VINYL WEEK: 35007, Especially for You, 35007 and Liquid

Posted in On Wax on September 18th, 2014 by H.P. Taskmaster

During their time together, it was said that Netherlands-based progressive heavy rockers 35007 were “a state of mind.” That’s fair. A lot of bands have slogans. Looking back on their catalog now, nearly a decade after the 2005 release of their final album, Phase V (discussed here), their discography seems less a state of mind than a world to be explored. Germany’s Stickman Records, which was the band’s label home for most of their tenure, has continued to foster that exploration since 35007‘s dissolution, both in making their studio outings available to those bold enough to find it and in fostering other European heavy prog acts like Motorpsycho, whose legend and catalog seems to grow each year. In a grand gesture of reverence, Stickman has recently reissued three of 35007‘s albums on vinyl: 1994’s Especially for You debut, 1997’s sophomore long-player 35007, and 2002’s Liquid.

Each release is different, and it’s important to remember that we’re spanning eight years of the band, different lineups, a developing approach, but what unites all three is the bleeding-out passion with which the reissues are executed. Not just time, effort and money put into them, but love. It’s evident in the gatefolds of 35007 and Especially for You, or in the way the color of the vinyl matches the album artwork for all three — black and red on Especially for You, white on 35007 and blue on Liquid. These are 180g treasures for a group who, if they’d come along a decade later than they did, would still probably be considered among the forebears of modern European heavy psychedelia. In presentation and in the sound of each of these, the spirit of honoring the band is obvious and palpable, and while that might intimidate the novice or someone less familiar with 35007‘s work, the music itself is so consuming that one can’t help get immersed, first time listener or not.

A quick breakdown:

Especially for You (1994)

35007 especially for you

Their earliest work. Especially for You only barely represents the ground 35007 would cover and break in their time together. There are flashes of the progressive fluidity their heavy psychedelia would later accomplish on the late instrumental “Water,” which appears here on side C, leaving the second half of he second record to “Slide,” but much of 35007‘s first outing got its personality from its crunching riffs, and while they’d gain a reputation afterward as an instrumental unit, songs here are often distinguished by vocals, and that begins on opener “Zandbak,” which takes an early stoner rock nod and build off it with keys and samples in an nascent showing of experimentalism. The subsequent “Basiculo ad Cunnum” is more indicative of the atmospherics and blend of Krautrock texturing, tonal heft and patience that would develop in their sound, but it too has a younger intensity to it, 35007 figuring out their where their place is even as they come do define it, keyboards factoring in heavily throughout, even as side B’s “Bad Altitude” starts out all riff and swagger en route to one of the LP’s most satisfying blissouts.

Space funk joins heavy rock impulses on the later “U:mu:m’nu:” and “Cosmic Messenger,” hinting at some of the territory 35007‘s countrymen in Astrosoniq would cover in the years to come, and “Slide” closes Especially for You with prog-metal chugging — it was 1994, so Tool‘s Undertow might’ve been a factor in the rhythm and vocal shouts — and a kitchen-sink finale of noise, swirl and sampling. If anything’s a giveaway of the 20 years that have passed since its initial release, it’s the production, since the adventurousness and will toward progression at its heart is still very much evident in what they accomplish. It’s a hard record to dig into without thinking of what 35007 did afterwards, but that doesn’t makes the space-rocking “The Elephant Song” any less enjoyable as the centerpiece of side B, its wanderings both engaging and righteously trippy, buried-deep semi-spoken vocals calling throaty shots atop a deep swirl of lead guitar echo. There are bands out there today, more than a few, who are trying to sound like this and haven’t yet caught up to what 35007 did their first time out two decades ago. That sounds like hyperbole, but it’s also true.

35007 (1997)

35007 into the void we travelled

It would be difficult to mess with the low-end fuzz that underscores the breathing tension of 35007 opener “Herd,” and you won’t hear me try. I’ll again compare it to Astrosoniq‘s propensity for opening to a chorus, but it’s really just the tip of the weird futuristic submarine racing apparatus when it comes to 35007‘s second album, also known as Into the Void We Travelled. Issued three years after their debut as their first outing on Stickman, it’s immediately more cohesive stylistically, a bruiser riff in “Soul Machine” finding accompaniment in the keys and psychedelic undercurrents, the two sides playing off each other rather than competing as they sometimes seem to be on Especially for You. Of course, the ambient vibe isn’t absent either, as “Short Sharp Left,” which rounds out side A takes hold with a swaggering, almost Western, guitar line and drum stomp only after a stretch of ambience that picks up directly from “Soul Machine,” making it impossible to tell on the LP where one ends and the other starts. A lot of what 35007 accomplishes on this album is laid out in the first of its four sides, but the thrill of the journey and hearing where the band takes its now-more-solidified approach — be it the plus-sized riffing of “Big Bore” on side B or the subsequent Zeppelin-in-space acoustics of “Vein” — shouldn’t be discounted either.

“Undo” explodes to start out side B prior to the farther-out method expansion of “Big Bore” and “Vein,” but it’s side C and D that seem in hindsight to show where 35007 were really headed, and among these albums, the divide between the two halves of the self-titled is most stark. Songs like “Herd” and “Soul Machine” and “Big Bore” have an experimental or proggy edge to them, no doubt about it, but with “66” and “Powertruth” on side C and “Locker” and “Zero 21″ bled together on side D, the band shifts first into organ-laced ’70s weirdness before moving into head-down prog chug and keyboard interplay on “Powertruth” — listening right after Especially for You, the song seems in direct conversation with parts of “Slide,” but it’s ultimately more straightforward — building to a rushing head before being carried out by its frenetic keyboard line. Similar impulses drive “Locker” and “Zero 21″ — a flair for capturing the “let’s try this” moment — but the closing duo come across most as the moment where 35007 found their niche in a psychetronic (now almost entirely) instrumental blend of heaviness and atmospherics, starting so quiet and patiently evolving the movement over the two songs to the record’s blood-stirring apex. This was a crucial transitional phase in the band, and in terms of harnessing where they were coming from and where they were headed, it brings together the best of both worlds.

Liquid (2002)

35007 LIQUID

Preceded by a 1999 Stickman reissue of Especially for You and 2001’s Sea of Tranquility EP, the 2002 Liquid full-length is as aptly-named as an album can get. Of the three new vinyl releases it’s the only one that fits on a single LP — it is a full 20 minutes shorter than the self-titled and has a printed record sleeve instead of a gatefold — but the expanses 35007 cover across its four tracks more than answers for any “Hey, where’d the rest go?” type questioning that might arise. Liquid is arguably 35007‘s most essential release. Phase V would expand on these ideas and concepts and delve further into ambience, but Liquid was the lightbulb moment in the narrative of band, certainly as pertains to these three outings and overall as well. The tonal warmth in the bass on “Tsunami” or the smoothness of the production, the patience in its completely instrumental transitions and the flow between one song and the next and within songs as well as parts shift into others, it’s fluid, lush heavy psych that’s neither one more than the other in an impeccable and beautiful balance. It made space rock new again, and unlike Especially for You and 35007, it was also clearly intended to be a vinyl release, its four component tracks breaking evenly into two halves and feeding into each other with an audible break between sides A and B.

Flip the band’s name upside down and it spells “Loose,” but I’m not sure they were ever tighter or more coherent than they are here, building with keys and riffs and effects as “Crystalline” morphs gradually out of “Tsunami” to jam its way forward and back again into its own mix, a strong current of synth remaining with volume swells to set a wave pattern from which the guitars, bass and drums burst in for the final stretch, their cold disappearance after the climax seeming to cut short a track that’s already reached toward eight minutes long. On side B, the shorter “Evaporate” recalls some of the progressive metal riffing of 35007‘s earlier days, but like the band’s approach overall, it is more clearheaded about what it wants to accomplish, toying with back-and-forth tension release in what might’ve been a verse and a chorus five years prior but here serve as a means to a more complex end, giving way somewhere in a wash of keyboards to closer “Voyage Automatique” as bass plays the pivotal role of anchoring the proceedings, not weighing them down necessarily, but making sure there’s solid ground somewhere beneath all the open space. Gradually, “Voyage Automatique” builds to a head in a patient linear execution, and Liquid ends with a fading keyboard line that seems to still be exploring, reaching further out from where the band decided to vacate the jam, leaving it and the listener alike to process the data uncovered by all this exploration.

From their beginning, 35007 was a progressive heavy rock act with an individualized take. The fact that they were then able to realize their potential and push themselves further into their own sound made them truly distinct among what was happening in heavy music at the time, and while they’re not around now to continue that journey — members can be found in Monomyth and Neon Twin — reissues like these show just how special their work was. Due reverence, through and through.

Recommended.

35007, Liquid (2002)

35007’s website

Stickman Records

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Roadburn 2015: Enslaved and Wardruna’s Skuggsjá Collaboration, Floor, Virus, Sólstafir, Bongripper and More Join Lineup

Posted in Whathaveyou on September 17th, 2014 by H.P. Taskmaster

roadburn 2015 banner

Unbelievable. I’m not even sure where to start with the latest round of additions to Roadburn 2015.

The Enslaved and Wardruna collaboration Skuggsjá, or the not-gonna-miss-‘em-again Virus, or Floor or Bongripper doing two sets. It’s overwhelming, to be perfectly honest with you. I’m exhausted right now. Well, I was exhausted anyway, but still. You get my point.

I’ve heard from a couple other acts who can’t announce yet but definitely have “April European tour plans,” and there are one or two other names I’m dying to see if they get added to the fest, but gadzooks, that’s a lotta Roadburn. All I can say is dig in, there’s a lot to catch up on:

skuggsja at roadburn 2015

Enslaved and Wardruna To Perform Skuggsjá, The Sound of Norway’s Norse History at Roadburn Festival 2015

Roadburn Festival 2015 Ticket Pre-Sales Start Thursday, Oct 16th 2014 at 21:00 CET; Pre-Sales Party at The 013 Venue (NL)

Bongripper, Floor, Sólstafir, Virus, White Hills, Messenger, Junius, Skeletonwitch, Svartidaudi, Mortals, The Osiris Club and Zoltan also confirmed for the 20th edition of Roadburn Festival.

We’re elated to announce that Enslaved and Wardruna will perform Skuggsjá, the sound of Norway’s Norse History at Houses of the Holistic, Ivar Bjørnson’s and Einar “Kvitrafn” Selvik’s curated Roadburn event on Friday, April 10 at the 013 venue in Tilburg, The Netherlands.

Written by Bjørnson and Selvik for the 200th anniversary of the Norwegian Constitution and premiered this past weekend at the Eidsivablot festival, this will be Skuggsjá’s first performance outside of Norway, and will certainly be one of the highlights of the 20th edition of Roadburn Festival.

Skuggsjá translates into ‘mirror’ or ‘reflection’ in the Norse language, and the commissioned piece not only contextualizes harder music’s role in the democracy in Norway in 2014, but also joins threads from the country’s ancient musical history and solidifies harder music’s position as Norway`s most important cultural export.

By highlighting ideas, traditions and instruments of their Norse past, Skuggsjá will tell the history of Norway and reflect relevant aspects from the past into the present day. In light of this they will reflect on themselves as a people and nation. In a magnificent tapestry of metal instrumentation, a wide variety of Norway and Scandinavia’s oldest instruments, and poetry in Proto-Scandinavian, Norse and Norwegian, Skuggsjá will be a fusion between past and present, both lyrically and musically.

We simply can’t wait to experience it ourselves, to hear how how Norwegian metal has developed from its rebellious roots into the highly acclaimed artistic expression of a complex music genre, under Norway’s constitutional right to freedom of speech.

In related news, Virus, Junius, Skeletonwitch, Svartidaudi and Icelandic heathens Sólstafir, who are currently making huge waves with their latest release, Ótta, are also confirmed for Houses of the Holistic, Ivar Bjørnson’s and Einar “Kvitrafn” Selvik’s curated Roadburn event on Friday, April 10 at the 013 venue.

Tickets for the 20th edition of Roadburn Festival, set for April 9 – 12 at the 013 venue in Tilburg, The Netherlands, will go on sale on Thursday, October 16, 2014. Set your alarm and get ready to score your tickets at 21:00 CET!

The majority of Roadburners live outside The Netherlands, which is why ticket pre-sales will start at 21:00 CET. This should be convenient for most time zones. Apologies to our friends in Oceania who will have to wake up early (or just stay up late)!

We are pleased to report that there will be NO price increase this year.Three-day tickets will be available for 165 Euros (excl. servicefees); four-day tickets will cost 185 Euros (excl. service fees). Afterburner-only tickets will cost 32.50 Euros (excl. service fees). Please note that one-day tickets are not available for the Thursday, Friday or Saturday Roadburn dates. Online buyers can order a maximum of four tickets.

For everyone in the Netherlands and Belgium: we are aware that your local ticket outlets will not be open when pre-sales start, which is why we are throwing another pre-sales party at the 013 venue in Tilburg (NL). From 19:00 CET – 20:30 CET you will be able to purchase a maximum of four paper tickets for Roadburn Festival 2015. Guaranteed!

In addition to making it easy to get tickets, the pre-sales party is going to be a blast! This year, we have invited The Machine and Radar Men From The Moon to provide the soundtrack.

The live music part of the evening starts at 20:30 CET. Roadburn’s artistic director/promoter Walter Hoeijmakers will be on hand to share the latest festival updates, too.

Chicago instrumental band Bongripper will make a welcome return to the 20th edition of Roadburn Festival with two sets that feature their unique brand of devastating doom. The first will see them play their latest album, Miserable, in its entirety at the main stage on Thursday, April 9. The second will be later that weekend (more info about the date to be determined).

If you are a fan of stellar riffs and molasses-thick distorted guitar tone, Floor has everything you want in music. These Floridian sludge/pop pioneers get a lot of comparisons to lead singer/guitarist Steve Brooks other band, Torche — and rightfully so — with his instantly recognizable singing style and guitar tone. Floor, however, is the essence of pure heaviness, with just a nod to the pop melodies that have spurred Torche on to crossover success. Come feel the downtuned thunder of Floor’s bassless power trio attack when Floor plays the main stage of the 013 venue at the 2015 Roadburn Festival on Thursday, April 9.

Combining many of the essential themes of Roadburn music in their volatile sonic elixir — psych, space rock, stoner rock, kraut rock and noise — have made White Hills one of Roadburn’s favorite bands. Their bespangled and energetic live shows have a life and chaotic energy of their own that reshapes their music and creates powerful sonic programming driven by pure energy, exactly the kind of thing that Roadburn celebrates, and fans seek. White Hills will make a very welcome return to Roadburn for a main stage performance on Sunday, April 12.

After winning the limelight category for the brightest young rising stars in the progressive sky today at this year’s Progressive Music Awards this past weekend, Messenger will bring their acid folk/prog and psychedelica to the 20th edition of Roadburn on Saturday, April 11.

Mortals, The Osiris Club and Zoltan have also been confirmed for the 20th edition of Roadburn Festival.

Curated by Ivar Bjørnson (Enslaved) and Wardruna‘s Einar “Kvitrafn” Selvik, Roadburn Festival 2015 (including Skuggsjá, Enslaved, Wardruna, Fields of the Nephilim, Claudio Simonetti’s Goblin performing Dawn of The Dead and Susperia in its entirety, Zombi, Sólstafir, White Hills, Bongipper, Floor and The Heads as Artist In Residence among others) will run for four days from Thursday, April 9 to Sunday, April 12 at the 013 venue in Tilburg, The Netherlands.

https://www.facebook.com/roadburnfestival
https://twitter.com/roadburnfest
roadburn.com

Skuggsjá teaser video

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Roadburn 2015: Mugstar, Coma Wall, Undersmile, Pyramidal and Domo Added to Lineup

Posted in Whathaveyou on September 11th, 2014 by H.P. Taskmaster

The only thing I find debatable about Arik Roper‘s poster art for Roadburn 2015 is whether or not it was ethical of him to use so much awesome in one sitting. It is a gluttony of awesome. We’re getting into the high season of lineup additions, which means over the next couple months, the festival will really start to take shape around the previously announced headliners, other headliners still to come, new acts, curated picks, and so on. So far it’s looking once again like the theme is diversity. Even between the groups most recently added — MugstarPyramidalDomoUndersmile and Coma Wall — there’s a huge stylistic variation. Hell, Undersmile and Coma Wall are on opposite ends of the spectrum alone, and they’re made up of the same people.

Here’s Roper‘s poster as big as I can make it on the page (click to make it bigger), and details on the newest bunch to join the Roadburn 2015 lineup, courtesy of the fest’s website:

Mugstar To Put Glistening And Outerworldly Sonic Glory On Display At Roadburn 2015

Heavily influenced by psychedelia, Krautrock and even Post Rock, Liverpool UK’s beloved Mugstar are in the vanguard of modern psych rock, just in case you were unfamiliar with them.

Infusing their brooding moodiness, minimal psych rock mesmerism and propulsive, hypnokraut grooves with seriously psychedelic ferocity has propelled Mugstar to stand alongside such well-regarded contemporaries as Circle, Bardo Pond and Oneida.

The band distil the wordless core of Hawkwind, Neu! and Sonic Youth and their highly recommended albums Sun Broken, Lime and Axis put transcendent, glistening and outerworldly sonic glory on display.

So, for Roadburn 2015, Mugstar will explode into an interstellar, total drugpsych tripout on Thursday, April 9 at the 013 venue, and we’re equally excited to announce that the band will also play the soundtrack to Ad Marginem on Saturday, April 11 at Het Patronaat in Tilburg, The Netherlands.

Pyramidal and Domo To Represent Spanish Heavy Psych at Roadburn Festival 2015

Spanish heavy psych has long been overdue at Roadburn, so we’re thrilled to announce that Pyramidal and Domo, both hailing from Alicante, will bring their stoner inspired heavy Space Rock with progressive and Krautrock leanings to the 20th edition of Roadburn Festival, set for April 9 -12 at the 013 venue in Tilburg, The Netherlands.

Channeling the undiluted spirit of King Crimson, Hawkwind and Neu! on debut album Dawn In Space, and critically acclaimed follow-up Frozen Galaxies, Pyramidal will take you to the farthest reaches of outer space, propelled by otherworldly sounds, obscure psychedelia and hypnotic grooves.

Domo harkens back to the heyday of the gonzoid power trio’s of the hazy late 60s and early 70s, anchored to heavy clouds of screaming, wah wah driven psychedelia. If you love (early) Gary Moore, or you’re a fan of Tony McPhee (like most of us at Roadburn), and massively worship The Groundhogs‘ Split, then Domo will be surely a must for you.

Word on the street is that Domo‘ S/T debut album will be finally released on vinyl soon.

Sirens Of Sludge Undersmile To Bring Doom And Despair To Roadburn 2015

Undersmile will bring their hypnotic, soul crushing blend of doom and despair to the 20th edition of Roadburn Festival on Saturday, April 11, 2015 at the 013 venue in Tilburg, The Netherlands.

Featuring the unique dual vocal interplay of singer-guitarists Hel Sterne and Taz Corona-Brown, Undersmile combine tortuously slow tempos, discord and stomach-churning melody to create an intense listening experience, both live and on record.

Having released an EP, three splits (with Caretaker, Bismuth and their own alter-egos, Coma Wall) and 2012’s epic debut album Narwhal, the band will be supporting their as-yet untitled second album which they will be previewing at the festival.

Prepare For Despair As Coma Wall Bring Acoustic Death Folk To Roadburn Festival 2015

Coma Wall, the acoustic alter-ego of Undersmile, will bring rustic downbeat blues and folk to the 20th edition of Roadburn Festival on Saturday, April 11, 2015 at the 013 venue in Tilburg, The Netherlands.

The very notion of unplugging a band as monstrously heavy and doomladen as Undersmile seemed almost ludicrous before we actually heard what it entailed, as the band replaced sludgy distortion with banjos and acoustic guitars in their alter ego Coma Wall guise.

Taz Corona-Brown and Hel Sterne’s haunting close harmony singing still brought a tingle to the spine as the band dredged southern gothic creeping dread and spectacularly outdid their electric selves on their split Wood & Wire EP (released by Shaman Recordings), bringing a bit of black sun gloom to sunny spring days and making for one of the most uncompromisingly powerful records to come out of Oxford (UK) in years.

Taking influence from artists such as Nick Cave, 16 Horsepower, Neutral Milk Hotel, Bob Dylan, Low, Mark Lanegan, Nirvana and Alice in Chains, Coma Wall will play songs from an upcoming EP, as well as tracks from Wood & Wire.

Roadburn Festival 2015 will run for four days from Thursday, April 9 to Sunday, April 12 at the 013 venue in Tilburg, The Netherlands.

http://www.arikroper.com/
http://www.roadburn.com/
https://www.facebook.com/roadburnfestival
https://twitter.com/roadburnfest

Mugstar, Ad Marginem (2012)

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Tank86 Unveil Cover Art for Obey

Posted in Whathaveyou on September 10th, 2014 by H.P. Taskmaster

tank86

Following up on 2011’s Rise, Netherlands-based instrumental foursome Tank86 are preparing to launch a Kickstarter in order to press their second album, Obey. I was pretty sure Shepard Fairey had a trademark on the word “obey” in block letters if not the word overall, but I guess the Tilburg outfit are within their rights on the new album’s cover, which they’ve newly unveiled. Or if not, you know, prepared for litigation.

Tank86 recorded the eight tracks for Obey this spring at Quarantine Studios and their plan is to put the whole deal out on vinyl presumably early in 2015, though I guess they could probably squeeze it in before the end of this year if the crowdfunding takes off. They teased the whole deal like such, and as you can see, they’re of about as few words as one might expect of an all-instrumental outfit. We can’t all be talkers.

Goes like this:

The final master of “OBEY” is done and approved by our four sets of bleeding ears. Great work by Brett of Tower Studios!

Currently we’re editing a crowdfund promovideo and finalizing all the other kickstarter thingies. There will be some very cool limited stuff up for grabs! Expect the kickstarter (with preview tracks!) to hit somewhere next week.

Meanwhile we present you the cover image of “OBEY” designed by the fine folks of Blacklake. Coming to you soon in full vinyl glory!

TANK86 released their debut album ‘Rise’ in 2011, which was well received by critics and fans all over the globe for it’s instrumental depth, high density of breackneck riffage and general instumental songwriting.

TANK86 has toured Europe with Dozer, played at the legendary roadburn festival and stood its ground alongside bands such as Monster Magnet, Pelican, Karma to Burn and The Sword.

https://www.facebook.com/TANK86
http://tank86.com/

Tank86, Rise (2011)

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Roadburn 2015: Claudio Simonetti’s Goblin, Zombi, Salem’s Pot and More Added to Lineup

Posted in Whathaveyou on September 4th, 2014 by H.P. Taskmaster

roadburn 2015

A huge slew of adds today to Roadburn 2015. I’m sure it’s happened at some point over the last however many years, but I can’t remember a time when so many acts joined a Roadburn bill at once. And as one would have to expect, they’re completely all over the place, from Claudio Simonetti’s Goblin doing two live soundtracks to Oozing Wound thrashing out and Salem’s Pot weed-worshiping their consciousness into oblivion. That’s really just the start of it, too.

And there’s more to come, of course. The PR wire has info:

goblin at roadburn 2015

CLAUDIO SIMONETTI’S GOBLIN TO PERFORM LIVE SCORE OF CULT HORROR CLASSICS DAWN OF THE DEAD AND SUSPIRIA AT ROADBURN 2015

ZOMBI, STEVE MOORE & MAJEURE TO PLAY ROADBURN FESTIVAL 2015

PROFETUS, DER WEG EINER FREIHEIT, SALEM’S POT, SAMMAL & OOZING WOUND ALSO CONFIRMED FOR THE 20th EDITION OF ROADBURN FESTIVAL

We’re extremely excited to announce that Claudio Simonetti’s Goblin will return to the 20th edition of Roadburn Festival, set for April 9 – 12 at the 013 venue in Tilburg, The Netherlands, to perform their much acclaimed movie soundtracks for the well-known cult-classic horror movies Dawn Of The Dead and Suspiria.

Led by Brazilian-born composer Claudio Simonetti, the band will perform the live scores in real time while screening both movies from start to finish, offering our beloved attendees the chance to experience these classic soundtracks and films in an entire new dimension.

This will be the first time that these soundtracks will be performed in The Netherlands and at Roadburn, following the band’s critically acclaimed performance at last year’s festival, when Claudio Simonetti’s Goblin were invited by curator Mikael Åkerfeldt.

Goblin’s scores for George A. Romero’s Dawn of the Dead (1978) and Dario Argento’s Suspiria (1977) rank among the best and most famous soundtracks composed and produced by these Italian progressive rock legends.

The much-anticipated performances will take place on the main stage at the 013 venue on Saturday, April 11 (Dawn of the Dead) and Sunday, April 12 (Suspiria).

We’re equally excited to announce that legendary kosmische Giallo synth duo Zombi will be playing an exclusive set at Roadburn 2015, appearing for the first time in Europe since a handful of festival appearances back in 2011.

Since first hitting the general consciousness with their Relapse 2004 debut album Cosmos, following a pair of EPs, and wowing fans and critics alike with 2011’s Escape Velocity, it could be argued that Zombi were the spearhead for the whole resurgence of interest in obscure film soundtracks and the music of artists such as Goblin, John Carpenter and Fabio Frizzi.

Zombi, AKA Messrs. Moore and Paterra will be opening up the stargate and heralding the zombie dawn on the main stage of the 013 venue on Saturday April 11 as a part of the 2015 20th edition of Roadburn and we couldn’t be more psyched to have them.

That, however, is not all we have in store for you, as we also have exclusive solo performances from Zombi braintrust Steve Moore and A E Paterra – performing under his Majeure identity – both of whom will be playing on the day before, Friday April 10 at Het Patronaat.

In related news: At long last, Profetus will be conjuring their classic Finnish funeral doom, worthy of comparision to Thergothon, Skepticism and Tyranny (with whom Profetus share members), when they play on Friday, April 10 at Het Patronaat, too!

In collaboration with Finland’s Blow Up That Gramophone, we can’t wait for Profetus, who rarely perform live, to slowly break down Het Patronaat by the full crashing weight and momentum of monolithic riffs, slow building drums, guttural vocals and sadly beautiful, but also penetrating church-organ-like synths.

Germany’s Der Weg Einer Freiheit offers a master class in dark, furious and epic black metal as they effortlessly mix blackened grandeur with post-rock sensibilities and classically influenced melodies to create their signature sound. Impatiently waiting for the follow up to 2012’s Unstille, we’ll be anticipating Der Weg Einer Freiheit’s Roadburn performance on Friday, April 10 at Het Patronaat just as much.

Firmly rooted in the red-eyed rituals of the heady ‘60s and dead ‘70s, and shabby, feverish catacomb 8mm smut by the likes of Jess Franco, Sweedens’ Salem’s Pot are clearly on the rise, channeling ultra-fuzzed acid-blues into psychotropic lo-fi doom.

These guys aren’t just some bogus, bong-worshipping, basement dwellers. Salem’s Pot accentuate these creepy vibes by smashing B-movie debauchery and vintage hedonism into a lysergic stomp through spooky reverberations and underground grime. You know what to do when Salem’s Pot will hit Roadburn 2015 on Thursday, April 9 at the 013 venue.

Founded in 2004 by guitarist Jura Salmi and vocalist Jan-Erik Kiviniemi, Sammal manages to capture a sense of golden moments in Finnish music. Touching on their culture and heart, and with lyrics sung entirely in Finnish, Sammal shows a masterful, natural command of classic rock with nods to Caravan, Thin Lizzy, Camel, Birth Control, Budgie and the epic guitar journeys of the Allman Brothers.

Though Sammal have existed for 10 years, they seldom play live gigs (let alone abroad) and in collaboration with Finland’s Blow Up That Gramophone, we are immensely excited to have them at the 20th edition of Roadburn Festival on Saturday, April 11 at the 013 venue.

Buckle up! Are you ready for some of the filthiest, snottiest, relentless and downright loud crossover thrash this side of early 80s Metallica, Slayer and Suicidal Tendencies? Then look no further, as Chi-town’s Oozing Wound are here to supercharge the 20th edition of Roadburn Festival on Saturday, April 11 at the 013 venue.

In related news: British gothic rock innovators Fields Of The Nephilim will be gracing the stage twice at the 20th edition of the Roadburn Festival. In addition to serving as the Saturday headliner on April 11, the band will perform a different set as special guests at Houses Of The Holistic on Friday, the special Roadburn event curated by Ivar Bjørnson (Enslaved) and Wardruna‘s Einar “Kvitrafn” Selvik, which will be held on Friday, April 10.

Once again, we captured the sounds of Roadburn Festival. While you were worming your way through a Green Room doorway jam, we were recording the jams inside. Now it’s time to kick back and relax and just listen. The VPRO’s 3voor12, which is the best cultural media network in the Netherlands, is making it possible to share these 2014 Roadburn streams with you here.

Curated by Ivar Bjørnson (Enslaved) and Wardruna‘s Einar “Kvitrafn” Selvik, Roadburn Festival 2015 (including The Heads as Artist In Residence, Enslaved, Wardruna, Claudio Simonetti’s Goblin, Zombi and Fields of the Nephilim among others) will run for four days from Thursday, April 9 to Sunday, April 12 at the 013 venue in Tilburg, The Netherlands.

https://twitter.com/roadburnfest
http://www.roadburn.com/
https://www.facebook.com/roadburnfestival

Goblin, “Dawn of the Dead Theme”

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Roadburn 2015: Fields of the Nephilim, Monolord and Electric Citizen Added to Lineup

Posted in Whathaveyou on August 29th, 2014 by H.P. Taskmaster

And so it begins: The great barrage of festival announcements. Things won’t really pick up until the winter — which is fortunate since nothing else will be going on at that time — but already RoadburnDesertfestFreak Valley and others have begun to leak confirmed names from their 2015 lineups, and already I can’t keep up with all of it. I’m not sure which if any of the above I’ll be able to attend next year, but the news is still relevant even if I don’t make it, so I’ll continue to do my best to stay on top of it.

In the case of Roadburn, their now-years-long push into aesthetic diversity seems to be hitting new heights via their partnership with Enslaved and Wardruna for a curated event dubbed “Houses of the Holistic.” The news that Fields of the Nephilim will take part in that event came out yesterday and was received with much appropriately gothic cooing. Also reaffirming their commitment to the riff, RidingEasy Records upstarts Monolord and Electric Citizen have also been added, so as ever, Roadburn‘s got a little bit of everything going already, and only more to come.

Snagged this off the PR wire:

fields of the nephilim roadburn 2015

FIELDS OF THE NEPHILIM TO PLAY TWO EXCLUSIVE SHOWS AT ROADBURN FESTIVAL 2015

We are honored to announce that British gothic rock innovators Fields Of The Nephilim will be gracing the stage twice at the 20th edition of the Roadburn Festival atthe 013 venue in Tilburg, The Netherlands. In addition to serving as the Saturday headliner on April 11, 2015, the band will perform a different set as special guests at ‘Houses Of The Holistic’ on Friday, the special Roadburn event curated by Ivar Bjørnson (Enslaved) and Wardruna’s Einar “Kvitrafn” Selvik, which will be held on Friday, April 10.

Currently 30 years into a groundbreaking career, Fields of the Nephilim have had a major impact on an entire generation of musicians and music fans. Led by singer Carl McCoy, the Stevenage, England band fused the darker elements of post-punk with more overtly American sounds such as blues and outlaw country, creating a sound that was gritty, grandiose, and menacing, unlike anything that was made before or since. Such classic albums as Dawnrazor, The Nephilim, and Elizium helped shape the goth subculture, but at the same time played a profound role in influencing a wide array of today’s music, ranging from indie, to occult rock, to metal. Such contemporary bands as Watain, Katatonia, Horseback, and Enslaved cite the Nephilim as a major influence.

“Fields of the Nephilim has accepted our invitation for our “Houses of the Holistic” at Roadburn 2015. Bleep! Anything I say after that sentence is going to seem insignificant in comparison, so no pressure for once,” says Bjørnson, “I’ve been a avid fan of Carl McCoy and Fields of the Nephilim since I was introduced to them during the early years of Enslaved; and they have remained a constant source of inspiration ever since (check out the song ‘Nordlys’ from our Scion-EP ‘The Sleeping Gods’, for instance). Having these absolute masters of sublime Music from the Shadows as very special guests at our curated event is as big as it gets; April 2015 just can’t come fast enough! Aaaaaarrrrggghhh!”

Comments Selvik: “The basic idea of our ‘Houses of the Holistic’ is of course about inviting bands we find interesting and would love to see perform but it is also about creating an event that at the same time says something about what shaped and inspired us on our own creative path – AND – since the authors of the poetic Edda are long since gone I personally have difficulty thinking of a more fitting band than Fields of the Nephilim to give voice to that idea.”

We at Roadburn have been huge supporters monolord roadburn 2015of Fields Of The Nephilim since the Dawnrazor album in 1987, and with their influence looming large over so many acts that have played at our festival over the years, hosting these two special performances at Roadburn 2015 couldn’t be more appropriate.

In related news: In keeping with our tradition of bringing you the finest rock ‘n’ roll ceremony of occultish, Sabbathian shades and sounds, we’re thrilled to announce that Ohio’s Electric Citizen will play on Saturday, April 11. Sweden’s hotly-tipped psychedelic stoner sludge outfit Monolord (as in lords of monolithic riffing) will bring their massive mesmeric, speaker-rumbling amplifier worship to Roadburn Festival 2015 on Thursday, April 9.

Roadburn Festival 2015 (including The Heads as Artist In Residence, Enslaved and Wardruna among others) will run for four days from Thursday, April 9 to Sunday, April 12 at the 013 venue in Tilburg, The Netherlands.

http://www.roadburn.com/
https://twitter.com/roadburnfest
https://www.facebook.com/roadburnfestival

Monolord, Empress Rising (2014)

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Roadburn 2015 Curators Announced

Posted in Whathaveyou on July 23rd, 2014 by H.P. Taskmaster

Here’s what I know: I know that between having Enslaved‘s Ivar Bjørnson and Wardruna‘s Einar Kvitrafn Selvik curating and having The Heads as artist-in-residence, Roadburn 2015 is going to make for one adventurous weekend. The craziest thing about it? It’ll totally work. It’ll be amazing. Don’t doubt it. At this point Roadburn‘s vibe is so dead-on that if, say, you want to have a day hand-picked by dudes in black and folk metal bands while off in a corner somewhere there’s a handful of British psych rockers jamming out, rest assured, the crowd’s gonna have no problem rolling with the spirit of the event. Further, it’s stuff like this that makes Roadburn what it is.

Looking forward particularly to seeing what Bjørnson adds to his curated day, since my understanding is he’s into heavy rock of various stripes, but special performances by both Enslaved and Wardruna as a part of the evening’s events is an excellent way to start while we wait for further announcements.

Dig it:

IVAR BJØRNSON OF ENSLAVED AND WARDRUNA’S EINAR KVITRAFN SELVIK TO CURATE ROADBURN FESTIVAL 2015

(Special shows by Enslaved and Wardruna)

We’re beyond thrilled to announce that Ivar Bjørnson of Enslaved and Wardruna’s Einar Kvitrafn Selvik will curate the 20th edition of Roadburn Festival, on Friday, April 10, 2015 at the 013 venue in Tilburg, The Netherlands.

As curators, both Ivar and Einar will personally select the bands for their curated Roadburn event, named ‘Houses of the Holistic’, and play special shows with Enslaved and Wardruna respectively as well.

The Norwegian pair, both former Roadburn performers, have played an important role in bringing together the past, present and future sounds of hard rock, progressive metal, and alternative scenes, which makes them the ideal choice to carry on the tradition that began in 2008 with David Tibet of Current 93, and continued with Neurosis, Tom G. Warrior, Sunn 0))), Voivod, Jus Oborn of Electric Wizard and Mikael Åkerfeldt of Opeth.

One of the most hard-hitting and progressive bands to come out of Norway, Enslaved has drawn other musical genres and artistic expressions into the realm of metal, while being recognized for merging tradition and modernity in a unique blend of rock, prog and black metal, earning them Spellemann Awards (Norwegian Grammys) for much acclaimed and groundbreaking albums such as ‘Isa’, ‘Ruun’, and ‘Vertebrae’ among others.

Enslaved’s performance, dubbed ‘House of Northern Gods’, will consist of a set list specially put together for ‘Houses of the Holistic’, featuring songs from the band’s entire catalogue that embody the Norse gods, with accompanying visuals created by revered Romanian artist, Costin Chioreanu. Be prepared for a surprise or two, or even more.

Ivar Bjørnson comments: “To say that my dream as a kid was to one day curate the Roadburn Festival would perhaps be to take it a tad too far – but it isn’t that far from the truth. There’s some ridiculously big shoes to fill, but luckily negative pressure, idea draught and performance anxiety aren’t something I’m into. It is my favourite festival in one of my favourite parts of the world; so this is nothing short of one the biggest honours I’ve been given! It is a privilege to undertake this challenge in twosome with Einar; an artist I truly feel in tune with artistically and philosophically – now it is all about hard work and dedication to ensure that the audience and the festival itself is given a Friday to enjoy, experience and remember. I for one can’t wait!”

Winning the award for Best Underground Band at the 2104 Metal Hammer Golden Gods Awards, Wardruna has taken Einar Kvitrafn Selvik’s musical visions out of the contemporary framework and back into the authentic sounds and instrumentation of ancient Northern Europe. Wardruna (featuring Gaahl and Lindy Fay Hella, alongside Einar) received rave reviews for their mesmerizing 2009 debut ‘Gap Var Ginnunga’ and equally exciting follow up, ‘Yggdrasil’, the first two albums in the planned ‘Runaljod’ trilogy that interprets the ancient runic alphabet of the Elder Futhark.

Wardruna’s special ‘Houses of the Holistic’ performance will definitely add another dimension to the kaleidoscope of styles and sounds associated with Roadburn.

“It is such a great honour for me; to be awarded the responsibility of carrying out the traditional role of the Roadburn curator”, says Einar Kvitrafn Selvik. “Doing it together with Ivar makes it even more special. Roadburn is in my opinion such a high-level music festival – all quality to the fingertips. It is also a festival where presenting high quality musical art is more important than anything else, such as genre distinctions and scene divisions. We will work hard to deliver a program that both explore territories one has come to expect at Roadburn, while at the same time continue to expand its boundaries into new sonic realms.”

While the two curators’ musical output differs instrumentally and stylistically, Bjørnson and Selvik have a common direction towards the primeval and undiluted, not only in their own artistic expressions but also in their taste for other music, which is ultimately what they wish to present at Roadburn 2015 during ‘Houses of the Holistic’. We look forward to this collaboration and cannot wait to see how both Ivar and Einar will expand Roadburn Festival‘s musical horizons as well as explore more familiar territory from new angles. We will definitely be in for some artistic surprises, and Norway’s Norse history, too!

Roadburn Festival 2015 (including The Heads as Artist In Residence) will run for four days from Thursday, April 9 to Sunday, April 12 at the 013 venue in Tilburg, The Netherlands.

http://www.roadburn.com/
https://www.facebook.com/events/706789836026950/

Enslaved, “Thoughts Like Hammers” official video

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Roadburn 2014: Sets from Harsh Toke, YOB, Indian, Horse Latitudes, Morne, The Vintage Caravan, Obliteration and Lord Dying Available to Stream

Posted in audiObelisk on July 16th, 2014 by H.P. Taskmaster

It’s a formidable batch of streams this time around from Roadburn 2014, with YOB‘s The Great Cessation played in its entirety, and gigs from Indian, who by all accounts killed at the fest, Morne, ditto, Lord Dying and more. For me though, like the first batch with their Lenny Kaye jam, the highlight is probably Harsh Toke. They were my find of the fest. When their Light up and Live album came out in 2013 on Tee Pee, I guess I didn’t pay enough attention and missed it, but after seeing them with the aforementioned Mr. Kaye, I knew there was no way I was going to let their set at the Afterburner pass without watching at least for a little bit.

As such, the San Diego jam-rippers were how I closed out Roadburn 2014, stopping by the Green Room to watch them tear into heavy psych fluidity as though you could actually tear into something fluid. Killer band. I’ve spent much time with Light up and Live since April, and I’m glad to have the chance — thanks, as always, to Marcel van de Vondervoort and his crew — to relive their show. That’s not to mention YOB doing The Great Cessation, which was hypnotic to the point of being trance-inducing, and Morne and Indian and The Vintage CaravanLord Dying and Obliteration, the last two adding a malevolent, lurching extremity. Very cool mix.

No big surprise there, I guess, since the festival has become so eclectic. Plenty to dig into here so I won’t delay further:

Harsh Toke – Live at Roadburn 2014

Horse Latitudes – Live at Roadburn 2014

Indian – Live at Roadburn 2014

Lord Dying – Live at Roadburn 2014

Morne – Live at Roadburn 2014

Obliteration – Live at Roadburn 2014

The Vintage Caravan – Live at Roadburn 2014 (Friday, April 11th)

Yob – Live at Roadburn 2014 (The Great Cessation)

Thanks to Walter and Roadburn for letting me host the streams. The first and second batches are still available as well, and for all of the Roadburn 2014 coverage, click here.

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The Heads Named Artists in Residence for Roadburn 2015

Posted in Whathaveyou on July 10th, 2014 by H.P. Taskmaster

It was a bummer this year when UK psych legends The Heads bowed out of their appearance at the Roadburn festival in Tilburg, the Netherlands, but if year-to-year Roadburn has proved anything, it’s never count out the fest’s ability to make up for any lost ground. Oh, you’ve got a volcano grounding flights so people can’t get to play their sets? Bring them over next year and give them better slots. The Heads can’t play in 2014? Well, bring them over in 2015 and make them artists in residence, playing multiple sets that include Paul Allen in the mix and come on the heels of a reissue of their landmark second album, Everybody Knows We Got Nowhere, on their own Rooster Records.

That reissue is due out Sept. 28 in deluxe form — it’s a 2CD or 5LP, take your pick — and for the 20th Roadburn, it’s hard to think of a better way for the festival’s spirit to be embodied than to bring back The Heads for another go in even grander fashion.

Dig it:

THE HEADS (ALLEN, MASKELL, MORGAN, PRICE) – ARTIST IN RESIDENCE ROADBURN FESTIVAL 2015

We’re elated to announce that The Heads (Allen, Maskell, Morgan, Price) will return to Roadburn, their spiritual home in Europe, to follow in the footsteps of Enslaved, Circle, Justin K Broadrick and Neige (Alcest) as Artist In Residence at the 2015 festival (the 20th edition), set for April 9 – 12 at the 013 venue in Tilburg, The Netherlands.

For this very rare appearance, Paul Allen (Prof) is back in on lead guitar, completing the circle. All of the band members have been busy, Simon, Wayne and Hugo with Kandodo, Paul with Anthroprophh, and in the past year Wayne and (now) Hugo have joined Loop.

Meanwhile, The Heads reissue campaign rolls onwards, with the re-release of their second album “Everybody Knows we Got Nowhere” on their label, Rooster Records.

As Artist In Residence, The Heads will play separate sets over the course of Roadburn 2015. The first will be Kandodo and Anthroprophh, followed by a one-off collaborative freakout with a fellow traveller (TBC).

The band’s residency will culminate in some serious wigged out riffmongery and the melding point of amped-up space rock with blistering krautrock workouts on the main stage on Saturday, April 11.

At last, The Heads will turn their amps up once more and they will pummel the ears and minds of all who bear witness!

https://www.facebook.com/roadburnfestival
https://www.facebook.com/pages/The-Heads/282801075465

The Heads, “Long Gone” from Everybody Knows We Got Nowhere

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Menhir’s Uberlith II Tape Available to Preorder

Posted in Whathaveyou on July 4th, 2014 by H.P. Taskmaster

I’m not even sure how the logistics on this one work. There are to be 50 copies of Dutch trio Menhir‘s Uberlith II EP released by Tartarus Tapes on Aug. 5, and they’re available now for preorder. That part is pretty straightforward. I guess what I’m getting hung up on is the fact that said cassette will arrive encased in a plaster brick, which the buyer will then have to break open — gently, presumably — in order to free the tape itself and make it available for listening. Practical? No. No it is not. Unique? Yes indeed.

The socially conscious — if their choices of samples are anything to go by, anyway — burl-rocking three-piece which features bassist/vocalist Arjan van Dalen, bassist/vocalist Frank de Boer and drummer Sven Jurgens (the latter two also of Ortega), self-recorded Uberlith II and released it late last year on handmade mini-CDs (which they sold out), so it would seem they have a thing for stylized packaging. If nothing else, a plaster brick certainly qualifies as that.

Menhir also released a video for the opener “Mt. Aloha” from the EP last year that can be seen here. Along with notes for preorders from O and Bitcho, Tartarus sent this info on Uberlith II down the PR wire:

TAR036 Menhir – Uberlith II

Around the corner of Queens Of The Stone Age and next to the village of Asterix live the three-piece that is Menhir. It’s a well-picked name for a band that is often described to be ‘as solid as a rock’. Adjectives like ‘heavy, big-ass and overwhelming’ are also often used, thanks to the use of two bass players and one drummer. Formed in 2012 they play a brutal mix of southern and stoner rock. (Feat. members of Ortega).

Edition of 50 tapes
Encased in a solid plaster brick.

NOTE: You will need to break the packaging to get the tape out! Breaking the case is at your own risk!!

http://tartarusrecords.com/album/uberlith-ii
https://www.facebook.com/Menhirband

Menhir, Uberlith II (2014)

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Roadburn 2014: Sets from Bong, Age of Taurus, Windhand, Samothrace, Noothgrush, Brutus, Whitehorse and Regarde les Hommes Tomber Available to Stream

Posted in audiObelisk on June 18th, 2014 by H.P. Taskmaster

One of the things I enjoy most about these Roadburn streams every year is that not only do they allow the people who were there to relive the awesome (and in many cases, fuzzy) memories of seeing these bands, but they allow everyone, whether they were there or not, to get a glimpse at some of what they didn’t get to see. Because you can try your damnedest to catch everything at Roadburn every year — I know I have on the years I’ve been fortunate enough to go — but it’s just not going to happen. At any point during the three days of the fest-proper, there are at least four stages running simultaneously, and there’s just no way to be everywhere at once. I saw Noothgrush at Roadburn 2014, but I missed Brutus, saw Samothrace and missed Windhand.

With the audio streams — diligently recorded at Roadburn 2014 by Marcel van de Vondervoort and his team, as ever — that doesn’t matter. It would be something if the fest set up a security system for the audio one of these years that you had to be there to hear it (actually it would suck, aside from being a logistical/coding nightmare), but fortunately that’s not the case, and whether you were at the 013 or in the Netherlands or not, you can enjoy the fruits of Roadburn‘s considerable labors. If it sounds utopian, it is.

To listen and enjoy:

Age of Taurus – Live at Roadburn 2014

Bong – Live at Roadburn 2014

Brutus – Live at Roadburn 2014

Noothgrush – Live at Roadburn 2014

Regarde Les Hommes Tomber – Live at Roadburn 2014

Samothrace – Live at Roadburn 2014

Whitehorse – Live at Roadburn 2014

Windhand – Live at Roadburn 2014

Thanks as always to Walter and the Roadburn crew for allowing me to host the streams. The first batch is still available as well, and for all of the Roadburn 2014 coverage, click here.

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Wooden Shjips, Gnod, The Cosmic Dead, Weird Owl and More to Play Eindhoven Psych Lab on June 6 & 7

Posted in Whathaveyou on May 20th, 2014 by H.P. Taskmaster

Call me a glutton for self-punishment for constantly dangling kickass European festivals in front of my own face that I’ll never in a million years be able to attend if you want, I doubt it’ll stop me from doing it. Whilst I torture myself with visions of being able to catch the jammy likes of The Cosmic Dead or Wooden Shjips at the Effenaar in beautiful Eindhoven, you can get the rest of the info from theEindhoven Psych Labfest, which will kick off its first installment on June 6.

Two days, much swirl:

EINDHOVEN PSYCH LAB

6 + 7 JUNE 2014 – EFFENAAR / EINDHOVEN / THE NETHERLANDS
2 DAYS / 30+ BANDS / 2 INDOOR STAGES AND A GARDEN
PRESENTED BY LIVERPOOL INTERNATIONAL FESTIVAL OF PSYCHEDELIA & EFFENAAR

Eindhoven’s Effenaar music venue and Liverpool International Festival Of Psychedelia and are thrilled to announce EINDHOVEN PSYCH LAB on 6 + 7 June 2014. Eindhoven Psych Lab is a new European festival, located in the Netherlands and established to explore and showcase the futuristic sights and sounds of the modern psychedelic condition.

Line up:

Friday:
Friday (doors open at 4.30 pm untill 4.00 am):
Cosmonauts (USA) / Crows (UK) / Great Ytene (UK) / Hookworms (UK) / Nisennenmondai (JAP) / Peter J Taylor (UK) / Spectrum (UK) / The Oscillation (UK) / Wooden Shjips (USA) / Gnod (UK) / Teeth of The Sea (UK) / Lay Llamas (IT) / Anthroprophh (UK) / Terminal Cheesecake (UK)
DJ’s: Liverpool Pzyk Pzoundsystem / Bernie Connor’s Sound of Music / Chris Rocket / Walter Roadburn

Saturday:
Saturday (doors open at 2.00 pm until 4.00 am):
Dans Dans (B) / Disappears (USA) / Elephant Stone (CAN) / Föllakzoid (Chile) / Mugstar (UK) / Night Beats (USA) / Pink Mountaintops (USA) / Suuns (CAN) / Terakaft (Mali) / The Growlers (USA) / Weird Owl (USA) / Sonic Jesus (IT) / Cosmic Dead (UK) / Wall of Death (FR) / Radar Men From the Moon (NL) / The Underground Youth (UK) / The Wands (DK) / The Woken Trees (DK)
DJ’s: Al Lover (USA) / DJ Fitz (IE) / Wiekes (Le Guess Who) / dj .bOb / Pomponette
http://www.eindhovenpsychlab.com/line-up

Tickets:
Weekend tickets: € 62,50 or £52,-
Day tickets: € 35,00
Weekend including hotel for two people early bird: € 235,- or £195
Weekend including hotel for two people € 270,- or £225,-
http://www.eindhovenpsychlab.com/tickets-accomodation/

Website: http://www.eindhovenpsychlab.com
Facebook: https://www.facebook.com/eindhovenpsychlab

Wooden Shjips, “Back to Land” official video

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Behind the Scenes at Roadburn 2014 with Mr. Roadburn

Posted in Bootleg Theater on May 13th, 2014 by H.P. Taskmaster

There are a lot of people out there with a vision. Anyone with a targeted daydream can claim to have one. Whatever it is you dream of doing. I dream of owning and running a venue. I can see it in my head, how it comes together, the people there, the music playing, all of it. That’s my dream. I’m working toward it, but it’s not anywhere close to being a reality at this point. That’s where most people are. Walter Hoeijmakers (Obelisk questionnaire here) is on the other end of it — that rare person who has taken his vision, made it real, and continues to work with unmatched drive in refining and remaking his dream.

I’ve spoken at length before in admiration of what Walter does and all he continues to accomplish with the annual Roadburn festival in Tilburg, the Netherlands. It’s not just him — there’s Jurgen, Yvonne, the 013 crew, many, many people — but he’s widely regarded as the driving force, and his passion and heart reside at the core of what Roadburn has become. I’m not exaggerating when I tell you Roadburn has changed my life and changed the way I experience music every single day. In many ways, it has been the anchor of my last six years, and I was so, so happy to be there again in 2014.

When I arrived at the 013 for this year’s fest, and was greeted by Walter, the first thing I saw was the camera crew from Vice/Noisey filming the Mr. Roadburn documentary. I hadn’t slept, was unshowered, could barely keep my head up, but there was Walter, guru-calm in being unphased by the familiar stresses of the festival that was about to launch. Comment from Walter himself, as well as those playing and attending the fest (because even when you play, you also attend), it’s a good look at somebody whose work has genuinely contributed to the course of underground heavy music for more than the last decade, and someone whose influence runs toe-to-toe with any artist against whom you might want to measure. I know that when it comes to my own daydreams, he’s a major inspiration.

Enjoy:

Mr. Roadburn documentary

Mr. Roadburn at Vice/Noisey

Roadburn Festival

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Shaking Godspeed Post “Future Boogie” Video; New Album Due this Fall

Posted in Bootleg Theater on May 8th, 2014 by H.P. Taskmaster

Based out of Nijmegen in the Netherlands, the heavy rocking four-piece Shaking Godspeed released their last full-length on Drakkar Records in 2013. Hoera and Awe combined two prior releases — Hoera and Awe, go figure — into one double-album that was a solid listen and emphasized the quality of songwriting in Shaking Godspeed‘s approach, but might’ve been a bit much for listeners just getting on board. Their current single, the Future Boogie b/w Tombstone Talk 7″ on Suburban Records, pressed in cardboard sleeves with hand-screened logos on the cover, makes for a much more gradual introduction.

The song reportedly (and by that I mean according to the band and I don’t think they’d lie about this kind of thing) deals with themes of technology and the seemingly inevitable advent of artificial intelligence. Presumably that’s what the young lady in the video is running from and is eventually overtaken by, her eyes going black as she becomes a hybrid android/human. Fair enough. “Future Boogie” will feature on Shaking Godspeed‘s forthcoming long-player, Welcome Back Wolf, which is set to release this fall, and the single will be officially released on May 10. Preorder link and more info follows the clip below.

Enjoy:

Shaking Godspeed, “Future Boogie” official video

Future Boogie is available as a 7” vinyl single via Suburban: http://tinyurl.com/nha7mul

The song is also featured on the forthcoming album Welcome Back Wolf by Shaking Godspeed. To be released September 2014.

Heavily inspired by The singularity is near (Ray Kurzweil) they wrote the song Future Boogie. This book sketches the end of the human race as we know it and the birth of the hybrid technologic new human being in 2045. No sci-fi, but soon to be reality!

Fascinated by all the new technological and cultural developments the group understood that keep hanging in the past, old heroes and rusty opinions are almost an insult to their brains. Their new album Welcome Back Wolf, recorded live in a deserted factory, provides ground to Shaking Godspeed’s own slightly deranged views and sincere emotions.

Shaking Godspeed’s website

Shaking Godspeed on Thee Facebooks

Shaking Godspeed on Twitter

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Pendejo Release New Album Atacames

Posted in Whathaveyou on April 25th, 2014 by H.P. Taskmaster

What I like about the video for Pendejo‘s “Dos” at the bottom of this post is that when the main character makes a robot, first of all, he gives it long hair, and second, they totally hang out. There’s no immediate animosity, it’s just some weirdo mad scientist who wants to bro down so he builds a brobot with which to do so. They go get drinks. It’s not until they can’t decide who gets the last beer that machine and man collide in a battle that many would say was inevitable anyway. It’s a cool clip, and the psyched-out trumpet-as-guitar adds an individual touch to the Amsterdam-based four-piece’s otherwise definitively stoner sound.

I suppose I got sidetracked from the original news, which is that Pendejo‘s new album, Atacames – on which “Dos” appears — is released as of today, but it’s all feeding into my recent theory that nobody reads the stuff on top of the PR wire whathaveyou so I can basically say anything I want to up here. To a point, anyhow.

Here’s the news for your blues:

Pendejo Atacames Out Today

¡PENDEJO! is a four-piece heavy rock band from the Netherlands, founded by two cousins with a history in Latin America. Digging into their latino roots, El Pastuso and Jaap ‘Monchito’ Melman started blending heavy riffage, pounding drums, right-in-your-face lyrics in urban Spanish about the weirdest stories in life, and to top it all off, a screaming trumpet. Sounds pendejo, right?

‘Cantos a la Vida’ (2010), the band’s first full length album, was firstly released in Spain and got stunningly positive reviews there. Their music has been described as heavy, addictive, rough and grooving, or as a Spanish critic so eloquently put it: “Heavy rock in Spanish with balls the size of Danny de Vito”. Having played mostly in the underground scene throughout Europe and Latin America – and sharing stages with influential heavyweights like Fu Manchu and Karma to Burn – the band puts on a show for anyone who is not afraid to be grabbed by the cojones and to be thrown into a spicy puddle of chile con carne.

¡PENDEJO! recorded its second full-length album ‘ATACAMES’ with producer Pieter Kloos in The Void Studio in Eindhoven, The Netherlands. Kloos, who previously worked with bands like Motorpsycho, Barkmarket and Ween, and with Dutch heavy acts like Peter Pan Speedrock and 35007, convinced the band to record their album the old fashioned way, recording most of the material live. This resulted in a daring album containing 10 songs ranging from heavy to lighthearted, and from melodramatic to outright aggressive.

¡PENDEJO! are:
El Pastuso – Vocals, Trumpet
Jaap ‘Monchito’ Melman (Bitcho, ex-Dreadlock Pussy, ex-Revamp) – Guitar
Stef ‘El Rojo’ Gubbels – Bass, Backing Vocals
Jos ‘Pepellín’ Roosen – (ex-Dreadlock Pussy, ex-Viberider) – Drums

www.pendejoband.com
www.facebook.com/pendejoband

Pendejo, “Dos” official video

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