Six Dumb Questions with The Midnight Ghost Train

Posted in Six Dumb Questions on July 19th, 2017 by JJ Koczan

the midnight ghost train

There’s always been a certain restlessness in The Midnight Ghost Train. Definitely anyone who’s ever seen them play live would concur, but even beyond their gripping, kinetic performances, whether it was early lineup changes, moving from Buffalo, New York, to Topeka, Kansas, or touring as incessantly as they have for the better part of the last decade — they’ve been a band on “go” for about as long as they’ve been a band.

At the same time, their material has followed a steady trajectory up to this point. From their 2008 The Johnny Boy EP (review here) through the subsequent ’09 self-titled long-play debut (review here), 2012’s Buffalo (review here) and their first outing for Napalm Records in 2015’s Cold was the Ground (review here), the power trio led by founding guitarist/vocalist Steve Moss have developed along a path blending supercharged heavy rock and roll with classic blues vibes and rhythms. With his distinct, gruff vocals as a hallmark of their approach, the propulsive, classy drum work of Brandon Burghart as a core to build from and the final piece added in bassist Mike BoyneThe Midnight Ghost Train became one of the most immediately identifiable bands in the US heavy underground. When you were listening to The Midnight Ghost Train, you knew who was on. Every time.

That’s still the case, but the scope of what that means has changed, and the restlessness that’s always been at play elsewhere seems to have extended itself to their creative process more now than ever before. To wit, their fourth full-length and second for Napalm is Cypress Ave. (review here), and while it largely holds firm to the underlying energy of the band and never feels staid, it also marks a special moment in that Moss and company seem more willing to take chances in the songwriting, to pull back on the aforementioned “go” in favor of a more diverse sonic take. Whether that’s showing itself in the drifting “Lemon Trees,” the funk-fortified “The Boogie Down” (with guest rapper Sonny Cheeba) or the acoustic “Break My Love,” it’s representative of a level of maturity previously unknown from The Midnight Ghost Train, and it makes Cypress Ave. their most fully realized and their boldest offering to-date.

It’s the kind of record that, if you thought you knew the band — as I did — can make you rethink your expectations. In the interview that follows, Moss talks about how some of the twists in the plot came about, how touring has shaped the group over the longer term of their time together, where Cypress Ave. actually is, and more. As I happen to know him to be a longtime Yankees fan, I couldn’t resist throwing in a question about baseball as well, and I thank him for the indulgence.

Please enjoy the following Six Dumb Questions:

the-midnight-ghost-train-cypress-ave

Six Dumb Questions with The Midnight Ghost Train

Talk to me about writing Cypress Ave. At what point coming off of Cold was the Ground did you know you wanted to do something different with The Midnight Ghost Train, and how did that come to fruition in the songwriting? Was it something conscious or something that you noticed later in the material? What was behind the shift in direction?

We have wanted to get out of doing the crazy fast heavy stuff way before Cold was the Ground. None of us actually enjoy listening to heavy music. It’s fun to play, but that’s really our only connection with music as heavy as we used to play. We could have very easily written another Cold was the Ground without even thinking twice. That’s why we have defaulted to such heavy music for our previous albums, it was really easy to write, and fun to play live, plus we had already built a following of people in the heavy music genre, so it just made sense to keep riding that wave and keep the fans we had. For this album we wanted to challenge ourselves artistically, and challenge our audience. We wanted to do something that felt right to us, and not necessarily what the following we have built wanted or expected. There was no reason for us to make the same album over and over again, especially since it didn’t feel right to us. So it was time to say goodbye and move on to something more challenging, and unexpected for our fans. Plus, we wanted to branch out to a wider fanbase than just the “stoner rock” fans. We never really felt like we fit in that group anyways so it just made sense to do something that was more us. Plus, the songs on this album are just a hell of a lot better than our previous stuff.

Tell me about Cypress Avenue itself. Where is it? What is it like? Set the scene for those of us who’ve never been there. What was behind the choice to name the album after it?

Cypress Ave. is a stop on the 6 train in the Bronx, it’s a small local neighborhood, no attractions or anything like that, just an area for the locals. My family is from Parkchester which is a few stops more uptown, so we would pass Cypress Ave. on our way up to Parkchester. Since this album is so different musically we decided to go a different route with the album photos, and the title than usual. All of our albums have had that Midwestern, Kansas, country, feel to them, which actually only one of us (our drummer) is from Kansas. So instead we decided to go more personal to mine and my family’s upbringing in the Bronx. Give people a look at where I’m actually from. So we wanted to keep with the Bronx theme throughout the album. Since Parkchester is kind of a lame album title, we basically just went through all the names of the subway stops in the Bronx, and Cypress Ave. was just the best sounding one. Plus, it reminded me of the Van Morrison song off of one of my favorite albums, Astral Weeks, (although it’s spelled differently).

The Midnight Ghost Train turns 10 next year and you’ve put in so much time on the road over the last decade. How do you think touring has shaped the band? How do you feel it has worked to develop the chemistry between you, Mike and Brandon?

Aigh god, that seems like a lot longer than it feels. Feels like we’re still just getting started. Touring has definitely been the most rewarding part to this band. Despite all the bullshit and hard times we have gone through, when we step on stage it makes it all worthwhile. We have always believed that the live show is the most important expression of who a band is, and we have worked tirelessly on always making our show better. What better way to learn about the stage that we love so much than touring as much as possible? Touring has definitely made us realize who we are as a band and what we feel is most important to the existence of TMGT. Getting on stage is the only piece that no matter what always feels like the right choice to make. Bands that don’t play a lot of shows can’t ever find their true musical selves. Plus, if you never do it how could you possibly be that good at it?

How did “The Boogie Down” come about?

Very simply, I love hip-hop, and our bass player and drummer love to play funk. So we decided to mix the two together. The riff that the bass player and drummer play in that song is what they have always done on stage when my amp or pedalboard breaks and I have to fix shit. They would just break out into a funk jam, then when I got back up and running I would chime in. It was always fun to do live, so we decided to record it. Sonny Cheeba (the artist on that track) is also a Bronx native. I grew up listening to his group Camp Lo. So it was awesome to get to work with him in the studio. We recorded the album in Athens, GA, and he happened to be living in Atlanta at the time we recorded, so it just worked out nicely. We let him do his thing, while we did ours, it was fun to mix the two styles, and challenging for us. Something new and fun to do. Why not?

What was your time in the studio like making the album? It seems like you specifically varied the guitar tone more throughout the songs this time around. How important was it for you for Cypress Ave. to show multiple sides of the band?

Oh yes, different sounds on all the instruments as well as vocally, was very important for this album. The tones and vocals we used for Cold was the Ground or Buffalo would not work for these songs. I used probably 30 different amps throughout this album, plus I added a Gibson 335 to my arsenal, which was my main guitar on this album, instead of the Les Pauls I [have] normally used. Our previous albums just had one tone through the entire album: HEAVY. This album is just so dynamic throughout the record, with so many different style songs. Not one song sounds the same, so we wanted to make sure that neither did the instruments.

You’ve got the US tour coming up in August and September. Any other plans or closing words you want to mention?

Oh yes, we will also be touring the USA in October as well. We’re in the works of putting together a European tour which will be from the end of January through March. So keep an eye out for tour dates, ‘cause we’re going everywhere. Might even be paying a visit to South America, if things pan out. Our album is available for preorder right now at our website www.themidnightghosttrain.com. Enjoy the new album, I know we do.

Bonus question (asked before the Major League Baseball All-Star break): Do you think the Yankees actually have a shot at the division? Boston’s been coming on strong. Is the NYY collapse of the last couple weeks the true face of the team or just a temporary injury setback? What do you think of Judge and Sanchez in the Home Run Derby?

Absolutely they still have a chance, they have been plagued with injuries lately which is inevitable but still costly when you lose guys like Castro, Bird, Holliday, Hicks, Warren, and Sabbathia (who was on a fantastic roll). Boston is making a big push, they have great starting pitching, but hopefully at the trade deadline we get rid of Chris Carter and get someone like Eric Hosmer at first base, and pick up one more locked starter, because we can’t rely on Tanaka’s inconsistency to bring us the entire way. I’m stoked to see what Judge and Sanchez do, I think they will be fine, and they are good enough hitters that the myth of screwing up their swing won’t affect them. Judge is going to be the Rookie of the year, AL MVP, and triple crown winner. He’s taking it all. I haven’t seen the city buzz on anyone since Derek Jeter breaking in. Loving it.

The Midnight Ghost Train, “The Watchers Nest” lyric video

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The Midnight Ghost Train website

The Midnight Ghost Train on Twitter

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Review & Video Premiere: The Midnight Ghost Train, Cypress Ave.

Posted in Bootleg Theater, Reviews on July 3rd, 2017 by JJ Koczan

the-midnight-ghost-train-cypress-ave

[Watch the premiere of the lyric video for The Midnight Ghost Train’s ‘The Watchers Nest’ by clicking play above. Cypress Ave. is out July 28 via Napalm Records. Impending tour dates here.]

As the first preliminary details began to surface about Cypress Ave., Topeka, Kansas, heavy blues rockers The Midnight Ghost Train put word out to their listeners to expect something different on this, their fourth album and second for Napalm Records. Their tone was almost a warning more even than a general ‘heads up,’ and for a band who’ve spent the last decade stomping their way across the US and subsequently Europe and whose reputation has always been for a brash, gruff, and full-charged vision of heavy, it struck me as a decidedly human, near-insecure move; for the first time, The Midnight Ghost Train let themselves show some concern for how their work might be received by the audience they worked so hard to build. Clearly it was a warning to take seriously, and it’s one to which Cypress Ave. lives up.

The Midnight Ghost Train debuted on Napalm with 2015’s Cold was the Ground (review here), a mature celebration of what’s made them who they are throughout their career going back through offerings like 2012’s Buffalo (review here), their formative 2009 self-titled debut (review here) and 2008’s The Johnny Boy EP (review here), sounding very much like the payoff moment for a stylistic growth shaped by time on the road as much as an expanded writing palette from band spearhead/guitarist/vocalist Steve Moss. That payoff moment might actually be on Cypress Ave., which outdoes its predecessor in scope, presentation, and its overall level of daring, foreshadowing stylistic turns in opener “Tonight” that range from the melancholia of “The Watchers Nest” and “Black Wave” to the acoustic-centered, unabashed Tom Waits-ery of album centerpiece “Break My Love,” through the jangly spaciousness of “Lemon Trees” and a collaboration with rapper Sonny Cheeba on “The Boogie Down.”

The latter, though admirably funky and an honest acknowledgement of the influence of the various strains of traditionally African American music that have played out in The Midnight Ghost Train‘s sound in their nine years together, from roots-blues to modern hip-hop, is nonetheless the widest “departure” from the rest of the material here, pulling away from the fuzz that serves to unite varied-in-mood cuts like “Red Eyed Junkie Queen” (video premiere here), “The Echo” and “Glenn’s Promise.” And no doubt it’ll be a sticking point for some listeners — because even the threat of rap-rock crossover proved enough to do that even before internet racism was a thing — but on the most basic level, it’s an attempt by Moss, bassist Mike Boyne and drummer Brandon Burghart to shake things up and offer something genuinely unexpected. That doesn’t mean it’s not a head-turning change from the pastoral strum of “Lemon Trees” before it or the tense but quiet “Black Wave” after, but it does mean that that’s very likely the whole point of its being in the first place.

the midnight ghost train

And those of the band’s followers looking for a studio-born manifestation of the riotousness they’ve long been noted as bringing to the stage will find the bursts of energy throughout “Tonight” and “The Watchers Nest,” “The Echo,” “Red Eyed Junkie Queen” and “Bury Me Deep” residing in comfortable-enough terrain, though even these bring forth a style from The Midnight Ghost Train more given to holding its tension than exploding forth from it, showing the band ultimately as more dynamic even within what one might think of as their core sound than they’ve ever been before. To wit, the opening salvo of “Tonight,” “Red Eyed Junkie Queen,” “Glenn’s Promise” and “Bury Me Deep,” which, while basking in some of the most satisfying guitar tone this side of circa-1995 Kyuss — sounds like hyperbole; isn’t — spends as much time gritting its teeth and seething as it does outwardly raging. There’s plenty of rock to be had on Cypress Ave. — plenty — but it’s in the nuance and the sonic caveats that The Midnight Ghost Train define the work they’re doing.

It’s fair to think of that as new ground for them almost as much as “The Boogie Down,” but the point is that even as the band bounces through different styles en route through side B of the 52-minute/11-track outing toward six-minute closer “I Can’t Let You Go,” on which Boyne‘s tone shines nearly as much as that of Moss amid memorable repetitions of the title-line, and a not-in-anymore-of-a-rush-than-it-needs-to-be rhythm given due swing by Burghart, the shifts in aesthetic and the expansion of who they are as a band throughout Cypress Ave. has grown naturally out of what they’ve done prior. Are they consciously making the decision to try new things? Most definitely, but even that is a manifestation of the impulses under which they’ve always functioned. They are, as they warned, delivering something different. In this context and in the sheer front-to-back listening experience, they’re a richer group. They benefit from the chemistry they’ve hard won on tour and succeed in crafting a narrative for who they are that goes beyond the bull-in-a-china-shop raucousness of their earlier outings.

Cypress Ave., like Buffalo before it, touches on a definitive sense of place — its cover art helps in this — but it finds The Midnight Ghost Train pushing a more exploratory sensibility that nonetheless draws strength from its tones, the underlying songcraft and structures with which the songs are executed, and the performances throughout of MossBoyne and Burghart, who’ve never sounded more complete and realized as a group than they do here. That’s not to take anything away from their prior work at all or the steps Moss as the band’s founder has taken along the way, including on Cold was the Ground, but as the band approach the decade mark in 2018, one has to acknowledge the bravery in such decided, willful progression. It turns out taking chances suits The Midnight Ghost Train, and one hopes they continue to do so as they move inexorably forward from Cypress Ave. to whatever their next destination may be.

The Midnight Ghost Train, “Red Eyed Junkie Queen” official video

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The Midnight Ghost Train website

The Midnight Ghost Train on Twitter

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The Midnight Ghost Train Premiere “Red Eyed Junkie Queen” Video

Posted in Bootleg Theater on June 2nd, 2017 by JJ Koczan

the midnight ghost train

I’m not even going to pretend like I haven’t heard it — wait until you get a load of the fucking tones The Midnight Ghost Train bring on Cypress Ave. Pure, dug-in weighted fuzz of the highest order. Guitarist/vocalist Steve Moss and bassist Mike Boyne bring a thickness and drummer Brandon Burghart makes it move, and together, the power trio offer not only a swap between moody, airy heavy blues and driving thrust like one can hear on “Red Eyed Junkie Queen” — premiering today in the new video below — but a more expansive aesthetic palette than ever, taking the go-go-go of 2015’s hands-up righteous Cold was the Ground (review here) and offering a multidirectional expansion of style, whether that’s in the grungy build of “The Watchers Nest,” the jangly meander of “Lemon Trees” or “The Boogie Down,” on which the band acts as a live funk backup for rapper Sonny Cheeba.

Yeah, shit gets pretty wild — and that’s not even to mention the brooding back end of Cypress Ave. with “Black Wave,” “The Echo” and “I Can’t Let You Go” — but that’s the idea as The Midnight Ghost Train willfully endeavor to take their sound places it’s never been before. “Red Eyed Junkie Queen” is the second song on the album behind opener the midnight ghost train cypress ave.“Tonight,” and is more in line with what their audience might expect of them, but even in its tense verses and in Moss‘ post-Tom Waits lyrical storytelling — see also “Break My Love” later on — they give a sense of the wider sonic berth the record will cast as it continues to unfold. Bolstered by a speedy tempo and a catchy hook that sets its place and its character both down and dirty, the track rushes through its four-minute runtime and helps continue the momentum set by the opener with a richness of groove that continues through the rest of the opening salvo in “Glenn’s Promise” and “Bury Me Deep.”

Bottom line, I suppose, is that “Red Eyed Junkie Queen” doesn’t necessarily speak for the whole of Cypress Ave., but neither is it intended to do so. The video takes us inside the studio with The Midnight Ghost Train as they record the album, tracking live and playing through the process by which these songs came together. One can only wonder if as they filmed it just how much the results of their efforts would stand apart from everything they’ve done before.

The Midnight Ghost Train release Cypress Ave. this July 28 via Napalm Records, and as they will, the band hit the road in August for a lengthy US tour. More info from the PR wire and live dates follow the clip below.

Please enjoy:

The Midnight Ghost Train, “Red Eyed Junkie Queen” official video

Pre-order “Cypress Ave.” now: http://smarturl.it/CypressAve-NPR

Out July 28!

THE MIDNIGHT GHOST TRAIN keeps rollin’ along, spewing exhaust along sandy desert roads, and filling lungs with dust: now with their fourth opus ‘Cypress Ave.’ this impulsive trifecta torch dark’n’dirty Southern Rock with a hefty portion of Sludge and Funk. Seared by the Sunflower State of Kansas, their organic and authentic sound lives in the musics throaty vocals, deep lyrics, melancholic melodies and forceful, shaky riffs. Roaring amps plow through eardrums as if they were earth, dry as a bone. Highlight: the fruity-fresh “The Boogie Down [feat. Sonny Cheeba]”. Honest, straight-forward and peppered with woefulness. An absolute must for blues-fans!

The Midnight Ghost Train live:
Aug 24 2017 The Grotto Ft Worth, TX
Aug 25 2017 Swan Dive Austin, TX
Aug 26 2017 Boom Boom Room Lafayette, LA
Aug 27 2017 Siberia New Orleans, LA
Aug 28 2017 TBA Jackson, MS
Aug 29 2017 TBA Hattiesburg, MS
Aug 30 2017 TBA Muscle Shoals, AL
Aug 31 2017 Handlebar Pensacola, FL
Sep 1 2017 Snug Harbor Charlotte, NC
Sep 2 2017 Masquerade w/ Camp Lo Atlanta, GA
Sep 3 2017 Banditos Richmond, VA
Sep 6 2017 TBA Baltimore, MD
Sep 7 2017 Atlas Brew Works Washington, D.C.
Sep 8 2017 Kung Fu Necktie Philadelphia, PA
Sep 9 2017 Gold Sounds Brooklyn, NY
Sep 10 2017 TBA Connecticut
Sep 11 2017 Firehouse 13 Providence, RI
Sep 12 2017 O’Brien’s Pub Boston, MA
Sep 13 2017 TBA Rochester, NY
Sep 14 2017 TBA Cleveland, OH
Sep 15 2017 Radio Radio Indianapolis, IN
Sep 16 2017 The Rockery Detroit, MI
Sep 17 2017 TBA Kalamazoo, MI
Sep 18 2017 Frequency Madison, WI
Sep 19 2017 Gasoline Green Bay, WI
Sep 20 2017 The Lift Dubuque, IA
Sep 21 2017 Reggie’s Music Joint Chicago, IL
Sep 22 2017 Green Lantern Lexington, KY
Sep 23 2017 Southgate House Revival Newport, KY
Sep 24 2017 TBA Nashville, TN
Sep 25 2017 TBA Charleston, SC
Sep 26 2017 TBA Raleigh, NC
Sep 27 2017 The Empty Bottle Charleston, WV
Sep 28 2017 The Buzzbin Shop Canton, OH
Sep 29 2017 Blind Bob’s Dayton, OH
Sep 30 2017 Descendants of Crom Fest Pittsburgh, PA

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The Midnight Ghost Train to Release Cypress Ave. July 28

Posted in Whathaveyou on May 15th, 2017 by JJ Koczan

the-midnight-ghost-train

What’s in store for the new album from The Midnight Ghost Train? I don’t know, and considering the Kansas heavy rockers are headed into their fourth full-length, that’s a particularly comforting notion. Their last record, 2015’s Cold was the Ground (review here), was their Napalm Records debut, and they played to their strengths in unhinged-sounding, manic blues. With the forthcoming Cypress Ave., due July 28 also via Napalm, the trio promises stylistic experimentation like they’ve never had before, and I’m inclined to take their word for it.

I haven’t heard any of it yet, so I’m not speaking from experience in that or anything, but The Midnight Ghost Train have always been purposeful enough to know what’s up, so yeah, I’m looking forward to checking out what might be in store this time around.

The PR wire teases possibilities:

the-midnight-ghost-train-cypress-ave

THE MIDNIGHT GHOST TRAIN ANNOUNCE BRAND NEW ALBUM!

‘Cypress Ave.’ Coming July 2017 on Napalm Records!

Seared by the Sunflower State of Kansas, THE MIDNIGHT GHOST TRAIN keeps rollin’ again – and they are about to return with their most diverse album to date!

The band’s fourth opus titled ‘Cypress Ave.’ is set to be released July 28th 2017 on Napalm Records, and will please both old and new fans alike. Never before has THE MIDNIGHT GHOST TRAIN shown this side of themselves. Their new album proves that they ‘re not just another rock band, they’re explorers, risk takers, and true artists. This is not a departure, but an expansion:

“It was time to challenge ourselves, and our fanbase, and do something completely different that hasn’t been done before in this genre“, says guitarist & vocalist Steve Moss. “No sense in doing the same thing over and over again, there is no growth in that. We want to learn, create, and leave our true artistic impression on the world.“ He continues: “Not one song on this album sounds the same. Each track has a completely different feel and unique quality to it. Something in this album for everyone in every genre of music out there. Exploring and challenging new grounds is what this album is about.“

Now THE MIDNIGHT GHOST TRAIN have unveiled the album artwork for ‘Cypress Ave.’, and the tracklist will read as follows:

1. Tonight
2. Red Eyed Junkie Queen
3. Glenn’s Promise
4. Bury Me Deep
5. The Watchers Nest
6. Break My Love
7. Lemon Trees
8. The Boogie Down [feat. Sonny Cheeba]
9. Black Wave
10. The Echo
11. I Can’t Let You Go [Bonus Track]

The band’s organic and authentic sound lives in the musics throaty vocals, deep lyrics, melancholy melodies and forceful, shaky riffs. Honest, straight-forward and peppered with woefulness.

‘Cypress Ave.’, coming July 28th on Napalm Records, is an absolute must for every blues- and rock fan. Be prepared, for the return of THE MIDNIGHT GHOST TRAIN with their most diverse and unique sounding album to date!

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The Midnight Ghost Train, Live in Paris 2016

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Descendants of Crom: Penance to Headline; Solace, Karma to Burn, The Midnight Ghost Train and More Added to Lineup

Posted in Whathaveyou on February 14th, 2017 by JJ Koczan

descendants of crom

Lineup additions have continued to come out over the last week-plus since Pittsburgh-based fest Descendants of Crom made its first announcements with the formidable likes of EarthrideEYEFoghound and Stinking Lizaveta taking part. West Virginian instrumental trailblazers Karma to Burn, New Jersey rock destroyers Solace, Kansas boogie-thrusters The Midnight Ghost Train — as the names have appeared, the geographic reach of Descendants of Crom 2017, which is set for Sept. 30 on the Cattivo Nightclub‘s two stages, has only expanded, but perhaps the biggest addition yet brings the festival much closer to home.

Penance released their Alpha and Omega album in 2001 via the Martyr Music Group, and with it debuted a five-piece incarnation that will play for the first time in 15 years at Descendants of Crom, in a great add to the bill that fulfills the stated mission of the fest in honoring Pittsburgh’s own underground contributions as well as looking outside its borders. Badass all around.

In addition to the already-noted, CantOl’ Time Moonshine and Archarus, have also been added, so the more right on. Here’s the latest from the fest, including some comment from organizer Shy Kennedy on Penance signing on:

DESCENDANTS OF CROM – Penance to Headline with ‘Alpha & Omega’ Lineup

All-day fest set for Sept. 30, 2017, with two stages fueled by riffs created by the riddle of steel.

This all day music festival is the first of its kind in Pittsburgh, Pennsylvania. The underground scene of stoner and doom here is healthy and thriving and the location at Cattivo Nightclub is perfect with two large floors, a stage on each, and good sound with friendly staff.

Descendants of Crom Festival lineup:
CANT
MONOLITH WIELDER
OL’ TIME MOONSHINE
ARCHARUS
HORSEBURNER
WASTED THEORY
FOGHOUND
EYE
BRIMSTONE COVEN
SOLACE
THE MIDNIGHT GHOST TRAIN
KARMA TO BURN
VALKYRIE
EARTHRIDE
STINKING LIZAVETA
PENANCE (Alpha & Omega lineup)

Shy Kennedy on Penance headlining:

It all starts out with an idea of, ‘Hey, wouldn’t it be great if there were a gig in Pittsburgh that had a bunch of riff-fueled bands of all rock and metal genres?’ It’s the perfect place for it, really. The scene here is supportive and it’s an accessible city to many. It doesn’t come out of nowhere –- you have to make it happen.

Next, who headlines this underground, doom-rooted event? The answer would be Penance but they’ve been dormant for some time. The Alpha & Omega lineup are all right here and nearly all active in the scene someway or another. Turns out that you just have to ask. Penance are as excited to be a part of the Descendants of Crom as I am. A lot of the seasoned fans are going to appreciate this and for those who aren’t familiar with Penance are going to get a little lesson in Pittsburgh Doom History.

DESCENDANTS OF CROM will bring great regional talent to a hungry crowd, utilizing national fan favorites to lure them to learn about these other amazing artists. This first year is anticipated to be a contender among other established annual fests and will not be an event to miss.

http://facebook.com/descendantsofcrom
http://www.descendantsofcrom.com/

Penance, “Wizards of Mind”

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Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

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Yellowstock X: Lineup Complete; Kadavar to Headline

Posted in Whathaveyou on July 6th, 2016 by JJ Koczan

Set for Aug. 13 and 14 in Geel, Belgium, Yellowstock X is sort of where the summer festival season meets the fall festival season in Europe, thus reinforcing the notion that there is at this point no such thing as a festival season at all, and awesome shows are just a year-round occurrence. Either way, the lineup for the 10th edition of the fest is a striking international assemblage, from Kadavar confirmed to headline to the psych jams of Hills, The Midnight Ghost Train‘s bluster-blues, Zone Six‘s space rock triumphs, Greenleaf‘s hard-driving choruses and on and on.

With bands from Russia to the US, as well as Belgian acts like Flying Horseman, the why-would-you-call-your-band-this Kiss the Anus of a Black Cat, Tangled Horns and The Glücks, it looks like a well-curated mix of groups and should make for a great precursor to the busy autumn ahead.

Complete lineup and headliner announcement follow, courtesy of the fest:

yellowstock-festival-x

The Line-up is complete!!! We are siked to have the almighty KADAVAR to headline Sunday August 14th at Yellowstock Festival 10th Anniversary Edition!!! These retro rockers combine the finest 70’s Rock with enough Psychedelic & Stoner grooves to let y’all band or move!! IF you don’t know’m yet make sure to check’m out!!

Spread the words boys & girls; mothers & fathers; Psychedelic MoFo’s and all the rest!! See you at Yellowstock 2016!!!

TICKETS available now at: http://bit.ly/1prkFxW

EARLY BIRD TICKETS: SOLD-OUT!!!

ALL BANDS CONFIRMED
KADAVAR (Ger)
MICHAEL ROTHER plays NEU!, Harmonia and selected solo works (Ger)
HILLS (Se)
GREENLEAF (Se)
THE OSCILLATION (Uk)
THE MACHINE (Nl)
K-X-P (Fin)
SIENA ROOT (Se)
ZONE SIX (Ger)
THE FLYING EYES (Usa)
FLYING HORSEMAN (B)
PAUW (Nl)
THE MIDNIGHT GHOST TRAIN (Usa)
TERMINAL CHEESECAKE (Uk)
BIRTH OF JOY (Nl)
KISS THE ANUS OF A BLACK CAT (B)
LAY LLAMAS (It)
THE GRAND ASTORIA (Rus)
BLOWN OUT (Uk)
THE GLÜCKS (B)
MANTRA MACHINE (Nl)
TANGLED HORNS (B)

https://shop3.ticketscript.com/channel/html/get-dates/rid/4BHR9KMQ/eid/297973/language/nl
https://www.facebook.com/events/118832615129683/
https://www.facebook.com/YellowstockConcerts/

Kadavar, “Filthy Illusion” official video

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Yellowstock Festival: First Bands Confirmed; Early-Bird Tickets Sold Out

Posted in Whathaveyou on March 8th, 2016 by JJ Koczan

This year’s Yellowstock festival is set for Aug. 13-14 at Bogaard in Geel, Belgium. 2016 marks the 10th anniversary of the fest, which has in years past featured lineups gathering a particular slice of European and American heavy psychedelia, and it looks like this incarnation of the fest is no different. It’s up from one day in 2015 to two now, so I’d expect more than a few lineup additions are still to come, but they’re off and running with the likes of Michael RotherGreenleafHillsThe Flying EyesThe Midnight Ghost TrainThe MachineThe Grand Astoria and so on in their initial announcement.

Enough so that upon being made available this past weekend, early-bird tickets sold out quickly. There’s still time before August gets here if you happen to be near Geel or otherwise ready to travel, but it’s one to keep an eye on. The first Yellowstock was in 2007, and since then the fest has continued to flourish and build its own community in an increasingly crowded heavy scene.

I’ll do my best to keep up with announcements as they come out, but here’s the initial word from the fest itself, as seen on the social medias:

yellowstock header

Yellowstock Festival 10th Anniversary Edition!

TICKETS available now at: http://bit.ly/1prkFxW

EARLY BIRD TICKETS: SOLD-OUT!!!

August 13 – August 14
BOGAARD Diesteweg 135 B-2440 Geel Belgium

First bands confirmed!
Michael Rother plays NEU!, Harmonia and selected solo works (Ger)
HILLS (Se)
GREENLEAF (Se)
THE OSCILLATION (Uk)
K-X-P (Fin)
THE MACHINE (Nl)
THE FLYING EYES (Usa)
THE MIDNIGHT GHOST TRAIN (Usa)
TERMINAL CHEESECAKE (Uk)
KISS THE ANUS OF A BLACK CAT (B)
LAY LLAMAS (It)
THE GRAND ASTORIA (Rus)
BLOWN OUT (Uk)
THE GLÜCKS (B)
+ many more soon!

We are back with 2 full days of music!! Campsite!! and lots more coming soon!!

Cross the dates in your agenda!

https://shop.ticketscript.com/channel/web2/start-order/rid/4BHR9KMQ/language/nl
https://www.facebook.com/YellowstockConcerts/
https://www.facebook.com/events/118832615129683/
http://www.yellowstock.be/

Greenleaf, Rise Above the Meadow (2016)

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