The Heavy Eyes to Record New Music; Tours Postponed

Posted in Whathaveyou on July 17th, 2020 by JJ Koczan

2020 has shit a lot of beds, but let us spare a moment’s sympathy for Memphis four-piece research papers on zombies: how do we work? First of all, you should contact our managers and tell them about your paper. It’s better to give The Heavy Eyes, who spent half a decade making Buy Term Paper Online: read review online gives you a good opportunity to deal with your papers effectively and submit them on time even if Love Like Machines (review here) the air-tight example of heavy rock songcraft done right that it became, only to release it on March 27 as the black hole was just opening wide to swallow everyone’s ambitions for the rest of the year. They’ll go back into the studio and make another recording, which presumably will also be released on Hamlet Critical Essays - Dissertations, essays and research papers of top quality. work with our writers to get the quality essay Kozmik Artifactz at some point between now and then, and hopefully be able to fulfill what was to be their first European tour dates at a future time. Again, 2020 has been a bummer for many of us on many levels, but a band about to take off for a European tour supporting a killer record, really about to build some momentum behind them on a different level than they were before? Yeah, that’s a hard one to take.

The PR wire did its best to sound a hopeful note:

the heavy eyes

Heavy Psych Rockers THE HEAVY EYES Postpone European Tour | Enter Studio to Record New Material for 2021

Listen and order your copy of Love Like Machines by The Heavy Eyes here – https://theheavyeyesmemphis.bandcamp.com

In what was billed to be a stellar year for the US quartet; Memphis’ meanest psych band The Heavy Eyes have been forced to pull all dates on their 2020 European Tour due to increasing concerns around the COVID-19 outbreak.

In late March, just as the virus was beginning to take hold across the continent, the band released their first collection of new material in over five years with the brilliant and bold, Love Like Machines. A long overdue delivery of heady jams, big riffs and Southern soul the album sang of doomed armies, lost loves, meddling Wolfmen and in short, whet many a fan’s proverbial whistle for some much-needed beers and live music in cities where the band are both loved and lauded in equal measure.

“It is with great disappointment that we’ve had to postpone all of our live shows,” explains drummer, Eric Garcia. “But we’re doing our part to combat the virus and eventually, when it’s safe, we can’t wait to come back and perform. For now though, it make sense to pivot and use our time to record even more music this fall. We’re unsure if that’ll mean a full LP or an EP, but we’ve actively been sharing ideas and keen to create more music.”

While the prospect of hearing more new music from the band is an exciting one, be assured that The Heavy Eyes and their booking agents are currently in the process of rescheduling a new run of dates for next year.

THE HEAVY EYES are:
Tripp Shumake
Wally Anderson
Matt Qualls
Eric Garcia

http://www.facebook.com/TheHeavyEyes
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The Heavy Eyes, Love Like Machines (2020)

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Days of Rona: Tripp Shumake of The Heavy Eyes

Posted in Features on April 29th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

the heavy eyes tripp shumake

Days of Rona: Tripp Shumake of The Heavy Eyes (Memphis, Tennessee)

This is the best & Reliable Pretty Paper Songwriter famous amongst students where all kinds of custom homework papers are written from the scratch without How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Like much of the world, we’re taking it day by day. We’re fortunate that everyone is in good health, but with my medical condition I am at a higher risk and is top of mind for us all as we plan touring this year. Unfortunately our two US dates this year were canceled, but Stoned & Dusted has rescheduled for next year so we’re hoping to be out there in 2021. Regarding our EU tour this October, we are still booking dates and are hopeful this will come to fruition.

website to do homework - Why be concerned about the assignment? get the needed guidance on the website Find out key steps how to get a plagiarism free What are the quarantine/isolation rules where you are?

All major cities in Tennessee have ordered their residents to stay at home as well as the entire state of Colorado (where Eric resides). We’re allowed to be out to get essentials and exercise, but strongly advised to avoid gathering in groups.

Discuss your Chinese translation, Social Studies Homework requirements with us. How have you seen the virus affecting the community around you and in music?

The streets are much less populated and people are obviously panic-buying everything at the grocery. Bars and venues are closed so all live music is at a standstill. Fortunately, we’ve seen different initiatives such as Bandcamp waiving artist fees for 24 hours to Spotify working to add a fundraising feature tied to artist profiles.

You need not to be worried at all as our UK Dissertation Writers are there to provide you the http://www.miriam.sk/?buy-college-application-essay-ny-times service UK with high quality work What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We’re all healthy at the moment. Personally, we hope people are taking this seriously and understand that while you may not be at risk, those that are immunocompromised are.

http://www.facebook.com/TheHeavyEyes
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Review & Track Premiere: The Heavy Eyes, Love Like Machines

Posted in audiObelisk, Reviews on February 20th, 2020 by JJ Koczan

The Heavy Eyes Love Like Machines

[Click play above to stream ‘Late Night’ from The Heavy Eyes’ Love Like Machines, out March 27 on Kozmik Artifactz. Preorders available here.]

It’s been quite a first decade for the ostensibly Memphis-based four-piece  The classic advice is – and you have probably come across it already – in order to buy essays online with less risk, Had to With Homework? The Heavy Eyes, whose members actually reside at this point in different states and who careen through the riffs of their fourth long-player,  Letter Writing Application - Forget about those sleepless nights working on your essay with our writing service Leave your essays to the most talented writers. Love Like Machines, with a sans-chicanery fluidity that totally undercuts that distance. By the time they got around to their last album, 2015’s dissertation litterature quebecoise engineering college admissions essays contoh thesis proposal essay 3582 does the usf application have an essay He Dreams of Lions (review here), the then-trio had refined their approach to a remarkable degree, building off the methods and the successes of 2012’s Learn about what an Automotive An Old Custom Essay does, skills, salary, and how you can become one in the future. Maera and 2011’s  Thesis Clinic offers PhD follow site in which our PhD thesis proofreaders in UK remove the spelling and grammatical errors from the document. Heavy Eyes, as well as concurrent EPs and other short digital offerings, had toured to support their work and, crucially, had found an audience hungry for more.

And though they took part in  Discover the Proposal Of Dissertation in Best Sellers. Find the top 100 most popular items in Amazon Books Best Sellers. Magnetic Eye Records‘ tribute to  Buy-Custom-Essays-Online.com is the most reputed online custom http://www.cghc.edu.ph/?safe-site-of-people-who-do-homework UK. you can buy college admission essays at best cost Jimi Hendrix (review here), also in 2015, and issued  You thought the dissertation Thousands of PhD candidates have obtained their degrees thanks to their decision to purchase Home Page Live in Memphis (review here) in 2018, there’s no question that the five-year break between their third and fourth full-lengths changes the context in which  Love Like Machines arrives. But fair enough. The band itself has also changed, bringing in longtime engineer Matthew Qualls — who has helmed each of their albums, including this one — on guitar and backing vocals as a fourth full-time member of the band alongside vocalist/guitarist Tripp Shumake, bassist Wally Anderson and drummer Eric Garcia, and recommitting themselves to the prospect of recording and touring as The Heavy Eyes.

Their sonic identity remains based around their songwriting, and though Qualls and Garcia both add percussion here and there, Shumake blends acoustic and electric guitar on opener “Anabasis,” and the later pair of “Bright Light” and the especially catchy fuzzer “A Cat Named Haku” dig into highlight low end and drum compression, the overarching impression Love Like Machines makes — the album’s title line delivered in side A’s “Late Night” — is one that can’t help but be considered straightforward with such a focus on structure and such tightness of their performance. The grooves swing and aren’t shy about it, and Shumake‘s vocals and Southern-tinged lyrical patterns can call to mind Clutch, All Them Witches and Valley of the Sun at any given moment — and that’s before you get to the hyper-Queens of the Stone Age vibes of the penultimate “Vera Cruz” (with guest piano by Carmen Fowlkes) — but if The Heavy Eyes are sending a message in this sharp-dressed 10-track/34-minute outing, it’s that they’re getting down to business.

I don’t know whether they’re feeling the weight of the five years it’s taken to manifest their fourth album or what, but beneath the right-on fuzz in the guitars, the good-times hooks of “Made for the Age” and “The Profession,” and the half-intro purpose “Anabasis” serves with its acoustic/electric blend, there’s a strong sense of purpose behind the songs on Love Like Machines, and an audience engagement that comes across as being as far from coincidental as you can get. These songs, written in parts exchanged digitally over state lines and recorded in more than one session with Qualls and guest guitar appearances from Justin Toland of Dirty Streets on “God Damn Wolf Man” and Justin Tracy, who also appeared on Live in Memphis, on “The Profession.”

the heavy eyes

The latter is of particular note as regards the idea of purpose in what The Heavy Eyes are doing on Love Like Machines, since the profession in question — at least somewhat contrary to where one’s mind might go in associating the title — is rock and roll itself, and that song is nothing if not an example of the band’s pro-shop presentation, crisp and assured in its delivery and interesting to the ear without a hint of indulgence on the part of its creators. Even “Hand of Bear,” which might earn a sideways glance for a verse line like, “Copper-color skin, so you’d best beware,” in recounting a story on a Native American theme, is maddeningly catchy — “Whoa, yeah yeah/Guess he earned his name as the Hand of Bear” becomes a signature hook, backing vocals and all.

It is not necessarily a revolutionary approach that The Heavy Eyes are taking, but neither are they directing themselves to the tenets of genre, instead shaping these to suit the needs of their songwriting. Craft is primary. “Made for the Age” is the longest inclusion at 4:51, and no other song on Love Like Machines even touches four minutes (“Vera Cruz” lists at 3:59), with “Late Night,” “God Damn Wolf Man” and “The Profession” under three. Yet none of these songs or the closer “Idle Hands” at 3:09 lack character or identity.

They are deceptively rich in their mix and able to shift in meter from one to the next while maintaining an overarching flow to the whole that gives the finale a due feeling of spaciousness after the departure of very-Cali departure of “Vera Cruz” and the standout choruses in “The Profession” and “A Cat Named Haku” earlier, and the deeper one digs into the proceedings, the more nuance one is likely to find even in songs that seem so straightforward in their initial purpose. Ultimately, questions of whether or not The Heavy Eyes will be able to gain back some of the momentum that the stretch since He Dreams of Lions may have taken away are secondary.

What matters here, as Love Like Machines expresses so plainly, are the songs themselves and the energy the band have put into constructing and recording them. They leave no question as to who they are as a band or what they want to be doing, and with a decade behind them, they stand mature in their approach but still hungry-seeming, still reaching out to the crowd in front of an imagined stage, still inviting everyone to take a step forward. It would be a hard invite to refuse, frankly, and if one thinks of Love Like Machines as a live set, then it’s pretty clear The Heavy Eyes put on a hell of a show. They’re doing their part here. It’s up to the listener now to get on board, but The Heavy Eyes have only made it as easy and as appealing as possible to do so. That’s all they can do. Well, that and tour like bastards.

The Heavy Eyes on Thee Facebooks

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Stoned and Dusted 2020 Announces Lineup with Corrosion of Conformity, Los Dug Dugs, Masters of Reality, Brant Bjork, Earthless & Many More

Posted in Whathaveyou on February 6th, 2020 by JJ Koczan

stoned and dusted 2020 banner

So let me get this out of the way and say that the whole friggin’ Stoned and Dusted 2020 lineup is incredible. Kudos to the California Desert Wizards Association, which is the mysterious entity putting on the festival out in the Mojave, both at Pappy and Harriet’s and in the open air itself, taking place outside with camping and all the rest of it. Whole thing, great job. Okay. But seriously, at the first night of the thing, they’ve got Los Dug Dugs from Mexico City playing, and if you’ve never dug-dug into their stuff, it’s yet another lost classic of the heavy ’70s that’s begging to be heard. That’s an impressive get through and through. Nicely done.

Now, onto the rest. Yawning Man, Brant Bjork, Corrosion of Conformity, Masters of Reality, Dead Meadow, Earthless, Mos Generator, Big Scenic Nowhere, The Well. The inclusion of all of the last three I assume means that Tony Reed of Mos Generator and Ian Graham and Lisa Alley of The Well will take part in the Big Scenic Nowhere set — could be a package tour in the making there — and it doesn’t seem unreasonable to expect Mario Lalli might be on hand to play bass either, as Yawning Man will be playing the first night.

Toss in Hippie Death Cult, Helms Alee, The Heavy Eyes, BALA, Jesika von Rabbit, Sean Wheeler, Hammer of the Ozz and a few more TBA, not to mention Mad Alchemy doing the lights, and you’ve got a three-night desert party that’s very, very clearly going to be something special for those fortunate enough to be there to witness it.

To that end, tickets go on sale Saturday, as per the PR wire:

STONED AND DUSTED 2020 LINEUP

Yeah buddy! Here it comes again! Are you ready?! Finally the scoop on this year’s Stoned and Dusted party, brought to you by your California Desert Wizards Association.

In 2020 we have THREE NIGHTS of fun: Friday May 22nd; Saturday May 23rd; and Sunday May 24th.

STONED AND DUSTED WELCOME PARTY: On Friday May 22 we have a very special lineup at California’s most famous cantina, Pappy & Harriet’s. Friday’s show is on the indoor stage and we are proud to present 1970’s psych legends from Mexico City, Los Dug Dugs, with desert legends Yawning Man and more TBA.

STONED AND DUSTED ROADHOUSE: On Saturday May 23 we are doing it up again at Pappy & Harriet’s Pioneertown Palace (outside stage), our favorite dusty, desert roadhouse. Pack your earplugs, rolling papers and bring a designated driver for this insane lineup: Corrosion of Conformity, Masters of Reality, Brant Bjork, Helms Alee, BALA and a late show inside from Jesika von Rabbit.

STONED AND DUSTED CAMPOUT: On Sunday May 24 we invite you to a generator party – a Memorial Day concert, cookout and campout at a secret desert location. You can camp on site and party with your friends and fellow desert wizards late into the night. The boulders are there; we are bringing the rock! Dead Meadow, Earthless, Big Scenic Nowhere, The Well, The Heavy Eyes, Mos Generator, Sean Wheeler Y Los Caminos, Hippie Death Cult and Hammer of the Ozz. The Mad Alchemy Liquid Light Show will light up the desert once again this year.

General on-sale begins late this Saturday night, Feb 8, around midnight into Sunday morning. Go to our website and join our email list for more information.

STONED AND DUSTED PRE-PARTY $22
STONED AND DUSTED ROADHOUSE $60
STONED AND DUSTED CAMPOUT $230

For the STONED AND DUSTED CAMPOUT, we also offer a camping gear add-on for those who can’t fly with a tent and want to camp out under desert skies.

https://www.facebook.com/StonedandDusted/
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www.StonedAndDusted.com
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Up in Smoke 2020 Adds Fu Manchu, Pallbearer, Mars Red Sky and More

Posted in Whathaveyou on February 5th, 2020 by JJ Koczan

up in smoke 2020 banner

Fu Manchu are in the studio now and I think they said on Instagram they’re eyeing a May release for their next album, which would rule and would arrive in timely fashion as they celebrate their 30th anniversary all year on the road. They joined the Up in Smoke 2020 lineup at the end of last week along with Mars Red Sky, Pallbearer, The Heavy Eyes — still waiting for the full tour to be announced — Sons of Morpheus and Mother Engine.

It’s a pretty efficient bundle if what you’re looking for is ‘awesome,’ and I think probably it is. It seems early for the Fall fest season to start taking shape, but it always does when it happens around now, so points for consistency at very least, and Sound of Liberation, which is behind this fest as well as Keep it Low and has a hand in several others along the way — Desertfest in Berlin, Antwerp and New York, and so on — rarely leaves this kind of thing to chance. Pro-shop and all that.

The latest announcement is below. I’m late with it but I’m late with everything. I’m a pitiful old man, give me a break.

Have at it:

up in smoke 2020 poster

FU MANCHU + 5 MORE BANDS JOIN UP IN SMOKE LINE UP

Grab your tickets here: bit.ly/UpInSmoke_2020

Smokers, we’ve been eager to share some line up news with you and we could for sure do it slowly and patiently, announcing one band after another… but you know what? It’s Friday, so take them all!!

Californian legends Fu Manchu are celebrating their 30th anniversary and we’re super stoked they’ll celebrate it with us!

They’ll make your neck hurt alongside mighty US doomsters Pallbearer, French’s unique psych-doom wizards Mars Red Sky, groove masters The Heavy Eyes, also from the USA, German Instrumental wonder Mother Engine and beloved Swiss psychedelic trio Sons of Morpheus !

We’re super proud and excited to welcome those amazing acts on board! Can’t wait, see ya there!

??Up In Smoke takes place at Konzertfabrik Z7 – Pratteln in Pratteln on 2-3-4 October 2020.

https://www.sol-tickets.com/
http://www.z-7.ch/
https://www.facebook.com/UpInSmokeIndoorFestivalInZ7/
https://www.facebook.com/events/545324436300685/
https://www.upinsmoke.de

Fu Manchu, “Il Mostro Atomico” live at Stoned & Dusted 2019

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The Heavy Eyes Announce March 27 Release for Love Like Machines

Posted in Whathaveyou on January 28th, 2020 by JJ Koczan

the heavy eyes

Note that there would be a big, big difference if Memphis heavy rockers The Heavy Eyes had titled their impending LP — which is called Love Like Machines and out March 27 on Kozmik Artifactz — with the first and second words reversed. It’s a more than fine line between “love like machines” and “like love machines.” Kudos to the four-piece for coming down on the correct side of that line.

It raised an eyebrow when The Heavy Eyes were among the first announcements for Keep it Low 2020 that there were clearly stirrings from the band and more in the works. First of all, that’s a Sound of Liberation fest, which means it’s probably not the only one they’ll play — Up in Smoke and Desertfest Belgium are both possibilities, and of course surrounding tour dates the amount of which depends on how long they’ll be over there. Second, if they’re going to make the trip, well, their last release was the 2018 live album, Live in Memphis (review here), and that was cool, but it’s not really an occasion two years later for a European tour. Their last studio outing was 2015’s He Dreams of Lions (review here), so between those factors, yeah, a new studio LP didn’t seem like an unreasonable expectation either.

If you wonder why I post every fest announcement that comes my way, it’s because CONTEXT.

So here we are, with Love Like Machines coming out in March. The PR wire has album details and there’s a song streaming at the bottom of this post:

the heavy eyes love machines

THE HEAVY EYES: Memphis Psychedelic Blues Rock Unit To Release Love Like Machines Full-Length March 27th Via Kozmik Artifactz; New Track Streaming + Preorders Available

Memphis-based psychedelic blues rock veterans, THE HEAVY EYES, will release their long-awaited new full-length, Love Like Machines, March 27th via Kozmik Artifactz.

Their fourth full-length and first new offering since 2015’s critically lauded He Dreams Of Lions, THE HEAVY EYES continues to deliver their fuzzed out, bluesy, hypnotic riffs, this time with the addition of long-time recording engineer, Matthew Qualls, as second guitarist. Adding a new layer of depth to their groove, Qualls — who’s worked side-by-side with THE HEAVY EYES for many years and has performed with them live in the past — enabled the band to collaborate in a different way exploring new song structures, tones, and attaining a bigger sound overall without stripping any of the grittiness and love of ’60s and ’70s rock that has shaped their sound since inception.

Despite the rabid reception of their first three albums however, Love Like Machines almost never existed. In 2017, the band was put on pause, with each member living in a different state. Spread across the Southwest and Midwest, there were new jobs, new cities, a marriage, and even a kidney disease diagnosis. In short, there was every indication that the pause might become permanent. But by 2019, THE HEAVY EYES had found a second wind and was actively working on new material, exchanging beats, licks, and lyrics long-distance. After two bouts of recording, the record is here, five years in the making.

The ten-track Love Like Machines was produced by Qualls in New Mexico and Memphis and comes shrouded in the kaleidoscopic cover art of Emil Orth.

Love Like Machines will by released digitally by the band with Kozmik Artifactz handling the vinyl edition this spring. In advance of its release, the band is pleased to unveil first album teaser “The Profession.” From the opening roll of the drums to the rip-roaring fuzz of the chorus, THE HEAVY EYES delivers a walloping testament to their take-no-prisoners ethos.

Find Love Like Machines digital preorders at THIS LOCATION where “The Profession” can be streamed.

Love Like Machines Track Listing:
1. Anabasis
2. Made For The Age
3. Hand Of Bear
4. Late Night
5. God Damn Wolf Man
6. Bright Light
7. A Cat Named Haku
8. The Profession
9. Vera Cruz
10. Idle Hands

THE HEAVY EYES is currently booking a European tour for early October 2020 and will appear at Keep It Low Festival in MĂĽnchen, Germany with more dates to be announced in the weeks to come.

THE HEAVY EYES Live:
10/09-10/2020 Keep It Low Festival – MĂĽnchen, DE

THE HEAVY EYES:
Tripp Shumake – lead vocals, acoustic/electric guitar
Matthew Qualls – electric guitar, percussion, backing vocals
Wally Anderson – bass guitar
Eric Garcia – drums/percussion

Guests:
Justin Toland – guitar tracking, solo (“God Damn Wolf Man”)
Justin Tracy – guitar solo (“The Profession”)
Carmen Fowlkes – piano (“Vera Cruz”)

http://www.facebook.com/TheHeavyEyes
http://www.instagram.com/theheavyeyes
http://theheavyeyesmemphis.bandcamp.com
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

The Heavy Eyes, Love Like Machines (2020)

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Keep it Low 2020 First Announcement: The Vintage Caravan, Domkraft, Willow Child & The Heavy Eyes

Posted in Whathaveyou on January 16th, 2020 by JJ Koczan

keep it low 2020 banner

With early-bird tickets already sold through and regular ol’ two-day tickets on their way out, it’s never too early for the Munich-based Keep it Low Festival to start announcing acts, and the first bunch arrives in a batch of four with The Vintage Caravan, Domkraft, Willow Child and The Heavy Eyes taking part. One assumes that, barring some tradition-defying circumstance, Colour Haze will be confirmed as well sooner or later, but for now it’s these four and that’s a pretty awesome start.

In addition to of course being most righteous fodder for daydreams — Keep it Low has always been a particularly enticing prospect to me, and that’s true of Keep it Low 2020 as well, but I’ve never been able to make the trip — the slow building of festival lineups over the span of months help indicate who’ll be on the road where and when. Seems likely, for example, that The Heavy Eyes will be touring Europe around this appearance, and they might even make other fest appearances at well, whether it’s at the also-Sound of Liberation-presented Up in Smoke in Switzerland, or Desertfest Belgium or anywhere else. These things will all come together over the course of this year as they do, and I always look forward to seeing how it all plays out, who’s doing a one-off and who’s going to be on a weeks-long stretch, etc. I’m a nerd for that kind of stuff, if it wasn’t obvious.

And I think it probably was.

Here’s the announcement, short and sweet, per the social medias:

Keepers,

we wish you all the best for 2020! Today we can finally present you the first bands for Keep It Low Festival 2020:

The Vintage Caravan (Rock, Blues Rock | Iceland)
Domkraft (Psychedelic, Stoner, Doom | Sweden)
The Heavy Eyes (Fuzz Rock, Blues Rock, Stoner Rock | USA)
Willow Child (Retro Rock | Germany)

We’re very happy to welcome these four great acts to our line-up!
The 2-day tickets are already selling very good – so make sure to grab your ticket soon!

Tickets available here:

https://www.sol-tickets.com/produkte/51-tickets-keep-it-low-festival-2020-feierwerk-area-muenchen-am-09-10-2020

https://woolheads.com/product/keep-it-low-festivalticket-weekend-2020

https://www.eventim.de/artist/keep-it-low-festival/

https://www.facebook.com/events/975025036197960/
https://www.facebook.com/keepitlowfestival/
https://www.keepitlow.de/
https://www.soundofliberation.com/

Domkraft, “The Watchers” official video

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Planet Desert Rock Weekend Announces Lineup with John Garcia, Wino, Wo Fat, Sasquatch and More

Posted in Whathaveyou on October 17th, 2018 by JJ Koczan

planet desert rock weekend john garcia

Last week, John Garcia and the Band of Gold announced that a lone US appearance would take place in Las Vegas on Nov. 29. As presented by Vegas Rock Revolution, that show will be the first of a three-evening event called the Planet Desert Rock Weekend, also featuring headlining spots from Scott “Wino” Weinrich and Texas fuzz-blues stalwarts Wo Fat, as well as support from the likes of House of Broken Promises, Freedom Hawk, Sasquatch, Powered Wig Machine, Valley of the Sun, The Heavy Eyes, and so on. The venue changes each night, but there’s no question what’s happening here: It’s a festival.

Look. I can’t tell you how to live your life. Well, I could — eat right, try to get some exercise, love everybody, etc. — but I can’t tell you where to go on any given day. Even aside from this being a rare chance to catch John Garcia in the States, this lineup is pretty much unfuckwithable. Vegas may be known as the land of Psycho, but without a doubt, Planet Desert Rock is looking to make an impact of its own in underground heavy. If you were there to see it, I can’t imagine you’d have regrets later.

Awesome posters by Joey Rudell, full lineup and info follow, courtesy of the fest’s social medias:

Planet Desert Rock Weekend

A Desert Rock Weekend Experience of amazing music from all over the country. Each band hand selected to ensure amazing relevant lineups daily. No fillers just got music.

3 nights of amazing Heavy Rock lineups

Night 1 starts off with legendary vocalist John Garcia of Kyuss. This is a exclusive evening that has never happened before. He will be singing songs from all his bands including Kyuss, Unida (Arthur Seay on guitar) , Hermano (Dave Angstrom on guitar) and Slo Burn (Chris Hale on Guitar). Former Kyuss bandmate Nick Oliveri will also be playing a song or two with John. Luna Sol featuring Angstrom also on the bill as well as Nick Oliveri and Arthur Seay’s Death in Pretty Wrapping with Unida/House of Broken Promises bandmate Mike Cancino on drums. This will be John Garcia only show in the U.S. in 2018. Vinyl at Hard Rock Casino is home to this very special one time event Thursday night.

Night 2 The Bunkhouse Saloon in Downtown Las Vegas hosts headliner Scott “Wino” Weinrich. Longtime heavy rock vocalist with such iconic underground bands as The Obsessed, Spirit Caravan , Saint Vitus and Shrinebuilder. Also joining on the bill will be heavy rock veterans Valley of the Sun who is rising from the ashes and gearing up for a big 2019 with a new album. The Heavy Eyes comes in from blues town Memphis with their psychedelic bluesy rock style and their own very unique catchy sound. House of Broken Promises featuring Arthur Seay and Mike Cancino of Unida fame will be representing Indio CA with riff rocking madness. War Cloud out of Oakland revs up with a late 70s/early 80s high energy styled metal/rock. King Chiefs (formerly Chiefs) gives a 90s grunge era style to this stacked lineup.

Night 3 is highlighted by a rare west coast appearance by Wo-Fat out of Dallas Texas. This power trio has played all over the world at many of the top festivals including DesertFest. Thick Bluesy psychedelic explosion of heavy rock would be a start to describing their incredible sound. World travelled Sasquatch joins the party as one of the premier bands poised for next level breakthrough. Freedom Hawk flies over from Virginia Beach bringing with them catchy rocking songs with duel guitar action. One of the most consistent bands in the stoner rock genre. Powered Wig Machine gets its motor running again after a little layoff as Wayne and Joey Rudell of Fuzz Evil play the epitome of desert rock style blended with retro rock influences. Blackwulf flies down from Oakland on the heals of their last highly acclaimed album which featured former Pentagram member Geoff O’Keefe. Heavy riff rocking live band. Red Desert makes a special appearance coming all the way from Minnesota as they prepare for a big 2019 with a new album/EP. Desert rock sound blended with stoner and doom. Beauty Bar downtown on Fremont street is home to this all star lineup.

We are very proud of these lineups and will only have a limited amount of tickets to sale as each of the last 2 locations have only room from 270 or so……snag those tickets as this is first come first serve. Cool vibe and stacked lineups will be happening each and every night. Our hopes is to develop this into something heavy rock bands and fans can flourish in for future shows. See you soon !

Tickets available on each of these links for the individual days

Night 1 –John Garcia and Friends – NOV. 29
https://www.facebook.com/events/2217039788574233/

Night 2 –Wino/ Valley of the Sun/ The Heavy Eyes/ House of Broken Promises/ War Cloud/ King Chiefs – NOV. 30
https://www.facebook.com/events/734357036916015/

Night 3 — Wo-Fat / Sasquatch/ Freedom Hawk/ Powered Wig Machine/ BlackwĂĽlf/ Red Desert – DEC. 1
https://www.facebook.com/events/296321447858932/

https://www.facebook.com/VRRProductions/
https://www.facebook.com/vegasrockrevolution/

Wo Fat, Live in Oklahoma City, OK, Aug. 10, 2018

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