of majesty in the same way. I know it’s not the highest-profile outing that’s ever closed out a week around here, but I really do consider this one of the best records of the decade.

If you’ve never heard it before, the best advice I can give you is to be patient. Mühr certainly are. It’s nearly five minutes into the total stretch before one realizes the song has started, and longer still before the build that’s underway is really processed. Think of it as a stellar object in rotation. It’s moving, but that motion isn’t immediately apparent to the naked eye. Mühr‘s initials-only lineup included guitarists IJV and GW, drummer HH and bassist/vocalist ZALX also adds vocals to “Messiah” and FA keys, and there’s apparently a three-note sample of Ornette Coleman somewhere in there, but I won’t pretend to know where — and the flow they’re able to hone throughout the piece is graceful to the point of being balletic. Vocals arrive gently ahead of the first of two surges of volume. I won’t spoil it by giving the time stamp, but there’s a soft tension being build in the early going of the track and much teasing before it actually happens, flourish of harmonized Mühr, Messiahvocals somehow only adding to that. Knowing it’s coming makes it somewhat easier, but when that hugeness of tone finally takes hold it’s absolutely gotta-make-it-louder glorious; a consuming wash the likes of which I’ve rarely heard. Yes, I mean it. Listen for the little bit of feedback. That’s your clue that it’s arrived. And as the drums crash out a slow procession and one guitar scorches while the other holds together the rhythm with the bass — neither of them separate from the rest of the proceedings melodically, by the way — the space created is vast and expands the context of the rest of the outing that follows. About 10 and a half minutes total have passed before the drums cease their march for now, and the residual noise recedes gradually in a chaotic flurry of noise that somehow becomes lost-time hypnotic, the rumble of the low end, the melee of effects and the sort of swelling drones continuing the bear the heft of the volume that came before. It’s an aftermath, and one well earned, but it also becomes its own movement, and something I said about Messiah at the time and very much stand by is that these stretches and especially the long movement of noise at the end of the track are pivotal to its overall success.

There’s a second push no less gorgeously executed. At 15 minutes or so, the drums return to bring everything back to ground, and the bass progression locks step almost immediately to begin the next stage of the march. Again, it’s subtle, and so fluid, and so easy to get lost in, but it’s happening, and over the next few minutes, the vocals come back as an ethereal presence and soon lead the way into a bit of foreboding circa 20:30, and shortly thereafter the guitars lurch back and unleash the next voluminous cascade. Feedback and effects noise play out to accompany the central riff over the slowly churning drums and as it passes its halfway point, “Messiah” moves into a next stage of its loudest, most active manifestation. Then the real fun starts. At 27 minutes, things are quiet again, but the drums and bass are still holding the same pattern. The most affecting stretch of vocals happens almost a minute and a half later. Two quick (in the grand scheme of the piece itself), soulful verses obviously intended as a showcase work their way into a slow-motion guitar solo, and while it’s not nearly as loud as either of the bigger surges, that’s the actual apex of “Messiah.” The moment where the band seems to lay it all out and leave everything there for the listener to digest. What follows in the remaining 17 minutes is a trace of psychedelic drone and noise, working across different, improvised-sounding stages to build on the atmosphere thus-far conjured, as though they left the tape running after the song itself had finished and then — boldly, I’d argue — realized how necessary that last stretch is to the spirit of creation that so much abounds through the entire work.

Mühr had released the Shepherd / Blood EP (discussed here) in 2010, but Messiah was another level entirely. To date, it’s one of the best examples I’ve ever heard of a band absolutely putting everything into one offering and apparently obliterating themselves in the process. Mühr played three shows. Three. I was so fortunate to be there for one of them, at the Cul de Sac in Tilburg at Roadburn 2014 (review here), and watching them onstage lit by candles playing as a five-piece is still an experience for which I’m incredibly grateful. They played “Messiah” in its entirety. It was amazing. I get a chill thinking about it.

ZA, aka Dennis Duijnhouwer, played bass concurrently in the up-and-coming Death Alley, and would appear on the first of their full-lengths but depart before the second. He and guitarist Jevin de Groot, who appeared in Mühr as GW, have a new band together called Temple Fang, who’ve played a couple shows and seem to be just getting going. Needless to say, one eagerly anticipates finding out what the future holds there.

Either way, Mühr‘s sole long-player remains an entity unto itself, and as curious as I was to know how they might follow it up, the fact that it stands alone somehow makes its place even more special. It’s not just another album or just a first album. It’s a monument.

As always, I hope you enjoy.

Is this the part where I go on and on about how tired I am? Oh, okay, good. I’m glad. We made it. I’ve had the same headache for five days.

People come and go from your life. That’s what people do. That is the nature of things. A day doesn’t last. People usually don’t last. I know a lot of people, I’m fortunate to have a wife and a son, but I don’t have a lot of friends. That’s all I want to say.

Sunday at 7PM Eastern, episode three of “The Obelisk Show” airs on Gimme Radio. It’s a special recorded at the Høstsabbat Fest I went to in Oslo earlier this month and I’ve got interviews with Ole and Jens, who run the event, as well as Elephant Tree and Asteroid, and it’s all pretty awesome. You should listen. Thanks.

And thanks too to everyone who’s bought a shirt. If that’s not you, I get it, but if it is, your support of this endeavor is massively appreciated. More than a quarter of them are gone, and they’re available here: https://dropoutmerch.com/the-obelisk

Let’s do some notes and then I’m gonna try to crash out before the baby wakes up. Subject to change blah blah here we go:

Mon.: Hibrido track premiere/review; Pale Heart video premiere.
Tue.: Sadhus review/album stream; Sergio Ch. video.
Wed.: Causa Sui review; Maybe an Elephant Rifle video premiere.
Thu.: Vinnum Sabbathi/Cegvera review/premiere; maybe Birnam Wood video.
Fri. Belzebong review.

Busy, as ever.

The Patient Mrs. has been sick all week. It’s been a lot of me and The Pecan, and while she usually has minimal work obligations on Fridays, she’s gotta be there from like 1PM until god knows when. After bedtime. It’s a lot, but he’s a good kid, so that helps. We’ll play or go to Costco or read books or whatever this afternoon and he’ll be fine. I worry about poisoning him with my own wretchedness. My shitty posture. My frowny face. I suck. Ugh.

Okay, enough of that.

Please have a great and safe weekend. I’ll stay up all the way until 9PM on Sunday to be in the Gimme Radio chat while the show is on, so thanks if you get to check that out, and please don’t forget the forum and the radio stream here as well.

The Obelisk Forum

The Obelisk Radio

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Triptykon to Perform Commissioned Project at Roadburn 2019

Posted in Whathaveyou on November 2nd, 2018 by JJ Koczan

Triptykon (Photo by JJ Koczan)

Tom G. Warrior and Triptykon completing a triptych that Celtic Frost began 31 years ago on Into the Pandemonium with the never-heard second part and performing the whole thing in full with a complete orchestra accompanying? SuchRoadburn move. So Roadburn.

The first-unveiled of Roadburn 2019’s commissioned projects — it ain’t the last, folks — is precisely the kind of once-in-a-lifetime shenanigans the universe has come to expect from the festival. Year after year after year, Roadburn delivers incredible experiences, and since moving into commissioning bands and collaborations in 2017, the fest has basically not only become a proving ground for acts looking for a foothold in Europe, or, you know, the world, but a place where artists challenge themselves creatively as well as in performance and presentation. All kidding aside, it’s unreal.

If you’re scratching your head wondering just what the hell something like “Chapter One: Overture – Fourth Incarnation” means, I can’t imagine you’re alone. Just understand that it’s something that’s never happened before and could very well never happen again.

Typical Roadburn. Amazing.

PR wire:

roadburn 2019 tom g warrior

Tom G. Warrior returns to Roadburn to perform Celtic Frost/Triptykon Requiem in full

Triptykon will return to Roadburn Festival in 2019 to perform the complete Celtic Frost/ Triptykon three part Requiem, complete with orchestral accompaniment.

Having previously performed at the festival in 2010 and 2014 with Triptykon, and taken on curatorship duties for the former (selecting bands such as Sarke and Thorr’s Hammer to perform); it’s our pleasure to welcome Tom G. Warrior back to Roadburn on Friday, April 12.

The first part of the three-part Requiem appeared on Celtic Frost’s Into The Pandemonium, and was titled Rex Irae. The third part, titled Winter was brought to life on the Celtic Frost album Monotheist in 2006, and until now, the missing second part has remained incomplete.

Tom explains:
“The intention to finish the full Requiem remained with me. I was going to do it one distant day with Triptykon, the group I formed to continue to pursue the path I began in Hellhammer and Celtic Frost. It was 2018, yet again 16 years after I last worked on the Requiem, when Walter Hoeijmakers, founder of the legendary Roadburn Festival and one of my most beloved friends, contacted me to propose Roadburn as the venue to perform, at long last, the finished Requiem.

“Walter and his team very kindly provided for the resources necessary for such a substantial undertaking, and so, at 54 by now, I found myself commencing work on the second and thus final part of the Requiem this year.

“The three parts of the Requiem will therefore be performed by Triptykon at Roadburn 2019, with full classical orchestration, congregated specifically for this occasion by Florian Magnus Maier, who is our esteemed classical collaborator and arranger in this project, and whose patience with me appears to be limitless. We feel very proud and deeply honoured to be joined in this endeavour by the renowned Dutch Metropole Orkest.”

Click here to read more from Tom about the history of the Requiem.

Celtic Frost/ Triptykon Requiem, as performed exclusively by Triptkyon and the Dutch Metropole Orchestra at Roadburn 2019:

Rex Irae (Requiem, Chapter One: Overture – Fourth Incarnation)

Grave Eternal (Requiem, Chapter Two: Transition)

Winter (Requiem, Chapter Three: Finale – Ninth Incarnation)

The Requiem will be performed with the world renowned, Grammy-award winning, Dutch Metropole Orkest.

2018 marked the first occasion when Roadburn commissioned artists to create music especially for the festival, with Waste of Space Orchestra and Vánagandr: Sól án varma both delivering spellbinding performances to enraptured audiences. The commissioning of the Celtic Frost/Triptykon Requiem is possible due to the continued support of Brabant C and City of Tilburg

TICKETS:
Single day tickets will go on sale on Thursday, December 13. Weekend tickets are on sale now

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
4 days ticket (Thu-Sun) €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

Click here for more ticketing information.

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Celtic Frost, “Rex Irae (Requiem)”

Celtic Frost, “Winter (Requiem)”

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Roadburn 2019 Adds Three Fests’ Worth of Bands to Lineup

Posted in Whathaveyou on October 26th, 2018 by JJ Koczan

roadburn 2019 banner

Yeah, I put it at about three festival’s worth of bands added to Roadburn in this announcement. Maybe four. Consider Tomas Lindberg‘s curated event its own fest. Then you have the Holy Roar Records showcase with five bands playing. Then you have the announcements besides, and that’s enough for at least one fest on their own, if not two, so yes, at least three festivals happening here as Roadburn 2019 continues its let’s-be-all-things-to-all-people-and-actually-get-away-with-it push into new aesthetic territory, working to redefine and proliferate ideas of what “heavy” can and needs to encompass. If you don’t see this as an art project, you’re looking at it wrong.

I haven’t heard whether or not we’ll be doing the Weirdo Canyon Dispatch daily ‘zine as part of Roadburn 2019 next April, but of course I’m hopeful it happens. Hard to imagine a year without a Roadburn at this point. I’d prefer not to, actually.

Here’s the latest announcement in its yes-this-is-all-happening-at-one-fest totality:

roadburn 2019 mono

MONO, MYRKUR: FOLKESANGE, MARISSA NADLER, AND MORE ADDED TO ROADBURN 2019

– MONO to perform Hymn to the Immortal Wind as part of Tomas Lindberg’s curation
– Myrkur: Folkesange set to captivate the main stage
– Marissa Nadler will make her Roadburn debut
– Holy Roar x Roadburn showcase to take over Hall of Fame
– Day tickets on sale December 13

Of the new additions to the Roadburn line up, Artistic Director, Walter Hoeijmakers comments:

“We’re incredibly excited to announce this latest group of bands to the Roadburn line up. As well as representing well established artists, we have also included a huge array of boundary-pushing performances which will continue to expand the scope of the festival. These are artists that we believe will shape the future of heavy music.”

MONO & MORE FOR TOMAS LINDBERG’S CURATED EVENT

Tomas Lindberg has added a clutch of new bands to his curated event, The Burning Darkness, topped off by MONO who will be performing a special anniversary show.

The Japanese post-rock four piece will celebrate their 20th anniversary as a band, and the 10th anniversary of of their iconic album Hymn to the Immortal Wind with a full album set at Roadburn 2019. They will be joined on stage by the JO QUAIL QUARTET, adding another layer of lush instrumentation to their intricate tracks. Lindberg comments: “It is with great pride I present them as a part of my curation this year.”

In addition, Lindberg has chosen three further bands for his curated event. AGRIMONIA – who Lindberg loosely describes as “a more progressive Amebix” – plus Swedish dynamic prog outfit GÖSTA BERLINGS SAGA have also been confirmed. Rounding out the new additions is ORCHESTRA OF CONSTANT DISTRESS – a hybrid of Brainbombs and Skull Defekts.

MYRKUR: FOLKESANGE

MYRKUR: FOLKESANGE will bring some folk magic to the main stage as she is accompanied by musicians including Heilung’s Christopher Juul, and celebrated cellist Jo Quail. Folkesange brings together both traditional Nordic folk songs, as well as her own original compositions in a mesmerising swirl of ethereal darkness.

MYRKUR will be performing with her metal band at the 013 on December 16, with support from Jo Quail.

MARISSA NADLER

Darkness comes in many forms, and one of the most beautiful we’ve witnessed this year is on the tracks of MARISSA NADLER’s latest album, For My Crimes. We’re thrilled that she will bring these songs – and more – to life, on the Roadburn stage this coming April.

HOLY ROAR X ROADBURN

For 12 years now, HOLY ROAR have been quietly (and sometimes not so quietly) releasing a steady stream of incredible albums. The label has become home to some of the most exciting rising bands around and we’re thrilled to team up with the label to bring you five of their brightest stars for HOLY ROAR X ROADBURN.

On Friday, April 12, the Hall of Fame venue will play host to the unapologetic abrasiveness of SVALBARD, the sonic alchemy of PIJN, the nihilistic post-metal of CONJURER, the genre-bending delights of SECRET CUTTER, and the label’s newest recruit, the haunting A.A.WILLIAMS

ALSO CONFIRMED….
BLACK BOMBAIM & PETER BRÖTZMAN will see Portuguese psych masters team up with a free jazz legend
BLISS SIGNAL will be fusing the jagged edges of blast beats and black metal with the hypnotic tremors of dark electronics
BOSSK will perform Audio Noir in full
CRYPT TRIP are a righteous trip back to days when acid-tinged rock was both exciting and thriving on attitude and energy
DEAF KIDS combine D-beat, and psychedelia with their South American roots
DEAF KIDS X PETBRICK will team up to deliver audio chaos
MALOKARPATAN offer a mix of the best classic heavy metal with an oblique take on black metal
MORNE will deliver a crushing dose of sludge
MYTHIC SUNSHIP are poised to deliver a set as iconic as their Another Shape of Psychedelic Music album
PETBRICK mix together crushing electronics with grinding drum violence, featuring Iggor Cavalera
RAKTA bring post punk, death rock, psych and just good old noisy garage rock’n’roll
STUCK IN MOTION prove there’s vibrancy in classic forms
TERRITOIRE performing Alix in full
THE END is the new project of saxophonist Mats Gustafsson, bringing chaos and beauty to the Roadburn stage

TICKETS:
Single day tickets will go on sale on Thursday, December 13. Weekend tickets are on sale now

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
4 days ticket (Thu-Sun) €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

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Roadburn 2019 announcement video

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Death Alley Announce Indefinite Hiatus and Last Shows

Posted in Whathaveyou on October 5th, 2018 by JJ Koczan

Is this the end for Death Alley? I’d no more place a bet on it either way than I would’ve predicted where they were headed after their earlier-2018 second album, Superbia (review here), came out on Century Media. But they’re calling it hibernation and at very least stepping back for an indeterminate amount of time, so who the hell knows what will happen, and if this is it for them, I didn’t want to let it pass unmarked. If you ever got to see Death Alley live, you already know why.

The Amsterdam four-piece revitalized the idea that hard rock didn’t have to be boring or an overly commercial enterprise. On Superbia and their 2015 Tee Pee Records-released debut, Black Magick Boogieland (review here), their 2017 Live at Roadburn (review here) outing, and their sundry singles along the way dating back to their first 7″, 2014’s Over Under b/w Dead Man’s Bones (review here), they showed that heavy rock could have an edge, and that if a band has the presence, the confidence, and the songwriting ability, they can be as raw or as embellished as they want to be and still bring their audience along for the ride. It was a once-in-a-lifetime thrill to host them in 2016 at The Obelisk All-Dayer (video here) in Brooklyn, and though they were subject to lineup changes along the way, I still recall fondly the hour I spent on Skype interviewing them in 2015 for the first album. They were a total blast, front to back.

Their last shows (at least for the time being) are set for this month through January, and they’ll finish at Paradiso in Amsterdam, which I have no doubt will be an absolute blowout. Hard to imagine Death Alley would have it any other way.

Their announcement went out via the social medias as follows:

death alley (Photo by Stradlin Guitars)

Alright, wörld… After years of hypermotion, time has come for hibernation.

These final shows of our Superbia tour will be your last chance to dance with us for a while. After the 3rd of January in Paradiso, we’ll be off the radar for an indefinite period.

So you predators better not sleep on it… boogie while it lasts!

Tour dates:
13 OCT – Hengelo (NL) Beerland
17 NOV – Eindhoven (NL) Helldorado
29 NOV – Berlin (DE) Cassiopeia
30 NOV – Cottbus (DE) Zum Faulen August
01 DEC – Dresden (DE) Noteingang
13 DEC Deventer (NL) Burgerweeshuis
15 DEC Leiden (NL) Gebr. de Nobel
20 DEC Leeuwarden (NL) Neushoorn
21 DEC Bergen Op Zoom (NL) Gebouw T
22 DEC Dordrecht (NL) Bibelot
27 DEC Venlo (NL) Grenswerk
28 DEC Arnhem (NL) LuxorLive
29 DEC Uden (NL) De Pul
3 JAN Amsterdam (NL) Paradiso

DEATH ALLEY is:
Douwe Truijens – vocals
Oeds Beydals – guitar
Uno Bruniusson – drums
Sander Bus – bass

http://deathalleyband.tumblr.com/
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Death Alley, “Murder Your Dreams” official video

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