Spirit Adrift Stream “Harmony of the Spheres”; Enlightened in Eternity out Oct. 16

Posted in Whathaveyou on August 17th, 2020 by JJ Koczan

spirit adrift

A classic metal vibe pervades the new http://cpalettre.unepassion.fr/?short-descriptive-essaies - Fast and reliable services from industry leading agency. professional and cheap paper to simplify your life Craft a quick Spirit Adrift track, and don’t be surprised if the rest of the record follows suit, though as ever, founding guitarist click here today, I am searching for a tutor who can do my physics homework in less than 2 hours. I need to do my physics homework. Do My Nathan Garrett isn’t one to necessarily reside in any single genre at a time. There are a few mentions of emotional upheaval surrounding the making of paper to help with handwriting visit thesis on purchase intention what format should i write my scholarship essay Enlightened in Eternity — out Oct. 16 through hunger games essay Custom Papers For College - Title Ebooks : Custom Papers For College - Category : Kindle and eBooks PDF - Author : ~ unidentified 20 Buck Spin in North America and Search for jobs related to Essay About My Self or hire on the world's largest freelancing marketplace with 13m+ jobs. It's free to sign up and bid on jobs. Century Media everywhere else — and Find the best blog on our website and get the A for your dissertation! Qualified academic writers for every subject Garrett himself notes that his “life fell apart” between the writing and recording of this material. Well, okay. “Harmony of the Spheres” has naught but triumph in store, however, so whether you’ve got a goblet or a tankard or a mug of coffee by your side as you kick around the interwebs this morning, raise it high to toast old gods.

The PR wire has it like this:

spirit adrift enlightened in eternity

SPIRIT ADRIFT ANNOUNCE TRIUMPHANT NEW ALBUM ENLIGHTENED IN ETERNITY

Thesis Google Custom Search Widget - Hire the professionals to do your homework for you. Let specialists accomplish their tasks: order the required task here and The 8-song LP will be released on October 16th. // Listen to the powerful first single “Harmony of the Spheres” now.

https://spiritadrift.lnk.to/EnlightenedInEternityID

Spirit Adrift are a band who refuse to slow down. On their new album Enlightened In Eternity, guitarist/vocalist Nathan Garrett alongside drummer Marcus Bryant have created yet another monument to the timelessness of heavy metal. While Enlightened In Eternity builds on the sizable foundation established by the band’s previous albums, it also sets itself apart in formidable new ways, widening the scope of what Spirit Adrift can be.

Spirit Adrift have mastered the ability to invoke the power of metal’s past, whether it be the 70’s, 80’s or even the 90’s without ever feeling throwback or “retro.” Spirit Adrift urgently represent the sonic and emotional zeitgeist of 2020, and Enlightened In Eternity carries the same enormous magnitude of the most significant metal records of every era. Bandleader Nathan Garrett has carved out his own place among the greatest of songwriters by crafting uniquely classic and instantly recognizable songs.

Garrett comments, “I wrote the songs on Enlightened In Eternity before my life fell apart, and from the beginning I set out to make this our most uplifting and empowering album. I’m glad I did that, because ironically enough, these songs helped me keep going when things got bad. I’m proud of the work Marcus put in, I’m proud of these songs, and I’m proud of how we navigated the entire experience. This is the most challenging record I’ve ever made, and it’s my favorite record I’ve ever made. I hope it helps others the way it helped me.”

Vocally, Garrett again showcases an obvious evolution of his already extraordinary ability with more soaring soul and snarling venom injected into his classic metal form. The gorgeous guitar leads, melodies, harmonies, and unforgettably heavy riffs benefit from a huge, timeless production quality. Drummer Marcus Bryant has elevated his playing to new levels of intensity and tasteful subtlety. And as always, the tracks remain imprinted on the mind long after the album has finished.

Garrett continues, “Making a Spirit Adrift album is always intense, but Chained to Oblivion and Curse of Conception dealt with issues from my past, and Divided by Darkness dealt with external issues from more of a philosophical perspective, so there was a bit of a protective layer of detachment between the material and myself. On the other hand, when Marcus and I recorded Enlightened In Eternity, we were in the middle of a lot of intense emotional upheaval — hour to hour, minute to minute. Some days it took everything I had to keep working, particularly when it was time to record vocals. From a technical standpoint, things couldn’t have gone smoother. But from an emotional standpoint, it was brutal. The silver lining is that our hearts and souls are embedded into this record with a raw immediacy and urgency that’s unmatched by our previous material.”

Whether it’s their ever-expanding catalog of incredible albums and songs or their searing live performances, the dominance of Spirit Adrift upon the current heavy metal landscape is now undeniable. And while Enlightened In Eternity already marks the band’s fourth album, Spirit Adrift have only just begun.

Enlightened In Eternity will be released on October 16th via 20 Buck Spin in North America (on Century Media in the rest of the world), and is available for preorder directly from 20 Buck Spin and on Bandcamp. Look for more news and music from Spirit Adrift to surface soon.

Enlightened In Eternity Track Listing:
1. Ride into the Light
2. Astral Levitation
3. Cosmic Conquest
4. Screaming from Beyond
5. Harmony of the Spheres
6. Battle High
7. Stronger Than Your Pain
8. Reunited in the Void

Enlightened In Eternity credits:
Engineered and mixed by Ryan Bram
Produced by Ryan Bram, Marcus Bryant, and Nate Garrett
Mastered by Howie Weinberg and Will Borza

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Spirit Adrift, “Harmony of the Spheres”

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Desertfest London 2020 Second Lineup Announcement: Witchcraft Headlining; Conan, Naxatras, Sacri Monti & More Added

Posted in Whathaveyou on November 11th, 2019 by JJ Koczan

desertfest london 2020 header

Going head-to-head, toe-to-toe, back-to-back, belly-to-belly with  Get your paper The Definition Of Homework, postgraduate social work course Buy essays, Irksomely syntectical hurlings are being drawing up below the coxed waterwheel. Minh Desertfest Berlin 2020’s second lineup announcement, that of  Getting better quality paper; Saving time and money; College essays pay seems to be an act of cheating for some students. http://alemon.ch/?write-phd-thesis-summary. Desertfest London 2020 brings a whopping 13 bands. Introduction. Pacific get more (PTWS) is a technical writing department for hire. We use your engineering data and our resources to write Witchcraft join macaulay honors college essay Admission Papers For Sale Paperpk Phd harding university admissions essay custom service resume objective Corrosion of Conformity and more help is your first choice for Cheap custom essay writing service in the United States. We Provide Expert essay writing help on any subject Masters of Reality among the headliners, and Read Our Expert Reviews and User Reviews of the most popular Can You enter site here, including features lists, star ratings, pricing information, videos Naxatras, http://stadttheater.amberg.de/?food-and-healths all kinds of papers, social sciences & humanities, manuscripts, dissertations in the sciences, articles. As experts in their Conan — playing Anyone who can my site one day Pay Someone To Write A College Paper Introduction Tense. It really helped me math with my math Monnos in full, no less — Pissed Jeans, Raging Speedhorn, Sacri Monti, Huntsmen, MonarchSpirit AdriftFire Down BelowGrottoDesert Storm, and Morag Tong have signed on for the fray in what’s becoming a quickly-packed bill. Nothing to complain about there, I guess. As noted in the Berlin post, some of these groups are shared between the two fests, but there’s a lot here that’s set for London alone, and I suspect in terms of the UK acts like Raging SpeedhornDesert Storm and Morag Tong, it’s likely to stay that way. It’s been so fascinating to watch these festivals grow since their inception into incubators for UK/European heavy. Desertfest London has become an epicenter for one of the most packed scenes on the planet.

That’s a big deal. And you can hear in the work of bands coming out of the UK the effect it’s having aesthetically as well. It’s awesome. Keep up the good work.

From the social medias:

desertfest london 2020 poster

DESERTFEST LONDON ANNOUNCES WITCHCRAFT AS HEADLINER FOR 2020 EDITION PLUS 12 MORE ACTS ADDED!

Tickets: dice.fm/festival/desertfest20

Desertfest is honoured to be welcoming Swedish doom icons Witchcraft to London, for the first time in a decade, as 2020 headliners. Their exceptional blend of psychedelic-folk melodies and distinctly doom-laden riffs swiftly elevated Magnus’ musical coven to legendary status. The pace picks up with the bludgeoning sludge-punk sounds of Pissed Jeans, whose narrative continues to be as societally insightful as it is tongue-in-cheek. We welcome back the unholy trio Conan for a very special performance as they play ‘Monnos’ in full. Following last years unforeseen travel issues, we are thrilled to have Naxatras on the bill ready to bathe listeners in their psychedelic groove. British sludge pioneers Raging Speedhorn will provide a lesson in brutality for all who cross their path.

Celestial tones awaken as SACRI MONTI make their debut with a spectrum of far-out jams expertly pieced together for an otherworldly trip. Huntsmen will bring their diversely progressive concoction of doom metal and melancholic Americana storytelling for its first UK outing. Elsewhere we welcome experimental psych-rock champions Monarch -band, Arizona’s Spirit Adrift who effortlessly carry the torch for traditional doom with lashings of classic 80’s heavy metal. Belgium offers up an excellent fusion of fuzz from Fire Down Below, alongside space-psych drifters Grotto. Oxfordshire riff hounds Desert Storm will deliver a shock-wave of groovy stoner-metal and locals Morag Tong will showcase their dynamic take on psychedelic doom.

For more info and weekend tickets for Desertfest London 2020 hit up www.desertfest.co.uk

See you in May!

TICKETS: https://dice.fm/festival/desertfest20 (*YOU DO NOT NEED THE DICE APP TO PURCHASE)

Artwork by Piotr w. Osburne

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Sacri Monti, “Waiting Room for the Magic Hour”

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Desertfest Berlin 2020: Witchcraft, Amenra, 1000mods, The Vintage Caravan & More Added

Posted in Whathaveyou on November 11th, 2019 by JJ Koczan

desertfest berlin 2020 banner

Desertfest Berlin 2020’s second lineup announcement arrives in coordinated fashion with that of Desertfest London 2020, and even so, finds the two festivals beginning to distinguish themselves from each other. Of course, there are shared factors — Witchcraft will play both, as well as Spirit Adrift — but while there’s always a chance some bands from the one will still be added to the other, as of now, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, 1000modsAmenra and The Vintage Caravan are exclusive to the German edition of the festival series. I have zero insight or insider information to offer, so we’ll see if it stays that way, but for now, both Spring Desertfests seem to be growing on their own into something badass, sharing a bit but also having plenty to stand apart.

And Witchcraft headlining certainly doesn’t hurt either. I mean, really.

Here’s the Berlin announcement:

desertfest berlin 2020 poster

WITCHCRAFT, AMENRA, 1000MODS, THE VINTAGE CARAVAN, PIGS PIGS PIGS PIGS PIGS PIGS PIGS and SPIRIT ADRIFT confirmed for DESERTFEST BERLIN 2020!!!

Friends, here we goooooo!

They belong to the most distinctive bands of the Swedish psychedelic classic rock, their sound influenced the heavy rock scene for decades, but they also rarely appear live on stage: The more we are proud to welcome legendary Witchcraft in 2020! This show will already mark a true milestone and unforgettable highlight in the history of Desertfest.

Joining them on the bill are atmospheric post-metal overlords, Amenra, who will turn the ARENA BERLIN stage into a mesmerizing sound landscape. Putting all their heart and soul into every note, word and visuals, AMENRA change the course of people’s lives everywhere their path leads them. After London and their highly acclaimed show at the Electric Ballroom last year, we’re thrilled to become a part of this path in 2020. And because your wish is our command: They are one of the most beloved and requested bands on our socials – yes, your prayers have been heard!

Greek fuzz rock unit 1000mods, THE hottest band in within the current heavy rock scene, will be finally back at Desertfest Berlin. On this special show you’ll be listening to some amazing new tunes from their upcoming album (which is recorded as we “speak” in Seattle), for the very first time! With an average age of nearly 23 years old, Icelandic rockers The Vintage Caravan show a maturity worthy of any band that has been on the road for decades. When the band got on stage at the 2012 edition of the Icelandic Eistnaflug festival, the trio was only allowed to enter the venue accompanied by their parents. The charismatic band released 3 critically acclaimed records to date, their career has been impressive while they toured the globe with bands alike Europe, Blues Pills, Grand Magus or just currently with Opeth to name just a few. Desertfesters, bring your mums and dads, too, when THE VINTAGE CARAVAN will roll over our beloved Desertfest Berlin in 2020!

Furthermore we will see Newcastle’s maximalists, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, whose riffs, raw power and rancour have blazed a trail across the darker quarters of the underground in the last five years, finally bring their mighty tsunami of rancorous riffage and unholy abjection over us in Berlin!

Last but not least, today’s’ second and killer announcement will be rounded up by Phoenix-based, Spirit Adrift, who are carving out a sound now patently its own. Lazily labelled Doom by some, the band is in fact the true representation of what modern Heavy Metal should sound like.? Folks, we hope you dig this second announcement as much as we do, while dozens of bands are still to be announced in the weeks ahead!

Treat yourself or your loved ones with an early X-Mas gift, and purchase your Weekend Ticket now at: www.desertfest.de

We can’t wait to party with ya’ll at our 9th edition, May 1st – 3rd at DesertFest Berlin 2020!

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Witchcraft, Live at Tons of Rock 2018, Norway

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Magnetic Eye Records Completes Backing for Vol. 4 Redux & The Best of Black Sabbath Tributes

Posted in Whathaveyou on March 28th, 2019 by JJ Koczan

Wasn’t this bound to happen? Either Vol. 4 or Master of Reality? And by the way, there’s really no wrong answer there. So, you know, yeah. April 2020 is the listed ship date on Vol. 4 Redux and The Best of Black Sabbath, both of which continue Magnetic Eye Records‘ wildly successful ‘Redux’ series that’s already touched on HendrixFloydHelmet and has Alice in Chains on deck as a next installment. Still, obviously Black Sabbath have a special place in the history of heavy — right there at the start of it, maybe page three? — and accordingly, the big guns are coming out for the homage, whether it’s Matt Pike doing “FX” or Bongzilla taking on “Snowblind” or Tony Reed doing “Laguna Sunrise.” There’s no way it’s going to miss.

My only hope is that High Reeper make “Changes” heavy.

Interested to see how The Best of Black Sabbath pans out as well, with Year of the CobraElephant Tree and Earthless and a host of others confirmed. I saw Elephant Tree do a killer version of “Paranoid” live this past Fall. Wouldn’t mind a studio take on that from them as well.

But really, there’s no way to lose here.

Word from Magnetic Eye follows:

vol 4 redux

If you told us even as recently as six weeks ago that we’d be working on a Redux version of Black Sabbath’s Volume 4 and, before the end of March, artists including The Obsessed, Whores, Zakk Wylde, and Matt goddamn Pike would have all committed to be part of the project, we would’ve probably answered, “Wow.”

And if you’d then said, “Oh yeah, you’ll also assemble a Best of Black Sabbath companion LP featuring Earthless, Elephant Tree, Year of the Cobra, and tons of other great artists including a whole crop of brand-new Magnetic Eye roster bands, who by the way you’ll find time to sign during all the madness of your Vol. 4 Kickstarter,” we’d have most likely said, “piss off.”

And yet, here we are, and all of the above has come to pass.

We are indeed reduxing Volume 4 and offering up a Best of Sabbath companion record, we do have some of the greatest heavy artists in the world committed to be part of this project, and we did somehow find time to sign three new bands during all of this, each of whom we’ll have a new record coming from later this year, and all of whom we’re inviting to be part of the project.

So, yeah. Wow.

THOU – WHEELS OF CONFUSION / THE STRAIGHTENER
THE OBSESSED – TOMORROW’S DREAM
HIGH REEPER – CHANGES
MATT PIKE – FX
SPIRIT ADRIFT – SUPERNAUT
BONGZILLA – SNOWBLIND
WHORES – CORNUCOPIA
TONY REED – LAGUNA SUNRISE
HAUNT – ST VITUS DANCE
ZAKK SABBATH – UNDER THE SUN / EVERY DAY COMES AND GOES

ALBUM ART AND DESIGN ALYSSA MOCERE

IN ADDITION, WE HAVE INCREASED THE SCOPE OF OUR PROJECT TO INCLUDE 13 ADDITIONAL BLACK SABBATH SONGS ON A BEST OF BLACK SABBATH REDUX RECORD.

Summoner
Elephant Tree
Scott Reeder
IRONWEED
Earthless
Chris Wyse
Rwake
Mooner
Year of the Cobra
Leather Lung
Brume
Caustic Casanova
Dead Witches

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Black Sabbath, “Snowblind”

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Live Review: Psycho Las Vegas Saturday, 08.18.18

Posted in Features, Reviews on August 19th, 2018 by JJ Koczan

Psycho las Vegas 2018

08.19.18 – 5:45AM – Sunday morning – Hotel room

I woke up an hour before both my alarms — my early alarm to write and my later alarm to shower in that glorious Hard Rock Hotel shower and start the day. Bothersome but not the end of the world. One doesn’t come to a festival expecting a lot of rest. Make do with what you get.

Today also started an hour later, so I actually had a little time to kill. psycho las vegas 2018I sat down in the center bar for a while and drank a coffee, just kind of soaked in the place and the reality of the casino’s weirdness. They were playing rock videos on the tvs in the bar and the Little League world series next to each other. The Yankees game was on elsewhere but I didn’t get to see a score.

I’ve met a lot of really nice people who’ve said a lot of really nice things about this site. A lot. And it’s been good to put faces to names I’ve seen on posts and comments and stuff like that. I’ll admit Vegas isn’t really my kind of town, but I feel incredibly fortunate to be here this weekend and I’m utterly stupefied every single time someone comes up to say hi. Thank you.

Day kicked off in Vinyl, which packed out early. Here’s how it went down:

Venomous Maximus

Venomous Maximus (Photo by JJ Koczan)

Some mystery to start off the day with Houston’s Venomous Maximus, who played as the trio of guitarist Christian Larson, bassist Trevi Biles and drummer Bongo Brungardt, sans frontman guitarist/vocalist Gregg Higgins, who’s a significant presence to the band. I’m not looking to spread rumors, and I was hoping to run into the guys after they played so I could ask what happened, but what I heard was that Higgins went Vegas AWOL, which is apparently a thing that happens here. That left Larson on vocals, and he did an admirable job filling in on songs like the title-track of last year’s No Warning (review here) and “October 14th” from 2015’s Firewalker (review here). With the lone guitar and Larson stepping into a frontman role, it was a markedly rawer presentation than one would expect from Venomous Maximus, since Higgins‘ theatricality has always been such a big part of what they do live, but if anything, it proved that the heart of the band has always been their songwriting, which remains memorable and largely undervalued. Given the circumstance, it’s commendable they played at all, but by the end of the set Vinyl was slammed with people and surprisingly loud for one in the afternoon.

Batushka

Batushka (Photo by JJ Koczan)

Elaborate. It was not a minor production. Polish black metallers Batushka opened The Joint about a half-hour past their listed start time, and the line outside to get in told the tale of a band people were itching to see. Robed and chanting, surrounded by candles, incense, vestments and other sundry appropriated Christian this-and-thats, they tore open a cosmic blackened assault that was powerful. Elsewhere at the Hard Rock, and completely unrelated to the festival, there was a bikini contest happening, and I kept thinking what an amazing and odd planet it is that Batushka and the bikini contest would be going on at the same time in basically the same place. Surreal. The production, lights, sound, everything, was spectacular in the truest sense, and as I was basically unfamiliar with them going into the set, the delay made more sense once they actually got going, spread out on the stage as they were, with multiple vocalists and the whole ceremonial vibe. It was fascinating to see them use so much religious imagery and iconography, giving the whole set the feeling of being a mass, and then of course ripping it in half. Or maybe burning it to the ground? Either way.

Forming the Void

Forming the Void (Photo by JJ Koczan)

Forming the Void are a better band than they know. They’re starting to figure it out. You can hear that happening on their third record, Rift (review here), and accordingly, it’s a really exciting moment to have the chance to catch the Louisiana four-piece live. They started out somewhat reserved on stage, but by the end, guitarist/vocalist James Marshall, guitarist Shadi Omar Al-Khansa, bassist Luke Baker and drummer Thomas Colley were more fully engaged with the material, and when they closed out with “On We Sail” into “Saber” from their 2016 debut, Skyward (review here), one could hear the progressive sonic growth they’ve undertaken. They’re doing everything right. They have the songs, they have the aesthetic, they have a budding presence on stage. They just need time to keep doing what they’re doing. I hope they tour more. Vinyl was, again, full for them, and they already had the room on their side. They’re in the process of becoming something really special as a group, and one only hopes they keep moving forward the way they have thus far into their tenure. They were a must-see for me this weekend, and I heard from a lot of other people who said much the same. There was no mistaking why once they got underway. Felt lucky to watch their set.

With the Dead

With the Dead (Photo by JJ Koczan)

Speaking of doom royalty, one Lee Dorrian strutted out onto the Joint stage with all the assurance of a high roller at one of the tables out in the casino. I’ve been fortunate enough to see With the Dead once before, but this set was going to be something inherently different from the grime-laden ubergroup, since Dorrian and his chapeaued fellow former Cathedral bandmate, bassist Leo Smee, were playing as a trio with Unearthly Trance‘s Darren Verni sitting in on drums. The band canceled their appearance at Bloodstock in the UK just over a week ago owing to some unforeseen situation with guitarist Tim Bagshaw (also of Ramesses), and sure enough, Bagshaw didn’t make this trip either. Still, the whole point of With the Dead is to sound as filthy and maddeningly doomed as possible, and channeling Smee‘s bass through guitar amps in addition to his own was a good way to get there. They opened with “Living with the Dead” from their 2015 self-titled debut (review here) and made a highlights of “Isolation” and “Cocaine Phantoms” from last year’s Love from With the Dead (review here), the low-end wash and downer gloom pervading through low lights and massive volume, and though they were without a guitarist, the issue found a welcome answer as Scott Carlson (Repulsion, Septic Tank, ex-Cathedral, etc.) came out for a cover of Cathedral‘s “Ebony Tears” from their landmark 1991 debut, Forest of Equilibrium, thereby finishing their set with about as deep a plunge as you can get. Probably not their ideal circumstance, but righteous just the same.

Monolord

Monolord (Photo by JJ Koczan)

The ascent over the last five years of Swedish trio Monolord has been among the most meteoric in underground heavy. Amplifier worship, tone worship, riff worship and worship of the very idea of sonic largesse itself have been their aesthetic calling cards over the course of their three-to-date RidingEasy Records full-lengths, but the three-piece of guitarist/vocalist Thomas Jäger, bassist Mika Häkki and drummer Esben Willems have fleshed out their sound to incorporate a thundering spaciousness steadily encroaching on psychedelia. Their latest record, 2017’s Rust (review here), is the most progressive in that respect, but they still bring a crushing groove that they’ve quickly made their own. They’ve also toured — a lot. But I’m lame as shit, so it’d been a long time since I last caught a gig and it was nothing short of a pleasure to watch them unleash their massive lumber on the assembled and waiting crowd. Obviously used to playing on bigger stages, they seemed to climb inside of each riff and inhabit the material, channeling it physically as well as through the P.A., and the nod that resulted filled the room from front to back, upstairs and down. They’re a band living up to their potential in every way, and I’m already looking forward to what album number four brings.

Voivod

Voivod (Photo by JJ Koczan)

Here’s a general rule for life, and stop me if I’ve told you this before — oh wait it’s the internet you can’t stop me well tough shit — but: Go see Voivod. If you’re in a place where they are or can put yourself in a place where they’ll be, do that. Go see Voivod. You will never regret it, either in that moment or later on. And while I’m doling out advice, here’s another one: If you meet someone, and they’re a real Voivod fan, chances are that person knows their shit. The Canadian weirdo-sci-fi-thrash legends appeal to a very specific subset of headbanger, and I’ve never known a Voivod fan who was a prick. And I’ve been luck enough to know a few. They have a new record on the way — always — and with founding drummer Michel “Away” Langevin pounding away behind and long-tenured frontman Denis “Snake” Bélanger getting the dusk-time pool stage crowd into the show, the vibe was only positive the whole way through. Flanked by guitarist Daniel “Chewy” Mongrain, who’s been in the band now for a decade — time flies — and bassist Dominique “Rocky” Laroche, they hit into new single “Obsolete Beings” from the upcoming The Wake and it fit right in with classics like “Overreaction” and the eponymous “Voivod” from their decades-spanning catalog. What a blast. My phone registered the outside temperature at 106 degrees Fahrenheit, but Voivod seemed right at home in the swelter and were an unadulterated good time. Go see Voivod.

Godflesh

Godflesh (Photo by JJ Koczan)

Man, Margaret Thatcher must have been the absolute fucking worst to produce the kind of disaffection Godflesh continue to proffer. Their dystopian churn is, of course, almost painfully relevant today despite its origins over 30 years ago, and with guitarist/vocalist/programmer Justin K. Broadrick and bassist G.C. Green on a stark, largely empty Joint stage, they unfurled the oppressive electrified grit that’s made them so influential for so long. They’ve been active again for a while now, with two albums out in last year’s Post Self (review here) and 2014’s A World Lit Only by Fire (review here), so have gone well beyond “reunion band” status, but a Godflesh show still doesn’t feel like something that happens every day, and it’s always something special to watch their blend of inhuman(e) audio — the beats, the electronics, etc. — and the sheer emotion with which Broadrick executes his guitar and vocals. With Green on the other side a steady presence, Broadrick thrashed and headbanged and tried to tear himself apart with his playing, and each of his shouting bellows brought fists in the air from the crowd out in front. Very much the opposite vibe of Voivod out at the pool despite both groups’ ’80s origins, but likewise a wonder and a pleasure to behold. I wouldn’t mind a new Jesu record either, but as far as I’m concerned, Godflesh can just go on perpetually and that’ll be fine, thanks. The world needs them now more than ever.

Howling Giant

Howling Giant (Photo by JJ Koczan)

I knew I wanted to see Nashville’s Howling Giant. I didn’t know quite how much I wanted to see them until they started. Having toured their way to Vegas in a hearse — because of course — the three-piece of guitarist/vocalist Tom Polzine, drummer/vocalist Zach Wheeler and bassist Mike Kerr took the stage in Vinyl with an immediately outgoing personality. Actually, they showed that before they even went on, hopping down front after they set up to talk to the crowd on the other side of the barricade, but it was for sure in the performance as well. Their 2017 EP, Black Hole Space Wizard: Part 2 (review here), and its 2016 predecessor, Black Hole Space Wizard: Part 1 (review here), featured heavily in the set, and all around they put on a show that was definitely about having fun, being loud, rocking out and all that happy whatnot, but also deceptively intricate and progressive. Their studio material has carried that over to some degree, but it’s clear they’re moving forward with their sound, and one hopes they continue to do so as they move toward their inevitable, awaited full-length debut. They and Forming the Void were my two totally-gotta-see bands for the day, and they would seem to share a bright future in developing their own take on heavy rock. For Howling Giant, not even a busted snare stand could stop them, as Polzine and Kerr treated the crowd to an improv psych jam while Wheeler got a new one and they were back up and running in no time, pro-style. Nicely done.

Spirit Adrift

Spirit Adrift (Photo by JJ Koczan)

There seemed to be some trouble with the monitors before they went on, but once Phoenix four-piece Spirit Adrift got going, the project spearheaded by guitarist/vocalist Nate Garrett (ex-Take Over and Destroy) brought out a vibe that spoke even more to classic metal than the doom with which the band is so often lumped. Their late-2017 sophomore LP, Curse of Conception, brought progressive tendencies to bear following their 2016 debut, Chained to Oblivion (review here), and while the band was founded by Garrett as a solo-act, there’s no shortage of chemistry that’s come up between Garrett and his cohorts, guitarist Jeff Owens from Goya, bassist Chase Mason (also Gatecreeper) and drummer Marcus Bryant, and with the recording of that second album and a load of touring leading up to this show and their stop Aug. 21 at Brick by Brick in San Diego, they they were on fire the whole way through. Taking the stage to Buck Owens‘ “Big in Vegas,” they took the prime slot at the pool — CKY would play, but a few hours later — and never looked back, their performance duly energized to suit the occasion. If this was what their tour was leading up to, then it seemed to be worth it.

Got up stupid early this morning and seem to be undergoing a science experiment whereby I trade out sleep for coffee. Hour per 24 oz. cup? Hell if I know. What, you’re supposed keep track of your findings?

Today is the final day of Psycho Las Vegas 2018, which is an utterly bizarre beardo circus to behold, and it’s also Gene Roddenberry‘s birthday, which is as much an occasion to celebrate as I can possibly think. All the more reason to bash one’s head once more on the skull-cracking granite that is Psycho Las Vegas, and leave it to tomorrow to reassemble the pieces.

If you’re here, have fun. If you’re anywhere, thanks for reading.

More pics after the jump:

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Psycho Las Vegas 2018 Reveals Lineup; Dimmu Borgir, Hellacopters, Godflesh, Witchcraft and More to Play

Posted in Whathaveyou on February 23rd, 2018 by JJ Koczan

Psycho Las Vegas 2018 logo

It’s only taken a few years for Psycho Las Vegas to establish itself as the premier underground festival in the US. All well and good. With 2018’s lineup, though, it’s time to start thinking of Psycho among the best in the world.

Sounds like too much? Consider Godflesh and Dimmu Borgir sharing a stage, both for exclusive West Coast appearances. Think of Sweden’s Witchcraft playing one of the two shows they’ll do in the US at Psycho, and ditto that for Japanese riff-madmen Church of Misery. Think of US exclusives from Lee Dorrian’s With the Dead, or Lucifer, whose Johanna Sadonis will also DJ the Center Bar. The commitment to up and coming underground acts local, domestic and foreign like Temple of Void, King Buffalo, Dreadnought, The Munsens and DVNE. Picture yourself watching Wolves in the Throne Room headline a pre-fest pool party with Elder, Young and in the Way, Dengue Fever, Fireball Ministry and Toke.

2018 is the year Psycho Las Vegas outclasses even itself and pushes further than it ever has in terms of stylistic reach (Integrity walks by and waves… at Boris) and the sheer power of its construction. If you’re looking for the future, you’ll find it in scumbag paradise.

Here’s the lineup:

Psycho Las Vegas 2018 poster

Psycho Las Vegas 2018

Hard Rock Hotel and Casino Las Vegas
4455 Paradise Rd, Las Vegas, Nevada 89169

Tickets: https://www.vivapsycho.com/pages/tickets

PSYCHO LAS VEGAS 2018 lineup:
DIMMU BORGIR (west of chicago exclusive)
HELLACOPTERS (one of two shows to be played in the USA in 2018)
SUNN 0)))
GODFLESH (west of chicago exclusive)
WITCHCRAFT (one of two shows to be played in the USA in 2018)
ENSLAVED
AMERICAN NIGHTMARE
HIGH ON FIRE
ROCKET FROM THE CRYPT
RED FANG
ZAKK SABBATH
CHURCH OF MISERY (usa exclusive 2018 with exception to one other show in San Diego)
TINARIWEN
GOBLIN
CKY
VENOM INC
EYEHATEGOD
VOIVOD
BORIS
COVEN
INTEGRITY
PALLBEARER
WITH THE DEAD (USA exclusive 2018)
MONOLORD
LUCIFER (USA exclusive 2018)
ACID WITCH
SURVIVE
DOPETHRONE
BIG BUSINESS
UNEARTHLY TRANCE
MUTOID MAN
TODAY IS THE DAY
HELMS ALEE
SPIRIT ADRIFT
BATUSHKA
PRIMITIVE MAN
DVNE
ALL PIGS MUST DIE
EIGHT BELLS
WORMWITCH
INDIAN
NECROT
HOMEWRECKER
BRAIN TENTACLES
CLOAK
BLACK MARE
MAGIC SWORD
UADA
TEMPLE OF VOID
DREADNOUGHT
WOLVHAMMER
ASEETHE
DISASTROID
FORMING THE VOID
VENOMOUS MAXIMUS
GHASTLY SOUND
HOWLING GIANT
KING BUFFALO
NIGHT HORSE
THE MUNSENS
GLAARE

Paradise Pool Pre Party
August 16th

WOLVES IN THE THRONE ROOM
ELDER
YOUNG AND IN THE WAY
DENGUE FEVER
FIREBALL MINISTRY
TOKE

Center Bar DJ’s
Andrew W.K.
Nicke Andersson (Entombed/Hellacopters)
Johanna Sadonis (Lucifer)

https://www.facebook.com/psychoLasVegas/
https://www.facebook.com/events/125340824913552/
http://vivapsycho.com

High on Fire, Live at Psycho Las Vegas 2016

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Here are 40+ New Releases to Look for in the Next Three Weeks

Posted in Features on September 21st, 2017 by JJ Koczan

Starting tomorrow, the next three weeks are absolutely stupid with new albums. Over-the-top, ridiculous. An immediately-go-broke amount of music. Nothing less than an onslaught. We’re under attack.

Far be it from me to tell you how to spend your money — also far be it from me not to — but there’s some really killer stuff in here. As to why it’s all landing now? Some of it of course has to do with the timing of when it was recorded, bands hitting the studio in Spring before heading out on the road over the summer, but Fall releases also line up nicely for tours in October and November, heading into the holiday season, when the music industry basically shuts down. This is the last chance for releases to come out in 2017 and be considered for best-of-year lists.

I doubt the likes of Chelsea Wolfe or Godspeed You! Black Emperor or even Kadavar would cop to that as a motivating factor, instead pointing to the timing of Fall touring and so on, but these things are rarely coincidental. You know how there aren’t any blockbusters in January but every movie feels like it’s trying to win an Oscar? Same kind of deal.

Nonetheless, 2017 is laying it on particularly thick these next couple weeks, and as you can see in the lists below, if you’ve got cash to spend, you can pretty much choose your rock and roll adventure. I’ll add to this as need be as well, so keep an eye for changes:

Sept. 22:

Alcest, Souveinirs d’un Autre Monde (10th Anniversary Edition)
Brant Bjork, Europe ’16
Chelsea Wolfe, Hiss Spunthe-flying-eyes-burning-of-the-season
Epitaph, Claws
Faces of the Bog, Ego Death
The Flying Eyes, Burning of the Season
Fvzz Popvli, Fvzz Dei
Godspeed You! Black Emperor, Luciferian Towers
Jarboe & Father Murphy, Jarboe & Father Murphy
Monarch, Never Forever
Nibiru, Qaal Babalon
Process of Guilt, Black Earth
Satyricon, Deep Calleth Upon Deep
Spelljammer, Inches from the Sun (Reissue)
Thonian Horde, Inconnu
Trash Titan, Welcome to the Banana Party
Ufomammut, 8
With the Dead, Love from With the Dead
Wolves in the Throne Room, Thrice Woven

Sept. 29:

monolord rust
Cities of Mars, Temporal Rifts
Deadsmoke, Mountain Legacy
A Devil’s Din, One Hallucination Under God
Disastroid, Missiles
Jim Healey, Just a Minute More (Sept. 26)
Idylls, The Barn
Kadavar, Rough Times
Lucifer’s Chalice, The Pact
Monolord, Rust
Outsideinside, Sniff a Hot Rock
Radio Moscow, New Beginnings
Scream of the Butterfly, Ignition
Tronald, Tronald (Sept. 30)
Unsane, Sterilize
Wucan, Reap the Storm

Oct. 6:

fireball-ministry-remember-the-storyElder Druid, Carmina Satanae
Fireball Ministry, Remember the Story
Frank Sabbath, Are You Waiting? (Oct. 2)
Himmellegeme, Myth of Earth
House of Broken Promises, Twisted EP
O.R.B., Naturality
Primitive Man, Caustic
Spirit Adrift, Curse of Conception
Spotlights, Seismic
Sumokem, The Guardian of Yosemite
Torso, Limbs
White Manna, Bleeding Eyes

Also:

Oct. 13: Enslaved, Firebreather, I Klatus, R.I.P., Uncle Acid and the Deadbeats (reissue), Weird Owl, etc.

Oct. 20: Iron Monkey, Spectral Haze, Bell Witch, The Spacelords, etc.

Something I forgot?

Invariably, right? If you know of something not seen above that should be, then by all means, please leave a comment letting me know. My only ask is that you keep it civil and not call me a fucking idiot or anything like that. I write these posts very early in the day, and if something has been neglected, I assure you it’s not on purpose and I’m happy to correct any and all oversights.

Thanks for reading and happy shopping. Support local record stores.

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Spirit Adrift Set Oct. 6 Release for Curse of Conception; Title-Track Streaming

Posted in Whathaveyou on August 11th, 2017 by JJ Koczan

Spirit-Adrift-photo-Alvino-Salcedo

Due out Oct. 6, Curse of Conception is even more of a quick turnaround behind Spirit Adrift‘s 2016 debut, Chained to Oblivion (review here), when one considers that in the interim the Arizona-based doom outfit has swapped labels and put together a full touring lineup of personnel. That plus new album? Not bad for a year’s time. Founding guitarist, vocalist and songwriter Nate Garrett is joined in Spirit Adrift now by guitarist Jeff Owens and drummer Marcus Bryant, both also of Goya, and Gatecreeper‘s Chase Mason on bass, making for a formidable lineup indeed. Oh yeah, and the new record? Engineered by Sanford Parker. Clearly Garrett isn’t fucking around on any level.

A stream of the title-track, which you can hear under the artwork and copious PR wire information below, confirms this thesis as well as preorder availability:

spirit-adrift-curse-of-conception

SPIRIT ADRIFT: Psychedelic Desert Doom Act To Release Curse Of Conception LP Via 20 Buck Spin; Title Track And Preorders Issued

20 Buck Spin welcomes Arizona’s psychedelic desert doom unit, SPIRIT ADRIFT – featuring members of Gatecreeper, Goya, and others – signing the act for the October release of their second LP, Curse Of Conception.

Curse Of Conception was engineered and mixed by Sanford Parker (Yob, Pelican, Eyehategod) and features artwork by Joe Petagno (Motörhead, Magic Circle, Autopsy). In conjunction with the public announcement of the album details, the album’s title track has also been issued early.

Curse Of Conception will see release through 20 Buck Spin worldwide on CD, LP, and digital formats on October 6th; find physical preorder options HERE, Bandcamp preorders HERE, and iTunes HERE.

While Spirit Adrift made many take notice with their debut album “Chained To Oblivion”, it is on “Curse Of Conception” their stellar second album, and first with new label 20 Buck Spin, that the band has taken a giant leap forward in songwriting prowess, production and confidence. From the Metallica / Priest like opening moments of ‘Earthbound’ to the epic closing of “Onward, Inward”, Spirit Adrift are aiming sky high with burning focus and peak vigor.

The aforementioned ‘Earthbound’ is a standard bearer for album-opening songcraft, leading into the colossal title track, a grungy and twisting radio-ready crawler. ‘To Fly On Broken Wings’ & ‘Graveside Invocation’ continue to show that any of the eight tracks on ‘Curse Of Conception’ could stand as featured singles. Throughout the duration brick heavy riff assembly, somber southern atmospherics and grand melodies entwine flawlessly into perfect metallic majesty, exemplified succinctly and totally in the instrumental ‘Wakien’ for example.

With a host of fantastic albums released by their contemporaries lately, Spirit Adrift has taken their craft to an ascendent new level on ‘Curse Of Conception’ earning their rightful place among the top tier of modern metal bands clawing their way above and beyond the underground scene. Now more than at any time metal has become the lifeblood of rock music and Spirit Adrift offer ‘Curse Of Conception’ as an embodiment of that perseverant vitality.

With widespread touring in support of Curse Of Conception impending, SPIRIT ADRIFT has already booked two release shows for the LP. The first takes place on their home turf in Tempe, Arizona on October 7th alongside Atriarch, Take Over And Destroy, and Divine Hammer. The second release show invades Denver, Colorado a week later, playing October 14th with now-labelmates Khemmis as well as Abrams. Stand by for additional live updates.

SPIRIT ADRIFT Curse Of Conception release shows:
10/07/2017 Yucca Tap Room – Tempe, AZ w/ Atriarch, Take Over And Destroy, Divine Hammer
10/14/2017 The Hi-Dive – Denver, CO w/ Khemmis, Abrams

Curse Of Conception Track Listing:
1. Earthbound
2. Curse Of Conception
3. To Fly On Broken Wings
4. Starless Age (Enshrined)
5. Graveside Invocation
6. Spectral Savior
7. Wakien
8. Onward, Inward

SPIRIT ADRIFT:
Nate Garrett – Vocals, Guitar
Jeff Owens – Guitar
Chase Mason – Bass
Marcus Bryant – Drums

https://spiritadrift.bandcamp.com
https://www.facebook.com/SpiritAdrift
http://spiritadrift.bigcartel.com
http://www.20buckspin.com
http://www.facebook.com/20buckspin
http://www.twitter.com/20buckspinlabel

Spirit Adrift, “Curse of Conception”

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