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Review: T.G. Olson, A Stone that Forever Rolls & Owned and Operated by Twang Trust LLC

Posted in Reviews on March 29th, 2018 by JJ Koczan

tg olson a stone that forever rolls

The first thing you need to know about this review? Its temporal mechanics are all wrong. Chronologically speaking, Owned and Operated by: Twang Trust LLC was released before A Stone that Forever Rolls. The difference, mind you, is less than a month. Owned and Operated by: Twang Trust LLC came out on Feb. 28, and A Stone that Forever Rolls on March 14. A couple weeks between them doesn’t seem like such an egregious flip to make — though if he keeps to his about-two-weeks pace, Olson should have another full-length out by the time this review goes live.

Owned and Operated by: Twang Trust LLC and A Stone that Forever Rolls represent the latest outings in a prolific stretch that, at this point, goes back years for Across Tundras frontman and solo experimentalist/singer/songwriter T.G. Olson. They arrive concurrent to outings from other projects like Inget Namn, Funeral Electrical and even an Across Tundras collection, and represent his first solo works of 2018.

Last year found Olson releasing Searching for the Ur-Plant (review here) and Foothills Before the Mountain (review here), and if one goes further back, 2016 brought about La Violenza Naturale (review here), the From the Rocky Peaks b/w Servant to Blues single (discussed here) and the albums The Broken End of the Deal (review here) and Quicksilver Sound (discussed here), and so on back to about 2012 and probably before that. Point is, Olson gets his work in. He is of a rare breed of the relentlessly creative, and though I said it as a joke earlier, I really couldn’t be surprised if he posted another long-player to the T.G. Olson/Across Tundras Bandcamp sometime soon. Or maybe he’ll go a year. One never knows.

But when it comes to A Stone that Forever Rolls and Owned and Operated by Twang Trust LLC, there is one definitive aspect tying them together to the point where I feel comfortable giving them a conjoined review: resonance. And in a thrilling and important-to-consider showcase of Olson‘s range as an artist, it’s two very different types of resonance that we’re talking about. A song like “Bless yr Heart My Friend,” which would seem to be about Olson‘s dog Odin, who recently passed away (and condolences there), brims with sincerity and emotionalism. It is raw in its approach and upfront in its acoustic-led post-Dylan/Guthrie folkism. And it’s the kind of song that makes you tear up when you hear it.

tg olson owned operated twang trust

This stands in direct contrast to just about all of Owned and Operated by: Twang Trust LLC, which delights in the Earth-gone-weirder drones and explorations of airy pieces like “When the Bee Balm is in Bloom,” which seems to be backed by ghostly howls, or the earlier “Where Were You When,” the droning of which takes on an almost religious quality, as though among Olson‘s many manipulated sounds was a hymn or a chant to something of the sort bent beyond recognition. Considered alongside the easy sway of the opening title-cut from A Stone that Forever Rolls or the doubled-vocal layers of the subsequent “The Storm’s a Comin’,” ad they would almost seem to be the work of different artists, but that’s simply Olson following one impulse over another as a theme around which to work.

He’s more than capable of steering a record in either context, of course, and has plenty of experience in doing so, and if the sweet melody of “In the Valley of the Tomb of the Kings” and the flute-laden melancholy of “Still They Haunt Us” is coming from someplace completely different from the Owned and Operated by: Twang Trust LLC opener and longest track (immediate points) “Running Fight” with its open-air guitar minimalism or the haunting swirl and swell of “Carpenter Blues” — which may or may not feature manipulated vocals; it’s hard to tell. In this way, the one release enhances the listening experience of the other and paints a broader picture of Olson‘s creative reach in general, not that that was much in question for anybody who’s followed his work over these last several years and managed to actually keep up.

Frankly, neither approach would count as new ground for Olson, who has established a comfortable niche for himself as a folk singer while still seeming to push himself forward in terms of crafting material, a song like “Around a Slow Dying Fire” conveying a sense of urgency despite its calm exterior. Nonetheless, if familiar to those who’ve kept tabs on his work, both Owned and Operated by: Twang Trust LLC and A Stone that Forever Rolls reaffirm the breadth of Olson‘s output and, whether taken together or separately, bring together folk and experimentalism in a way few artists can or would dare to try. Remember near the outset when I said Olson was relentlessly creative? Well, the emotionality and exploratory drive behind these records, along with the rest of his ever-growing and increasingly complex discography, are just further examples of what makes him stand alone in that unrelenting.

T.G. Olson, Owned and Operated by: Twang Trust LLC (2018)

T.G. Olson, A Stone that Forever Rolls (2018)

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Across Tundras/T.G. Olson on Bandcamp

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T.G. Olson Releases New Solo Album Owned and Operated By: Twang Trust LLC

Posted in Whathaveyou on March 2nd, 2018 by JJ Koczan

I don’t even know what a front-to-back discography from Across Tundras frontman T.G. Olson would look like at this point, but it would be well populated. The last month has seen a flurry of activity on the prolific singer-songwriter/experimentalist’s Bandcamp page, with offerings from not only his own solo-project in the form of the cynically-titled Owned and Operated By: Twang Trust LLC, but also his outfits Funeral Electrical and Inget Namn, a split with Caleb R.K. Williams, and two releases from Across Tundras — a collection of demos and lost tracks, and a new EP with Shannon Allie-Murphy sharing vocal duties as on 2015’s Home Free EP (discussed here). Frankly, it’s a lot. Probably too much to keep up with. But hey, there’s time.

As regards Owned and Operated By: Twang Trust LLC, it’s more experimental than some of Olson‘s straightforward or folkish fare, but deeply cinematic, and even as the drones and guitar howl on “Carpenter Blues,” there’s something in the landscape created to remind one of mid-aughts Earth, Neil Young‘s Dead Man soundtrack, etc., and given Olson‘s prairie-stretch interpretation, that’s by no means a complaint. Like always, all this stuff is available as a name-your-price download at the Across Tundras Bandcamp, so it’s there for the taking, but even if you sign up for updates as I have five or six times now, don’t expect to be able to keep up with everything that comes out. Just make sure you check back once in a while to see if you can get a handle on what Olson‘s up to. And good luck with that.

Still, hardly an impartial observer, but I dig this one. Weird drones, open spaces, lush and languid and swaying. Yeah, I’m pretty much sold.

Dig it:

TG Olson Owned and Operated By Twang Trust LLC

T.G. OLSON – Owned and Operated By: Twang Trust LLC

These tracks are fully owned by Twang Trust LLC and will be mined and exploited until exhausted. Thanks for listening.

T.G. Olson – Guitars, Drones, Field Recordings, Sound Manipulations

Tracklisting
1. Running Fight 05:51
2. Laid West 05:26
3. Lies Hidden 04:50
4. Where Were You When 05:39
5. Carpenter Blues 04:48
6. Somewhere Unseen 04:25
7. Shade Tree 04:19
8. When the Bee Balm is in Bloom 04:15
9. Guitar Respite 04:42
10. Hitching Post Part II 04:19

https://www.facebook.com/AcrossTundrasBand/
https://acrosstundras.bandcamp.com/

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