Big Kizz Premiere Video for “Long Distance Call”; Music is Magic out May 18

Posted in Bootleg Theater on May 9th, 2018 by JJ Koczan

big kizz

A lot of Big Kizz‘s Tee Pee Records debut LP, Music is Magic, is kind of a party. From the goofy recitations of the album’s name that serve as the 19-second intro/title-track to the hooked-laced surf-garage vibes of “I Want My Girl,” to the post-punk fuzz r-a-w-ness of “Lose My Love” and the ultra-Stooges incantations of “Gave up Tears Ago” and “High” (the latter more in the vein of the self-titled, so right on) and the noisy Bikini Kill cover “Rebel Girl,” there’s an underlying current of energy running through the material. Hell, even “I Hate R’n’R” — the lyrics for which are jaded brilliance — is uptempo. And while I won’t say it’s void of energy, because it’s not, there’s one exception to the rule; one standout cut that defies how the rest of its surroundings work on the 11-song/31-minute full-length. It’s the centerpiece and it’s called “Long Distance Call.”

Think of Music is Magic as a night of drinking in a crowded bar. It’s loud with music playing and the volume of conversations rising to match, and you’ve been downing whatever for however long. Then there’s that moment where everything seems to slow down around you. I’m not talking about the room-spinnies — that’s a whole different kind of night — but maybe you see someone or you hear somebody say even just a word thatbig kizz music is magic puts you in a different place from where you were 30 seconds ago. You stay there for a little bit, dwell on it for, again, however long, and then snap to consciousness, jump back into whatever your friends are talking about, and the night resumes the boozy course on which it was originally set. That’s what “Long Distance Call” is to Music is Magic. It’s that moment of clarity, realization, or maybe just quiet. Whatever it is, it’s there, then gone. There goes your heart again.

The bluesy vocal performance from guitarist Pontus Westman has to be specifically pointed out. If he couldn’t carry it, the song would fall completely flat, and it absolutely doesn’t. As much as the word around Big Kizz‘s 2017 debut EP, Eye on You (review here), had to do with the participation in Big Kizz of former Graveyard drummer Axel Sjöberg and John Hoyles of Spiders and formerly of Witchcraft — the latter of whom might be out of the band at this point and replaced by Johannes Conquist? it’s not exactly clear — it’s Westman who pulls “Long Distance Call” together, and over the course of the ultra-catchy “I Want My Girl,” the Örebro-meets-Detroit “Baby Boy” and the German-language closer “Legalt,” he proves to be a significant forward presence alongside his bandmates in the power trio.

I tend to say this when I think it applies, but if “Long Distance Call” is the first you’re hearing of Music is Magic be aware that its wistful melancholy and romantic hopelessness don’t speak for the album as a whole. In fact, if the point hasn’t been made yet, the song is basically one of a kind from Big Kizz thus far. All the more reason to dig it.

Music is Magic is out May 18 on Tee Pee Records and available now to preorder. The band has an awesome quote under the video below, so make sure you check that out and then hit up the links and so on.

Please enjoy:

Big Kizz, “Long Distance Call” official video premiere

Big Kizz on “Long Distance Call”:

For your sake, dear listener, we really hope you’ve been in love? At least once. That way, it’s much easier for you to relate this this heartbreaking ballad. The feeling we’re trying to evoke here is one which most of you are all to familiar with. Your beliefs about true love have become kind of jaded, even though you know yourself enough to know that you’re gonna fall helplessly in love again, when you get the right glare from across the room. You’re a sucker for love and you know it. And you also know that there’s a chance that one of the parties involved might fuck it up even though it seems promising. And you were just getting comfortable in your new apartment, you got buddies and have an easy life that you don’t really wanna fuck with too much. But it’s love that’s at stake here. And there’s also the issue of trusting someone else with something as fragile as your heart (for poetic reasons we assume that this is the location of your clusterfuck of emotions). But it’s love. Love has got a hold of you. You poor sucker. Enjoy the ride!

Big Kizz is:
drummer Axel Sjöberg (ex-Graveyard)
bassist John Hoyles (Spiders, ex-Witchcraft)
vocalist/guitarist Pontus Westman (Lady Banana)
bassist Johannes Cronquist

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Big Kizz preorder at Tee Pee Records

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Worshipper Set June 1 Release for Mirage Daze Covers EP

Posted in Whathaveyou on May 8th, 2018 by JJ Koczan

worshipper

First discussed here almost exactly one year ago, the new Worshipper covers EP, Mirage Daze, is set to arrive via Tee Pee Records on June 1. Preorders are up now for what’s the first new music to come from Worshipper since the Boston four-piece made their debut with 2016’s Shadow Hymns (review here), and even though the songs aren’t orginals, it’s a good opportunity to hear some development in the band’s studio persona and their performances on the whole, as well as get a look at some of their direct influences. If nothing else, having a studio version of their take on Pink Floyd‘s “Julia Dream,” which has been a staple of live shows more or less since their outset, is worth the cheap-as-hell price of admission.

The title, of course, is a phonetic play on Metallica‘s Garage Days covers EP, which was also a bargain when it came out.

From the PR wire:

worshipper mirage daze

Worshipper to Release New EP, ‘Mirage Daze’, June 1

Boston Rock Band Updates Uriah Heep, The Oath, Pink Floyd and The Who on Cover Collection

Boston hard rock band Worshipper will release a collection of cover songs titled Mirage Daze on June 1 via Tee Pee Records. The four song EP, a boisterous bash through songs by Uriah Heep (“Easy Livin”), The Oath (“Night Child”), Pink Floyd (“Julia Dream”) and The Who (“Heaven and Hell”), sees the award-winning quartet put its shredtastic spin on some of its personal favorite rock songs a la Metallica’s The $5.98 E.P.: Garage Days Re-Revisited.

Mirage Daze is the first new music issued by Worshipper since the release of its critically-acclaimed debut LP, Shadow Hymns, which dropped in summer 2016. Shadow Hymns was hailed as “a highly melodic tightrope between heavy metal, stoner rock and pop” by Decibel and as one of the best hard rock releases of the year by Magnet. Recorded just prior to the debut, Mirage Daze will serve as an electric bridge between Shadow Hymns and Worshipper’s impending sophomore LP, scheduled to be recorded this June at God City Studios in Salem, MA with Chris Johnson (Deafheaven, Summoner).

“Only once in a young bands’ life comes the time to release a debut album. For us this translated to some waiting around in the fall of 2016. With time on our hands before tour dates in support of LP #1 we parked the van and loaded gear into the new Mad Oak Studios, set up and recorded a handful of covers we had been kicking around,” comments guitarist Alejandro Necochea. “The idea was to make something quickly without the typical laboring that goes into making records – for fun. It’s our version of ‘Garage Days,’ Miraze Daze…get it? The covers are an obvious cross-section of the music on which we all agree; some classics and one on the newer side, band-favs The Oath. It’s recorded live, clams and all with just a couple overdubs here and there (a 12-string on Julia and some deep synth wows).”

Track listing:
1.) Easy Livin’ (Uriah Heep)
2.) Night Child (The Oath)
3.) Julia Dream (Pink Floyd)
4.) Heaven and Hell (The Who)

Pre-order Mirage Daze at this location.

In addition to Necochea, Worshipper features John Brookhouse (vocals / guitar), Dave Jarvis (drums) and Bob Maloney (vocals, bass).

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Worshipper, “Darkness” official video

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The Skull Announce Tour Dates with Earthride and Hyborian

Posted in Whathaveyou on May 7th, 2018 by JJ Koczan

the skull

Doom on. I’m not sure much more than that really needs to be said about The Skull announcing a run of headlining tour dates with Maryland’s finest, Earthride, as direct support. Chicago doom meets Maryland doom. Needless to say, it’s going to be pretty gosh darn doomed.

The Skull release their new album, The Endless Road Turns Dark, this Fall on Tee Pee, and if you’re not looking forward to that, I’ve got nothing for you. The timeline on Earthride‘s next full-length is a little more vague, but with their recent Witch Gun single came word that was in the works as well. Hyborian, meanwhile, recently issued their first album through Season of Mist.

The PR wire has those dates:

the skull tour poster

The Skull Announces U.S. Headlining Tour Dates

Doom Metal Legends Complete Work on New Album ‘The Endless Road Turns Dark’

The Skull, featuring vocalist Eric Wagner and bassist Ron Holzner, formerly of metal legends Trouble, has completed work on its highly anticipated sophomore album. Titled, The Endless Road Turns Dark, the LP was recorded in Chicago’s Decade Music Studios with engineer Sanford Parker (Yob, Tombs) and builds on the foundation laid by The Skull’s debut album, For Those Which Are Asleep, a recording that landed at or near the top of a host of 2014 year-end best of lists. A fall release date via Tee Pee Records is projected for the new LP.

To celebrate the completion of the new album, The Skull, which also features longtime Cathedral drummer Brian Dixon, guitarist Lothar Keller (Sacred Dawn), and guitarist Rob Wrong (Witch Mountain) has announced a U.S. headlining tour that will launch on June 2 in in Chicago where the band will headline the third annual Doomed & Stoned Fest. The 12 city jaunt will run through June 15 in Lombard, IL. On the spring tour, The Skull will be joined by guest drummer Henry Vasquez of Saint Vitus who will fill in for Dixon. Opening acts will include Earthride and Hyborian.

The just-announced itinerary is as follows:

THE SKULL tour dates:
June 2 Chicago, IL Reggie’s (as part of Doomed & Stoned Fest)
June 3 Minneapolis, MN Studio B @ Skyway Theatre
June 5 Bozeman, MT Zebra Lounge
June 7 Seattle, WA Highline
June 8 Bellingham, WA Shakedown
June 9 Portland, OR Star Theatre
June 10 Sacramento, CA Blue Lamp
June 11 Santa Cruz, CA Atrium @ Catalyst
June 12 San Francisco, CA Elbo Room
June 13 Los Angeles, CA Resident
June 14 Las Vegas, NV Count’s Vamp’d
June 15 San Diego, CA Soda Bar

https://www.facebook.com/troubletheskull/
https://twitter.com/theskullusa
http://theskullusa.com/
https://teepeerecords.com/

The Skull, For Those Which are Asleep (2014)

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The Atomic Bitchwax Touring Europe in July & August

Posted in Whathaveyou on May 1st, 2018 by JJ Koczan

the atomic bitchwax

The moral of the story would seem to be it’s a busy summer coming up for The Atomic Bitchwax. The New Jersey-based stalwarts of headspinning riffery had already announced a North American run in June with The Sword, and now it seems that once that’s over, they’ll go home for a couple weeks and then head back out, this time to Europe, where they’ll take part in gigs alongside Yawning Man and 1000mods as well as the SonicBlast Moledo festival and others. The North American tour is presented by Tone Deaf, the European by Sound of Liberation.

They go, of course, in support of late-2017’s Force Field (review here) on Tee Pee Records, their seventh album and prove that the ferocity of their approach remains steady and that the three-piece have only grown tighter with all the road time they’ve put in over the last couple years. I could go on and on about that, but the bottom line is these guys are on fire right now, and if you miss them it’s at your own peril.

Here’s dates and such from the PR wire:

the atomic bitchwax tour

The Atomic Bitchwax – European Tour 2018!!

Still promoting their latest (and most badass!) album “Force Field”, released in December 2017 via Tee Pee Records, New Jersey’s The Atomic Bitchwax will return to Europe this summer!

Check-out the dates below, and plan your vacations accordingly! You don’t want to miss them if they come near your town!

The Atomic Bitchwax w/ The Sword:
6/07 Albuquerque NM @ Launchpad
6/08 Tucson AZ @ 191 Toole
6/09 San Diego CA @ Belly Up
6/11 Portland OR @ Wonder Ballroom
6/12 Bellingham WA @ Wild Buffalo
6/13 Vancouver BC @ Venue
6/15 Calgary AB @ Marquee
6/16 Edmonton AB @ Union Hall
6/17 Regina SK @ The Exchange
6/18 Winnipeg MB @ Pyramid
6/19 Chicago IL @ Thalia Hall
6/20 Cincinnati OH @ Bogart’s
6/22 Pittsburgh PA @ Mr Smalls Theatre
6/23 Washington DC @ Rock N’ Roll Hotel
6/24 New York NY @ Irving Plaza
6/26 Johnson City TN @ Capone’s
6/27 Nashville TN @ Exit/In
6/29 Hot Springs AR @ Maxine’s

The Atomic Bitchwax European tour:
20.07.18 (D) Cottbus | Zum Faulen August
21.07.18 (D) Siegen | Vortex
22.07.18 (NL) Leeuwarden | Welcome To The Village
23.07.18 (D) Karlsruhe | Alte Hackerei
25.07.18 (HUN) Budapest | A38
26.07.18 (CRO) Zagreb | Vintage Industrial Bar
27.07.18 (A) Ebensee | Kino Ebensee
29.07.18 (D) Munich | Backstage (*with 1000Mods)
30.07.18 (D) Dresden | Ostpol
31.07.18 (D) Wiesbaden | Schlachthof (*with Yawning Man)
01.08.18 (D) Berlin | Cassiopeia (*with Mammoth Mammoth)
02.08.18 (D) Hamburg | Hafenklang
03.08.18 (D) Beelen | Krach am Bach
04.08.18 (GR) Almiros | Los Almiros Festival
06.08.18 (UK) Coventry | The Phoenix
07.08.18 (UK) Glasgow | Audio
08.08.18 (UK) London | The Black Heart
09.08.18 (UK) Bristol | The Exchange
10.08.18 (B) Kortrijk | Alcatraz Festival
11.08.18 (PO) Moledo | Sonic Blast Moledo

http://www.theatomicbitchwax.com/
https://www.facebook.com/The-Atomic-Bitchwax-86002001659/
http://teepeerecords.com/
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www.soundofliberation.com/the-atomic-bitchwax

The Atomic Bitchwax, “Hippie Speedball” official video premiere

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Friday Full-Length: Volcano, 10,000 Screaming Souls

Posted in Bootleg Theater on April 13th, 2018 by JJ Koczan

I bought this track this morning. According to Bandcamp, the time had come to open my heart/wallet, so for a buck, I figured it was easily worth it. This is Volcano‘s late-2017 debut single, and as they move forward with their first album presumably later this year, you never know what could happen. Releases like this one have a habit of disappearing when “real records” show up. So yeah, for a dollar, “10,000 Screaming Souls” was easily worth the asking price.

The occasion is Roadburn Festival, which, holy crap, is next week. I feel like I’m in no way mentally prepared for what’s happening next week in Tilburg, and therefore I must be. Volcano are playing as one of the slew of acts on the bill. I could’ve closed out the week with Godspeed You! Black Emperor, or Earthless or whoever, but I went with Volcano for two reasons.

First, they represent the San Diego Takeover, which is one of the parts of Roadburn 2018 I’m most excited to see, with bands like Arctic, Harsh Toke — when Harsh Toke jams, you show up — Petyr, Pharlee, and others. The band, who again are new enough only to have released one single a couple months band, is comprised of Zach Oakley from Joy on guitar, Gabe Messer from Harsh Toke on keys and vocals, Billy Ellsworth of Loom on bass, Matt Oakley (brother to Zach) handling drums and Ake Arndt from Operation Mindblow holding down percussion. I’ve done a fair amount of writing about what I’ve come to abbreviate in emails as the “SDT,” and Volcano have become one of the bands I’m most looking forward to seeing thanks to “10,000 Screaming Souls.”

Second is the newness of it. Not only is it a fairly recent release, posted by the five-piece on Dec. 22 last year, but it also brings new ideas to the established stylistic tenets of San Diego’s dominant underground sphere — a penchant for classic heavy rock, touches of psychedelia, a heavy focus on tones, jamming, the word “rad,” connections to skate culture, etc. — with Messer taking on the role of a Fela Kuti-style bandleader telling the story of a jungle leading toward the shout-out hook, “Let the lava flow!” Elements of funk, classic psych, Afrobeat and boogie show themselves quickly on the track, melded into a fluid approach of keys, guitar and driving, ass-shaking rhythm.

If the band isn’t yet signed to Tee Pee Records for their debut album, they probably should be, given both sound and personnel. But the newness factor has another level of meaning as well, specifically as regards Roadburn, which never seems to fail to deliver some kind of surprise or progressive moment from its years past. I know Walter loves his Icelandic black metal, and I’m not going to take away from the maddening intensity of those performances, but something like importing a decent amount of an entire scene and basically saying, “Okay, go jam” — as he’s done with the San Diego Takeover — is pretty special and pretty forward-thinking.

On the off-chance you didn’t catch the above “holy crap,” Roadburn kind of snuck up on me this year in terms of “okay, I have to be at the airport when?” and concerns like that. Still, go ahead and count me in for watching Volcano next Saturday in the Green Room. I’ll let you know how it goes, and in the meantime, I hope you enjoy the track. Let the lava flow, and so on.

Just by way of a note, at six minutes, this is probably the shortest ‘Friday Full-Length’ I’ve done. One song. The idea, of course, is to close out each week with a complete album. Well, think of this time as a full release that just happens to be one song. It’s the whole single. That’s how I got over the hump. I sincerely doubt anyone cares that much — if anyone did, it would probably be me, and I don’t — but there you go anyway.

Time’s pretty limited, so I’ll keep this short. As I write, I’m sitting on the floor in the living room with The Pecan, who’s getting pretty close to rolling over back to front, proto-crawling, etc. Mobility. A whole other animal, I suspect. We just dropped his mother, The Patient. Mrs., off at work and will have to pick her up again shortly, then off to CT for the next two days at least. Been a rough couple nights of sleep. Baby stuff. So it goes.

I leave Tuesday evening for Roadburn. Here’s what’s in the notes for the week anyhow, subject to change pending things falling through, volcanoes, whatever:

Mon.: Mordor track premiere; Willow Child video premiere.
Tue.: Svvamp track premiere; Ancient Lights album trailer premiere.
Wed.: Sun Voyager album stream.
Thu.: Roadburn
Fri.: Roadburn
Sat.: Roadburn
Sun.: Roadburn
Mon.: Travel day

Assuming all goes how it should go, that’s how it’s going to go. We’ll see how it goes. Got that?

Excellent. I wish you the best of weekends. If I’m spotty answering emails or Facebook messages more than usual, it’s because I’m traveling. As always, I’ll do my best to keep up.

Have fun, be safe, and don’t forget to check out the forum and radio stream.

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Mirror Queen Premiere “Inviolate” Video; European Tour Starts Tonight

Posted in Bootleg Theater on April 13th, 2018 by JJ Koczan

mirror queen

This very evening, New York classic heavy/progressive rockers Mirror Queen head out on the European tour that will bring them to Roadburn 2018 after a string of other gigs in Germany, Belgium and the Netherlands. They go ostensibly supporting their 2017 full-length, Verdigris (review here), with frontman Kenny Sehgal joined (I believe) by guitarist Morgan McDaniel (ex-The Golden Grass), bassist James Corallo and drummer Jeremy O’Brien. However, even as they caught their flight the other day — presumably from JFK — and headed across the Atlantic, they went knowing they were about to unveil the new single “Inviolate,” which I’m thrilled to premiere in the video below by Simona Prives.

What will surely and probably shortly wind up as a 7″ single with its B-side, a cover of Scorpions‘ “This is My Song” from 1974’s Fly to the Rainbow, seems to be something of a turn from most of the material on Verdigris. Sure, that record had no shortage of lower-register moments, as on “Sorrow’s End/Dark Kiss of the Sun,” and an undercurrent of proto-metal has never been too far from Mirror Queen‘s sound — the crunch of New York concrete manifest in guitar tones, at least to some degree; it’s not like we’re talking about Unsane here or anything — but “Inviolate” takes a different approach. One can hear it in Sehgal‘s vocals as well, and while I think the heavy ’70s will likely always be where their heart lies, there’s a definitive ’90s-style alt rock spirit to it as well. Not quite grunge, not quite not grunge, the catchy four-and-a-half-minute piece nonetheless manages to avoid aping ’90s-era stoner rock, but the even the slight shift in balance when it comes to decades of influence makes it an immediate standout.

Also, is that a Swedish accent Sehgal is singing in?

Either way, the point is the song is worthy of focus as a single, and its accompaniment underlines the band’s continuing affinity for the titan of early heavy rock. Mirror Queen‘s take on “This is My Song” doesn’t stray that far from the original, but the hippie lyrics and call for universal love certainly take on a new context these 44 years later in the current climate of who-the-hell-knows-what as a general state of being.

Again, I’m pretty sure “Inviolate” will be pressed up for public consumption in good time, so keep an eye out for that, and in the meantime, you can dig into Simona Prives‘ awesome-looking video for the track below, followed by more info and dates off the PR wire.

Please enjoy:

Mirror Queen, “Inviolate” official video premiere

Mirror Queen is proud to unveil the new song ”Inviolate”! The accompanying video was created by NYC based mixed media artist Simona Prives, whose collagist abstractions match the expansive, dreamy, and gritty music; imagery and impressions plucked from the streets of New York and the landscapes of our evermore cluttered minds. The B-Side is a reverent, revved-up version of The Scorpions’ brilliant “This Is My Song”. Release details TBA.

Mirror Queen European tour:
13/4 Onsabrück, DE Westwerk
14/4 Siegen, DE Vortex
15/4 Brussels, BE Magasin 04
16/4 Nijmegen, NL Merleyn
17/4 Tilburg, NL Little Devil
19/4 Tilburg, NL Roadburn Festival @ Cul de Sac

Mirror Queen live:
May 2nd St Vitus, BK, NY w/ Rawhide and Pyrolatrous
June 22 Doomed & Stoned Fest @ Kingsland BK, NY w/ Heavy Temple, Bang, Corky Laing

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The Atomic Bitchwax Premiere Video for “Hippie Speedball”

Posted in Bootleg Theater on April 9th, 2018 by JJ Koczan

the atomic bitchwax

There’s a moment at about 1:40 into the 2:26 ‘Hippie Speedball’ where founding bassist/vocalist Chris Kosnik of The Atomic Bitchwax lets loose this quick run that will absolutely, 100 percent knock you on your ass. Should you be surprised? Hells bells, no. Shifting their audience out of an upright position — i.e., relocation to “on ass” — has become standard practice for the long-running New Jersey trio of Kosnik, guitarist/vocalist Finn Ryan and drummer Bob Pantella. Ever since their 2011 riff-splurge, The Local Fuzz (review here), and most definitely once they came around to 2015’s more aggressive Gravitron (review here), they’ve been recharged and completely on the attack. Late 2017’s Force Field (review here) is just the latest manifestation of this impulse that’s been at the heart of the band since their 1999 debut.

It may, however, also be the most badass manifestation. The Bitchwax have been around long enough that given fans are going to have given favorite records. Hey, that’s cool. But as the three-piece move forward with Force Field and get ready to hit the road supporting The Sword — funny, I recall seeing the two bands together in Jersey opening for Kyuss Lives! and The Atomic Bitchwax had Dave Witte filling in on drums; Black Cobra also played that night; weird show, but awesome — they do so at their most progressive moment. They seem at this point not only to be challenging themselves physically, as in, “Can we possibly play faster than this?,” but also as songwriters: “Can we write songs that speed by listeners in a blur but are still somehow memorable?” The answer, at least on Force Field, is a resounding yes.

To wit, “Hippie Speedball” is an unbridled beast of a track. Placed right at the open of Force Field it’s primed to shake even the least shakable of posterior chains, and the new video for the track, with clips out of old sci-fi movies, the band jamming out and good fun all around, could hardly do more to represent some of what works best about the record as a whole: excellent band, all cylinders, killer tune, hitting the road. How could you call that anything but a win?

I consider pretty much any time I get to post about The Atomic Bitchwax a favor to myself, so I’m extra thrilled today to be able to host the premiere of the “Hippie Speedball” clip, which you’ll find on the player below. The tour dates with The Sword and more info off the PR wire follow.

Enjoy:

The Atomic Bitchwax, “Hippie Speedball” official video premiere

Recorded at the Freakshop in Keyport, New Jersey, mixed at The Panic Room in Ocean, New Jersey and mastered by Alan Douches (CHELSEA WOLFE, TOMBS, THE OBSESSED), “Force Field” sees THE ATOMIC BITCHWAX’s high energy, scale-based guitar mangling hitting astronomical levels, with full stack amps pushing out dangerous levels of blown-out metallic mayhem. An awe-inducing tumult of head-down forward drive and top tier hard rock, “Force Field” mashes sci-fi and hi-fi, rocketing THE ATOMIC BITCHWAX into the outer reaches of the modern-day heavy music universe.

The Atomic Bitchwax w/ The Sword:
6/07 Albuquerque NM @ Launchpad
6/08 Tucson AZ @ 191 Toole
6/09 San Diego CA @ Belly Up
6/11 Portland OR @ Wonder Ballroom
6/12 Bellingham WA @ Wild Buffalo
6/13 Vancouver BC @ Venue
6/15 Calgary AB @ Marquee
6/16 Edmonton AB @ Union Hall
6/17 Regina SK @ The Exchange
6/18 Winnipeg MB @ Pyramid
6/19 Chicago IL @ Thalia Hall
6/20 Cincinnati OH @ Bogart’s
6/22 Pittsburgh PA @ Mr Smalls Theatre
6/23 Washington DC @ Rock N’ Roll Hotel
6/24 New York NY @ Irving Plaza
6/26 Johnson City TN @ Capone’s
6/27 Nashville TN @ Exit/In
6/29 Hot Springs AR @ Maxine’s

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The Skull Finish New LP The Endless Road Turns Dark; Tour Dates Announced

Posted in Whathaveyou on April 2nd, 2018 by JJ Koczan

One hates to even think of things in these terms, but from where I sit, The Skull‘s forthcoming second album for Tee Pee, produced by Sanford Parker and given the title The Endless Road Turns Dark, is the only possible record that can touch Apostle of Solitude‘s From Gold to Ash this year when it comes to US traditional doom. There are other candidates to be sure, but thinking back to what The Skull were able to accomplish on their 2014 debut, For Those Which are Asleep (review here), the potential for this to be one of the best albums of 2018 is palpable and then some.

The Skull just wrapped a tour playing Trouble‘s self-titled album in its entirety and will hit the road again this month on a headlining tour the dates for which came down the PR wire. I’ll hope to have more to come on The Endless Road Turns Dark before the slated autumn release:

the skull

The Skull Completes Work on New Album ‘The Endless Road Turns Dark’

Doom Metal Legends Announce Spring U.S. Headlining Tour Dates

The Skull, featuring vocalist Eric Wagner and bassist Ron Holzner, formerly of metal legends Trouble, has completed work on its highly anticipated sophomore album. Titled, The Endless Road Turns Dark, the LP was recorded in Chicago’s Decade Music Studios with engineer Sanford Parker (Yob, Tombs) and builds on the foundation laid by The Skull’s debut album, For Those Which Are Asleep, a recording that landed at or near the top of a host of 2014 year-end best of lists. A fall release date is projected for the new LP.

To celebrate the completion of the new album, The Skull, which also features longtime Cathedral drummer Brian Dixon, guitarist Lothar Keller (Sacred Dawn), and guitarist Rob Wrong (Witch Mountain) has announced a spring U.S. headlining tour that will launch on April 18 in Rochester, NY. The 16 city jaunt will run through May 5 in Lombard, IL. The just-announced itinerary is as follows:

THE SKULL tour dates:
April 18 Rochester, NY Montage Music Hall
April 19 Worcester, MA Ralph’s Rock Diner
April 20 Jewett City, CT Altone’s
April 21 Lancaster, PA Chameleon Club
April 22 Baltimore, MD Metro Gallery
April 23 Harrisonburg, VA Golden Pony
April 24 Raleigh, NC Pour House Music Hall
April 25 Atlanta, GA Drunken Unicorn
April 26 New Orleans, LA Santos Bar
April 27 Houston, TX White Oak Music Hall
April 28 San Antonio, TX The Limelight
April 30 Dallas, TX Reno’s Chop Shop
May 1 Austin, TX Hotel Vegas
May 3 Newport, KY Southgate House Revival
May 4 Detroit, MI Harpos
May 5 Lombard, IL Brauerhouse Live

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The Skull, For Those Which are Asleep (2014)

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