Review & Full Stream: Harsh Toke, Joy & Sacri Monti, Burnout Split LP

Posted in audiObelisk, Reviews on June 22nd, 2017 by JJ Koczan

harsh-toke-joy-sacri-monti-burnout

[Click play above to stream the Burnout three-way split between Harsh Toke, Joy and Sacri Monti. It’s out June 23 via Tee Pee Records.]

Not to quibble on titles, but it’s way less Burnout than it is ignition. The West Coast heavy psych boom, centered in San Diego but with offshoots up and down throughout California in Los Angeles, the Bay Area, etc., is years underway at this point, and New York’s Tee Pee Records has proven to be among its most crucial documentarians. In bringing together Harsh TokeJoy and Sacri Monti — three San Diego bands who’ve all had albums out on Tee Pee — the long-running imprint has essentially reinforced the arrival of and camaraderie between members of one of the US’ most vibrant underground scenes. If they wanted, each of these groups could have headlined their own three-band split — there’s enough clout between them and enough other acts around to make that happen, easily — but in uniting them together, Tee Pee is going for broke in representing the particular energy and classic-minded shred that typifies San Diego’s explosive sound.

It is likewise no coincidence that Burnout — a six-song 12″ topping out at 26 minutes — should feature covers from each band as well as original material from Joy and Sacri Monti, since so much of what’s happening and what’s already happened in the heavy ’10s has owed its core approach to the heavy ’70s before it, so that to have Harsh Toke take on Roky Erickson for two tracks — something they also did for a full set at Roadburn festival this past Spring in the Netherlands — as Joy tears into “Spaceship Earth” by Road and Sacri Monti into “Sleeping for Years” by Atomic Rooster not only makes sense sonically, but effectively ties together the still-very-much-exploding current movement of bands with the crucial wave that preceded it nearly half a century ago.

I admit, that’s a pretty heady view of the mission here, and to listen to Burnout, the tracks don’t come across nearly so lofty in their aims, whether that’s Harsh Toke‘s drunk-at-the-piano dive into Erickson‘s “Burn the Flames” at the outset or the scorching, organ-soaked boogie drive of Sacri Monti tackling “Sleeping for Years” at the finish. And rightfully so. If it was pretentious or overly self-aware, the whole affair would fall flat, where in the front-to-back execution, it proves to be anything but, with both Joy and Sacri Monti right in their respective elements in both their own material and their cover selections while Harsh Toke prove to be somewhat the outliers as they leadoff the release. Not so much sound-wise — Roky Erickson‘s weirdo formative and massively influential psych isn’t out of context in their swaying reinterpretation — as in the simple concept of Harsh Toke playing songs.

harsh toke joy sacri monti burnout vinyl

Harsh Toke‘s 2016 split (review here) with San Diego scene lords Earthless — who along with Radio Moscow are very much the elephant in the room when it comes to not only the three outfits appearing on Burnout but the wider San Diego sphere as a whole — and their 2014 debut, Light up and Live, were essentially jam-based releases, and their live sets find them working in likewise methods. To hear them push through the fuzzy proto-punk of “Bermuda,” I’m not sure why they so generally avoid vocals, but the fact that it’s something that doesn’t happen all the time would seem to make it all the more of an event, and they are right at home in that track and “Burn the Flames” preceding, giving a sense of Erickson‘s character in the material while presenting it with their own energetic tack. Naturally, on a three-band split there’ are bound to be some stark leaps in sound, between groups — like on any multi-group compilation — but the speedier “Bermuda” also helps make way for Joy‘s “Your Time Ain’t Long,” the longest inclusion here overall at 5:27.

Meting out similar winding riffage to what high-speed-nodded throughout their 2016 third full-length, Ride Along! (review here), “Your Time Ain’t Long” serves as the first original of Burnout and cuts short after three-and-a-half shuffling minutes to a more languid drift, keeping some progressive tension beneath as it moves with deceptive efficiency back toward its hook. The trio count into “Spaceship Earth” for a live-in-studio feel that the raw fuzz of their tonality and echoing vocals backs up that impression. In their own composition as well as the 1972 Road track, it’s the guitar leading the charge, and even as “Spaceship Earth” moves into outside-the-atmosphere noise following an extended stretch of leads, tone provides the fuel for that ascent. Sacri Monti‘s “Over the Hill” follows immediately.

Their original, like that of Joy before them, showcases a fervent-enough ’70s influence to make its transition seamless, but is distinguished through the use of organ and the interplay there between keys and shred-prone guitar as was their 2015 self-titled debut (review here), and as a next step forward from that release, “Over the Hill” bodes well for the development of their chemistry on the whole. Their selection of an Atomic Rooster track is likewise admirable — and one has to acknowledge it must’ve been tempting, when looking at 1970’s Death Walks Behind You, to take on the title-piece — and they give the UK-based post-blues stompers their due while, like Harsh Toke and Joy before them, bringing their own personality to the presentation in a live-feeling onslaught of groove that dares you to keep up with its nigh-on-frenetic turns. It’s over quickly — so is Burnout as a whole — but Sacri Monti‘s cold finish to “Sleeping for Years” makes a fitting end to the split, since as the scene that birthed these bands also seems to do, it leaves one with the feeling of standing in front of the stage yelling for one more song.

And if they had done another, or if any of these groups came back out and did an encore, you wouldn’t find me complaining. Cities like San Diego, Encinitas, Visalia, Oceanside, and so on, have become more and more crowded over the last couple years, and I expect they’ll continue to for at least the next several years as we move toward and beyond 2020, but with the quality of output from Harsh TokeJoy and Sacri Monti both here and on their own offerings, it’s hard to argue with others wanting to pick up and try to capture some of the same vibe that’s presented as being so utterly molten across this split. In playing to their strengths, each of these bands represents some of the best of West Coast heavy psych as a whole.

Harsh Toke on Thee Facebooks

Joy on Thee Facebooks

Sacri Monti on Thee Facebooks

Burnout at Tee Pee Records

Tee Pee Records on Thee Facebooks

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The Obelisk Presents: The Top 20 of 2017 So Far

Posted in Features on June 12th, 2017 by JJ Koczan

the obelisk top-20-2017-so-far

The time has come to take a look at some of the best albums of 2017 so far. I hardly know where to start. In some ways, this list is harder to put together than the end-of-year one that comes out in December, because by then not only do you have the full year to draw on, but it’s easier to sort of put a narrative to the course of events of 12 months, whereas in this case, obviously, the story is half told. So I guess if the list feels incomplete, that might be part of why.

Even with just six months to work from, the list has become fairly immense. I’ve been keeping track of 2017 releases since about September of last year, and the amount of stuff that’s come through has been staggering. Every year brings good music, and the basic fact of the matter is that if you don’t think so it’s because you’re either unwilling to find it or unwilling to let yourself hear it, but 2017 has been a multi-tiered assault of sounds from all over the world, and it seems like whatever you might be into, the universe stands ready to accommodate.

There’s a lot to say about that — is the market flooded? — but it’s a topic for a different post. I’ll keep it short here and just say that as always, it’s an honor to be covering the stuff that I cover and that I deeply appreciate you taking the time to read. I hope if there’s a release you feel deeply passionate about that you don’t see on my list below that you’ll please let me know about it in the comments.

Also, please note that in order to qualify for this list, a record had to come out on or before June 9. That’s the cutoff.

Okay, here goes:

The Top 20 of 2017 So Far

elder reflections of a floating world

1. Elder, Reflections of a Floating World
2. All Them Witches, Sleeping Through the War
3. Samsara Blues Experiment, One with the Universe
4. Colour Haze, In Her Garden
5. Atavismo, Inerte
6. Sun Blood Stories, It Runs Around the Room with Us
7. Cloud Catcher, Trails of Kozmic Dust
8. Vokonis, The Sunken Djinn
9. The Obsessed, Sacred
10. Mothership, High Strangeness
11. Spaceslug, Time Travel Dilemma
12. Electric Moon, Stardust Rituals
13. Alunah, Solennial
14. Arc of Ascent, Realms of the Metaphysical
13. Rozamov, This Mortal Road
14. Siena Root, A Dream of Lasting Peace
15. PH, Eternal Hayden
16. Geezer, Psychoriffadelia
17. T.G. Olson, Foothills Before the Mountain
18. Telekinetic Yeti, Abominable
19. The Devil and the Almighty Blues, II
20. Lord, Blacklisted

Notes

If you keep up with this site at all, there probably aren’t a lot of surprises in there. These are all records that have been discussed at great length over the last six months, reviewed, streamed, analyzed, whathaveyou’d all the way. If you don’t believe me, search any of the names. Still, as far as my personal picks go and who I think has crafted something special over the last six months, this feels pretty representative to me. I managed to live for a full week with the list as you see it above, without making changes. That’s usually my standard.

And as always, it’s a combination of what I’ve listened to most and what I feel has had the greatest impact thus far into the year. Between the two, there was little doubt Elder would take the top spot. I’ve probably listened to the All Them Witches record more than anything else this year, including Elder’s Reflections of a Floating World, but the truth is the Massachusetts trio are working at a level of their own making in terms of their sonic progression, and that they’ve emerged as one of if not the most pivotal American underground heavy rock bands going. The situation was much the same when they put out Lore in 2015 and claimed that year’s top-album spot, but even since then their sound has expanded and they continue to demand ultimate respect.

As for the All Them Witches album — absolute stunner. The increased depth of their arrangements on Sleeping Through the War came at no expense of songwriting, resulting in ultra-memorable material that could either wash over you with melody or shove you out of your seat with the force of its rhythm, and that band continues to be a treasure. No other way to put it.

From there, we move into what I think are the four best heavy psych offerings of 2017 so far, with Samsara Blues Experiment, Colour Haze, Atavismo and Sun Blood Stories, in that order. Samsara Blues Experiment’s return has been a joy to witness and their first album in four years lived up to the occasion. Colour Haze expanded the palette from their last album with In Her Garden and proved as immersive as always. I’m still getting to know that record. Atavismo’s second full-length upped the progressive influences without losing fluidity or cohesion in songwriting, and Sun Blood Stories’ hypnotic shoegaze offered expansive thrills and a sense of varied, beautifully crafted exploration.

A pair of exciting young bands thereafter in Colorado’s Cloud Catcher, whose boogie is right-on-right-on and whose development continues to hold much potential, and Vokonis, whose crushing riffs on The Sunken Djinn were met with an increased focus on structure and tightening of approach that maximized overall impact. The Obsessed’s unexpected return could only be called a triumphant one, and Mothership’s third long-player found them working in a richer sense of mood than previous outings, adding yet more character to what was still a blast of good-time rock and roll. They round out the top 10 in full command of who they are as players.

Granted, the next 10 releases are kind of all over the place, but I think that just shows the overarching quality of work being done across the board. From Spaceslug’s melodic stoner-psych to Electric Moon’s studio return — so, so, so good — to Alunah’s continued growth in nature-worshiping heavy and Arc of Ascent’s comebacker of rolling heavy riffs and metaphysical themes, there’s been so much to take in. I especially like the pairing of Rozamov and Siena Root as a sense of scope for 2017 so far; the former being so dark and crushing and the latter who lived up to calling their record A Dream of Lasting Peace. You want to know both ends of the spectrum? There they are.

PH’s Eternal Hayden gets a nod for its effective reset of the context of that band following the completion of their trilogy of albums, and Geezer’s Psychoriffadelia might have been something of a tossoff in the making, but the level at which the New York trio jams nonetheless assures it a spot here. Plus, a Nazareth cover. So duh.

I couldn’t help but include T.G. Olson’s Foothills Before the Mountain on the list as the Across Tundras frontman creeps closer to a full-band sound for his solo work, adding to his acoustic singer-songwriter foundations, and the crush of Telekinetic Yeti’s post-Sleep riffing evoked so many nods I thought they deserved one here as well. Placing The Devil and the Almighty Blues was difficult, but especially after seeing them live, I felt like I had a better idea of where they were coming from on II, so knew they belonged somewhere, even if it was tucked in at the end. And of course, Lord. Always killer, always experimenting, always chaotic. Never have grind and sludge sounded more cohesive together. They’re the band I wish Soilent Green had become, and yes, I mean that.

Honorable Mention

Let’s do another 10 releases, shall we?

21. Beastmaker, Inside the Skull
22. Arduini/Balich, Dawn of Ages
23. Brume, Rooster
24. John Garcia, The Coyote Who Spoke in Tongues
25. Six Sigma, Tuxedo Brown
26. Demon Head, Thunder on the Fields
27. Summoner, Beyond the Realm of Light
28. Steak, No God to Save
29. Six Organs of Admittance, Burning the Threshold
30. Dool, Here Now There Then

And just to make the point, here are even more worthy of note in this space:

Elbrus, Elbrus
Cortez, The Depths Below
Ecstatic Vision, Raw Rock Fury
Child, Blueside (a December 2016 release, maybe, but I think the vinyl was this year, so whatever)
Pallbearer, Heartless
Spidergawd, IV
Green Meteor, Consumed by a Dying Sun
Loss, Horizonless

There are of course other names as well that come to mind. Like I said at the outset, it’s a crowded field: Hymn, Arbouretum, Green Meteor, REZN, Demon Head, Galley Beggar, Devil’s Witches, Orango, Heavy Traffic, Coltsblood, Mt. Mountain, Vokonis, Solstafir, High Plains, on and on.

Also worth highlighting several really, really quality live records that have surfaced so far this year. I didn’t really know where to place them among the other studio offerings, but they deserve note for sure:

Causa Sui, Live in Copenhagen
Death Alley, Live at Roadburn
My Sleeping Karma, Mela Ananda – Live
Enslaved, Roadburn Live

More to Come

Of course, we’re still just barely halfway through the year, so keep on the lookout for more to follow. If you didn’t see my massive 200+ albums to watch for list in January, it has many that have come out and many more still to surface, but here are a few highlight names as well that you’re going to want to keep an eye on in the months ahead:

Queens of the Stone Age
Radio Moscow
The Atomic Bitchwax
Kadavar
Ufomammut
The Midnight Ghost Train
Moon Rats
Clamfight
Egypt
the Melvins
Bison Machine
Seedy Jeezus
High on Fire
Monster Magnet

Thanks for Reading

Before I check out, I’d like to give special mention to Lo-Pan’s In Tensions EP as the best short release of the year thus far. Along with EPs from Godhunter, Kings Destroy, Solace and Shroud Eater, it has assured those seeking a quick fix are handed their ass in return for asking.

Well, that’s about where I’m at with it. As per usual, I’m sure there are things I forgot and/or left off here, because I’m human and whatnot, so please if you have something to add, feel free to do so in the comments so long as you can keep it cordial. No name calling. I’m sensitive and you’ll ruin my whole day. I mean that.

Thanks again for being a part of this and here’s to an excellent rest of 2017.

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Ruby the Hatchet Announce Planetary Space Child out Aug. 25

Posted in Whathaveyou on June 8th, 2017 by JJ Koczan

ruby-the-hatchet-Photo-Mike-Petzinger

I had the remarkably good fortune to see Ruby the Hatchet preview material off their forthcoming third album at day two of this year’s Roadburn festival in the Netherlands this past April. They killed it at Extase. Absolutely owned the room. Later that night, I saw the Philly natives sitting outside at a cafe in Weirdo Canyon, and decided to ask them what the names of the new songs they played were. One was “Pagan Ritual,” and another was “Planetary Space Child,” which would turn out to be the title-track of the new record. They told me the name of the album right then and there, but it didn’t seem fair to include that in the review. Nonetheless, my response when they said it was, “God damn I hope that’s true.”

Because, you know, as far as titles go, that’s pretty over the top in the best way possible.

Turns out it is true. Planetary Space Child will be issued by Tee Pee Records this August, right after Ruby the Hatchet appear at Psycho Las Vegas. No audio from the record yet, but the PR wire brings art and info:

ruby-the-hatchet-planetary-space-child

Ruby the Hatchet to Release New LP, ‘Planetary Space Child’, August 25

Philly Psych Band Rockets its Sound into Exploratory New Realms; Group Confirmed for Psycho Las Vegas Festival

Philadelphia psych rock quintet RUBY THE HATCHET will release its new album, Planetary Space Child, on August 25 via Tee Pee Records. Recorded in an 1800’s era estate deep in the Pennsylvania woods with engineers Joe Boldizar (Retro City Studios), Zach Goldstein (Kawari Sound), and the band’s own Sean Hur, the record is the product of several weeks of self-imposed isolation. Planetary Space Child showcases seven richly layered songs that unite heavy, doomy psychedelia with acid rock, proto-prog and melodic, hypnotic songcraft.

Taking advantage of the century-plus-old manor’s natural acoustics, inherent eeriness and custom-built control room, Planetary Space Child sees RUBY THE HATCHET elevate its sound to hallucinogenic new heights. Boasting a bouncy creepiness, weighty sonic palette and dark, lush layers of experimentation, the album’s bulk forges a hypnotic, head-nodding nirvana while electric vocalist Jillian Taylor spins haunting tales of dreams and death; her voice layered in hazy smoke that infuses the sound of the band with an otherworldly element.

“From content to creation, this album is like nowhere we’ve been before,” comments Taylor. “The last two years have been spent traveling, playing and pushing; both on the road and within ourselves. ‘Planetary Space Child’ is the culmination of that work.”

Planetary Space Child is the follow-up to RUBY THE HATCHET’s critically lauded sophomore LP, Valley of the Snake (Tee Pee Records, 2015), hailed by Verbicide as “a commanding display of hard rock.” Of their last LP, The Obelisk mused “If ‘right now’ has a sound somewhere within heavy or heavy psychedelic rock, it probably isn’t far off from what Philadelphia’s RUBY THE HATCHET conjure.” With Planetary Space Child, RUBY THE HATCHET has defined itself as more than current, toeing the line between past and present while pushing towards the outer reaches of its unique psych rock universe. Moving forward without compromise, it’s clear that RUBY THE HATCHET aren’t just staying present or looking ahead; they’re simply breaking away.

Track listing:
1.) Planetary Space Child
2.) Killer
3.) Pagan Ritual
4.) The Fool
5.) Symphony of the Night
6.) Gemini
7.) Lightning Comes Again

On August 17, RUBY THE HATCHET will perform alongside Mastodon, The Brian Jonestown Massacre, SLEEP and more as one of the featured acts at the 2017 Psycho Las Vegas Festival, set for August 18-20. For more details, visit this location.

RUBY THE HATCHET features vocalist Jillian Taylor, guitarist Johnny Scarps, bassist Lake Muir, drummer Owen Stewart and organist Sean Hur. Find the band online at RubytheHatchet.com.

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Ruby the Hatchet, “Tomorrow Never Comes” live at Roadburn 2017

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Harsh Toke, Joy & Sacri Monti Announce Burnout Split Due June 23

Posted in Whathaveyou on May 15th, 2017 by JJ Koczan

Want. It’s that simple. Want.

If you needed further evidence of San Diego as the American epicenter of heavy psychedelic rock, or of Tee Pee Records‘ absolute on-it-ness when it comes to same — I don’t even care if it makes me sound like a fanboy, it’s true; also, does anyone say “fanboy” anymore? — I humbly submit the forthcoming Burnout split vinyl from Harsh Toke, Joy and Sacri Monti. It’s three righteous acts joining forces on the kind of off-album release that keeps people talking for years. The thing looks killer and I’ve no doubt sounds the same, with Harsh Toke taking on two Roky Erickson covers while Joy tackle Road and Sacri Monti treat listeners to some Atomic Rooster, directly tying the original generation of heavy to the current and up-and-coming one.

Whatever. It’s a want. You shouldn’t need me to tell you that. Already holding a spot for it on my list of the best EPs and splits of the year, because that’s the kind of impartial-ass critic I am. Here’s art and info off the PR wire:

harsh-toke-joy-sacri-monti-burnout

JOY, HARSH TOKE & SACRI MONTI Team Up on Three-Way Split EP, ‘BURNOUT’

Ever feel like bands that get tagged with the heavy PSYCH descriptor just aren’t very psychedelic? Or heavy? Tee Pee Records is here to save the day with the three-way heavy psych split, BURNOUT. Featuring California kings HARSH TOKE, JOY and SACRI MONTI, BURNOUT brings back the blues and whisks you away to a place where guitar solos reign supreme! The compilation will be released on June 23 in digital and CD formats as well as a limited edition triple 7″ package (pre-order here).

Alongside SoCal godfathers EARTHLESS, HARSH TOKE, JOY and SACRI MONTI are simultaneously skyrocketing a pathway towards the future of molten heavy psych. You’ve heard about all of the noise coming from the red hot California heavy psych scene that is taking the west coast by storm, now experience for yourself the exciting sounds that have everyone talking with BURNOUT!

On BURNOUT, HARSH TOKE serves up two searing Roky Erickson rippers — in homage to the tribute the band paid to the Texas psychedelic icon at the 2017 Roadburn Festival — while JOY and SACRI MONTI shred through a terrific new track apiece, while also paying tribute to legends that paved the way; JOY covering the ROAD classic “Spaceship Earth” and SACRI MONTI blazing through ATOMIC ROOSTER’s “Sleeping for Years”. Each of the three 7″ records features artwork by acclaimed multi media artist, BB Bastidas, and on the back cover, photography by renowned photographer JT Rhoades.

Equal parts atmospheric and anarchic, HARSH TOKE merges raging, blind fury musicianship with unprecedented white-knuckle volume abuse. In 2016, the band released a celebrated split EP with labelmates EARTHLESS and the acid rock band’s debut, Light Up and Live, came out in 2014.

The sound of JOY has been described as “a spaced-out sonic groove-ride” and “outer reach freak out”, but that hyperbole alone doesn’t do justice to the group’s measured mode of attack. Featuring Hendrixian guitarist Zach Oakley, JOY puts a premium on establishing both structure and dynamics, its kaleidoscopic flurry and full-throttle riffage is anchored by both subtle detail and surprising textural depth. JOY’s latest release was 2016’s Ride Along!

Roughly translated as “Sacred Mountains”, SACRI MONTI’s music is a searing smorgasbord of muscular rock that boils ’70s guitar rock down to its purest essence. Fingers bleed, eardrums implode and craniums collapse when SACRI MONTI cranks up its bitchin’, blistering buzz.

Track listing:

HARSH TOKE:
1.) Burn The Flames (Roky Erickson)
2.) Burmuda (Roky Erickson)

JOY:
3.) Your Time Ain’t Long
4.) Spaceship Earth (ROAD cover)

SACRI MONTI:
5.) Over The Hill
6.) Spaceship Earth (Atomic Rooster cover)

https://teepeerecords.com/collections/frontpage/products/harsh-toke-joy-sacri-monti-burnout-triple-7-out-june-23rd?variant=40958685140
https://www.facebook.com/theHARSHTOKEgoons/
https://www.facebook.com/JOYHEADBAND/
https://www.facebook.com/sacrimontiband/

Harsh Toke, Live at Roadburn 2017

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audiObelisk Transmission 061

Posted in Podcasts on May 15th, 2017 by JJ Koczan

the obelisk podcast 61

Click Here to Download

 

Yes! A new podcast! Are you stoked? I’m stoked. If you’re not, you will be when you look at the list of bands included. In any case, let’s be stoked together, because rock and roll, and heavy psych and good music and, well, yeah. That’s pretty much stuff to be stoked about. It’s been absurdly long since the last time we did one of these. Too long. I don’t really have an excuse other than… gainful employment? Don’t worry, though. That’ll be over soon enough. Then it’ll be podcasts out the ass.

There’s some killer goods here though. Yeah, I decided to do a “Yeti” double-shot with Green Yeti into Telekinetic Yeti. That’s my version of me being clever. But both bands are righteous, and if you haven’t heard the Savanah record, or that new Tia Carrera jam, or the Cachemira or Big Kizz or Yagow or Vokonis or the Elder — oh hell, frickin’ all of it — it’s worth your time. That Emil Amos track just premiered the other day and I think will surprise a lot of people, and I liked the way it paired with the dark neofolk of Hermitess. And of course we get trippy in the second hour, as is the custom around here. But first a moment of prog clarity from the aforementioned Elder. That’s a good time as well.

As always, I hope you enjoy.

Track details follow:

First Hour:

0:00:00 Vokonis, “The Sunken Djinn” from The Sunken Djinn
0:06:47 Tia Carrera, “Laid Back (Frontside Rock ‘n’ Roll)” from Laid Back (Frontside Rock ‘n’ Roll)
0:16:33 Supersonic Blues, “Supersonic Blues Theme” from Supersonic Blues Theme / Curses on My Soul
0:19:28 Emil Amos, “Elements Cycling” from Filmmusik
0:22:28 Hermitess, “Blood Moon” from Hermitess
0:26:24 Savanah, “Mind” from The Healer
0:34:22 Yagow, “Non-Contractual” from Yagow
0:42:35 Big Kizz, “Eye on You” from Eye on You
0:45:53 Cachemira, “Jungla” from Jungla
0:52:05 Green Yeti, “Black Planets (Part 2)” from Desert Show
0:58:02 Telekinetic Yeti, “Stoned and Feathered” from Abominable

Second Hour:

1:02:10 Elder, “The Falling Veil” from Reflections of a Floating World
1:13:20 Riff Fist, “King Tide” from King Tide
1:24:15 Cavra, “Montaña” from Cavra
1:39:18 Causa Sui, “A Love Supreme” from Live in Copenhagen

Total running time: 1:55:53

 

Thank you for listening.

Download audiObelisk Transmission 061

 

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Worshipper Announce Mirage Daze EP & June Tour Dates

Posted in Whathaveyou on May 10th, 2017 by JJ Koczan

worshipper Photo-by-James-Jay-Fortin

Boston four-piece Worshipper were among the first bands announced for the Magnetic Eye Records tribute to Pink FloydThe Wall [Redux], but I have to wonder if the Floyd track they’ll reportedly include on their upcoming Mirage Daze EP will be the same song appearing on that release or a studio version of their take on the 1968 B-side “Julia Dream,” which they’ve performed live since before issuing their debut album, Shadow Hymns (review here), last year on Tee Pee. Either way, it’s one of four cuts that will be included on Mirage Daze — get it? because Garage Days? — which is set to release later in 2017 and will also include cuts from The OathThe Who and Uriah Heep.

Worshipper are also set to hit the road next month in a grander fashion than they have to-date, keeping company with Great Electric Quest along the way as they continue to support the debut. Below, guitarist Alejandro Necochea offered some comment on the goings on. You’ll find the tour dates as well, followed by the band’s video for the album track “Darkness,” which came out in January.

Dig it:

worshipper tour dates

Alejandro Necochea on Mirage Daze & touring:

We are very much looking forward to getting out of town, finally, and having the opportunity to spread our wings a bit and see the country together. It’s been a long time coming. We’re not spring chickens anymore. We have jobs, wives, mortgages, car payments, and need to pick our spots carefully. Bob, our bassist and artist, is an assistant professor at an art school and we can’t drop everything and travel for weeks at a time so the time we do spend on the road needs to count. The band has had the great fortune of working with Aaron Gray at Tone Deaf Touring who has come into our little organization like the Kool-Aid Man and is making our dreams come true. I’d love to take credit for keeping us busy but we really have Aaron to thank for that.

The “Mirage Days” EP is a labor of love. We recorded it live in the studio very quickly last Fall to give ourselves something to do while we settled back into our regular-life schedules after releasing “Shadow Hymns” and experiencing the fanfare that went with it. The idea was to make our own “Garage Days” revisiting the music from bands that inspired us to get together. Old groups like Uriah Heep, Pink Floyd, and The Who along with The Oath, a band that is relatively recent but their LP was one that brought us all together however long ago. Big fans. We are still dealing with the logistics involved in releasing covers and hope to have this out, in some form, later this Summer or Fall. We will see. I played our version of “Night Child” for Johanna Sadonis recently and she was very kind and supportive. That was a good day.

Worshipper live:
JUNE 2: GENO’S – PORTLAND, ME
JUNE 3: FAT BABY – MANHATTAN, NY
JUNE 4: THE DEPOT – BALTIMORE, MD*
JUNE 5: MCCORMACK’S – RICHMOND, VA*
JUNE 6: SLIM’S – RALEIGH, NC*
JUNE 7: TIN ROOF – SC*
JUNE 8: MASQUERADE – ATLANTA, GA*
JUNE 9: SPRINGWATER – NASHVILLE, TN*
JUNE 10: TBA – NEW ORLEANS, LA
JUNE 12: TBA
JUNE 13: FIREBIRD – ST LOUIS, MO
JUNE 14: RIOT ROOM – KANSAS CITY, MO
JUNE 15: REGGIE’S – CHICAGO, IL
JUNE 16: BOURBON ST. – COLUMBUS, OH
JUNE 17: HOWLER’S – PITTSBURGH, PA
JUNE 18: KUNG FU NECKTIE – PHILADELPHIA, PA
* with Great Electric Quest

https://www.facebook.com/worshipperband/
https://www.instagram/worshipperband
https://www.twitter.com/worshipperband
https://worshipper.bandcamp.com/
http://teepeerecords.com

Worshipper, “Darkness” official video

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Big Kizz Post Video for “Eye on You”; Debut Single out June 9

Posted in Bootleg Theater on May 9th, 2017 by JJ Koczan

big kizz

For those about to boogie, there are likely few debuts set for the remainder of 2017 as anticipated as that of Swedish trio Big Kizz, who hail from the fertile ground of Örebro, boast a pedigree that includes names like SpidersWitchcraft and Graveyard, and are set to issue their first single, Eye on You, via Tee Pee Records on June 9. The 7″ offering will feature three songs — two originals and a take on Roky Erickson‘s “White Faces” — and the three-piece of guitarist/vocalist Pontus Westerman (also of Lady Banana), bassist John Hoyles and drummer Axel Sjöberg have newly unveiled the leadoff track in a video that you can see below.

The clip emphasizes a party vibe with the band playing in a small room, people jumping around, some drunk dude beforehand saying he likes punk and so on — standard tiny-show fare — but more importantly, the song itself finds Big Kizz digging into a stylized blend of garage fuzz and classic-style boogie rock that leaves little room for frills. Stripped down to the point where proto-glam and punk rock were hardly distinguishable from each other — think circa 1976 — “Eye on You” has a bounce and hook that even if they hadn’t been told to do so would likely have the crowd in the video jumping around anyway, and bodes well early for the rest of the single to come. It should fit well alongside that Roky Erickson cover, to be sure.

And Big Kizz have a long way to go before they get there, but remember that it was a decade ago that Graveyard made their debut through Tee Pee Records as well, so it’s a bit of a reunion for Sjöberg and the imprint and some symmetry that I like. Will be interested to hear when it shows up if the full-length plays to these kinds of influences exclusively — if it does, it might be like 28 minutes long — or if they present a more multifaceted sound, represented only in part by the initial single. A teaser! Intrigue! Questions! Sometimes it’s nice to have a reminder of what makes anticipating a new album so much fun.

PR wire follows the video.

Enjoy:

Big Kizz, “Eye on You” official video

BIG KIZZ is the red hot new rock band featuring drummer Axel Sjöberg (ex-Graveyard), guitarist John Hoyles (Spiders, ex-Witchcraft) on bass and vocalist / guitarist Pontus Westerman from Swedish garage outfit Lady Banana. The classic power trio, who plays good time Rock ‘n’ Roll energized with elements of power pop and punk, has signed to NYC indie Tee Pee Records and will release its debut EP, Eye on You, on June 9.

BIG KIZZ’s bad-as-hell debut features the swinging originals “Eye on You” and “Baby Boy” and a rousing remake of the Roky Erickson ripper “White Faces”. The 3-song release is but a precursor to BIG KIZZ’s full-length debut, tentatively slated for release this fall.

“We used the multibillion dollar budget that Tee Pee gave us for this video and spent it all on something else other than the video,” Sjöberg comments. “But we’re pretty confident that it will win all the awards in the world! And that you’ll have a good time watching it!”

Big Kizz is:
John Hoyles (bass)
Pontus Westman (guitar / vocals)
Axel Sjöberg (drums)

Big Kizz on Thee Facebooks

Big Kizz on Instagram

Big Kizz preorder at Tee Pee Records

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Big Kizz to Release Debut EP Eye on You June 9

Posted in Whathaveyou on April 12th, 2017 by JJ Koczan

big kizz

Former members of Graveyard and Witchcraft come together in Big Kizz, a new trio who’ll release their debut EP, Eye on You, June 9 via Tee Pee Records. Since the split last year and subsequent reformation of Graveyard earlier in 2017, the central question is what would become of now-former drummer Axel Sjöberg. He joins former Witchcraft and current Spiders member John Hoyles (here on bass) as well vocalist/guitarist Pontus Westerman, also of garage rockers Lady Banana. It should come as no surprise that Tee Pee would pick them up. If you’ll recall, it was the same label that issued the debut Graveyard album a decade ago.

No audio has surfaced yet, but it seems like Big Kizz are on a much different wavelength than either Sjöberg‘s or Hoyles‘ former outfits. I guess we’ll find out in June.

This just came in off the PR wire:

big kizz eye on you

BIG KIZZ (ex-Graveyard, Witchcraft) to Release Debut EP, ‘Eye on You’, June 9

Scandinavian Power Rock Trio Signs with Tee Pee Records

BIG KIZZ is the red hot new rock band featuring drummer Axel Sjöberg (ex-Graveyard), guitarist John Hoyles (Spiders, ex-Witchcraft) on bass and vocalist / guitarist Pontus Westerman from Swedish garage outfit Lady Banana. The classic power trio, who plays good time Rock ‘n’ Roll energized with elements of power pop and punk, has signed to NYC indie Tee Pee Records and will release its debut EP, Eye on You, on June 9.

BIG KIZZ’s bad-as-hell debut features the swinging originals “Eye on You” and “Baby Boy” and a rousing remake of the Roky Erickson ripper “White Faces”. The 3-song release is but a precursor to BIG KIZZ’s full-length debut, tentatively slated for release this fall.

Pre-order “Eye on You” at THIS location.

“I’ve been doing this too long to quit rocking now,” Sjöberg comments. “When I turn a page and wonder what to do in life, I go to country lyrics and in this case Willie Nelson: “The life I love is makin’ music with my friends, and I can’t wait the get on the road again.” So that’s just what I did; I made music with my friends. We’re taking it to Norway first and then we’ll just see where it takes us after that. That’s the beauty of it: music is fucking magic. I hope you feel it too.”

Live premier!

May 3th Oslo – Revolver
May 4th Kristiansand – Vaktbua – Odderøya
May 5th Bergen – Hulen
May 6th Sandnes – Tribute

https://www.facebook.com/bigbigkizz/
https://www.instagram.com/bigkizz4you/
https://teepeerecords.com/products/big-kizz-eye-on-you-7
facebook.com/teepeerecords

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