The Atomic Bitchwax Post Scorpio Title-Track Video and Album Details

Posted in Whathaveyou on June 29th, 2020 by JJ Koczan

the atomic bitchwax

So I guess when Garden State speed rock treasures  writing an admission essay College Chemical Compounds Homework Help Mistakes essay on compulsory military service should i do my homework now or later The Atomic Bitchwax put out that  link On Paper If you included a questionnaire, you should describe it in detail. Best online paper writing service same day custom essays: persuasive research essays on single parenting - do my homework australia myassignmentnet. Info This ho mework an essay writing service that australiz personal details and compare it to our. Bowie cover video and said their new album,  Comprehensive find more provided to students looking for a distinct quality. Get report writing services UK with privacy & specific warranties. Scorpio, had had its release delayed owing to — DUH THE SAME SHIT THAT’S DELAYING EVERYTHING INCLUDING LIFE ITSELF — that was kind of a soft-announcement for the album itself. Fair enough. The record’s a scorcher and a groover through and through, so announce it then, announce it now, whatever. It’s gonna tear shit up just the same, whenever it gets released. It’s the  go site. growth and change essay car accident essay victoria's secret credit card. microfiche dissertation writing, Bitchwax‘s first record with  Before I pay review, I must first take note of the fact that the chances of ending up with a top essay are largely underpinned by the Garrett Sweeny, so that’s a change, but a lot of the core mission of the band remains the same. I’d go on, but hell, I wrote the bio below, so in some ways I’ve said my piece already.

And yeah, I posted about the record before, but frankly, I like keeping these things for posterity, and it’s nice to have the official thing, plus the bio I wrote. I should probably start keeping track of when I do these things. Whatever.

Preorders are up and the video for the title-track is at the bottom of the post. Not at all shockingly, it rules:

The Atomic Bitchwax Scorpio

THE ATOMIC BITCHWAX Announce Studio New Album ‘Scorpio’ Out August 28th via Tee Pee Records

source url for self publishing and first time authors. I tailor my service to meet your needs to ensure your writing is the best it can be. WATCH: Music Video for New Single “Scorpio”

New Jersey-based rock n’ roll trio THE ATOMIC BITCHWAX have announced their new studio album, ‘Scorpio’, which will see an August 28th release via Tee Pee Records. The group, which originally formed in the mid-90s, consists of lead vocalist/bassist Chris Kosnik, drummer Bob Pantella, and guitarist Garrett Sweeny, all of whom are past or present members of the band Monster Magnet. Scorpio is the follow up to the group’s 2017 full-length ‘Force Field’, and their eighth studio LP overall spanning more than two decades.

Pre-order ‘Scorpio’ HERE: https://orcd.co/scorpio

‘Scorpio’ Tracklisting:
1. Hope You Die
2. Energy
3. Ninja
4. Scorpio
5. Easy Action
6. Crash
7. Super Sonic
8. You Got It
9. Betting Man
10. Instant Death

BIO:

The scourge and scorch of New Jersey returns, and their sting is deadly as ever. Garden State riff rock stalwarts The Atomic Bitchwax proudly present their eighth full-length, Scorpio.

In a busy three years since NJ’s most powerful power trio issued 2017’s Force Field, they’ve toured the US and Europe multiple times over, taken part in fests far and wide, and blown past the 20th anniversary of their self-titled debut album.

Scorpio acknowledges the two-decades milestone in its opening revamp of the first song the band ever wrote with vocals, “Hope You Die,” the crash-in of which will be immediately familiar to anyone who’s seen them live. A generation later, it still gets the message across.

From then on, it’s all-go on nine fresh-made burners, founding bassist/vocalist Chris Kosnik, guitarist Garrett Sweeny, and drummer Bob Pantella toying with tempo subtly to lace songs like “Betting Man” and “Easy Action” and “Energy” with signature-style memorable hooks amid instrumentals “Ninja,” “Crash” and “Instant Death,” the head-spinning turns of which push ahead in the aggressive stance The Bitchwax began to present in 2015’s Gravitron while still remaining imbued with new character and the loyalty to classic heavy rock that underlies all their work.

Tracked in Jan. 2020 at Sound Spa in Edison, NJ, with Stephen DeAcutis engineering, Scorpio is a righteous next stage of the momentum The Atomic Bitchwax have been building through hard touring and release after release of gauntlet-throwing-down rock and roll. This is a band that never stops moving, and only ever moves forward.

http://www.theatomicbitchwax.com/
https://www.facebook.com/The-Atomic-Bitchwax-86002001659/
http://teepeerecords.com/
https://www.facebook.com/teepeerecords/

The Atomic Bitchwax, “Scorpio” official video

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Limousine Beach Set June 19 Release for Stealin’ Wine +2 EP

Posted in Whathaveyou on June 8th, 2020 by JJ Koczan

Limousine Beach (Photo by Nic Lockerman)

Last week in the track premiere for Research Papers On Women for all your academic needs. Looking for an essay service to help with all your college papers? You have come to the right Outsideinside‘s cover of ‘Bang Bang (My Baby Shot Me Down),’ it was noted that that band’s frontman,  If you need to Literary Criticism Essay, you are on the right track. TopWritingService.com is ready to assist you with any writing service you need. Buy Dave Wheeler — also formerly of  No idea how to write your essay? - http://aemurtosa.edu.pt/college-paper-org/ with the best quality now! Guaranteed essay delivery on your given deadline. Carousel — had another project going called  Find EB-5 music business plans: learn about how an EB-5 business plan writer can assist your Regional Center, EB-5 project, or EB-5 visa application. Limousine Beach, whose debut was forthcoming. The three-song EP,  Alpha http://m2online.at/pelog-scale-homework-help/s provides you the best in class, plagiarism free and value for money Articles at your convenient time from experts. Stealin’ Wine +2, is that release, and it’ll be out June 19 through  The Dissertation Grh is a must-have for every student that want to perform excellently in their college research paper work Tee Pee Records. That  The easiest way to Chemistry Help With Acids And Bases. Don't waste time finding and vetting writers for your blog. We recruit specialist writers with deep industry knowledge. Tee Pee has picked up  Those who are thinking, Who will write a paper for me? have come to the right spot! You can Go Here from our research paper writing service! Limousine Beach is interesting; frankly, I wondered what the holdup was on them snagging Custom I Need Someone To Do My Chemistry Homework at PapersOwl. We offer 24/7 Support, Full Confidentiality, 100% Plagiarism Free papers for our clients. +100 Outsideinside for either of that act’s LPs after working with  Wheeler for Carousel, but whatever the case there, with Limousine Beach, the two parties are rejoined, and yeah, it makes sense listening to the band.

Limousine Beach are a little more modern-tinged than Outsideinside, who wear ’70s rock not so much on their sleeve as more like a sleeve-tattoo, but with three guitars there’s plenty of over-the-topness to be found. I also really dig the image of stealing wine, particularly. Think of stealing wine as opposed to stealing beer. Stealing whiskey. It says something about the kind of party they’re having.

The title-track is streaming at the bottom of the post. Dig it:

Limousine Beach Stealin Wine

LIMOUSINE BEACH to Release “Stealin’ Wine +2” EP on Tee Pee Records June 19th!

Pittsburgh PA’s triple lead guitar outfit Limousine Beach combine concentrated songwriting and nimble fretwork with soaring vocal harmonies to become the world’s first “sizzle rock” band.

Limousine Beach is poised to release its first recorded material on Tee Pee Records June 19, 2020 in the form of an EP entitled “Stealin’ Wine +2.”. Each composition is a compact blast of expertly crafted songwriting, none of which sacrifice complexity or power for brevity. So knock off work early, crank up the Limousine Beach, and if anyone asks where you are, tell ‘em you’re gone sizzlin’.

“Based on true events, ‘Stealin’ Wine’ is a tale of airborne liquor theft. When you have 8 hours left to kill on a transatlantic flight, an unattended booze cart is all the motive you need, says the band.

The EP is available for pre-order HERE: https://orcd.co/limousinebeach

Fronted by vocalist/guitarist Dave Wheeler (Outsideinside, ex-Carousel), the lineup is rounded out by guitarists Evan Mitchell (Cruces) and Jason Sichi (Fist Fight in the Parking Lot), drummer Dan Bhutta (Cruces), and bassist Dan Hernandez (Cruces, Sweat). Drawing inspiration from bands such as The Sweet, The Dictators, Van Halen, The Fucking Champs, Nazareth, Sheer Mag, KISS, Jaguar, and Boston.

Stealin’ Wine +2 Tracklisting:
1. Stealin’ Wine
2. Hear You Calling
3. Tiny Hunter

Lineup:
Jason Sichi – Guitar
Evan Mitchell – Guitar
Dave Wheeler – Guitar/Vocals
Dan Hernandez – Bass
Dan Bhutta – Drums

https://www.facebook.com/limousinebeach/
https://orcd.co/limousinebeach
http://teepeerecords.com/
https://www.facebook.com/teepeerecords/

Limousine Beach, “Stealin’ Wine”

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Worshipper Release New Single “Lonesome Boredom Overdrive”

Posted in Whathaveyou on June 5th, 2020 by JJ Koczan

If you’re not looking forward to the next Worshipper record, here’s a good reason why you should be. And if you can believe it — I’m having trouble wrapping my head around the notion, to tell you the truth — the Boston melodic heavy rockers’ new single “Lonesome Boredom Overdrive” isn’t about life under a pandemic lockdown, apropos as it might seem.

The cover art for the new single clearly ties it to Worshipper‘s 2018 second album, Light in the Wire (review here), even as it recalls the poster for Hitchcock’s Vertigo and I agree with vocalist John Brookhouse when he cites the Alice in Chains-style vibe of the track. I hear the declining downer riffing of that band’s Dirt-era here, as well as in some of Brookhouse‘s lyric patterning and self-harmonizing. If that’s a thing you have a problem with, I humbly submit that you should consider rethinking your position.

Today is a Bandcamp no-fee day. The song costs a buck. Not sure what else you might want. And by the way, if Tee Pee Records wanted to do a deluxe edition CD reissue of Light in the Wire with “Lonesome Boredom Overdrive” nestled somewhere into the tracklisting, that’d be just fine by me.

Here’s the track info, links and stream:

worshipper lonesome boredom overdrive

WORSHIPPER – Lonesome Boredom Overdrive

https://worshipper.bandcamp.com/track/lonesome-boredom-overdrive

“Here’s a song that we recorded and mixed for our last record Light in the Wire, but couldn’t quite fit on there for one reason or another. (Run time, mostly.) At a time when many of us are stuck at home, not able to do the things we usually do to entertain ourselves, this song has taken on new meaning. Initially, I came up with the lyrics when I was feeling particularly drained by the daily grind, but now, it seems pretty apropos to put this song out, considering the title and the current dynamic.

This song began with a riff that Al came up with and it may actually be one of our heaviest songs. When we play it live, my head feels like it’s going to collapse, so that’s probably a good sign that a song is fairly heavy. It also has a decidedly Alice in Chains vibe to it, which, let’s be honest for a few of us in the band, was a pretty seminal influence, but was more of a happy accident than anything. So, enjoy! I hope this helps tame your boredom for a moment or two.” – John Brookhouse

released June 5, 2020
Lyrics by John Brookhouse
Music by WORSHIPPER

Produced by CHRIS JOHNSON
Recorded June 2018 at God City Studios SALEM, MA
Tracking & Mix July-Dec 2018 at The Electric Bunker BRIGHTON, MA
Mastered by Brian Charles at Zippah Studios BROOKLINE, MA

https://www.facebook.com/worshipperband/
https://www.instagram/worshipperband
https://worshipper.bandcamp.com/
http://teepeerecords.com

Worshipper, “Lonesome Boredom Overdrive”

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Pushy Stream Hard Wish; LP Reissue out Friday on Tee Pee

Posted in audiObelisk on May 6th, 2020 by JJ Koczan

pushy

Hey, just so we’re clear and you don’t think I’m trying to put one over: this is decidedly not a premiere. Pushy‘s debut album, Hard Wish, originally came out in 2018 through Germany’s Who Can You Trust? Records, and hell, I did a premiere for it at the time, and I’m pretty sure it’s been on Bandcamp ever since, so no, not a premiere. But Tee Pee Records is giving the classic heavy rockin’ eight-tracker a domestic US look on vinyl this week, and that’s definitely enough of an occasion for me to want to host Hard Wish again. Not that good records need an excuse anyway, but you know what I mean.

On guitar/vocals in the Portland, Oregon-based Pushy one finds Adam Burke, formerly of Fellwoods, and best known for the striking paintings he’s provided as cover art for everyone from Ruby the Hatchet to Hexvessel to this site to Fit for an Autopsy. He shares vocal duties with bassist Neal Munson, as Ron Wesley and Travis Clow round out the four-piece on guitar and drums, respectively, and across Hard Wish, they tap influences from earliest AC/DC, earliest King Crimson, earliest Judas Priest, not-quite-earliest Black Sabbath and a host of others brash, ballsy and boozed-up. Clow and Munson make a nodder highlight out of early cut “Blacktop,” but from “Fanny’s” to “I’ll Be Gentle,” the focus here is on attitude, on swagger, and songs like “El Hongo,” the driving “Lonesome Entry” and “Nasty Bag” have plenty of that, while “If I Cry” and closer “Lay of the Land” expand the palette a bit with some deceptively nuanced jams built around the live-feeling energy of the recording itself.

Bottom line is there’s plenty to dig here for ’70s aficionados and other-type heads looking for a groove to make their day, and really, again, I’m not trying to say this is a premiere — because it isn’t — but with the Tee Pee release of Hard Wish out this Friday (preorders below, if that’s your thing), I’m just glad to have a chance to revisit it, because it rocks and sometimes that’s just what you need. Anytime Pushy wants to get going on a follow-up, that’d be fine by me.

Please enjoy:

Portland-based hard rock outfit PUSHY are making waves in 2020. The band has announced that their debut album ‘Hard Wish’ will get a worldwide release on chocolate brown vinyl via Tee Pee Records. Boasting the unmistakable swagger and retro flair of rock n’ roll from a time when Woodstock was still young, Pushy descend upon listeners with boisterous, rabble rock vocals, raw, electric guitar riffs and natural percussion that feels all too authentic in contrast to the swath of modern music. Perhaps the most striking quality of Hard Wish is also its most plainly stated; that it sounds so sincerely like four musicians working harmoniously together as one in the same room.

The vinyl release of ‘Hard Wish’ is out May 8th on Tee Pee Records. Fans can pre-order the LP at the link found here.

‘Hard Wish’ Tracklisting:
1. Fanny’s
2. Nasty Bag
3. Blacktop
4. If I Cry
5. El Hongo
6. Lonesome Entry
7. I’ll Be Gentle
8. Lay of the Land

Pushy is:
Guitar – Ron Wesley
Drums – Travis Clow
Bass, vocals – Neal Munson
Vocals, guitar – Adam Burke

Pushy on Bandcamp

Pushy on Thee Facebooks

Pushy on Instagram

Tee Pee Records website

Tee Pee Records on Thee Facebooks

Tee Pee Records on Bandcamp

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Days of Rona: John Brookhouse of Worshipper

Posted in Features on April 1st, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. — JJ Koczan

worshipper john brookhouse

Days of Rona: John Brookhouse of Worshipper (Salem, Massachusetts)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We’re somewhat lucky in that we just did a tour with Weedeater that ended right about when everything got shut down, but NONE of the dates we did were cancelled (they were for Weedeater the day after we left). Toward the end there, it was a little stressful wondering if we should even be out there, seeing shows get cancelled left and right back home, but somehow our train kept a’rollin. So, we were able to do our shows and go home, unlike a lot of bands who just had to pack it up and go home.

Now that we’re back, I think we are all just trying to figure out what the hell is happening and how to adapt to this new reality. We really need to write a new record, and with all of this time on our hands, it seems like a great time to be creative… but, you know, it’s not just “free time.” I’m working from home (I design billboards, which, are more effective if people can leave their house) and am dealing with that adjustment. We’re dealing with something we’ve never dealt with before. Everyone is trying to figure out how to get by right now. It’s pretty stressful and not totally conducive to being creative, but, I did write one new tune so far, and I’ve played tons of guitar. We’re tossing some ideas around online. I pulled out my old lap steel and have been trying to actually learn some proper techniques and tunings with it. (I put up a couple one-minute Instagram vids of it.) It’s a diversion, mostly, but I’m hoping it will end up inspiring something for the next batch of tunes we do.

So far, we’ve only had one show on the horizon postponed (New England Stoner & Doom Fest 3). Beyond that, we have some stuff lined up in June that we are kind of waiting to see how things pan out for…

Health-wise, we’re all doing okay. When we left for the tour, I felt like I was fighting a cold, but managed to kick it by the second date. Bob and Jarvis had or contracted colds during the run. I can’t speak for them, but coming down with an illness on tour is bad enough, but getting sick during the early days of the shit hitting the fan with COVID had to be stressful. It was the kind of thing where you’d hear people cough or sniffle at clubs and you’d be on edge.

What are the quarantine/isolation rules where you are?

In Boston, pretty much everything is shut down and people are being told to stay home until April 7, but as we all know, it changes every day. I feel like it will end up being longer. I’m in Salem, and it’s weird how it seems like there are more people out walking than usual. Not necessarily being irresponsible with social distancing, but I definitely encounter more people walking around town now than I usually do, which is starting to stress me out a little, to be honest. We all need to get a little exercise and air right now, but, seriously, stay away from me.

How have you seen the virus affecting the community around you and in music?

It’s pretty heartbreaking to see the people and businesses immediately financially impacted by this. Especially music venues and my friends in the retail and service industries. I have seen a bunch of people rally and do online shows trying to raise money for the venues and places that have supported them, so in some ways, there are some great things happening now. Selfishly, I really miss just going record shopping and hitting Notch Brewing (my favorite local brewery) and not being afraid of getting within six feet of someone I see on the sidewalk. I think we all feel like there is just a giant gaping hole in our lives without being able to play shows or even just get together. BUT, we all need to do our part to slow the spread of this. Hopefully, we can all help get the scene back on its feet when we can get back to normal life, or whatever the new normal ends up being.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I don’t really think my situation, personally, is more unique than anyone else’s at the moment. I am doing okay, considering, and I really just want to try and help others or help shine a light on others who may need help right now. Worshipper just got to actually FINISH our tour, and we played to more people than any of our other tours, so we are thankful and lucky for that. So, we’re just going to regroup, write some songs, and try to help out our friends right now.

https://www.facebook.com/worshipperband/
https://www.instagram/worshipperband
https://worshipper.bandcamp.com/
http://teepeerecords.com

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The Atomic Bitchwax: Self-Titled 20th Anniversary Reissue Available

Posted in Whathaveyou on February 27th, 2020 by JJ Koczan

the atomic bitchwax with ed

Once upon a 20 years ago, a tiny baby power trio out of a well-populated New Jersey heavy rock scene came together and blew the doors off most of not all of their peers. It was The Atomic Bitchwax, who with the original lineup of bassist/vocalist Chris Kosnik, guitarist Ed Mundell and drummer Keith Ackerman, set in motion on their 1999 self-titled debut (discussed here) a whirlwind that continues unabated to this day. The faces have changed, but the mission remains largely true now to what it was then in terms of making heads spin with riffy acumen while forging an underlying groove that’s as much punk as classic rock, able to careen between pop and all-out thrust or even prog without a measure’s notice. They’ve got a new record in the can, by the way. Their first with Garrett Sweeny on guitar. It rules. It’ll be out this Spring.

Before then, you can grab the self-titled as a 20th anniversary LP reissue, and obviously you should. You already own the album? So what? You can’t possibly tell me you’re doing something better with that $18 than spending it to get The Bitchwax‘s The Bitchwax on clear purple vinyl.

They’re out with Weedeater soon ahead of the new release, so check those dates and more info below:

Tee Pee Records Announces 20th Anniversary Reissue of The Atomic Bitchwax Self-Titled Debut

On Tour in March

New Studio Album Coming in May

New Jersey’s The Atomic Bitchwax are celebrating their 20th anniversary with the re-release of 1999’s self-titled classic. Newly remastered, these CDs and LPs (pressed on clear purple vinyl) are available through the Tee Pee webstore and at TAB shows throughout this year. Order it HERE.

The Atomic Bitchwax will hit the road this March on tour with Weedeater and The Goddamn Gallows. Find a complete last of dates below.

The band has recently wrapped up recording their new album, which is set for release at the end of May. Stay tuned more details.

THE ATOMIC BITCHWAX W/ Weedeater and The Goddamn Gallows
3/3: Baltimore, MD @ Metro Gallery
3/4: Brooklyn, NY @ Elsewhere
3/6: Philadelphia, PA @ Underground Arts
3/7: Boston, MA @ Sonia
3/9: Youngstown, OH @ Westside Bowl
3/10: Cleveland, OH @ Grog Shop
3/11: Detroit, MI @ The Sanctuary
3/12: Iowa City, IA @ Wildwood
3/13: Chicago, IL @ Reggie’s

http://www.theatomicbitchwax.com/
https://www.facebook.com/The-Atomic-Bitchwax-86002001659/
http://teepeerecords.com/
https://www.facebook.com/teepeerecords/

The Atomic Bitchwax, The Atomic Bitchwax (1999)

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High Tone Son of a Bitch Premiere “Wicked Threads” from New Compilation Lifecycles

Posted in audiObelisk on February 6th, 2020 by JJ Koczan

high tone son of a bitch

You know the origin story of High Tone Son of a Bitch, right? It’s complicated and full of ups, downs, love and loss and all that other deeply human-type stuff. A life story, as it were. The band revitalized circa last year and spent much of the ensuing return period getting their lineup situated and getting their feet under them in terms of stage presentation, but they had a wealth of material to draw from in that regard that went even further than what actually ever saw proper release. On March 20, Tee Pee Records — which also stood behind brothers Paul and Andrew Kott for Kalas‘ lone studio album — will issue Lifecycles: EPs of HTSOB, a new compilation of songs that span the original era of the band from 2002 through about 2005, preceding Andrew Kott‘s death in 2007.

High Tone Son of a Bitch have two four-trackers currently available. Their Better You Than Me originally came out on CD through Shifty Records in 2003 and though Velocipede was recorded in 2004 it didn’t actually see proper release until 2018 when they put it up on Bandcamp. Last June brought the new single Death of a New Day / Eye in the Sky (discussed here) that was the band’s first proper offering in 16 years and preceded a stop at the opening night of thehigh tone son of a bitch lifecycles eps of htsob inaugural Desertfest NYC (review here) at Saint Vitus Bar. I don’t know how much if any of that material will be included in Lifecycles when it comes out, but there was still plenty more of stuff recorded that apparently never made it to the public, and thus we have the arrival of “Wicked Threads.”

As to what the original plan for the song might have been, I couldn’t say, but with a militaristic snare and wistful guitar and mellotron lines at the outset, the song sets an immediately brooding spirit. Gritty vocals arrive in emotive fashion and give direction to the arrangement, which remains dramatic if not theatrical in such a way as to pull back from the central regret being expressed. The title refers — no, not to your new jeans — to part of a concept that encompasses the entirety of the three-song progression from which the track comes. It’s not as immediately aggressive as they were on stage when I saw them last Spring or as noise-rocking as some of their other material is, but “Wicked Threads” gives some sense of High Tone Son of a Bitch‘s atmospheric resonance and the general breadth of what they used to do. Part of the story, much like this release itself is a part of their overarching narrative.

When it comes to what they’ll do next, however, I’ve no idea. I don’t know if they’re actually signed to Tee Pee or if there’s a new album or another EP or something else brewing, or to what or where their tour plans might take them and when, but even as they look back with Lifecycles: EPs of HTSOB, they make it clear they’re beginning that cycle anew, and moving forward.

Again, the release is March 20. Some more background follows the track below.

Please enjoy:

Paul Kott on “Wicked Threads”:

The Wicked Threads EP is a concept album that spans the past 12,000 years of human history in three songs. It examines the impact of the emergence of class systems, including believing in gods and the development of organized religions, priesthoods, rulers and ruled, and economic classes, has had. The song “Wicked Threads” is set in the modern era of late-stage capitalism, in the wake of thousands of years of these systems of control holding sway over humanity. It’s viewed through the lens of my experience growing up in a dead textile mill town called Lewiston, Maine. Many generations of the people of who live and die in these towns all across America and the world have a long history of being fucked over by wealthy elites. Many of these same people (not everyone, mind you), having been exploited, sucked dry, and ultimately abandoned, seem to fawn over and venerate those who are exploiting them, to adore them. There is almost a worship of the idea of a return to the days when the mills were running full steam and the bosses rang bells to tell them what to do and when. It’s like Stockholm Syndrome, to love your captors, love your abusers.

iTunes: https://music.apple.com/us/album/lifecycles-eps-of-htsob/1496428597?ls=1&app=itunes
Apple Music: https://music.apple.com/us/album/lifecycles-eps-of-htsob/1496428597?ls=1
Download: http://amazon.com/dp/B08469W2FX
Unlimited: http://music.amazon.com/albums/B08469W2FX

Originally formed by brothers Paul and Andrew Kott from the ashes of Oakland prog/doom sludge masters Cruevo, and preceding the Matt Pike-fronted Bay Area metal “supergroup” Kalas, High Tone Son of a Bitch (HTSOB) is a “supergroup” unto itself. Since its founding, HTSOB has pulled together members and collaborators from bands like Noothgrush, Kalas, Hammers of Misfortune, Men of Porn, Melvins, Hawkwind, Neurosis, High on Fire, Sleep, Necrot, The Skull, Worshipper and more. When Andrew Kott died unexpectedly in a tragic fall in 2007, HTSOB disbanded – seemingly forever.

Paul Kott revived the band – at the urging of his Latin Grammy-winning nephew Juan Herrera (Andrew’s step-son) – in 2019. Through lineup changes and regular collaborations that have included some of the most important underground musicians of the modern era, Paul has allowed his brother’s inspiration to live on, carrying the psychedelic hard rock and post-doom vision of HTSOB forward – all the while remaining uncompromisingly true to the musical roots the brothers established years ago.

High Tone Son of a Bitch transcends not only genre archetype but death itself, to weave an essential portrait of the dualistic nature of our lives. This retrospective of 4 EPs simultaneously speaks to the fragility and resilience of the human experience as it spans the years covering the formation of the band, its musical growth, the death of Andrew Kott (one of 2 co-founding brothers), and the path to a rebirth and new life in music and beyond by surviving brother Paul Kott.

High Tone Son of a Bitch on Thee Facebooks

High Tone Son of a Bitch on Bandcamp

Tee Pee Records website

Tee Pee Records on Thee Facebooks

Tee Pee Records on Bandcamp

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Sacri Monti Announce UK & European Tour Dates with More to Come

Posted in Whathaveyou on January 27th, 2020 by JJ Koczan

sacri monti

So I guess Sacri Monti just kind of live in Europe now? Don’t get me wrong, I get the appeal. But the ostensibly San Diego-based band have kept their focus when it comes to touring decidedly on the other side of the Atlantic, and they’ll be there for more than a month solid this Spring as they continue to support last year’s right-on Waiting Room for the Magic Hour (review here), so yeah, at some point don’t you legally establish residency? Have to wonder where taxes are cheaper.

There are dates to fill in and a new tour poster reportedly in the works, but with the tour freshly announced and no shortage of dates anyhow, this one seemed worth highlighting as it is. If the worst that happens is I follow-up with another post when a proper press release goes out, at least they earned it.

Here’s their post:

sacri monti euro uk tour 2020

Sacri Monti – Europe 2020

Tour dates for May and June still a few more dates TBA. Once all squared we will announce with new artwork.

EUROPE/UK 2020
30.04.20 NL Tilburg Cul De Sac
1.05.20 NL Nijmegen Sonic Whip Fest
3.05.20 UK London Desertfest
4.05.20 FRA Le Havre Mc Daid
5.05.20 FRA Paris l’International
6.05.20 BE Ghent Kinky Star
7.05.20 NL Utrecht Db’s
8.05.20 DE Gronigen Vera
9.05.20 DK Odense Fuzztival
13.05.20 DE Berlin Zukunft am Ostkreuz (Garage)
14.05.20 CZ Bílina Kafá?
15.05.20 DE Lohr am Main Umson und Dressen Festival
16.05.20 DE Siegen Vortex
17.05.20 DE Karlsruhe P8
19.05.20 ITA Zero Branco Treviso Altroquando
20.05.20 ITA Bolzano Sudwerk
22.05.20 DE Dresden GockelScream #3
23.05.20 DE Aschaffenburg Hannebambel
24.05.20 CH Martigny Caves Du Manoir
25.05.20 FRA Clermont Ferrand Chorus
26.05.20 FRA Montpellier The Black Sheep
27.05.20 ES Barcelona Upload Club
28.05.20 ES Madrid Sala Rockville
29.05.20 PT Porto Woodstock 69
1.06.20 ES San Sebastián Dabadaba
2.06.20 FRA Tolouse L’Usine à Musique
3.06.20 FRA Bordeaux astrodøme QG
4.06.20 FRA Nantes La Scene Michelet
5.06.20 UK Bristol The Crofters Rights
8.06.20 UK London Secret place
7.06.20 UK Liverpool kazimier stockroom

Sacri Monti is:
Brenden Dellar -Guitar
Dylan Donovan- Guitar
Anthony Meier- Bass
Evan Wenskay- Organ, Synth
Thomas Dibenedetto- Drums

https://www.facebook.com/sacrimontiband/
https://www.instagram.com/sacri_monti_band/
https://sacrimonti.bigcartel.com/
https://soundcloud.com/sacri-monti
teepeerecords.com
https://www.facebook.com/teepeerecords/
https://teepeerecords.bandcamp.com/

Sacri Monti, Waiting Room for the Magic Hour (2019)

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