audiObelisk Transmission 062

Posted in Podcasts on July 25th, 2017 by JJ Koczan

the obelisk podcast 62

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It’s easy when you’re putting one of these things together to get locked into a headspace and all of a sudden everything you’re putting next to each other kind of sounds the same, kind of blurs together. I’m immensely pleased to say that’s not at all what happened this time around. The sounds throughout vary from heavy psych to rock to proggy jams to Blaak Heat who are on their own wavelength entirely to doom and space rock and so on. It flows though. I’m really happy with how it flows.

That includes the second hour, which has a couple different vibes as opposed to just the usual all-psych head-trip. Also, as you make your way through, keep in mind that a lot of this stuff is coming from debut albums. Moon Rats, Kabbalah, Eternal Black, Mindkult, The Raynbow, Bees Made Honey in the Vein Tree. Hell, Steak’s track is their second album, and Youngblood Supercult too, so yeah, there’s a lot of fresh stuff included from newer bands. I didn’t come into it with a plan at all. This is just how it worked out, which of course is more fun anyway.

As always, I hope you enjoy.

Track details follow:

First Hour:

0:00:00 Moon Rats, “Highway Lord” from Highway Lord
0:03:36 Youngblood Supercult, “The Hot Breath of God” from The Great American Death Rattle
0:07:31 Kabbalah, “Phantasmal Planetoid” from Spectral Ascent
0:12:11 Wretch, “The Wretch” from Bastards Born
0:20:25 Steak, “Creeper” from No God to Save
0:24:28 Eternal Black, “Stained Eyes on a Setting Sun” from Bleed the Days
0:31:44 Mindkult, “Howling Witch” from Lucifer’s Dream
0:36:51 Shooting Guns, “Flavour Country” from Flavour Country
0:45:04 Endless Boogie, “Vibe Killer” from Vibe Killer
0:53:22 Blaak Heat, “Marr El Kallam” from The Arabian Fuzz 7”
0:57:55 The Grand Astoria, “The Sleeper Awakes” from The Fuzz of Destiny

Second Hour:

1:02:45 Eggnogg, “Overture / Wild Goose Chase” from Rituals in Transfigured Time – Prologue
1:16:06 Elara, “Harmonia” from Deli Bal
1:31:41 Bees Made Honey in the Vein Tree, “Sail Away I” from Medicine
1:45:50 The Raynbow, “Changes” from The Cosmic Adventure

Total running time: 2:01:51

 

Thank you for listening.

Download audiObelisk Transmission 062

 

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Quarterly Review: Novembers Doom, Abrams, The Grand Astoria, Hosoi Bros, Codeia, Ealdor Bealu, Stone Lotus, Green Yeti, Seer, Bretus

Posted in Reviews on July 13th, 2017 by JJ Koczan

quarterly-review-summer-2017

So, after kvetching and hemming and hawing and all that other stuff that basically means ‘fretting and trying to shuffle a schedule around’ for the last several days, I think I’ve now found a way to add a sixth day to this Quarterly Review. Looking at all the records that still need to be covered even after doing 50, I don’t really see any other way to go. I could try to do more The Obelisk Radio adds to fit things in, but I don’t want to over-tax that new server, so yeah, I’m waiting at the moment to hear back on whether or not I can move a premiere from Monday to Tuesday to make room. Fingers crossed. I’ve already got the albums picked out that would be covered and should know by tomorrow if it’s going to happen.

Plenty to do in the meantime, so let’s get to it.

Quarterly Review #31-40:

Novembers Doom, Hamartia

novembers-doom-hamartia

Look. Let’s be honest here. More than 20 years and 10 records in, one knows at least on a superficial level what to expect from Chicago’s Novembers Doom. Since their first album arrived in 1995, they’ve played to one side or the other between the spectrum of death-doom, and their work legitimately broke ground in the style for a US band and in general. After a push over their last couple albums including 2014’s Bled White (review here) into more deathly fare, Hamartia (on The End Records) brings 10 tracks and 58 minutes of the melancholy dramas – special hello to the piano/acoustic-led title-track – and gut-wrenching, crushingly emotive miseries – special hello to “Waves in the Red Cloth” and “Ghost” – that have defined them. One doesn’t expect a radical departure from them at this point and they don’t deliver one even as they turn to another side of their overarching aesthetic, but whether it’s the still-propulsive death gallop of “Apostasy” or the lush nine-minute finale “Borderline,” Novembers Doom reinforce their position as absolute masters of the style and give their longtime fans another collection of vital woes in which to revel.

Novembers Doom on Thee Facebooks

The End Records website

 

Abrams, Morning

abrams morning

Not a hair out of place in the execution of Morning, the Sailor Records second long-player from Denver three-piece Abrams (interview here). That has its ups and downs, naturally, but is suited to the band’s take on modern progressive heavy rock à la newer Mastodon and Baroness, and with production from Andy Patterson (of SubRosa) and Dave Otero (Khemmis, Cephalic Carnage, etc.), the crisp feel is both purposeful and well earned. Their 2015 debut, Lust. Love. Loss. (review here), dealt with a similar emotional landscape, but bassist/vocalist Taylor Iversen, guitarist/vocalist Zachary Amster and drummer Geoffrey Cotton are tighter and more aggressive here on songs like opener “Worlds Away” (video posted here), “At the End,” “Rivers,” “Can’t Sleep” and “Burned” (video posted here), and “Mourning,” “In this Mask” and closer “Morning” balance in terms of tempo and overall atmosphere, making Morning more than just a collection of master-blasters and giving it a full album’s flow and depth. Like I said, not a hair out of place. Structure, performance, delivery, theme. Abrams have it all precisely where they want it.

Abrams on Thee Facebooks

Abrams on Bandcamp

 

The Grand Astoria, The Fuzz of Destiny

the-grand-astoria-the-fuzz-of-destiny

Dubbed an EP but running 29 minutes and boasting eight tracks, The Grand Astoria’s The Fuzz of Destiny is something of a conceptual release, with the St. Petersburg, Russia-based outfit paying homage to the effect itself. Each song uses a different kind of fuzz pedal, and as the ever-nuanced, progressive outfit make their way through the blown-out pastoralism of opener “Sunflower Queen” and into the nod of “Pocket Guru,” the organ-inclusive bursting fury of “Glass Walls” and the slower and more consuming title-track itself, which directly precedes closer “Eight Years Anniversary Riff” – yup, it’s a riff alright – they’re able to evoke a surprising amount of variety in terms of mood. That’s a credit to The Grand Astoria as songwriters perhaps even more than the differences in tone from song to song here – they’ve certainly shown over their tenure a will to embrace a diverse approach – but in giving tribute to fuzz, The Fuzz of Destiny successfully conveys some of the range a single idea can be used to conjure.

The Grand Astoria on Thee Facebooks

The Grand Astoria on Bandcamp

 

Hosoi Bros., Abuse Your Allusion III

hosoi-bros-abuse-your-allusion-iii

Oh, they’re up to it again, those Hosoi Bros. Their 2016 full-length, Abuse Your Allusion III, from its Guns ‘n’ Roses title reference through the Motörhead riffing of “Saint Tightus” through the stoner punk of “Topless Gnome” and the chugging scorch of the penultimate “Bitches are Nigh” offer primo charm and high-order shenanigans amid the most professional-sounding release of their career. Across a quick 10 tracks and 36 minutes, Hosoi Bros. readily place themselves across the metal/punk divide, and while there’s plenty of nonsense to be had from opener “Mortician” onward through “Lights Out” (video premiere here) and the later swagger of “Unholy Hand Grenade,” the band have never sounded more cohesive in their approach than they do on Abuse Your Allusion III, and the clean production only seems to highlight the songwriting at work underneath all the zany happenings across the record’s span, thereby doing them and the band alike a service as they make a convincing argument to their audience: Have fun. Live a little. It won’t hurt that much.

Hosoi Bros on Thee Facebooks

Hosoi Bros. on Bandcamp

 

Codeia, “Don’t be Afraid,” She Whispered and Disappeared

codeia-dont-be-afraid-she-whispered-and-disappeared

There’s actually very little that gets “Lost in Translation” in the thusly-titled 22-minute opener and longest cut (immediate points) of German post-metallers Codeia’s cumbersomely-named Backbite Records debut album, “Don’t be Afraid,” She Whispered and Disappeared. With heavy post-rock textures and an overarching sense of cerebral progressivism to its wash underscored by swells of low-end distortion, the three-piece of guitarist/backing vocalist Markus L., bassist/vocalist Denis S. and drummer Timo L. bring to bear patience out of the peak-era Isis or Cult of Luna sphere, sudden volume shifts, pervasive ambience, flourish of extremity and all. Nine-minute centerpiece “Shaping Stone” has its flash of aggression early before shifting into hypnotic and repetitive groove and subsequent blastbeaten furies, and 16-minute closer “Facing Extinction” caps the three-song/48-minute offering with nodding Russian Circles-style chug topped with growls that mask the layer of melodic drone filling out the mix beneath. They’re on familiar stylistic ground, but the breadth, depth and complexity Codeia bring to their extended structures are immersive all the same.

Codeia on Thee Facebooks

Backbite Records website

Mountain Range Creative Factory website

 

Ealdor Bealu, Dark Water at the Foot of the Mountain

ealdor-bealu-dark-water-at-the-foot-of-the-mountain

“Water Cycle,” the 13-minute opener and longest track (immediate points) of Ealdor Bealu’s debut full-length, Dark Water at the Foot of the Mountain, introduces a meditative feel and a breadth of sound that helps to define everything that follows. The ostensible side B leadoff of the self-release, “This too Shall Endure” (11:04), offers no less depth of atmosphere, and the graceful psychedelic expanses of the penultimate “Behind the Veil” continue to add to the overall scope with interplay of tempo variety and acoustic and electric guitar, but even earlier, shorter cuts like the wistful indie rocker “Deep Dark Below” and the linear-building “Behold the Sunrise” have an underlying progressivism that ties them to the longer form material, and likewise the particularly exploratory feeling “Ebb and Flow,” which though it’s the shortest cut at just over five minutes resonates as a standout jam ahead of “Behind the Veil” and subtly proggy seven-minute closer “Time Traveler.” The Boise-based four-piece of guitarist/vocalist/spearhead Carson Russell, guitarist Travis Abbott (also The Western Mystics), bassist/vocalist Rylie Collingwood and drummer/percussionist/saxophonist Alex Wargo bring the 56-minute offering to bear with marked patience and impress in the complexity of their arrangements and the identifiable human core that lies beneath them.

Ealdor Bealu on Thee Facebooks

Ealdor Bealu on Bandcamp

 

Stone Lotus, Comastone

I can take spicier foods than I ever could before.

One might consider the title of “Mountain of Filth,” the second cut on Stone Lotus’ debut album, Comastone, a mission statement for the Southwestern Australian trio’s vicious ‘n’ viscous brand of rolling, tonal-molasses sludge. Yeah, the three-piece of guitarist/vocalist Dave Baker, bassist Samuel Noire and drummer Reece Fleming bring ambience to the interlude “Aum,” the slower loud/quiet shifts in “Anthropocene” and the subsequent “Umbra” that leads into the creepy launch of the title-track – in fact, quiet starts are something of a theme throughout Comastone; even the thudding toms that begin opener “Swamp Coven” pale in comparison to the volume swell of massive distortion that follows closely behind – but it’s the rhythmic lumber and the harsh vocals from Baker that define their course through the darker recesses of sludged-out misanthropy. No complaints there, especially on a first long-player, but Stone Lotus are right to keep in mind the flourish of atmosphere their material offers, and one hopes that develops parallel to all the crushing weight of their mountainous approach.

Stone Lotus on Thee Facebooks

Stone Lotus on Bandcamp

 

Green Yeti, Desert Show

I'm not sure if that's an effect of dropping carbs or how it would be, but it's strange.

Even before it announces its heft, Green Yeti’s Desert Show casts forth its spaciousness. The second offering from the Athens-based trio in as many years dogwhistles heavy riffing intent even unto its David Paul Seymour album cover, but the five track rollout from guitarist/vocalist Michael Andresakis, bassist/producer Danis Avramidis and drummer Giannis Koutroumpis, as it shifts from the opening salvo of “Black Planets (Part 1)” and “Black Planets (Part 2)” into the Spanish-language centerpiece “Rojo” (direct homage perhaps to Los Natas? if so, effectively done) and into the broader-ranging “Bad Sleep (Part 1)” and 15-minute closer “Bad Sleep (Part 2)” builds just as much on its atmosphere as on its newer-school stoner rock groove and fuzz riffing. It is a 41-minute span that, without question, speaks to the heavy rock converted and plays to genre, but even taken next to the band’s 2016 debut, The Yeti has Landed, Desert Show demonstrates clear growth in writing and style, and stands as further proof of the emergence of Greece as a major contributor to the sphere of Europe’s heavy underground. Something special is happening in and outside of Athens. Green Yeti arrive at the perfect time to be a part of it.

Green Yeti on Thee Facebooks

Green Yeti on Bandcamp

 

Seer, Victims

seer victims

Let’s just assume that Seer won’t be asked to play at Dorney Park anytime soon. The Allentown, Pennsylvania, three-piece dig into largesse-minded instrumental riffing someplace between doom and sludge and do so on raw, formative fashion on the two-song Victims EP, which features the tracks “Victims… Aren’t We All?” and “Swollen Pit,” which is a redux from their 2015 debut short release, Vaped Remains. Some touch of Electric Wizard-style wah in Rybo’s guitar stands out in the second half of the opener, and the closer effectively moves from its initial crawl into post-Sleep stonerized idolatry, but the point of Victims isn’t nearly as much about scope as it is about Rybo, bassist Kelsi and drummer Yvonne setting forth on a stomping path of groove and riff worship, rumbling sans pretense loud enough to crack the I-78 corridor and offering the clever equalizer recommendation to put the bass, treble and mids all at six. Think about it for a second. Not too long though.

Seer on Thee Facebooks

Seer on Bandcamp

 

Bretus, From the Twilight Zone

bretus-from-the-twilight-zone

Doom! Horror! Riffs! Though it starts out with quiet acoustics and unfolds in echoing weirdness, Bretus’ new album, …From the Twilight Zone, more or less shouts these things from the proverbial cathedral rafters throughout its seven tracks. The Catanzaro, Italy, foursome weren’t shy about bringing an air of screamy sludge to their 2015 sophomore outing, The Shadow over Innsmouth (discussed here), but …From the Twilight Zone shifts more toward a Reverend Bizarre trad doom loyalism that suits the Endless Winter release remarkably well. Those acoustics pop up again in expanded-breadth centerpiece/highlight “Danza Macabra” and closer “Lizard Woman,” and thereby provide something of a narrative thread to the offering as a whole, but on the level of doom-for-doomers, there’s very little about the aesthetic that Bretus leave wanting throughout, whether it’s the faster-chug into drifting fluidity of “The Murder” or the nodding stomp of “In the Vault” (demo posted here) and crypto-NWOBHM flourish of “Old Dark House” (video posted here). Not trying to remake doom in their own image, but conjuring an eerie and engaging take in conversation with the masters of the form.

Bretus on Thee Facebooks

Endless Winter Records

 

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The Grand Astoria Release The Fuzz of Destiny EP

Posted in Whathaveyou on April 17th, 2017 by JJ Koczan

In my experience, there’s always something to dig about it when Saint Petersburg progressive heavy rockers The Grand Astoria get an idea in their heads. That usually leads to projects like that time they put out one copy of a 9CD box set or that time they did a record of tracks influenced by classical music. You never really know where they’re headed. This time? They’re headed for fuzz. The Fuzz of Destiny, as it happens.

That’s the title of the Russian outfit’s latest EP, and it features eight tracks using eight different distortion pedals, basking in the glories of fuzz and the different sides of a sonic personality that said effect can bring forth, from the harsher bite of “Sunflower Queen” to the warmer depths of “Glass Walls.” But what makes the project even cooler and even more The Grand Astoria‘s own is the fact that they list the different pedals used to achieve these sounds, basically letting the listener play along at home as they make their way through the short release.

Feel free to do that by streaming the release at the bottom of this post, if you’re so inclined. All the release info follows as hoisted from their Bandcamp page:

the-grand-astoria-the-fuzz-of-destiny

First ever tribute to the distortion box!

8 years of The Grand Astoria / 8 songs / 8 different fuzz pedals

Personnel:
Kamille Sharapodinov – vocals, guitars, concept, music and lyrics
Danila Danilov – vocals, bass, keyboards, flute, percussion, recording
Nikolay Kunavin – drums
Ksenia Shamarina – vocals (4)
Alexander Karelin – mixing and mastering
Sophia Miroedova – artwork

Recorded by Danila Danilov at Red Wave Studio during December 2016 – February 2017

Tracklisting:
1. Sunflower Queen 02:53
2. Extra Lap 01:15
3. Tour Diary 04:30
4. Pocket Guru 05:40
5. Glass Walls 02:37
6. The Sleeper Awakes 04:51
7. The Fuzz of Destiny 04:50
8. Eight Years Anniversary Riff 02:32

Pedals used:
1 – Dr. No Octofuzz (with octave off)
2 – Dr. No Power Driver/Booster + Old Octave
3 – Guyatone TZ2
4 – Black Arts Toneworks Pharaoh
5 – Dunlop Jimi Hendrix System Classic Fuzz
6 – ZVex Wooly Mammoth
7 – Dr. No Kafuzz
8 – MXR Blue Box

CD (4 panel digipack) is available via thegrandastoria@gmail.com

https://www.facebook.com/TheGrandAstoria/
https://thegrandastoria.bandcamp.com/album/the-fuzz-of-destiny-ep

The Grand Astoria, The Fuzz of Destiny EP (2017)

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The Legendary Flower Punk Releases New Album Zen Variations

Posted in Whathaveyou on November 10th, 2016 by JJ Koczan

the-legendary-flower-punk

From the moment the project was named, it was clear that The Legendary Flower Punk had the potential to be kind of all over the place. And what began as a solo vehicle for The Grand Astoria guitarist/vocalist Kamille Sharapodinov has played out that scenario to its most enticing effect yet on the new album, Zen Variations. Self-released by the band — yup, a band — the new full-length veers through deeply progressive krautrock experimentation. One could argue Sharapodinov‘s guitar is its guiding force, but the tracks, each of which is a “Zen” of one kind or another — much needed — toy with arrangement in a way that even The Grand Astoria at its boldest has yet to do.

Though as Sharapodinov took the time to explain, the two acts are also growing closer together in terms of lineup. Could the future belong to The Legendary Astoria? I guess we’ll have to wait to find out where it’s all heading. You won’t find me daring to speculate.

His words, more info on the new album, the lineup and upcoming tour dates for The Legendary Flower Punk follow, as culled from the internet and from Sharapodinov directly:

the-legendary-flower-punk-zen-variations

The Legendary Flower Punk – Zen Variations

“These tracks were written during last year and were stage tested during the tours we had in 2015-2016,” explains The Legendary Flower Punk guitarist/founder Kamille Sharapodinov. “The project now is The Grand Astoria’s de facto instrumental family outfit, since it includes TGA’s current drummer and the very first TGA bassist (the one who recorded the first album with us and then left). The music is jam-oriented and we are writing it together, which is the main difference from TGA where I write all the music alone.”

The Legendary Flower Punk, Zen Variations tracklisting:
1. Earthquake Zen 08:58
2. Urban Zen 07:46
3. Party Zen 05:11
4. Subway Zen 04:09
5. Warfield Zen 04:09
6. White Magick Zen 06:47
7. Christmas Zen 08:27

The Legendary Flower Punk is going to hit the road the release of new CD! Check the dates below.

The Legendary Flower Punk on tour:
12.11 Zelenograd (RU) “cinema”
13.11 Kaluga (RU) “garage”
19.11 Vilnius (LT) “Narauti”
20.11 Warsaw (PL) “2Kola”
22.11 Berlin (de) ” deep reason ‘
23.11 Hamburg (DE) “227 Bar”
24.11 Halle (de) ” ha7″
25.11 Karlsruhe (de) “Akk”
26.11 Würzburg (DE) “Cairo”
27.11 Nuremberg (de) “Artichoke”
28.11 Leipzig (de) “Mespotine sessions”
03.12 St. Petersburg (RU) “Zoccolo 2.0”

The Legendary Flower Punk is:
Kamille Sharapodinov – guitars
Mike Lopakov – bass
Nik Kunavin – drums, percussion

The Legendary Flower Family:
Danila Danilov – synth (3-6), metallophone (1)
Denis Kirillov – acoustic grand piano (7), flute (7), fender rhodes piano (1)
Ravil Azizov – clarinet (2, 4)
Vladimir Ermolov – trumpet (1, 3, 5)
Ekaterina Kulagina – saxophone (2)
Slava Lobanov – trombone (2, 5)
George Nefedov – balalaika (1)
Alexander Karelin – mixing and mastering
Sophia Miroedova – artwork

https://thelegendaryflowerpunk.bandcamp.com/album/zen-variations
https://www.facebook.com/thelegendaryflowerpunk
https://www.facebook.com/TheGrandAstoria/

The Grand Astoria, Zen Variations (2016)

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Yellowstock X: Lineup Complete; Kadavar to Headline

Posted in Whathaveyou on July 6th, 2016 by JJ Koczan

Set for Aug. 13 and 14 in Geel, Belgium, Yellowstock X is sort of where the summer festival season meets the fall festival season in Europe, thus reinforcing the notion that there is at this point no such thing as a festival season at all, and awesome shows are just a year-round occurrence. Either way, the lineup for the 10th edition of the fest is a striking international assemblage, from Kadavar confirmed to headline to the psych jams of Hills, The Midnight Ghost Train‘s bluster-blues, Zone Six‘s space rock triumphs, Greenleaf‘s hard-driving choruses and on and on.

With bands from Russia to the US, as well as Belgian acts like Flying Horseman, the why-would-you-call-your-band-this Kiss the Anus of a Black Cat, Tangled Horns and The Glücks, it looks like a well-curated mix of groups and should make for a great precursor to the busy autumn ahead.

Complete lineup and headliner announcement follow, courtesy of the fest:

yellowstock-festival-x

The Line-up is complete!!! We are siked to have the almighty KADAVAR to headline Sunday August 14th at Yellowstock Festival 10th Anniversary Edition!!! These retro rockers combine the finest 70’s Rock with enough Psychedelic & Stoner grooves to let y’all band or move!! IF you don’t know’m yet make sure to check’m out!!

Spread the words boys & girls; mothers & fathers; Psychedelic MoFo’s and all the rest!! See you at Yellowstock 2016!!!

TICKETS available now at: http://bit.ly/1prkFxW

EARLY BIRD TICKETS: SOLD-OUT!!!

ALL BANDS CONFIRMED
KADAVAR (Ger)
MICHAEL ROTHER plays NEU!, Harmonia and selected solo works (Ger)
HILLS (Se)
GREENLEAF (Se)
THE OSCILLATION (Uk)
THE MACHINE (Nl)
K-X-P (Fin)
SIENA ROOT (Se)
ZONE SIX (Ger)
THE FLYING EYES (Usa)
FLYING HORSEMAN (B)
PAUW (Nl)
THE MIDNIGHT GHOST TRAIN (Usa)
TERMINAL CHEESECAKE (Uk)
BIRTH OF JOY (Nl)
KISS THE ANUS OF A BLACK CAT (B)
LAY LLAMAS (It)
THE GRAND ASTORIA (Rus)
BLOWN OUT (Uk)
THE GLÜCKS (B)
MANTRA MACHINE (Nl)
TANGLED HORNS (B)

https://shop3.ticketscript.com/channel/html/get-dates/rid/4BHR9KMQ/eid/297973/language/nl
https://www.facebook.com/events/118832615129683/
https://www.facebook.com/YellowstockConcerts/

Kadavar, “Filthy Illusion” official video

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The Grand Astoria Touring Next Month

Posted in Whathaveyou on June 14th, 2016 by JJ Koczan

the grand astoria

Always adventurous and never far off from their next outing, Russian psychedelic progressives The Grand Astoria have just issued a collection of tracks from members’ other outfits. This follows up on 2015’s Soft Focus quieter outing and the grandiose, classically-influenced The Mighty Few, and brings together cuts from The Legendary Flower Punk and other side-projects related to The Grand Astoria proper. To coincide with the latest in a prolific string of outings, The Grand Astoria will hit the road next month through Western Europe, hitting France and the Iberian Peninsula over the course of two weeks before August brings a few select festival dates, among them Yellowstock in Belgium.

This follows up on a run the band did between February and March of this year, as they continue to be somewhat underappreciated in the wider European sphere despite years of steady, quality work. They’re a lot to keep up with at this point — admittedly I feel like I fail to do so more often than not — but their material has always proven to be well worth the effort.

Dates, of which there are reportedly more to come, and other info follow:

the grand astoria poster

First bunch of dates of The Grand Astoria summer tour. We are building around these ones. If you are interested in booking us – please mail to: thegrandastoria@gmail.com

14.7 – Balagny-sur-Thérain (FRANCE) “Le Cheval Blanc”
16.7 – Tarbes (FRANCE) “Celtic Pub”
18.7 – Bilbao (SPAIN) “La Nube Cafe Teatro”
19.7 – Madrid (SPAIN) “Wurlitzer Ballroom”
21.7 – Cangas (SPAIN) “Salason”
22.7 – Ourense (SPAIN) “Urban Place”
23.7 – Figueira de Foz (PORTUGAL) “Woodrock Festival”
25.7 – Cascais (PORTUGAL) “Stairway Club”
27.7 – Loule (PORTUGAL) “Bafo de Baco”
06.8 – Beelen (GERMANY) “Krach am Bach Festival”
13.8 – Cernoy (FRANCE) “Celebration Days Festival”
14.8 – Geel (BELGIUM) “Yellowstock Festival”

From the forthcoming The Grand Astoria family compilation! Lovely piano piece from our keyboards wizard ????? ????????. Enjoy and share with your friends and parents (your mom will dig it)!

https://www.facebook.com/TheGrandAstoria
https://thegrandastoria.bandcamp.com/

The Grand Astoria, “Viipuri Lumi”

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Yellowstock Festival: First Bands Confirmed; Early-Bird Tickets Sold Out

Posted in Whathaveyou on March 8th, 2016 by JJ Koczan

This year’s Yellowstock festival is set for Aug. 13-14 at Bogaard in Geel, Belgium. 2016 marks the 10th anniversary of the fest, which has in years past featured lineups gathering a particular slice of European and American heavy psychedelia, and it looks like this incarnation of the fest is no different. It’s up from one day in 2015 to two now, so I’d expect more than a few lineup additions are still to come, but they’re off and running with the likes of Michael RotherGreenleafHillsThe Flying EyesThe Midnight Ghost TrainThe MachineThe Grand Astoria and so on in their initial announcement.

Enough so that upon being made available this past weekend, early-bird tickets sold out quickly. There’s still time before August gets here if you happen to be near Geel or otherwise ready to travel, but it’s one to keep an eye on. The first Yellowstock was in 2007, and since then the fest has continued to flourish and build its own community in an increasingly crowded heavy scene.

I’ll do my best to keep up with announcements as they come out, but here’s the initial word from the fest itself, as seen on the social medias:

yellowstock header

Yellowstock Festival 10th Anniversary Edition!

TICKETS available now at: http://bit.ly/1prkFxW

EARLY BIRD TICKETS: SOLD-OUT!!!

August 13 – August 14
BOGAARD Diesteweg 135 B-2440 Geel Belgium

First bands confirmed!
Michael Rother plays NEU!, Harmonia and selected solo works (Ger)
HILLS (Se)
GREENLEAF (Se)
THE OSCILLATION (Uk)
K-X-P (Fin)
THE MACHINE (Nl)
THE FLYING EYES (Usa)
THE MIDNIGHT GHOST TRAIN (Usa)
TERMINAL CHEESECAKE (Uk)
KISS THE ANUS OF A BLACK CAT (B)
LAY LLAMAS (It)
THE GRAND ASTORIA (Rus)
BLOWN OUT (Uk)
THE GLÜCKS (B)
+ many more soon!

We are back with 2 full days of music!! Campsite!! and lots more coming soon!!

Cross the dates in your agenda!

https://shop.ticketscript.com/channel/web2/start-order/rid/4BHR9KMQ/language/nl
https://www.facebook.com/YellowstockConcerts/
https://www.facebook.com/events/118832615129683/
http://www.yellowstock.be/

Greenleaf, Rise Above the Meadow (2016)

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The Grand Astoria Euro Tour Starts this Weekend

Posted in Whathaveyou on February 18th, 2016 by JJ Koczan

the grand astoria

It’s not every band in the world you’d believe when they say they’re going to play a different set each night of a tour, but coming from Saint Petersburg progressive heavy rockers The Grand Astoria — who have both the sense of adventure and the back catalog to make such a thing possible — I have no trouble at all imagining they’ll live up to their word. The prolific outfit’s latest outing is last year’s The Mighty Few, a two-song full-length exploration that melds classical and riffy ideas together in a concoction that for just about anyone else would fall flat. Somehow, The Grand Astoria make that work, as you can hear for yourself on the player under the tour dates below.

Not their first tour by any stretch, but also noteworthy since that different set each night will reportedly include a generous helping of new material. All the better from these guys, whose evolution remains ongoing.

Dates follow:

the grand astoria euro tour

The boss of booking is here! Come to our shows! We play different set every night. Don’t miss and tell your friends.

We promise you a nice set with a bunch of absolutely new songs from the forthcoming album! They are epic!

Poster by Sophia Miroedova.

The Grand Astoria on tour:
19.02 – Wroclaw (PL) – Ciemna Strona Miasta
20.02 – Katowice (PL) – Pub Korba
21.02 – Krakow (PL) – Jazz Rock Cafe
22.02 – Budapest (HU) – Instant
23.02 – Graz (A) – Wakuum
24.02 – Ljubljana (SI) – Gromka
25.02 – Zero Branco (IT) – Altroquando
26.02 – Milan (IT) – Cox 18
27.02 – Cremona (IT) – Circolo Arci Arcipelago
28.02 – Pescara (IT) – Orange Rock Cafe
29.02 – Palermo (IT) – Fabbrica 102
01.03 – Catania (IT) – Magazzini Sonori
02.03 – Reggio Calabria (IT) – Limitazione
03.03 – Bologna (IT) – Freakout
04.03 – Trieste (IT) – Tetris
05.03 – Maribor (SI) – Gustaf Pekarna
06.03 – Bistrica ob Sotli (SI) – Klub Metulj
07.03 – Brno (CZ) – Bajkazyl
08.03 – Ostrava (CZ) – Plan B
09.03 – Hradec Kralove (CZ) – Klub 4
10.03 – Prague (CZ) – Dead Jack Club
11.03 – Karlsruhe (DE) – Cafe Bistro KA
12.03 – Nuremberg (DE) – Artischocken
15.03 – Plzen (CZ) – Divadlo Pod Lampou
16.03 – Halle (Saale) (DE) – Huhnermanhattan
17.03 – Dresden (DE) – Sabotage
18.03 – Potsdam (DE) – Spartacus
19.03 – Berlin (DE) – Urban Spree
20.03 – Warsaw (PL) – 2Kola

https://www.facebook.com/TheGrandAstoria
https://thegrandastoria.bandcamp.com/

The Grand Astoria, The Mighty Few (2015)

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