The Obelisk Radio Adds: The Melvins, Slow Season, Beak, GravelRoad and The Lords of Beacon House

Posted in Radio on October 3rd, 2014 by JJ Koczan

the obelisk radio

Yeah, it’s been a couple weeks since I added records to The Obelisk Radio playlist, mostly because these posts are a pain to set up, but once again, I’ve been keeping track of stuff to go up and this time around we’ve got 24 new albums joining the ranks. Some of it is stuff recently covered — 35007, Ice Dragon, Truckfighters — and some has yet to be — Nick Oliveri, Brant Bjork — but as ever, it’s a lot of good stuff, so if you get the chance to hit up the playlist and updates page, you should find plenty there for your perusal, in addition to the running tab of the playlist, which from where I sit puts the whole stream in a different league of enjoyable. Hope you agree.

A lot to cover, so let’s get to it.

The Obelisk Radio Adds for Oct. 3, 2014:

The Melvins, Hold it In

the melvins hold it in

Sometimes I have to wonder how it is that for a band who are so off the wall and experimental one can still basically approach any Melvins record no matter who’s involved in making it and have a decent idea of what to expect. Yeah, guitarist/vocalist King Buzzo and drummer Dale Crover have hooked up with JD Pinkus and Paul Leary of Butthole Surfers, and yeah, “You Can Make Me Wait” sounds like it would play over alternate universe credits to The Breakfast Club, but a lot of Hold it In (released by Ipecac) — “Bride of Crankenstein,” “Onions Make the Milk Taste Bad,” “Sesame Street Meat,” “Nine Yards” — is pretty much in the Melvins wheelhouse. It’s in moments like the jangly “Eyes on You,” trucker rocking “Piss Pisstoferson,” spacious seven-minute jammer “The Bunk Up” and sprawling noise finish “House of Gasoline” that Hold it In really distinguishes itself, but there are stretches even in those where the Melvins just continue to sound like the Melvins. I know they’ve got a fanbase that will eagerly snap up everything they do, and after 30 years of busting their collective ass on tour and in the studio without major commercial success, I’ll far from begrudge them their following, it just seems like for as much praise is heaped in the direction of every new Melvins release, there’s not nearly as much genuinely new ground being broken as time goes on and that even the gleefully weird territory Hold it In covers is starting to feel an awful lot like a comfort zone. The Melvins on Thee Facebooks, Ipecac Recordings.

Slow Season, Mountain

slow season mountains

Whichever of Cali four-piece Slow Season‘s parents introduced them to Led Zeppelin, thanks. The Visalia outfit will release their second album, Mountains, this November on RidingEasy Records, following-up a 2012 self-titled, and by way of advance notice, the thing’s a ripper, echoing out Plant-style vocals and Bonham stomp with an underlying skater-rock groove that fits well with the label’s output in bands like The WellElectric Citizen, and so on. Of course, there’s more than that at play — second cut “Synanon” reminds of some of The Flying Eyes‘ heavy psych rollout — but from the oohing and ahhing that cap “Damo’s Days” to the bombast that comes to the fore in “Wasted Years,” Zeppelin are a central influence, bolstered throughout by touches of early Soundgarden and forays into mega-swagger for “King City” and acoustic psychedelia in “Apparition.” Mountains‘ bread and butter, though, is the meaty riffer fare of “Shake” and closer “The Defector,” the sheer arrogance of which impresses, let alone the fluidity of the riff or the obvious aesthetic drive of the production. Slow Season on Thee Facebooks, RidingEasy Records.

Beak, Let Time Begin

beak let time begin

Not to be confused with Beak>, who are a different band entirely, post-metal four-piece Beak are based in Chicago and Let Time Begin (released by Someoddpilot Records) is their chugging, growling, atmospherically ranging debut full-length. Chicago has proven a hotbed for the genre, and Beak seem well aware of the tenets, trading off crushing riffs for atmospheric post-rock airiness, the lineup of Chris Eichenseer, Jason Goldberg, Andy Bosnak and Jon Slusher taking an Isis influence to unexpected synthy weirdness on “The Breath of Universe” — a vocoder early bringing to mind some of Cynic‘s post-reunion proggism — after the lumbering of “Light Outside.” Longer songs like “Into the Light” and “Carry a Fire” flow well, incorporating some blackened guitar squibblies and echoing screams between them, and the penultimate “Over the Shelter, the Morning” moves from abrasive feedback to contemplative ambience ahead of “Fiery They Rose,” which meters out weighty pummel but ultimately caps Let Time Begin on a subdued note that’s both satisfying and emblematic of a burgeoning will toward individuality. Beak on Thee Facebooks, Someoddpilot Records.

GravelRoad, El Scuerpo

gravelroad el scuerpo

Seattle blues rockers GravelRoad get the vibe just right on “Waiting for Nothing,” which opens their fifth album, El Scuerpo (Knick Knack Records), rocking out quiet, unpostured blues to lead the way into the record’s varied takes, from the boogie-woogie shuffle of “40 Miles” to the psychedelic fluidity of “Green Grass,” straight-up heavy rock of “DD Amin,” languid roll of “Asteroid” and upbeat finish of “Flesh and Bone,” which is among the happiest songs I’ve ever heard about cannibalism. My chief issue with some of their past work has been a tendency toward disjointedness and a modern blues production style that hones in on clarity and the brightness of the guitar and gives up some of the malevolence of the low end — something more related to my own perspective listening than the actual mission of the band — but El Scuerpo flows well and a mix by Jack “Yes, That Jack Endino” Endino treats eight-minute heavy jam rocker “Asteroid” with its due reverence, and the more I hear it, the more I want to hear it. GravelRoad on Thee Facebooks, Knick Knack Records.

Lords of Beacon House, Lords of Beacon House

Los Angeles heavy rockers Lords of Beacon House serve notice of their arrival this fall via a three-song EP on Homhomhom that takes loose, Graveyard-style ’70s worship and adds a touch of Western flair in the snare march of “Seven Days” and Sabbathian string pull on “Cool Water Blues.” The EP (they call it an album, it’s really more of a demo, but whatever you want to call it) runs shortest to longest, and opener “Distant Thunder” is the most straightforward of the bunch accordingly, but even in its 8-track chug, Lords of Beacon House showcase natural tones and a penchant for writing strong hooks that continues right through until the last repeat of the line “I asked for water/She gave me gasoline” in “Cool Water Blues,” which rounds out with familiar if welcome nod. They’re a new band and so far as I can tell, this self-titled is the first audio they’ve made public, but they seem to have a handle on what they want to do, and that’s never a bad place to start working from. More to come, I’m sure, and thanks to Bill Goodman for steering me their way. Lords of Beacon House on Thee Facebooks, Homhomhom.

As noted, this is just a fraction of the stuff that joined the playlist today, so if you get a second, check out the rest at The Obelisk Radio updates and playlist page.

Thanks for reading and listening.
 

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audiObelisk Transmission 040

Posted in Podcasts on September 26th, 2014 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

This one’s beamed in from a universe of all good times. I don’t want to walk around tooting my own horn like I actually did anything, but you’ll pardon me if I say that once you get on board here, you might not want to jump back off. The flow is up and down, alternately drawn out and rushing, and right up to the last song which is a bit of a return to earth, the second hour is the most spaced out it’s ever been around these parts. I’m way into it. I hope you’re way into it.

Like last time, I tried to get a mix of excellent stuff upcoming with other recent items you might’ve missed. One of these days I’m gonna do another one of these where I talk, but this is straight-up track into track the whole way through and I think it moves really well that way. Please feel free to grab a download or hit the stream and dig in and enjoy.

First Hour:
The Melvins, “Sesame Street Meat” from Hold it In (2014)
Fever Dog, “One Thousand Centuries” from Second Wind (2014)
Lo-Pan, “Eastern Seas” from Colossus (2014)
Witchrider, “Black” from Unmountable Stairs (2014)
Alunah, “Awakening the Forest” from Awakening the Forest (2014)
Craang, “Magnolia” from To the Estimated Size of the Universe (2014)
Slow Season, “Shake” from Mountains (2014)
Lucifer in the Sky with Diamonds, “Guillotine” from The Shining One (2014)
The Proselyte, “Irish Goodbye” from Our Vessel’s in Need (2014)
Flood, “Lake Nyos” from Oak (2014)
Lord, “Golgotha” from Alive in Golgotha (2014)

Second Hour:
My Brother the Wind, “Garden of Delights” from Once There was a Time When Time and Space were One (2014)
Spidergawd, “Empty Rooms” from Spidergawd (2014)
The Myrrors, “Whirling Mountain Blues” from Solar Collector (2014)
Witch Mountain, “Your Corrupt Ways (Sour the Hymn)” from Mobile of Angels (2014)

Total running time: 1:54:28

 

Thank you for listening.

Download audiObelisk Transmission 040

 

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The Melvins to Release Hold it In this October; Tour Announced

Posted in Whathaveyou on August 1st, 2014 by JJ Koczan

And in other news, the Melvins continue to release Melvins albums. But wait, there’s a twist! They’ve traded out the Big Business cats for Paul Leary and JD Pinkus of Butthole Surfers (the latter also of Honky), dropping from two drummers to one — no problem there, Dale Crover can hold his own — but going to two, maybe three, guitars along the way. Oh, those wacky Melvins. You never know quite what’s coming next. It’s a wonder they manage to so consistently sound like the Melvins.

Buzz Osborne is currently on tour supporting his 2014 solo debut, This Machine Kills Artists (review here), but it’s never long before the next Melvins whathaveyou is on the way, and Hold it In is set for an October release through Ipecac. Of course, the PR wire has tour dates corresponding as well.

Here they go:

THE MELVINS RELEASE HOLD IT IN ON OCT. 14 VIA IPECAC RECORDINGS

U.S. TOUR KICKS OFF OCT. 15

The Melvins return with Hold It In, their first studio album as a quartet since 2010’s The Bride Screams Murder, on Oct. 14.

Joining Buzz Osborne and Dale Crover for the 12-song outing are Butthole Surfers’ guitar player Paul Leary and bass player JD Pinkus. Hold It In was recorded in both Los Angeles and Austin earlier this year.

“Hold It In is a refreshing piece of fiction in a boring world of fact and bullsh*t,” said Osborne. “Paul is one of the best guitar players I have ever heard and Pinkus has an outside the box type of approach to both guitar and bass that you just have to let it ride. I can’t believe this actually happened. I’m thrilled.”

“It’s very rare you get a chance to work with three folks from the ‘Break A Wish’ foundation, all at the same time,” said Pinkus. “I believe they’ll remember their experience with me forever (or until they finally all lose their fight with S.I.D.S).”

The Melvins kick off a round of U.S. tour dates on Oct. 15 in Sacramento at Assembly, which also includes a performance at this year’s Voodoo Experience in New Orleans. Osborne, Crover and Pinkus will be the touring roster for this run of dates.

Tour dates:
October 15 Sacramento, CA Assembly
October 17 Bellingham, WA Wild Buffalo House of Music
October 18 Seattle, WA The Showbox
October 19 Portland, OR Roseland Theater
October 21 San Francisco, CA Great American Music Hall
October 22 San Luis Obispo, CA SLO Brewing
October 23 Los Angeles, CA The Troubadour
October 24 San Diego, CA The Casbah
October 25 Phoenix, AZ The Crescent Ballroom
October 26 Albuquerque, NM The Launchpad
October 28 Dallas, TX Trees
October 29 Austin, TX Mohawk
October 30 Houston, TX Warehouse Live – Studio
October 31 New Orleans, LA Voodoo Fest
November 1 Pensacola, FL Vinyl Music Hall
November 2 Gainesville, FL The Wooly
November 3 Jacksonville, FL Jack Rabbit’s
November 4 Orlando, FL The Social
November 5 Ft. Lauderdale, FL The Culture Room
November 6 Tampa, FL Orpheum Theater
November 8 Atlanta, GA The Loft at Center Stage
November 9 Birmingham, AL Zydeco

Tickets are on sale this Friday, Aug. 1 at 10 am local time.

Osborne is currently touring in support of his debut acoustic album, This Machine Kills Artists, performing shows this week in Tucson (July 30 at Club Congress) and Palm Springs (July 31 at Pappy & Harriet’s) before heading to Australia and Europe for an additional six weeks of dates. Crover temporarily joins OFF! for the band’s August tour.

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www.twitter.com/melvinsdotcom

Buzz Osborne, Live in Nashville, TN, March 18, 2014

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