Telestrion Release Double-Album Blazing in the Sky

Posted in Whathaveyou on July 11th, 2018 by JJ Koczan

telestrion

Okay, so Telestrion‘s Blazing in the Sky has been out for a minute or two. Sometimes a thing comes to my attention after it’s been a while. It’s not like the record’s a year old, so, you know, stuff it. The span of the thing is more important than time anyway — though while we’re quibbling dates, I’ll note it’s been six years since the Atlanta natives released their last EP, Molecule (review here) — and maybe making up for lost time is part of the reason they’ve gone to a double-LP with Blazing in the Sky, though listening to the four jams that would comprise the second platter of a vinyl release, they don’t really need any justification for being included. They’re there, and awesome. That should be and is enough.

Blazing in the Sky is Telestrion‘s second full-length behind 2007’s self-titled debut, though the band also trace their roots back to the lone 2004 outing from another outfit called Qualone. I still have my CD of that record. Cool stuff. It’s on Telestrion‘s Bandcamp if you get through the new album and are up for digging back. Ah hell, you’ve got time. You know you do.

I don’t know if they’re doing a physical pressing at this time or waiting to get a label involved in such an endeavor, but either way, Blazing in the Sky is certainly lit up. Details follow from the PR wire:

telestrion blazing in the sky

Atlanta Cosmic Rockers Telestrion release “Blazing in the Sky” featuring Spinal Tap/Atomic Rooster Drummer, Ric Parnell

The music of Telestrion is an assault on the senses with their brand of own brand psychedelic acid fuzz rock. Think Black Sabbath, Pink Floyd, and Hawkwind and you’ll be in the ballpark, however Telestrion have a sound that is uniquely their own. Telestrion’s performances meander back and forth between tightly rehearsed songs and loose free form improvisational jams, depending on the state of the players and the moment.

In April of 2018, Telestrion released their long awaited double album, Blazing in the Sky. The album was produced by Telestrion and Jeff Tomei and features legendary Spinal Tap/Atomic Rooster drummer Ric Parnell. Blazing in the Sky is a 15 song cosmic journey that covers all of the bases from the short and sweet “Nothing Left” to the 15 minute epic “Midnight Never Ends.” Telestrion’s music is definitely food for the mind and is something to not just be heard but to be experienced as well.

Founding member/singer/guitarist/songwriter Andy Samford had this to say about working with the legendary Ric Parnell (aka. Mick Shrimpton in Spinal Tap):

“He was amazing, he would listen to a demo, I’d walk him through the arrangement and then he’d create and perform a perfect part in one or two takes. Genius, really. We’d give him some direction and I’d call out changes but other than that it was pretty spontaneous and in the moment. Sides 3 and 4 are all improv and were made up on the spot with zero discussion.” – Andy Samford

Tracklisting:
1. Electric Ball 03:08
2. The Peak 03:15
3. Manifestations 04:55
4. Oasis Of Souls 05:23
5. Paperclip 03:38
6. Blazing In The Sky 05:15
7. Nothing Left 02:37
8. Out In The Hills 04:39
9. A Storm Is Comin 07:22
10. I Ain’t Got Time For Time 04:03
11. I Ain’t Got Time For Time (Reprise) 03:59
12. What’s Not On 08:02
13. Kykeon 10:22
14. Midnight Never Ends 15:33
15. The Law Of Averages 07:44

Telestrion is:
Andy Samford – Guitar, Vocals, Synth, Piano, M-Tron, Percussion
Brian Holcomb – Guitar, Vocals, Theremin, Vocoder, Sitar, Maracas, Wind, Arpanoid
Ric Parnell – Drums
Stephen Carrington – Bass, Guitar
Jonathan Lee – Bass
Karl Kendrick – Synth, Backing Vocals
Billy Reeves – Percussion
Allen Beaver – Allen Holcomb’s Dragster

https://www.facebook.com/TELESTRION
https://telestrion1.bandcamp.com/
http://telestrion.net/

Telestrion, Blazing in the Sky (2018)

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Telestrion, Molecule: Sideways Tunnel through Time and Space

Posted in Reviews on August 6th, 2012 by JJ Koczan

Atlanta-based outfit Telestrion specialize in a seemingly bygone nuance within psychedelic rock. On their latest, vinyl-only EP, Molecule (self-released through Electric Mind Records), the core duo of guitarist/vocalists Andy Samford and Brian Holcomb – both of whom also handle synth and a variety of other effects and swirls – are joined by the since-ejected rhythm section of bassist/vocalist Jonathan Lee and drummer Dwayne Jones for just under 33 minutes of classic-style stoner psychedelia. The release gets progressively more tripped out, but at the heart of Telestrion’s presence is a sense of simply structured songwriting that remains accessible no matter what is subsequently layered over it. On a basic level, the songs are immediately familiar, but by sticking to a more ‘90s style of neo-psych (I do a double-take every time I see an act reference Kula Shaker as an influence), the band is actually going against the modern trend within the genre, which is typified by elements of Americana and noisy indulgences more than dreamy Beatles melodies and lines like, “Neon spaceships flying across my mind,” from the opening title-track of Molecule, the album art of which features the chemical construction of mescaline. Situation depending, I’m not sure I’d state a preference one way or another, but Telestrion more certainly align themselves to the kind of psych proffered by VALIS than fellow Atlantans Zoroaster, at times even reminding of those times when The Atomic Bitchwax slows down their riffy assault to ride out a killer groove. Their roots, however, lead them down a different path toward the pastoral, and Molecule makes its way gradually toward the sonically ethereal, the second half of the release being dedicated to farther and farther ranging jams.

Beginning that progression, then, “Molecule” makes an appropriate owner for the EP that shares its name. It’s probably the most straightforward of Telestrion’s originals here, and unquestionably the best chorus. Centered around a memorable, driving riff, it remains psychedelic and laid back despite being carried across with considerable energy, in no small part thanks to a compressed-sounding production and subdued melodic vocals. Neither Samford nor Holcomb is showy on guitar, but both come together to serve the song well, and as it’s been five years since they released their self-titled debut full-length – the band came together in 2007 in the wake of disbanding the guitarists’ prior unit, Qualone – that’s probably a good way to go. “Molecule” ends with an engaging lead nonetheless, and that sets up the extra percussion of the three-minute instrumental “Tunnel in the Sky” well. One might consider the song a jump in a less grounded direction, but even as the guitars veer into effects noise and swirling leads, Lee and Jones (the latter also a veteran of Qualone) hold down a solid rhythmic foundation. The song also finds companion brevity-wise in the 2:11 “Slightly Sideways,” which opens side B of the vinyl, so there’s some structure to be found on an album level there as well. Before flipping the platter, however, Telestrion break out a cover of Black Sabbath’s A National Acrobat. They slow it slightly, but the Tony Iommi riff is unmistakable, and given its due by Holcomb and Samford, who play the starts and stops well off each other and effectively capture the Ozzy “You’ve gotta believe me/I want you to listen!” yell, echoing out into the musical space their atmosphere has created. It’s not a bold cover, but it’s a sincere cover, and that honesty goes a longer way than it might had Telestrion tried to out-obscure their audience in their selection. As the pace picks up for the lead section in the last minute and a half, the extent of the band’s sincerity becomes clear, and it feeds into the overarching charm of Molecule. 6:52 well spent.

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