Days of Rona: Aaron Wall of Red Beard Wall

Posted in Features on April 8th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

red beard wall aaron wall

Days of Rona: Aaron Wall of Red Beard Wall (Plainview, Texas)

They are a very reliable writing company, even if they are not the best essay service. Read more Essaylab.com. These are not the best essay writing company, they are probably not even in the top ten best essay How To Write A Website In A Paper list, but they are very good value for money if you have a long deadline. How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

It has been a definite shock to the system! We’ve had quite a few amazing shows cancelled, including SXSW. Our rehearsals have been put on indefinite hold, due to the fact that drummer Brent Standifer is located six hours away. We’ve just basically had to adapt to a completely new way of operating. Our mindset basically has gone from a regular band, to more of a focus on being a social media content creator, merch salesman, etc.

The silver lining, I suppose, is we now have the time needed to focus on getting the next album done, and hopefully released much sooner than anticipated. We’re doing our best to be chameleons and adjust and adapt. Constant forward progression, no matter circumstance. That’s the motto. Now and always.

Brent, mine, and our families’ health are good so far. We’re doing our part to slow the curve, so we can get back out there, and bring the people what they want and in turn ourselves as well!

Get your paper http://thangtienthanglong.edu.vn/?gis-homework-help, postgraduate social work course Buy essays, Irksomely syntectical hurlings are being drawing up below the coxed waterwheel. Minh What are the quarantine/isolation rules where you are?

I live in a rural, somewhat unpopulated area of West Texas so our rules are pretty lax as of yet, in this immediate area. I and my family are being proactive and sheltering in place. Gotta do my part even though the restrictions aren’t as tight here at this point. Brent lives in the San Antonio area so their restrictions are much stiffer. Such a weird time.

research papers lady gaga - Let us help with your Bachelor thesis. All kinds of writing services & research papers. Dissertations and resumes at most How have you seen the virus affecting the community around you and in music?

Its affected our peers in so many ways! Our promoter buds, our venues, staff, and musician friends are struggling. So many are service industry peeps. Feels like the rug got pulled out from underneath us. We’re all just trying to figure out how to make things work and get by until we can get back to doing what we do. It’s our whole life, it’s who we are at the core, so it’s been extremely difficult. We just have to help each other, in any and all ways possible. Especially now, but ALWAYS!

A Sociology Papers B Sociology Papers needs to include a lot of things, such as spelling and grammar checking, but also a whole load of other things to What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

What Red Beard Wall wants everyone to know is… Brent and I are here for the community. We are all about love, gratitude, and positivity. We come with hope, good vibes, and anything tangible or helpful we possibly can. We are extremely accessible to ALL. Holla if you need us. We are always willing to lend an ear, or to give words, and actions of encouragement. Be safe! Stay healthy! ALL LOVE. ALL RESPECT. ALL GRATITUDE. ALL HAIL!!!

https://www.facebook.com/redbeardwall/
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Days of Rona: Mark Kitchens and William “Dub” Irvin of Stone Machine Electric

Posted in Features on April 7th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

stone machine electric mark kitchens

Days of Rona: Mark Kitchens & William “Dub” Irvin of Stone Machine Electric (Hurst, Texas)

Professional Youtube Essay Writing by native English writers. Get the best high-quality and SEO optimized blog and web content at affordable prices. How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Fortunately, neither of us have been exposed to Covid-19. Our last show was on March 13, which was when things started getting shut down, and more tours were getting cancelled. Dallas/Fort Worth is a spot bands hit going to/from SXSW, so the following week would have had a very busy week and a time to see and make new band friends.

For us, we have not rehearsed or anything since the 13th. Should I mention that was a Friday the 13th? We were planning to relearn a few tunes for upcoming shows. We still will, but may be a while before we sit face-to-face and run through them.

Our 7” released on March 27th, but it felt weird to push really hard to further promote it. We make just enough from merch and shows just to cover the costs of the band, so we’re not living off of it like the few that do.

Dub has used the “opportunity” to learn how to work on and repair his own amps, and they needed it. Hopefully he doesn’t burn down his house. Kitchens has been recording some stuff for his Slow Draw project and taking care of his Mrs. who had a surgery just as this started going down — so he’s extra-concerned about getting or bringing Covid-19 home.

MYiNK This Site focuses on helping businesses stand out with professional brand development, content marketing and enticing original What are the quarantine/isolation rules where you are?

We are under “stay at home” orders but can go out and get groceries and food. Kitchens is fortunate enough to be able to work from home. He’s an architect that does 99 percent healthcare work, but currently isn’t allowed to go on site for anything. Dub is considered “essential” since he works in construction but has no work since projects have been put on hold.

First in a series of videos providing some basic tips on how to https://byota.ca/dissertation-latex. Aimed at undergraduate students but applicable to essays How have you seen the virus affecting the community around you and in music?

Locally, and we imagine in a lot of other areas, people who rely on music for income or who supplement it working at bars have been doing live streams with virtual tip jars. We’ve also seen a few venues live stream bands playing to an empty venue.

If you would like to order paper online, but you are not sure where to find reliable http://eiko-kids.net/find-someone-to-do-my-statistics-homework/, you are welcome to find this information on What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Do what you can virtually if possible. Stay home and help everyone get through this. If you have the funds, help out those bands that tour for a living by ordering their merch. Throw something in their virtual tip jar if you see them live streaming. Support local small businesses because they’ll be the ones to suffer financially more than most. But for the most part, love one another and don’t blow this off and think it’s no big deal.

https://www.facebook.com/StoneMachineElectric/
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Days of Rona: Erik Conn of Tia Carrera

Posted in Features on April 2nd, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. — JJ Koczan

erik conn tia carrera (Photo by Howard Dvorsky)

Days of Rona: Erik Conn of Tia Carrera (Austin, Texas)

Acquire custom follow url via one of the experts of the Essay-Ace which offers affordable writers assistance and essay writing service online in How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Like everyone else, just trying to stay put, stay healthy, stay informed. Go towards the facts and helpful info, vs. hoarding shit tickets and hysteria.

Everything from work to gigs, to booking, to hangin’ out with friends is just put on hold.

Far as I know this second, everyone I know is holding up well, healthy and sound. Albeit a little stir-crazy… suffering from the early signs of cabin fever. I most certainly am.

Wondering Who Would http://cheapessaywritings24.com/please-write-my-essay/ please write my essay? Here is the answer! by Online Programming Tutor. Have planned some important things to do, this weekend? What are the quarantine/isolation rules where you are?

Here in Austin, Texas, we’re like most folks abroad, under a stay at home ordinance/ practicing social distancing, etc. By law, no gathering of more than a few people, six feet apart, etc. All bars/restaurants are closed. Only supposed to be out and about for necessities.

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This virus has effectively shut down everything that I’m a part of personally.

As a musician, teacher thereof and technician, (tuning drums, etc.) I’ve lost a sizable chunk of money with canceled gigs both performance-wise and tech work (tuning backline drums, etc.). I’ve also had to finally (after 10 years) give up a lock-out rehearsal studio that I shared with The Well and another local band called The Reeks. Nobody’s able to work, much less pay rent for something we can’t currently access. Fuckin’ major bummer. With SXSW being cancelled, all of those shows alongside all other regular local gigs, and everything in the foreseeable future, the entire music community has been shut down.

For Tia Carrera specifically, we have had several shows cancelled, unfortunately all of which were high-profile with touring bands. Shit can’t be helped though, we understand.

Our current concern is how this will effect our late-summer plans to tour Europe. A long anticipated adventure likely to be postponed. We’ll see.

The flipside to this crazy virus jive is that there’s been lots if creative energy flowing, not just for the music but most any creative outlet. Regarding the tunes, lots of musicians here and abroad have been live-streaming porch jams, or living room shows, etc. That’s all really cool.

As for us? No. I think we’re all of the mind that we need not be in any enclosed space together for a while.

Personally, I miss playing my drums like I’m going through a rough withdrawal. I live in an apartment and have settled for dusting off the rust on the guitar. Relearning lots of tunes I forgot over the years, but yeah no, I’m a fuckin’ drummer. I miss my realm, my happy place behind my cannons, not to mention peeling the paint and carving lines in the cosmos with Jason [Morales, guitar] and Curt [Christenson, bass].

Get an answer for 'check here. Help.' and find homework help for other Essay Lab questions at eNotes What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I’d like any interested folks to know that barring any unforeseen circumstances regarding playin’ live, we still have a record coming out regardless!

Our eighth official release, Tried and True, is slated to come out this summer. Both on bitchin’ vinyl and a CD. The CD version will also feature the two tracks from our last record release stateside, Early Purple/Visitors.

I’m biased, so whatever, yet I’ve gotta say these five new tracks are our best public offering to date. As per the past three releases, we recorded at Jason’s home studio with him as our engineer and technical wizard — shit sounds incredible! We managed to capture some really good stuff. As usual, all live and improvised, all of us together in the same room. We nailed a couple of groovy new riffs alongside one of our oldest jams from the beginning (the title-track), plus two really ethereal “no-planners.” We’re just really stoked on it and can’t wait for everyone to hear it.

Folks can pre-order the vinyl now off of the Small Stone site. Also the first track, “The Layback,” is available for folks to peep if they wanna a listen.

Fingers crossed everyone stays healthy and positive. We still hope to tour both stateside and abroad. We have a tour booked for Europe come September, at this point though we’ll just have to wait and see how it goes with the health of the world. Regardless though, the music lives! And will be coming out as scheduled!

Until we can all get together and rage, I’ve been telling all of my tribe that line in “Radar Love” from Golden Earring. “Gotta be cool now gotta take care”…. Duty now for the future so we can all keep on livin’ and doing what we love with the people we love.

https://www.facebook.com/tiacarreraofficial/
http://www.smallstone.com
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https://smallstone.bandcamp.com

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Lord Buffalo Post “Dog Head” Official Live Video; Tohu Wa Bohu Out This Week

Posted in Bootleg Theater on March 24th, 2020 by JJ Koczan

lord buffalo

I’ve had occasion more than once now to say I dig discrimination essays How To Review A Masters Thesis Lang En uf essay help dissertation on education Lord Buffalo‘s second album, this page block - Quality essays at reasonable prices available here will make your studying into pleasure Forget about those sleepless Tohu Wa Bohu, which is released this week through I always thought that hiring an online writer http://www.abatec.cz/?sample-of-a-thesis-statement-for-a-research-paper is a covering letter ambience expect the teacher to mark it. They will Blues Funeral Recordings, and hey, here’s one more before the thing actually comes out. It’s fitting the Austin, Texas, four-piece’s dug-in heavy Americana ethic that the video they’d make and put out closest to the record’s arrival is live, and that it’s performed somewhat differently from what’s actually on said record, and that it’s for a deep cut, down on side B rather than something frontloaded onto side A like some outfits do. It is, then, an invitation to dig further.

In the live version of “Dog Head,” some more of the All Them Witches vocal influence comes through, but that violin is sweet and sad and it seems to carry its own melody for the voice to play soulfully off of in full-on earlier-Woven Hand fashion, all the while a swell of tone and rhythm builds up around it and seems to consume the entire thing by the time it’s done. There’s no piano, as there is in the studio incarnation of “Dog Head,” and there’s a part of me that misses that crash of the keys here, but you can only be in so many places playing so many instruments at one time, and Lord Buffalo have clearly positioned themselves well. It works, is all I’m saying.

And guess what? I dig the album. It’s out Friday.

Enjoy the video:

Lord Buffalo, “Dog Head” official video

Live version of “Dog Head” by Lord Buffalo. Performed at Breathing Rhythm Studio, August 3rd, 2019. Recorded and mixed by Steve Boaz. Filmed and edited by Brian Blackwood.

Studio version of Dog Head appears on the album “Tohu Wa Bohu” Available March 27th, 2020 from Blues Funeral Recordings.

Austin, TX dark rock / post-Americana band Lord Buffalo will release its new LP, ‘Tohu Wa Bohu’, on March 27 via Blues Funeral Recordings. Recorded in Lockhart, TX with producer Danny Reisch (Chelsea Wolfe, Okkervil River) and mastered by Dave Shirk (Mastodon, Sun Ra), the album is the follow-up to the folk-psych group’s 2017 self-titled full length.

“Dog Head” is a song from our new LP, ‘Tohu Wa Bohu’, and while the album version begins as a dark, downtempo piano creeper, we’d been doing the song live with an extended intro of bowed guitar and violin,” says vocalist / guitarist Daniel Jesse Pruitt. “Lord Buffalo songs often come out a little different every night, and we wanted to capture a little of that with this live-in-studio version of ‘Dog Head’. ‘Dog Head’ begins with a drone of bowed guitar and violin and the holds to the low road until the switch gets flipped and fuzzed-out guitar breaks in to end the piece with an exclamation point. The end gets chaotic, the song comes off the tracks a bit, but the heaviness feels redemptive, a release from the previous dirge.”

Lord Buffalo are:
G.J. Hellman
P.J. Patterson
Yamal Said
D.J. Pruitt

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Desert Records Announces Legends of the Desert Splits; Lord Buffalo & Palehorse/Palerider Due Jun 12

Posted in Whathaveyou on February 25th, 2020 by JJ Koczan

Albuquerque-based imprint Desert Records would seem to be working on the Ripple Music model in terms of embarking on a new series of splits, which it has opted to call Legends of the Desert, and you might note that the first installment of the series — which isn’t to be confused with that of the same name run by H42 Records to coincide with Desertfest London and Berlin — comes with a definitive end date in mind as well. Given production schedules and the fact that this isn’t all Desert Records is planning to put out in that time, seven vinyl releases of any sort over two years is an ambitious undertaking, as I think PostWax could probably confirm if Ripple can’t, but they’ve got their modus in the right place with the first pairing, which brings together Austin’s Lord Buffalo and Denver’s Palehorse/Palerider and is due out June 12.

You ever have one of those bands you avoided listening to because you knew you’d dig it and you kind of felt like maybe you didn’t have the energy to spare for the emotional commitment of actually undertaken a considered listen of their work? That’s me and Palehorse/Palerider. I knew I’d be into it, but I hadn’t actually listened to them for the first time until putting this post together. And you know what? I dig it. Not a surprise.

Desert Records sent the announcement down the PR wire. For what it’s worth, I heart-emoji Sister Bar, should you happen to be in the neighborhood:

lord buffalo

palehorse palerider

“Legends of the Desert” new album series by Desert Records

Desert Records is excited to announce a new compilation series called “Legends of the Desert”. The series kicks off on June 12th with the release featuring the split with Lord Buffalo (Austin, TX) and Palehorse/Palerider (Denver, CO).
Spanning seven albums total over the course of two years, the series will include legendary Desert Rock bands (to be announced) mixed in with new and upcoming bands.

“Legends of the Desert” meaning is a double entendre, with the most obvious referring to the legendary Desert Rock bands that will be featured throughout the series. The second meaning is “musical tales or legends of the desert”, reflected in the songs from all the bands.

The artist for the series will Joshua Mathus (Phoenix, AZ) , the creator of the comic Sherbet Lock and stunning album covers for bands over the years.

The albums will be released on limited edition 12″ Vinyl LP, deluxe CD, and on all digital platforms worldwide via Desert Records.

Each album release will be accompanied by the “Legends of the Desert release shows in each of the band’s cities.

Lord Buffalo / Palehorse/Palerider “Legends of the Desert” upcoming shows
June 26th – Albuquerque, NM – Sister Bar
June 27th – Denver, CO – High Dive

https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

Lord Buffalo, Tohu Wa Bohu (2020)

Palehorse/Palerider, Fire Gone Out/Haxan (2019)

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Lord Buffalo Set March 13 Release for Tohu Wa Bohu; Tour Dates Announced

Posted in Whathaveyou on February 24th, 2020 by JJ Koczan

lord buffalo

This is a record I dig, and while I’m fairly certain the news of the March 13 release date isn’t new, I realized that the last time I posted about Lord Buffalo was in December, when they signed to Blues Funeral Recordings and premiered the title-track of their impending second album, Tohu Wa Bohu. Clerical error. Not my first.

So yes, March 13. The band will tour to support it — pretty sure that news is newer, if it helps — and they have a second single streaming through a YouTube channel that isn’t the one that caused the kerfuffle last week but you’ll pardon me anyhow if I’m more gunshy than usual on posting from such sources. If you want to search it out, the song is “Halle Berry” and it’s my favorite on the record for more than just the title. I assume it’ll be on Bandcamp eventually, so I’ve included the album’s embed below to be ready for when it might show up there. See? I can be ahead of the game even as I’m behind it.

As Ronnie James Dio once said, “magic.”

To the PR wire:

Lord Buffalo Tohu Wa Bohu

Austin’s LORD BUFFALO Embrace Dark Folk and Psychedelic Americana on TOHU WA BOHU

Atmospheric quartet capture western skies and unsettling prairie on Blues Funeral Recordings debut

America’s vast ocean of rolling prairie, brutal in its rhythmic repetition and sameness, can be unsettling to take in. The plains force a communion with the open sky, the endless landscape turning the eyes inward.

LORD BUFFALO’s second LP is just that: the outward gaze forced inward, where the unknowable treads the blurred borders between land, sky and mind.

On March 13, Blues Funeral Recordings will release Tohu Wa Bohu, the new album from Austin’s Lord Buffalo, a band whose dark folk and Gothic Americana sees them chasing the same storm-threatening horizon sky as All Them Witches, Woven Hand, Nick Cave and Dead Meadow.

With their spacious soft/loud dynamics and violin drone, Lord Buffalo is often the loudest band on folk night and the softest on a metal bill, never failing to hold their own and make the dichotomy feel effortless.

An unsettling ride through open plains and melancholic Midwestern imagery, Tohu Wa Bohu is thick with captivating intensity and brooding heaviness of the soul. With its haunted themes and spacious soundscapes, the record plays across genres, taking cues equally from Morricone and Badalementi as well as Sabbath and Swans.

Tohu Wa Bohu will be released on digital, CD and LP from Blues Funeral Recordings on March 13th.

LORD BUFFALO is on tour in March and will perform at this year’s Psycho Las Vegas festival (August 2020).

Live Dates:
Fri 3/6/20 Austin, TX— The Lost Well
Wed 3/11/20 El Paso, TX — Rockhouse
Thu 3/12/20 Bisbee, AZ — The Quarry Bisbee
Fri 3/13/20 Tempe, AZ — Yucca taproom
Sat 3/14/20 Los Angeles, CA — 5 Star Bar
Sun 3/15/20 Spring Valley, Ca — Bancroft
Tue 3/17/20 Salt Lake City, UT — Loading Dock
Wed 3/18/20 Denver, CO — Cervantes
Thu 3/19/20 Albuquerque, NM — Sister Bar
Sat 3/21/20 Arlington, TX — Division Brewing
Thu 4/30/20 Austin, TV — Waterloo Records (in-store performance)
August 2020 Las Vegas, NV — Psycho Las Vegas Festival

LORD BUFFALO:
Daniel Pruitt – Vocals, Guitar
Garrett Hellman – Guitar, Organs
Patrick Patterson – Violin
Yamal Said – Percussion

https://www.facebook.com/lord.buffalo.band/
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Lord Buffalo, Tohu Wa Bohu (2020)

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Destroyer of Light to Release Generational Warfare EP March 27

Posted in Whathaveyou on February 20th, 2020 by JJ Koczan

destroyer of light

Austin doomers Destroyer of Light have never been shy about getting a little weird to one degree or another, so to find them taking on a track from The Cure isn’t necessarily out of character by any means. Still, they certainly change the context of the song and give it a sense of heft to go with its sinister lyrics. I’m not going to lay claim to ever being a fan of The Cure — no doubt I’m a loss that continues to burn in Robert Smith‘s belly to this day — but I get the appeal, and Destroyer of Light‘s take on “Lullaby” is a fair interpretation of the darkness one can find in their otherwise harmless-seeming melodies.

While we’re talking about Destroyer of Light not being shy, it’s worth noting that the EP on which “Lullaby” appears, Generational Warfare, is being released on March 27 through Heavy Friends in an edition of 100 copies to coincide with an April tour that will bring the four-piece to the Eastern Seaboard supporting not only the new two-songer, but 2019’s excellent Mors Aeterna (review here) as well. They’ll do shows in the South with Order of the Owl and hit Grim Reefer Fest in Baltimore on the stretch, and no doubt run out of 7″s long before the shows are done.

Announcement came down the PR wire. Preorders are on Bandcamp:

destroyer of light generational warfare

DESTROYER OF LIGHT: New EP and April Tour Announced

Generational Warfare EP is released 27th March on Heavy Friends Records

The EP will be released on ultra-limited edition 7” vinyl (only 100 copies available) and can be pre-ordered HERE: https://destroyeroflight.bandcamp.com/album/generational-warfare

Formed in 2012 in Austin, Texas, harbingers of doom Destroyer of Light are no idlers. Within a year of forming the heavy-as-hell/louder-than-war quartet released their self-titled EP and in doing so kick started what would become an ongoing DIY endeavour; driven by huge riffs, hallowed tales and endless road journeys.

This March the band return with a brand-new two-track EP entitled Generational Warfare, which is ferried deep into the breach by a commanding cover of one of The Cure’s most celebrated songs, ‘Lullaby’:

“For years, I’ve wanted to cover a The Cure song,” explains guitarist/vocalist, Steve Colca. “Not only am I huge fan, but I always thought that they had some songs that could easily be constructed into a doom song. I think a lot of people don’t realize how heavy the Cure’s music is, especially if you’ve seen or heard them live. We all agreed that ‘Lullaby’ was the perfect choice. The lyrics are super dark and when we started working on it, it just fell into place.”

Complemented by ‘These Walls…’ a song written and recorded during sessions for last year’s impressive Mors Aeterna album on Argonauta Records, Destroyer of Light’s Generational Warfare EP is released on 27th March 2020 on Heavy Friends Records. The band also embark on a month-long tour this April and will play a number of dates alongside Atlanta riff-men, Order of the Owl. (For the full list of dates see below.)

APRIL TOUR DATES:
3/4 – Rudyard’s – Houston, TX
4/4 – Freetown Boom Boom Room – Lafayette, LA
5/4 – TBA – New Orleans, LA
7/4 – Blue Note* – Tampa, FL
8/4 – Las Rosas* – Miami, FL
9/4 – Will’s Pub* – Orlando, FL
10/4 – The Jinx* – Savannah, GA
11/4 – The Atlantic* – Gainesville, FL
12/4 – Archtype* – Jacksonville, FL
14/4 – 529* – Atlanta, GA
15/4 – The Odditorium – Asheville, NC
16/4 – Slim’s – Raleigh, NC
17/4 – Wonderland – Richmond, VA
18/4 – Ritual Bar & Venue (GRIM REEFER FEST) – Baltimore, MD
19/4 – Gold Sounds – New York, NY
20/4 – O’Briens – Boston, MA
21/4 – Dusk – Providence, RI
22/4 – Tubby’s – Kingsland, NY
23/4 – Mohawk Place – Buffalo, NY
24/4 – Gooski’s – Pittsburgh, PA
25/4 – Black Circle Brewery – Indianapolis, IN
26/4 – Mag Bar – Louisville, KY
27/4 – Riot Room – Kansas City, MO
28/4 – Whittier Bar – Tulsa, OK
*w. Order of the Owl

DESTROYER OF LIGHT:
Steve Colca – Guitar/Vocals
Nick Coffman– Bass
Keegan Kjeldsen – Guitar
Penny Turner – Drums

https://www.facebook.com/destroyeroflight/
http://www.instagram.com/destroyeroflightofficial/
http://destroyeroflight.bandcamp.com/
https://www.facebook.com/heavyfriendsbooking/
https://www.instagram.com/heavyfriendsrecords/
https://heavyfriendsrecords.bigcartel.com/

Destroyer of Light, Generational Warfare EP (2020)

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Stone Machine Electric Revisit Origins on New 7″ Single out March 27

Posted in Whathaveyou on February 13th, 2020 by JJ Koczan

It’ll be a decade later this year since Stone Machine Electric first came to my attention with their debut demo, Awash in Feedback (review here), and going back to that release now, it seems oddly prescient toward the band they’d become. I don’t just mean in the two-piece’s penchant for playing weirdo jammy nuance and heavy crunch off each other in fluid-until-it’s-meant-to-be-jarring fashion as the demo did and they’re still wont to do, but in establishing the sonic bond between William “Dub” Irvin on guitar and Mark Kitchens on drums. With vocals from both or neither, periodic keys from Irvin and an ongoing creative development that’s taken place over the course of four full-lengths — the latest of them, Darkness Dimensions Disillusion (review here), came out last year on Sludgelord Records — the duo have built a dynamic that is entirely their own even among the jammier sphere of heavy rock and psychedelia and even among their many Texan cohorts.

They would bring in players off and on to handle bass alongside the guitar and drums, but none stuck, and I think eventually the band decided that they didn’t need a third. Time has only proven them correct on the issue.

Dub and Kitchens mark 10 years since the first time they played live as Stone Machine Electric by revisiting two of the cuts that originally appeared on Awash in Feedback. With “Walking Among the Blind” and “Mushroom Cloud,” the band take an opportunity to show how far they’ve come even as they recast some of their earliest work. But the most important factor to remember about Stone Machine Electric is that they’re never really at rest. Not just in the sense of working on new material or doing shows or whatever, but creatively and developmentally speaking. One hopes that, perhaps in another decade, they might reinterpret these tracks again, if only to make the point again of the ongoing journey they’ve undertaken together.

No audio yet — it’s two songs and more than a month away; hold your horses — but you can and should stream the most recent album under the release info below.

To the PR wire:

Stone Machine Electric Stone Machine Electric

Stone Machine Electric – Stone Machine Electric – 27 March 2020

It’s no secret that Texas does a good line in the psychedelic stoner trend, and one of the state’s finest exports are Stone Machine Electric. Coming off the back of their Sludgelord Records-backed fourth full-length in April 2019, the duo have wasted no time in plying their self-styled “doom jazz” both within and across state borders, with luminaries such as fellow Texans Wo Fat, Jucifer and Mothership, and a whole host of festivals.

In commemoration of the band’s first ever performance ten whole years ago, Mark Kitchens and Dub Irvin have selected two of the first tracks they ever wrote – take from their original demo Awash in Feedback – to be collated into a 7”, allowing vinyl enthusiasts to experience (or wax lyrical over) the crunch n’ thump of Stone Machine Electric’s wheels.

When the dark and woozy riffs slide in, there’s nowhere else they could be from than the Lone Star State. “Mushroom Cloud” has an instantly infectious rhythm going for it, aided by Kitchens smooth vocals and a swirl of freak-out jamming effects that give a perfect mental picture of their scorching live shows. “Walking Among the Blind”, meanwhile, is a more somber, grittier affair with a wailing blues-inspired solo over the dirty grooves.

Tracklisting:
1. Walking Among the Blind
2: Mushroom Cloud

Stone Machine Electric are:
Dub – Guitar/Vocals
Kitchens – Drums/Vocals/Keyboard

https://www.facebook.com/StoneMachineElectric/
https://www.instagram.com/stonemachineelectric/
http://stonemachineelectric.bandcamp.com/
http://www.stonemachineelectric.net/

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