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Track Premiere: Brown Acid: The Fourth Trip Sampler Megamix by Ben Westbeech

Posted in audiObelisk on April 11th, 2017 by JJ Koczan

brown-acid-the-fourth-trip

It would’ve been really easy for the Brown Acid compilation series to go the way of many, many others in either becoming academic retreads or simply fizzling out. Much to its credit, it’s done neither. Brown Acid: The Fourth Trip, out April 20 via RidingEasy Records, is as the title suggests the fourth installment in the collection focused on the years immediately following the heyday of psychedelia — circa 1970-1975 — which it has alternately called the “comedown era” or, as on the cover here, the “Underground Comedown.”

Whatever the name given, it’s that vision of the early ’70s that we see Johnny Depp as Raoul Duke explain in Fear and Loathing in Las Vegas: the darker years that followed in the wake of the Summer of Love when the war kept going and distortion got meatier. Brown Acid: The Fourth Trip basks in this vibe in the heavy blues of “Carry Me On” by Headstones and “Oceans Inside Me” by Stone Garden and groups included like Bungi, Axas and Zekes — the latter who are making their second appearance in the series with the eight-minute, cowbell-infused, Leaf Hound-style raw jam “Comin’ Back” at the outset of side B — set up a flow across the 10-track/35-minute LP span that’s as much about feeding one groove into the next as it is giving its audience of the converted among the converted a “betcha never heard this before” challenge. To wit, the full tracklisting:

VA, Brown Acid: The Fourth Trip:
01. Kanaan, “Leave It”
02. Stone Garden, “Oceans Inside Me”
03. Headstones, “Carry Me On”
04. Wrath, “Rock ‘n’ Roll Fever”
05. Bungi, “Numbers”
06. Erving Forbush, “The Train”
07. Zekes, “Comin’ Back” (previously unreleased)
08. Bad Axe, “Coachman”
09. Ash, “Warrant”
10. Axas, “Lucifer”

As ever for Brown Acid, the prevailing sensibility throughout is one of careful curation made to sound like someone’s just putting on rad singles they found one after the other, like a DJ set where the guy actually out-obscures the room instead of just putting on Atomic Rooster‘s “Death Walks Behind You” and desperately looking around for knowing nods of approval. Working in tandem with Los Angeles’ Permanent RecordsRidingEasy sets up these rarities not to show them off as trophy acquisitions, and not as lessons for their audience in the origins of riffs — because damn it, by now the audience for this stuff knows where riffs come from — but as explorations of cool heavy vibes and songs that kick ass.

I’m not even sure how, but Brown Acid: The Fourth Trip manages to be the heavy ’70s “lost tracks” comp that doesn’t come across as self-important or over-inflating in terms of its celebration of its contents. Nobody’s claiming the wah-soaked leads of Kanaan‘s “Leave It” invented anything. Nobody’s shying away from how much Axas‘ “Lucifer” owes directly to Black Sabbath‘s “N.I.B.” All that stuff is right there for the listener to hear. Whether it’s the motor-chug of Wrath on “Rock ‘n’ Roll Fever” (they have pills for it now), or the crotch-thrust boogie of Erving Forbush‘s “The Train,” the progression of songs wants neither in energy nor flow, and that only serves to emphasize the underlying effort put into making this chapter in the apparently-ongoing series. They make it sound easy. One doubts it actually is.

To herald the comp’s arrival — again, on April 20 — RidingEasy and Ben Westbeech have put together a 12-minute sampler platter of what’s in store on Brown Acid: The Fourth Trip, and today I have the pleasure of unveiling the thing, which runs through the included tracks and ties them together with old biker-movie samples (which are not actually featured on the comp itself). You can check it out in its entirety below, followed by more info from RidingEasy off the PR wire about the process of making this beast happen.

Hope you enjoy:

If you thought we were getting close to the end of the Brown Acid series with our last Trip, you were dead wrong…we’re only just getting rolling. The well of privately released hard rock, heavy psych, and proto-metal 45s is deep and we are nowhere near tapped out. Most of these records were barely released and never properly distributed so they ain’t easy to find, but they’re out there if you’re willing to dig…and we aren’t afraid to get our hands dirty. Hard calluses have formed from handling the shovel and we’ve sifted through a lot of dirt, but we’ve dug up another ten tremendous records to share with all the heavy heads out there. This volume brings together eight insanely rare and skull-crushingly heavy 45s as well as two previously unreleased bangers.

You may remember the Zekes’ jaw dropper “Box” from the First Trip. If you don’t, you better go back and refresh your memory, you stoner. That song rips! And so does this previously unheard recording we legally obtained from the Beverly Hills records vaults. “Comin’ Back” is the longest tune we’ve yet to include on this series and it’s a full-on rager! The only surviving copy of this recording came to us on the original 1/4″ master tape from Hollywood’s long-defunct Demars & Duffy Music. We did our best to preserve the recording and we think you’ll appreciate the rawness.

There have been numerous groups named Bad Axe over the years, but the one you hear here is the baddest. This five-piece fresh outta high school kicked out this jam (and a few others) in a Chicago studio in 1973 just for the hell of it. As a garage band, they were previously named The Burlington Express and they went on to be known as Bitch, but these dudes hit their stride as Bad Axe and “Coachman” is their crowning achievement. It went completely unreleased until 2014 when Permanent Records issued it and “Poor Man, Run” as a limited edition 45 with a killer picture sleeve. It’s long out-of-print and only obtainable now on Brown Acid.

The rest of the records included on this volume vary in rarity, but at least two of them were virtually unknown until we discovered them. You’ll win the lottery before you find copies of all of the original 45s in even the best record stores. Many of the records included in this volume are owned only by the members of the bands and some of the band members don’t even have personal copies. That’s just how hard these guys hit it back in the day! We’re lucky some of these guys are still alive and well enough to give us permission to use their masters.

RidingEasy Records website

RidingEasy Records on Thee Facebooks

RidingEasy Records on Twitter

RidingEasy Records on Soundcloud

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Kikagaku Moyo Touring the US in May; New EP out Next Month

Posted in Whathaveyou on March 14th, 2017 by JJ Koczan

Tokyo psychedelic mavens Kikagaku Moyo are coming to the US for a tour starting in scenic Philadelphia, Pennsylvania — really, I mean that; I love Philly — on May 2. The adventurous lysergic rockers released their third album last year and will have a new EP titled Stone Garden out April 21 on Guruguru Brain ahead of the tour, the rather extensive reach of which you can find below.

It goes coast-to-coast and finds them paired with Holy Sons, which of course is Emil Amos from Grails and Om, as well as Mono. Routing-wise, it’s a little all over the place — Philly, D.C., Brooklyn, Vermont, Montreal; Oregon, British Columbia, Washington, Oregon — but no doubt it’ll get them in front of open eyes and open minds along the way, and of course that’s the whole idea.

Wanna see what the PR wire has to say about it? Well, here you go:

kikagaku moyo Jamie Wdziekonski

Kikagaku Moyo Announce North American Tour Kicking Off In May

New EP ‘Stone Garden’ Out April 21st

Today, Kikagaku Moyo announce their spring North American tour, to follow the release of their new EP ‘Stone Garden,’ out April 21st via Guruguru Brain. The tour will kick off in Philadelphia on May 2nd, and will take the band from the East to the West Coast.

‘Stone Garden’ started in a basement studio in Prague with a nearly continuous session over several days and nights. The original concept was influenced by the raw and seemingly endless jams of psychedelic pioneers. The freeform songs that emerged from those sessions were refined over several months at the band’s home in Tokyo where each song was sculpted into an uncommon form.

Compared to their relatively song based previous LP ‘House in the Tall Grass,’ ‘Stone Garden’ is a window into Kikagaku Moyo’s experimental side. While improvisation is essential to their songwriting process it can take on many forms. This record enabled the band to experiment not only with instrumentation but also atonality and a playful approach to mixing. The unexpected results have become five unique songs each woven together through the same process.

Kikagaku Moyo (Japanese for Geometric Patterns) is the musical union between five free spirits. Go Kurosawa (drums, Vocals) and Tomo Katsurada (Guitar, Vocals) formed the band in 2012 as a free artist’s collective. They met Kotsuguy (Bass) while he was recording noise from vending machines and Akira (Guitar) through their university. Ryu Kurosawa had been studying Sitar in India, upon returning home he found the perfect outlet for his practice.

TOUR DATES
5/2 – Johnny Brenda’s – Philadelphia, PA *
5/3 – Rock & Roll Hotel – Washington DC *
5/4 – Rough Trade – Brooklyn, NY
5/5 – Waking Windows Music & Arts Fest – Winooski, VT
5/6 – Bar Le “Ritz” P.D.B. – Montreal, QC
5/7 – Great Scott – Allston, MA
5/9 – Mahall’s – Cleveland, OH
5/10 – Spirit – Pittsburgh, PA
5/11 – Marble Bar – Detroit, MI
5/12 – The Empty Bottle – Chicago, IL
5/13 – Company Brewing – Milwaukee, WI
5/14 – 7th St. Entry – Minneapolis, MN
5/17 – Doug Fir Lounge – Portland, OR ^
5/18 – The Cobalt – Vancouver, BC ^
5/19 – Sunset Tavern – Seattle, WA ^
5/20 – Hi-Fi Music Hall – Eugene, OR ^
5/21 – The Independent – San Francisco, CA ^
5/22 – The Echoplex – Los Angeles, CA ^
5/23 – The Hideout – San Diego, CA ^
5/24 – The Flycatcher – Tucson, AZ ^
5/26 – Scottish Rite Theater – Austin, TX
5/27 – Foundry Beer Garden – Dallas, TX
5/28 – Growler’s – Memphis, TN
5/29 – Mothlight – Asheville, NC
5/30 – High Watt – Nashville, TN
5/31 – The Earl – Atlanta, GA
* w/ MONO, Holy Sons
^ w/ Sugar Candy Mountain

Stone Garden EP – TRACKLISTING
01. Backlash
02. Nobakitani
03. Trilobites
04. In a Coil
05. Floating Leaf

http://kikagakumoyo.tumblr.com/
https://www.facebook.com/kikagakumoyo/
https://twitter.com/kikagaku_moyo
https://geometricpatterns.bandcamp.com/
https://gurugurubrain.bandcamp.com/album/house-in-the-tall-grass
http://www.facebook.com/GuruguruBrain

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Brown Acid: The Fourth Trip Due April 20

Posted in Whathaveyou on February 23rd, 2017 by JJ Koczan

RidingEasy Records returns in April with another dose of scuzzer-fuzz and proto-everything on Brown Acid: The Fourth Trip. In collusion with Permanent Records in Los Angeles, the latest in the apparently-ongoing series of oh-so-delightfully-obscure 45RPM singles and lost odds and ends from the late ’60s and early ’70s deep-dives once more into the roots of what we think of today as heavy, and comes out with a collection worthy of collectors, as the raw buzz of opening cut “Leave It” by Kanaan — which you can stream below, because it’s a whole past-meets-the-future thing, man — makes as plain as the melting face on yonder assortment of skulls. Vibe, vibe, vibe. How long can they keep the streak going?

Call it ripe for the diggin’, and then dig in. PR wire info follows:

brown-acid-the-fourth-trip

Brown Acid: The Fourth Trip compilation coming 4/20

Rare 60s-70s pre-metal, hard rock singles curated by L.A.’s Permanent Records & RidingEasy Records

L.A. label RidingEasy Records and retailer/label Permanent Records announce the upcoming release of the 4th edition in their celebrated compilation series of long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid today with a premiere of the first track. Hear and share Kanaan’s “Leave It.”

If you thought we were getting close to the end of the Brown Acid series with our last Trip, you were dead wrong…we’re only just getting rolling. The well of privately released hard rock, heavy psych, and proto-metal 45s is deep and we are nowhere near tapped out. Most of these records were barely released and never properly distributed so they ain’t easy to find, but they’re out there if you’re willing to dig…and we aren’t afraid to get our hands dirty. Hard calluses have formed from handling the shovel and we’ve sifted through a lot of dirt, but we’ve dug up another ten tremendous records to share with all the heavy heads out there. This volume brings together eight insanely rare and skull-crushingly heavy 45s as well as two previously unreleased bangers.

You may remember the Zekes’ jaw dropper “Box” from the First Trip. If you don’t, you better go back and refresh your memory, you stoner. That song rips! And so does this previously unheard recording we legally obtained from the Beverly Hills records vaults. “Comin’ Back” is the longest tune we’ve yet to include on this series and it’s a full-on rager! The only surviving copy of this recording came to us on the original 1/4″ master tape from Hollywood’s long-defunct Demars & Duffy Music. We did our best to preserve the recording and we think you’ll appreciate the rawness.

There have been numerous groups named Bad Axe over the years, but the one you hear here is the baddest. This five-piece fresh outta high school kicked out this jam (and a few others) in a Chicago studio in 1973 just for the hell of it. As a garage band, they were previously named The Burlington Express and they went on to be known as Bitch, but these dudes hit their stride as Bad Axe and “Coachman” is their crowning achievement. It went completely unreleased until 2014 when Permanent Records issued it and “Poor Man, Run” as a limited edition 45 with a killer picture sleeve. It’s long out-of-print and only obtainable now on Brown Acid.

The rest of the records included on this volume vary in rarity, but at least two of them were virtually unknown until we discovered them. You’ll win the lottery before you find copies of all of the original 45s in even the best record stores. Many of the records included in this volume are owned only by the members of the bands and some of the band members don’t even have personal copies. That’s just how hard these guys hit it back in the day! We’re lucky some of these guys are still alive and well enough to give us permission to use their masters.

Artist: Various Artists
Album: Brown Acid: The Fourth Trip
Label: RidingEasy Records
Release Date: April 20th, 2017

01. Kanaan “Leave It”
02. Stone Garden “Oceans Inside Me”
03. Headstones “Carry Me On”
04. Wrath “Rock N’ Roll Fever”
05. Bungi “Numbers”
06. Erving Forbush “The Train”
07. Zekes “Comin’ Back” (previously unreleased)
08. Bad Axe “Coachman”
09. Ash “Warrant”
10. Axas “Lucifer”

http://www.ridingeasyrecs.com/
https://www.facebook.com/ridingeasyrecords/
https://twitter.com/EasyRiderRecord
https://soundcloud.com/easyriderrecords/

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