Posted in Whathaveyou on May 8th, 2015 by H.P. Taskmaster
Next month, Virginia Beach trio Freedom Hawk head overseas to tour in Germany and the Netherlands around an appearance at this year’s Freak Valley festival. Shortly after their return to the States, they’ll present their new album, Into Your Mind. Their fourth full-length and second for Small Stone Records, Into Your Mind tightens up the tones and songcraft that made the band’s 2011 outing, Holding On (review here), a riffy standout, and marks their first offering as a trio.
Into Your Mind is available to preorder now. Links, info and tour dates follow, hoisted off the PR wire:
US heavy trio FREEDOM HAWK to unleash new album “Into Your Mind” this June on Small Stone Records; European tour dates announced.
If you need seriously heavy and high-spirited rock music in your life, then Virginia Beach’s groove-mongers FREEDOM HAWK are about to give you some, with their fourth album coming out this June on Small Stone Records. Leather, jean and maximum volume mandatory!
Emanating from the barrier dunes of Virginia, FREEDOM HAWK’s heavy riffs, rolling groove, and soulful guitar melodies definitely produce a sound of their own. The trio’s brand of heavy rock capitalizes on the best of the heavy ‘70s, while presenting a modern fuzzy take based around quality songwriting rather than style-over-substance retro posturing.
FREEDOM HAWK made their debut on Small Stone Records with 2011’s Holding On. The follow-up, and their fourth album overall, is Into Your Mind, which brings a new dynamic to their buttery fuzz with all the stomp and swagger one could ask for after the previous effort. Get a taster with first excerpt “Blood Red Sky” HERE.
New album “Into Your Mind”, out June 23 on Small Stone Records CD & Limited Edition 180gr Vinyl preorderAT THIS LOCATION
Veterans already of Roadburn in the Netherlands, FREEDOM HAWK will return to Europe this June, including a special appearance at Germany’s Freak Valley Festival:
FREEDOM HAWK EUROPEAN TOUR 04.06 – ANTWERP (BE) Antwerp Music City 05.06 – NETPHEN (DE) Freak Valley Festival 06.06 – DÜSSELDORF (DE) Pitcher – Rock’n’Roll Headquarter 07.06 – NÜRNBERG (DE) Klub Nychka 08.06 – HAMBURG (DE) Bar 227 09.06 – JENA (DE) Kulturbahnhof 10.06 – BERLIN (DE) Jägerklause 11.06 – NIJMEGEN (NL) De Onderbroek 12.06 – MÜNSTER (DE) Rare Guitar 13.06 – LEIPZIG (DE) Black Label 14.06 – ROESELARE (BE) De Verlichte Geest
FREEDOM HAWK IS Lenny Hines – Drums T.R. Morton – Vocals, Guitar Mark Cave – Bass
Posted in audiObelisk on April 3rd, 2015 by H.P. Taskmaster
Parisian outfit Abrahma release their second album for Small Stone, Reflections in the Bowels of a Bird, on May 12. The heavy psych rockers’ sophomore outing follows 2012’s debut, Through the Dusty Paths of Our Lives (review here), and while the two records share some things in common, like a multi-part thematic piece running throughout, or a title on the longer side, the moods are remarkably distinct. Reflections in the Bowels of a Bird, a gruesome mirror, is darker than its predecessor, moodier overall, with a primary impression of slower tempos and a somewhat grungier feel. Still psychedelic in terms of the airy guitar work of Seb Bismuth (also vocals and keyboards) and Nicolas Heller, the 10-track offering might have its dreamy side, but even that often comes accompanied by downer pacing and a pervasive melancholy.
There are exceptions to this rule, of course. “Square the Circle” has the record’s shortest runtime at 3:42 and also its fastest push, and the ending of “Weary Statues” picks up effectively, but to compare that to the doomly swirl, effects and sax over churning riffs, of “Omens Pt. 2″ or even opener “Fountains of Vengeance,” which boasts one of Reflections in the Bowels of a Bird‘s strongest hooks, and the darker side is made plain. The rhythm section of bassist Guillaume Colin and drummer/engineer Benjamin Colin — the two are brothers — is well at home in making changes fluid and allowing the guitars the appropriate space, songs like “Kapal Kriya” and “An Offspring to the Wolves” proffering big riffs and echoes greatly bolstered by the rumble beneath and the thud and crash pushing them along. Guitarist Ed Mundell (The Ultra Electric Mega Galactic, ex-Monster Magnet), who also appeared on Through the Dusty Paths of Our Lives, makes a return guest spot for “A Shepherd’s Grief,” and comes to the fore suitably shredding in the midsection, and even that song ultimately gives way to a kind of depressive largesse, transitioning into the quiet minimalism of closer “Conium,” which builds to an effects-laden peak in its last 90-or-so seconds and provides the album with a particularly hypnotic finish.
Another constant held over from the debut, however, is the songwriting. As far out as Abrahma went on Through the Dusty Paths of Our Lives, they never lost track of the fact that they were writing a piece to contribute to the whole of the record, and the same is true of Reflections in the Bowels of a Bird. More so, even, since the material is tighter and more cohesive and the album itself is nearly 20 minutes shorter at 52:41. It’s that core of songwriting that enables Abrahma to continue to engage the listener in this brooding manner, their attention to detail evident in the effects, solos, rhythmic changes and depth of the mix, which is the kind of abyss in which it’s a pleasure to lose oneself.
Today I have the pleasure of hosting “Weary Statues” for streaming ahead of the album’s release next month. Both one of the most driving and most open-sounding cuts on Reflections in the Bowels of a Bird, it pulls together the varying sides of the record’s personality well, and speaks to the emotional and sonic intensity Abrahma bring to bear on their second offering. They’ll be on tour with Lo-Pan starting next week, and you can find those dates along with a short comment from Bismuth about “Weary Statues,” after the song on the player below.
“‘Weary Statues’ is surely the most aggressive but also emotive song we’ve ever done with ABRAHMA, as well as a good proof of the evolution we’ve made in our music.” — Seb Bismuth
ABRAHMA will be touring Europe with their labelmates Lo-Pan this spring, including a stop at Roadburn Festival in Holland.
09.04 – STRASBOURG (FR) Mudd Club 10.04 – LICHTENFELS (DE) Paucnhy Cats Inn 11.04 – MUNSTER (DE) Rare Guitar 12.04 – TILBURG (NL) ROADBURN FESTIVAL 13.04 – France TBA 14.04 – MONTPELLIER (FR) Black Sheep 15.04 – MADRID (SP) Maravillas Club 16.04 – BARCELONA (SP) Rocksound 17.04 – VITORIA (SP) Helldorado 18.04 – NICE (FR) Le Volume 19.04 – CALENZANO (IT) ASD Factory Club 20.04 – SAVIGNANO SUL RUBICONE (IT) Sidro Club 21.04 – MUNICH (DE) Feierwerk 22.04 – DRESDEN (DE) Ost-Pol
NEW ALBUM Reflections In The Bowels Of A Bird – Out May 12th on Small Stone Records
Abrahma is: Sebastien Bismuth: vocals, guitars, effects & keyboards Nicolas Heller: guitars Guillaume Colin: Bass guitar Benjamin Colin: drums
Additional Musicians: Ed Mundell: guitar solos on “A Shepherd’s Grief” Vincent Dupuy: saxophone on “Omens Pt. 2″
Recorded by Benjamin Colin at Hakesound Studios, Romainville (France). Produced by Abrahma & Thomas Bellier. Mixed by Eric Hoegemeyer at Tree Laboratory, Brooklyn, NY (USA) except Conium, mixed by Benjamin Colin at Hakesound Studio, Romainville (France)
Feral is the upcoming fourth album and Small Stone debut from West Coast (CA/WA) outfit Snail. Their first record as the three-piece of guitarist/vocalist Mark Johnson, bassist/engineer Matt Lynch and drummer Marty Dodson since their 1993 self-titled debut (reissue review here), Feral is set to issue this summer and features cover art by Brooklyn-based artist Seldon Hunt, known for his work with Neurosis, Isis, Pelican, Made out of Babies, Kings Destroy and on and on. Always varied in his approach, from photography to line-drawings to exquisite fractals to whatever the hell you might call the cover of the recent Blind Idiot God album, Hunt has consistently been able to adjust his own style to suit the project at hand, and Snail‘s Feral is no exception.
There is a snail on it, somehow subtly despite it being right up front on the left side of the picture. Gorgeously colorful with natural reds, browns and greens, two knotted trees frame what in other hands might’ve been a simple nature scene. Two snakes wrap around a deer’s antlers, and there’s some kind of scared-looking 10-legged creature hiding partially behind one of the four large mushrooms in the foreground. But the real story is in the deer’s eyes, dead and yellow. They have a threatening look to them which seems to find its answer in the partially-buried human skulls at the bottom and the new-growth grass coming up around them. All of a sudden, it’s more revolution than nature scene, as though human civilization has given way to a new natural order.
In its colorful psychedelic vibe and quiet foreboding, Hunt‘s piece fits the Snail record well, and I’m happy to be able to premiere the cover art. Click the image below to enlarge it if you’d like a closer look. Some comment from the band follows:
Says Matt Lynch:
It was actually [The Obelisk’s] doing that we hooked up with him. I saw the art he did for Blind Idiot God because of your feature and we were still kinda exploring our options after many failed attempts by me to get something we could all agree on.
And I saw that art and thought “this guy gets it” you know, he had the feel of the record in him. The first idea he sent us was spot on. It was just a scribble sketch but we knew by the description that this was our guy.
Across five records and nine fuzz-laden years, Dallas trio Wo Fat have become an institution in Texas heavy rock. Their latest album and second for Small Stone, The Conjuring (review here), is in many ways their strongest release to date, benefiting from the naturally-developed chemistry between guitarist/vocalist Kent Stump, bassist Tim Wilson and drummer Michael Walter, as well as from the self-sufficiency of the band recording at their own studio, Crystal Clear Sound, in Dallas. While their reputation has built steadily since the release of their 2006 debut, The Gathering Dark, and its ’08 follow-up, Psychedelonaut (review here), 2011’s Noche del Chupacabra (review here), on Nasoni, proved a particular breakthrough point, leading to the band’s signing to Small Stone for the next year’s The Black Code (review here), for which they toured in Europe for the first time, making their continental debut at the 2013 Roadburn Festival in Tilburg, the Netherlands (review here) and setting the stage for the triumph to come with The Conjuring and a return trip across the Atlantic, this one marked out by an appearance at last year’s Freak Valley in Germany.
Wo Fat‘s latest release is a document of their set there: Live Juju: Wo Fat at Freak Valley will hit the public on March 17. Later this year, the band will also take part in Magnetic Eye Records‘ tribute to Jimi Hendrix, Electric Ladyland [Redux], covering “Gypsy Eyes.”
The Obelisk Questionnaire: Kent Stump
How did you come to do what you do?
Well, what I do is play music and I record music, which is how I make my living – recording music, that is. Music has always been a huge part of my life. Both of my parents are musicians, so it was something that was just ubiquitous and inescapable in our house when I was growing up. Never once in my life did I consider doing anything with my life other than becoming a musician and doing something relating to music, although the place I’m at now is not where I would have thought I would be when I was a teenager, or even when I was in college. My journey to the heavy and the riff is a bit of a circuitous one.
I went to college to study jazz and fully planned on getting out of college and going on to be a jazz musician. While at college, I got turned on to a much wider world of music by so many great people with widely varying tastes. I discovered punk rock and ‘70s funk and African music and all the great ‘70s rock and the ‘80s NY noise scene, and on and on. And most importantly, I really discovered the blues. I had always known a bit about the blues since I was heavily into jazz, but I became much more hip to a lot of blues musicians that I hadn’t previously checked out, and that eventually led me to realize that my whole life I’ve been drawn to music that comes from the blues – rock, funk, etc. That, along with a friend I had that was into all things heavy who got me listening to Sabbath as well as a lot of ‘80s hardcore and metal, led to my desire to make heavy blues music.
When I was in college in Denton, Texas, the music scene at that time was absolutely electric, and the vibe was very open and experimental. Punk rock and funk and metal with a jazz edge were all kind of mixing together and it was a really artistically open-minded vibe at the time, which I think shaped my thinking about music a lot. So eventually in the late ‘90s I discovered bands like Sleep, Fu Manchu, Nebula, Kyuss and all the Man’s Ruin bands and I came to the realization that this is the music, along with the blues, that speaks to me on the most primal level and this is what I want to play.
Describe your first musical memory.
My first musical memory is laying on our living room floor when I was very young, maybe four or five years old, and my dad putting on a record of Stravinsky’s Rite of Spring. It’s an amazing piece of music and it definitely left an impression on me. I think, if I’m not mistaken, when that piece was premiered in Paris it caused a riot. Stravinsky is pretty hardcore.
Describe your best musical memory to date.
I don’t know if I have just one best musical memory. I’ve got a lot of things that were landmark musical moments in my life though. Getting to play at Roadburn is without a doubt one of the best musical memories for me. Roadburn is such an iconic thing and it was the first show that we played on our first European tour, which was also the first time I had ever been to Europe and it was just kind of a surreal, epiphenal and mindblowing experience. It was amazing to walk into the scene there and see a whole bunch of people that are hardcore fans of the same music I dig. I had never seen that, at least not on that level, before.
You don’t see that kind of thing when it comes to this kind of music in the US. And to be performing at this amazing festival was just awesome, and also a bit nerve-racking at the same time. I remember going to see High on Fire’s set after we played and it was packed and the crowd was just electric and High on Fire sounded better than I’ve ever heard them before. I think they were just vibing on the amazing vibe of the fans. Same with Elder’s set, who I got to see a little later that night. The vibe from the crowd was so intense and Elder kicked ass riding that wave, I think. Amazing day.
I have memories of a lot of transcendental shows that I would put in the great musical memory category. Getting to see Sleep a couple years ago was bad ass. Sometime around 1997 or 1998 I went to SXSW in Austin, before SXSW totally turned into utter crap, and I got to see Fatso Jetson just destroy as well as an amazing showcase that had Fu Manchu and Queens of the Stone Age right before they hit big. There was a whole Man’s Ruin showcase that was killer.
When I was in college I got to see free jazz great Cecil Taylor. That was an absolutely kick ass show. He was just pounding the piano and pieces of the pads inside the piano were flying out as he was playing. And there were maybe 10 people there to see this free jazz icon. So many great shows that have shaped my thinking.
I also have a lot of memories of late nights fueled with alcohol, and other things, and hanging with friends who turned me onto heavy, heavy tunes that I wasn’t previously hip to. Some of these rank up there with the great musical moments to me – sitting on the couch and tripping out to amazing, life-changing jams… These things all are part of my story as a musician and music lover that has brought me to where I am now.
When was a time when a firmly held belief was tested?
That’s a tough question. I kinda feel like most my life, my beliefs and likes/interests have been juxtaposed between two opposing worlds. For example, my heavily schooled musical upbringing versus a more primal, less technical, organic approach to playing. Or, being a recording engineer like I am, most of my peers are gearheads focused on the technical aspects of engineering, which I am to a certain extent, but I am far more focused on the musicality of recording and finding ways to make a recording reach you on an emotional level, so I’m not über-obsessed with technical- and gear-related things about recording.
Also in this particular time, my political versus spiritual beliefs, that to me, are completely simpatico, are to most, seemingly at odds with one another.
Where do you feel artistic progression leads?
Ideally artistic progression leads to more artistic progression. Art and music is a neverending journey. I don’t think I’ll ever have arrived at a stopping place artistically because every move forward reveals more things to reach for and directions to consider. That’s the beauty of it. You’re never finished. You can just abandon the quest if you want, but there is always further to go.
How do you define success?
I think it’s being happy and doing what you makes you happy. Despite the fact that financially, life is a struggle for me, I feel like I’ve achieved a good amount of success in the sense that I’m playing music I love and people are digging it, we own a killer studio and my day job involves doing things that are artistic and deal with music and, on top of it all, I’ve got the most amazing wife who I’ve been married to for 18 years.
What is something you have seen that you wish you hadn’t?
On the one hand there’s probably a lot I wish I hadn’t seen, but at the same time, all those experiences contribute to making me who I am, although there are some things that I could probably do without ever seeing that wouldn’t change me too much. One thing that I wish I hadn’t seen is this: The studio that we run is in an industrial area of Dallas and there are a lot of stray dogs that run around in packs in that area. Seeing a stray dog is something I don’t like seeing to begin with because I love dogs and I want to help them all, but we’re full up at my house with dogs. My wife and I already have five dogs so there’s no more room at the inn.
Anyway, one day I saw a little Chihuahua-mix stray being harassed by a couple of big dogs. At first I thought they were playing, but then I realized that that was not the case and I wasn’t able to get to them to break it up before the larger dogs had inflicted a mortal wound on the little guy. It just breaks my heart that I couldn’t help him and it still pains me to this day to think about it. I hate to see the helpless get brutalized by the powerful, which, sadly, happens all around us every day.
Describe something you haven’t created yet that you’d like to create.
I really wish that I could draw and paint. I would love to be able to create art like Frank Frazetta or Boris Vallejo. I don’t think that will ever happen for me, though, because I don’t have any of those skills. There is, of course, much more music I’d like to create. I’m always wanting to incorporate disparate musical styles and influences together in our music, like Afro-Cuban music, blues, jazz and metal.
Something non-musical that you’re looking forward to?
Posted in Whathaveyou on March 4th, 2015 by H.P. Taskmaster
Who the hell doesn’t want to take some time off and go spend eight days kicking around Spain and Portugal? I can’t really fault Italian heavy rocking foursome Isaak for pausing work on their next record in order to tour the Iberian Peninsula later this month, nor would I attempt to try. They’ve done plenty of touring throughout Europe, but seriously, what, they’re going to regret going to Barcelona as Spring is starting to kick in? Somehow I doubt it.
Noteworthy that Isaak say they’ll be performing material from their recent split with Mos Generator — a 12″ was released in January on Heavy Psych Sounds — since their inclusion on that split was one 15-minute psychedelic exploration they dubbed “The Choice,” and represented something of a turn from the more straightforward fare one heard on their prior Small Stone label debut, 2013’s The Longer the Beard the Harder the Sound (streamed here). Should make for an interesting blend on stage, and one can’t help but wonder how “The Choice” might influence Isaak‘s next work, which will presumably also be out on Small Stone later this year once they finish it when they get back from the tour.
The band sent this update down the PR wire, along with the tour poster by the venerable and increasingly ubiquitous David Paul Seymour:
ISAAK IBERIAN TOUR 2015
Isaak is hitting the road again, this time for a Spain and Portugal tour. The band is having a break from recording their new album, that will be out this year via Small Stone Records.
The guys will perform their last album as well as their fresh released 12″ split shared with Mos Generator and unleashed via Heavy Psych Sound.
Tour poster made by David Paul Seymour and printed at The Giant’s Lab. Tour promoted by Red Sound Barcellona.
20/03 – BARCELONA ( Rocksound Almogavers) 21/03 – MADRID ( Sala Barracudas) 22/03 – ESTEPONA (Louie Louie) 23/03 – CALDAS DA RAINHA (tbc) 24/03 – LISBOA ( Sabotage Club) 25/03 – VIANA DO CASTELO ( BAR Kommix) 26/03 – VIGO ( Distrito 09) 27/03 – OURENSE (el sótano) 28/03 – GORLIZ ( Xurrut)
Posted in Whathaveyou on February 17th, 2015 by H.P. Taskmaster
Paris heavy psych rockers Abrahma will release their second album for Small Stone, Reflections in the Bowels of a Bird, this May. The album release comes after a European tour alongside Lo-Pan that includes stops at Roadburn and Desertfest Berlin, and is the follow-up to 2012’s debut, Through the Dusty Paths of Our Lives (review here), which established the four-piece’s balance of memorable hooks and psychedelic flourish. The new album boasts a guest appearance from Ed Mundell of The Ultra Electric Mega Galactic and has a co-production credit from Blaak Heat Shujaa‘s Thomas Bellier, with whom Abrahma‘s SébastienBismuth collaborated on the Sonny Simmons and Moksha Samnyasin late 2014 album, Nomadic (review here).
You can see the stunning Jalón de Aquiles artwork below, and Abrahma have posted a video teaser for the album that follows the PR wire info and tour dates with Lo-Pan. Dig it:
Paris heavy sorcerers ABRAHMA reveal artwork and details for their new album on Small Stone Records
Paris-based heavy psych outfit ABRAHMA just unveiled more details on their sophomore record “Reflections In The Bowels Of A Bird”, due out mid-May on Small Stone Records.
“Reflections In The Bowels Of A Bird” will be ABRAHMA’s second full-length on Small Stone Records, and features prestigious guests such as Ed Mundell (Monster Magnet, The Atomic Bitchwax), as well as Thomas Bellier (Black Heat Shujaa) as its co-producer. Its fabulously coloured artwork was created by Barcelona’s artist Jalón de Aquiles.
The band released a teaser that displays all album details as well as the release date for their upcoming video “An Offspring To The Wolves”.
Forcefully ascending from the depths of Paris rock underground, it only took ABRAHMA one album to emerge as one of the torchbearers of French heavy rock on the international scene. Released in late 2012 on renowned North American label Small Stone Records, “Through The Dusty Paths Of Our Lives” unveiled an incredibly mature songwriting, while showcasing the band’s sombre and complex music realm. With this first full-length, they laid the foundations of their peculiar stoner aura adorned with the darkest riffage of the Seattle sound, and drew the attention of the international press. 2015 will see the Parisian foursome release their second album to date, due out this spring on Small Stone Records.
UPCOMING SHOWS: 09.04 – STRASBOURG (FR) Mudd Club 10.04 – LICHTENFELS (DE) Paucnhy Cats Inn 11.04 – MUNSTER (DE) Rare Guitar 12.04 – TILBURG (NL) Roadburn Festival 13.04 – France TBA 14.04 – MONTPELLIER (FR) Black Sheep 15.04 – MADRID (SP) Maravillas Club 16.05 – BARCELONA (SP) Rocksound 17.05 – VITORIA (SP) Helldorado 18.04 – NICE (FR) Le Volume 19.04 – Italy TBA 20.04 – SAVIGNANO SUL RUBICONE (IT) Sidro Club 21.04 – MUNICH (DE) Orange House 22.04 – DRESDEN (DE) Ost-Pol 23.04 – BERLIN (DE) Desertfest Berlin
Posted in Whathaveyou on February 10th, 2015 by H.P. Taskmaster
Swedish heavy rockers Deville have announced their intentions toward a fourth long-player. Their third, you might recall, was the Small Stone release, Hydra (review here), that brought the Malmö four-piece over for their first US tour last summer, an East Coast slog in the June heat that nonetheless presumably paved the way for future incursions on the back of their next album. Well, the time for that next album seems to have arrived. The lineup of Andreas Bengtsson, Andreas Wulkan, Markus Åkesson, Markus Nilsson is writing now in advance of recording in Spring and releasing in the Fall.
For anyone who might want to delve back into Deville‘s earlier work, in 2013, Italian imprint Heavy Psych Sounds — run by Gabriele Fiori of Black Rainbows — reissued their 2007 debut, Come Heavy Sleep, in a couple different limited versions that are still available, including a new version of closer “Rise Above” with its particularly massive central riff. Hydra as well remains on sale and can be heard in full from Small Stone‘s Bandcamp under the news below.
In addition to work on the next record, Deville have announced a quick round of dates in Germany with German/Russian rockers Iguana, whose debut, Get the City Love You (review here), came out in 2012 and who have continued to play shows around Europe ever since. Not sure where Deville will be at in the songwriting/recording by the time they go out, but new material doesn’t seem unlikely.
Dates and the quick statement from the band follow here:
So! We are currently working on material for a new Deville album and hope to enter the studio later in the spring for a release this fall. That´s the plan at least.
But we will play live also and are heading out with the nice desert/psych rockers Iguana for some shows in Germany in May. Prost!
13/5-15 Cassiopeia,Berlin,Germany 14/5-15 OSE Events & Projects,Leipzig,Germany 15/5-15 Bei Adam,Coburg,Germany 16/5-15 Rare Guitar,Munster,Germany
Posted in Whathaveyou on February 5th, 2015 by H.P. Taskmaster
The first European tour for Ohio’s Lo-Pan has been a while in the making, but I don’t think you could possibly accuse the band of not doing it in style now that they’re actually doing it at all. With stops at Roadburn, both London and Berlin Desertfests, as well as Poland’s Asymmetry fest, and club shows alongside Abrahma and Black Pyramid, all in support of 2014’s righteous Colossus (review here) on Small Stone, it’s an enviable itinerary that will be preceded by a Northeast run with Against the Grain in March, the four-piece continuing their penchant for heavy road work even as they expand to new territories. They’re gonna kill it in Europe.
And while I patiently await my invitation to join them on the road for the European stint — picture my breath, not held — the PR wire has dates and particulars for your perusal:
LO-PAN: Ohio Riff Dealers Announce US + Europeans Tour Dates In Support Of Colossus
Ohio riff dealers, LO-PAN, will take to the streets next month on a near two-week Northeastern run of live dates. Kicking off on March 12th in Detroit, Michigan at Berserker II alongside Poison Idea, Iron Reagan, Incantation, Full Of Hell and many others, the NxNe Tour 2015 will trounce eleven cities, coming to a close on March 22nd in Columbus, Ohio. The band will be joined by Detroit rockers, Against The Grain. From there LO-PAN will take a short breather before crossing the Atlantic for a European expedition that will see the band level the stage of Roadburn, Desert Fest, Asymmetry Fest and more with psyche peddlers, Abrahma, and psychedelic war metallers, Black Pyramid, sharing the stage on select dates.
LO-PAN will be touring in support of their critically heralded Colossus long player, released last Fall via Small Stone. Produced and engineered by Andrew Schneider (Unsane, Rosetta, East Of The Wall et al) at his own Translator Audio Studio in Brooklyn, New York and named for an ancient statue of the Greek titan-god of the sun, Helios, the record continues to raise the eyebrows of fans and media globally.
LO-PAN NxNe Tour 2015 w/ Against The Grain: 3/12/2015 The Loving Touch – Berserker II – Detroit, MI 3/13/2015 Grog Shop – Cleveland, OH 3/14/2015 The Lost Horizon – Syracuse, NY 3/15/2015 TT The Bear’s – Boston, MA 3/16/2015 Wonder Bar – Asbury Park, NJ 3/17/2015 The Depot – York, PA 3/18/2015 Saint Vitus – Brooklyn, NY 3/19/2015 Kung Fu Necktie – Philadelphia, PA 3/20/2015 The Pinch – Washington, DC 3/21/2015 31st Street Pub – Pittsburgh, PA 3/22/2015 Spacebar – Columbus, OH w/ Abrahma: 4/09/2015 Mudd Club – Strasbourg, FR 4/10/2015 Paunchy Cats – Lichtenfels, DE 4/11/2015 Rare Guitar – Munster, DE 4/12/2015 Roadburn – Tilburg, NL 4/14/2015 Black Sheep – Montepellier, FR 4/15/2015 Maravillas Club – Madrid, ES 4/16/2015 Rocksound – Barcelona, ES 4/17/2015 Helldorado – Vitoria, ES 4/18/2015 Le Volume – Nice, FR 4/19/2015 TBA – IT 4/20/2015 Altraquando Club – Zero Baranco, IT 4/21/2015 Orange House – Munich, DE w/ Black Pyramid: 4/23/2015 Desertfest – Berlin, DE 4/24/2015 Romer – Bremen, DE 4/25/2015 Desertfest – London, UK 4/28/2015 Sedel – Lucerne, CH 4/2/20159 Gaswerk – Winterthur, CH 4/30/2015 Das Bett – Frankfurt, DE 5/01/2015 Schaubude – Kiel, DE 5/02/2015 Asymmetry Fest – Wroclaw, PL
Colossus is out now via Small Stone Recordings. Order your copy today atTHIS LOCATION.