Austin Terror Fest Becomes Oblivion Access; Initial 2020 Lineup Announced

Posted in Whathaveyou on November 21st, 2019 by JJ Koczan

As someone who spent roughly five minutes not-at-all-surviving in the corporate sector working in something loosely related to marketing, I’m sometimes interested in moves like this. Obviously it’s a play toward a wider appeal, right? More people will be interested in Oblivion Access than Austin Terror Fest, which sounds like an extreme metal festival exclusively. A name like Oblivion Access — taken from the 2015 album of Lil Ugly Mane, who’ll be part of the 2020 lineup — also opens up the possibility of tapping into the kind of modern American post-Coachella emergence of the “festival experience,” which sometimes extends to art and other stuff and sometimes just means that if you pay more you get more. “Oblivion” connotes danger and “Access” connotes exclusivity. You could sit a team down in a brightly lit open office space surrounded by MacBook Pros and they’d be hard-pressed to come up with a more suitable banner to fly.

Swans, Converge, Anna von Hausswolff, True Widow, Despise You and Primitive Man are confirmed so far, in addition to the aforementioned Lil Ugly Mane, and badges are available now.

Details follow via the PR wire:

oblivion access 2020 lineup

AUSTIN TERROR FEST ANNOUNCES REBRAND AS OBLIVION ACCESS MUSIC FESTIVAL CELEBRATES 2020 RETURN WITH INITIAL LINEUP REVEAL FEATURING SWANS, CONVERGE, LIL UGLY MANE, ANNA VON HAUSSWOLFF, DESPISE YOU, TRUE WIDOW, & PRIMITIVE MAN

— FOURTH ANNUAL HEAVY METAL, EXTREME ROCK, & EXPERIMENTAL MUSIC FESTIVAL RETURNS JUNE 5-7 TO MULTIPLE VENUES ACROSS DOWNTOWN AUSTIN, TEXAS —

— FESTIVAL BADGES ON SALE NOW WITH FULL LINEUP DROPPING IN JANUARY —

The founders of Austin Terror Fest are proud to announce the music festival has recently rebranded to become Oblivion Access. The heavy metal, extreme rock, and experimental music festival is set to return to the Red River Cultural District of Austin, Texas, on June 5-7. Additionally, the festival has revealed some of the first acts added to the 2020 lineup, with three-day badges on sale now for just $200 through the festival’s official Facebook event page.

Oblivion Access is an annual celebration of underground music and rock culture, which will take place across a three-day weekend from Friday, June 5 to Sunday, June 7, 2020. Each night of the festival, Oblivion Access will take over some of the most popular music venues in the renowned Red River Cultural District of downtown Austin—including returning fan-favorites like Barracuda and Empire Control Room & Garage, as well as a new location at Mohawk—to offer attendees performances from some of the most in-demand metal and experimental acts from across the globe.

The new name, Oblivion Access, is meant to serve as an homage to Lil Ugly Mane’s 2015 album of the same title. Still ringing true to the festival’s original identity, Oblivion Access will continue to provide fans with some of today’s most sought-after heavy metal, experimental, and punk rock music performances. The festival will also expand into new genres and sounds, continuing the transition that began during last year’s festival to make the event a more inclusive and encompassing celebration of both counterculture and experimental music.

In celebration of the festival’s new name, as well as its expansion to now include Mohawk, the festival team has decided to unveil several acts in this year’s lineup, including a very special headlining performance from Swans as the band reunites for the first time after going on hiatus in 2017. The oft-labeled “world’s loudest experimental rock band” just released their latest album, Leaving Meaning, and continue to be heralded as pioneers in the industrial rock scene.

The 2020 bill will also feature Boston-based hardcore punk band Converge; Lil Ugly Mane, a critically acclaimed rap project from the mind of Travis Miller, whose last album in 2015 is the namesake for the festival; and Swedish singer/songwriter Anna von Hausswolff, as she embarks on her first-ever tour across the US. Other notable acts include Los Angeles-based hardcore punk band Despise You, best known for their power-violence sound that combines extremely dissonant and fast metal; and Texas’ own doom rockers True Widow, hailing from nearby Dallas. Lastly, sludge metal trio and Oblivion Access’ artist-in-residence Primitive Man will be returning to perform several sets featuring never-before-played deep cuts.

The current music lineup is listed below, with the full lineup being revealed in January 2020:

OBLIVION ACCESS 2020 – INITIAL MUSIC LINEUP
Swans
Converge
Lil Ugly Mane
Anna von Hausswolff
Despise You
True Widow
Primitive Man

Three-day GA passes are on sale now for $200 through the festival’s official Facebook event page. Weekend GA passes guarantee access to all official festival shows at Barracuda, Empire Control Room & Garage, and Mohawk throughout the three-day festival weekend. These Weekend GA passes are in limited supply due to venue capacities, so those interested are encouraged to act fast. Single-show passes will also be made available for purchase online at a later time closer to the festival dates.

Oblivion Access (formerly Austin Terror Fest) was created in 2016 and continues to be independently produced by Austin-based entrepreneurs Dusty Brooks and Dorian Domi. Brooks and Domi are not only successful music talent bookers, but they are also metal enthusiasts who look to continue growing the new brand for years to come. Each year the event continues to grow, with last year’s festival hosting the largest number of attendees to date. The 2019 festival included 2,500 attendees and more than 30 music acts from Texas and around the globe, including Lighting Bolt, Pig Destroyer, Goatwhore, TR/ST, Alcest, Bongzilla, and more.

The official music lineup poster for Oblivion Access 2020 was designed and illustrated in collaboration with the talented Russ Goldston, an experienced calligrapher and digital artist based in Chicago. More of their work can be found on Instagram at @late.fate.

For more information, please visit the official Oblivion Access Facebook Event page and follow along on Instagram at @OblivionAccessFest for updates and special promotions. The Festival’s official hashtag is #OblivionAccess2020.

https://www.eventbrite.com/e/oblivion-access-2020-tickets-82569635001
https://www.facebook.com/events/417718199127009/
https://www.facebook.com/oblivionaccessfest/
https://www.instagram.com/oblivionaccessfest/

Tags: , , , , , , , , ,

Gary Lee Conner: The Microdot Gnome LP Available to Preorder

Posted in Whathaveyou on November 7th, 2019 by JJ Koczan

Listening to Gary Lee Conner‘s 2014 first solo long-player, The Microdot Gnome, I can’t help but think of Masters of Reality at their psychedelic best. The manifestation is different, and Conner — best known as former guitarist for Screaming Trees — is way more acid-drenched on the whole, but there’s a similar affinity and clear, genuine passion for pioneering ’60s psych that comes through the deeply melodic and exploratory material that makes it an unabashed sunshiny joy to take on, as heard in the McCartney bounce of “Stained Rainbow” and the organ so prominently featured on “Moonflower.” I’d covered Conner‘s 2011 single, Low Flying Bird/Strange Hades (review here), released under the moniker of Microdot Gnome, but I guess not managed to keep up. He also had two full-lengths out last year in Jan. 2018’s Ether Trippers and October’s Unicorn Curry, so I guess I’ve got some work to do there. Noted.

The Microdot Gnome will be issued on vinyl through Vincebus Eruptum Recordings on Jan. 15. They’re only pressing 300 copies and preorders are up now. I hate to spend your money (actually I love it.), but I think if you take a listen to the Bandcamp stream of the album at the bottom of this post, the audio itself is the most compelling argument to get your order in before they’re gone. That’s all I’ll say.

From the label:

gary lee conner the microdot gnome lp

GARY LEE CONNER “The Microdot Gnome”

Finally available to pre-order!!!

Only 300 copies will be published…

For the first time on vinyl (since now published only on digital and cassette) the long awaited SUPER-PSYCHEDELIC album by Gary Lee Conner!

THE MICRODOT GNOME

For the fans of Screaming Trees, but not only…believe me!

https://vincebuseruptum.bigcartel.com/product/gary-lee-conner-the-microdot-gnome-includes-association-fee

Issue date: 15th of January 2020

Limited edition vinyl (VELP028): 300 copies on purple vinyl The long awaited FIRST album by the SCREAMING TREES guitar player!
Recorded in 2010…long awaited vinyl release since it’s already been on digital and cassette.

Track-list:
A1 – Gardens of Time
A2 – Confessions of the White Rabbit (edit)
A3 – Stained Rainbow
A4 – Sadie’s Golden Mirror
A5 – Smokerings Are My Only Friends
A6 – Morning Glory Pincushion
B1 – Low Flying Bird
B2 – Julian Hades
B3 – Moonflower
B4 – Chester Apple
B5 – To Andromeda

http://www.facebook.com/garyleeconner
https://garyleeconner.bandcamp.com/
https://vincebuseruptum.bigcartel.com/
http://www.vincebuseruptum.it/

Gary Lee Conner, The Microdot Gnome (2014)

Tags: , , , , ,

The Well Post “Raven” Video; Touring to Levitation Festival

Posted in Bootleg Theater on October 28th, 2019 by JJ Koczan

the well (photo by Cecilia Alejandra Blair)

We’re getting into November this week, which as far as I’m concerned means two things. 1: The holidays are coming, and man, fuck the holidays. 2: It’s getting to be year-end list time. For your consideration, Austin dark heavy psych three-piece The Well humbly submit the clarity of a 4K ultra-high-def video for the track “Raven” from their 2019 album, Death and Consolation (review here). Released this past April in a continuing alliance with RidingEasy Records as the band’s third full-length, it was yet another argument for them as an underrated outfit, the dual vocals of guitarist Ian Graham and bassist Lisa Alley — the three-piece completed by drummer Jason Sullivan — growing as an ever-more-prevalent standout factor of their approach. They’ve done no shortage of road time since their 2014 debut, Samsara (review here), and are currently touring the Eastern Seaboard with a stop in Puerto Rico before heading home to play Levitation Fest early next month. In the New Year, it’ll be the UK & EU — whatever configuration they might be in at that point; the nation-states, not the band — followed by the West Coast in February and March, so yes, they’re keeping plenty busy.

But as we get down to the nitty-gritty end-of-year business around these parts, The Well are a band who clearly deserve some manner of recognition, and if you want to hear/see why, they’re basically presenting their case in the clearest manner available in the “Raven” video. If you can watch the clip in 4K, you should, because it looks cool and is almost too real in its smoothness, but however you check it out, it’s easily worth the four minutes of your time, with its stonerly riff engaging a classic heavy rock nodder mindset even as their vaguely cultish leanings come through in the vocal melody. It’s never been about reinventing the wheel with The Well, but their radness is pervasive and multifaceted, and their approach has grown with each offering they’ve made. Death and Consolation is the kind of record you can put on regardless of mood and get into it. No pretense, quality craft, deep mix to lose your head in, and a heavy groove to march you right to oblivion. The only thing it asks is you take a little time to dig it.

So dig it:

The Well, “Raven” official video

Austin trio The Well share a new video from their recently released album, Death and Consolation (RidingEasy Records). Watch & share the 4K UHD video for album track “Raven” which was directed, shot and edited by William Orendorff HERE.

The band has spent much of the year on tour, and continue the trek now into November. Early in the new year, The Well return to headline shows in the EU & UK, followed by West Coast dates with labelmates Zig-Zags in February 2020. Please see all dates below.

Death and Consolation is available on LP, CD and download as of April 26th, 2019 via RidingEasy Records. Orders are available HERE.

THE WELL TOUR 2019:
(remaining dates)
10/28 – Atlanta, GA – 529
10/29 – Gainesville, FL – Hardback Cafe
10/30 – St Petersburg, FL – The Bends
11/01 – Puerto Rico – Club 77
11/03 – Austin, TX @ COTA F1 Races
11/09 – Austin, TX – Levitation Festival – RidingEasy stage

THE WELL TOUR 2020:
EU/UK – January/February (dates TBA)
02/19 – El Paso, TX
02/20 – Phoenix, AZ
02/22 – Oceanside, CA *
02/23 – Los Angeles, CA *
02/25 – San Francisco, CA *
02/26 – Arcata, CA *
02/27 – Portland, OR *
02/28 – Seattle, WA *
02/29 – Vancouver, BC *
03/02 – Kalispell, MT *
03/03 – Missoula, MT
03/04 – Boise, ID *
03/05 – Salt Lake City, UT *
03/06 – Denver, CO *
03/07 – Albuquerque, NM *
* w/ Zig-Zags

The Well, Death and Consolation (2019)

The Well on Thee Facebooks

The Well on Instagram

The Well on Bandcamp

The Well website

RidingEasy Records website

RidingEasy Records on Instagram

RidingEasy Records on Bandcamp

Tags: , , , , ,

Monte Luna, Drowners’ Wives: Open World Gameplay

Posted in Reviews on October 25th, 2019 by JJ Koczan

monte luna drowners wives

With Drowners’ Wives, their second album, Austin, Texas’ Monte Luna not only make their debut on Argonauta Records but show a clear sense of having learned a few crucial lessons from their first about their overall direction and what they’re looking to accomplish as a band. At roughly 34 minutes long, Drowners’ Wives takes its central lyrical inspiration from The Witcher 3: Wild Hunt, with Drowners being a kind of monster one encounters that eats corpses. Fun. Despite this cohesion of theme, its shortened runtime is a bit over half the length of that 71-minute 2017 self-titled (review here), but with both albums carrying six component tracks, the change comes from writing shorter songs rather than simply including less of them. The longest cut on Drowners’ Wives, for example, is the 8:30 closer “Scenes from a Marriage,” with its deep-mixed organ, atmospheric vocal swirl in the second half, and scathing screams in its later apex capping the record. Time well spent, to be sure, and not an insignificant length by most measures. In relation to the debut, apart from the four-minute “The Burning of Elohim,” which was more or less an intro (if one with vocals), “Scenes from a Marriage” would be more than a minute shorter than the next shortest track, which itself was something of an aberration for being under 12 minutes long.

Clearly a change in intent on the part of bassist/guitarist/vocalist James Clarke and drummer/effects-specialist Phil Hook, and one that, honestly works to the benefit of allowing the material on Drowners’ Wives to shine and giving each song a better chance of being digested by the average listener. That’s not to decry a long album generally or to take anything away from Monte Luna‘s first outing, which was a grower and a righteous one at that, just to note that in this case, the approach they take is to the benefit of highlighting a more diverse sound. It is one bolstered as well by a few guest appearances throughout. Jaime Ramirez handles the aforementioned organ on “Scenes from a Marriage” and also “Man of Glass,” while Tommy Munter plays bass on the speedy-shuffling side A closer “Night of Long Fangs,” Jeff Klien guitar on chug-fuzzed second cut “The Butcher of Blaviken” and Steve Colca of Destroyer of Light on opener “The Water Hag,” which builds its riff from the ground up at the outset of the record and engages a call and response vocally during the verse between Clarke and Colca that is an effective initial hook in itself while still providing one of Drowners’ Wives‘ heaviest and most lumbering riffs. Perhaps unsurprisingly there’s stiff competition in that regard, but if anything, Monte Luna emphasize this time out that they’re not just interested in unipolarity as a band. They’re here to do more than bludgeon with tone and crash, and the manner in which they realize that assertion in these six songs suits them remarkably well, and while any record that features a list of guests that’s longer than the list of actual members runs the risk of seeing the core band’s identity subsumed, Monte Luna run into no such trouble. By the time they’re through “The Butcher of Blaviken,” it’s clear who they are. They’re the ones doing whatever the hell they want and pulling it off.

monte luna

To wit, the later reaches of “The Butcher of Blaviken” devolve the emergent plod into an outward-bound instrumental jam that seems to churn itself to pieces as it works toward its eventual end. There’s a memorable lead line included there, but still. That makes “Night of Long Fangs” all the more a punch to the face when it starts its immediately and brash sub-four-minute pummel, with early High on Fire‘s marauding sensibility given more stylistic breadth and malleable vocals. As it invariably would, the uptick of speed leads to a slowdown in the back half of “Night of Long Fangs” — about, of course, a vampire hunt — and the thicker riff that takes hold soon enough cedes ground to a drone and Hook‘s drumming on “Wild Hunt,” which, whether it’s considered an interlude on a linear format or an intro to side B of the vinyl is a well-positioned momentary breather that nonetheless expands the reach of Drowners’ Wives as a whole through its tribalism and ambient aspects, setting up a dug-in closing duo in “Man of Glass” and “Scenes from a Marriage” that feels all the more urgent upon arrival and thus all the more effective. There’s a down-to-sludge-rock-business feel that pervades the beginnings of both songs that’s enough to make me wonder if they were written first, but they’re well paired either way, both moving into harsher vocals even as the otherwise massively-toned guitars prove expansive and Clarke‘s voice presents a gamut of influences from Bongzilla to Queens of the Stone Age, depending on what the song calls for at the time.

That last part is perhaps the key to understanding where Monte Luna are coming from on Drowners’ Wives. While they’ve based the album’s theme around Witcher lore and have at least at one or two points they use samples direct from the game itself, the chief accomplishment of the album is how much the two-piece make the sound their own. It might seem counterintuitive, with itinerant company coming through even unto the organ in “Scenes from a Marriage,” but none of the contributions feels superfluous in terms of the material’s impact, which remains the central concern no matter where an individual piece might go, be it “The Water Hag” with its swinging catchiness or the intensity that crowns the finale. Monte Luna thrives in each scenario they present here not just because they add elements to arrangements of their own guitar, bass, drums and/or vocals, but because those additions make the songs a richer listening experience. It seems like a simple idea, but it’s not always so easy when it comes to execution, and having shorter tracks is a part of it as well. I won’t profess to know what they might do their next time out, but for the sense of themselves and the will toward individualism they so strongly declare across Drowners’ Wives, it’ll be all the more exciting to find out.

Monte Luna, Drowners’ Wives (2019)

Monte Luna on Thee Facebooks

Monte Luna on Bandcamp

Monte Luna on Instagram

Argonauta Records website

Tags: , , , , ,

Duel Announce Winter 2020 European Tour Dates

Posted in Whathaveyou on October 21st, 2019 by JJ Koczan

duel

It’s been a minute or two since I told everyone who might put eyes on these words to go see Duel, so yes, I’m due. Go see Duel. I can’t make it any plainer than that. It’s kind of hard to explain, because their sound is modern but rooted in classic heavy. It’s got an edge but isn’t overly aggro. It’s not dumb, but it’s not self-indulgent. And they nail it live, with just enough of a sense of chaos to make the whole thing feel organic and not too balanced in such a way to detract from the experience. For all the touring they’ve done, I feel like they’re starting now to build the reputation they deserve, and that’s not going to mean any less work in their future, but fortunately they seem up to the task — of yet more touring.

Which brings us around to their impending return to Europe this winter, where they’ll play Heavy Psych Sounds Fest and share the stage with their labelmates in Mondo Generator, etc. I’ve no doubt good times will be had, and the Austin, Texas, natives will still be back in the States in plenty of time to get their heads together for Stoner Jam at SXSW for which the 2019 lineup was staggering — seriously, I haven’t been to Austin since March 2007, I swore I was done, and even I had to tip my hat to that bill — and which they seem an easy pick to take part.

New record in 2020? Seems early since they just put out their third LP, Valley of Shadows (review here), earlier this year, but I wouldn’t call it impossible. They’re nothing if not productive, and they have momentum on their side.

Badass band not sitting around waiting for the world to come to them. Call it a win.

From Heavy Psych Sounds via the PR wire:

duel euro tour 2020 part ii

DUEL – VALLEY OF SHADOWS EUROPEAN TOUR 2020 – part II

We are so happy to present a very special tour !!!

DUEL are coming back to Europe in 2020 playing in Italy, Germany, Belgium, Holland, France, Switzerland and UK !

A lot of single shows but also great festivals such as Heavy Psych Sounds Fests in Paris, London, Deventer and Antwerp !!!

*** DUEL – VALLEY OF SHADOWS EUROPEAN TOUR 2020 – part II ***

21.02.2020 IT Pisa-Albatross
22.02.2020 CH Martigny-Le Caves Du Manoir
23.02.2020 DE Munich-Backstage
24.02.2020 DE Berlin-Zukunft w/ Mondo Generator
25.02.2020 DE Dresden-Chemiefabrik w/Mondo Generator
26.02.2020 DE Leipzig-Black Label
27.02.2020 DE Hamburg-Stubnitz
28.02.2020 NL Rotterdam
29.02.2020 DE Siegen-Vortex
01.03.2020 DE Koln-MTC
02.03.2020 FR Lille
03.03.2020 FR Nantes-La Scene Michelet
04.03.2020 FR Rennes-Le Mondo Bizzarro
05.03.2020 FR Paris-Glazart HPS Fest
06.03.2020 BE Antwerp-Trix HPS Fest
07.03.2020 UK London-Underworld HPS Fest
08.03.2020 NL Deventer-Burgerwheesuis HPS Fest

All tickets available soon via www.heavypsychsounds.com

They have earned a reputation with their beer soaked high energy live performances, relentless touring, writing and recording schedule. Since 2016 the band have released 4 albums with “Valley of Shadows” released on Heavy Psych Sounds Records in May of 2019. DUEL is about to embark on their seventh extensive European tour following their sixth in 2019 which saw them once again hitting many of the major festivals that they have in the past. Desert Fest, Freak Valley, Stick and Stone, Black Deer Fest in the UK etc. The band has also stayed extremely busy at home in the United States will 2 full tours last year hitting many of the Stoner Doom festivals with many more to come in 2020.

DUEL is:
Tom Frank – Vocals / Guitar
Jeff Henson – Lead Guitar / Backing Vocals
Shaun Avants – Bass / Backing Vocals
Justin Collins – Drums

https://www.facebook.com/DUELTEXAS/
https://duel3.bandcamp.com/
https://www.facebook.com/HEAVYPSYCHSOUNDS/
http://www.heavypsychsounds.com/

Duel, “Black Magic Summer” official video

Tags: , , , , ,

Cortége Announce Fall Tour Dates Supporting New Album Capricorn

Posted in Whathaveyou on September 20th, 2019 by JJ Koczan

cortege

Austin-based Western-style heavy post-rockers Cortége are gearing up for the slated Sept. 27 release date of their new album, Capricorn, and after the record comes out, they’ll embark on the ‘Fall Capricorn Tour ’19,’ the naming for which I guess is pretty straightforward. Because I was curious — and ignorant, can’t forget that — I actually had to look up when the zodiac sign of Capricorn runs from and to. If you’re curious, it’s Dec. 22-Jan. 20. Okay. The tour, on the other hand, is from Oct. 12-Nov. 3. That makes it part-Libra, mostly-Scorpio. Does this matter? Probably not, but it’s kind of fun.

Anyway, I’ve kind of dug into the record at this point and it’s moody as you’d expect, but has the vibe down pat. They’ve been streaming a track that you can hear below, and yeah, it’s just the right kind of bum-out.

Here’s word from the PR wire:

cortege tour

Post-Western Doom/Drone Duo Cortége Announce ‘Capricorn Fall Tour 19’

Post-Western Doom/Drone Duo Cortége will embark on the ‘Capricorn Fall 19 Tour’ in October. Tour dates are below.

Exploring the wide dynamic between the two players,Capricorn is a monster work and the most musically varied recording to date. Although keeping the traditional instrumental theme throughout, the album explores the story of a misguided and waylaid explorer of space and his experiences in a foreign world. Complete with a fully illustrated comic book insert to help listeners along in the story and an accompanying music video directed by Lake Travis Film Festival founder and director Kat Albert, the record takes the band’s deepest influences to a wide and poignant actualization.

Now with their first international dates booked and an sprawling East Coast tour scheduled in support of Capricorn for the late Fall, the band readies themselves to cover more ground than ever before.

The vinyl LP version of Capricorn features beautiful transparent white vinyl, and includes a comic book by Dan Marschner detailing the story and concept of the album via gorgeous illustrations inspired by sci-fi pop art of decades past.

10/12 Austin, TX Skull Mechanix
10/13 Tulsa, OK Whittier Bar
10/15 St. Louis, MO Foam
10/16 Chicago, IL The Owl
10/17 Detroit, MI PJ’s Lager House
10/18 Toronto, ON Grand Gaerrand (w/ The Well)
10/19 Ottawa, ON Avant-Garde Bar
10/20 Montreal, ON Katacombes (w/ The Well)
10/22 Boston, MA O’Brien’s Pub
10/23 Wallingford, CT Cherry Street Station
10/24 Philadelphia, PA Century
10/25 New York, NY Gussy’s Bar
10/26 Frederick, MD Guido’s Speakeasy
10/27 Washington, D.C. Velvet Lounge
10/29 Raleigh, NC Slim’s Downtown
10/30 Columbia, SC Curiosity Coffee
10/31 Jacksonville, FL Jack Rabbits
11/1 Tallahassee, FL The Bark
11/2 New Orleans, LA Banks St Bar
11/3 Lafayette, LA Freetown Boom Boom Room

Cortége will release debut album Capricorn on September 27 on CD and vinyl LP. Members Mike Swarbick and Adrian Voorhies (ex-Canyon of the Skull, ex-Humut Tabal) create a listening experience that is at once heavy, experimental, and utterly cinematic, a primary feature thereof the captivate tones of tubular bells, as well as Roland string synthesizer, Moog Taurus synthesizer, and waterphone.

Cortége is:
Mike Swarbrick – Bass Guitar, Synthesizers, Percussion & Tape Delay
Adrian Voorhies (ex Canyon of the Skull, ex Humut Tabal) – Drums

cortege.bandcamp.com/
facebook.com/cortegeatx/
instagram.com/cortegeatx/

Cortége, Capricorn (2019)

Tags: , , , , ,

Doomstress Southeastern Tour Starts This Week; Playing Slaughter Que and More

Posted in Whathaveyou on September 17th, 2019 by JJ Koczan

doomstress

As you can see on the list of dates below, it’s a well-tagged tour upon which Doomstress will embark later this week, heading out from their home in Houston, Texas, in order to make a stop in Atlanta for the Slaughter Que festival, where they’ll join the very metal likes of Exhorder, Exodus, Kataklysm, Krisiun and copious others whose names either do or don’t begin with the letters ‘e’ and ‘k.’ I believe that in itself is enough to qualify as “metal AF” in social media parlance, but it’s not at all the only show Domstress have lined up, as they’ll make two stops in Louisiana beforehand and hit North Carolina, Florida and Mississippi before they’re done.

Over the last couple years, Doomstress have mastered this method of getting out for a week or so and carving up the US by region, hitting this or that part of the country on kind of a longform overarching tour. All the better for them to do so now that they have their 2019 debut album, Sleep Among the Dead (review here), out on Ripple Music and DHU Records to support.

You’ve heard it, I know, but you can stream the album at the bottom of this post just in case, and tell your friends to go see Doomstress even if you’re not somewhere they’ll be. You have friends everywhere, even if you don’t know it.

Dates follow:

doomstress coastal slaughter tour

Texas metal rockers Doomstress just back from 2 recent northern tours based around Ohio Doomed & Stoned Fest (Canton, OH) and Ancient Futures Fest (Madison, WI) prepare to embark on a southeastern run to play Slaughter-Que Fest in Atlanta, GA on September 21st w/ Exodus, Kataklysm, Battlecross, Exhorder, Hatchet and many more!

Doomstress returns to Atlanta GA September 21st for SlaughterQue Fest at Masquerade ATL.

Doomstress recently released their debut full length record “Sleep Among the Dead” in May on Ripple Music and DHU Records.

9/19 Lafayette LA @freetown_boomboomroom w/@sexlord_band_official & @high_horse_band
9/20 New Orleans LA @goatneworleans w/@nolapious & #Smoke
9/21 Atlanta GA @masquerade_atl #SlaughterQue Fest w/@exodusbandofficial @exhordernola @kataklysmband @battlecrossmetal @hatchet_official @krisiun & more
9/23 Raleigh NC @slims_tagrams w/@kultikon & @doomsday_profit
9/26 Jacksonville FL @jackrabbitslive w/@luna_cruise_music & #deadscrolls
9/27 Tampa FL @brassmugnights w/@beerwolfsucks &
9/28 Hattiesburg MS @ #MoMos w/#AstroTrain & #WitchDance

Doomstress is:
Doomstress Alexis – Bass/Vocals
Brandon Johnson – Guitar
Matt Taylor – Guitar
Tomasz Scull – Drums

www.doomstress.com
www.doomstress.bandcamp.com
www.doomstress.bigcartel.com
https://www.facebook.com/DoomstressBand/
instagram.com/Doomstress_band
www.darkhedonisticunion.bigcartel.com
https://www.facebook.com/DHURecords/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Doomstress, Sleep Among the Dead (2019)

Tags: , , , , , ,

Monte Luna Announce European Tour; “Man of Glass” Video Posted

Posted in Whathaveyou on September 12th, 2019 by JJ Koczan

monte luna

Austin duo Monte Luna are getting closer to the Oct. 4 release for their new album, Drowners Wives, which will be out through Argonauta Records, and as they wrap up a couple live dates this week alongside Serial Hawk — who also have a new LP out — they’ve just announced a run to Europe that will begin next month and go into November. The tour will begin after the album is out, so that’ll give them something to promote, and even as they get ready to go, they add further intrigue to the impending by unveiling a new video for “Man of Glass.” Like the prior-posted “The Water Hag” it’s on the shorter side of the spectrum, but still gives a sense of what it’s all about, which is to say, riffs and murder at Stonehenge. So, yeah, right on.

I haven’t heard the album yet or I’d probably be talking about it right now, but what I’ve heard so far bodes well, and Monte Luna are putting their time in on the road in such a way that makes me think they have designs well outside their hometown — though given their hometown, that’s plenty in itself — over the longer term. More power to them. Go forth and sell shirts, young men.

Here’s where they’ll be, and that new video:

monte luna euro tour

Our European tour has been announced! We head across the pond in October!

Your eyes are dazed and heavy.

Upcoming Monte Luna Tour Dates
September 13 – Atlanta Georgia – 529 *
September 14 – Raleigh North Carolina – Slims Downtown *
* w/ Serial Hawk

Monte Luna European Tour 2019:
25.10.19 Italy, Turin
26.10.19 Italy, Lecco
29.10.19 France, Volmerange-Les-Mines
30.10.19 Belgium, Antwerpen
31.10.19 Belgium, Gent
01.11.19 Netherlands, Zwolle
02.11.19 Germany, Koblenz
03.11.19 Germany, Bremen
05.11.19 Denmark, Copenaghen
06.11.19 Denmark, Aalborg
09.11.19 Sweden, Stockholm
10.11.19 Sweden, Gothenburg
12.11.19 Germany, Dresden
13.11.19 Germany, Munich
14.11.19 Switzerland, Le Chaux du Fonds
15.11.19 Italy, Pavia
16.11.19 Italy, Vigone

“Drowners’ Wives”
Release date October 4th, 2019
ORDERS:
http://bit.ly/DrownersWives (CD & LP)
https://ingroov.es/drowners-wives (DIGITAL)

Monte Luna is:
James Cl
Philip Hook

www.facebook.com/pg/MonteLuna666
www.monteluna666.bandcamp.com
https://www.instagram.com/monte_luna_tx/
www.argonautarecords.com

Monte Luna, “Man of Glass” official video

Tags: , , , , ,