Apostle of Solitude, King Heavy & Quicksand Dream Members Collaborate for Multinational “Under the Sun”

Posted in Bootleg Theater on May 25th, 2020 by JJ Koczan

under the sun jam

You already know that doom knows no national borders, so maybe it’s not such a surprise that dudes in on three different continents would come together virtually to pay homage to the masters and arguable inventors of the form. Frontman http://www.clickmedia.gr/?phd-thesis-on-lean-six-sigma The red arrow moocs @insidehighered #help cant do my #essay … research paper stage of the meditations, we Göran Jacobson of Sweden’s  Homepage - Receive an A+ grade even for the hardest writings. If you need to know how to write a amazing term paper, you are to learn this Quicksand Dream, guitarist try here - We ship fast and offer best deals on prescription drugs. Buy your medication from the comfort of your armchair. MatĂ­as Aguirre and bassist  Help On Dissertation Breast Cancer; Ghostwriting Soziale Arbeit; Ghostwriting Sozialpadagogik; Ghostwriting Sozialpsychologie; Ghostwriting Soziologie Daniel Perez Saa of Chile’s  Watch How To Write A College Book Report by Syedaamina91 on Dailymotion here King Heavy and drummer  online grading of essays from University of Colorado Boulder. Writing well is one of the most important skills you can learn for success in the business world. Corey Webb of  In search of reading university phd thesis service so that you may get top quality dissertation? Looking for UK based native writers to get most affordable Apostle of Solitude have done precisely that, collaborating on a cover of  Are YOU looking for a safe, check over here? Check our POWERFUL GUARANTEES NOW and get your assignment without any risk whatsoever. Black Sabbath‘s “Under the Sun” that falls into an emerging lockdown-era genre of Zoom collaborations, some of which have managed to go viral in that have-media-company-marketing-backing kind of way. It’s a sad state of affairs that bands can’t get together and jam in person, in a room, but maybe this is some kind of consolation, and in the before-times — the long-long ago — this kind of thing probably wouldn’t have happened nearly as often as it’s happening now, so not only is it a marker of the time, it’s something positive to come out of a worldwide plague. Those seem to be pretty rare.

I’ll assume if you’re here you know the original. “Under the Sun” closed  Reach readers online with Wylie Communications http://www.joyshop.it/?custom-papers-writing using our system of proven-in-the-lab best practices for writing effective web copy Black Sabbath‘s 1972 outing,  persuasive essay mandatory military services - confide your dissertation to qualified writers engaged in the service 100% non-plagiarism guarantee of exclusive essays & papers. Vol. 4, which is about as landmark as a doom record gets without being  Helpme 123 Essayss- MyPaperHub. Based on reviews and legitimate customer reviews, we remain to be the #1 credible company writing essays Master of Reality. Yes, the song is a treasure, and yes, they give it its due. If you’ve never had the pleasure of seeing  Do you want to get A for your essay? Use our https://byota.ca/self-reflection-essay. 100% guarantee of original paper, the best writers with MBA and PhD in your area, fair Corey Webb play drums in a live setting, I won’t call this an outright replacement for that experience — particularly as he takes such relish in slower tempos and “Under the Sun” swings pretty quick — but it’s a nice reminder of why one shows up for such a thing when the opportunity presents itself. I miss shows. Volume. Oof.

Anyway, I have no idea how these dudes know each other — some fest? — but the video is cool and if you need a reminder that good things are still happening as you watch the death toll creep up here and there around the world (USA! USA!), it should more than serve to give at least a few minutes respite.

Enjoy:

MatĂ­as Aguirre, Göran Jacobson, Daniel Perez Saa & Corey Webb, “Under the Sun”

Isolated in their homes due to this global pandemic and separated by oceans and thousands of miles between their primary bands’ respective home bases, doom metal musicians from three separate continents connect virtually to bang out a cover of the Black Sabbath classic “Under the Sun”.

While current restrictions prevent rehearsals with their existing bands, Matías Aguirre (guitar; King Heavy, Mourners Lament; Suffering Dusk; The Ancient Doom; hailing from Chile), Göran Jacobson (vocals; Quicksand Dream; hailing from Sweden), Daniel Perez Saa (bass; King Heavy; Marchafunebre; Infernal Thorns; Mortajas; hailing from Chile), and Corey Webb (drums, Apostle of Solitude; hailing from the US) make the most of this quarantine time by finding ways to keep the fires of Doom burning

Special thanks to Matias for the Mix, and very very special thanks to my super friend Johnny Verdugo, Jotun por the video!!!

IN DOOM WE TRUST!!!

TAKE CARE

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Dun Ringill Set July 31 Release for Library of Death

Posted in Whathaveyou on May 18th, 2020 by JJ Koczan

DUN RINGILL

With their penchant for classic metal theatrics intact, Swedish doom rockers Professional i need help with my paper. Content editing and proofreading editors. Book editing help for novels, manuscripts, fiction, nonfiction, and more. Dun Ringill give a first glimpse at their second album, We are one click away ready to help you round-the-clock. Authored by S. Expertwritinghelp.com provides services doctoral dissertation assistance 2014 on custom Library of Death, in the new video for “NBK.” The record, which follows behind their 2019 debut, Dissertation Online Publizieren also provides a list of meaningful descriptors for each trait. Holt Online Essay Scoring: Teacher Support. https: Welcome (discussed here), will see release on July 31 through Argonauta Records, and as I haven’t heard the thing yet, I can’t help but wonder how the stateliness of the debut might coincide with what they describe below as being a rawer and darker presentation that also dives further into folk influences. Funny, I thought “classic metal” and “Nordic folk” were kind of the same thing at this point. Ha.

The acronym “NBK” stands for “natural born killer,” as the PR wire reveals, and you’ll find the video at the bottom of this post, under the album info. You know how this works. Don’t pretend you don’t.

Dun dun dun:

dun ringill library of death

DUN RINGILL (feat. members of THE ORDER OF ISRAFEL) Share Album Details + Brutal, New Music Video!

Following their highly acclaimed debut album Welcome, Swedish heavy doom rock collective Dun Ringill ( feat.members of The Order Of Israfel, Doomdogs & many more ) have just announced the release of their sophomore album titled Library of Death on July 31st 2020 via Argonauta Records!

Dun Ringill’s new album will dig deeper into the soil of Nordic folk music and at the same time, it is even darker, rawer and heavier than their debut. Recorded with mastermind Joona Hassinen at Studio Underjord and Grand Recording Studio during the winter of 2019, with Library of Death the band creates a haunting vibe of the evil wilderness and the dark woods lurking around the corner.

The album was arranged in a basement in the grey parts of Gothenburg while the lyrics were written on the high and mighty mountains of Norway. This special combination gives this album its unique aura of a beautiful darkness and malevolent feelings, that will follow you into your dreams…

Today, Dun Ringill are sharing a first track taken from the Library Of Death, and premiering an ironically brutal music video to the track “NBK” (= Natural Born Killer)!

“Killing is my Business…. and Business is good!!” The band quotes the first Megadeth album, and continues: “You are all invited to the party: A violent butcher fiesta!”

The artwork for Library of Death has been created by Henrik Jacobson / Art of Henk and is inspired by the lyrics from the album. Dun Ringill’s forthcoming record will also feature songs with guest musicians such as Opera singer Glenn Kjellberg, Per Wiberg from Kamchatka and formerly Opeth and Candlemass, Matti Norlin from the band Lugnet and Philip Lindgren of ex Hypnos.

When The Order of Israfel took a one year break from September 2017, the rhythm section Patrik Andersson Winberg (Bass) and drummer Hans Lilja (also in Lotus) grabbed the chance to create new music again together with Patrik’s old band mate from the Doomdogs era, Tomas Eriksson (Intoxicate and ex Grotesque). To make this exciting project of Dun Ringill as great as possible, the band teamed up with Gothenburg’s fella musicians, guitarists Tommy Stegemann (Silverhorse), Jens FlorĂ©n (also in Lommi & ex- live guitarist for Dark Tranquillity) and Patric Grammann (SFT, Neon Leon). After the band released their critically acclaimed debut, Welcome, in March 2019 – followed by several gigs and tours with acts alike Church Of Misery, Year Of The Goat and Elder to name just a few, their new studio album Library of Death will be seeing the light of day on July 31st on Argonauta Records. With a pre-sale and more tracks to be unleashed in the weeks ahead, the band is currently also preparing for a heavy live schedule to hopefully follow more than soon.

Dun Ringill are:
Thomas Eriksson – Vocals
Hans Lilja – Drums
Patrik Andersson Winberg – Bass
Jens FlorĂ©n – Guitar
Tommy Stegemann – Guitar
Patric Grammann – Guitar

www.facebook.com/DunRingillSwe
www.argonautarecords.com
www.facebook.com/ArgonautaRecords

Dun Ringill, “NBK” official video

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Kingnomad Announce Sagan Om Rymden out July 10; Premiere “Multiverse”

Posted in audiObelisk, Whathaveyou on May 15th, 2020 by JJ Koczan

kingnomad

A little prog, a little cult rock, some space, some psych, some classic heavy blues there in “Small Beginnings” and a lush affiliation for ’70s melodicism that feels drawn somewhere between modern Opeth and earliest Ghost, distilling the progressive craft of the one and the unmitigated accessibility of the other into something their own and, when it wants to be, either self-contained in an engaging fashion or outward reaching to breadths the end of which it hasn’t yet discovered — all of this and more makes up the 43-minute stretch of Kingnomad‘s third album, Sagan Om Rymden. Set for release July 10 on Ripple Music, you can hear the premiere of the centerpiece “Multiverse” at the bottom of this post. I suggest you click play promptly.

Sagan Om Rymden follows 2018’s The Great Nothing (review here), which itself was an encouraging follow-up to the 2017 debut, Mapping the Inner Void (review here). With the third LP, the Swedish four-piece now confirm the longer-term nature of their creative evolution, even as they bring to light the most accomplished melodies of the band’s still-relatively-young career. It is hypnosis without stillness.

Enjoy:

Kingnomad - Sagan Om Rymden

KINGNOMAD – Sagan Om Rymden – July 10

European preorder / US preorder

KINGNOMAD were born in 2014 in a small forest village in northern Sweden. Best friends and neighbors, Jay and Marcus had the desire to create a blend of old 70s sound, nice haunting vocal arrangements, and lyrics that could carry you of to dark and distant worlds. Bass maestro Maximilian was quickly recruited, alongside legendary punk drummer Andreas. Five songs were recorded and came to the attention to Ripple Music, who released four of those on to the second coming of heavy split vinyl series.

Shortly after that, on February 24th 2017, KINGNOMAD’s debut album ‘Mapping the inner void’ was released! A heavy psychedelic piece through Lovecraftian soundscapes. And the songs kept on coming… That very same year the writing of a new album began. And with the new drummer Mano behind the kit, ‘The Great Nothing’ became a grand conceptual piece of music. With their third album, KINGNOMAD are still evolving to higher grounds, never standing still, making new sounds while maintaining the ”Nomad vibe”. ‘Sagan Om Rymden’ is coming out on July 10th via Ripple Music. Are you ready to be transported to the limits of space…and beyond?

KINGNOMAD’s third studio album ‘Sagan Om Rymden’ appears much more progressive than the previous ones (surfing on an occult doom wave). This new record oozes vintage space rock riffage driven by clear Captain Beyond-esque vocals and Sabbathian lyrics. “Multiverse” is an ode to the trip, in every sense! Repetitive oriental inspired elements flirt with 70s synths and fuzzy loops. You won’t escape its hypnotizing call.

New album ‘Sagan Om Rymden’ out July 10th on Ripple Music

TRACK LISTING :
1. Omniverse
2. Small Beginnings
3. The Omega Experiment
4. Tillbakablick The Usurper King
5. Multiverse
6. The Fermi Paradox
7. The Creation Hymn
8. On The Shoulders Of Giants
9. The Unanswered Question

KINGNOMAD are:
Mr Jay (Johnny Stenberg) – Vocals, lead guitar, piano and assorted synthesizers
Mano – Drums, percussion and backing vocals
Marcus – Guitars and MicroKorg
Maximilian – Bass and backing vocals

https://www.facebook.com/kingnomadofficial
https://www.instagram.com/kingnomadofficial/
https://kingnomad.bandcamp.com/releases
http://www.ripple-music.com/
https://ripplemusic.bandcamp.com/
https://www.facebook.com/theripplemusic/
https://instagram.com/RippleMusic

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Vokonis Premiere ‘Live at Studio Underjord 2019’ Video

Posted in Bootleg Theater on May 7th, 2020 by JJ Koczan

Last month, while no doubt restless during the process of making their new album during a time of ongoing global pandemic, increasingly progressive Swedish riffers Vokonis put up a two-songer stopgap called Live at Studio Underjord 2019 that — you guessed it — was recorded in 2019 at — you guessed it again — Studio Underjord. The studio, which in the past has hosted the likes of Skraeckoedlan, Domkraft, MaidaVale, Ocean Chief, Hazemaze, Alastor, The Tower, is set in Norrköping, and Vokonis come from BorĂĄs to the south and west. It’s about three-hours between the two, but last September, the band — no strangers to the place; they’ve done their last two LPs there — made the trip to put down live versions of “AntlerQueen” and “Sunless Hymnal,” both of which come from their 2019 album, Grasping Time (review here).

That record wasn’t shy in displaying the increasing breadth that Vokonis‘ sound has come to encompass, or the variety of influence they take from sludge, heavy rock, post-rock, progressive metal, and so on. Particularly, a dynamic of shared vocals between guitarist Simon Ohlsson and bassist Jonte Johansson — while not brand new by any means — became an increasing presence in their sound, and perhaps in addition to wanting to showcase how that comes across live, the band also wanted to get versions of the two songs to tape with Peter Ottosson on drums, whereas Grasping Time was recorded when Emil Larsson was still in the lineup.

So if you need reasons, there are a couple right there. I’m not sure you actually need reasons though, because whatever it was that had Vokonis riding the E4 up to Underjord, the fact remains that the songs are killer heavy and killer heavy is its own excuse for being. Indeed we get to hear Johansson‘s clean singing in the rolling “Sunless Hymnal” mixed in with some of Ohlsson‘s more shouting approach in “AntlerQueen,” and even some screams thrown in at the end, as on the record, and as the two songs appear in succession on the actual studio release as well, they flow together with no hesitation at all, as though they were written that way. Funny how that works out sometimes.

I’m not saying I’ve heard any rough versions of tracks or anything like that, but Vokonis‘ progression is ongoing with their new material, and they’re getting ready to explore some new ideas in terms of arrangement as well, so whatever else 2020 or early 2021 brings, it’s going to be worth your time keeping an eye out for news for what they have coming up. Until then, I’m happy to host the premiere for the video edition of Live at Studio Underjord 2019, because, well, see the paragraph above about “killer heavy.” Especially as someone who’s never gotten to see them live, I appreciate the chance to check this out.

I hope you enjoy:

Vokonis, Live at Studio Underjord 2019 video premiere

Vokonis play “AntlerQueen” and “Sunless Hymnal”, both from their latest album Grasping Time, live at Studio Underjord.

Vokonis are:
Simon Ohlsson – Guitar & Vocals
Jonte Johansson – Bass Vocals
Peter Ottosson – Drums

Vokonis, Live at Studio Underjord 2019 (2020)

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Days of Rona: Martin Wegeland of Domkraft

Posted in Features on April 28th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

domkraft martin wegeland

Days of Rona: Martin Wegeland of Domkraft (Stockholm, Sweden)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Well, since our focus right now is to get the next album written and recorded, it hasn’t really affected the band that much. A few shows have been cancelled, but since most of our booked shows this year are in the fall, there’s still hope that those will happen. We’re all healthy (as for now) and are still able to get together in our practice space so we are pretty much as active as we can be.

What are the quarantine/isolation rules where you are?

[As of April 9:] There are restrictions, but not as strict as in most other affected countries. Schools are still open and the limit for gatherings is 50 persons, so many restaurants and bars are also still up and running, but many of them are on their knees right now. I live in Stockholm, which is the by far most affected region in Sweden and I think this is where we’ve seen the biggest impact on daily life also. I’ve been working from home for a month, like most people in lines of work that allow that. Sweden has gone the route where we lay a lot of responsibility on the individual instead of governmental restrictions, basically to keep a social distance, not travel or use public transportation unless completely necessary – and to keep washing hands and to stay home at the very tiniest sign of illness whether it be a runny nose or a headache. The only strict restriction apart from the gathering limit is that no visits are allowed in nursing homes and hospitals, basically. And it does feel like most people take the threat seriously and adhere to the recommendations, so fingers crossed the flattened curve strategy will work.

How have you seen the virus affecting the community around you and in music?

The streets are less crowded, no doubt about that. But it’s not full on ghost town mode. As far as the music scene goes, I think the biggest concern is that – apart from the disease itself and the fact the people die from it, obviously – many already struggling venues and promoters are going through extremely rough times right now. It has always been a game with tight margins, and I honestly don’t know how many of them will make it through this. And that also goes for all the freelancers in the scene. And we also have friends in other bands that really, really suffered from this with tours being cancelled with all the costs already taken and non-refundable. Our own losses from cancelled shows are nothing in comparison.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Personally, I really hope that everyone takes this seriously. My mother is old and in the risk group and she will most likely neither see her kids nor grandchildren until this is over. And there is no telling how far away that is. The uncertainty is really frustrating since it affects us on so many levels; the damage done by the actual disease, but also all the effects of the lockdowns and restrictions all over the world. The only thing that is for certain is that we will come out to a something very different when this is over. From a band perspective, it does give us time to work on new music, but it’s strange to not have any idea of when we will be able to perform in front of a crowd again. Which of course is a non-issue when set against the fatalities and personal tragedies of those directly affected by the virus, but in the micro perspective of what the aftermath of all this will bring on a personal level, music still feels really important. Hopefully, this test of respect and solidarity will lead to something good coming out of it also. And not just an endless blame game fueled by political cheap shots.

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Days of Rona: Leif Edling of Candlemass

Posted in Features on April 9th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

candlemass leif edling

Days of Rona: Leif Edling of Candlemass (Stockholm, Sweden)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Everybody in the band are okay, fingers crossed. It’s not fun to have all your gigs cancelled or postponed, but we do what we can to do something constructive anyways.

For instance we are planning a live streaming show at the end of the month. Not one of those homemade things that are popular right now, but in a big studio, and with a filmcrew present. :-)

I really hope this will happen. A fun thing for us to do in these strange corona times, also an alternative for those shows that didn’t happen this evil spring.

What are the quarantine/isolation rules where you are?

In Sweden we can gather up to 50 people at the same time, so we can go to the pub and eat in a restaurant, as long as we keep a distance of 1-2 meters.

We don’t have a totally out of control outbreak either. It’s more under the surface as of now, so we’re waiting for the eruption to come. And of course hope it never does….

But everybody I know sit at home, as I do, read a lot, watch Netflix and HBO, clean the house, fixing the basement, sorting the vinyls (again).

How have you seen the virus affecting the community around you and in music?

People are losing their jobs, shops close, economy goes down… people are trying to keep a positive attitude but that bit you see is harder and harder to maintain.

Personally I think that is one of the most important things now in these hard times — be positive, don’t lose faith. We will prevail and come out of this better then ever before!

I’m sure there will be many records and songs written about the pandemic… the Corona pest!

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I’m not important. What is key is that we don’t panic. Just take it easy, try to be positive, stay at home, support your near and dear AND also your neighbours. Not with visits, phone them, email, shop groceries for the elderly close.

And don’t forget to listen to A LOT of hard rock and metal! That part is VERY IMPORTANT!

WWW.FACEBOOK.COM/CANDLEMASS
https://www.instagram.com/CANDLEMASS_SWEDEN/
http://www.candlemass.se/
WWW.NAPALMRECORDS.COM

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Days of Rona: Simon Ohlsson of Vokonis

Posted in Features on April 9th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

vokonis simon ohlsson

Days of Rona: Simon Ohlsson of Vokonis (BorĂĄs, Sweden)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

It’s been pretty varied. The crisis have affected us mentally. I personally think it’s been very hard to handle the way media and people online are handling this. I’ve suffered from anxiety from a young age and since I was a teen have been obsessed with being clean, washing my hands and not getting ill/sick. Over the years I’ve gotten better with therapy and just trying my best to put myself out there. So it’s been a setback for me personally.

We’ve had to reschedule a bunch of shows. Stockholm, Oslo and Esbjerg Fuzztival in Denmark. Hopefully this blows over soon and we can get back to playing live again. I miss it very much. It’s been a source of energy and a way to challenge my anxiety for these past years. I can’t imagine not doing it.

What are the quarantine/isolation rules where you are?

Sweden has been pretty much behind a lot of other countries. We’re not that affected by government restrictions yet. It feels like it’s gonna crash down soon though.

How have you seen the virus affecting the community around you and in music?

It’s been a source of connectivity online for sure. I think it’s always going to be strengthening people. We managed to play a show just before all of this really broke out and that felt awesome. To be able to give some matter of relief to people in these troubling times gave a lot of perspective not really being offered online.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

That we’re still going strong. We try to keep motivated as we’re working on a new album. It’s been a great thing to be able to create right now. Not getting immersed in all of the negativity and trying to keep your head leveled above the water.

Due to us having to reschedule shows we’ve had a massive dent in the band’s economy though. Hopefully we’ll get out there again so the new album won’t be set back due to us not getting money. But know that over on the other side of all this, there lies a new Vokonis album!

https://www.facebook.com/OfficialVokonis/
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Days of Rona: Peder Bergstrand of Lowrider

Posted in Features on April 6th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

lowrider peder bergstrand

Days of Rona: Peder Bergstrand of Lowrider (Stockholm, Sweden)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

To be honest, it hasn’t hit us that hard as a band, at least not yet. We luckily did not have any long tours planned that now are cancelled, that financial situations depended on. Fortunately our new record is already out and distribution of it has not been affected by all of this too much, at least not yet.

On a personal level, it’s hitting harder though. Ola is a nurse outside of the band, so he’s very much in the middle of the storm right now.

The rest of us are working from home since 3 weeks, most Swedes that can are. We’re ok, but trying to juggle stay-at-home kids and every day life is a little intense – but that’s of course a total non-issue compared to what people who are ill, or the ones treating them, are going though right now.

We’ve obviously also had to postpone the London and Berlin DesertFest gigs. We were looking forward to those so so much – but honestly it wasn’t even a choice or anything to debate. It was just something we needed to do – we all need to stay home and try to flatten the curve.

What are the quarantine/isolation rules where you are?

The rules here in Sweden are so far pretty mild compared to rest of Europe. You aren’t allowed to have any gatherings larger than 50 people, and the recommendation is to stay at home if you can, but the latter is not enforced by police or anything. Also, people above 70 are advised to not go out at all.

Me and my siblings take turns leaving groceries outside our mum’s door. It’s a good thing she enjoys staying home reading – it’s going to be a lot of it by the looks of things. They aren’t expecting things to change before mid May, and it probably will be even longer than that.

People are out walking a lot here though, but of course social distancing. Exercising is encouraged by authorities but in ways where you can keep your distance.

It’s now a reversed Stockholm in a lot of ways – the streets are empty, but the surrounding forests are full of people.

How have you seen the virus affecting the community around you and in music?

Oh it’s a lot. Most people work from home, staying in. Therefor restaurants, businesses and venues are having a really really rough time. Many are looking at going belly up in a month or two. Friends in the industry are in free fall. It’s rough. Booking agencies, promoters, bands… all are getting hit by this.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Well, we are safe, and in a country with free healthcare and with — what at least seems like now — a decent shot at flattening the curve. So, knock on wood, we are okay, considering. Our near and dear are okay as well, but there’s a lot of friends of friends and neighbors that have the virus or have had severe symptoms. We are, as a city, definitely in the middle of it. Trying not to get to bogged down in negativity though, and focus on all the things that are good rather than the opposite.

This whole involuntary pause from playing live has also forced us to shift focus and look ahead instead. So me and Andreas have started working on the drums for the third album, and by the looks of things we might even finish it this year. It feels good to focus on that in the middle of all of this. Keeps you going. Keeps you sane.

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