Roadburn 2020 Adds 40 Watt Sun, Patrick Walker, Inter Arma, Darsombra, Dommengang, Kungens Män & Many More

Posted in Whathaveyou on November 29th, 2019 by JJ Koczan

ROADBURN 2020 BANNER

This announcement went out yesterday from Roadburn 2020, and as we in the United States celebrated Thanksgiving — one of our least morally reprehensible holidays until one examines it in any sort of historical context whatsoever — I was extra grateful for the fact that I found out this week that the Weirdo Canyon Dispatch, the daily festival ‘zine for which I’ve served as editor for the last six years, will run again. It’s always a fingers-crossed scenario as to whether there will be the budget for such a thing — it’s not like I could begrudge them making the right choice if it was “who needs the money, David Eugene Edwards or WCD?” — but I am of course beyond thrilled to say that I will be at Roadburn Festival for the 11th year in a row in 2020. If you’re going, I’m the guy with the cosmic backpack dorking out during Patrick Walker‘s solo set.

Which, by the way is a thing that’s happening. That was added along with Inter Arma playing their latest LP, Sulphur English, in its masterful entirety, DommengangDarsombra, two sets from Alcest40 Watt Sun doing The Inside Room in full, and Kungens Män and a whole bunch of others. I’ll look forward to feeling completely overwhelmed by it all as I try to cover as much as possible — like always.

Thanks from the bottom of my heart to Roadburn for having me back. This festival has changed my life.

Here’s the update:

Today’s announcement for Roadburn Festival 2020 includes the only band where our two curators cross over: Alcest, who will play a special set titled ‘Visions du futur’, focussing on their last two albums. James Kent (AKA Perturbator) also added OKKULTOKRATI to his curation, whilst Emma Ruth Rundle added INTER ARMA (playing Sulphur English in full), 40 Watt Sun (playing The Inside Room in full) and a solo Patrick Walker set, Helms Alee and FACS.

Elsewhere we added Algiers, Richard Dawson, Dynfari (playing The Four Doors Of The Mind), BAD BREEDING, White Ward, Dommengang, Kungens Män, darsombra and TAU and The Drones Of Praise.

With 97% of weekend tickets now gone, and day tickets on sale on December 10 – we’re looking forward to seeing you all in Tilburg in April: roadburn.com/tickets

EUROPEAN FESTIVAL AWARD NOMINATION

Roadburn has been nominated in the best small festival category (less than 10,000 visitors) at the European Festival Awards 2019. Votes can be cast HERE. Votes and spreading the word are appreciated as it would be a huge honour for us to win such recognition.

https://www.facebook.com/events/1081424195382564/
https://www.facebook.com/roadburnfestival/
http://www.instagram.com/roadburnfest
http://www.roadburn.com

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Sonic Whip 2020 Announces Lineup with Masters of Reality, Kadavar, Forming the Void and More

Posted in Whathaveyou on November 21st, 2019 by JJ Koczan

sonic whip 2020 banner

Next May will mark the third edition of the Sonic Whip Festival, though I’ll admit this is the first I’m hearing of it. No surprise there, as I’m about two years behind on most things in life. Tickets for Sonic Whip 2020 are set to go on sale tomorrow at noon CET for the night-and-dayer, with a pre-party May 1 and a full event on May 2 at Doornroosje in Nijmegen, the Netherlands, and the lineup will feature a few of the acts making the rounds at that time, including headliners Masters of Reality and Kadavar, as well as Pissed JeansRotor, Forming the VoidThe Cosmic Dead, Gum Takes Tooth and Bonnacons of Doom.

I’ll admit it was Forming the Void that caught my eye and not just because I happen to be wearing their t-shirt today. This is the second event around that time that the Louisiana-based progressive heavy rockers have been announced for, and while I was already just waiting for them to announce a European tour after the first one, this only further confirms that update is coming.

Likewise keeping an eye out for Masters of Reality‘s full run to be unveiled, as they’re set to do Desertfest and others in addition to this one.  And, well Kadavar are just kind of always on the road somewhere, so yeah, they’ll probably be touring too.

But I’m getting off-track, so here’s the announcement from the fest:

sonic whip 2020 poster

Sonic Whip 2020

Sonic Whip, the multi-headed rock monster that combines roaring guitars riffs with steaming bass lines, pounding drums and other sonic, psychedelic excesses, is preparing for the third edition. We kick off on May 1 with a pre-party deluxe in Doornroosje to go completely berserk on May 2 at the same location.

LINE-UP
? MASTERS OF REALITY
? KADAVAR
? PISSED JEANS
? ROTOR
? THE COSMIC DEAD
? FORMING THE VOID
? GUM TAKES TOOTH
? BONNACONS OF DOOM
? MORE TO BE ANNOUNCED…

Ticket sales start on Friday 22 November at 12.00 with the combi tickets. The first batch of very limited combi costs € 57.50, then € 67.50. Day tickets go on sale later, more info will follow.

More info: http://bit.ly/SonicWhip2020

https://www.facebook.com/events/427908701471605/
https://www.facebook.com/Sonicwhipfestival/
https://www.instagram.com/doornroosjenl/
https://www.doornroosje.nl/event/sonic-whip-2020/

Forming the Void, Rift (2018)

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Roadburn 2020: David Eugene Edwards to Play Solo Acoustic Set; PH, Elizabeth Colour Wheel, The Flenser Showase & Much More Added

Posted in Whathaveyou on November 14th, 2019 by JJ Koczan

roadburn 2020 new banner

David Eugene Edwards. Solo. Acoustic. Every year I’ve been fortunate enough to go, there’s been one keeps-you-alive-until-April Roadburn set, from Saint Vitus with Wino in 2009 and Garcia Plays Kyuss in 2010 to Sleep playing Sleep’s Holy Mountain this year. There’s always one. At least. In 2020, for me, that’s David Eugene Edwards of Wovenhand and 16 Horsepower playing by himself on stage. Whatever else gets added, whoever else is playing, hell, even if Wovenhand end up playing, this is the one that got me. Well done, Roadburn 2020.

Also featured in this massive lineup addition are PH (whose announcement I wrote), Elizabeth Colour Wheel, familiar faces Primitive Man and a host of other, of course widely varied, incarnations of badassery. I’m not trying to take away from anyone else or anything like that, or anything that might still come by saying the above, you understand. Roadburn 2020’s already primed to push well beyond the common bounds of heavy. It was before this announcement, frankly. But from here on in, my schedule already has its circle, and whether we do the Weirdo Canyon Dispatch or not (every year I kind of wait for the shoe to drop on that like it’s something we’ve been getting away with for the last six editions), I’m there, and I don’t care who he’s up against or who’s on next on what stage. If I have to sleep in the gutter of Weirdo Canyon in order to be there, I’m not missing a minute of David Eugene Edwards‘ set. Period.

From the fest:

roadburn 2020 david eugene edwards

Roadburn 2020: new announcements, more curator picks, and a showcase!

– Less than 10% of 4 day tickets remain
– David Eugene Edwards joins Emma Ruth Rundle’s curated event
– James Kent picks a special collaboration for his curation
– The Flenser will present a label showcase

Less than 10% of 4-day tickets remain for Roadburn 2020, and single-day tickets will go on sale on December 10.

Artistic Director, Walter Hoeijmakers comments: “As we edge closer towards selling out Roadburn 2020, I am excited that we still have so much more to announce. This year we are putting an emphasis on the context and creativity of the artists we’re announcing and knowing that we have still more up our sleeves means I am delighted to see where Roadburn 2020 is heading.”

EMMA RUTH RUNDLE’S THE GILDED CAGE:

DAVID EUGENE EDWARDS
At Roadburn, David Eugene Edwards has graced us with his presence on two occasions as part of Wovenhand. Each performance pulsated with energy and elevated the sets to be highlights of each respective edition of the festival – in no small part due to David’s electrifying presence. We’re delighted to bring him back to Roadburn, this time as part of Emma Ruth Rundle’s curation, The Gilded Cage. David will perform an acoustic, solo set that promises to showcase the diversity of his delivery and the nuances of his craft. Emma comments:

“It’s been a secret wish to see DEE playing solo and delivering his songs in their most bare forms. This was the very first thing that came to mind when I was asked to co-curate Roadburn and it’s going to be a rare and precious jewel of a performance.”

JAMES KENT’S CURATION:
REGARDE LES HOMMES TOMBER
A product of the burgeoning French underground scene that has produced so much incredible music in the past few years, over the course of two records so far, Regarde Les Hommes Tomber have used scraps from the most sinister subgenres, from black metal to sludge to build up truly frightening epics. Always apocalyptic in feeling, emotional and ruthless in equal measures, drenched in religious imagery and references, and creating a sonic depiction of the fall of mankind… and its subsequent rising to replace the cruelty of the established gods. Not only will we be expecting all of this maelstrom of fiery feelings, but also a healthy measure of the unexpected as well, since Regarde Les Hommes Tomber will be playing their new not-quite-announced-yet album in its entirety.

HANGMAN’S CHAIR X REGARDE LES HOMMES TOMBER
Regarde Les Hommes Tomber will join forces with Hangman’s Chair for a collaboration at Roadburn 2020. Hellish, sludgy black metal will clash horns-first with cold, despondent doom, and the result will surely transcend even the most delirious of descriptions that we can come up with at this point. Originally commissioned by Red Bull, this unholy collaboration has occurred just once previously, in Paris. That performance lasted 45 minutes, but for Roadburn an additional 15 minutes of material will be debuted just for us.

PLEBEIAN GRANDSTAND
Plebeian Grandstand are a band that have morphed from a core of quite technical, hardcore charged metal to be the hulking beast of black metal fury we see before us today. The creative journey they have been on has led to an infusion of influences from outside the black metal sphere, resulting in nuance and depth that can sometimes be hard to find within the genre. On top of that, they eschew the cartoonish elements of extreme black metal – you’ll find no burning churches here – in favour of something rooted more firmly in reality. After all, what’s more nightmarish than the real world?

TRUE BODY
With a calculated sense of tension and just enough human touch to cut through their own cold post-punk atmospheres, Virginia’s True Body has built a following with their urgent and impassioned music. Instead of falling into melodramatic excess or disconnected affectations, the band manages to bring the best of each realm for something that leaves audiences rapt and thrilled. With this masterful take on such a beloved sound, we’re honored to announce that True Body will be performing at Roadburn 2020 as part of James Kent’s curation.

THE FLENSER SHOWCASE
In 2020, The Flenser will celebrate the tenth anniversary of the label’s first release. The San Francisco based label has been committed to releasing experimental, avant-garde music for a whole decade – which – naturally – has not escaped our notice here at Roadburn HQ. To celebrate this milestone and to acknowledge the impact that The Flenser has had on our record collections and the broader musical landscape we have invited several of the label’s current artists to perform at Roadburn 2020.

The Flenser label manager, Jonathan Tuite comments: “Roadburn is my absolute favorite festival in the world. The lineup is always diverse, the audience enthusiastic, and the curation is second to none. I can’t think of a more appropriate place for The Flenser to celebrate our ten years of existence.”

GILES COREY
For over ten years Dan Barrett has been cementing his role as a visionary in dark music history.Perhaps none of this work has resonated with more intimacy than Giles Corey, his acoustic guitar led, ghost noise-soaked songwriting vessel. While on paper an acoustic led-project sounds like a potentially low-key affair, Giles Corey is bursting with electric energy–recordings are awash in swirling organs, reverberating choirs, striking horns, and blown out drums. While Giles Corey has performed as a solo-act, Roadburn 2020 will mark the project’s first appearance as a full-band. Members of Have a Nice Life, including central figure Tim Macuga, will help bring the album’s haunted sounds to life: expect the stage and audience to be left in a scorched earth state of desolation.

ELIZABETH COLOUR WHEEL
“Otherworldly” is a description often applied to artists that evoke the ethereal, and whilst that is occasionally applicable to Elizabeth Colour Wheel, the otherworldliness they invoke is more to do with the fact that it’s not always clear if they really inhabit the same world as we do. Their debut album, Nocebo, laughs in the face of genre descriptors, forging a new path that may be tricky to describe but that offers a wildly enticing prospect.

DROWSE
Drowse is an outlet for Kyle Bates to explore his place in the world; his music echoes what he experiences on the varied paths of this internal-reflection. Sometimes those paths lead to extraordinary places – this year’s Light Mirror LP was inspired by an isolated trip to northern Iceland where he took up an artistic residency in 2018. The melancholic results are the sonic equivalent of a sliver of sunlight permeating an otherwise bleak and drizzly morning. The weight of Bates’ reflections is mighty, but it never quite succeeds in suffocating the shards of harmonious hope that glint in the winter sun.

MAMALEEK
Mamaleek have been unearthing truly uncategorizable sounds from the catacombs of black metal since 2008. Founded by two anonymous brothers, the Bay Area project has become known for both its wild experimentation and aesthetic cohesion. The use of left-field samples threads their discography together, with sound sources growing more bizarre with each release. The current lineup mixes childhood friends and total strangers. Their participation is an outgrowth of the core duo, an experiment in a live setting, using instruments and sounds that highlight experimentation and flout genre conventions. Who knows how long this iteration will last before the next metamorphosis.

MIDWIFE
As a multi-instrumentalist, Madeline Johnson AKA Midwife has sculpted a fuzzy take on experimental dream pop, drenched in melody and punctuated with distortion. Despite a central theme of “devastation” Midwife makes for nuanced and evocative easy listening that can’t help but feel like something of an audio honey trap. We’ll have to wait until April to find out exactly what lurks beneath the surface…

ALSO ANNOUNCED…

PRIMITIVE MAN
It is with great anticipation that we’re delighted to announce that Primitive Man will be playing twice at Roadburn. One set will be a business-as-usual, throat-ripping, bone crushing display of what makes them a must-watch band. And one set will be a run through of their 2017 album, Caustic. This is the kind of endurance test we relish – an audio pummelling so intense that there’s no way to come out the other side without a shift in our worldview.

LANKUM
When The Livelong Day – the latest offering from Dublin four piece, Lankum – passed over our desks, our ears pricked up and we knew we had to invite them to Roadburn next year. It’s not uncommon to find us feeling effusive about noise, drone and ambient projects in the Roadburn world, but it’s a much rarer prospect to find such tonal qualities on what is undoubtedly, most definitely a folk album. Uilleann pipes and harmonium come together to create a cinematic soundscape that many Roadburners will feel right at home with. The album makes for an appropriate gateway for those attending Roadburn, regardless of which side you’re approaching from – a folk fan heading towards darker territories, or a heavy music fan lured by the promise of a genre steeped in history and countless traditional flourishes.

HILARY WOODS
Hilary Woods wrote her debut full length, Colt, alone – before before taking her recordings to Berlin to work with James Kelly (Wife, Altar of Plagues). The solitude is palpable, and listening to what she has made feels like a cautious invitation into a quiet place that she has created. Imagine a soft cocoon of sound, enveloping you as you step through into the netherworld of her making.

FÖLLAKZOID AND ATOM TM
Spearheading Chile’s vibrant psych scene, Föllakzoid will transport Roadburn 2020 on an all-encompassing voyage. Joined once again by German electronic artist and producer, Atom TM, the band will make their Roadburn debut, aiming to, “modulate the gravitational waves in order to alter the temporality perception and get sucked into the timeless space continuum,” as guitarist/singer Domingæ Garcia-Huidobro aptly puts it.

TORPOR
Rhetoric Of The Image showcases Torpor’s confidence; lengthy post-metal tracks smoulder whilst shorter, more experimental cuts punctuate the album. The three piece will expand a little for Roadburn in order to do justice to the full fifty one minutes that make up Rhetoric Of The Image as they perform it in full for us at Roadburn.

SUM OF R
The current incarnation of Sum of R already sees Reto teamed up with Jukka Rämänen (Dark Buddha Rising, Hexvessel, Waste Of Space Orchestra), which has allowed them to forge even more adventurous paths from their dark ambient/drone of yore, but now yet another figure from that particular Finnish scene will be adding his own very particular twist to the proceedings and giving them a new voice, quite literally, as it is none other than vocalist Marko Neuman (Dark Buddha Rising, Waste Of Space Orchestra, Convocation, Ural Umbo).

PH
Earlier this year, PH released Osiris Hayden, their second offering through Svart Records and fifth overall in their prolific decade together. Their latest work finds them embracing new reaches of the cosmic infinite, taking on electronic charge as they never have before and exploring the connection between organic and inorganic audio experiences.

MANY BLESSINGS
Those of you familiar with Ethan McCarthy will know him as the formidable frontman for Primitive Man. Under the banner of Many Blessings, Ethan performs a much less frenzied kind of music – and yet somehow it manages to be no less disturbing and spine-chilling. Many Blessings has seeped into our consciousness – a slow, creeping threat of sonic menace. Whilst the ferocity we are are perhaps more accustomed to is not present, the wordless missives are brooding and visceral.

EYE FLYS
After listening to their blistering debut album Context, and considering the fact that guitarist Spencer Hazard was already roped in for Roadburn 2020 as a member of one of our artists in residence, the wonderful Full Of Hell, how could we ever pass on Eye Flys? The Backslider rhythm section of Jake Smith – here on guitar and vocals – and Patrick Forrest plus Triac’s Kevin Bernsten complete the line-up.

ROADBURN 2020 TICKETS

Weekend tickets for Roadburn are on sale now (3-day tickets are sold out, 4-day tickets remain on sale). Single day tickets will be on sale on December 10. More information about tickets and accommodation options can be found HERE.

Already announced for Roadburn 2020 is: Emma Ruth Rundle and James Kent as curators, commissioned projects from James Kent & Johannes Persson, Jo Quail, and Vile Creature & Bismuth, the return of Julie Christmas, Red Sparowes, Russian Circles, Torche, Brutus, Bada, Dool, Health, Hide, She Past Away, and two Artists In Residence: Full of Hell and Lingua Ignota. Check the full line up HERE.

EUROPEAN FESTIVAL AWARD NOMINATION

Roadburn has been nominated in the best small festival category (less than 10,000 visitors) at the European Festival Awards 2019. Votes can be cast HERE. Votes and spreading the word are appreciated as it would be a huge honour for us to win such recognition.

https://www.facebook.com/events/1081424195382564/
https://www.facebook.com/roadburnfestival/
http://www.instagram.com/roadburnfest
http://www.roadburn.com

David Eugene Edwards, “Straw Foot”

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Onhou Stream Endling LP in Full; Album out Nov. 30 on Lay Bare Recordings & Tartarus Records

Posted in audiObelisk on November 13th, 2019 by JJ Koczan

onhou

Tucked away up north in the Netherlands is the churning, grueling four-piece unit Onhou, whose tenet of bringing atmosludge to a shining-black level of extremity results in an ambience as punishing as their sheer tonal crush. Their debut album is titled Endling — which sounds harmless enough as a title until you attempt to define the word; is it ‘child of the end,’ as in what comes after, or the nascent ending itself? — and is seeing release Nov. 30 through Lay Bare Recordings and Tartarus Records on LP and tape, respectively, and it collects three extended pieces for a vinyl-ready 38-minute run that, to its credit, feels longer. As Onhou follow their 2018 self-titled EP, which was comprised of two 10-minute tracks, they plunge deep into brutalist lurch, conjuring a trench of tone seemingly in order the cast the listener into it. At 17 minutes, “Dire” is the opener and longest track (immediate points), and while its most skull-cavingly heavy moments are offset with minimalist droning — plenty of time for such things, certainly — it still seems to push Onhou further into cavernous reaches, setting up not just the dynamic of the subsequent “March/Retreat” (10:50), but the cavernous and blackened aspects of “Silence” (10:44) as well.

I suppose if one wanted to work hard enough, Onhou might be shoehorned into being considered a post-metal band, but that’s hardly the entirety of what’s happening across Endling on aesthetic terms. onhou endlingThere’s doom, sludge, black metal, post-metal, drone and a cold, harsh delivery to it all that seems only to highlight the cruelty behind its purposes. It’s not a stretch to imagine the “end” they’re depicting in these songs is the age through which we’re living, and while humanity has struggled and survived before — World War I was the end of the world in Europe and that was 100 years ago, so really we’re just all in the aftermath of that — it’s hard to see a way forward from things like the accelerating death of the planet on which we live and the greed of our corporate and political overlords that seems to rape the way fish swim. One could go on in making a case for Endling as a news report from the Netherlands bureau, but Onhou don’t seem overtly sociopolitical in the sense of making a commentary. Lyrics are delivered in guttural shouts or screams across the three songs, when they’re there at all, so it’s hard to say for sure, but their argument seems more impressionist than statistical, and their presentation is well suited to making it, underscoring the idea that it doesn’t matter if we go out fighting, we’re still going out. Like a candle goes out.

This, coupled with a volume-as-ritual sensibility and a nod that offers little route for escape from its hypnotic undulation, makes Endling a deceptively multifaceted affair. I don’t actually know the themes with which Onhou are working. I could be way off in my interpretation — everything is politics to me these days — but even if I am, it doesn’t really matter, since the point stands all the more that Endling is open to and stands up to various readings from the listener. That in itself is a strength of the work and while I won’t discount the importance of clarity when clarity is warranted, the murk in which these songs dwell feels very much like a natural habitat for their consuming and devastating/devastated sonic manifestation.

You can stream the album in its entirety below. I wish you luck on your journey.

Enjoy:

Releasing their first full-length ENDLING, ONHOU is expanding on the hopelessness of their arduous sound, fighting against the inevitable. ONHOU is a Dutch sludge/doom metal band formed in Groningen, consisting of (ex)members from Ortega, Grinding Halt and Wolvon. The four piece scrutinizes dark territories, devising an immense sound utilizing two vocalists, down-tuned guitars and pulsating electronic elements. These bleak atmospheres serve to shape a dismal and forsaken uneasiness.

After a well received EP released by Tartarus Records in 2018, ONHOU returned to the studio to record their first full-length titled ENDLING. Endling will find you dragged into discomfort with ONHOU’s bulking riffs, dark electronics and thundering rhythms. One can try to find reason or refuge, waging a war with all of your might while it burns the heart out of you. But one will only find loss, without a trace of existence.

There is no legacy. There will be no judgment.

This is ENDLING.

LBR 026
Release date 30 November
Pre-order open 15 November
150 copies on black – 100 copies on white vinyl

TAR145
Release date tba
Edition of 100 cassettes housed in a diecut cardstock case.

Tracklist:
1. Dire
2. March/Retreat
3. Silence

Onhou is:
Henk Wobbes – Bass
Alex Loots – Guitar/vocals
Arnold Havinga – Drums
Florian Studdel – Keys/vocals

Onhou on Thee Facebooks

Onhou on Bandcamp

Lay Bare Recordings on Thee Facebooks

Lay Bare Recordings on Instagram

Lay Bare Recordings website

Tartarus Records on Thee Facebooks

Tartarus Records on Instagram

Tartarus Records on Bandcamp

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Gomer Pyle Reissuing Idiots Savants Nov. 29; New Album Before I Die I out Next Year

Posted in Whathaveyou on November 1st, 2019 by JJ Koczan

Issued at what might be considered the tail end of the CD era in 2008, Idiots Savants was the second album from Netherlands-based heavy rockers Gomer Pyle. They’ve yet to put out a third. And at 57 minutes, it’s long by today’s standards, but what a record to get lost in. From the motorik launch to the psychedelic immersion that takes hold later, the progressive heavy rock and grunge that arrives late in brooding fashion and the character and grace of their craft on the whole, it’s the kind of long-player that might have someone antsy for a proper follow-up even 11 years later.

Or 12 years later, as it were, since the band’s third full-length will reportedly be released in 2020. It’s been in the works for a while, so here’s hoping that comes together. A Nov. 29 reissue for Idiots Savants is welcome news for the interim though, and The Lab and Threechords Records seem intent on giving it some long overdue due, so right on. Still going to hold out hope for a new-stuff materialization of some sort — to be fair, they did put out an EP in 2016 — next year. Doesn’t even require actual physical effort to figuratively cross the fingers, so there you go.

Reissue info follows, courtesy of the PR wire:

gomer pyle idiots savants

The Lab Records and Threechords Records, proudly present: GOMER PYLE – IDIOTS SAVANTS 2019 reissue

The Lab Records in collaboration with Threechords Records proudly present Gomer Pyle’s “Idiots Savants”, originally released in 2008. This masterpiece will be released on November 29, 2019 in limited edition of 300 copies double orange vinyl with gatefold sleeve.

Release date 29/11/19

Gomer Pyle is a Psychedelic Stoner/ Grunge Rock band from South Netherlands.

Gomer Pyle is an unconventional band with a broad musical range and musical interest.

Each song is a genre on its own. It is all about the unconventional creative process. The autonomous journey where goals or not to please or fulfill (commercial) expectations, but to give way to creativity and the art of music and related arts. Through the years Gomer Pyle has gathered a great accumulation of fellow-thinkers and musical friends.

The band was formed in 1994 when the grunge scene came to a full. One year later they released their first EP “Honeybunny”. In 1999, the Eurohappy CD was released, and some time later the EP “Angelseagirl”. But after some bigger gigs the band went into a long hibernation. In 2006 Gomer Pyle introduced drummer Sander Evers and started a new musical era.

In 2007 the EP “GP” (limited promo pack edition) was released. In 2008 they released their masterpiece “Idiots Savants”. Until today referred to as a ‘stoner icon’ by many. Idiots Savants is a great mix of psychedelic jams and hard-straight stoner rock.

In 2011 the band fell apart due to colliding personalities and individual issues. After all those years it seemed Gomer Pyle was done for.

But after a long period of musical vacuum, the urge to put life back in to the band rose strong. Mark Brouwer and Mark van Loon, historically the main composers of Gomer Pyle, hooked up with Kees Haverkamp (drums) and found a great new bass player in Danny Huijgens. In this setting creativity found its way and set the band back on track like never before.

In 2016 they released an EP, did some great gigs in the Netherlands and Europe and after that started writing songs for a new and upcoming album.

In 2019 the band signed with The Lab Records (GR) and Threechords Records (BG). On late November, the two labels will reissue “Idiots Savants“ in 300 double orange vinyl with gatefold sleeve, and in 2020 – their upcoming new album “Before I Die I”.

Gomer Pyle is:
Mark Brouwer: Guitar, vocals
Mark van Loon: Guitar
Danny Gras: Keys
Danny Huijgens: Bass
Kees Haverkamp: Drums

https://www.facebook.com/gomerpylerocks/
https://www.instagram.com/gomerpyletheband/
https://www.facebook.com/thelabrecordsgreece
https://www.thelabtshirtathens.com/the-lab-records/
https://www.instagram.com/thelabrecords/
https://www.facebook.com/threechords.net/
https://www.instagram.com/threechords_record_store/

Gomer Pyle, Idiots Savants (2010)

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Menhir Change Name to Farer; Debut Album Coming in 2020

Posted in Whathaveyou on October 25th, 2019 by JJ Koczan

Seems like maybe it’s the best case scenario imaginable when the work you’re doing changes who you are so much that you need to find a new collective identity to present it. Thus it is that Groningen, the Netherlands, trio Menhir have become Farer. The band formed in 2012 had two EPs to their credit under the now-former moniker, and the story goes that during the writing process for their first full-length they felt that the direction the material was taking warranted a shift in name. Sounds simple enough, right? I have to wonder though what that will actually translate to in terms of sound. You might recall Tartarus Records released their 2014 Uberlith II tape (discussed here) in an actual plaster brick, and its follow-up, 2016’s Hiding in Light, in a block of solid rubber. Good fun all around.

And more to come next year, it would seem, as Farer make their debut. Details are scant on that beyond the existence of such a thing, but here’s the announcement of the name change anyhow as per the PR wire, and a snippet posted on Farer‘s Bandcamp that proffers plenty of foreboding atmosphere:

farer (Photo by Niels Verwijk)

Doom/noise trio MENHIR finishes recording new record; changes name into Farer

The past two and a half years the Dutch doom/noise trio MENHIR spent most of their time writing new songs for the band’s debut full-length. The record, which is set to be released next year, is recorded, mixed and at the time of writing being mastered.

The band has chosen to go further using a new moniker: Farer. “Our new material is such a far cry from the stoner/sludge we started out with as MENHIR. It is a different beast now,” explains Frank, one of the bass players of the band. “We are still making heavy and compelling music, but doing it from a very different approach. The band has evolved into a different entity and needed a new banner. In a way, it marks the beginning of a new chapter”.

At the moment, the band can’t give away too many details. “However, what you can expect are drawn-out, oppressive and compelling songs. Like we mentioned before, as far as style, atmosphere, and composition one can talk of a definite style change. We went so much further.

We worked together with photographer/artist Niels Verwijk again as well, who made beautiful original work for the album”, says Frank. The band has worked with Verwijk before on the video for Hiding in Light, of the sophomore EP, and he has produced work for acts such as Monnik, BARST and Ortega. Frank continues; “Niels has an extraordinary relationship with the dark. His material is cutting and grating. A perfect match”

The release is planned for 2020. In the meantime Farer will play new material in a couple of venues across The Netherlands. The first show will be in club for the international underground, Vera on December the 21st. Also on the bill that night are conceptual black metal band Grey Aura.

https://www.facebook.com/farer.band/
https://www.instagram.com/farer_band/
https://farer.bandcamp.com/

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Roadburn 2020: Oranssi Pazuzu to Present New Album; Crypt Sermon, Blanck Mass, Hangman’s Chair & More Added

Posted in Whathaveyou on October 18th, 2019 by JJ Koczan

roadburn 2020 new banner

So three-quarters of the tickets for Roadburn 2020 are gone. I have to wonder what the corresponding percentage of the lineup has been unveiled. Maybe a third? Maybe? I doubt half. There are still smaller rooms to fill out and other this and that-type happenings. It’s amazing the culture around this festival though. Just look at these adds. Lana Del Rabies and Crypt Sermon. How does that even happen? And somehow, Roadburn pulls it off, year after year after year. It’s because people want to add to that culture, to be a part of it. It’s like nothing else. Like this joint art project that everybody there becomes a piece of. And if that description sounds totally unbelievable, then good. It is unbelievable. And yet, here we are. Year after year after year, on Planet Roadburn, Tilburg, The Netherlands.

I don’t know what else to say except that, as always, I hope we do the ‘zine again. Seems like there’ll be a lot to talk about this time around.

From the PR wire:

roadburn 2020 oranssi pazuzu

Roadburn 2020: Further announcements; over three quarters of tickets sold

– Over 3/4 of weekend tickets are already sold
– Oranssi Pazuzu will present their new album as part of James Kent’s curation
– Further additions to both James Kent and Emma Ruth Rundle’s curated events.

With over three quarters of weekend tickets already sold (three-day tickets are completely sold out), and many more bands still to announce, Roadburn’s Walter Hoeijmakers comments:

“I am absolutely overwhelmed by the faith that people have put in us to deliver an exciting line up. We will honour that faith and Roadburn 2020 will be one for the history books. Sincere thanks to everybody who has picked up a ticket so far, it’s an incredible feeling..”

JAMES KENT’S CURATION:

ORANSSI PAZUZU
There are so many pieces of the puzzle that will fall into place between now and next April, and we’re sworn to secrecy on just about all of it. But what we can tell you is that Oranssi Pazuzu will be performing their as-yet unnamed new album in full at Roadburn 2020, as a part of James Kent’s curated event. It seems incomprehensible that Oranssi Pazuzu may have evaded your attention at this point. But we’re sure there’s a few of you out there – the uninitiated. Begin preparations immediately, as come April 2020, there will be dark forces at work here in Tilburg. A magical, mind-melting mangle of psychedelic avant-garde spirits will cast a spell over us all.

BLANCK MASS
Among the list of achievements that Blanck Mass can be proud of is soundtracking the 2012 Olympics opening ceremony in London – and come April 2020, Benjamin John Power will also be able to say he played Roadburn! Whilst we might not have an audience of 900 million watching what goes down in Tilburg that day, we can be sure to give Blanck Mass a customary Roadburn welcome. Soundtracking the emotions that accompany personal and societal loss, intimate and global grief – his latest album, Animated Violence Mild, is direct, honest and absolutely drenched in melody.

HANGMAN’S CHAIR
Making a return to Roadburn – this time under the curatorship of James Kent – is France’s Hangman’s Chair. The cathartic doom/post-punk combination will be familiar to Roadburners who witnessed them back in 2016, but the intervening years have only seen the four-piece pick up the pace. Their 2018 album Banlieue Triste (which featured James in his Perturbator guise, and Wolvennest’s Marc de Backer) will be played in full during their Roadburn performance. Sink into the melancholic explorations of some of the darkest places they have been.

EMMA RUTH RUNDLE’S THE GILDED CAGE:

MIZMOR
Mizmor’s latest album, Cairn, is a mesmerising piece of work. Back in 2016, we were bowled over by Yodh – Mizmor’s previous offering – and we invited multi-instrumentalist, A.L.N, to bring his project to the Roadburn stage in 2018. The set proved to be a defining element of Roadburn that year for all who witnessed it. Cairn is a continuation of Yodh – yet somehow more personal, more intense and more captivating. It’s not necessarily an easy journey, but it’s one we went on willingly. So, it is with enormous pleasure that we announce Mizmor’s return – performing Cairn in full at Roadburn 2020.

CLOUD RAT
We already announced that Cloud Rat would be playing Roadburn 2020, but we’re delighted to announce that they have agreed to a second show. There are dozens of reasons why their latest offering, Pollinator, stands head and shoulders above many other 2019 releases, and just one of them is the accompanying EP that was released at the same time. Performing tracks from this EP, as well as a couple of cuts from elsewhere in their catalogue, Cloud Rat will be showing off a different side to themselves. In order to do justice to the songs in a live setting, the band are enlisting the help of a familiar face and dear friend of Roadburn – Thou’s Andy Gibbs.

SRSQ
The haunting, sorrow-tinged melody that envelopes SRSQ’s debut album, Unreality, gives a big clue of what to expect when Kennedy Ashlyn takes to the Roadburn stage next April. Formed after her previous project, Them Are Us Too, ended due to the tragic death of Kennedy’s collaborator, Cash Askew, SRSQ (pronounced Seer-skew) retains much of the magic that made TAUT so compelling. The soaring synths and layers of swirling emotion are still present, as of course is her lullaby-esque dreamy vocals.

FVNERALS
Their 2016 album, Wounds, is a creeping, eerie voyage through some incredibly dark shadows. Dripping with lethargic menace and hazy atmospherics, Fvnerals paint a sonic landscape that feels devoid of sunlight, absolute desolation pervades. News has reached us that writing will soon commence for their next opus due out in late 2020. Whilst Fvnerals are not a cheery prospect, they are a strangely alluring one. We’re delighted to welcome them to Roadburn 2020.

ALSO ANNOUNCED…

BIG BRAVE & JESSICA MOSS
Big Brave are a modern wonder – a trio of musicians that have seemingly created their own little universe, with no need for our earthly categorisations, no need for our restrictive genres, and no need to stick to any kind of formula. A joy to witness live at any point, but especially so when they’re joined by a special guest. Jessica Moss featured on the Big Brave albums, Au De La and Ardor, performing violin, and on extremely infrequent occasions she has performed with the band live. We’re thrilled to announce that this unholy union will be sharing a stage at Roadburn 2020; the stars in the Roadburn universe have aligned and we’ve captured this most rare of beasts.

JESSICA MOSS
As well as performing alongside Big Brave, Jessica Moss will take to the stage a second time at Roadburn 2020 to perform her own set. Her captivating sonic experimentation and ethereal violin playing will be an all-consuming musical journey for Roadburners lucky enough to witness it live. For those who appreciate the intricacies of quiet moment found at Roadburn – Jessica Moss is the show for you.

CRYPT SERMON
Confidently lassoing all that is great about traditional heavy metal, straddling it and whipping it into shape for a contemporary audience, Crypt Sermon may just have concocted a magic formula that pays tribute to those who have paved the way, whilst simultaneously forging a new path. It’s time to break out your leather jacket – or if you’re feeling bold, the double denim – and get ready to rock out: Crypt Sermon are heading straight for Roadburn 2020 to play their new album The Ruins of Fading Light in full.

LANA DEL RABIES
The origins of Lana Del Rabies may have a connection to her namesake, but since those early days of paying a droney tribute to the pop star, Lana Del Rabies has taken a life of its own. The project and pseudonym of Phoenix, Arizona resident, Sam An, blends synthesized electronics, drone/noise elements and industrial heaviness into an atmosphere of existential abreaction and an exploration of the occult.

RED KITE
For Roadburn 2020, we will continue our quest to bring you some of the most exciting prog bands around. Championing the burgeoning Norwegian psych-prog-jazz scene is Red Kite. Their self-titled debut is a master class in progressive jams and hypnotic soundscapes, hence inviting them for Roadburn.

ROADBURN 2020 TICKETS

Weekend tickets for Roadburn are on sale now (3-day tickets are sold out, 4-day tickets remain on sale). More information about tickets and accommodation options can be found HERE.

Already announced for Roadburn 2020 is: Emma Ruth Rundle and James Kent as curators, commissioned projects from James Kent & Johannes Persson, Jo Quail, and Vile Creature & Bismuth, the return of Julie Christmas, Red Sparowes, Russian Circles, Torche, Brutus, Bada, Dool, Health, Hide, She Past Away, and two Artists In Residence: Full of Hell and Lingua Ignota. Check the full line up HERE.

https://www.facebook.com/events/1081424195382564/
https://www.facebook.com/roadburnfestival/
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Oranssi Pazuzu, Live at Roadburn 2017

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Splinter Post Video for “Bitter Sounds”; Debut Single out Now

Posted in Bootleg Theater on October 8th, 2019 by JJ Koczan

splinter logo

Before you start feeling like you’re out of the loop — I promise you, you’re way more in the loop than I am; stuck in the rhombus over here — Splinter are a pretty new band. Based in the Netherlands (I think probably Amsterdam or somewhere thereabouts), they did what was most likely their first recording session this past March, with Igor Wouters (indeed in Amsterdam), and from that issued the debut single Hurt b/w Brand New Future that they self-released as a 7″ vinyl with the logo you see above as its cover. There was a video for “Hurt” — no it’s a not a cover of the Nine Inch Nails song later taken on by Johnny Cash — that went up last month, and that’s now been followed-up with a new clip, this time for a song called “Bitter Sounds.”

The thing about “Bitter Sounds?” It wasn’t on that single.

So clearly there’s more to come.

Fair enough. Splinter‘s heralding of a busier future is extra notable given that the band is fronted by Douwe Truijens, formerly of Death Alley, and also features guitarist Sander Bus, who was brought in as that group’s second bassist, as well as drummer Barry van Esbroek and organist Gertjan Gutman (also of Utrecht’s Birth of Joy, who played their final show in January), whose contributions to both “Hurt” and “Bitter Sounds” are significant. The sound is either a formative punker take on classic heavy rock or a formative heavy rocker take on classic punk, depending on the angle you look at it, and for an act who are just getting going, they’ve clearly got their songwriting ducks a row. That is to say, get ready to want to put on “Bitter Sounds” twice, and maybe clap along the second time.

Video follows here, and definitely stay tuned for more.

Please enjoy:

Splinter, “Bitter Sounds” official video

Recorded and mixed by Igor Wouters at Amsterdam Recording Company

Mastered by Attie Bauw at Bauwhaus

Video by Hakki Takkie, shot and cut by Max Westendorp

Splinter live:
Oct 19 Ballroom Fest Zukunft am Ostkreuz Friedrichshain

Splinter is:
Douwe Truijens – vocals
Sander Bus – guitar
Gertjan Gutman – organ
Barry van Esbroek – drums

Splinter on Thee Facebooks

Splinter BigCartel store

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