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Maple Forum Update: 72 Clamfight Pre-Orders Left

Posted in Label Stuff on December 14th, 2012 by JJ Koczan

Happy to report that 23 copies of Clamfight‘s I vs. the Glacier have been pre-ordered as of this post. If you haven’t had the chance to put yours in yet, please head over to the Maple Forum Bigcartel store and get your Paypal grooving. They’re going quick and as we get closer to the January 22, 2013, release date, I don’t think that’s gonna stop anytime soon.

Reviews have started to come in as well and, unsurprisingly because the record kicks ass, they’re awesome. Thanks to Axis of Metal and HeavyHardMetalmania for taking on this beast. I’m stoked to see what everyone else thinks as the official release approaches. I feel like these songs are so densely packed that they’ll catch a lot of people off guard. Clamfight walk a fine balance of a couple different kinds of metal — stoner, thrash, sludge, doom, etc. — and make a lot of really hard shifts sound really easy. Hopefully, whether you’re writing a review or not, you agree once you hear the record.

And as for that — actually hearing it — the kind souls at Stereokiller have put up the track “Sandriders” for streaming, which, thanks to the wonders of embed technology, you can hear on the player below. Check it out:

Thanks again to everyone who’s helped spread the word about Clamfight‘s I vs. the Glacier one way or another, and even more to everyone who’s put an order in so far. Make sure you get yours while the getting’s good by pre-ordering at the Maple Forum store.

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The Maple Forum: Clamfight’s I vs. the Glacier is Now Available for Pre-Order

Posted in Label Stuff on November 27th, 2012 by JJ Koczan

Click here to go to The Maple Forum store.

The fifth release on The Obelisk’s in-house label The Maple Forum, New Jersey riff-thrashers Clamfight will draw forth I vs. the Glacier on Jan. 22, 2013. I know we’re still a ways off from that, but I firmly believe that when 2013 is over, Clamfight‘s epic second album will stand not only among the year’s strongest releases, but also perhaps one of the greatest cultural moments Western Civilization has yet produced. Needless to say, if that doesn’t turn out to be the case, I’ll be severely disappointed.

Bill Shakespeare, George Carlin, Black Sabbath, Shatner and Clamfight. I’m dead fucking serious.

I have 95 copies of the album to sell, and they’re up for pre-order now. Each Clamfight pre-order comes with a handwritten thank-you card (not pictured because I haven’t bought them yet, but they’ll be nice) [PLEASE NOTE: Due to the volume of pre-orders, I had to can the thank-you cards. Not that I appreciate your order any less — quite the opposite — but I’ve only got so many hours to fill these things out.] and a couple of the brand new Obelisk stickers with the octobeliskopus design by Skillit, as seen in the site’s header. They are $10 domestic American and $12 international, shipping included, and available to purchase at The Maple Forum Official Store.

All pre-orders will ship out Jan. 10, some 12 days ahead of the release date, to make sure everyone who ordered ahead of time gets the record early, and if I wound up having to write out 95 thank-you notes, well, that would just be awesome as far as I’m concerned. Maybe if they all go that quickly I’ll ship them out before the New Year hits to celebrate or something. Just floating ideas.

In another fit of “let’s try awesome,” I’ve also cut the price on the HeavyPink 7″, the fourth release on The Maple Forum. As you can see in the store, it’s now just $8 domestic/$12 international.

Thank you for your continued support of The Obelisk and of The Maple Forum. It means more than I have words to say.

And in case none of the other links did the job, click the album cover to buy:

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Live Review: Black Pyramid, Kings Destroy and Clamfight in Brooklyn, 11.09.12

Posted in Reviews on November 12th, 2012 by JJ Koczan


First thing’s first: As one of the two presenting parties for the show — the other being BrooklynVegan, whose promotional assistance was massively appreciated for this weekender tour — I probably shouldn’t even be reviewing it at all. On the other hand, however, Black Pyramid, Kings Destroy and Clamfight rule, and after plugging the living crap out of it beforehand (see here, here and here), it seems like I’d be leaving the story unfinished without some kind of wrap-up. I felt a little bit like I was going to my own birthday party.

It was the first night of a three-gig weekender, at Union Pool in Brooklyn. The other two shows, Saturday and Sunday, were in Rochester and Allston, Mass., but this one had the added bonus of being free, so all the better. Yeah, C.O.C. and Royal Thunder were playing down at the St. Vitus bar the same night, but though that provided a bit of pre-show anxiety, the crowd was by no means lacking for any of the bands. Even as Clamfight got going, the room had plenty of people in it, for which I was thankful.

I’d shown up to the venue early to deliver the NJ/Philly-based outfit their I vs. the Glacier CDs, due out for release on The Maple Forum on Jan 22. It wasn’t long before they were out on the merch table, so hopefully a few people got early copies, which is always awesome. They got going circa 9:30PM and delivered a set of their epic riffy thrash. Their set was almost entirely new songs — that would prove to be a theme throughout the night — with “The Eagle” as a highlight alongside the slower, more languid guitars of “River of Ice,” which guitarists Sean McKee and Joel Harris made all the groovier while drummer/vocalist Andy Martin slammed his drums so hard he collapsed his floor tom and broke every stick he brought with him for the three shows, leaving Louis Koble‘s steady bass to the task of holding the songs together.

Martin, who has been occasionally known to throw up the night’s alcohol on stage but was doubtless pacing himself for the weekend ahead on Friday, has emerged as a solid frontman presence in the band, despite being behind the drums. He plays with charisma and the shouts and screams he lets loose feel like cruelties directed at the microphone. The band would do well to push his kit more to the front of the stage — not necessarily with anyone behind, but playing more on a lateral, à la Weedeater — and give their set even more of an unhinged atmosphere. As it was, they more than gave a favorable impression to the crowd, and capped off with “Stealing the Ghost Horse,” which also closes I vs. the Glacier and is arguably the most expansive Clamfight song yet, with a sense of drama to offset some of the brashness found elsewhere and a one-man clean/harsh call and response from Martin that’s as memorable live as it is on the album.

This was the first time I’d seen them since being delivered the master for I vs. the Glacier and knowing the songs better just made their set more fun to watch. McKee is relatively understated on stage — well-headbanged hair often obscuring his face entirely — but standing alone to Martin‘s left, he tears into a slew of killer solos, while Harris and Koble keep the riffs flowing on the other wise. Their live dynamic is beginning to come into its own. There are kinks to be worked out — more shows will help — but the potential remains strong and they did right by their new songs, as did Brooklyn’s own Kings Destroy, who turned the lights low and played cuts off their new record, the title of which I’m pretty sure I’m not at liberty to reveal.

I’m not aware of any album title, nor would I be at liberty to disclose any such title were I aware of its existence. Turn your head and cough. Ha.

As if the lighting at Union Pool needed to be any more challenging to my novice-ass picture-taking, Kings Destroy basically played in the dark but for a projection of what looked like shards of light that cut through. Their new songs — the likes of “The Toe,” “Decrepit” the more upbeat “Casse-Tête” and “Storm Break” — are a distant cry from where their first album, And the Rest Will Surely Perish (also a Maple Forum release, fancy that), once came. Part of that has to be due to the departure of bassist Ed Bocchino as a songwriting factor, but if it’s guitarists Carl Porcaro and Chris Skowronski coming up with the guitar parts around which this current batch of material is based, the results are intricate, complex and more and more atmospheric. I’m not about to decry the first album — I wouldn’t if I could — they’ve just flipped the formula on its head and as a result are less tied to genre stylistically.

They’ve also become a force on stage. Union Pool isn’t a huge room, but neither is it small, and that’s how the five-piece made it look, bassist Aaron Bumpus, drummer Rob Sefcik and vocalist Steve Murphy delivering a pro-grade run through a well-constructed set of their latest, the chaos all the more palpable for the fact that it was basically happening in the dark. The band all around has grown from their time on stage in Europe and the US, Skowronski and Porcaro keeping individual identities in a wash of tone and feedback, Murphy cutting through the morass, Bumpus touching on creative fills that just hint at the mountain of talent on which he seems to stand, while Sefcik‘s propulsive thunder proved no less weighted fast or slow. Their new stuff runs a risk of throwing some people off who perhaps expect a direct port of the straightforward side of the debut, but they’re on the way to mastering their aesthetic, and the direction they’re headed in is rich and progressive in a way that they’ve barely hinted at being to this point.

So yeah, by the time they finished with the creepy awesomeness of “Turul,” the first two bands of the night had me in a full-on nerdout. I can admit it. I wasn’t exactly going for impartiality here to start with, just trying to let you know how it went down. And if I wasn’t a fan of the bands, I probably wouldn’t have signed on to release their stuff on The Maple Forum, so if you have to take the review with a grain of salt, well, fine.

A note about the hazards of no cover charge: As Kings Destroy were wrapping up, Guy Who Clearly Just Wandered In saw me standing by the side of the stage in front of Black Pyramid drummer Clay Neely‘s kit and asked if I was in a band. It’s not an unreasonable suspicion — black t-shirt, jeans, long hair, beard; I’ve got the uniform. Now, I don’t want to go around making unreasonable assumptions about the behavior of others, but with the stickers on his $500 leather jacket, the crazed look in his eyes, dual-blonde accompaniment and “I’m everybody’s best buddy and the life of the party” demeanor, I had no choice but to presume he was on cocaine.

This is not an unreasonable assumption to make about anyone on a Friday night in either the Manhattan or Brooklyn boroughs of New York City, but I think that given the evidence — circumstantial though it is — I wasn’t necessarily in the wrong for being on my toes. I told him that, no, I wasn’t in the band, and that Neely, standing next to me, was their drummer. Sweat running down from the well-tended crop of spiky hair on his head, he persisted, as though I was simply obscuring the fact that I was in a band, indeed the band that was playing next, and we were just involved in some kind of playful joshing. No sir, I insisted, I’m not in a band, not in that band. Finally, and in a sterner tone that was not quite a yell but nonetheless definitely the “daddy voice” I’ve put on while scolding my dog for chasing a squirrel toward the road, I told him, “Dude, I’m not in that band. I’m just weird looking. I promise you,” and walked away to watch the end of Kings Destroy‘s set. So to the hazards of no cover: You ne’er know who’s gonna walk in.

It turned out — much to his surprise — that I wasn’t in Black Pyramid. Neely, bassist Dave Gein and guitarist/vocalist Darryl Shepard (who killed it just six days prior performing as Blackwolfgoat at the Small Stone Boston showcase) were in Black Pyramid, and no sooner were they set up and ready to go than were they laying waste to everything in their path, including the room, which by this point was fairly well packed out. Up front were a few headbangers — a rarity for New York anything — and the band’s energy fed off their own as they led off with “Stormbringer” and then went into “Aphelion” from their 2012 split with Odyssey, the first studio cut with Shepard‘s vocals and guitar, its axe-wielding groove making it an immediate highlight.

There were a few new cuts in the set from Black Pyramid‘s next album, which was finished being recorded only hours before the band pulled up to play Day Four of this year’s SHoD, and it’s worth noting how much more at home Shepard seemed on the material he helped compose. He stepped into kind of an awkward situation when he joined the band late last year before the release of their second full-length, II, and though he’s done well to make the prior material his own — as “Stormbringer,” “Visions of Gehenna” and the finale “No Life King” showed — there’s a difference between his performance of the songs he adopted versus the songs he wrote. It’s not an easy thing to make someone else’s work yours — that’s why most covers suck — but what he brings to Black Pyramid is about 20 years of writing killer riffs, plus an ability to toss off embarrass-your-lead-guitarist solos like he was taking off a pair of shoes. He makes some of the older leads look easy to the point of silliness.

His vocals on both new material and old fit the songs excellently, though, and he, Gein and Neely were as tight as I’ve ever seen Black Pyramid, including at Roadburn 2011, which if it wasn’t their prior apex had to be close to it. I’m hardly objective in their case either, even if I haven’t released anything of theirs, but the crispness of their presentation made me look forward all the more to when I might get the chance to hear the studio versions of the new tracks and give them an overly-worded track-by-track review, which no doubt will also carry with it a disclaimer disavowing any and all critical credibility. But it’ll be fun, and that’s what matters.

Ditto that for this gig. It was a great time. All three of these bands are made up of killer dudes, and when I rolled out of Union Pool and headed back to Jersey, I was more than a little wistful at the thought of following the tour up north to Rochester, but it wasn’t to be. Instead, I rolled into my humble river valley at around 1:30AM, found that the internet had finally come back on after Hurricane Sandy, and spent the remainder of the evening — all 25 minutes of it — beginning to chip away at the weeks of neglected emails that I hadn’t had the chance to answer. Some you win, some you lose. I felt lucky to see these three acts on the night I did, and hopefully they get together and do it again.

More pics after the jump.

Read more »

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The Maple Forum: Clamfight Announce January 22 Release Date for I vs. the Glacier

Posted in Label Stuff on November 8th, 2012 by JJ Koczan

Yes, the rumors are true. Those soft rumblings you’ve heard from the ground, the whispers on the wind. Clamfight‘s second album, I vs. the Glacier, has been giving a Jan. 22, 2013, release date via The Maple Forum. The discs are back from the pressing plant, and they’re just sitting in my office waiting to go out. We’ll have preorder info up in the next couple weeks.

And before we get to January, the band are going to be breaking their asses to promote. There’s talks of a video, track streams, late-night talk show appearances, etc., and to help them in their quest for riffy thrash domination, the four-piece have enlisted the ultra-capable Earsplit PR, whose dedication to the cause and work with the likes of Neurosis, C.O.C. and EyeHateGod (among countless others) has rendered their expertise unfuckwithable. Clamfight are in good hands.

Earsplit sent the following announcement down (what else?) the PR wire:

CLAMFIGHT Prep New Album For Deployment

Mini-Tour With Black Pyramid, Kings Destroy Begins This Week

Riffmongering Westmont, New Jersey-based CLAMFIGHT has completed their second album, and are preparing it for deployment in early 2013, unless there is some truth to this Mayan calendar fiasco that is.

As with their impressive 2010 debut Volume I, the new opus, I Versus The Glacier, was recorded by Steve Poponi at Gradwell House Recording in Haddon Heights, New Jersey. The thundering nine-track ruckus that is I Versus The Glacier magnifies the signature CLAMFIGHT blend of sludge, thrash, and doom that, according to Doommantia webzine, “has more than enough groove to break down walls,” yet ventures into even more expansive and torrentially-infectious territory on the nearly fifty-minute album.

I Versus The Glacier will see release on January 22nd, 2013 exclusively through New Jersey-based The Maple Forum, the official label imprint born of admired webzine/music community The Obelisk. In coordination with BrooklynVegan, The Maple Forum is co-sponsoring a weekend warrior tour kicking off in Brooklyn this Friday and plowing through Rochester, New York and Allston, Massachusetts, uniting CLAMFIGHT alongside Kings Destroy (members of Killing Time) and Black Pyramid.

CLAMFIGHT Live Engagements:
11/09/2012 Union Pool – Brooklyn, NY w/ Kings Destroy, Black Pyramid
11/10/2012 Monty’s Krowne – Rochester, NY w/ Kings Destroy, Black Pyramid, Babayaga
11/11/2012 O’Brien’s Pub – Allston, MA w/ Kings Destroy, Black Pyramid
11/20/2012 Kung Fu Necktie – Philadelphia, PA w/ Thee Nosebleeds, Screaming Rattler

Additional live excursions are being devised for the coming weeks and will be announced as the album’s release date nears.

I vs. the Glacier Track Listing:
1. The Eagle
2. Sandriders
3. Shadow Line
4. I vs. the Glacier
5. Age of Reptiles
6. River of Ice
7. Mountain
8. Tower of the Elephant II
9. Stealing the Ghost Horse

http://clamfight.bandcamp.com
http://www.facebook.com/pages/Clamfight/248201303669
http://mapleforum.bigcartel.com

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Visual Evidence: Black Pyramid, Kings Destroy & Clamfight “Annihilate All Weekend Long” Poster by Skillit

Posted in Visual Evidence on October 25th, 2012 by JJ Koczan

Once again, I doff my hat to the work of Sean “Skillit” McEleny, who just sent over this poster for the Black Pyramid, Kings Destroy and Clamfight “Annihilate All Weekend Long” weekender tour next month. You may know Skillit‘s stuff from, uh, scroll up, he did the header for this site, as well as from kickass shows and artists too numerous to mention in a post that’s just supposed to be about artwork. His site is here.

I wanna be friends with it:

 

Friday, 11/9 – Union Pool, Brooklyn, NY **FREE SHOW**
Saturday, 11/10 – Monty’s Krown, Rochester, NY
Sunday, 11/11 – O’Brien’s Pub, Somerville, MA

By way of band updates:

Kings Destroy will also be playing Nov. 2 at the St. Vitus bar in Brooklyn with Witch Mountain. Their new album is being mastered next week by Joe Lambert in Brooklyn, and will be out early 2013.

Clamfight are in Delaware this weekend with Wizard Eye and others. The latest on their new album is here. I can’t fucking wait for it to be released.

Black Pyramid kick ass. That’s not really news, but it’s true all the same.

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Clamfight’s I vs. the Glacier: It Exists!

Posted in Label Stuff on October 24th, 2012 by JJ Koczan

Got home from work last night and found a big ol’ box of Clamfight CDs. It was enough to have made the workday worthwhile.

They’re geeerjus, as you can see in the totally natural, not-at-all-arranged picture above. I’m always stoked on everything The Maple Forum puts out, but Clamfight are friends going back years and years. We played shows together when they were barely a band, and I’ve only become more of a fan as they’ve grown into the unwieldy riff ‘n’ thrash monster they are now. I vs. the Glacier is going to stomp your face.

It’s a four-panel digipak. Here’s the full outside cover, with firehorses and scantily :

Here’s the inside cover with the disc:

And here’s a closer look at the cover:

We’re eying a January release. Stay tuned for pre-order info. Of course, the band might also have some copies with them on the upcoming Clamfight, Kings Destroy and Black Pyramid “We vs. the Weekender” tour, about which you can find more details here or here.

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The Maple Forum: Clamfight’s I vs. the Glacier is in Production Now

Posted in Label Stuff on October 4th, 2012 by JJ Koczan

I stopped off at the post office on my way to work this morning and shipped out the master, the art and everything else has been uploaded, so Clamfight‘s long-awaited second album, I vs. the Glacier, is officially in production. It’s been a long time coming, but the band worked their asses off getting the record together, the songs are even better than I could’ve hoped for, and I’m stoked to be involved in the release via The Obelisk’s in-house label, The Maple Forum. It’ll be a full four-panel digipak with sophomore-year-notebook-worthy artwork that we’ll have more on in the future.

As for when that release will actually be out, we’re not sure yet. The impulse every time I get a disc back from the press — or, in the case of HeavyPink‘s 7″ single, from Tony Reed — is to put it on sale right away, because I’m all excited and whatnot and suddenly it makes a ton of sense to release something I’m super-into without really telling anyone about it first. Maybe I’ve learned my lesson on that one, maybe not. This record’s been in the works for a while and I don’t want to be the cause of further delay. On the other hand, it’s a killer album and it deserves whatever fanfare it can accrue before actually coming out, be it reviews, word of mouth, whatever.

So there’s some coordination that still needs to happen, but for today, I’m just going to be thrilled that at long last, Clamfight‘s I vs. the Glacier will be pressed. The CD will be limited to 300 copies, of which I’ll have 100 for sale. As we get closer to the eventual release, we’ll talk tracklisting, recording info, etc. But that’s all for later. For now, I raise my coffee mug in salute to the havoc this excellent frickin’ record is going to wreak on any ears fortunate enough to hear it.

Thanks for your continued support of The Maple Forum and of this site.

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Kings Destroy European Tour Diary — Part 3: Berlin to Prague

Posted in Features on July 12th, 2012 by JJ Koczan

When vocalist Steve Murphy of Kings Destroy — who’s hands down one of the most solid dudes I’ve ever come across in my doomly travels — first pitched me on the idea of a European tour diary, I was like, “Yeah, alright, I’d be up for that.” And I was, but I kind of figured that the band would be too busy drinking good beer and kicking good ass to actually follow through on it.

More the fool I, and rarely have I been so thrilled to play the fool. Below, bassist Aaron Bumpus checks in from the road as Kings Destroy opens the Red Stage at Sweden’s Getaway Rock Fest and continues their European run with Rosetta. If you’ve missed the first installments of the tour diary, click here.

Dig it:

Berlin-Prague
Official tour song: Scorpions, “Winds of Change”
Official tour mascot: Paul Stanley

After another great show at Magnet with our tourmates, Rosetta, Kings Destroy says farewell to Berlin and heads north to Sweden. My mind begins to generate a rather long list of bands that were born in this country over the years, and I start to think, “What metalhead wouldn’t be psyched about going to Sweden?”. Especially when said visit involves an insane event like Getaway Rock Fest.

Driving up from Berlin to the ferry, we hadn’t slept much in the van. So once we boarded the ferry, I put my head down and was out within minutes. I did wake up a couple of times to take a peak outside at what appeared to be small glacial structures. An ominous mist rose off the top as we crept by. Fucking metal, indeed.

Onward…

After a second blown rear tire in three days (this time on Rosetta‘s van), we continued on to Linköping, where we made camp for the night. We would get an early start in the morning. Of course, delays are inevitable sometimes. Without getting too detailed, I guess it’s fair to say we may have put a little too much faith in our GPS. Once we figured out a way to get to a much more reliable road, we hauled ass to Gävle with Captain Murphy at the helm, and arrived at the exact time we were scheduled to set up for soundcheck. The view from the “Red” stage at Getaway Rock Fest was a sight to behold, adjacent to the river, blue skies and a clear sunny day. Since we opened the show on our stage (with Rosetta to follow), we weren’t expecting much of an audience. This was the earliest set we’ve ever played (2PM), but sure enough, people started making their way over to rock with us. Good times on that stage — always nice to have a bit of room to run around. Well received, and we had the rest of the day to hang out, drink beer and watch some of the other bands.

The highlight for me was at about 4:30PM, when I was lucky enough to catch Suicidal Tendencies set in its entirety. I watched from the frontlines singing along every word like an obsessed angst-filled Dogtown teenager. One can never get tired of watching Cyco Miko bug out on stage — dude never seems to run out of energy. I can honestly say, with four stages, 12 hours of bands, blond headbanging as far as the eye can see, and of course, t-shirts of all kinds, from obscure local favorites to the usual hall of famers (Iron Maiden wins the t-shirt popularity contest without question), I’ve never seen anything quite like this. The magnitude of such an event is pretty unbelievable, until you witness it for yourself.

Spent some time hanging out with the guys from Weedeater, who are some of the nicest dudes, and always entertaining both on stage and off. You know what? I take back what I said earlier. The REAL highlight of my day was watching the Weedeater cats commandeer a forklift from the stage crew, going full throttle towards the backstage area, then Dixie riding the lift all the way up to the top and back down, all without spilling his beer.

Saturday’s headliner: none other than the legendary Yngwie Malmsteen, who has not slowed down one bit since Rising Force. Sweden’s prodigal son returns, in triumph, to unleash the fucking fury in his homeland. Now that’s a sight I never thought I would get to see.

After a quick ferry ride followed by a 16-hour drive, we’re back in Germany for a show in Hamburg. Our overall weariness from the drive may have added to the extra-slow set we delivered, making it appropriately doomtastic. We made friends with some of the locals who accompanied us to a metal bar in the neighborhood where we spent the majority of the rest of the night drinking beer and filling up the jukebox. Lots of laughs as we stumbled back to the venue/apartment where we were staying.

Before I tell the story of our arrival in Prague, I should mention we just had our third flat tire in a week (the second flat for Rosetta‘s van). In order to make the gig, we had both bands pile into one van with all our gear, and fucking tore ass across the German border. Pretty intense. We knew we were going to be late, but “the show must go on,” as they say. We didn’t mind playing a relatively short set so the Rosetta fans at Klub 007 would get their money’s worth.

It was also C-wolf‘s birthday yesterday. I can’t think of a better place to celebrate the man and the legend that is the C-wolf. The next morning, we took a walk into town. We really haven’t had much time to go out and explore, but I’m glad Prague was one of the three we’ve been able to check out. Old cities are something of a fascination of mine, and I’ve been fortunate to see several on this tour. Little by little, we’re creeping closer towards the end. It’s really starting to sink in that this thing is almost over. But, with six days left in the tour, there are bound to be a few more adventures.

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