Cities of Mars Announce April/May European Touring

Posted in Whathaveyou on February 28th, 2020 by JJ Koczan

cities of mars

It’s a pretty simple story with this one so I’ll try to keep it simple accordingly. Good band puts out good record, then a little while later, goes on a tour to support it. Taa-daa! That’s what it really comes down to. The band in this case are Purchasing try here online should not be overwhelming even though they are numerous custom writing services. Cities of Mars from the creative hotbed that is Gothenburg, Sweden. The record was 2019’s UK Academic Writers offers trusted Essay Writer Joke at cheap prices, we provide essay writing, assignment writing & dissertation writing services The Horologist (review here), which served double-duty as their label debut for http://shikishima-reform.com/blog/best-writing-paper-services service: timely help for a novice. Everybody knows writing services are popular, and it’s easy to guess why – but it isn’t necessarily a story of carefree students partying all the time instead of doing their homework. Ripple Music. And the tour — which is by no means their first — is an upcoming 13-day run through Sweden, Denmark, Germany, France, Belgium and Norway that they’ll undertake to spread their sci-fi gospel of time-travel, cosmonaut idolatry and secrets held by the Martian underground.

See? Simple story.

Just not maybe in terms of the actual story.

Always dig seeing what these guys are up to, and if you need a refresher on Choose our best site for essay writing, Our professionals right. Organization Of Research Paper - Change the way you cope with your task with our. The Horologist, well, there just happens to be a Bandcamp stream at the bottom of this post. How about that?

Poster rules:

cities of mars 2020 tour

Cities of Mars Spring 2020 tour!

By some stunning art of Potsdam, Germany-based artist Simon Schürmann (Instagram @boarddecor) comes tour artwork for Swedish sci-fi-doomers Cities of Mars who will be back on the road again in April 2020. For the fifth time, the riff-heavy stories of the KGB cosmonaut Nadia and ancient, solar system-spanning conspiracies of old will be delivered on stages all over Europe. A few familiar hunting grounds will be covered, as well as a few new cities and venues.

With the critically acclaimed albums The Horologist (Ripple Music) and Temporal Rifts (Argonauta Records) released and live skills honed on 70+ gigs all over the EU and UK, this tour will be thirteen days of heaviness!

April 22 Plan B, Malmö Sweden
April 23 Lygtens Kro, Copenhagen Denmark
April 24 Hafermarkt, Flensburg Germany
April 25 Archiv, Potsdam Germany
April 26 Le Grillen, Colmar France (w DOOL)
April 27 Rock’n Eat, Lyon France
April 28 Mondo Bizarro, Rennes France
April 29 (still uncertain venue) Lille France
April 30 Den Drummer, Ghent Belgium
May 1st MTS Records, Oldenburg Germany
May 2 Dimman Musikfest, Helsingborg Sweden (w Dirt Forge)
May 8 Revolver, Oslo, Norway
May 9 Dirty Deeds, Gothenburg Sweden

CITIES OF MARS:
Danne Palm – Bass, Vocals
Christoffer Norén – Guitar, Vocals
Johan Küchler – Drums, Vocals

www.facebook.com/citiesofmars
http://citiesofmars.bandcamp.com/
https://www.instagram.com/citiesofmars
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Cities of Mars, The Horologist (2019)

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Review & Track Premiere: Cities of Mars, The Horologist

Posted in audiObelisk, Reviews on March 28th, 2019 by JJ Koczan

cities of mars the horologist

[Click play above to stream the lyric video for ‘Trenches of Bah-belon’ from Cities of Mars’ new album, The Horologist. Album is out April 5 on Ripple Music.]

What’s happening on Mars? Sci-fi pummelers Romeo And Juliet Literary Analysis Essay - Instead of worrying about term paper writing find the needed assistance here Only HQ academic writings provided Cities of Mars have been telling the story of a Russian cosmonaut on a covert mission and the discovery of ancient advanced technologies since the release of their first single, http://www.carbosl.com/drunk-driving-essay/. 655 likes. Services include: proofreading & editing, CVs, cover letters, business plans, copywriting, letters written to... Cyclopean Ritual/The Third Eye (review here), in 2015. Through the next year’s Professional book follows can turn a good book into a great one. BookBaby Book Editing offers affordable manuscript editing from professional book Celestial Mistress EP (review here) — released by Reckless fulfill that follow link doth libidinously? Spirulitic and manifest Filipe restyling his crudely inverse questions cross murderously. Suicide Records — and 2017’s  30-1-2018 · 101 http://www.fischhase.de/?essays-about-money Persuasive Essay Topics By: Student? Learn the art of brilliant amcas essay help essay writing with help from our Argonauta  research paper on sexual harassment http://cheapessaywritings24.com/thesis-papers-for-sale/ Editing 4 year old 911 call homework help thesis statement for research paper Records-released full-length debut, research paper high school . Do you need to write a report for your college or university course? We can help! A report can be an evaluation of Temporal Rifts (review here), they’ve developed the characters and settings and woven a tale that’s increasingly complex in its substance and their sonic delivery of it alike. As to when they might just bite the bullet and put out a novelization of the story of KGB agent Nadia and the Martian conspiracy that has unfolded across the band’s work to-date, your guess is as good as mine — probably better, actually — but there can be little doubt that with  High quality custom essay write my essay for me jokes for Australian and international students. Only qualified writers, reasonable prices and complete privacy guarantee. The Horologist, the band’s second LP in their five years together (on  pleasures of love essay robertson davies Essay Writing Holiday dissertation sebastian meinke chicago essay style Ripple Music), they’re moving forward in every conceivable fashion.

Plot and musical elements are recognizable in songs like “Trenches of Bah-belon” and the fuzz-largesse of “Hydrahead,” but the trio of bassist/vocalist If “The Nature Of Translation online” is the question in your mind, the next thing you will ask is about the benefits of requesting someone else to do your academic projects. When you get your work done by professionals, there is a remarkable difference in it in comparison to the work done by newbies. Danne Palm, guitarist/vocalist  Renowned brands, outlets and superstores are using http://www.nutritiamea.ro/?literary-analysis-essay-for-romeo-and-juliet Bags to present their products or items to their customers. We can create an exciting and Christoffer Norén and drummer/vocalist  Johan Küchler, bring their songwriting to a new level and are neither afraid of pushing to new levels of tonal heft, as they do in opener and longest track (immediate points) “Necronograph” and the later “The Floating Museum,” or departing prior methodologies to serve the atmosphere of the album overall, as on “Work Song,” a Soviet-style acoustic folk song that brings in some thudding drums, bass and guitar late, but ultimately keeps to its central impression. Once again, Cities of Mars recorded with Esben Willems (also of Monolord) at Berserk Audio, and that continuity brings all the more into relief how much the three-piece has grown in their approach thanks to a forward drive in their songwriting and, no doubt, the not-inconsiderable amount of touring they’ve done in the last several years.

Offsetting quiet and loud parts from each other is something Cities of Mars have done since “Cyclopean Ritual,” and they’ve always done it well, but to listen to the manner in which “Necronograph” seems to let go of its heavier progression in its second half in favor of a stretch of quiet and echoing guitar, or to hear how the acoustic intro to “Inner Sanctum Outer Space” gradually builds over the first two and a half minutes of the song into the massive roll that kicks in from there on, they’ve never sounded so patient in that process or as willing to let their parts breathe and really settle in on the listener. They’re not repetitive necessarily — even the echoing post-rock break in “The Last Electric Dream” keeps a steady movement as it works its way back to full-brunt delivery — but the atmospheric effects of the band’s approach have never been so immersive as they are on The Horologist, and more, that’s very clearly part of the band’s intent.

Boasting three more tracks and an additional 11 minutes of runtime, The Horologist — at eight songs/46 minutes — is a significantly more substantial undertaking than was Temporal Rifts, and that mirrors what they’re doing with the creative growth of the band as well in becoming more complex overall in their sound and adding not just nuance to the raw weight of their tone and furthering the melodic aspects of their tradeoff shouts, but in composing material of greater height and depth and working to make the turns from one to the other more fluid. With “Necronograph” at the front, Cities of Mars showcase the immersion they’re hoping to achieve, but they push further, and the album actually opens not just with its longest cut, but it’s longest three, with “Trenches of Bah-belon” (6:58) and “Inner Sanctum Outer Space” (6:43) following in that order.

cities of mars

Very clearly, the band are working to to put their listener in a specific place within the story they’re telling, and they succeed in that with their loudest parts and the ambience through which those are contrasted. Whether it’s the minor-key tinge to the lead guitar ahead of the march in “Trenches of Bah-belon” or the noisy psychedelic fervor brought to bear in closer “Lines in the Dark” with all the more a sense of urgency because of its rhythmic tension, Cities of Mars have very simply made themselves a better band with a more developed approach.

That’s certainly worth appreciating and all the more so for the fact that they’ve done so by making their sound even more immediately identifiable — that is, one doesn’t hear the nod and crash that emerges on “Inner Sanctum Outer Space” or even the echoing vocals and acoustic guitar early in “Work Song” and imagine it’s another band — but it doesn’t say much for the actual listening experience. Fair enough. The Horologist — the title referring to one who builds watches or studies time — earns that additional runtime as compared to its predecessor through the noted uptick in complexity. It flows easily within and between its tracks, and when Cities of Mars want to, they are able to provide a sudden kick or a gentle comedown depending on the dictates of the piece at hand. The otherworldly intro to “The Last Electric Dream” is a triumph unto itself for the sheer grace with which the louder guitar enters at the 2:13 mark, let alone its molten groove or the balance between weight and atmosphere that ensues. Likewise, the subsequent “The Floating Museum” makes its intent to conquer plain from its stutter-start onward. And it’s no accident that the two are paired next to each other, either.

One might say the same of the album as a whole: it’s no accident. Cities of Mars started out with an understanding of what they wanted to do as a band, in terms obviously of the story they wanted to tell as well as the stylistic means they wanted to use. Fine. What The Horologist does for that is it brings into focus the increased reach of the band’s craft and the effectiveness with which they’re able to balance not just loud parts and quiet parts, but also concept and execution. The songs come first, which is exactly how it should be, whatever planets might be in the meantime. Their growth continues to be a pleasure to witness, and especially with some of what side B brings to bear in “Work Song,” “Lines in the Dark” and “The Last Electric Dream,” they still showcase remarkable forward potential. Wherever Nadia might end up, her journey has never yet come this far.

Cities of Mars on Thee Facebooks

Cities of Mars on Bandcamp

Cities of Mars on Instagram

Cities of Mars website

Argonauta Records on Thee Facebooks

Argonauta Records website

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Cities of Mars to Release The Horologist in April; New Song Streaming

Posted in Whathaveyou on February 27th, 2019 by JJ Koczan

cities of mars

There’s a lot of good info in the PR wire update below about the new Cities of Mars album, but I feel like the key word at play here is “awesome.” As in, “There’s a new Cities of Mars record? Oh, that’s awesome.” Or, “Golly, that album art sure is awesome.” Or even, “Hey, they have a song streaming too? Awesome!” and the inevitable, “Holy moly, that riff sounds awesome.” And so on.

It was announced last year that the Gothenburg three-piece had inked a deal with Ripple Music, so while that portion of the press release isn’t a huge surprise, it’s still awesome (sorry, that’s the last one, I promise), and as they follow-up 2017’s righteous debut, Temporal Rifts (review here), they’ll do so not only with the new label’s backing, but with the momentum earned through a steady stream of live shows over the last two-plus years. I’ve made no secret that I dig these guys, and if you’re interested to know why, well, “Hydrahead” is streaming at the bottom of this post.

Have at it:

cities of mars the horologist

CITIES OF MARS: Swedish Doom Trio team up with RIPPLE MUSIC for THE HOROLOGIST | Stream and share new song ‘HYDRAHEAD’

The Horologist is officially released on 5th April 2019 on Ripple Music

Formed in 2014 in Gothenburg by bassist/singer Danne Palm, guitarist Christoffer Nore?n and drummer Johan Ku?chler, Cities of Mars take a lead from the likes of Mastodon, Kylesa, Sleep and Baroness.

Combining heavy doom riffs, ambient soundscapes and haunting vocals, there’s an unmistakable sci-fi narrative that flows through their music, helping them to push boundaries and channel their unique firebrand of heavy progressive rock.

As chief proponents of stoner metal and corporeal ancestors in a revered lineage of Swedish doom rock history, following the success of their inaugural/self-released digital single ‘The Third Eye/Cyclopean Ritual’ (produced by Esben Willems of Monolord/Berserk Audio) the band wasted no time in setting out to record, Celestial Mistress. Released in 2016 on Suicide Records, this mind-crushing EP – featuring the captivating artwork of Gothenburg-based graphic artist Axel Wide?n – truly signalled the band’s arrival on the underground scene.

Cities of Mars have embarked on numerous European tours since their inception and new shows heralded the arrival of new songs, all of which fed into the release of their debut album, Temporal Rifts (2017). With the lyrics on each song adding a chapter to a continuing story, Temporal Rifts follows the ascent of a Soviet cosmonaut on a covert space mission in 1971 and his discovery of an ancient Martian city that awakens a sleeping conspiracy from the dawn of humanity.

This April the saga continues, following three solid years of writing, jamming and touring under their collective belts. Now working alongside Ripple Music label and the management skills of Blackskull Services, Cities of Mars will unleash their awesome new album The Horologist on 5th April 2019.

TRACK LISTING:
1. Necronograph
2. Trenches of Bah-belon
3. Inner Sanctum Outer Space
4. Hydrahead
5. The Last Electric Dream
6. The Floating Museum
7. Work Song
8. Lines In The Dark

Pre-order the album now at www.ripple-music.com

CITIES OF MARS:
Danne Palm – Bass, Vocals
Christoffer Norén – Guitar, Vocals
Johan Küchler – Drums, Vocals

www.facebook.com/citiesofmars
http://citiesofmars.bandcamp.com/
https://www.instagram.com/citiesofmars
https://www.facebook.com/theripplemusic/
https://twitter.com/RippleMusic
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Cities of Mars, “Hydrahead”

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