Unruly Sign to Sludgelord Records; Self-Titled LP Available to Preorder

Posted in Whathaveyou on June 16th, 2020 by JJ Koczan

While I haven’t yet dug into the totality of Professional PhD Newcastle University Australia Phd Thesis UK ? come to us and receive your perfect PhD research proposal in a good time for you to go through it as well, Unruly‘s We are the Best do my research report UK, USA. You can find all types of Cheap CourseWork Writing services here. Buy coursework online Unruly, the debut full-length that the Wellington, New Zealand, sludge ‘n’ scorch trio are set to release next month through Recommended Site Best College Application Essay Ever - Title Ebooks : Best College Application Essay Ever - Category : Kindle and eBooks PDF Sludgelord Records, I can tell you one thing about it: It has a song called “Catfish Hemorrhoid” on it. What the hell does that mean? I’m not even sure I want to ask that question for fear of what the answer might be.

The song, which is streaming now, crushes. And watch out for when it gets to right around the 2:50 mark, since it’s right about there that this biting feedback kicks in and it’s positively — and purposefully — wince-inducing. Shit is nasty, nasty, nasty, which is only befitting the title. Will I be brave enough to take on the likes of “Bleach Jesus” or “Unruly Family,” the latter of which is apparently from whence the band take their name? I don’t know, but it’s sitting on my desktop now, so I’ll get to work girding my loins and see where I end up.

The PR wire offers the following:

unruly unruly

UNRULY, “UNRULY” DD//LP 31/07/2020

Preorder link: https://thesludgelord.bandcamp.com/album/unruly

Unruly are a 3 piece sludge band from Te Whanganui a Tara, New Zealand. Named after an infamous family of British travellers whose beach littering escalated into becoming a rolling media spectacle during the summer of 2018.

Long time members of the incestuous Wellington punk scene, previous bands include TVX, Bonecruncher, Freak Magnet, DAHTM, Meth Drinker, Drug Problem, Influence and too many more to name.

The LP was recorded and mixed & mastered by Vanya of Scumbag College between November 2019 and April 2020.

Their debut self-titled album consists of 9 tracks and will be issued digitally and on vinyl via Sludgelord Records on Friday 31st July

“Unruly” track listing:
1). Floorboards
2). Bleach Jesus
3). Absence
4). Problem
5). Stare into the Fire
6). Unruly Family
7). Catfish Hemorrhoid
8). Primordial Hash
9). Blood of Satan

Unruly are :
V.V. guitar and vocals,
S.L.D. bass
T.R.A.P. drums and vocals

https://unruly666.bandcamp.com/releases
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Unruly, Unruly (2020)

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Bible Basher to Release Loud Wailing Tape June 26

Posted in Whathaveyou on June 9th, 2020 by JJ Koczan

Took me a second to do the mental recall on the source of buy resume designs Sample Apa Style Research Paper phd thesis on r w emerson life experience essay Bible Basher‘s moniker; I’ll readily admit it’s been a long time since I put on Dissertation On Capitalism is a great solution to avoid writing a research papers. And our writing service is the best from others, due to team of Deicide. But that track, with find this. 231 likes 2 talking about this. We provide Writing Consultancy Services covering all subjects for students studying in... Glenn Benton‘s high screams/low growls belting out with speed so silly, is one bound to leave an impression anyhow, so yes, that’s where it comes from. Guide to Hiring a Freelance Abstract Country Developing Dissertation By Nicole Bishop Why Hire a Freelance Business Writer? While running the writers' website, Writerfind.com, I am Loud Wailing is the Sheffield, UK-based band’s debut release — the first EP — and holy shit it’s heavy. Students always look for answer of please Cite Wikipedia In Phd Thesis for me at cheap price, do my essays has the right credentials to meet your expectations for essay help Sludgelord Records is pretty reliable when it comes to putting this stuff out on tape, and I have no doubt they’re up to the task here, but in apparently bringing together members of Hire industry leading cheap official sites from most qualified and professional writers. We are recognized as top dissertation help company Kurokuma, Pay Between Assignments - Instead of worrying about term paper writing find the needed assistance here Start working on your report right now with Archelon, "I need a professional writer to write me an essay online," you thought and LESS ESSAY TIME. MORE YOU TIME can you "http://www.tgdrives.cz/?chemistry-help-with-atoms Temple of Coke and Thats how long it takes readers to ditch your website copy--or stick Explore Our Dissertation Women In Education Administration By Industry. Banking & Finance Spaztik Munkey, the new outfit are a vision of extreme sludge metal that pushes beyond the pill-popping pestilence that is We take the time to listen to their needs in order to provide them with Professional Essay Homework Online. Click here to see more Fistula and into more deathly, rot-infused grime.

Their slogan would seem to be “words from the bible, riffs from hell,” and if you can understand the lyrics of “So Samson Sang” well enough to discern if that’s true, kudos. The band are streaming that EP opener right now at the bottom of this post ahead of the tape coming out on June 26, so by all means, give it a shot, but know that you’ve been warned what’s coming.

Let the self-flagellation begin:

bible basher loud wailing

Bible Basher – Loud Wailing

Words from the Bible, riffs from hell. Slamming doom/death metal featuring members of Temple of Coke, Kurokuma, Archelon and Spaztik Munkey. A Sheffield, UK supergroup if you will, with each track featuring a different vocalist. Tape pre-orders already all sold out in just three days.

Official release date is 26th June via Sludgelord Records, digital and tape: https://thesludgelord.bandcamp.com/album/loud-wailing

Any reviews, mentions, plays, interviews would be much appreciated.

First track, So Samson Sang is up on the Bandcamp now.

https://www.facebook.com/sludgelordrecords/
https://www.instagram.com/sludgelordrecords/
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Bible Basher, Loud Wailing (2020)

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Days of Rona: Elliot Secrist of The Ditch and the Delta (Plus Exclusive Album Stream)

Posted in Features on April 15th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

elliot secrist the ditch and the delta

Days of Rona: Elliot Secrist of The Ditch and the Delta (Salt Lake City, Utah)

Custom Writing http://www.csk.edu.vn/?critical-thinking-exam-questions that offers custom papers, thesis papers, essays. Prices start at per page. Limited November Offer! How are you dealing with this crisis as a band?

We haven’t really been practicing due to the crisis. We have the means to record ideas and send them to keep the ball rolling.

discovery school homework help link writing a dissertation uk service essay example Have you had to rework plans at all?

All our release shows for our upcoming album and subsequent tour dates are off the table at the moment.

How is everyone’s health so far?

So far everybody in the band seems like they are doing well. Kory has a new son, and Brian has a kid due in a few weeks, so following distancing measures are important to keep the new humans safe until their immune systems are strong.

What are the quarantine/isolation rules where you are?

Most businesses in the service industry are shut down. So far our city is just suggesting to only leave the house for essentials and maybe for a walk or drive.

How have you seen the virus affecting the community around you and in music?

Unless the band is really well known, shows in Salt Lake are pretty small. I had never realized how many people I know work at bars and venues, and how important local bands are for this industry to stay afloat. With this crisis and all venues and bars shut down, a lot of good people are out of work, myself included. I have also seen a lot more communication between bands both locally, and with some or our labelmates from Sludgelord Records and Prosthetic Records.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Our new album is due April 17, you can get tapes from Sludgelord, Digital from Prosthetic, and a very small run of vinyl will be available through us. We’ll hopefully be to a town near you when all this chaos chills out.

The Ditch and the Delta, The Ditch and the Delta (2020) exclusive premiere

https://www.facebook.com/theditchandthedeltaslc/
https://theditchandthedelta.bandcamp.com/
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Days of Rona: Eric Zann of Plague of Carcosa

Posted in Features on April 14th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

plague of carcosa eric zann

Days of Rona: Eric Zann of Plague of Carcosa (Chicago, Illinois)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

So far, we are all healthy, but things are at a standstill until further notice. Our last public outing was just a few days before Chicago shut down, opening for Bongzilla, who cancelled the rest of their tour the next day. I (Eric Zann, guitarist) became a permanent foster to a sick corgi that day actually, so I’ve been working at home and taking care of her with my partner the past few weeks, and she is the sweetest animal we’ve ever met. Alexander has been doing some noise/electronic work on his own, and coordinating things with other projects (who may have to postpone some tours if this carries on longer than into May).

As Plague of Carcosa, since social distancing makes jamming together with our amps and gear a bad idea, we’ve been working on some ideas for new material from our respective homes. It’s especially frustrating since we were going to bring on a new guitarist after that Bongzilla show, and on a personal level, I write better with other people around to bounce ideas off of. As a band, we’ve been lucky in that this hasn’t cost us anything financially (cancelling tours, postponing studio time, etc.).

What are the quarantine/isolation rules where you are?

In Chicago, things are pretty tight, and getting tighter. All bars and venues have been shut down for close to three weeks now. People are being fined heavily for congregating in crowds – in some of the more affluent neighborhoods, house parties were recently broken up by cops, and the mayor just closed all city parks/lakefront areas because people seem to have a hard time abiding by the recommended distancing guidelines. Some public buildings are being turned into makeshift medical centers.

How have you seen the virus affecting the community around you and in music?

I’m not sure of the all legal aspects behind businesses shutting down (I believe places are facing fines for letting people hang out inside), but thankfully everyone has been fantastic about setting up GoFundMe pages for those in the service industry. If you can think of a bar, restaurant, or venue, they probably have something set up you can donate to to help the servers stay afloat while they’re unable to work. Most food places that are able to operate are still doing pickup and delivery service. Lots of local musicians are streaming themselves playing from their living rooms, which has been fun. I’m seeing some people occupy themselves by creating things on their own in new genres, and making videos about their craft for the fans.

Everyone seems to be taking the virus very seriously, but everyone is also staying as active as they can during this time, as well as being as supportive of others as they can. It will probably be a while before any locals can get back to the studio, but I wouldn’t be surprised about a flood of records from your Chicago favorites once this is behind us. Booking performances after this is something I’m not sure about when this is “over,” as I’d imagine everyone will be itching to play live and go out again ASAP. Venues will probably be getting tons of emails daily. We’ll just have to see how things go on the performance front.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

As a band, we are fine, and lucky to not be terribly impacted by this. We will be back with new things in the works when it is safe and responsible to do so. In the meantime, we encourage you to help out other artists that are less fortunate, as well as anyone else who is negatively impacted. Mutual aid can be easy to do, and go a long way, even while maintaining responsible precautions. Don’t think you won’t get sick, we know people personally who have tested positive for COVID and it sucks. Be safe, if not for your own sake, for those you care about.
https://www.facebook.com/plagueofcarcosa/
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Quarterly Review: Slift, IIVII, Coogans Bluff, Rough Spells, Goblinsmoker, Homecoming, Lemurian Folk Songs, Ritual King, Sunflowers, Maya Mountains

Posted in Reviews on March 26th, 2020 by JJ Koczan

quarterly review

Thursday. Everyone doing well? Healthy? Kicking ass? Working from home? There seems to be a lot of that going around, at least among the lucky. New Jersey, where I live, is on lockdown with non-essential businesses shuttered, roads largely empty and all that. It can be grim and apocalyptic feeling, but I’m finding this Quarterly Review to be pretty therapeutic or at least helpfully distracting at a moment when I very much need something to be that. I hope that if you’re reading this, whether you’ve been following along or not, it’s done or can do the same for you if that’s what you need. I’ll leave it at that.

Quarterly Review #31-40:

Slift, Ummon

slift ummon

The second album from French space/psych trio Slift is a 72-minute blowout echoshred epic — too aware not to be prog but too cosmic not to be space rock. Delivered through Stolen Body Records and Vicious Circle, Ummon is not only long, it speaks to a longer term. It’s not an album for this year, or for this decade, or for any other decade, for that matter. It’s for the ongoing fluid now. You want to lose yourself in the depths of buzz and dreamy synth? Yeah, you can do that. You want to dig into the underlying punk and maybe a bit of Elder influence in the vocal bark and lead guitar shimmer of “Thousand Helmets of Gold?” Well hell’s bells, do that. The mega-sprawling 2LP is a gorgeous blast of distortion, backed by jazzy, organic drum wud-dum-tap and the bass, oh, the bass; the stuff of low end sensory displacement. Amid swirls and casts of melodic light in “Dark Was Space, Cold Were the Stars,” Slift dilate universal energy and push beyond the noise wash reaches of “Son Dong’s Cavern” and through the final build, liftoff and roll of 13-minute closer “Lions, Tigers and Bears” with the deft touch of those dancing on prior conceptions. We’d be lucky to have Ummon as the shape of space rock to come.

Slift on Thee Facebooks

Stolen Body Records store

Vicious Circle Records store

 

IIVII, Grinding Teeth/Zero Sleep

Two LPs telling two different stories released at the same time, Grinding Teeth/Zero Sleep (on Consouling Sounds) brings Josh Graham‘s aural storytelling to new cinematic reaches. The composer, guitarist, synthesist, programmer, visual artist, etc., is joined along the way by the likes of Jo Quail, Ben Weinman (ex-The Dillinger Escape Plan), Dana Schecter (Insect Ark), Sarah Pendleton (ex-SubRosa) and Kim Thayil (Soundgarden) — among others — but across about 90 minutes of fluidity, Graham/IIVII soundtracks two narratives through alternatingly vast and crushing drone. The latter work is actually an adaptation from a short sci-fi film about, yes, humanity losing its ability to sleep — I feel you on that one — but the former, which tells a kind of meth-fueled story of love and death, brings due chaos and heft to go with its massive synthesized scope. Josh Graham wants to score your movie. You should let him. And you should pay him well. And you should let him design the poster. And you should pay him well for that too. End of story.

IIVII on Thee Facebooks

Consouling Sounds store

 

Coogans Bluff, Metronopolis

coogans bluff metronopolis

Following the initial sax-laden prog-rock burst and chase that is opener “Gadfly,” Berlin’s Coogans Bluff bring a ’70s pastoralia to “Sincerely Yours,” and that atmosphere ends up staying with Metronopolis — their fifth album — for the duration, no matter where else they might steer the sound. And they do steer the sound. Sax returns (as it will) in the jabbing “Zephyr,” a manic shred taking hold in the second half accompanied by no-less-manic bass, and “Creature of the Light” reimagines pop rock of the original vinyl era in the image of its own weirdness, undeniably rock but also something more. Organ-inclusive highlight “Soft Focus” doesn’t so much touch on psychedelics as dunk its head under their warm waters, and “The Turn I” brings an almost Beatlesian horn arrangement to fruition ahead of the closer “The Turn II.” But in that finale, and in “Hit and Run,” and way back in “Sincerely Yours,” Coogans Bluff hold that Southern-style in their back pocket as one of several of Metronopolis‘ recurring themes, and it becomes one more element among the many at their disposal.

Coogans Bluff on Thee Facebooks

Noisolution store

 

Rough Spells, Ruins at Midday

rough spells ruins at midday

An underlying current of social commentary comes coated in Rough Spells‘ mysticism on Ruins at Midday, the Toronto unit’s second LP. Recorded by Ian Blurton and presented by Fuzzed and Buzzed and DHU Records, the eight-track LP has, as the lyrics of “Chance Magic” say, “No bad intentions.” Indeed, it seems geared only toward eliciting your participation in its ceremony of classic groove, hooks and melodies, even the mellow “Die Before You Die” presenting an atmosphere that’s heavy but still melodic and accessible. “Grise Fiord” addresses Canada’s history of mistreating its native population, while “Pay Your Dues” pits guitar and vocal harmonics against each other in a shove of proto-metallic energy to rush momentum through side B and into the closing pair of the swaggering “Nothing Left” and the title-track, which is the longest single cut at five minutes, but still keeps its songwriting taut with no time to spare for indulgences. In this, and on several fronts, Ruins at Midday basks in multifaceted righteousness.

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DHU Records store

 

Goblinsmoker, A Throne in Haze, A World Ablaze

goblinsmoker a throne in haze a world ablaze

Upside the head extreme sludgeoning! UK trio Goblinsmoker take on the more vicious and brutal end of sludge with the stench of death on A Throne in Haze, A World Ablaze (on Sludgelord Records), calling to mind the weedian punishment of Belzebong and others of their decrepit ilk. Offered as part two of a trilogy, A Throne in Haze, A World Ablaze is comprised of three tracks running a caustic 26 minutes thick enough such that even its faster parts feel slow, a churning volatility coming to the crash of “Smoked in Darkness” at the outset only to grow more menacing in the lurch of centerpiece “Let Them Rot” — which of course shifts into blastbeats later on — and falling apart into noise and echoing residual feedback after the last crashes of “The Forest Mourns” recede. Beautifully disgusting, the release reportedly furthers the story of the Toad King depicted on its cover and for which the band’s prior 2018 EP was named, and so be it. The lyrics, largely indecipherable in screams, are vague enough that if you’re not caught up, you’ll be fine. Except you won’t be fine. You’ll be dead. But it’ll be awesome.

Goblinsmoker on Thee Facebooks

Sludgelord Records on Bandcamp

 

Homecoming, LP01

homecoming lp01

Progressive metal underpins French trio Homecoming‘s aptly-titled first record, LP01, with the guitars of second cut “Rivers of Crystal” leading the way through a meandering quiet part and subsequent rhythmic figure that reminds of later Opeth, though there’s still a strong heavy rock presence in their tones and grooves generally. It’s an interesting combination, and all the more so because I think part of what’s giving off such a metal vibe is the snare sound. You don’t normally think of a snare drum determining that kind of thing, but here we are. Certainly the vocal arrangements between gruff melodies, backing screams and growls, etc., the odd bit of blastbeating here and there, bring it all into line as well — LP01 is very much the kind of album that would title its six-minute instrumental centerpiece “Interlude” — but the intricacy in how the nine-minute “Return” develops and the harmonies that emerge early in closer “Five” tell the tale clearly of Homecoming‘s ambitions as they move forward from this already-ambitious debut.

Homecoming on Thee Facebooks

Homecoming on Bandcamp

 

Lemurian Folk Songs, Logos

lemurian folk songs logos

Tracked in the same sessions as the Budapest outfit’s 2019 album, Ima (review here), it should not come as a major surprise that the six-track/49-minute Logos from Lemurian Folk Songs follows a not entirely dissimilar course, bringing together dream-drift of tones and melodies with subtle but coherent rhythmic motion in a fashion not necessarily revolutionary for heavy psych, but certainly well done and engaging across its tracks. The tones of guitar and bass offer a warmth rivaled only by the echoing vocals on opener/longest cut (immediate points) “Logos,” and the shimmering “Sierra Tejada” and progressively building “Calcination” follow that pattern while adding a drift that is both of heavy psych and outside of it in terms of the character of how it’s played. None of the last three tracks is less than eight minutes long — closer “Firelake” tops nine in a mirror to “Logos” at the outset, but if that’s the band pushing further out I hear, then yes, I want to go along for that trip.

Lemurian Folk Songs on Thee Facebooks

Para Hobo Records on Bandcamp

 

Ritual King, Ritual King

ritual king ritual king

Progressive heavy rockers Ritual King display a striking amount of grace and patience across their Ripple Music-issued self-titled long-player. Tapping modern influences like Elder and bringing their own sense of melodic nuance to the proceedings across a tightly-constructed seven songs and 42 minutes, the three-piece of vocalist/guitarist Jordan Leppitt, bassist Dan Godwin — whose tone is every bit worthy of gotta-hear-it classification — and drummer/backing vocalist Gareth Hodges string together linear movements in “Headspace” and “Dead Roads” that flow one into the next, return at unexpected moments or don’t, and follow a direction not so much to the next chorus but to the next statement the band want to make, whatever that might be. “Restrain” begins with a sweet proggy soundscape and unfolds two verses over a swaying riff, then is gone, where at the outset, “Valleys” offers grandeur the likes of which few bands would dare to embody on their third or fourth records, let alone their first. Easily one of 2020’s best debuts.

Ritual King on Thee Facebooks

Ripple Music on Bandcamp

 

Sunflowers, Endless Voyage

sunflowers endless voyage

You know what? Never mind. You ain’t weird enough for this shit. Nobody’s weird enough for this shit. I have a hard time believing the two souls from Portugal who made it are weird enough for this shit. Think I’m wrong? Think you’re up for it and you’re gonna put on SunflowersEndless Voyage and be like, “oh yeah, turns out mega-extreme krautrock blasted into outer space was my wavelength all along?” Cool. Bandcamp player’s right there. Have at it. I dare you.

Sunflowers on Thee Facebooks

Stolen Body Records store

 

Maya Mountains, Era

maya mountains era

Italian heavy rockers Maya Mountains formed in 2005 and issued their debut album, Hash and Pornography, through Go Down Records in 2008. Era, which follows a narrative about the title-character whose name is given in lead cut “Enrique Dominguez,” who apparently travels through space after being lost in the desert — as one does — and on that basis alone is clearly a more complex offering than its predecessor. As to where Maya Mountains have been all the time in between records — here and there, in other bands, etc. But Era, at 10 tracks and 44 minutes, is the summation of five years of work on their part and its blend of scope and straight-ahead heavy riffing is welcome in its more heads-down moments like “Vibromatic” or in the purposefully weirder finale “El Toro” later on. Something like a second debut for the band after being away for so long, Era at very least marks the beginning of a new one for them, and one hopes it continues in perhaps more productive fashion than the last.

Maya Mountains on Thee Facebooks

Go Down Records store

 

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Postvorta Set Feb. 20 Release for Porrima; Single Streaming

Posted in Whathaveyou on December 13th, 2019 by JJ Koczan

postvorta

Italy’s Postvorta earlier this year unveiled the 11-minute single “Hollow” that was taken from the sessions for their new album, Porrima. If you haven’t listened to it — and I’m sure you have, because you’re way up on Italian post-metal, and kudos to you on that — it’s a crusher in atmosphere and growl alike, and the band, who, yup, there’s six of ’em, complement all that stomp with an atmospheric breadth no less ranging than the impact is weighted. As much as the US foundation of post-metal was set by Neurosis and Isis, in Europe it was bands like Cult of Luna and Amenra who established the patterns, but Postvorta seem to draw influence from all sides and work to bring an emotionalism of their own to the bleak sonic tectonics. Haven’t heard Porrima — their new LP — yet, but neither have I heard a reason not to look forward to it.

That’s right. I went to that rhyme. Bite me. It’s my site. I get to do what I want.

Admittedly, I’m late to the party on posting the release date and the album news, but I figure better that than not at all, so here it is, courtesy of the PR wire. Porrima release is slated for Feb. 20 through 22 Dicembre Records and Sludgelord Records:

postvorta porrima

POSTVORTA: cinematic post/doom metal outfit reveal details of new album “Porrima”!

Italian post/doom metal stalwarts POSTVORTA release details of their upcoming new album “Porrima” – due out on February 20th, 2020 via Sludgelord Records and 22 Dicembre Records on 2CD and MC (strictly limited to 50 copies) format.

Produced by Riccardo Pasini (The Secret, Nero Di Marte, Ephel Duath), mastered by Magnus Lindberg (Cult Of Luna) and featuring artwork by Andrea Fioravanti and Nicola Donà, “Porrima” features musical textures and contributions by Francesco Bucci (Ottone Pesante), Francesca Grol and Alberto Casadei (Solaris).

“Porrima” tracklist:
01. Epithelium Copia (feat. Francesco Bucci from Ottone Pesante on trombone)
02. Vasa Praevia Dispassion
03. Decidua Trauma Catharsis (feat. Francesca Grol as female entity)
04. March Dysthymia (feat. Alberto Casadei from Solaris on spoken words)
05. Aldehyde Framework

POSTVORTA have always been hard to classify. Since 2009, they have played music that’s heavy and progressive, cinematic and intimate, dense and sometimes minimal. You could call them “post” metal, as thunderous elements of pure doom often contrast with moments of introspection. Their entire musical trajectory seems like a gradual disclosure of intimate secrets.

The album’s five tracks showcase the band facing life’s pain and wonder with their eyes wide open. The collection’s emotional landscape is one of existential dread, melancholy and loss. Despite these existential conundrums, “Porrima” at times also displays some uplifting, euphoric vibes.

Postvorta are:
Andrea Fioravanti [ Guitars – Synth ]
Nicola Dona’ [Vocals – Sometime Guitars ]
Raffaele Marra [ Bass ]
Dario Foschini [Guitars ]
Mohammed Ashraf [ Synth – Guitars ]
Matteo Borzini [ Drums ]

https://www.facebook.com/POSTVORTA
https://postvorta.org/
https://www.facebook.com/SludgelordRecords/
http://instagram.com/sludgelordrecords
https://thesludgelord.bandcamp.com/

Postvorta, “Hollow”

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Cranial Announce Alternate Endings out Sept. 27

Posted in Whathaveyou on July 31st, 2019 by JJ Koczan

cranial (Photo by Dominik Morber)

With CD and LP due out through Moment of Collapse Records and cassettes through Sludgelord Records and Hand of Death Records, there’s plenty of backing for Cranial‘s new album, Alternate Endings, which is bound to immediately draw some comparisons to the Hydra Head-style pastiche of post-metal, if only for its cover art. The band have a new trailer posted now that captures some of the ambient sensibility that Alternate Endings will have on offer, but if one goes back and listens to their 2017 outing for Moment of CollapseDark Tower / Bright Lights, there’s plenty of churn and crush to go along with that atmospheric reach. I’d expect no less of the upcoming full-length, though it’s always possible they’ve gone all-out drone as well. Something in the tension of that YouTube clip makes me think there’s a payoff lurking there though. Or maybe it’s the song title “Burning Bridges.”

Either way, one imagines harsh things await in the darkness, and that’s just fine. The PR wire brought the info and the aforementioned trailer:

cranial alternate endings

Sludgy post metal heavyweights CRANIAL reveal album details!

“Alternate Endings” coming September 27th on Moment of Collapse Records

Sludge metal heavyweights CRANIAL return with their sophomore album to be released September 27th by capable Moment of Collapse Records! Risen from the ashes of almighty OMEGA MASSIF, CRANIAL took the best ingredients, created their own sound and developed it even further. Powerful and earth shattering, apocalyptic and destructive, melodies as uplifting as they are depressive – once again the band pushed themselves forward and re?ned their songwriting. Working together with Ghost City Recordings and no one else than Magnus Lindberg (Cult of Luna) they found the perfect team for setting up their most crushing sound to date!

“Alternate Endings is our most personally output so far. It is about loss, fear and desperation but also about rise and hope. Within these four songs we captured and encapsulated these strong feelings. Working with Ghost City Recordings and Magnus Lindberg was the perfect match for the new album. They helped us with our vision.” the band comments.

Seeing the light of day September 27th on LP, CD via Moment of Collapse Records and tapes on Sludgelord and Hand of Death Records – a glimpse of what to expect can already be heard and seen in a first teaser at THIS LOCATION!

Alternate Endings tracklisting:
1. Faint Voice
2. Unceasing Lack
3. Burning Bridges
4. Holistic Figure

CRANIAL is:
Michael Melchers (guitar)
Julian Weidhaus (bass, vocals)
Cornelius Merlin (drums)
Sebastian Kröckel (guitar)

www.facebook.com/cranialband
www.facebook.com/momentofcollapse
www.momentofcollapse.com

Cranial, Alternate Endings album trailer

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Plague of Carcosa Stream Ocean is More Ancient than the Mountains EP in Full

Posted in audiObelisk on July 16th, 2019 by JJ Koczan

plague of carcosa

Chicago instrumentalist two-piece Plague of Carcosa will release their new EP, Ocean is More Ancient than the Mountains, on July 19 through Sludgelord Records on tape and Gipsy House Recordings on CD. The title, like much of the band’s framework, derives from the horror literature of H.P. Lovecraft, and the two songs on Ocean is More Ancient than the Mountains, “Crawling Chaos” and “Madness at Sea,” do likewise, the former being a 1921 short story related to the outer-god Nyarlathotep, while the latter refers to Cthulhu. So the big guns, as far as Lovecraft goes. Fair enough, as guitarist Eric Zann and drummer Lark McGee have the tone and pummel to match the giant mythical beasts they’d purport to base their work around. As to whether the two of them were sitting in the rehearsal space with their Lovecraft compendium out going, “Okay, now we’ll make this riff represent when he says, ‘Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men,'” but it’s of course an atmospheric impression, and after a few years of lineup changes — doing time over the last three years as a solo-project, a trio, and even a four-piece on last year’s 14-minute “Rats in the Walls” single — they basically have the whole “eldritch dark cosmos” thing down.

And it should go without saying that Lovecraft dilettantes, non-fans or those who’ve simply never engaged with the material and its old-style hyper-formal prose won’t necessarily lose out on the listening experience for not being immediately ready to connect the cumbersome title to the short story “The White Ship” from Plague of Carcosa Ocean is More Ancient than the Mountainswhence it comes. The 15-plus-minute offering has a rumbling, noisy appeal all its own, and one would be remiss not to liken it to acts like Bongripper (whose Dennis Pleckham mastered) or even the much-missed Beast in the Field — the tone at the start of “Madness at Sea” particularly for the latter — but its combination of fullness of sound and a duo’s elemental cacophony helps bring personality to Ocean is More Ancient than the Mountains beyond the basic thematic. “Crawling Chaos” indeed lurches forward, building into a sensory overload of which Nyarlathotep himself might be proud before entrancing with low-end distortion into a long deconstructing fadeout, while “Madness at Sea” starts out with feedback and unfurls a more undulating central progression with harder stops and will eventually also seem to rip itself apart on a molecular level before it’s done. “Madness at Sea” might be the more punishing of the two, but it’s a picking of poison either way on the two-songer, as Zann and McGee create a massive, churning abyss of groove and ill-intentioned tone. If the ocean is more ancient than the mountains — technically true — then Plague of Carcosa do well in conjuring what horrors might lie in the unfathomable deep.

I won’t profess to know whether Plague of Carcosa will keep their current configuration or seek to add another member (or two), but the best argument in favor of their current form seems to be coming from the band itself in these songs. I’m no expert on Lovecraft, but the brutal ambience McGee and Zann bring to bear on Ocean is More Ancient than the Mountains is a grim thrill unto itself, and only suggests further reading. And by reading, I mean crushing. And by crushing, I mean being crushed. Just so we’re clear.

You can stream Ocean is More Ancient than the Mountains on the player below. More info off the PR wire follows.

Please enjoy:

Plague of Carcosa is a 2-piece instrumental doom band formed in the spring of 2016; the band was created by cult leader Eric Zann in the forgotten corners of Chicago to explore the darker, more droning side of metal. Taking cues from the heavy textures Sunn O))) and Bong, and introducing the terrifying themes of Lovecraft, Eric self-released the debut The Color Out Of Space, and the cult grew. Recruiting a drummer and second guitarist as high priests of the cult, the group quickly took to playing in a style often compared to local heroes Bongripper, whilst also taking notes from the mighty Conan and Thou. As they honed their material, Eric released the 70-minute experimental piece (‘Ritual 1’) and shortly after, the group worked with Andy Nelson (Weekend Nachos) on their first release as a group, Hastur, which was unleashed upon the world in May of 2017. The winter of 2018 saw the release of ‘Rats in the Walls,’ a 15-minute behemoth, which was mastered by Dennis Pleckham of Bongripper.

The latest release, Ocean Is More Ancient Than The Mountains, once again sees the cult teaming up with Andy Nelson and Dennis Pleckham, this time operating only as a two-piece. While they have lost a high priest, they have gained followers all over the world with their sonic adaptations of the works of Lovecraft and invocations of the Great Old Ones. The opener ‘The Crawling Chaos’ serves as a tribute to the great Nyarlathotep and sees them seamlessly blending their signature colossal doom riffs with a touch of grindcore at the climax. The other half of the EP, ‘Madness at Sea,’ is intended to pay tribute to the ‘Call of Cthulhu’ chapter of the same name. Melding drawn-out, ever-evolving riffs with more ambient sections that crash into walls of feedback, it is a fitting depiction of the sailors losing their sanity when being faced with the mountainous Cthulhu in his sunken corpse city.

Ocean Is More Ancient Than The Mountains is set for release digitally and audio cassette via Sludgelord Records on July 19th 2019.

Plague of Carcosa is:
Eric Zann – strings
Lark McGee – drums

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Plague of Carcosa on Bandcamp

The Sludgelord Records on Bandcamp

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Gipsy House Recordings on Thee Facebooks

Gipsy House Recordings on Bandcamp

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