Monte Luna Update on Progress for Second Album Due in 2019

Posted in Whathaveyou on November 5th, 2018 by JJ Koczan

Normally I’d probably play it lazy and just include the video studio update from Monte Luna at the bottom of this post and leave it at that, but you know what? Their 2017 self-titled debut (review here), which was picked up by Argonauta Records and issued on vinyl earlier this year, is definitely worth another visit with its assault of longform sludge and doom groove, so yeah, I pretty much had to include that too. So much for lazy. Three or four extra clicks and one cut and paste later, I’m profoundly exhausted, not to mention riffed to a pulp.

The good news, though, is that the Austin, Texas, duo are nearly done with the record. They’ve finished the process of actually recording — a big step, I think we can all agree — and they’re having the album mixed before sending off to Chris Fielding at Skyhammer for mastering. As it happens, Fielding also mastered the debut, so if you’re wondering what that might sound like, again, the player’s at the bottom.

I’ll hope to have more to come on this one as we get closer to the release. Looks like there’s plenty of good news to come.

From the PR wire:

monte luna

STUDIO UPDATE: MONTE LUNA TO FINALIZE BRAND NEW ALBUM!

MONTE LUNA is the experience for the experienced spirits, reaching deep into your soul with a sledge of the heavy as hell doom sounds. After their critically acclaimed debut album self-released in 2017, the Austin-based duo and brainchild of James Cl and Philip Hook have signed a worldwide deal with Argonauta Records, who re-released MONTE LUNA’s debut on Vinyl this summer and who are set to release the band’s sophomore album during 2019!

Currently in the Matador Studios in San Antonio Texas, the band has now checked back with some update! “Hello everyone! James and Phil here from the Studio! The album is coming along smoothly! We have been able to record all of the album tracks, in addition to that, we have recorded 3 songs that will not be featured on the album! What we will do with those songs is unclear at this time. Once we have the album mixed we will be sending it off to Chris Fielding at Skyhammer Studios for Mastering. We could not be more excited to show you all the new music! It is not going to be the same album as our self titled, some things have changed, but at its core it is still Monte Luna. Much love to you all! We can’t wait to give you some new music!”

Known for their interminable doom tracks, although the new album songs may be shorter than usual and the record will mark a change for the band, MONTE LUNA will keep leading you into another dimension and a challenging trip to fill your musical voids, and are hard at work to deliver their strongest work to date. Recommended for fans of Yob, Conan, Cough among many more heavyweights of the doom, the album release date alongside cover art work and some first tunes will be unleashed over the next upcoming months. Stay tuned for many more news as well as extensive tour plans by the band to be unveiled soon!

www.facebook.com/pg/MonteLuna666
www.monteluna666.bandcamp.com
https://www.instagram.com/monte_luna_tx/
www.argonautarecords.com

Monte Luna Studio Update

Monte Luna, Monte Luna (2017)

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Mark Deutrom Sets Jan. 4 Release for The Blue Bird; Streaming “The Happiness Machine”

Posted in Whathaveyou on October 25th, 2018 by JJ Koczan

mark deutrom

You know, I could go on about Mark Deutrom‘s career, his history as a solo artist, that time he played bass when the Melvins were good, or the stuff he did in Clown Alley, or with Bellringer — the latter of which is being reissued — but the bottom line is pretty simple: He does good work, you should listen to it. Okay. Fair enough.

His upcoming LP on Season of Mist is called The Blue Bird, and the details for it are out now as well as the streaming song “The Happiness Machine.” I haven’t had the pleasure of digging into the full record yet, but the art deco cover is killing me and the leadoff single — also the penultimate track on the album — is right in line with what Deutrom does best: foster traditionalist songcraft with just an edge of the weird running alongside. If you have the chance, it’s well worth your time.

The cover is by Jennifer Deutrom and the info came down the PR wire. Preorders are up now:

Mark Deutrom The Blue Bird

MARK DEUTROM (ex MELVINS bassist) will release his highly anticipated new album ‘The Blue Bird’ on January 4, 2019. The first work under the Texan’s own name in almost six years, ‘The Blue Bird’ is a full album listening experience; it explores melody, space, nuance, and volume as it flows from track-to-track like a prismatic audio storybook. From the classic unconventional heaviness of tracks such as “The Happiness Machine”, to the fever dream haziness of the “Somnambulist”, through the moody “The Day Has Come”, Deutrom moves from strength to strength without ever letting his foot off the gas. ‘The Blue Bird’ is rock grandeur, oozing poise and purpose, and has all the Deutrom hallmarks to be an abiding piece of heavy rock history.

DEUTROM is sharing the first new track from ‘The Blue Bird’ titled “The Happiness Machine” now.

Regarding the track and album unveiling, MARK DEUTROM comments, “Happiness is defined as the following: pleasure, contentment, satisfaction, cheerfulness, merriment, gaiety, joy, joyfulness, joviality, jollity, glee, delight, good spirits, lightheartedness, well-being, enjoyment; exuberance, exhilaration, elation, ecstasy, jubilation, rapture, bliss, blissfulness, euphoria, transports of delight; Hollywood ending”

He continues,

“An observation of the machinery at work, and possibly the ghost in that machine. Happiness, always being pursued is perpetually ethereal and elusive.

” in the air, on the web,
on the chain in your head”

The album is about the nature of happiness…or is it?”

‘The Blue Bird’ will release January 4, 2019. Pre-orders for the album are available here.

The artwork, created by Mark’s wife Jennifer Deutrom, and track list for ‘The Blue Bird’ can be found below:

Track List:
1. No Space Holds the Weight
2. Futurist Manifesto
3. Radiant Gravity
4. O Ye of Little Faith
5. Our Revels Now are Ended
6. Hell is a City
7. Somnambulist
8. Maximum Hemingway
9. Through the Ringing Cedars
10. They Have Won
11. On Father’s Day
12. The Happiness Machine
13. Nothing Out There

DEUTROM recently announced the reissue of “Bellringer”, the last in the series of reissues via Season of Mist. The prolific musician’s forward-thinking album titled ‘Bellringer’ will be available again worldwide on November 30. Pre-orders for ‘Bellringer’ are available here.

https://www.facebook.com/markdeutrom/
https://markdeutrom.bandcamp.com/
https://www.facebook.com/seasonofmistofficial
https://www.twitter.com/seasonofmist

Mark Deutrom, “The Happiness Machine”

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Red Beard Wall Set Feb. 22 Release for The Fight Needs Us All

Posted in Whathaveyou on October 19th, 2018 by JJ Koczan

red beard wall

Texas sludge rock outfit Red Beard Wall will release their second album, The Fight Needs Us All, early next year through Argonauta Records. The one-man-in-the-studio/live-two-piece released their self-titled debut last year through Argonauta and would seem to be getting a push for the follow-up, which will be issued on CD and LP both, each with different covers — left and right below, respectively. As to what the album will hold, Argonauta promises tight songwriting and weighted tone, and after the first record I have no trouble believing it, since that album seemed so much to be about Red Beard Wall establishing sonic parameters from which to build outward. I guess we’ll see Feb. 22 how the next stage in that process plays out.

Here’s the label’s announcement:

RED BEARD WALL announce brand new album

Hot and fresh on the heels of his 2017 critically lauded and extremely well received blistering slab of a debut, the one man cacophony of heavy RED BEARD WALL is back!

The bearded wonder of sludge returns with his highly anticipated sophomore beast of an album titled ‘The Fight Needs Us All’, set to be released on February 22th 2019 with Italy’s rising label Argonauta Records!

Red Beard Wall was born in 2016 on the dry, wind swept plains of West Texas, out of a desire to channel his angst and frustration with the insane reality that surrounds us. With a hyper focus on heavy, hooky and to the point songs, RED BEARD WALL delivers riffs with devastatingly heavy tones, vocals melodies that soar, alongside blistering screams of disillusionment. Creatively it’s all the bearded one and only, Aaron Wall, with the mighty George Trujillo on drums rounding out the live beast that is RED BEARD WALL. Influenced by the sounds of such as Floor, Helmet, Torche, Cavity or Nirvana among countless others, RED BEARD WALL has now unleashed the tracklist and album artwork for his upcoming second album ‘The Fight Needs Us All’! Coming as Digital Download, CD and Vinyl formats, the album pre-order will start soon.

The tracklist will read as follows:

1. Come on Down
2. To My Queen
3. Ode to Green
4. Reverend
5. The Warming
6. Reign of Ignorance
7. Tell Me the Future of Existence
8. The Fight Needs Us All

Says the RED BEARD WALL’s Aaron: “The Fight Needs Us All is everything Red Beard Wall. It is heavy, dense, fire flashing. It is heart, soul, love, and passion. It is anger, joy, sadness, exhilaration. It encompasses war, peace, and social degradation. It is the proudest artistic moment in my life, thus far. ALL HAIL!“

Stay tuned for many more bearded news & updates to follow soon!

https://www.facebook.com/redbeardwall/
https://redbeardwall.bandcamp.com/
www.argonautarecords.com
www.facebook.com/ArgonautaRecords

Red Beard Wall, Red Beard Wall (2017)

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Kyle Shutt of The Sword Announces First Solo Album Due in 2019

Posted in Whathaveyou on October 12th, 2018 by JJ Koczan

As always when a band calls it quits, there’s some question as to what’s next for its component members. Some do nothing. Some form other groups with other former members of other former bands. Every now and again, someone goes solo, and that would seem to be the intent — or at least one of the intents — of The Sword guitarist Kyle Shutt, who in the wake of his main outfit going on hiatus is both taking his heavied-up Pink Floyd tribute project Doom Side of the Moon on the road for select dates this Fall and embarking on a first-ever, he-plays-everything solo album set to release in May 2019. He’s got a crowdfunding campaign set up for the album now wherein, among other assorted rewards, he offers for $3,000 to cover any song you want, and in the video he dares someone to raise the money on GoFundMe and make him do “Total Eclipse of the Heart.” Fair.

The PR wire brings word of these sundry doings and more:

kyle shutt (Photo by Mateo Leyba)

The Sword Guitarist Kyle Shutt Announces Plans to Release Solo LP

Acclaimed Musician Launches Incentive-Driven Kickstarter Campaign to Fund Solo Debut; Album Slated for May 2019 Release

Celebrated guitarist and multi-instrumentalist Kyle Shutt has announced plans to release his first-ever solo album in the spring of 2019. Shutt, who has spent the last 12 years touring the world as guitarist for the award-winning hard rock band The Sword, and just last year launched Doom Side of the Moon: a Heavy Metal Tribute to Pink Floyd, plans to play all of the instrumentation on the solo release and handle vocals, as well. The musician has launched a fan-friendly Kickstarter campaign to fund the project, which is slated for a May, 2019 release date. For full details on the campaign, which runs through October 31, visit this location.

“I love producing albums and rolling up my sleeves to tackle big challenges,” says Shutt. “While wondering what to do with a mountain of material not necessarily fit for any band that I am in, I heard a tiny, very loud voice telling me to make a solo album in that very sense, solo! I’ll be hitting those drums, slapping that bass, singing those lyrics, and absolutely shredding that guitar. If there’s something that makes a noise I like, I’m playing it. Now, while making albums is a load of fun, it’s also a load of work that, in 2018 doesn’t come cheap. That’s why I thought I’d ask you all be a part of the launching of this wacky solo career, which isn’t just stopping with this initial album. I’m starting with this record and will go wherever my inspiration takes me.”

“It‘s not easy being an artist these days, and I truly couldn’t do this without your support,” Shutt continues. “So if you have the faith in me to do my part in saving rock ’n’ roll, pick up a record and a shirt and LET’S DO THIS THING!

Shutt’s Austin-based Doom Side of the Moon project will perform its first-ever national live shows this December with just-announced gigs in Dallas, Denver and Brooklyn in addition to an encore performance in ATX. The autumn itinerary is as follows:

Doom Side of the Moon tour dates:

November 30 Austin, TX Emo’s
December 1 Dallas, TX Gas Monkey Live!
December 3 Denver, CO Bluebird Theater
December 4 Brooklyn, NY Warsaw

“Taking Doom Side of the Moon on the road, and to the sky for that matter for these fly in dates, is certainly the biggest project I’ve ever attempted, and I’d be lying if I said I wasn’t nervous,” Shutt states. “I can only imagine what Pink Floyd felt like taking a show like ‘The Wall’ on the road. Those guys had such astounding ambition, I hope I do them justice by putting on the best tribute I can to their timeless catalog.”

https://www.kickstarter.com/projects/kyleshutt/kyle-shutt
https://www.facebook.com/DoomSideoftheMoon/

Doom Side of the Moon album visualizer

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Blood of the Sun Premiere “Keep the Lemmy’s Comin'”; New LP Blood’s Thicker Than Love out Nov. 2; Euro Tour Dates in October

Posted in audiObelisk, Whathaveyou on September 26th, 2018 by JJ Koczan

blood of the sun

Texas heavy rockers Blood of the Sun are back with a new album and a classic groove. Blood’s Thicker Than Love is the name of the LP, and it’s the first from the outfit featuring founding drummer Henry Vasquez — see also: Saint Vitus — since 2012’s Burning on the Wings of Desire (review here), and it marks the debut of vocalist Sean Vargas, and guitarists Wyatt Burton and Alex Johnson (the latter who also recorded) alongside Vasquez, bassist Roger “Kip” Yma and keyboardist Dave Gryder. The new track “Keep the Lemmy’s Comin'” is premiering at the bottom of this post. Get in there. Just watch out for the hangover when it’s done.

Next month, the band leaves their Lone Star home and head abroad to Europe to make stops at Rockpalast as well as Desertfest Belgium and Into the Void, and to play shows alongside Lucifer, Ancestors and Elder on an efficient nine-date run that still has one show TBA.

You can find those dates along with the official album announcement from Listenable Records below, again, with the new song thereafter.

Goes like this:

blood of the sun bloods thicker than love

BLOOD OF THE SUN: ‘ Blood ’s thicker than Love’

US release date : 11/2

Preorders here: https://www.shop-listenable.net/en/225_blood-of-the-sun

Drawing influences from Deep Purple, Mountain, Humble Pie, Ted Nugent, Led Zeppelin and probably 50 other bands. BLOOD OF THE SUN have been delivering super catchy hard rock over the course of their 4 albums , churning out upbeat 70s radio hits with so much ease and conviction.

Admittedly retro sounding but with such determination and an enthusiasm, BLOOD OF THE SUN have forged an identifiable sound making their influences an original and integral part of their signature sound.

Founded by Henry Vasquez (drums – SAINT VITUS) and Dave Gryder (keys) The pair has previously joined forces with a number of players – including Derek St. Holmes from Ted Nugent’s band.

The band is now back stronger than ever with Sean Vargas (vocals) who came in shortly after their previous album ‘Burning on the Wings of Desire’ and it was a natural fit thanks to his high register wail and just enough grit. Wyatt Burton and Alex Johnson (both guitars) came into the picture around the beginning of 2018, and have added some new but apt elements to the bands sound. These three players have rounded out the lineup of the band’s core, being Dave Gryder on keys, Henry Vasquez on drums, and Roger “Kip” Yma on bass.

The brand new album ‘Blood ’s thicker than Love’ writing process began around the beginning of 2018 with the exception of the track ‘Keep the Lemmy’s Coming’. That song was mostly put together by then but it went through some tweaking and fine tuning when guitar players Wyatt Burton and Alex Johnson joined the band. The songs for this record really got started once they joined as Henry Vasquez comments: “We got in the jam room and everything just clicked, it was pretty smooth sailing after that, minus the Texas heat!”

He continues : “We began tracking the album early July, we recorded at The Lair in Arlington, TX with our guitar player Alex Johnson handling the engineering. We took a straightforward approach, we just got in and laid down our tracks and tried to make a killer hard rock record our way. Alex did an excellent job, not to mention the usual superb mixing and mastering by Tony Reed (Mos Generator, Stone Axe).”

The new album ‘Blood ’s thicker than Love’ debut track particularly stands out for its title as band founder Henry Vasquez explains : ”Keep the Lemmy’s Coming’ was written right after Lemmy passed, the lyrics just came right away. Everyone was talking about how Jack and Coke’s were going to be called Lemmy’s and we thought that a was killer way to pay tribute to him. He’s an absolute legend and a huge influence, especially on our guitar players Wyatt and Alex. Once they joined, they put their own spin on what was there and we came out with what we think is a great homage to the man, myth, and legend of Lemmy. The song is about living in the moment and going all out, there are times when its necessary to go off the deep end and this song is the soundtrack for a time like that, also a killer driving song!”

‘Burning on the wings of Desire’ was more influenced by Southern rock, driven by the initial influences of the band like Bloodrock, Cactus, Mountain, Deep Purple, et cetera. ‘Blood ’s thicker than Love’ is definitely still informed by those influences, but mixed with the crossover of hard rock into the new wave of British heavy metal namely Motorhead, Riot, early Judas Priest, and Thin Lizzy.

LET IT ROLL !

TRACKLISTING :
1 Keep The Lemmy’s Comin’ 05:47
2 My Time 05:59
3 Livin’ For The Night 08:32
4 Air Rises As You Drown 08:20
5 Stained Glass Window 06:02
6 Blood Of The Road 06:35

BAND LINE UP :
Dave Gryder Keys
Wyatt Burton Guitar
Alex Johnson guitar vocals
Roger “Kip” Yma Bass
Sean Vargas vocals
Henry Vasquez Drums vocals

BLOOD OF THE SUN LIVE DATES :
10.10. GER – Bonn, Harmonie, WDR Rockpalast Crossroads TV Show *
11.10. GER – Dortmund, Junkyard *
12.10. B – Antwerp, Trix, Desertfest
13.10. UK – London,The Dome *
14.10. GER – Münster, Rare Guitar, solo show
15.10. GER – tbc
16.10. GER – Berlin, SO36 **
17.10. GER – Osnabrück, Bastard Club, solo show
18.10. GER – Munich, Backstage*
19.10. NL – Leeuwarden, Neushoorn, Into the Void fest
*with LUCIFER
**with ELDER and ANCESTORS

DISCOGRAPHY:
Blood of the sun ( 2004 )
In blood we rock ( 2007 )
Death Ride ( 2008 )
Burning on the wings of desire ( Listenable – 2012)
‘Blood ’s thicker than Love’ (Listenable – 2018)

www.facebook.com/bloodofthesuntx
bloodofthesun.bandcamp.com/releases
http://bit.ly/ListenableFB
http://bit.ly/ListenableTW
http://bit.ly/ListenableWebsite
http://bit.ly/ListenableShop

Blood of the Sun, “Keep the Lemmy’s Comin'”

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Doomstress Touring to Descendants of Crom, Doomed & Stoned and Heavy Mash Fests

Posted in Whathaveyou on September 21st, 2018 by JJ Koczan

doomstress

Science tells us that if you’ve got three festival appearances in the span of about two weeks, you should probably just make a tour of it. Accordingly, Texas heavybringers Doomstress are setting out on Sept. 25 for a round of shows that will take them to Descendants of Crom in Pittsburgh, Doomed and Stoned in Indianapolis and Heavy Mash in their home state. They’ll start out in Connecticut on the run and head into the Midwest for gigs in Michigan and Wisconsin and Missouri en route to finishing Oct. 13 in Arlington. Having had the chance earlier this year to see them at Maryland Doom Fest (review here), I’ll confirm they put on a killer set, though to be honest with the amount of touring they’ve put in at this point for a band who don’t yet have a full-length out, they damn well better.

And speaking of — Hey Doomstress, how ’bout a record, one of these days?

Maybe we’ll get there in 2019. Until then, there are fests to hit:

doomstress tour dates

Doomstress fall tour run will see the band playing 3 fests as well as dates w/Windhand, Satan’s Satyrs, Come to Grief & Sierra. The band continues to expand their tour reach and will play their 1st shows in the upper northeast.

Doomstress is also officially announcing the inclusion of touring guitarist Matt Taylor as a full member of the band on this tour and the trio will be joined by Spike the Percussionist (of Fiddle Witch & the Demons of Doom) handling drum duties for this tour.

9/25 New London, CT @ 33 Golden St.
9/27 Scranton, PA w/ Come to Grief & Curse the Son
9/28 Pittsburgh, PA @ Descendants of Crom Fest
9/29 Detroit, MI @ w/Sierra & Lucid Furs
9/30 Grand Rapids, MI @ w/Sierra
10/2 Milwaukee, WS @ Cactus Club
10/4 St. Louis, MO @ The Sinkhole
10/5 Indianapolis, IN @ Doomed & Stoned Fest 3
10/10 Houston, TX @ White Oak Music Hall w/Windhand & Satan’s Satyrs
10/13 Arlington, TX @ Division Brewing – Heavy Mash Fest

www.doomstress.com
www.doomstress.bandcamp.com
www.doomstress.bigcartel.com
https://www.facebook.com/DoomstressBand/
instagram.com/Doomstress_band
twitter.com/Doomstress
www.darkhedonisticunion.bigcartel.com
https://www.facebook.com/DHURecords/
https://twitter.com/dhu_records

Doomstress, “Bitter Plea” official video

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Duel Touring to Descendants of Crom Fest

Posted in Whathaveyou on September 18th, 2018 by JJ Koczan

duel

After touring Europe last Fall and appearing earlier this year at the Maryland Doom Fest, kickass Texas four-piece Duel will make their way north this month to Pittsburgh to take part in the festivities at Descendants of Crom 2018. They join a lineup there that features Mos Generator, Come to Grief, Worshipper, Forming the Void, Curse the Son and a vast slew of others, and they go supporting their indelicately-titled 2017 sophomore outing Witchbanger (review here), having also followed that up this past Spring with the live album, Live at the Electric Church (review here).

That live record made a pretty good case for seeing Duel onstage, but they’re quickly and rightly earning a reputation either way, and it seems that the more they tour, the more they should. Being on the road only helped them to solidify their approach between their 2016 debut, Fears of the Dead (review here), and the subsequent offering, and one only hopes the thread of progression in songwriting and performance will only continue as they perhaps work toward a new album in 2019. Pure speculation there, but they’d be due.

Anyway, it’s a quick string of dates around Descendants of Crom and you’ll find them below, courtesy of the PR wire:

Duel septmeber US tour 2018

DUEL ON TOUR

DUEL is heavy psychedelic stoner doom metal from Austin, Texas. Hugely influenced by the darker sounds of early 70’s Proto-metal. Features two ex Scorpion Child (Nuclear Blast)members. Their sound is menacing and brutally old school. Total purists, their tunes cut right to the bone with heavy, deep groove and blistering tone. Tough and Loud! Hard rock as it should be!

Our beloved “apple” rockers DUEL will smash US in 3 weeks, you can’t miss them !!!

Duel live:
25.09.2018 – Growlers / Memphis TN
26.09.2018- Best Friend Bar / Lexington KY
27.09.2018 – 1984 Club / Wilmimgton DE
28.09.2018 – Ortlieb’s / Philadelphia PA
29.09.2018 – Descendants of Crom Fest / Pittsburg PA
30.09.2018 – Little Harpeth Brewery / Nashville TN

DUEL are:
Tom Frank – Guitars / Vocals
Shaun Avants – Bass / Vocals
Jeff Henson – Guitars
Justin Collins – Drums

https://www.facebook.com/DUELTEXAS/
https://duel3.bandcamp.com/
https://www.facebook.com/HEAVYPSYCHSOUNDS/
http://www.heavypsychsounds.com/

Duel, Witchbanger (2017)

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ST 37 Premiere “War Fever” Video

Posted in Bootleg Theater on September 10th, 2018 by JJ Koczan

st 37 (Photo by John Foxworth)

Every now and then a band comes along to remind that if you’re looking for it to make sense, sometimes you’re the one with the problem. Granted, Austin’s ST 37 are past the 30-year mark in offering said reminder, so I don’t necessarily know if “comes along” is the right phrase so much as “was already there,” but you get the point.

With an amalgam of freaked-out noisy punk and even more freaked-out psychedelic freakouts, improv-style and otherwise — there’s time for a little bit of everything in the 14-minute “KBDP,” nestled into side C of the 2LP as it is, let alone anything else in the record’s total 12 tracks/79 minutes — the vibe swings way, way open quickly as the jangly “War Fever” fuzz-grooves its way into a wash with a swath of voices and a deceptively playful bouncing rhythm, some sax, and echoing noise, eerie whispers and pretty much whatever else you want to hear in it. From there, it’s headfirst into the swirling made-up-on-the-spot “Shaper of Worlds” and the massive, organ-led eight-minute linear build of the Elegant Doormats cover “Grey Area,” before another cover, this one of The Vast Majority‘s “Hollywood Cemetery,” adds early-punk fervor to the proceedings.

The grounding effect of that cover, plenty swirling though it is, isn’t to be understated. It’s a kind of structural variety throughout ST 37 that speaks to the narrative circumstance of the album’s making, with recordings begun in 2015 and finished last year after a month-long tour with Japanese weirdo-legends Acid Mothers Temple. Not that ST 37 were exactly hurting for doing-whatever-the-hell-they-want anyway, but there’s an inspired spark behind the drifting rhythm and soaking wet overlaid lead guitar on “Shadesty,” as well as the manic laughter peppered into the later “Rooster Feather Paycheck,” and the tension of the repetitions in “Boss” that give way to the sleepy nine-minute improv “Inward, Please” speak to a will to throw the listener off-course that makes ST 37 both a challenge and an enjoyable listening experience.

In its makeup as well as its runtime, in the horror-surf harmonica of “Snootle y Choobs,” in the maybe-everything’s-backwards “Vengeance of Faces” and the space-consuming resolve of closer “Informed by Death,” there’s a refusal on the part of ST 37 to compromise with itself, and that gives it both an overarching sincerity of expression and a sheen of hypercool that’s an immediate weedout for lighter-weight heads. Real deal noise. You can try not to pass out, but I’m not entirely sure that isn’t the whole idea anyway.

ST 37 came out in late July on Super Secret Records, and I’ve got the privilege of hosting a premiere for the video of “War Fever,” which makes its statement pretty plain in the grainy news footage from a variety of military conflicts — so many to choose from! Interspersed with some live footage of the band in its final minute — you can see founding bassist Scott Telles in the midst of all that churning fluidity — it’s a fitting-enough representation for the track, though as noted above, that’s only the beginning of what the album soon unfurls.

PR wire info follows the clip below. Please enjoy:

ST 37, “War Fever” official video premiere

Super Secret Records proudly presents the new ST 37 double album (following up last year’s 12″ split with Acid Mothers Temple on our subsidiary label Self Sabotage Records).

After playing 30 shows in 31 days all over the US and Canada with Acid Mothers Temple in 2015, ST 37 felt an immediate need to decamp for Ohm Studios to capture some shit-hot lightning in a bottle with Chico Jones at the helm in an attempt to translate the incredible energy that was exchanged between these two psychedelic juggernauts as they battled their way across North America. It seemed as if the Japanese sonic wizards and the Texas space rockers were rubbing off on each other: AMT guitarist Makoto Kawabata guested live several times with ST 37 on the Twin Peaks cover “Just You” and the bands made immediate plans to issue a TP-themed split 12″ 45 with AMT’s version of “Sycamore Trees” (Self Sabotage Records SS-08); AMT bassist Atsushi Tsuyama found himself channeling ST 37 bassist Scott Telles’s lyrics onstage at the Mercury Lounge in Mahattan; and Telles suddenly started adopting Mitsuru Tabata’s idiosyncratic vocal style.

Thus: a band changed translates this newfound energy into a brand new double LP and CD, three years in the making from the initial basic tracks at Ohm through more sessions with Evan Kleinecke at 5th St. Studios to numerous efforts at various band members’ home studios. The new eponymously-titled record is in effect both current (new songs like War Fever, Boss and Shadesty) and timeless, as the band explores its roots with tracks like Houston punk chestnut Hollywood Cemetery and the old Elegant Doormats classic Grey Area.

ST 37 is available on 2xLP vinyl, CD and download on July 27th, 2018 via Super Secret Records.

Bobby Baker – guitars, synare
Bob Bechtol – electronics, tapes, backing vox
Lisa Cameron – drums, percussives, electronics
Joel Crutcher – guitars, lead vox on “Informed By Death”
SL Telles – bass, vox, drones
Matthew Turner – guitars, electronics, tapes
Chris “Sauce” Sorrentino – saxophone on “War Fever”
Michael Chamy – electronics on “Shaper of Worlds” and “Vengeance of Faces”
Kirk Laktas – piano on “Shadesty”
Walter Daniels – harmonica on ” Snootle y Choobs”

ST 37 on Thee Facebooks

ST 37 website

ST 37 at Super Secret Records webstore

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