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Roadburn 2017: Pallbearer, Drow Elixir, Caïna, Naðra and Rome Added; Day Tickets on Sale

Posted in Whathaveyou on January 10th, 2017 by H.P. Taskmaster

I guess when you’re Roadburn, you can pretty much make any occasion special by adding a handful of bands. So it is for individual day tickets going on sale, which comes accompanied by the news that, oh hey, Pallbearer are going to play, and the guys from Wolves in the Throne Room will debut a new ambient project called Drow Elixir, and because why not, Caïna, Naðra and Rome have also been added to the bill. And while we’re here, here’s more kickass poster art from Costin Chioreanu, highlighting each day’s lineup, already friggin’ staggering as it is, with more still to be added. As Mel Brooks once said, it’s good to be the king.

Click the posters below to enlarge and immediately begin sweating the making of your schedule. Then begin making your schedule. I’m thrilled, humbled and thrilled again to have also gotten confirmation of my own attendance this April, so if you’re going, I’ll see you there:

New additions to Roadburn 2017 line up; day tickets on sale this week

Ahead of day tickets for Roadburn Festival 2017 going on sale this week, a handful of new artists have been confirmed to play at the event which will take place between April 20-23 in Tilburg, The Netherlands.

PALLBEARER

Few bands have struck such a deep and emotional chord within the world of doom in the last few years as PALLBEARER. The band has spent the last couple of years touring massively around the world, sometimes headlining, sometimes supporting some of our favourite bands, like our beloved curator John Dyer Baizley’s band Baroness who have been on the road with PALLBEARER but a couple of months ago. John couldn’t resist adding an extra something to his curation, and although they will perform on Sunday, April 23, PALLBEARER will be included under John’s curatorship umbrella.

DROW ELIXIR

The masterminds behind Wolves In The Throne Room will present their new side project entitled, DROW ELIXIR. Shrouded in mystery for now, little is known about the project. The band commented: “Wolves in the Throne Room will debut our new dark ambient side project DROW ELIXIR at the Roadburn Festival. DROW ELIXIR is woven illusions, ethereal projections and sonic manipulations created with archaic techniques.”

It is an immense pleasure to host such a momentous, never before heard occasion at Roadburn; DROW ELIXIR will perform at the 013 venue on Thursday, April 20.

CAÏNA

In 2017, CAÏNA’s second album, Mourner, will be ten years old, and some opportunities just need to be seized. So we invited CAÏNA to celebrate this anniversary in the same form as Mourner was originally born – Andrew Curtis-Brignell, alone, as CAÏNA, will therefore perform the Mourner tenth anniversary set, a unique, once-in-a-lifetime occasion to hear this cult classic performed almost in its entirety, plus a few other bonuses Andrew has in store for us on Sunday, April 23.

NAÐRA

In 2016, we introduced our faithful Roadburners to the obscure might of the Icelandic black metal underground. By having Misþyrming as our artist in residence, we were able to feature a series of other bands connected to them on our bill; NAÐRA, which features four Misþyrming members plus the unhinged demon that is vocalist Ö, gave us one of the most enduring experiences of them all.

Like opening a Pandora’s box, all those tortured, twisting hymns of sickness that made Allir Vegir Til Glötunar one of the most harrowing records of 2016 will now resonate inside the Het Patronaat, on Friday, April 21 as if they were hissing, soul-consuming demons flying free.

ROME

ROME has been the creative vehicle for Luxembourgian singer/songwriter Jerome Reuter for over a decade already. Throughout this time, his prolific output has seen him traverse several musical plains, building what is by now a genuinely unique, distinctive and recognisable personality. ROME will have their long overdue and much anticipated Roadburn debut at the Het Patronaat, on Thursday, April 20 in Tilburg, The Netherlands.

Day tickets for Roadburn 2017 go on sale at 18:00 CET on Thursday, 12 January, priced at 59 Euro. Three and four day weekend tickets are already on sale, and links for all tickets are below. In addition, due to overwhelming demand, more flextotels have been added to the urban campsite and are now available to purchase.

Roadburn’s artistic director, Walter Hoeijmakers, commented:
“Weekend ticket sales are already in full swing, and we know a lot of people have been eager to get their hands on day tickets so here we are! I’m thrilled with the response to the line up so far; Roadburn is an artistic and creative endeavour, into which a lot of thought and energy goes. It’s such a positive feeling to get feedback that people are on board with what we’re doing here.

“The line up is very nearly complete now – just a couple more surprises up our sleeve, plus of course, announcements regarding our side programme are also in the pipeline. All of this, plus the always-anticipated running orders, will be along in due course. We’re already looking forward to April, and sincerely hope that you are too!”

Artists already announced for Roadburn 2017 include Coven, Warning (playing Watching from a Distance in full), Artists in Residence – GNOD, My Dying Bride (performing Turn Loose The Swans in its entirety), Ulver, Hypnopaz?zu (David Tibet & Youth), Zeal & Ardor, Mysticum, Deafheaven, Chelsea Wolfe, and our 2017 curator, John Baizley who will perform with Baroness, plus many more. Roadburn Festival will take place 20-23 April, 2017 at the 013 venue, Tilburg, The Netherlands.

Tickets (and campsite tickets) are on sale for Roadburn 2017 and can be purchased from this link.

4 day – 195 Euro
3 day (Thu, Fri, Sat) – 172 Euro
Thursday only – 59 Euro
Friday only – 59 Euro
Saturday only – 59 Euro
Sunday only – 54 Euro

Campsite tickets including flexotels are on sale for Roadburn 2017 and can be purchased from this link.

Day posters below have been created by Costin Chioreanu.

http://www.roadburn.com/
https://www.facebook.com/roadburnfestival
https://twitter.com/roadburnfest

Pallbearer, Fear and Fury (2016)

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Drive by Wire Premiere “Blood Red Moon” Video; Sign to Argonauta Records

Posted in Bootleg Theater on January 5th, 2017 by H.P. Taskmaster

drive by wire

With their new single, Netherlands-based four-piece Drive by Wire give a first glimpse at where they’re headed coming off their 2015 third album, The Whole Shebang (review here), and as you can hear in the fuzz, sway, melody and push of “Blood Red Moon” itself, they’re headed in the right direction. The track offers an initially catchy impression in the hook delivered by vocalist/guitarist Simone Holsbeek, who aligns with lead guitarist Alwin Wubben, bassist Marcel Zerb and drummer Jerome Miedendorp de Bie to deliver natural tones and a laid back vibe amid a subtly energetic desert rock thrust.

It’s not a radical shift in intent from where they were on The Whole Shebang — three or four records in, one kind of expects a band to have some idea what they’re aiming toward, unless what they’re aiming toward is having no idea at all — but it is a marked step forward. And a purposeful one, if one takes into account the news that Drive by Wire recorded their impending, yet-untitled fourth long-player with Guido Aalbers, known for his work with Queens of the Stone Age, Masters of Reality, 16 Horsepower and a vast slew of others in production and mixing. I haven’t heard the full record yet, but the blend of organic sounds and clear presentation “Blood Red Moon” gives portends of good things to come.

And along with the new video comes confirmation that Drive by Wire have signed to Italy’s Argonauta Records. They’ll do a reissue of The Whole Shebang in the coming months and then follow it up with the new album later this year, but as we move into these early hours of 2017, it’s all the better to have something to look forward to. Accordingly, you’ll find the official clip for “Blood Red Moon” followed by some words from the band in Argonauta‘s full announcement below.

Please enjoy:

Drive by Wire, “Blood Red Moon” official video

Thrilled to announce Dutch Psych Stoner Rockers DRIVE BY WIRE are now part of ARGONAUTA Records family!

Drive By Wire offer an intriguing and unique mixture of fuzz-laiden Desert/Stoner Rock grooves and trippy, hazy vocals of Simone Holsbeek.

A trip through the dusty desolate desert landscape, the swampy river delta, home to the band, 70’s psychedelia, but also heavier themes inspired by the harsh reality of life and struggle with personal demons. Drive By Wire manages to distill these inspirations into a warm organic sound with the urgency and dynamics of 90’s grunge (Soundgarden, Alice in Chains), the sensuality of PJ Harvey and the deliciously heavy psychedelic fuzz grooves of 70’s bands such as Black Sabbath…

The band says: “We’re stoked to collaborate and go worldwide with Argonauta Records! First our sold out 3rd album “The Whole Shebang” will be re-released through Argonauta and then end 2017 we will release our 4th album. The new single “Blood Red Moon” will give you a pretty good idea of the direction the kickass new material will go, still maintain our grooving heaviness but with more room for the psychedelic sultry vocals… With Gero taking care of all the promowork, we can focus on writing the best material we can possibly make….. Argonauta + Drive By Wire = Team Awesome!”

Already releasing three albums, playing numerous shows throughout Europe (touring with bands such as Mudhoney and Kyuss Lives), Drive By Wire shifted into highest gear last year through playing some bigger festivals, lots of headline shows and a special vinyl release.

Fortunately, they didn’t kick back and relax, but hit back hard in 2017 with the new single “Blood Red Moon”, to be released on Jan 6th, 2017, recorded and produced by Guido Aalbers (QOTSA, Muse)..

Besides the new single, the worldwide record deal with Argonauta Records, and a new tour through France, Belgium, The Netherlands, Germany and United Kingdom makes it clear that 2017 will be a big year for Dutch Desert Rockers Drive By Wire!

DRIVE BY WIRE will re-release via Argonauta Records their latest album “The Whole Shebang” during 2017 and the very new album by the end of the year.

Drive By Wire are:
Vocals/ Guitar: Simone Holsbeek
Leadguitar: Alwin Wubben
Drums: Jerome Miedendorp De Bie
Bassguitar: Marcel Zerb

Drive by Wire on Thee Facebooks

Argonauta Records website

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Quarterly Review: Hornss, Khemmis, Fox 45, Monolith Wielder, No Man’s Valley, Saturna, Spotlights, MØLK, Psychedelic Witchcraft, Moon Coven

Posted in Reviews on December 26th, 2016 by H.P. Taskmaster

the obelisk winter quarterly review

2016 ends and 2017 starts off on the right foot with a brand new Quarterly Review roundup. The first time I ever did one of these was at the end of 2014 and I called the feature ‘Last Licks.’ Fortunately, I’ve moved on from that name, but that is kind of how I’m thinking about this particular Quarterly Review. You’ll find stuff that came out spread all across 2016, early, middle, late, but basically what I’m trying to do here is get to a point where it’s not March and I’m still reviewing albums from November. Will it work? Probably not, but in order to try my damnedest to make it do so anyway, I’m making this Quarterly Review six full days. Monday to Monday instead of Monday to Friday. 60 reviews in six posts. Sounds like madness because it is madness. Let’s get started.

Quarterly Review #1-10:

Hornss, Telepath

hornss telepath

San Francisco trio Hornss debuted on RidingEasy Records with 2014’s No Blood No Sympathy (review here) and further their raw genre blend on Telepath, their half-hour follow-up LP delivered via STB, melding heavy punk and metallic impulses to a noisy, thick-toned thrust on songs like “Atrophic” and the bouncing “Sargasso Heart” while opener “St. Genevieve” and the penultimate “Old Ghosts” dig into more stonerly nod. The latter track is the longest inclusion on the record at 3:26, and with 11 cuts there’s plenty of jumping between impulses to be done, but the trio of guitarist/vocalist Mike Moracha, bassist/vocalist Nick Nava – both formerly of desert punkers Solarfeast – and drummer Bil Bowman (ex-Zodiac Killers) work effectively and efficiently to cast an identity for themselves within the tumult. It’s one that finds them reveling in the absence of pretense and the sometimes-caustic vibes of songs like “Leaving Thermal,” which nonetheless boast an underlying catchiness, speaking to a progression from the first album.

Hornss on Thee Facebooks

STB Records store

 

Khemmis, Hunted

khemmis hunted

Easily justifiable decision on the part of Denver’s Khemmis to return to Flatline Audio and producer Dave Otero (Cephalic Carnage, etc.) for their second album, Hunted. No reason to fix what clearly wasn’t broken about their 2015 debut, Absolution (review here), and on the 20 Buck Spin Records release, they don’t. A year later, the four-piece instead build on the doomly grandeur of the first outing and push forward in aesthetic, confidence and purpose, whether that’s shown in mournful opener “Above the Water,” the darker “Candlelight” that follows, or the centerpiece “Three Gates,” which opens as muddied death metal before shifting into a cleaner chorus, creating a rare bridge between doom and modern metal. Khemmis save the most resonant crush for side B, however, with the nine-minute “Beyond the Door” capping with vicious stomp before the 13-minute title-track, which closes the album with an urgency that bleeds even into spacious and melodic break that sets up the final apex to come, as emotionally charged as it is pummeling.

Khemmis on Thee Facebooks

20 Buck Spin on Bandcamp

 

Fox 45, Ashes of Man

fox 45 ashes of man

In addition to the outright charm of titles like “Doominati,” “Coup d’étwat,” “Murdercycle” and “Urinal Acid” (the latter a bonus track), Rochester, New York’s Fox 45 offer fuzzy roll on their Twin Earth Records debut full-length, Ashes of Man, the three-piece of Amanda Rampe, Vicky Tee and Casey Learch finding space for themselves between the post-Acid King nod of “Necromancing the Stone” and more swing-prone movements like the relatively brief “Soul Gourmandizer.” Playing back and forth between longer and shorter tracks gives Ashes of Man a depth of character – particularly encouraging since it’s Fox 45’s first record – and the low-end push that leads “Phoenix Tongue” alone is worth the price of admission, let alone the familiar-in-the-right-ways straightforward heavy riffing of “Narcissister” a short while later. Very much a debut, but one that sets up a grunge-style songwriting foundation on which to build as they move forward, and Fox 45 seem to have an eye toward doing precisely that.

Fox 45 on Thee Facebooks

Twin Earth Records on Bandcamp

 

Monolith Wielder, Monolith Wielder

monolith wielder self titled

Double-guitar Pittsburgh four-piece Monolith Wielder make their self-titled debut through Italian imprint Argonauta Records, bringing together Molasses Barge guitarist Justin Gizzi and Zom guitarist/vocalist Gero von Dehn with bassist Ray Ward (since replaced by Amy Bianco) and drummer Ben Zerbe (also Mandrake Project) for 10 straightforward tracks that draw together classic Sabbathian doom with post-grunge heavy rock roll. There’s a workingman’s sensibility to the riffing of “No Hope No Fear” and the earlier, more ‘90s moodiness of “Angels Hide” – von Dehn’s vocals over the thick tones almost brings to mind Sevendust on that particularly catchy chorus – but Monolith Wielder’s Monolith Wielder isn’t shy about bringing atmospherics to the Iommic thrust of its eponymous cut or the penultimate “King Under Fire,” which recalls the self-titled Alice in Chains in its unfolding bleakness before closer “Electric Hessian” finishes with a slight uptick in pace and a fade out and back in (and a last sample) that hints at more to come.

Monolith Wielder on Thee Facebooks

Argonauta Records website

 

No Man’s Valley, Time Travel

no man's valley time travel

The stomp and clap intro “The Man Who Would be King” casts an immediately bluesy hue on No Man’s Valley’s debut album, Time Travel (LP release on Nasoni), and the Netherlands-based five-piece seem only too happy to build on that from there. It’s a blend outfits like The Flying Eyes and Suns of Thyme have proffered for several years now between heavy psychedelia and blues, but No Man’s Valley find a niche for themselves in the dreamy and patient execution of “Sinking the Lifeboat,” a highlight of the eight-track/33-minute LP, and bring due personality to the classic-style jangle-and-swing of “The Wolves are Coming” as well, so that Time Travel winds up more textured than redundant as it makes its way toward six-minute piano-laden finale “Goon.” Once there, they follow a linear course with a post-All Them Witches looseness that solidifies into a resonant and deeply engaging apex, underscoring the impressive reach No Man’s Valley have brought to bear across this first LP of hopefully many to come.

No Man’s Valley on Thee Facebooks

Nasoni Records website

 

Saturna, III/Lost in Time

saturna lost in time

Barcelona classic rocking four-piece Saturna seem to avoid the boogie trap when they want to, as on the more rolling, modern heavy groove of “Five Fools,” and that keeps their World in Sound/PRC Music third album, III/Lost in Time, from being too predictable after the opening “Tired to Fight” seems to set up Thin Lizzy idolatry. They dip into more complex fare on “Leave it All,” somewhere between Skynyrd leads, Deep Purple organ-isms topped with a rousing hook, but keep some shuffle on songs like “Disease” and the earlier “All Has Been Great.” Highlight/closer “Place for Our Soul” seems to be literal in its title, with a more subdued approach and harmonized vocal delivery, and listening to its more patient delivery one can’t help but wonder why that soul should be relegated to the end of the album instead of featured throughout, but the songwriting is solid and the delivery confident, so while familiar, there’s ultimately little to complain about with what III/Lost in Time offers.

Saturna on Thee Facebooks

World in Sound website

 

MØLK, Hate from the Bong

molk hate from the bong

Especially with the title of their second EP set as Hate from the Bong, one might be tempted to put Belgian outfit MØLK immediately in the same category of malevolent stoner/sludge metal as the likes of Bongripper, but frankly they sound like they’re having too much fun for that on the five-tracker, reveling in lyrical shenanigans on the politically suspect “Stonefish” and opener “Methamphetamine.” Make no mistake, they’re suitably druggy, but even Hate from the Bong’s title-track seems to keep its tongue in cheek as it unfolds its post-Electric Wizard echoes and tonal morass. That gives the five-piece an honest vibe – they’re a relatively new band, having released their first EP in 2016 as well; why shouldn’t they be having a good time? – to coincide with all that thickened low end and vocal reverb, and though they’re obviously growing, there isn’t much more I’d ask of them from a debut full-length, which is a task they sound ready to take on in these songs.

MØLK on Thee Facebooks

MØLK on Bandcamp

 

Psychedelic Witchcraft, The Vision

psychedelic witchcraft the vision

Italian cult rock outfit Psychedelic Witchcraft have proven somewhat difficult to keep up with over the last year-plus. As they’ve hooked up with Soulseller Records and reissued their Black Magic Man EP (review here), their full-length debut, The Vision, and already announced a follow-up compilation in 2017’s Magick Rites and Spells, the band consistently work to feature the vocals of Virginia Monti (also Dead Witches) amid semi-retro ‘70s-style boogie, as heard on the debut in cuts like “Witches Arise” and “Wicked Ways.” At nine tracks/34 minutes, however, The Vision is deceptively efficient, and though they’re unquestionably playing to style, Psychedelic Witchcraft find room to vary moods on “The Night” and the subdued strum of “The Only One Who Knows,” keeping some sonic diversity while staying largely on-theme lyrically. To call the album cohesive is underselling its purposefulness, but the question is how the band will build on the bluesy soulfulness of “Magic Hour Blues” now that they’ve set this progression in motion. Doesn’t seem like it will be all that long before we find out.

Psychedelic Witchcraft on Thee Facebooks

Soulseller Records website

 

Spotlights, Spiders EP

spotlights spiders

Following the heavy post-rock wash of their 2016 debut album, Tidals, Brooklynite two-piece Spotlights – bassist/guitarist/vocalist Sarah Quintero and guitarist/synthesis/vocalist Mario Quintero – return on the quick with a three-track EP, Spiders, and set themselves toward further sonic expansion. The centerpiece “She Spider” is a Mew cover, electronic beats back opener “A Box of Talking Heads V2” and the spacious closer “Joseph” is a track from Tidals remixed by former Isis drummer Aaron Harris. So, perhaps needless to say, they hit that “expansion” mark pretty head-on. The finale turns out to be the high point, more cinematic in its ambience, but still moving through with an underlying rhythm to the wash of what one might otherwise call drones before becoming more deeply post-Nine Inch Nails in its back half. How many of these elements might show up on Spotlights’ next record, I wouldn’t guess, but the band takes an important step by letting listeners know the potential is there, adding three wings onto their wheelhouse in three tracks, which is as efficient conceptually as it is sonically immersive.

Spotlights on Thee Facebooks

Spotlights on Bandcamp

 

Moon Coven, Moon Coven

moon coven self-titled

This self-titled second full-length from Malmö, Sweden-based Moon Coven begins with its longest track (immediate points) in “Storm” and works quickly to nail down a far-reaching meld between heavy psych and riffy density. Issued through the much-respected Transubstans Records, it’s a nine-track/50-minute push that can feel unipolar on an initial listen, but largely avoids that trap through tonal hypnosis and fluid shifts into and out of jams on cuts like “The Third Eye,” while centerpiece “Haramukh High” provides a solidified moment before the organ interlude “The Ice Temple” leads into the mega-roll of finisher “White Sun.” What seems to be a brooding sensibility from the artwork – a striking departure from their 2014 debut, Amanita Kingdom – is actually a far more colorful affair than it might at first appear, and well justifies the investment of repeat visits in the far-out nod of “Conspiracy” and the swirling “Winter,” which goes so far as to add melodic texture in the vocals and notably fuzzed guitar, doing much to bolster the proceedings and overarching groove.

Moon Coven on Thee Facebooks

Transubstans Records

 

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Death Alley to Release Live at Roadburn 2016 Feb. 24; Preorder Available

Posted in Whathaveyou on December 15th, 2016 by H.P. Taskmaster

death alley roadburn 2016 photo jj koczan

If you think preordering a live album is going a little overboard, you probably weren’t in the room when Death Alley played Roadburn 2016 this past April. On Feb. 24, the Amsterdam heavy rockers will issue their set from the Green Room, the second day of the fest (review here), for which they were joined by Ron van Herpen (Astrosoniq, ex-The Devil’s Blood, currently of ZooN) and Jevin de Groot (ex-Mühr) to fill out a six-piece lineup whose output from the stage was as massive and overwhelmingly immersive as fest organizer Walter Roadburn describes it in his liner notes below, which he posted via social media and which I snagged to put here as much for posterity as for the info and perspective they provide.

Death Alley were supporting and continue to support their 2015 Tee Pee Records debut, Black Magick Boogieland (review here), but I wouldn’t be surprised if they started to move further past it in the New Year. Already this past summer they had new material on-hand at The Obelisk All-Dayer in Brooklyn, which as it happens was captured on video by Frank Huang.

Covering the US and Europe, respectively, Tee Pee Records and Suburban Records are collaborating on the release. Whether you preorder or wait until February, don’t be a chump and miss out:

death alley live at roadburn 2016

Death Alley – Live at Roadburn 2016

Death Alley to release ‘Live at Roadburn 2016’ on February 24 via Suburban (Europe) and Tee Pee Records (USA).

We’ll be releasing our ‘Death Alley – Live at Roadburn’ early next year on Suburban Records & Tee Pee Records!

Pre-order Europe: http://hyperurl.co/DA-LAR-EU
Pre-order USA: http://hyperurl.co/DA-LAR-USA

Show dates include:
12 January 2017 – VERA, Groningen (Eurosonic festival)
4 March 2017 – Scumbash Festival, Rotterdam
9 March 2017 – EKKO, Utrecht (Death Alley6: Roadburn release show)
10 March 2017 – Neushoorn, Leeuwarden (Death Alley6: Roadburn release show)
31 March 2017 – Gebouw T, Bergen op Zoom
…and (many) more to be announced.

Liner notes by Walter Roadburn:

Sweet music can move you, captivate you, stop your motion, bring you to your knees, and make you cry. This all happened to me when Death Alley & Friends took it to the stage at Roadburn 2016 on Friday, April 15 – and that has all been captured on this record, Death Alley’s first ever live-album.

Normally, I don’t see that many bands at Roadburn, let alone a full show, because I’m too busy behind the scenes. Sometimes I allow myself to see a little bit, and it’s no secret that I love Death Alley, so I took the liberty to watch as much of their set as I could.

The moment I got in the Green Room, Death Alley floored me – their performance was magical. The entire audience were nodding their heads in unison, and it seemed to me that everything that Death Alley had envisaged over the past few years fell into to place that very moment.

It was such an emotive performance, particularly when they invited Astrosoniq-guitarist Ron van Herpen (formerly of The Devil’s Blood), and Mühr’s Jevin de Groot to join them. Meanwhile, I heard the production staff calling me in my headset, but instead of responding, I turned it off – nothing could keep me away from this, and I moved down the front to totally immerse myself in the amazing jams, imagining that those who saw the Allman Brothers Band, Grand Funk and Grateful Dead in the early 70s felt the very same.

Seeing Oeds and Ron (and Jevin too) trading those amazing solos, brought back so many memories about The Devil’s Blood, and for many in attendance, it seemed that Selim Lemouchi’s spirit loomed large over the Green Room – so many tears were shed, including from yours truly. But it was tears of joy as well, as I simply couldn’t believe how much Death Alley have matured since their incarnation, and they have become such an exciting band to watch.

I felt so immensely proud of them, but was also very moved that they played this pivitol set at Roadburn – it was such a personal highpoint of the 2016 festival for me. Dennis, Douwe, Ming and Oeds Beydals– thank you from the bottom of my heart for being part of Roadburn’s legacy, bringing out Ron and Jevin, and feeling so inspired by the festival. You guys inspire me so much as well, and that inspiration spurs me on with Roadburn.

Every time when I listen to the album, I will remember clearly the moment I looked Douwe straight in the eyes during the show. I won’t forget seeing so many people surrounding me being fully entranced by the show. For those listening to the album right now – I hope you feel equally inspired by Death Alley, as their music is all about communication, and feelin’ good – just as it should be! Please embrace this gift – it’s rare!

Walter/Roadburn, November 2016.

http://deathalleyband.tumblr.com/
https://www.facebook.com/deathalleyband
http://deathalley.bigcartel.com/
http://teepeerecords.com/products/death-alley-live-at-roadburn-out-february-24th
https://suburban.nl/product/death-alley-live-at-roadburn

Death Alley, “It’s On” live at The Obelisk All-Dayer

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Dool Announce Feb. 17 Release for Here Now, There Then

Posted in Whathaveyou on December 14th, 2016 by H.P. Taskmaster

dool

I felt pretty gosh darn fortunate to have caught an early afternoon set from Rotterdam dark heavy rockers Dool this past April at Roadburn (review here), and have considered them ever since the best surprise I encountered at that fest this year. As one will after that kind of first impression is made, I’ve been trying to keep an eye out for new of their releasing a debut album, and wouldn’t you know, the date is set. On Feb. 17, 2017, Dool will issue Here Now, There Then through no less an imprint than Prophecy Productions, whose tastes for things bleakly atmospheric and/or mooody is largely unimpeachable. There’s even a new song streaming now called “She Goat,” if you’d like to have your day made.

Full announcement from the band follows here, complete with artwork and tour dates, because that’s how it should be.

Looking forward to this one:

dool here now there then

DOOL – HERE NOW, THERE THEN

We are extremely proud to announce the coming of our debut album’ Here Now, There Then’ on February 17th, 2017.

Recorded, mixed and mastered by Pieter Kloos (The Void Studio, Eindhoven), and featuring beautiful cover photography by our friend Pim Top, ‘Here Now, There Then’ will be released on Prophecy Productions on both vinyl and CD.

The album is about dreaming, ambition, Will. About breaking boundaries and behavioural patterns, destroying stigmas. The phrase ‘Here Now, There Then’ is a mantra for whomever needs it. Whichever way one chooses to use it. It is the shadowlands between fantasy and reality. A lucid fairy tale set against a concrete background.

As of today, ‘Here Now, There Then’ is available for pre-order through the Prophecy website:

http://en.prophecy.de/artists/dool/ (World)
http://us.prophecy.de/artists/dool/ (USA/Canada)

The arrival of ‘Here Now, There Then’ will be accompanied by a growing number of shows, which will go on pre-sale as of now:

JAN 06 – De Cacaofabriek – Helmond – NL
JAN 12 – Eurosonic Noorderslag 2017 – Groningen – NL
FEB 17 – EKKO – Utrecht – NL
FEB 18 – Merleyn – Nijmegen – NL
FEB 25 – Rotown Rotterdam – Rotterdam – NL
MAR 2 – Vera Groningen – Groningen – NL
MAR 3 – Helvete Pub – Club – Live Stage – Oberhausen – DE
MAR 4 – HELL OVER Hammaburg Festival – Hamburg – DE
MAR 8 – ILMC – London – UK
MAR 9 – OT301 – Amsterdam – NL
MAR 17 – Poppodium 013 – Tilburg – NL

On top of this, we’d like to present one of the album tracks to you. Listen to ‘She Goat’ right here.

All Those Who Wander Are DOOL.

DOOL is:
Ryanne van Dorst – Vocals/Guitar
Micha Haring – Drums
Job van de Zande – Bass
Reinier Vermeulen – Guitar
Nick Polak – Guitar

https://www.facebook.com/allthosewhowanderaredool/
http://allthosewhowanderaredool.com/
http://www.allthosewhowanderaredool.bigcartel.com/
http://en.prophecy.de/artists/dool/

Dool, “She Goat”

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Roadburn 2017 Adds 24 New Bands: Bongzilla, Disfear, Serpent Venom, Lycus, Ruby the Hatchet, Harsh Toke, Joy and Many More

Posted in Whathaveyou on December 13th, 2016 by H.P. Taskmaster

Roadburn 2017 banner

As one has come to expect by now, there’s an awful lot of badassery in this latest announcement from Roadburn 2017. The Tilburg-based festival doesn’t seem to do anything small at this point — though it boasts not one, but two delightfully intimate venues, so take that assertion with a grain of reality’s salt — and that certainly includes this round of 24 lineup additions. For me, particularly notable is the West Coast heavy psych invasion underway with the likes of Joy and Harsh Toke added — Tee Pee labelmates Ruby the Hatchet are no slouches themselves in that regard — and UK doomers Serpent Venom, who, as noted in the expansive update below, are overdue for an appearance at this showcase of showcases. I’ve included the stream of their last album as a refresher of its righteousness, in case you need one.

Also dig Bongzilla added to perform Gateway in its entirety. They’ll be part of a killer Main Stage lineup that day that’s basically untouchable and bound to engender much whining when the schedule is released and is packed as ever in all the other rooms. See also Big Business, Pontiak, Radar Men from the Moon, The Devil and the Almighty Blues, Lycus and so on. In the immortal words of pre-cold-dead-hands Charlton Heston, “it’s a madhouse.”

Check it out:

Twenty-four new additions to Roadburn’s 2017 line up

• John Dyer Baizley adds four new bands to his curated event, plus confirms a live interview at Roadburn 2017.
• Bongzilla confirm their first trip to Roadburn
• Big Business return to Roadburn ten years after their last performance at the festival.
….and more

JOHN DYER BAIZLEY

John Dyer Baizley has confirmed four more bands for his curated event, with the line up now almost complete. In addition, he will also take part in a live interview at Roadburn 2017 as part of the festival’s side programme.

Few others, if any, hardcore bands carry so much weight and impose so much respect outside their own scene as INTEGRITY do, perhaps because they have always transcended their “root” genre, both stylistically and conceptually. Baizley comments: “I hope to see you all there, while Integrity proves to all present that the ferocity has neither dulled nor become disingenuous throughout their career. Reality is bleak, but through darkness we are able to find connectivity and community.”

DISFEAR have been one of the leading lights of the Swedish d-beat scene in the almost three decades they have existed. They might not record of perform often, but when they do, you know it’s going to be something extraordinary, as John says: “I don’t know exactly what to expect from this re-emergence, but I’m sure it won’t be a gentle one. This should be a no-hold-barred, fists-in-the-air, mandatory-circle-pit set, and you better believe I’m not missing a minute of it.”

OATHBREAKER have wowed audiences around the world with the release of their latest album, Rheia. John counts himself among the devoted, commenting of the album: “Therein exists a healthy reverence and understanding of the genres it references; yet it’s a record that is beholden to no style, genre or convention. There are layers upon layers of sound that recall black metal, pop, indie, hardcore, shoe-gaze, you-name-it; yet as I listen, I am aware of none of this – it has been presented so artfully and with such earnest and unpretentious conviction.”

If you trace the history of post-rock, you’ll go all the way down the family tree to find Nathan Means, Philip Manley and Sebastian Thomson, the three members of TRANS AM, at the very root of it all. “I have always been a massive Trans Am fan, and I think their performance at Roadburn will be an incredible moment during next year’s festival,” John says, “I’m sure Sebastian will have his work cut out for him, playing two very intense and completely different sets, with both Baroness and Trans Am (Friday and Saturday, respectively). Do not miss this show, it will be a truly incomparable experience during Roadburn 2017.”

John Dyer Baizley will also be participating in Roadburn’s popular side programme, having confirmed that he will take part in a live interview hosted by Ula Gehret. John will talk through his personal and professional highs and lows before taking questions from the audience.

BONGZILLA

In an unparalleled stoner celebration, reformed Wisconsin riffmasters BONGZILLA have been confirmed to perform their classic album Gateway in its entirety at Roadburn Festival 2017. Next year marks 15 years since BONGZILLA originally released Gateway in 2002. Their third album, it indeed was for many listeners a doorway into a new world – a dimension of crust-laden sludge that, in the years since, has gone on to put an entire generation of bands under its influence. Unmatched in its dankness, coated in purple and green tonal wash, Gateway’s weedian righteousness is no less potent today than a decade and a half ago.

BIG BUSINESS

The last time this dynamic duo set foot at Roadburn was way back in 2007, in the company of their Melvins bros, but now, fully grown up and with a bunch more records, experience and exactly the same amount of boundless creativity, they will return on their own, as the singular, unique musical force they are.

WHORES.

Their live shows have a reputation for being way beyond the norm in terms on intensity, so we are super stoked to bring this power trio, WHORES.to Roadburn for the first time. We have the feeling it just might be one of those shows that everyone will talk about for years afterwards, so make sure you don’t miss WHORES. when they play Roadburn 2017 – they have a curious knack for melody that’ll ensure these tunes stay with you long after the bruises have healed up.

ALSO CONFIRMED:

Alaric will deliver a hybrid of post-punk’s tense, angular structures with the size and spread of extreme metal’s most dynamic sonic components.
Author & Punisher heralds the rise of the machines with a unique take on industrial doom.
Cobalt offer atypical excursions through black metal via apocalyptic tribalism, old Americana, and a doom-laden, ritualistic atmosphere.
Fórn bring both soul-crushing lows and groovy assaults at higher moments.
Gnaw Their Tongues have promised “something special” for their Roadburn set. Prepare for aural torture.
Harsh Toke will perform a set comprised entirely of Roky Ericsson covers.
Hedvig Mollestad Trio touch on genre-blurring hardrock and metal riffery as well as the noisier realms of jazz improvisation.
Joy are a San Diego heavy psych power trio, inviting you to ride along with them at Roadburn.
King Woman heavy, dark, emotional, beguiling, confrontational.
Lycus – monolithic, mournful, and massive sounding doom.
Pinkish Black will be making waves and breaking hearts with their chilling synthesiser dirges.
Pontiak are primal and fiery and often fuzzy and psyched out; ready to give a lesson in rock.
Radar Men From The Moon will team up with Roadburn 2017 artist in residence GNOD for a collaborative performance known as Temple Ov BBV, as well as playing their own show.
Ruby The Hatchet invite you to follow them on their kosmiche trip.
Serpent Venom – they’re trippy, they’re heavy, they are long overdue a Roadburn appearance.
The Devil & The Almighty Blues are heavily inspired by Delta blues, and standing at the crossroads of both American and British blues-based rock.
True Widow return with more sultry yet syrupy fuzzed out trips.

Artists already announced for Roadburn 2017 include Coven, Warning (playing Watching from a Distance in full), Artists in Residence – GNOD, My Dying Bride (performing Turn Loose The Swans in its entirety), Ulver and Hypnopaz?zu (David Tibet & Youth) and Zeal & Ardor, Mysticum, Deafheaven, Chelsea Wolfe, and our 2017 curator, John Baizley who will perform with Baroness, plus many more. Roadburn Festival will take place 20-23 April, 2017 at the 013 venue, Tilburg, The Netherlands.

Tickets (and campsite tickets) are on sale for Roadburn 2017 and can be purchased from this link.

4 day – 195 Euro
3 day (Thu, Fri, Sat) – 172 Euro
Single day ticket, Sunday only – 54 Euro

Thursday, Friday and Saturday single day tickets will be on sale on January 12 priced at 59 Euro.

http://www.roadburn.com/
https://www.facebook.com/roadburnfestival
https://twitter.com/roadburnfest

Serpent Venom, Of Things Seen and Unseen (2014)

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Roadburn 2017: My Dying Bride, Scissorfight, Backwoods Payback, Come to Grief and More Added

Posted in Whathaveyou on November 15th, 2016 by H.P. Taskmaster

Roadburn 2017 banner

Roadburn 2017 adds 26 new bands to its lineup. Let me spell that out: TWENTY-SIX. And from My Dying Bride to Sumac to Scissorfight to Memoriam to Valborg, it’s precisely the kind of all-things-to-all-people mix that one has come to expect from the annual April festival, promising an experience like no other in John Dyer Baizley‘s curated event, as well as sets from the likes of Gong and Backwoods Payback and Suma and Unearthly Trance, the latter two who were former US tourmates once upon a time and will reunite in Tilburg this coming Spring. Blown away by how huge this event has become, and how every year it just seems to keep growing and moving forward. Sit back and look at the poster below for today’s adds. It’s astounding.

Tickets on sale now. From the PR wire:

roadburn-2017-new-adds-my-dying-bride

Twenty six new bands added to the Roadburn 2017 line up

My Dying Bride will take to the Roadburn stage for the first time
David Tibet and Youth will perform as Hypnopaz?zu
Wolves In The Throne Room return from hibernation
Memoriam breathe new life into death metal
Wear Your Wounds show a different side to Jacob Bannon as part of John Dyer Baizley’s curation
Carpenter Brut take synthwave to new and exciting places
Those Poor Bastards conjure up the image of two undead holy preachers
….and more

MY DYING BRIDE:
My Dying Bride have been confirmed to make their Roadburn Festival debut at the 2017 edition of the festival. As one of the leading lights of metal during the 90s, where they helped to further define what doom metal really was and where it could still go, this West Yorkshire bunch earned a place in metal history. They’ve done it all and somehow have managed to remain fresh and inventive.

The influential British doom band will perform a suitably mournful doom-filled set on Saturday, 22 April, 2017 at the 013 venue.
Read more about My Dying Bride here.

HYPNOPAZ?ZU:
It’s PixieTime

Girls and Boys—

For our HypnoPickNick

Bring Moons and Toys!

We are thrilled to announce that Hypnopaz?zu (David Tibet of Current 93 and Youth of Killing Joke) will perform at Roadburn Festival 2017, alongside Ulver, on Sunday, April 23 at the 013 venue, Tilburg, The Netherlands. Their album, Create Christ, Sailor Boy, ranks among our albums of the year at Roadburn HQ, and we cannot wait to witness it brought to life on stage at Roadburn 2017.

WOLVES IN THE THRONE ROOM:

Wolves In The Throne Room will be returning to Europe for the first time since 2012, and since they announced their subsequent hiatus. The band will steer away from the ambient and ethereal landscapes they created on their 2014 album Celestite, instead setting their sights on the more raw and earthy sounds from earlier in their back catalogue. Whatever choice cuts they select to serve up, the set is sure to be a masterclass in atmospheric black metal from one of the most important bands to leave their mark on the genre in recent years.

Wolves In The Throne Room will play at Roadburn Festival 2017 on Thursday, April 20, at the 013 venue, Tilburg, The Netherlands.

MEMORIAM:

Bolt Thrower’s Karl Willetts started Memoriam as “a celebration of life through death metal”, and the results are exactly as one might expect. Having recruited Benediction bassist, Frank Healy, former Bolt Thrower drummer, Andy Whale, plus guitarist Scott Fairfax, Memoriam are clearly on an old school, death metal mission.

Willetts commented: “Memoriam are pleased to announce that they will be playing at the acclaimed Roadburn festival in 2017.

“We have seen this festival grow over the years and for us to be among the illustrious selection of bands playing this year is an honour!!! With our debut album to be released sometime early 2017 Roadburn will give us the opportunity to showcase our new material. Memoriam will unleash its devastating weaponry upon Roadburn 2017 and provide a true celebration of life through old school death metal.”

Follow Memoriam onward into battle on Saturday, 22 April when they play at the 013 venue, Tilburg, The Netherlands.

WEAR YOUR WOUNDS:

Wear Your Wounds – Converge vocalist Jacob Bannon’s intensely personal project – is an outlet he has been quietly feeding over the years, a repository for his lo-fi solo recordings that will now finally see the light. Scheduled for April 7th, just a couple of weeks before Roadburn, Wear Your Wounds’ first self-titled full length has us sitting on our hands with excitement.

John Dyer Baizley comments:
“I’ve never seen them perform (who has, really?) so it goes without saying that I will be front and center for this moment. The lineup for Wear Your Wounds will include the following, in addition to Jake Bannon himself: Chris Maggio (Sleigh Bells, Trap Them, Coliseum), Mike Mckenzie (The Red Chord, Stomach Earth, Unraveller) Adam McGrath (Cave In, Zozobra, Nomad Stones), and Sean Martin (Hatebreed, Twitching Tongues, Kid Cudi, Cage). Don’t let that list fool you, THIS IS NOT A SUPERGROUP, but its hard to deny the talent and power within those musicians and collaborators. Please don’t miss the opportunity to witness their first-ever performance.”

CARPENTER BRUT:

Carpenter Brut take the essence of metal that you like, the parts of techno that you used to like and the atmospheric film music of Carpenter/Argento/Goblin that you love, to create a heady, melodic and intense genre. This French outfit is taking the synthwave to new and exciting places.

Carpenter Brut play on Saturday, 22 April at the 013 venue, Tilburg.

THOSE POOR BASTARDS:

Sounding like two undead holiness preachers, crawling out of an abandoned Mississippi graveyard consumed by the foul bog and delivering their message of the endtimes, Those Poor Bastards will hover around the next edition of Roadburn determined to convince you that your eternal soul is already damned beyond redemption.

With the devil on their trail and the graveyard constantly looming ahead, Those Poor Bastards will ruin Het Patronaat when they play their ghoulish songs on Thursday, 20 April at Roadburn 2017 in Tilburg, The Netherlands.

ALSO CONFIRMED:

(DOLCH) lined up to shapeshift and mystify
ASH BORER deliver innovative Cascadian black metal to the Roadburn masses
BACKWOODS PAYBACK deliver honest expressions of heartfelt, heavy rock and roll
CASUAL NUN to deliver downright heavy psych
COME TO GRIEF will pay homage to Grief’s legacy
EMMA RUTH RUNDLE will perform a set thick with emotion and densely packed with honesty
ESBEN AND THE WITCH promise to delight with atmospheric, apocalyptic rock
FANGE make their debut with heaps of D-Beat and amplifier worship
GONG will lead us into psych rock sonic anarchy
NO SPILL BLOOD to demonstrate a fusion of muscular, sludgy punk energy and swirling synthesiser noise as part of John Dyer Baizley’s curated event.
OXBOW will release their next album, Thin Black Duke, shortly ahead of their Roadburn performance
SCISSORFIGHT promise to “unleash some New Hampshire backwoods debauchery”
SUMA bring their abrasive doom from Sweden
SUMAC sees the return of Aaron Turner to Roadburn with his denser-than-a-black-hole outfit
UNEARTHLY TRANCE set to combine the nihilism and confrontational approach of real sludge, both in lyrics and in actual musical delivery
VALBORG return to deliver another dose of their bleakly elegant presence.
VANUM will set Roadburn ablaze with a blend of icy melody and blackened atmospheric majesty
WOLVENNEST will churn up some utterly hypnotic, sonik soundscapery
YOUTH CODE show off their aggressive and expansive modern take on the EBM sounds of the 80s as part of John Dyer Baizley’s curated event.

Artists already announced for Roadburn 2017 include Coven, Warning (playing Watching from a Distance in full), Artists in Residence – GNOD, Mysticum, Oranssi Pazuzu, Deafheaven, Chelsea Wolfe, and our 2017 curator, John Baizley who will perform with Baroness, plus many more. Roadburn Festival will take place 20-23 April, 2017 at the 013 venue, Tilburg, The Netherlands.

Tickets are on sale for Roadburn 2017 and can be purchased from this link.
4 day – 195 Euro
3 day (Thu, Fri, Sat) – 172 Euro
Single day ticket, Sunday only – 54 Euro

Thursday, Friday and Saturday single day tickets will be on sale at a later date.

http://www.roadburn.com/
https://www.facebook.com/roadburnfestival
https://twitter.com/roadburnfest

Scissorfight, Chaos County (2016)

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Ten East, Skyline Pressure: Benefits of Happenstance

Posted in Reviews on November 3rd, 2016 by H.P. Taskmaster

ten-east-skyline-pressure

It happened one day in the Netherlands. Actually it was a night. And Yawning Man were getting ready to play the 2014 edition of Mañana Mañana Fest, but guitarist Gary Arce and drummer Bill Stinson found themselves in need of a bassist. Well, it just so happened that Erik Harbers, one of the festival’s organizers, plays bass in Automatic Sam, so he and co-organizer/guitarist Pieter Holkenborg stepped in to fill the spot. They’d never played together, let alone on stage in front of a fest crowd. But it worked, and one can rightly think of Ten East‘s Skyline Pressure as an outgrowth of that experience.

Bringing the same four parties back — Arce, Stinson, Harbers and Holkenborg — to record in a studio setting with Harper Hug at Thunder Underground, the attempt is capture the same kind of spontaneous chemistry that they wound up showing that night two years ago. The result? Eight tracks and a sprawling 58 minutes marked out by two particularly extended pieces in opener “Daisy Cutter” (13:03) and the later “Sonars and Myths” (14:33) that very much have their root in what Yawning Man do in their desert-defining instrumental soundscaping atmospherics, but arrive somewhat beefed up thanks to the second guitar and a fervent rhythmic push from Stinson and Harbers in the rhythm section.

It’s worth noting that in addition to having taken part in the recently-issued Fatso Jetson collaboration with France’s Hifiklub (review here), this is the third full-length, in three separate outfits, Arce has appeared this year, between Zun‘s Burial Sunrise (on Small Stone; review here) and Yawning Man‘s Historical Graffiti (on Lay Bare; review here), marking the continuation of what might just be his most productive year ever in terms of output.

Not bad for someone who’s been helping shape the scope of desert rock for the better part of the last 30 years. Of those other offerings, Skyline Pressure is probably best compared to the Fatso Jetson/Hifiklub release, since Hifiklub guitarist Nico Morcillo sits in here for side A’s “Planet Blues,” the penultimate serenity of “Stalactite Dip” and closer “Tangled Forest.” But just about anything Arce does is going to be measured in terms of Yawning Man, and that seems all the more fair since Skyline Pressure shares Historical Graffiti‘s title-track, thereby providing a direct line from one offering to the other.

Moreover, it gives a genuine opportunity to examine some of the differences. Ten East, for whom this is their third full-length and first since 2008’s The Robot’s Guide to Freedom, on which Arce and Stinson were joined by Scott ReederGreg GinnMario Lalli, etc., is a different project than Yawning Man. That is quickly established on Skyline Pressure and reinforced throughout.

ten-east-1

Even as songs like “Eye Soar” or the title-track or the highlight dream-jazz of “Sonars and Myths” veer into otherworldly ambience led my Arce‘s inimitable tone, Ten East remain prone to a more weighted thrust and a heavier undercurrent. Part of that is Harbers‘ personality as a bassist, and part of it is Holkenborg on second guitar — not to mention Morcillo on third — but these factors come together to make it clearer why Skyline Pressure would end up a Ten East record and not a Yawning Man record. However recognizable their origins, quite simply, they’re a different band. It’s true from “Daisy Cutter” — which also has its origins in Yawning Man — onward.

Actually, the initial thrust of “Daisy Cutter” goes a long way in defining Skyline Pressure as a whole, and though the album seems to open to broader terrain especially as it shifts into the back half of the tracklist, with the title-cut, “Sonars and Myths,” and “Stalactite Dip” setting up a bookend return to push in “Tangled Forest,” the places Ten East go are measured in part by from where they came.

“Daisy Cutter” has a wash as those familiar with Arce‘s work might expect, but remains forceful for the bulk of its 13 minutes and finishes noisy, and though the subsequent “Eye Soar” is more soothing, the effect of the opener resonates through it and through “Historical Graffiti”‘s shifts in volume and ending build. I’d say the same applies to “Sonars and Myths,” though the later extended track emphasizes the other side of what Skyline Pressure accomplishes in its fluidity and patience, also grown out of Yawning Man‘s core approach but keyed into a particular joy for experimentation that distinguishes it outright. Both are worth bringing forward at one point or another, and ultimately, both play into Skyline Pressure‘s success in following up what proved so special about that Yawning Man set in the Netherlands.

Whether or not Ten East will continue this collaboration in this form, I don’t know. One still waits for a second Yawning Sons album, and Ten East‘s lineup has always been fluid at least in terms of who sits in with Arce and Stinson for a session. It seems to be a if-it-happens-it-happens kind of scenario. But even for that, it’s fortunate that this incarnation of Ten East were able to come together for Skyline Pressure and capture as much material as they did — it’s not a short journey by any means, either in bringing Harbers and Holkenborg to California to record or in a listener making their way through the nearly-hour-long album — since it’s so rare that moments which seem like they’ll never come again manage to do just that.

Ten East, Skyline Pressure (2016)

Ten East on Thee Facebooks

Ten East on Bandcamp

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