Electric Funeral Fest 2017 Announces Corky Laing’s Mountain to Headline

Posted in Whathaveyou on April 3rd, 2017 by JJ Koczan

Acid King and Mountain as headliners? Look, I was pretty much sold on the notion of Electric Funeral Fest 2017 anyway, but it’s not like adding Corky Laing and a bunch of other dudes playing Mountain classics hurts. The festival is set for this June in the Mile High city of Denver, Colorado, and in addition to those two it features a swath of righteous acts from the West Coast, the Midwest, the South and the East, pulling in various kind of heavy from doom to sludge to classic rock and roll in what’s an obviously well curated environment. If I could go, I’d be there in a heartbeat.

Some of the below was posted previously, but I want to reiterate to underscore the point. If you’re in this part of the world, you should fucking go to this. Events like this deserve your support and they deserve to continue to flourish and grow. Don’t suck. Go and have a good time. That’s my piece. I’ve said it.

Info follows:

denver-electric-funeral-fest-2017

“Honored to announce the headliner of Day 1 at Electric Funeral Fest is current iteration of iconic rock band, MOUNTAIN. Original drummer Corky Laing has teamed up with a band to play Mountain hits from the early ’70s. It is a true pleasure to host a legend from the era that started it all.

Electric Funeral will once again be happening in the South Broadway district of Denver. Anyone that is familiar with Denver knows that S. Broadway is one of the greatest neighborhoods this city has to offer. In our second year of this event, we have added a second stage at Hi Dive. Hi Dive is across the street from 3 Kings Tavern and easily one of the greatest places to party in Denver.

There is also no shortage of other great bars and restaurants in the area for attendees to visit if they need a break from head-banging. Although both stages are indoors, this will feel like just as much of an outdoor event as people go back and forth between the two venues that will run simultaneously through both evenings. Hey hey, my my, rock n’ roll sure ain’t fuckin’ dying in Denver!

Electric Funeral Fest 2017 – Friday June 16th & Saturday June 17th
Location: Denver, CO @ Hi Dive & 3 Kings Tavern

LINEUP

Friday June 16
Headliner: Corky Laing’s Mountain
Support: Sourvein, Slow Season, Goya, R.I.P., The Well, Glitter Wizard, Monarch, Muscle Beach, The Munsens, Communion, Lords of Beacon House, Greenbeard, Oryx, Smokey Mirror, High on the Mountain

Saturday June 17
Headliner: Acid King
Support: Electric Citizen, The Heavy Eyes, Destroyer of Light, Crypt Trip, Cloud Catcher, Love Gang, Barrows, Great Electric Quest, Red Wizard, Banquet, Ocelot (performing as Feather Stone), Jagged Mouth, Pueblo Escobar, Urn

Flier art by Christina Hunt
Flier layout by Keith Dreissen

www.electricfuneralfest.eventbrite.com
https://www.facebook.com/dustpresents/
https://www.facebook.com/events/1810211735896531/

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Electric Funeral Fest 2017 Announces Lineup; Limited Early Tickets Available

Posted in Whathaveyou on February 23rd, 2017 by JJ Koczan

Today, Denver’s Electric Funeral Fest 2017 reveals Acid King will headline and the likes of Sourvein, Slow Season, Goya, Electric Citizen, Destroyer of Light, The Well, Cloud Catcher, Oryx and many more will appear. Limited early tickets — there seem to be 40 — are on sale as of right this second.

One headliner is still TBA, but even so, it’s a remarkably ambitious return for Electric Funeral Fest, which had its first showing in 2016. Put on by DUST Presents, it finds hometown representation through The Munsens, Love Gang, Oryx, and Cloud Catcher, likely among others, and reaches far and wide in filling out an impressive roster of acts. To be perfectly blunt about it, it looks fucking awesome.

The fest was kind enough to let me host this initial lineup announcement, and below, organizer Shaun Goodwin gives some background on the area where it will take place across two venues and the vibe they’re shooting for with Electric Funeral Fest 2017.

Dig it:

electric-funeral-fest-2017-poster

Electric Funeral Fest 2017 – Friday June 16th & Saturday June 17th

Location: Denver, CO @ Hi Dive & 3 Kings Tavern

Tickets: www.electricfuneralfest.eventbrite.com
– There will be 40 early bird discounted 2-day passes available at $49
– After those are sold, presale 2-day passes are $59
– 1 day passes are $32

Electric Funeral will once again be happening in the South Broadway district of Denver. Anyone that is familiar with Denver knows that S. Broadway is one of the greatest neighborhoods this city has to offer. In our second year of this event, we have added a second stage at Hi Dive. Hi Dive is across the street from 3 Kings Tavern and easily one of the greatest places to party in Denver.

There is also no shortage of other great bars and restaurants in the area for attendees to visit if they need a break from head-banging. Although both stages are indoors, this will feel like just as much of an outdoor event as people go back and forth between the two venues that will run simultaneously through both evenings. Hey hey, my my, rock n’ roll sure ain’t fuckin’ dying in Denver!

LINEUP

Friday June 16
Headliner: TBA
Support: Sourvein, Slow Season, Goya, R.I.P., The Well, Glitter Wizard, Monarch, Muscle Beach, The Munsens, Communion, Lords of Beacon House, Greenbeard, Oryx, Smokey Mirror, High on the Mountain

Saturday June 17
Headliner: Acid King
Support: Electric Citizen, The Heavy Eyes, Destroyer of Light, Crypt Trip, Cloud Catcher, Love Gang, Barrows, Great Electric Quest, Red Wizard, Banquet, Ocelot (performing as Feather Stone), Jagged Mouth, Pueblo Escobar, Urn

Flier art by Christina Hunt
Flier layout by Keith Dreissen

www.electricfuneralfest.eventbrite.com
https://www.facebook.com/dustpresents/
https://www.facebook.com/events/1810211735896531/

Goya, “Misanthropy on High” live at Electric Funeral Fest 2016

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Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

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The Munsens on Tour Starting this Week

Posted in Whathaveyou on January 10th, 2017 by JJ Koczan

THE MUNSENS

If you’re gonna go, go in style. It’s an ethic that riffy Denver trio The Munsens seem to have taken to heart. I don’t know what they’ll be riding around on this West Coast tour supporting their Nov. 2016 EP, Abbey Rose (review here), and that’s not really what I’m talking about. I’m talking about playing with some frickin’ awesome bands as they go from town to town. Look at that Long Beach show. Or the last night of the tour in Tempe? What a way to round out. And to have a couple nights in Colorado at the start before dipping to Ciudad Juarez and hooking up with Malahierba? Very cool.

I’d be interested to know what comes together for Vegas — or better yet, if you can make something happen there and help out the band, do it. Put on a good show. They’ve set a pretty high standard with these bills.

Dates follow:

The Munsens’ Abbey Rose tour

Having just turned loose their new EP, Abbey Rose (self-released, Nov. 21), Denver, Colorado’s the Munsens is taking to the road for a 10 day, nine show run through the southwest US, beginning January 12.

Tour dates:
1.12 – Denver, CO – Hi-Dive (w/ Ketch, Matriarch, Night of the Living Shred)
1.13 – Colorado Springs, CO – Triple Nickel (w/ Still Valley, Night of the Living Shred)
1.14 – Juarez, MX – Hysteria (w/ Dizz Brew, Malahierba, Ultimo Trip)
1.16 – Albuquerque, NM – Low Spirits (w/ Hydrant, The Horned God)
1.17 – Las Vegas, NV – TBA
1.18 – San Francisco, CA – Elbo Room (w/ Love Moon, Mesmer, Externs)
1.19 – Long Beach, CA – Alex’s Bar (w/ Slow Season, Lords of Beacon House, of limbo)
1.20 – Oceanside, CA – Pierview Pub (w/ Red Wizard and special guests)
1.21 – Tempe, AZ – Palo Verde Lounge (w/ Goya, Twingiant, Grey Gallows)

The Munsens made a handful of appearances in Denver during the summer and fall of 2016, and just released their first recordings in nearly two years (Nov. 21) via a 45-minute EP titled Abbey Rose, which preludes their first full-length album, due out in the summer of 2017. Abbey Rose is available on cassette and as a digital download through the band’s Bandcamp page and will supported by two tours in early 2017, in January and in March.

The Munsens is:
Shaun Goodwin
Mike Goodwin
Graham Wesselhoff

facebook.com/themunsens
http://www.themunsensnj.bandcamp.com/

The Munsens, Abbey Rose (2016)

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audiObelisk Transmission 060

Posted in Podcasts on December 22nd, 2016 by JJ Koczan

the obelisk podcast 60

Click Here to Download

 

Consider this your usual disclaimer that, like any of this site’s coverage of year-end whatnottery, this podcast is by no means attempting to capture all of 2016’s best tracks. It is, however, over four hours long, and frankly that seems like enough to ask. If you decide to take it on and sample what I found to be some of the best material to come down the line over the last 12 months, please know you have my thanks in advance. For what it’s worth, it was a lot of fun to put together, and that’s not always the case with these.

But about the length. I’ve done double-sized year-end specials for a while now. It’s always just seemed a fair way to go. And the last few at least have been posted the week of the Xmas holiday as well, which for me is of dual significance since it just so happens four hours is right about what it takes to drive from where I live to where my family lives, so when I look at this massive slew of 34 acts, from the riff-led righteousness of Wo Fat and Curse the Son to the crush of Mammoth Weed Wizard Bastard and SubRosa to the psychedelic reaches of Zun and Øresund Space Collective (who probably show up in podcasts more than anyone, oddly enough), I also think of going to see my family, which has become my favorite part of the holidays.

Whatever associations you might draw with it, I very much hope you enjoy listening. Thanks for taking the time.

Track details follow:

First Hour:

0:00:00 Wo Fat, “There’s Something Sinister in the Wind” from Midnight Cometh
0:09:35 Greenleaf, “Howl” from Rise Above the Meadow
0:14:57 Elephant Tree, “Aphotic Blues” from Elephant Tree
0:20:49 Brant Bjork, “The Gree Heen” from Tao of the Devil
0:26:27 Sergio Ch., “El Herrero” from Aurora
0:29:44 Child, “Blue Side of the Collar” from Blueside
0:35:31 Geezer, “Bi-Polar Vortex” from Geezer
0:43:59 Zun, “Come Through the Water” from Burial Sunrise
0:49:27 Baby Woodrose, “Mind Control Machine” from Freedom
0:54:11 Curse the Son, “Hull Crush Depth” from Isolator
0:59:31 Borracho, “Shot down, Banged up, Fade Away” from Atacama

Second Hour:

1:05:50 Scissorfight, “Nature’s Cruelest Mistake” from Chaos County
1:09:19 Truckfighters, “The Contract” from V
1:16:30 Spidergawd, “El Corazon del Sol” from III
1:21:24 Fatso Jetson, “Royal Family” from Idle Hands
1:26:13 Worshipper, “Step Behind” from Shadow Hymns
1:30:57 Mammoth Weed Wizard Bastard, “Y Proffwyd Dwyll” from Y Proffwyd Dwyll
1:39:42 Druglord, “Regret to Dismember” from Deepest Regrets
1:46:34 Moon Coven, “New Season” from Moon Coven
1:52:03 Gozu, “Tin Chicken” from Revival
1:59:49 Year of the Cobra, “Vision of Three” from …In the Shadows Below

Third Hour:

2:06:53 The Munsens, “Abbey Rose” from Abbey Rose
2:14:56 Lamp of the Universe, “Mu” from Hidden Knowledge
2:21:26 1000mods, “On a Stone” from Repeated Exposure To…
2:26:45 Church of the Cosmic Skull, “Watch it Grow” from Is Satan Real?
2:30:43 Vokonis, “Acid Pilgrim” from Olde One Ascending
2:37:35 Slomatics, “Electric Breath” from Future Echo Returns
2:43:02 Droids Attack, “Sci-Fi or Die” from Sci-Fi or Die
2:47:20 King Buffalo, “Drinking from the River Rising” from Orion
2:56:51 Comet Control, “Artificial Light” from Center of the Maze

Fourth Hour:

3:06:37 Øresund Space Collective, “Above the Corner” from Visions Of…
3:22:51 Naxatras, “Garden of the Senses” from II
3:33:14 SubRosa, “Black Majesty” from For this We Fought the Battle of Ages
3:48:23 Seedy Jeezus with Isaiah Mitchell, “Escape Through the Rift” from Tranquonauts

Total running time: 4:07:32

 

Thank you for listening.

Download audiObelisk Transmission 060

 

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The Munsens Premiere “You’re Next” from Abbey Rose EP

Posted in audiObelisk, Reviews on November 18th, 2016 by JJ Koczan

the-munsens

Denver trio The Munsens release their new EP, Abbey Rose, on Nov. 21. The sense of worship is almost immediate on the four-track/40-minute offering, which is their second behind 2014’s Weight of Night (review here), and the band manages to meter out waves of undulating riffs while giving hints of influences from modern doom without becoming beholden to them. To say it adds to what the New Jersey expats did with the prior outing is perhaps to undercut the strange vibes they conjure throughout or the atmosphere in which one finds oneself immersed while listening despite a near-garage rawness of tone. Their low end — it seems to come from the guitar of Shaun Goodwin and the drums of Graham Wesselhoff as much as the fuzz-laden bass of Michael Goodwin (also vocals and cover photography) — is palpable in the extended pieces “You’re Next” (11:25), “Abbey Rose” (8:12), “To Castile” (9:38) and the closing sequel to the finale of Weight of Night aptly dubbed “The Hunt II” (11:39), and that’s a uniting factor through some shifts in tempo, but while I might argue that something with such a front to back flow that also happens to be 40 minutes long is an album whether The Munsens want it to be or not, what they’ve specifically positioned as a second EP gives more than an ample showing of their hefty wares going into a long-player planned for release next year. If this is them laying groundwork, they’re making sure that ground is duly flattened before they build on it.

And fair enough. With the opening buzz that leads the way into “You’re Next,” I’m immediately reminded of Heavy Temple‘s plug-and-praise sensibilities, but The Munsens take their time letting the leadoff track develop on its own, bass and drums joining the guitar so that by two minutes in the plod is completely underway but you’re not quite sure the-munsens-abbey-rosehow. One could find tonal touchstones in WeedeaterBongzilla, etc., and what The Munsens bring to the mix is an overall cleaner take on sludge than one usually finds in the disaffected libertarian screams the genre usually proffers. Michael‘s vocals still arrive in cave-echoing shouts, but they do so on “You’re Next” with a post-Jus Oborn inflection, calling to mind Electric Wizard‘s earlier, rawer glories, which is a stonerism reaffirmed as they pick up the tempo and shift into a dual-layered solo late in the track, riding the riff into a final slowdown and the memorable nod of the Abbey Rose title-track. It’s the shortest of the four, but has the most prevalent hook of the four cuts, and particularly in light of the cover art seems to play toward a kind of gothic horror vibe as it slow-motion boogies its way into a quieter midsection that builds to a fervent churn across the final four minutes. “To Castile” feels even more immediate. Its quicker tempo brings Wesselhoff‘s raw drum sound to the fore, and though less theatrical than the preceding “Abbey Rose,” it pushes further into a similar kind of atmospheric dankness, breaking in the first half to a section of sparse guitar, slower drumming and far-back organ.

This turn is especially well done, and it’s not the last in “To Castile.” Over the next couple minutes, the Goodwins and Wesselhoff careen through winding prog and chunky-style sludge before landing in near-silence just past the halfway mark, from which they mount a surprisingly and engagingly semi-psychedelic build, never quite returning to what was the core of “To Castile,” but ending in slower, thicker riffing that serves as a reminder nonetheless. And much like the longer-shorter-shorter-longer arrangement of the four songs recalls a mirror, so too does the gradual unfolding of closer “The Hunt II” seem to be as much in conversation with “You’re Next” as it is clearly intended to be with “The Hunt” from Weight of Night. That release, which was far easier to argue as an EP overall than is Abbey Rose, was bigger in terms of its production, but as the organ returns in “The Hunt II”‘s mid-tempo midsection and is met with flourish of lead guitar amid all the crush of low end, and as the slower final instrumental push begins that will develop over the last several minutes of the song, topped with another impressive-if-short solo, I can’t say The Munsens aren’t well served by the organic, live feel brought to bear in this material. It gives the vitality of their delivery a fitting complement and positions them not so much trying to crush everything in their path as carving out a space for themselves in a niche-within-a-niche kind of way. As to which modus their debut album — again, debatable whether or not this is it, and they may indeed decide a couple years from now that it is — might follow when it arrives next year, I’d expect it to keep at least partially in this direction, though one never knows when a steady roll is going to present a sudden turn. It’ll be one to look forward to, either way.

The Munsens‘ Abbey Rose is out Nov. 21 on tape and digital.

Please find a premiere of “You’re Next” below, followed by more background on the band from the PR wire, and enjoy:

The Munsens have remained a bit of an enigma over the last handful of years due to the scattered whereabouts of the band’s members, surfacing intermittently for a sporadic arrangement of tours and a pair of releases. 2016 saw the most prominent establishment of the group thus far, with the entire band now residing in the same city for the first time in the band’s career, featuring a rearranged lineup. (Original drummer Shaun Goodwin moved to guitar, with Graham Wesselhoff, formerly of Denver’s Skully Mammoth, taking the helm behind the drums.)

The Munsens made a handful of appearances in Denver during the summer and fall of 2016, and on November 21, will release their first recordings in nearly two years via a 45-minute EP titled Abbey Rose, which preludes their first full-length album, due out in the summer of 2017. Abbey Rose will be available on cassette and as a digital download through the band’s Bandcamp page and will supported by two tours in early 2017, in January and in March. Dates and cities TBA.

All songs by the Munsens
Cover photography: Michael Goodwin
Recorded and mixed by Jamie Hillyer, Module Overload
Mastered by Dennis Pleckham, Comatose Studios
the Munsens is Michael Goodwin, Shaun Goodwin, Graham Wesselhoff

The Munsens on Thee Facebooks

The Munsens on Bandcamp

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The Decemburger Lineup Announced: The Shrine, The Well & More to Play

Posted in Whathaveyou on October 4th, 2016 by JJ Koczan

The name just rolls off the tongue. Similar perhaps to the way in which sliders might roll on the tongue in quick enough succession to earn you $500 worth of band merch at The Decemburger at Hi-Dive in Denver, Colorado, on Dec. 3.

That’s the rather considerable prize for the first person to eat 10 sliders — sounds easy, right? — at an eating contest that’s set to take place later in the day at this new fest from Dust Presents, who also put on the Electric Funeral Festival this past June. They’ll bring together a raucous assemblage of acts — from skate rock forerunners The Shrine on down through Austin, Texas, riff ambassadors The Well and Duel to home-grown heavy classic prog upstarts Cloud Catcher, among many others — in order to complement this gluttony with a corresponding potentially-lethal dose of fuzz. It looks like it’s gonna be a party.

If you’re interested in trying your luck with the slider contest — and I mean, come on, it’s not like it’s full-sized burgers — there are only 10 spots available. I’ve never done any competitive eating, and I wouldn’t disrespect anyone who has because I’ve seen those videos and that Nathan’s Hot Dog Eating Contest looks hard as hell, but in addition to a killer show, this seems like an awesome way to get both a bunch of new t-shirts (provided they’ll still be the right size when you’re done) and a great story to tell about how you obtained them.

Tickets available now. Full lineup and show info follows, courtesy of the Thee Facebooks event page linked below:

the-decemburger-poster

DUST Presents: The Decemburger 2016

“Grass-Fed Rock n Roll”

Saturday, December 3 at 3 PM
Hi-Dive Denver
7 S Broadway, Denver, Colorado 80209

The Shrine
The Well
In the Company of Serpents
Zig Zags
DUEL
Malahierba
Cloud Catcher
The Munsens
LOVE GANG

SLIDER EATING CONTEST
**Want to share the stage with your favorite bands? There are 10 tickets available for the slider-eating contest (fest entry included), which will be held on stage before one of the last sets. First contestant to eat ten sliders will win a merch package worth $500!

Eating-Contest Tickets: http://www.ticketfly.com/event/1336003
General admission tickets: http://www.ticketfly.com/event/1335949

https://www.facebook.com/events/270296666694996/
https://www.facebook.com/dustpresents/
https://www.instagram.com/dustpresents/

The Shrine, “Coming Down Quick” official video

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Denver Electric Funeral Fest Completes Lineup

Posted in Whathaveyou on March 29th, 2016 by JJ Koczan

To the best of my limited capacity for finding this kind of thing out, June will mark the first edition of the Denver Electric Funeral festival. Maybe it’s just because I’ve got Psycho on the brain, but I can’t help but wonder if by putting the name of the city that will act as host — Denver, Colorado — promoter Dust Presents is keeping an eye toward franchising or keeping mobile for future editions. That’s speculation of course. It could just as easily be like Southwest Terror Fest or, more specifically, Maryland Deathfest and L.A. Murderfest, and simply showing regional pride and letting people know where they should go if they want to see it. In this case, you go to Denver.

Wherever the next one will take place — how do I even get on a tangent like that; oh yeah, extreme exhaustion — the lineup for what I still think is the first Denver Electric Funeral is pretty sick, and matches a healthy portion of locals in bands like Cloud CatcherSugar Skulls and Marigolds and Malahierba is met with a range of others from farther out, whether that’s West Coast outfits like Radio MoscowMondo Drag and Sacri Monti, East Coast sludgers Sourvein and Toke, or Texas troublemakers Mothership. Looks like it’s gonna be a good time.

June 4 and 5 are the dates, 3 Kings Tavern in Denver is the place, ticket link is below, and here’s the lineup:

denver electric funeral fest 2016

DUST Presents: Denver Electric Funeral Fest
June 4th-5th, 2016

Denver Electric Funeral Fest will be a two-day offering of all things heavy, featuring 20 of the best rock n’ roll / metal bands in the country. Instagram: @dustpresents.

Tickets and more info @ www.3kingstavern.com/event/243343

Lineup:
Radio Moscow
Sourvein
Mothership
Mondo Drag
Goya
Sweat Lodge
Sacri Monti
Cloud Catcher
Toke
Crypt Trip
Greenbeard
The Munsens
Space in Time
Poison Rites
Malahierba
Tricoma
Ghosts of Glaciers
Warhawk
Love Gang
Sugar Skulls & Marigolds

http://www.3kingstavern.com/event/243343
https://www.facebook.com/events/1550753005249293/
https://www.facebook.com/DUST-Presents-1003880426336204/

Cloud Catcher, Live at Borderland Fuzz Fiesta 2016

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