The Obelisk is proudly sponsored by All That is Heavy

Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Devil and the Almighty Blues Set March 17 Release for II

Posted in Whathaveyou on January 11th, 2017 by JJ Koczan

the devil and the almighty blues

A second full-length from Norwegian heavy rockers The Devil and the Almighty Blues is an intriguing prospect. The Oslo five-piece impressed with their 2015 self-titled debut (review here), and the aptly-titled follow-up, II, is set to arrive March 17 via Blues for the Red Sun Records (with distribution through Stickman). As the debut was one of 2015’s best and band have spent the last year-plus taking part in fests like Freak Valley and playing shows and getting themselves recently confirmed for Roadburn 2017, it seems fair to expect some marked forward movement in their sound. I guess the underlying point here is I hope to get the chance to find out.

Info follows, as well as the band’s upcoming live dates, as scoured from the social medias:

the devil and the almighty blues ii

Finally! Blues For The Red Sun are proud to announce release of the second The Devil And The Almighty Blues album!

The album will hit the streets Friday 17th March 2017. From early January there will be possible to pre-order the limited edition (on white vinyl). More info will follow.

When the 60’s turned into the 70’s there was a musical crossroads. The American blues had had it’s run with teens on both sides of the Atlantic long enough so that the blues-offspring named rock’n’roll had to expand or die. It did not die, it expanded in all kinds of directions! And right there in the crossroads between blues-based rock and all the world’s other sub-genres of rock, something happened to the blues. The format got experimented with, expanded and almost made unrecognizable. But at the same time the roots to the original ’real’ blues was never lost. The result was a highly electric musical revolution, where e.g. the newly born genre hard rock walked hand in hand with traditional delta blues.

It is out from this musical mud The Devil and the Almighty Blues have found their inspiration. Their music is slow, heavy, melodic and raw, all without losing the almighty blues out of sight.

The Devil and the Almighty Blues live shows:

APR 6 The Devil and the Almighty Blues / supp. There Will Be Blood
Parkteatret
Oslo, Norway

APR 7 The Devil And The Almighty Blues + There Will Be Blood
Studentsamfunnet driv
Tromsø, Norway

APR 20 Roadburn Festival 2017
Apr 20 – Apr 23
Tilburg, the Netherlands

The Deivl and the Almight Blues is:
Arnt Andersen
Petter Svee
Kenneth Simonsen
Torgeir Waldemar Engen
Kim Skaug

https://www.facebook.com/thedevilandthealmightyblues/
https://thedevilandthealmightyblues.bandcamp.com/
https://www.facebook.com/BLUES-FOR-THE-RED-SUN-645295312258485/
https://www.stickman-records.com/

The Devil and the Almighty Blues, The Devil and the Almighty Blues (2015)

Tags: , , , , , ,

Roadburn 2017 Adds 24 New Bands: Bongzilla, Disfear, Serpent Venom, Lycus, Ruby the Hatchet, Harsh Toke, Joy and Many More

Posted in Whathaveyou on December 13th, 2016 by JJ Koczan

Roadburn 2017 banner

As one has come to expect by now, there’s an awful lot of badassery in this latest announcement from Roadburn 2017. The Tilburg-based festival doesn’t seem to do anything small at this point — though it boasts not one, but two delightfully intimate venues, so take that assertion with a grain of reality’s salt — and that certainly includes this round of 24 lineup additions. For me, particularly notable is the West Coast heavy psych invasion underway with the likes of Joy and Harsh Toke added — Tee Pee labelmates Ruby the Hatchet are no slouches themselves in that regard — and UK doomers Serpent Venom, who, as noted in the expansive update below, are overdue for an appearance at this showcase of showcases. I’ve included the stream of their last album as a refresher of its righteousness, in case you need one.

Also dig Bongzilla added to perform Gateway in its entirety. They’ll be part of a killer Main Stage lineup that day that’s basically untouchable and bound to engender much whining when the schedule is released and is packed as ever in all the other rooms. See also Big Business, Pontiak, Radar Men from the Moon, The Devil and the Almighty Blues, Lycus and so on. In the immortal words of pre-cold-dead-hands Charlton Heston, “it’s a madhouse.”

Check it out:

Twenty-four new additions to Roadburn’s 2017 line up

• John Dyer Baizley adds four new bands to his curated event, plus confirms a live interview at Roadburn 2017.
• Bongzilla confirm their first trip to Roadburn
• Big Business return to Roadburn ten years after their last performance at the festival.
….and more

JOHN DYER BAIZLEY

John Dyer Baizley has confirmed four more bands for his curated event, with the line up now almost complete. In addition, he will also take part in a live interview at Roadburn 2017 as part of the festival’s side programme.

Few others, if any, hardcore bands carry so much weight and impose so much respect outside their own scene as INTEGRITY do, perhaps because they have always transcended their “root” genre, both stylistically and conceptually. Baizley comments: “I hope to see you all there, while Integrity proves to all present that the ferocity has neither dulled nor become disingenuous throughout their career. Reality is bleak, but through darkness we are able to find connectivity and community.”

DISFEAR have been one of the leading lights of the Swedish d-beat scene in the almost three decades they have existed. They might not record of perform often, but when they do, you know it’s going to be something extraordinary, as John says: “I don’t know exactly what to expect from this re-emergence, but I’m sure it won’t be a gentle one. This should be a no-hold-barred, fists-in-the-air, mandatory-circle-pit set, and you better believe I’m not missing a minute of it.”

OATHBREAKER have wowed audiences around the world with the release of their latest album, Rheia. John counts himself among the devoted, commenting of the album: “Therein exists a healthy reverence and understanding of the genres it references; yet it’s a record that is beholden to no style, genre or convention. There are layers upon layers of sound that recall black metal, pop, indie, hardcore, shoe-gaze, you-name-it; yet as I listen, I am aware of none of this – it has been presented so artfully and with such earnest and unpretentious conviction.”

If you trace the history of post-rock, you’ll go all the way down the family tree to find Nathan Means, Philip Manley and Sebastian Thomson, the three members of TRANS AM, at the very root of it all. “I have always been a massive Trans Am fan, and I think their performance at Roadburn will be an incredible moment during next year’s festival,” John says, “I’m sure Sebastian will have his work cut out for him, playing two very intense and completely different sets, with both Baroness and Trans Am (Friday and Saturday, respectively). Do not miss this show, it will be a truly incomparable experience during Roadburn 2017.”

John Dyer Baizley will also be participating in Roadburn’s popular side programme, having confirmed that he will take part in a live interview hosted by Ula Gehret. John will talk through his personal and professional highs and lows before taking questions from the audience.

BONGZILLA

In an unparalleled stoner celebration, reformed Wisconsin riffmasters BONGZILLA have been confirmed to perform their classic album Gateway in its entirety at Roadburn Festival 2017. Next year marks 15 years since BONGZILLA originally released Gateway in 2002. Their third album, it indeed was for many listeners a doorway into a new world – a dimension of crust-laden sludge that, in the years since, has gone on to put an entire generation of bands under its influence. Unmatched in its dankness, coated in purple and green tonal wash, Gateway’s weedian righteousness is no less potent today than a decade and a half ago.

BIG BUSINESS

The last time this dynamic duo set foot at Roadburn was way back in 2007, in the company of their Melvins bros, but now, fully grown up and with a bunch more records, experience and exactly the same amount of boundless creativity, they will return on their own, as the singular, unique musical force they are.

WHORES.

Their live shows have a reputation for being way beyond the norm in terms on intensity, so we are super stoked to bring this power trio, WHORES.to Roadburn for the first time. We have the feeling it just might be one of those shows that everyone will talk about for years afterwards, so make sure you don’t miss WHORES. when they play Roadburn 2017 – they have a curious knack for melody that’ll ensure these tunes stay with you long after the bruises have healed up.

ALSO CONFIRMED:

Alaric will deliver a hybrid of post-punk’s tense, angular structures with the size and spread of extreme metal’s most dynamic sonic components.
Author & Punisher heralds the rise of the machines with a unique take on industrial doom.
Cobalt offer atypical excursions through black metal via apocalyptic tribalism, old Americana, and a doom-laden, ritualistic atmosphere.
Fórn bring both soul-crushing lows and groovy assaults at higher moments.
Gnaw Their Tongues have promised “something special” for their Roadburn set. Prepare for aural torture.
Harsh Toke will perform a set comprised entirely of Roky Ericsson covers.
Hedvig Mollestad Trio touch on genre-blurring hardrock and metal riffery as well as the noisier realms of jazz improvisation.
Joy are a San Diego heavy psych power trio, inviting you to ride along with them at Roadburn.
King Woman heavy, dark, emotional, beguiling, confrontational.
Lycus – monolithic, mournful, and massive sounding doom.
Pinkish Black will be making waves and breaking hearts with their chilling synthesiser dirges.
Pontiak are primal and fiery and often fuzzy and psyched out; ready to give a lesson in rock.
Radar Men From The Moon will team up with Roadburn 2017 artist in residence GNOD for a collaborative performance known as Temple Ov BBV, as well as playing their own show.
Ruby The Hatchet invite you to follow them on their kosmiche trip.
Serpent Venom – they’re trippy, they’re heavy, they are long overdue a Roadburn appearance.
The Devil & The Almighty Blues are heavily inspired by Delta blues, and standing at the crossroads of both American and British blues-based rock.
True Widow return with more sultry yet syrupy fuzzed out trips.

Artists already announced for Roadburn 2017 include Coven, Warning (playing Watching from a Distance in full), Artists in Residence – GNOD, My Dying Bride (performing Turn Loose The Swans in its entirety), Ulver and Hypnopaz?zu (David Tibet & Youth) and Zeal & Ardor, Mysticum, Deafheaven, Chelsea Wolfe, and our 2017 curator, John Baizley who will perform with Baroness, plus many more. Roadburn Festival will take place 20-23 April, 2017 at the 013 venue, Tilburg, The Netherlands.

Tickets (and campsite tickets) are on sale for Roadburn 2017 and can be purchased from this link.

4 day – 195 Euro
3 day (Thu, Fri, Sat) – 172 Euro
Single day ticket, Sunday only – 54 Euro

Thursday, Friday and Saturday single day tickets will be on sale on January 12 priced at 59 Euro.

http://www.roadburn.com/
https://www.facebook.com/roadburnfestival
https://twitter.com/roadburnfest

Serpent Venom, Of Things Seen and Unseen (2014)

Tags: , , , , , , , , , , , , , , , , , , , , , , , , ,

Freak Valley 2016: The Devil and the Almighty Blues Added to Lineup

Posted in Whathaveyou on February 18th, 2016 by JJ Koczan

freak valley 2016 header again

Norwegian beardly fivesome The Devil and the Almighty Blues offered up their self-titled debut (review here) in 2015 and made one of last year’s finer opening statements with it. It would seem that what the Oslo troupe have discovered since that time is that their particular style of classic heavy is just what listeners around Europe and beyond have been looking for; the Blues for the Red Sun Records release continues to resonate and find an audience. They took most of the winter off, if social media is anything to go by (and it may or may not be, of course; entirely possible they were writing or doing something other than playing out during that time), but in May they’ll join a vast and international array of acts as part of the lineup for Freak Valley 2016.

I do not know how many more acts Freak Valley 2016 has to add. I’ve kept up as best I can with their one-at-a-time announcements since late last year, but no question that however much fuller it gets, the bill is stacked. You can see the full list below, under their welcoming for The Devil and the Almighty Blues, which goes like this:

freak valley 2016 the devil and the almighty blues

Norwegian heavy riffers THE DEVIL AND THE ALMIGHTY BLUES added to the Freak Valley Festival 2016 line-up

The Devil And The Almighty Blues are filled with a profound love for the old heroes of the Blues walking hand in hand with rock, metal, country and last but not least punk. Armed with vintage Gibson guitars and tube amplifiers, they play a new take on blues-based rock, heavy without becoming metal, slow without being doom, bluesy without being straight up and boring. The result turns out slow, heavy, melodic and raw.

When the 60’s turned into the 70’s there was a musical crossroads. The American blues had had its run with teens on both sides of the Atlantic long enough so that the blues-offspring named rock’n’roll had to expand or die. It did not die, it expanded in all kinds of directions! And right there in the crossroads between blues-based rock and all the world’s other sub-genres of rock, something happened to the blues. The format got experimented with, expanded and almost made unrecognizable. But at the same time the roots to the original ’real’ blues was never lost. Where Peter Green left Fleetwood Mac in 1970 with the track «Green Manalishi», where Johnny Winter stretched his musical legs, where ZZ Top bought Marshall full stacks and shot from the hip, and last but not least where the legend himself, Muddy Waters, stretched the limits of that was ’legal’ with the album «Electric Mud». And not to forget Hendrix, Free, Canned Heat and the rest of the gang from the Woodstock-era. The result was a highly electric musical revolution, where e.g. the newly born genre hard rock walked hand in hand with traditional delta blues.

It is out from this musical mud The Devil and the Almighty Blues have found their inspiration. Their music is slow, heavy, melodic and raw, all without losing the almighty blues out of sight.

Superb poster art by Headbang Design

FREAK VALLEY FESTIVAL – 26th-27th-28th May 2016
www.freakvalley.de www.rockfreaks.de

FVF 2016 is SOLD OUT!!

Freak Valley Festival: No Fillers – Just Killers

Line-up 2016:
GRAVEYARD [SW] – Vintage Rock
DEAD MEADOW [US] – Psychedelic Stonerrock
SPIDERGAWD [NO] – Post-Boogie
WHITE HILLS [US] – Fuzzed Out Motorik Psychedelic
THE SHRINE [US] – Psychedelic Violence Rock and Roll
BABY WOODROSE [DK]- Psychedelic Garagerock
LONELY KAMEL [NO]- Heavy Blues, Hardrock & Stoner
ROTOR [D] – Instrumental StonerRock/Psychedelic
MONOLORD [SW] – Doom/Sludge
MANTAR [D] – Death Metal Doom Punk
TOUNDRA [SP] – Postrock
FARFLUNG [US] – Spacerock for 21st Century Heads
BLACK RAINBOWS [IT] – Heavy Psych
THE GOLDEN GRASS [US]- Heavy/Funk//Psych/Freakbeat
SPIDERS [SW] – Hard/Glam Rock
LÉ BETRE [SW] – Bluesy Hardrock
GIÖBIA [IT] – Acid Rock
THE DEVIL AND THE ALMIGHTY BLUES [NO] – HeavyBluesRock
THE SONIC DAWN [DK] – Psychedelic Rock

…more tba very soon

www.freakvalley.de
https://www.facebook.com/freakvalley
https://twitter.com/FreakValley
https://shop.ticketscript.com/channel/web2/start-order/rid/LYSQRABJ/language/en

The Devil and the Almighty Blues, The Devil and the Almighty Blues (2015)

Tags: , , ,

The Obelisk Presents: The Top 20 Debut Albums of 2015

Posted in Features on December 18th, 2015 by JJ Koczan

top 20 debuts of 2015 1

Please note: This list is not culled in any way from the Readers Poll, which is ongoing. If you haven’t yet contributed your favorites of 2015 to that, please do.

I’ll note right away that this list started out as a top 10. When it came to it, it didn’t seem fair to cut it off. Too much left out. It gets to a point where you look at your list of honorable mentions and it’s like three times as long as your list itself and you realize maybe you should up the numbers and give a few more records their due. So yeah, a top 20 it is.

The temptation with a list like this, especially since it’s dealing with bands working on their first full-length albums (EPs are counted separately), is to think of it as indicative of future movement overall, to try and measure some overarching trend from some of the best outings of the year. I’m not sure that’s a fair approach either to the bands who made these records or to everyone else who might come after, but if we step back and look at what’s presented in the list below, we see veterans resurfacing in new incarnations, new, young groups coming together with classic ideologies, a bit of heavy extremity, psych melding with pop, heavy rock going prog and much more.

What all that tells me is that notions like “underground” and “heavy,” these vague terms that get applied so liberally, are constantly expanding. Whatever their individual sound might be, these bands all pushed ahead an overarching stylistic progression in whatever they’re doing, and like the best of debut albums, they held promise for further growth beyond this already impressive output. It’s less about which seems like an immediate landmark, touchstone, whatever, than it is about what sets up and effectively begins that development going forward, though striking a chord in the present never hurts either.

To that end, here we go:

brothers of the sonic cloth brothers of the sonic cloth

The Obelisk Presents: The Top 20 Debut Albums of 2015

1. Brothers of the Sonic Cloth, Brothers of the Sonic Cloth
2. Death Alley, Black Magick Boogieland
3. Cigale, Cigale
4. Kind, Rocket Science
5. Fogg, High Testament
6. Crypt Sermon, Out of the Garden
7. CHRCH, Unanswered Hymns
8. With the Dead, With the Dead
9. Demon Head, Ride the Wilderness
10. Sacri Monti, Sacri Monti
11. Stars that Move, Stars that Move
12. Chiefs, Tomorrow’s Over
13. Sunder, Sunder
14. Ecstatic Vision, Sonic Praise
15. Bison Machine, Hoarfrost
16. Serial Hawk, Searching for Light
17. Cloud Catcher, Enlightened Beyond Existence
18. Khemmis, Absolution
19. Sumac, The Deal
20. The Devil and the Almighty Blues, The Devil and the Almighty Blues

Honorable Mention

By way of honorable mentions, first I have to give a nod to Foehammer‘s self-titled debut EP, which would be on this list probably in the top five if not the top three were it not for the fact that, as noted, it’s an EP. Its list will come. The 2015 release of Horsehunter‘s self-titled on Magnetic Eye was killer as well, but since the album initially came out in 2014, it didn’t seem fair to include it in the list proper.

Releases from Killer Boogie, Snowy DunesSweat LodgePlanes of SatoriDoctoR DooMLasers from Atlantis and Lords of Beacon House (I heard the EP, not the LP) also provided thrills a-plenty, and while I recognize that sounds like sarcasm, please rest assured it’s not. I’m sure there are others, and as always, I reserve the right to tweak mentions and numbers over the next however many days, weeks, years, etc.

Notes

There wasn’t much mystery to this one for me. Brothers of the Sonic Cloth held onto that top spot for most of the year, and it seemed like no matter what came along, the wall of sound that Tad Doyle and company built on that record simply would not be torn down. As oppressive in tone as it is in atmosphere, it was a long-awaited debut that produced devastating results the ripples from which I expect will continue to resonate well into 2016 and beyond.

Brothers of the Sonic Cloth is one example of a veteran presence finding a new home, as several did this year. See also, Sumac with former members of IsisEcstatic Vision with players from A Life Once LostWith the Dead with members of Cathedral and Ramesses coming together for the first time, Kind drawing its lineup from the likes of RoadsawMilligramRozamov and Elder, and even groups like Sunder, who previously released an album together under the moniker The Socks before abandoning that project in favor of the current one, as well as Sacri Monti, with a member from Radio Moscow in tow, Cigale, who had two members from SungrazerStars that Move which sprang from Starchild, and Death Alley with members of MührGewapend Beton and The Devil’s Blood showcased how one band flows out of another and out of another, and so on.

That Death Alley debut had charm worthy of its title — which was also my favorite of the year — and showed the potential of that band to set up a real stylistic range going forward. I hope they continue to expand, get a little weird and freaked out and keep that core of songwriting and forward drive that makes Black Magick Boogieland so propulsive. For new bands, Cigale‘s self-titled was beautiful, but would later become tinged with tragedy following the death of guitarist/vocalist Rutger Smeets earlier this year. Not to mention friends and family, his is a significant loss for European psychedelia as a whole, and while that was inarguably one of the low points of 2015, the album itself remains a gorgeous statement.

Young acts like FoggDemon HeadBison MachineSunderCloud Catcher and even Sacri Monti showcased varied takes on classic heavy, some more into boogie and jams and some looking for something a little rougher edged. Cloud Catcher‘s progressive take was a particularly pleasant surprise, while Sunder‘s psychedelia teemed with melody and a cohesive presence born out of what could’ve been unhinged otherwise. Between these, the heavy riffing of The Devil and the Almighty Blues and Serial Hawk, the formative fuzz of Chiefs, the resonant doom of Khemmis and the righteous traditionalism of Crypt Sermon, the notion of genres and subgenres as an ever-expanding universe seemed to be playing out on a weekly basis.

This, invariably, leads to new extremes, which in turn brings me to CHRCH. Like Foehammer, whose EP is in honorable mentions, the Unanswered Hymns long-player from CHRCH was a bright spot especially for how little light it seemed to let escape its abyssal grasp. They’re an easy bet for a band to catch on because they’ve garnered a formidable response already, but what sticks out to me most about them is the sense of pushing established parameters into fresh territory. What they’ll do in the months and years to come of course remains to be seen — they could break up tomorrow; it happens — but where a group like Primitive Man are almost singularly based on extremity of pummel and brutality (not to take away from them), CHRCH have the space in their sound for a multi-faceted progression, and that’s a huge part of what made Unanswered Hymns so encouraging.

I know there were many more debut LPs than these released this year, and even more debuts that were EPs and demos of note and things like that. The reason I single out debut albums for a list is because it’s among the most pivotal offerings a band can make. You’ll never get to release a second debut record. Some bands never live theirs down, some never attain quite the same level again and struggle with it for decades. Either way, it’s no small thing to get a group together and bring it to the point of putting out a first long-player, and that accomplishment in itself, regardless of the results, is worth highlighting.

No doubt I’ve left a few excellent offerings out. I hope you’ll let me know in the comments what debut albums landed hardest with you in 2015. In any case, thanks for reading.

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Obelisk Radio Adds: Sumac, Garden of Worm, Carpet, Sporecaster, The Devil and the Almighty Blues

Posted in Radio on January 30th, 2015 by JJ Koczan

The Obelisk Radio server, which I’ve taken to calling the “main computer core,” was down most of last week after some kind of unknown surge in the EPS conduits, so with the data stream running on auxiliary power (yes, I’m using Star Trek science lingo; I’ll stop) it didn’t make much sense to do a round of adds. No one would hear the stuff anyway amid all the Sabbath, Kyuss, Goatsnake, Electric Wizard, etc. Sometimes I really like that backup server, but after a few days of listening, a change is welcome. I was pretty happy when we got the primary box back online.

And by “we,” I mostly mean Slevin, to whose technical expertise I am perpetually indebted. While I wouldn’t dare go much farther than doing so, I’m fortunate enough to be able to add files to the server on my own — I’m sure if you gave him five minutes he’d come up with a more efficient method — so we’ll give that a shot, and if the whole thing doesn’t come crashing down, we can consider it a win. Here goes.

The Obelisk Radio adds for Jan. 30, 2015:

Sumac, The Deal

sumac-the-deal

Sumac start out high-profile thanks to the lineup of guitarist Aaron Turner of Isis and Old Man Gloom and drummer Nick Yacyshyn of Baptists and the fact that Russian Circles bassist Brian Cook recorded the low end for their Profound Lore debut, The Deal, but I think even if they were a trio of out-of-nowhere unknown entities, this record would turn some heads. Coated in feedback, blisteringly heavy — in the tradition of older Isis but more assured in its purpose — its six tracks breathe dense tonal life into the pallid post-metal vibe, songs like “Hollow King” (12:21) and “The Deal” (13:41) sounding as complex as they do crushing, wanting nothing in impact or atmosphere. “Spectral Gold” (3:18) and “Thorn in the Lion’s Paw” (8:55) begin The Deal on an ambient note, and the sprawl-drone of “The Radiance of Being” ends it likewise with five minutes of solo guitar from Turner, but in between “Hollow King,” “Blight’s End Angel” (10:17) and “The Deal” work quickly to win over even skeptical ears. Yacyshyn‘s performance is of particular note. Where it would’ve been all too easy to fall into Isis-style patterning to complement Turner‘s riffs, he holds firm to his own personality and The Deal is that much stronger for it. It is a startling and potential-laden debut. Almost enough to make up for the needless dickery Old Man Gloom pulled last year sending a fake record to the press, assuming what I’ve heard from Sumac is actually the real thing. Sumac on Thee Facebooks, at Profound Lore.

Garden of Worm, Idle Stones

garden-of-worm-idle-stones

Tampere, Finland, trio Garden of Worm make their debut on Svart Records via Idle Stones, their second album following 2010’s Garden of Worm (review here) on Shadow Kingdom. Comprised of four songs alternating between shorter and longer before arriving at 19:49 closer “The Sleeper Including Being is More than Life,” the sophomore outing is a richer, more progressive affair, with bassist SJ Harju and guitarist EJ Taipale combining their vocals effectively at the fore of the mix on “Summer’s Isle” (10:13), which follows the rolling opener “Fleeting are the Days of Man” (5:35). With a style that ultimately owes more to Witchcraft‘s tonal understatement than Reverend Bizarre‘s genre-defining traditionalism, they nonetheless shirk the trap of retroism and make an individual showing with a feel both loose and purposeful throughout. The brighter guitar work of “Desertshore” (7:01) makes it a highlight, along with the persistent crash of drummer JM Suvanto, and the freakout that emerges in “The Sleeper Including Being is More than Life” gracefully and boldly flows across the rarely-bridged gap between doom and heavy psychedelia with a naturalness that very much makes me hope it’s not another half-decade before we hear from Garden of Worm again. Garden of Worm on Thee Facebooks, at Svart Records.

Carpet, Riot Kiss 7″

carpet riot kiss

Story goes that German progressive heavy rockers Carpet started writing for their third album, to follow-up on 2013’s Elysian Pleasures (review here), which was released by Elektrohasch, and wound up with some material that didn’t quite fit the concept they were going for. Since they dug it and didn’t want to just toss it, the Riot Kiss b/w Song of Heartship 7″ was born. Two songs, both a little over four minutes long, reaffirm the Augsburg four-piece’s commitment to forward-thinking textures, with “Riot Kiss” as the space-prog A-side and the quieter, atmospheric-but-still-clearheaded “Song of Heartship” emphasizing Carpet‘s range on side B, the cuts having more dynamic between them than many bands show in their career. I don’t know what Carpet — the lineup of Sigmund Perner, Jakob Mader, Hubert Steiner and Maximilian Stephan — are shooting for with their third record that these songs didn’t jibe with, and I guess we won’t know until that album arrives, but Riot Kiss is a stopgap of considerable substance that showcases Carpet‘s ability to present progressive ideas in ways not only palatable but deeply engaging. Carpet on Thee Facebooks, Elektrohasch Schallplatten.

Sporecaster, See Through Machine

sporecaster-see-through-medicine

An experimental drone/psych duo comprised in half by Ron Rochondo of Boston’s Ice DragonSporecaster‘s debut release, See Through Machine, is four tracks/26 minutes of exploratory drone given natural breadth through use of didgeridoo and percussion. The outing was tracked at Ron’s Wrecker Service and has a lo-fi feel despite its spaciousness, and chants out its hypnotism early, opener “Invocation or Incantation” (4:20, by astounding coincidence) wrapping itself around consciousness like some kind of psychedelic serpent, only to have the whistle-blowing “Things are Not What they See” (3:21) and tribal-ish drummed “The False Light” (5:46) push deeper into the moody ambience laid out at the beginning. Closer “You are Transparent” (12:45) makes me wonder what Sporecaster might do working in even longer forms, its drone-out having room for both a jammy drum progression and a continuation of the earlier experimental and improvisational feel. As an early showing of their intent, though, See Through Machine makes it clear that Sporecaster‘s creative process is wide open. Sporecaster on Thee Facebooks, Ron’s Wrecker Service.

The Devil and the Almighty Blues, The Devil and the Almighty Blues

the devil and the almighty blues the devil and the almighty blues

The slow-rolling “The Ghosts of Charlie Barracuda” (7:46) begins the self-titled debut from Oslo-based five-piece The Devil and the Almighty Blues, released on the upstart Blues for the Red Sun Records. That song picks up gradually in the first of several of the six-song full-length’s satisfying builds, but atmospherically sets a laid back tone that tracks like the subsequent “Distance” (4:11) and more active “Storm Coming Down” (10:17) play off of, the band proving equally comfortable in long- or short-form material, nestling into a neo-heavy semi-retro blues rock more in line with Graveyard‘s overarching moodiness than Witchcraft‘s early-days dooming. Well-balanced lead guitars and crooning vocals serve as a uniting theme, but in a classic dynamic, it’s the rhythm section that makes the swing of side B’s particularly thick “Root to Root” (9:48) and “Never Darken My Door” — the singing especially blown-out on the latter — so irresistibly grooved. Wrapping with the classy fuzz of “Tired Old Dog” (6:28), The Devil and the Almighty Blues will come from a familiar place sonically, but as their debut, The Devil and the Almighty Blues boasts a cohesion worthy of its weighty title. The Devil and the Almighty Blues on Thee Facebooks, Blues for the Red Sun Records.

Some of this stuff — Sumac, The Devil and the Almighty Blues, Carpet — was also included in the podcast that went up yesterday, so if you’d like another avenue for getting a sample, that might not be a bad way to go. However you choose to dig in, I hope that you will and hope that you find something that you feel is worth the time and effort.

As always, thanks for reading and listening.

Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

audiObelisk Transmission 044

Posted in Podcasts on January 29th, 2015 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

I’m happy to report that of all the podcasts I’ve ever put together, front to back, I think this one came together the smoothest. No programs crashed, no uploads were interrupted halfway through. Unless I click “Publish” and the internet eats this entire site, it’s safe to say this was the easiest time I’ve had putting together a collection of tracks to be featured here. Could it be I’m getting better at it? Nah. Dumb luck all the way. As I recall, last time I said something of the sort, the next month my editing software crapped out and it was a year before I got another program that worked. You’d think I might learn to keep my mouth shut.

Keeping current with this month was something of a concern. It’s hard to fill out 2015 releases since we’re only a month into the year, but even if some of this stuff is 2014, it’s later 2014 for sure, and the vast majority of it did wind up being 2015. The second hour, which has become a sort of psych blissout over the last however-many podcasts, actually gets pretty heavy and doomed this time around. Change is good for the soul. As always, hope you enjoy:

First Hour:
Torche, “Loose Men” from Restarter
Bloodcow, “Crystals and Lasers” from Crystals and Lasers
Elder, “Compendium” from Lore
Lacertilia, “Do Something!” from Crashing into the Future
Ruby the Hatchet, “Tomorrow Never Comes” from Valley of the Snake
Carpet, “Riot Kiss” from Riot Kiss 7”
Black Moon Circle, “Supernova” from Andromeda
Desert Storm, “House of Salvation” from Omniscient
Spidergawd, “Fixing to Die Blues” from Spidergawd II
Bellringer, “Von Fledermaus” from EP
Romero, “Gold for the Hunt” from Gold for the Hunt Single
Brothers of the Sonic Cloth, “Lava” from Brothers of the Sonic Cloth

Second Hour:
Sumac, “Blight’s End Angel” from The Deal
Horsehunter, “Stoned to Death” from Caged in Flesh
The Devil and the Almighty Blues, “Storm Coming Down” from The Devil and the Almighty Blues
Saturndust, “Realm of Nothing” from Saturndust
Sonny Simmons & Moksha Samnyasin, “We are Entering a Place of That” from Nomadic

Total running time: 1:55:50

 

Thank you for listening.

Download audiObelisk Transmission 044

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,