The Obelisk Show on Gimme Radio Recap: Episode 14

Posted in Radio on April 15th, 2019 by JJ Koczan

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No real running theme here other than it’s stuff that’s had my ears for the last couple weeks. I put the playlist together with a few tracks that were premiered here from The Dry Mouths and Cities of Mars, the new single from Astral Hand and a Bible of the Devil track to lead off because their amount of kickassery should most definitely put them up front. Some stuff here I haven’t covered as well. On the social medias I put out a question looking for album of the year suggestions and Elizabeth Colour Wheel were one of the top names that came back, so I included them for sure, and Magic Circle too. And I’ll listen to Lamp of the Universe any chance I get anyway, so having them was a no-brainer. Oh, and new Nebula, because duh.

I ended up cutting the voice tracks at Boston Logan Airport before my flight to Roadburn, so maybe there’s a little bit of muzak in the background. It was a little weird sitting there at the gate in Logan talking into my phone about how badass Dozer are, but you know, there’s a kind of anonymity in being in public like that too, and I wasn’t exactly projecting my voice. Bottom line is there’s a bunch of cool stuff though, so whatever I needed to to get it done was worth it. Similarly, I’m writing this from the office of the 013 before the show has even aired, so I don’t actually know yet how it’s all turned out [ed. – it sounds like crap]. If I sound like a jackass, we’ll call it par for the course.

Good fun.

Here’s the full playlist:

The Obelisk Show – 04.14.19

Bible of the Devil Idle Time Feel It*
Astral Hand Universe Machine Universe Machine*
Cities of Mars Trenches of Bahb-elon The Horologist*
BREAK
Nebula Witching Hour Holy Shit*
The Druids Cruising Astral Skies The Druids*
Pharlee Warning Pharlee*
Magic Circle Valley of the Lepers Departed Souls*
Elizabeth Colour Wheel Life of a Flower Nocebo*
BREAK
Dozer Octanoid Madre de Dios
The Dry Mouths Impromental VII: Moustachette Memories from Pines Bridge*
Lamp of the Universe The Leaving Align in the Fourth Dimension*
Temple of the Fuzz Witch Infidel Temple of the Fuzz Witch*
BREAK
Picaporters M.I. XXIII*
Electric Moon Transmitter Hugodelia*

The Obelisk Show on Gimme Radio airs every other Sunday night at 7PM Eastern, with replays the following Thursday at 9AM. Next show is April 28. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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The Dry Mouths Stream Memories from Pines Bridge in Full; Album out Tomorrow

Posted in audiObelisk on April 4th, 2019 by JJ Koczan

the dry mouths

The Dry Mouths release their sixth full-length, Memories from Pines Bridge, tomorrow, April 5. For those familiar with the Almeria-based trio’s past work, it will no doubt seem like something of a departure from their generally straightforward desert-rocking songcraft, which may or may not be rooted in jams, but ultimately pushes much farther out here in songs like “Impromental VII – Moustachette,” a nine-minute off-the-cuff exploration of canyon echoes and cymbal wash, or the earlier “Low Savvia,” which brings a bit of thicker distortion to the dream-toned modus of Yawning Man. The instrumental outing is a departure even just for its lack of vocals, but the resonant tonality and the adventurous spirit of the sonic interaction between the three-piece of guitarist/thereminist Christ O. Rodrigues, bassist Andrés Reyes and drummer Josh Morales makes it a joyful undertaking despite the tragic circumstances of its arrival following the death of Reyes in February.

Memories from Pines Bridge is one of two albums The Dry Mouths will reportedly release in 2019 in that most unfortunate of contexts, and while there hasn’t been any information given on whether it will follow the band’s more established methodology or the the dry mouths memories from pines bridgepattern set forth by these tracks, there’s no denying that what they’re doing here works. With Rodrigues‘ guitar drifting outward in pieces like “Promenade” or “Mangai Maroke” or conjuring desert visions in opener “La Chasseure,” or delving into minimalist ambience on “Bootha,” there’s a sense of patterning behind most of what the band are doing here. With the exception of the aforementioned “Impromental VII – Moustachette” and “El Cairo ’78” right before it, most of the tracks are under five minutes long, and the theremin-laced “L’Enfer” is 63 seconds, so while they range far in the nine songs, it’s still just a 40-minute outing, and that too feels purposeful. Songs ease their way in and gently fade out, like the penultimate “Bootha” or “El Cairo ’78” after “L’Enfer,” and even when The Dry Mouths build a wash, they do so with patience and melodic emphasis. It sounds like it was a joy to make, and that carries into the execution of the songs themselves, as well as the listening experience.

Immersion is the key. Hypnosis is the key. The Dry Mouths are issuing an invitation to get lost with them. Closer “La Siesta (Sleep Paralysis)” has a little bit of a darker foundation, but the vast, vast majority of Memories from Pines Bridge is dedicated to sweetly melodic instrumentalist passages of these fleeting musical ideas that weave their way in and out fluidly as the album progresses. It’s the kind of record that is exceedingly easy to put on and lose time with. “What just happened?” and on it goes again. Its blend of plotted material and improv keeps things moving in a way that adds a subtle sense of variety, and no matter where the band seems to head, they’re able to bring the listener along with them for the ride. And their scope is pretty broad while being tethered to its desert rock foundation, so while you might get lost in listening to it, the band are never really any more lost than they want to be in their playing.

With the release tomorrow, I’m thrilled today to be able to host the full stream of Memories from Pines Bridge. And whether their next outing is a return to their prior form or another willful excursion into the unknown along these lines, the fact remains that they’ve brought something special to light in these tracks — and no, I don’t just mean the theremin, though that’s always fun — and that despite the loss of Reyes following the sessions for this and the impending follow-up, the work will always remain a moment worthy of celebration.

Please enjoy:

‘Memories From Pines Bridge’ is the sixth album by the Almerians The Dry Mouths. It is a 40-minute LP composed of 9 tracks performed live as “jam sessions” and instrumental passages of psycho-hypnotic character.

“Our intention is to create a sound sensation with which to delve into the mind towards memories of a past that we long for, whose memory is far away in a sensation that vanishes, that sometimes surfaces, and makes us relive experiences that still remain in our unconscious , that make us who we are, that represent the harshness of our lives…” — The Dry Mouths

‘Memories From Pines Bridge’ is the first of two albums that the band will release in 2019, after the tragic death of bassist Andrés Reyes earlier this year. Both works had previously been recorded and mixed by Chris O. Rodrigues, Josh Morales and Andy Reyes himself.

The artwork of the album is a work by Iván Carreño (who already worked with the band in 2018 in ‘When The Water Smells Of Sweat’). This new work will be published in CD format and in a careful edition on transparent vinyl by co-editing between the labels Spinda Records, Aneurisma Records, Surnia Records, Zona Rock Productions, Monasterio de Cultura and Odio Sonoro.

TRACK-LIST
1. La Chaussure
2. Low Savvia
3. MangaiMakore
4. L’Enfer
5. ElCairo78
6. Impromental VII – Moustachette
7. Promenade
8. Bootha
9. La Siesta (Sleep Paralysis)

The Dry Mouths are: Andy Reyes (bajos), Christ O. Rodrigues (guitarras and theremin) and Josh Morales (batería).
Recorded at Sonobalance Studio by Víctor Ortíz, Alberto Chamorro and Daniel Ruíz.
Mixed at Desert City Studio by Christ O. Rodrigues, Andy Reyes and Josh Morales.
Mastered at Kadifornia Mastering by Mario G. Alberni.

The Dry Mouths website

The Dry Mouths on Thee Facebooks

The Dry Mouths on YouTube

The Dry Mouths on Bandcamp

Spinda Records website

Aneurisma Records website

Surnia Records website

Zona Rock Productions on Thee Facebooks

Monasterio de Cultura website

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audiObelisk Transmission 065

Posted in Podcasts on February 26th, 2018 by JJ Koczan

aOT65

I recognize that saying so is the cliché equivalent to writing a song with the same bassline as ‘N.I.B.,’ but if this was December and not February and the year was about to end in a couple weeks’ time, would you really be able to complain about any lack of fantastic releases? It’s been two months and before the next one is out we will have seen and heard new offerings from Corrosion of Conformity, Monster Magnet, Earthless, Fu Manchu and literally hundreds of others. It’s been as awesome as it’s been impossible to keep up with.

This new podcast follows the same model as the last one, vis-a-vis using Spotify as the medium of conveyance. You can see the playlist in the player below, and you may accordingly wonder why I’ve bothered to type it out underneath as well. It’s because streaming sites disappear even quicker than they rise to dominance, and I’m not saying The Obelisk is going to outlast Spotify or anything, but just in case, I like to keep my own records. I appreciate the indulgence on your part.

Awesome mix this time around. No real theme other than it’s new stuff I’ve been listening to a lot and digging. I very much hope you enjoy it as well. 21 tracks. About two and a half hours long.

Thanks for listening and reading:

Track details:

Artist, Track, Album, Runtime
Earthless, “Black Heaven” from Black Heaven, 8:45
Sundrifter, “Targeted” from Visitations, 4:45
Psilocibina, “Acid Jam” from LSD / Acid Jam, 7:08
Blackwater Holylight, “Sunrise” from Blackwater Holylight, 4:51
Fu Manchu, “Clone of the Universe” from Clone of the Universe, 2:57
Green Lung, “Free the Witch” from Free the Witch, 5:55
Monster Magnet, “Mindfucker” from Mindfucker, 4:59
All Souls, “Never Know” from All Souls, 5:59
Red Lama, “Perfect Strangers” from Motions, 6:47
Blackwülf, “Sinister Sides” from Sinister Sides, 4:53
Fuzz Lord, “Worlds Collide” from Fuzz Lord, 6:58
Corrosion of Conformity, “Forgive Me” from No Cross No Crown, 4:06
Apostle of Solitude, “Ruination Be Thy Name” from From Gold to Ash, 6:37
Avon, “Space Native” from Dave’s Dungeon, 4:42
Psychic Lemon, “Exit to the Death Lane” from Frequency Rhythm Distortion Delay, 8:32
The Dry Mouths, “Catalonian Cream” from When the Water Smells of Sweat, 4:34
Insect Ark, “Windless” from Marrow Hymns, 8:38
Naxatras, “You Won’t Be Left Alone” from III, 11:17
Mythic Sunship, “Into Oblivion” from Upheaval, 13:56
King Buffalo, “Repeater” from Repeater, 13:40
Hound the Wolves, “Masquerade” from Camera Obscura, 13:10

If you’re interested, you can follow me on Spotify here.

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The Dry Mouths New EP When the Water Smells of Sweat Coming Soon

Posted in Whathaveyou on January 25th, 2018 by JJ Koczan

the dry mouths

Some bands — one or two labels. Frankly, one is impressive. I know I post all the time about bands getting signed and it’s a thing that happens every day, but that doesn’t mean it’s easy. Bands and imprints both put in a shit-ton of work, and then they need to find each other, coordinate something everyone can agree on, make a release plan, on and on and on — it can be an agonizing, anxious process.

I mention it because as you look through the PR wire info below about The Dry Mouths‘ forthcoming EP, When the Water Smells of Sweat, you’ll notice there are no fewer than seven different labels standing behind the release. Seven. I don’t know that I’ve ever seen that many parties standing behind a single offering. And it’s not even a full-length! I mean, don’t get me wrong — listening to the six-and-a-half-minute closer “Doomental VI: Law Far Low Par,” I get it — but still. That’s a pretty considerable gathering. Imagine getting seven people to agree on anything. Ever.

On the other hand, The Dry Mouths manage to cover a pretty wide swath of sound on the short release, so maybe it’s a case of everyone hearing something different. Whatever got the job done, kudos.

Here’s info off the PR wire:

the dry mouths when the water smells of sweat

After 12 years touring around Spain, and five studio albums, The Dry Mouths have made a name for themselves in the Spanish Underground Music Scene.

Over the years, The Dry Mouths have evolved and played their cards between different styles, from psycho rock to alternative rock or stoner. As a result, they bring us “When The Water Smells Of Sweat” (2018), a 6-track EP recorded, produced and mixed at their recording studio, Desert City Studio, and containing the singles “Catalonian Cream” and “Doomental VI: Law For The Law Par”.

“When The Water Smells Of Sweat” is released on 12″ and CD thanks to seven indie record labels: Aneurisma Records, Spinda Records, RadiX Records, Cosmic Tentacles, Surnia Records and Zona Rock Productions from all over Spain, and Tim Tam Records from Germany. The awesome artwork is by local artist Ivan Carreño, who brings the visual experience to the next level, closer to psychedelia.

ALBUM: When The Water Smells Of Sweat
YEAR: 2018
FORMAT: EP/MinilP. 12″ Vinyl and CD
LABELS (Co-Edition): Aneurisma Records, RadiX Records, Cosmic Tentacles, Spinda Records, Surnia Records, Tim Tam Records, Zona Rock Productions

TRACKUST,
1. Low Clouds (2:13)
2. Catalonian Cream (4:34)
3. The Whip (3:35)
4. When The Water Smells Of Sweat (1:13)
5. This Could Be The Beginning Of A Beautiful Friendship (3:54)
6. Doomental VI: Law Far Low Par (6:33)

Produced by The Dry Mouths
Recorded and Mixed at Desert City Studio
Mastering by Mario G. Alberni (Kadifornia)
Artwork by Ivan Carreno
Music and Lyrics by The Dry Mouths

MEMBERS:
Christ O. Rodrigues: Guitar & Vocals
Andy Reyes: Bass, Backing Vocals, Synth, Sax
Josh Morales: Drums, Backing Vocals

www.thedrymouths.com
FACEBOOK.com/thedrymouths
YOUTUBE.com/thedrymouths
thedrymouths.BANDCAMP.com

The Dry Mouths, “Doomental VI: Law Far Low Par”

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