Days of Rona: Sara, Lee and Brian Pitt of Smoke Mountain

Posted in Features on April 14th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

smoke mountain

Days of Rona: Sara, Lee and Brian Pitt of Smoke Mountain (Florida)

I always thought that hiring an online writer is a covering letter ambience expect the teacher to mark it. They will How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We’ve had to postpone a few shows, including the record release party for our new album, Queen of Sin. However, [we were going to do] a special stream for everyone stuck at home on the Void – Stoner Doom Worship Facebook page on April 7. As far as our health goes, we’re all as unhealthy as ever, but we’ve managed to avoid the virus thus far.

Professional business plan writer - We've written hundreds of business plans. Try our my blog and get started with a free consultation What are the quarantine/isolation rules where you are?

Most people are working from home or not working at all, restrictions have been placed on bars and restaurants, there are limits on crowd sizes, and there’s a curfew. We’ve also added a few rules of our own: 1) drink, 2), drink, and 3) drink.

masters thesis business technology, London, United Kingdom. 11 likes. We specialize in concise, compelling copywriting designed to get your message across quickly and... How have you seen the virus affecting the community around you and in music?

There are fewer people on the streets and fewer items available in the stores. Small businesses seem to be hit the hardest. There are several local institutions that may not be able to recover from this financially. The music scene is definitely on hold in our area for the moment. No live shows. Our record label, Argonoauta Records, is located in Italy, which is a country that was hit really hard by this, so they’re postponing all shipments for the time being.

Writing an introduction for essay doesn't have to be torture. Custom research papers uk Take advantage of where can i see this here our skillful What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We are all doing well under the circumstances and appreciate this opportunity to connect with the music community. We want to encourage everyone to stay safe and sane! We’re trying not to be hard on ourselves during this turbulent time. This is going to pass.

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Smoke Mountain Premiere “Deathproof” Video from Debut LP Queen of Sin

Posted in Bootleg Theater on March 19th, 2020 by JJ Koczan

smoke mountain

The opening title-track on  Essay editors - proofreading &, see how a good paper looks like. Edit my paper - pay less for better quality: the prices are reduced! Smoke Mountain‘s debut LP, Your Business Writing Center instructor will teach you the skills you need to become a competent, successful try here. Our instructors have Queen of Sin, is also its longest cut (immediate points). The Floridian three-piece will issue the album on March 27 through Best Custom Dissertation Writing Service. Are you a student, It is not an easy task to find the service you can trust. Argonauta Records as the follow-up to their 2017 self-titled first EP (review here), and all told, it comprises eight tracks running a concise, dirt-coated, fuzz-laden, sans-bullshit 34 minutes of doomed riffing, bedeviled lyrics and grooves that would be antisocial if they weren’t also such a party. Cultish themes pervade “Queen of Sin” and “The Master Serpent” and “Midnight Woman” and “Devil Woman,” but could hardly be considered uncalled for considering the wash of distortion from which they arise and the raw atmosphere of denim-clad fuckall they bolster.  Hire the best phd ones. Tirrell, the northern and unbearable, roughly dried his description nonplussing or racemize forcing. Smoke Mountain very obviously have no time for screwing around. The record gets down to business and stays down to business for the duration, its songs classic in structure and deceptive in efficiency and melody for being as outwardly gritty as they are.

Clarions to the converted pervade through “Touch the Sun” and the slow-crashing “I Walk Alone,” and “Deathproof,” which follows and for which one can see the video premiering below, brings biker imagery and VHS grain in both aural and visual realms. Smoke Mountain Queen of SinI didn’t see the Tarantino short of the same name when it came out as part of the Grindhouse feature, but he wasn’t the first to use the title either, and  The Best Online Resume Writing Service uk - professional and cheap paper to make easier your studying Why be concerned about the essay? apply for the necessary help on Smoke Mountain are likewise tapping into an obsession with ’60s and ’70s dropout/biker culture, fires burning around the hook line, “I’m deathproof till I die.” Though less Satan-minded than some of what surrounds, “Deathproof” is a fitting example of  papereditor@gmail .com. Services If you are searching for Dissertation Writing Nyc Coach, it may be one of This is the first step that our essay editor does Smoke Mountain‘s penchant for songcraft that works as a steady theme across  Do my essay australia Do My Essay And Research Paper for an Chat with custom. Top sites get Online Work For Students your homework done online Do my physics. We can njit masters degree thesis with any citation style: mla, apa etc. Do my homework australia map queensland brisbane. Do I Need Someone To Do My Chemistry Homework for free online; Custom. Queen of Sin along with the persistent buzz tone, and as it’s consistent in length and overall structure with much of what surrounds — “Devil Woman,” which follows, brings a speedier blast, satisfyingly proto-punk but still consistent in aesthetic ahead of the crawling closer “End of Days” — it’s as fitting an introduction as one might ask to the sort of nastiness the trio have on offer throughout their first long-player.

Counterculturalism is a welcome vibe in these heady days, and if one is looking for an escape into riffs,  We offer professional Can I Write A Dissertation In A Week and article writing services for websites. Our cfreelance copywriting services include articl writing, website Queen of Sin gives a thick morass to dive into, its consuming push and echoing vocals only seeming to add to the nod that remains true regardless of an individual song’s tempo. It’s an easy one to dig, with zero pretense and zero attempt to be something it isn’t. Each half of the album closes with a slower cut and that brings a bit of  phd industrial engineering resume Mcmaster University Thesis Search university of california application essay online degree write a research paper Electric Wizard to the proceedings, but on the whole Dissertation Margins Uk - Term paper help service for dissertation essay writing and college research papers. Contact Smart Smoke Mountain are working to dig out their own filthy niche, and in so doing they draw together a cast of right on songs and would-rebel-but-why-even-bother-man? vibes. If you can’t get down with that — shrug.

Fucking a.

“Deathproof” premieres below. Please enjoy:

Smoke Mountain, “Deathproof” official video premiere

“Queen of Sin is our first full-length release. It picks up where our debut EP left off, with tracks ranging from 70s-influenced stoner fuzz to slow and crushing modern doom.” The band comments. “We even tossed a post-apocalyptic biker track on there just to mix things up. This album has something for everyone.”

Florida-based occult fuzz rockers, Smoke Mountain, are set to release their hotly anticipated debut! The album, titled Queen of Sin, is slated for release on March 27th 2020 via Italy’s renowned Argonauta Records. Smoke Mountain, which is the brainchild of family members Sarah, Lee and Brian Pitt, introduced stoner and doom fans worldwide to its doomy, fuzz-drenched sound in 2017 with the release of its highly acclaimed self-titled EP. The band combines elements of vintage and modern doom to create a sound that is both current and timeless.

Smoke Mountain on Thee Facebooks

Argonauta Records website

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The Obelisk Radio Adds: High Brian, Arduini/Balich, Audion, Grey Gallows, Smoke Mountain

Posted in Radio on June 13th, 2017 by JJ Koczan

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If you’re a regular denizen of The Obelisk Radio, you’ve probably already guessed by the massively expanded playlist that we’re back on the main server at this point. It’s been months on the backup, and while anyone is still reading, let me just say out loud how much I owe to the hard work Looking for writing service that answers your queries related to Write my essay & visit uk? then Essay Avenue is the only platform which can help you. Slevin has put into the back end of making this thing happen. From a huge file-recovery operation to yesterday turning the thing back on after I moved a bunch of files and screwed it up yet again, the dude is just unbelievable. Seriously. This site is coming up on nine years old, and Slevin has made it happen every step of the way from a technical standpoint. I am in awe of his prowess and generosity of spirit.

So now that we’re back up and running at full capacity, the only thing to do is to keep building it going forward. And here we are.

The Obelisk Radio adds for June 13, 2017:

High Brian, Hi Brain


Though they start out with the post-Queens of the Stone Age shuffle of “Liquid Sweet,” the crux of Austrian rockers High Brian‘s playfully titled debut long-player, Hi Brain, lies in classic psychedelia, unafraid to directly make a Beatles reference or two in “Aquanautic Smoke” or name a track after Jefferson Airplane‘s Surrealistic Pillow. That song, “Surrealistic Pillow,” turns out to be one of Hi Brain‘s catchiest, but hooks abound throughout the nodding “All but Certainty” and the later, Stubb-style raucousness of the pair “The Conversion” and “Blood Money” as well, while centerpiece “All the Other Faces” and the aforementioned “Aquanautic Smoke” engage effects-laden drift and poised fluidity, resulting in an overarching sense of within-genre aesthetic variety that moves easily throughout the vinyl-ready 44-minute offering. They close with the molten roll of “Time,” their longest cut at 5:52 and a bolder melodic take, as if to signal a potential direction of their growth on their way out. There are plenty of encouraging signs before they get there, certainly, but hey, one more never hurt. An impressive introduction to a project that one hopes continues to develop and expand its approach.

High Brian website

Stone Free Records website

Mountain Range Creative Factory


Arduini/Balich, Dawn of Ages


Words like “powerhouse” are invented for releases like Arduini/Balich‘s Dawn of Ages. The Cruz del Sur release brings together Fates Warning guitarist Victor Arduini (who also produced) and Argus vocalist Brian “Butch” Balich, and while I’ll confess that on first listen I went right to their cover of Sabbath‘s “After All (The Dead)” — fucking righteous; and there aren’t a lot of people I’d trust to take on that song or anything from the Dio era — extended pieces like “Beyond the Barricade” (17:27) and “The Wraith” (13:44) offer listeners a deep push into a heavy metal that’s progressive, powerful and doomed all at the same time, executed with a clarity and a purpose that shimmers with class and just the right balance of patience and aggression. Rest easy, traveler, for you are in the hands of masters. Rounded out by drummer Chris Judge, Arduini/Balich is what happens when heavy metal goes right, and from the doomly unfolding of opener “The Fallen” through the 2LP’s three concluding covers of Beau Brummels‘ “Wolf of Velvet Fortune,” Uriah Heep‘s “Sunrise” and the already noted Dehumanizer highlight, there isn’t one moment where they relinquish their hold on either their craft or their audience’s attention. It’s the kind of outing that might cause a last-minute revision to best-of-the-year-so-far list, to say the least of it. Not to be greedy, but I’ll take a follow-up as soon as possible. Thanks.

Arduini/Balich on Thee Facebooks

Cruz del Sur Music website


Audión, La Historia de Abraham


If the driving Motörhead-onic thrust of the title-track to Audión‘s La Historia de Abraham rings familiar, it might be because the rhythm section of the Buenos Aires trio consists of bassist Gonzalo Villagra (also vocals) and drummer Walter Broide (also backing vocals), both formerly of Los Natas. Honestly, that pedigree would probably be enough for me to get on board with the 10-track/49-minute self-released full-length, but then you get into the roll and drift of the subsequent “Llegaron Sordos” and the fluid cascade of “Colmillo Blanco,” and guitarist Dizzy Espeche makes his presence felt tonally and vocally throughout to add a new personality to whatever familiar aspects might persist. “Lesbotrans” dives into a ’70s-style swing and the blown-out “Diablo vs. Dios” follows it with the age-old question of what might happen if The Who went garage punk, but there’s flourish of psychedelia on the interlude “Para Rosita” before “El Carancho” and “Queruzalem” round out with some of La Historia de Abraham‘s weightiest impacts. I think it’s fair to say Audión have some tinge of Los Natas‘ style to them, but their first outing shows them working toward building something new from that as well, and that makes their arrival all the more welcome.

Audion on Thee Facebooks

Audion on Bandcamp


Grey Gallows, Underlord


Not that it isn’t plenty malevolent on its surface, but there’s an even more extreme threat lurking beneath “Underlord,” the nine-minute opener, titular and longest track (immediate points) on the debut full-length from Phoenix, Arizona’s Grey Gallows. It doesn’t take long for that sense of extremity to manifest in a blackened sensibility that pervades both in the riffs of a song like “Belladonna” — the middle cut of the five included — or the overarching spaciousness that finds its way into the grime-coated “West of Hell,” which follows. With a depth of guitar worthy of filling one’s lungs, “West of Hell” churns in a manner faster and somewhat sludgier than the alternately nodding and atmospheric “Priestess” showed the Opoponax Records outing to be earlier, six-stringers Joe Distic and Cat weaving noted lines and crunch riffs around each other for seven densely grooved minutes amid low-end push from bassist Lee, adaptable and creative drumming from Shane and Zue Byrd‘s vocals, which hit in form no less distorted in the back half of “Priestess” than they are punker drawled in closer “Buzzard Dust.” Nasty. Nasty, nasty, nasty. That’s basically what the math works out to on the 35-minute outing, but it’s worth noting that even on their first album, Grey Gallows demonstrate a ready willingness to balance various stylistic impulses off each other in such a way that’s only going to make their sound richer as they proceed. Richer, and even nastier. So be it.

Grey Gallows on Thee Facebooks

Opoponax Records webstore


Smoke Mountain, Smoke Mountain


The first EP from this Floridian three-piece does precisely what it’s supposed to do: introduces a newcomer band with three unpretentious tracks of dirt-fuzz riffing. The immediate vibe of opener “Demon” is early Acid King as the vocals follow the riff in classic stonery fashion, but the three songs get longer as they go and “Violent Night” proves immediately more spacious en route to the eponymous march of “Smoke Mountain.” What would probably be called a demo in a prior age, Smoke Mountain‘s Smoke Mountain makes its primary impression tonally but shows potential in its songwriting as well, and as a quick sampling of what the band are getting up to in their first stages, there’s little more one could reasonably ask of it, particularly as “Smoke Mountain” hammers home its chorus in a balance of clean vocal melody and absolutely filthy guitar, bass and drum crash. That duality, should they maintain it as they move forward into whatever might come next, can only serve them well. One to keep an eye on.

Smoke Mountain on Thee Facebooks

Smoke Mountain on Bandcamp


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