Review & Track Premiere: Slomatics, Futurians: Live at Roadburn

Posted in audiObelisk, Reviews on September 12th, 2017 by JJ Koczan

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[Click play above to stream the premiere of ‘Tramontane’ from Slomatics’ Futurians: Live at Roadburn. Album is out next month on Burning World/Roadburn Records with preorders posted here.]

Look. Sometimes in life you just have to do yourself a favor, and I have no problem admitting that’s my motivation behind reviewing the Futurians: Live at Roadburn release by Belfast, Northern Ireland, trio Slomatics. No problem whatsoever. I was fortunate enough to bear witness to earlier this year to the set captured at Roadburn 2017 in the Green Room of the 013 in Tilburg, the Netherlands, and as Roadburn Records/Burning World Records gears up to release it to the wider public, I feel no shame in being as stoked on it as I am. Does that make me impartial to the experience or the release itself? Fuck no. Do I every now and again enjoy approaching an album with unmitigated joy and hoping to convey some small sense of that revelry in what still might ostensibly pass as a “review?” Yeah. Every now and again. This is one of those cases.

So if you want a harsh critique of Slomatics‘ set minute-by-minute, or if you want some bland judgment about the level of their play overall throughout the eight-song/42-minute pummelfest of a set, feel free to look elsewhere. For me, much like seeing the three-piece of guitarists David Majury and Chris Couzens and drummer/vocalist/synthesist Marty Harvey taking that stage in the first place, listening to Futurians: Live at Roadburn is a complete pleasure, front to back from the “Good evening Roadburn!” that Harvey tosses in four minutes into “Electric Breath” to the guest vocal appearance from Conan frontman Jon Davis on the finale “March of the 1,000 Volt Ghost.”

Those two cuts also represent the divide between the latest Slomatics studio LP, last year’s stellar Future Echo Returns (review here), and their 2005 debut, Flooding the Weir, and though the last several years especially have brought them to prominence in greater underground consciousness thanks in part to a 2011 split with Conan (review here) and the aforementioned Davis‘ work promoting them through his Black Bow Records imprint, citing (correctly) their influence on his work, etc., the set as a whole basks in the fullness of Slomatics‘ discography, with material from 2014’s Estron (review here) like “And Yet it Moves,” “Return to Kraken” and “Tramontane” from 2012’s preceding A Hocht, “Ulysses My Father” from the late-2014 split with Holly Hunt, and “Running Battle,” also taken from the debut.

It’s a lot of ground to cover and not a lot of time to do it, but Slomatics, who’ve been proffering tonal demolition since 2004, are well up to the task. Still, given that Future Echo ReturnsEstron and A Hocht comprise a thematic and narrative trilogy — the storyline of which is still unclear, though we know that with “Supernothing” and “Into the Eternal” capping the latest record, the main character seems to at least be resigned to death if not actually dead — it’s something of a surprise they’d dip back to Flooding the Weir or the split at all, though one can hardly argue with the flow they set up across the eight tracks of Futurians: Live at Roadburn. It is a total cliché to say of heavy two-guitar bands without bass that they’re missing nothing for low end — and frankly, kind of a shitty thing to say about bassists in general, who add to the dynamic of a group even when the tonal space can be otherwise filled via effects or various methods of amplification, running guitars through bass heads, and so on — but with just Majury and Couzens as the string section, Slomatics‘ material is united regardless of its source by the unbridled weight of their distortion.

slomatics at roadburn photo jj koczan

I said in watching them at the time that they were the heaviest band I’d heard so far over the weekend. They would turn out to be the heaviest band — period — that I’d see at Roadburn this year, and that comes through in the massive roll of “Electric Breath” and the gallop of “Return to Kraken” alike, and as it did on Estron, “And Yet it Moves” lives up to its title — perhaps even more with the energy of the live delivery behind it. Indeed, one of the greatest assets that emerges from the band across Futurians: Live at Roadburn is that energy, and while my hearing it in the recording of “Tramontane” and “Supernothing” and “Ulysses My Father” may be due in part to having stood in front of the stage as it was happening, the vitality of their execution and how simply glad Slomatics were to be there comes through just the same and I believe is palpable whether a given listener saw them or not. Textual evidence? Go back to Harvey engaging the crowd in “Electric Breath,” or as they close out the set with “March of the 1,000 Volt Ghost.” The trio seem no less thrilled to be onstage than the cheering crowd is to have them.

And in kind with the bludgeoning, crushing tonality they bring to bear in the material — recorded in the Roadburnian tradition by Astrosoniq drummer Marcel van de Vondervoort and his team — it’s that spirit of joy that most pervades the release. There have been plenty of Live at Roadburn albums over the years, which is a credit in no small part to van de Vondervoort, and while some simply offer a glimpse of a professionally captured stop on a tour, or a curated setlist, whatever it might have been for a given band in a given year, with Slomatics, it was the show itself and the obvious extra effort put into the set that made it something special.

In other words, playing Roadburn clearly meant something to HarveyCouzens and Majury, and accordingly, it meant more to the audience to see it as well. I can’t speak for everyone who was there and I wouldn’t try to, but I know that for me, Slomatics hit on a particular vibe and sense of communion that in my experience only the very best of fully-bought-in Roadburn performances are able to hone. Thus it seems only more fitting that it should be preserved not only so that those who were there can have it for nostalgic purposes and the band can keep the momentum of their growth going post-Future Echo Returns, but in order to document a singular level of expression as a template for others to hopefully follow in years and fests to come.

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Slomatics to Release Futurians: Live at Roadburn in October

Posted in Whathaveyou on July 19th, 2017 by JJ Koczan

slomatics (photo jj koczan)

How good were Slomatics at Roadburn 2017? Oh, they were mighty good indeed. All the more reason to put a note in your phone or mark your calendar or do whatever it is to do to remind yourself about shit — maybe just preorder it when that goes live on Sept. 12? — that the Northern Irish riff-crushing trio will issue their set from this year’s fest in Tilburg this October via Burning World/Roadburn Records under the title of Futurians: Live at Roadburn. I’m telling you, I was there. It was awesome enough that when they were done I jumped on stage and took the photo above. I never do that kind of extroverted shit. Usually my ass is hiding in the back, pronto.

Point is Slomatics killed it on this one, as they will, and whether you were there to catch it or not, keep your eye out for Futurians: Live at Roadburn because the proof, as the saying goes, is in the pudding. The riffy, riffy pudding.

The PR wire fills in on the particulars:

slomatics futurians live at roadburn

ROADBURN RECORDS TO RELEASE SLOMATICS FUTURIANS: LIVE AT ROADBURN

Slomatics will release Futurians: Live At Roadburn on vinyl and digital this october on Roadburn Records.

The band commented on their performance on the legendary festival beforehand:

“To say we’re excited about playing Roadburn would be an understatement,” says guitarist David Majury. “It’s funny how something like a music festival can take on almost mythical proportions, but if any festival has done so it’s definitely Roadburn! We’ve had an association with the festival through our records being on Burning World Records, so it feels good to be finally hauling our fuzz pedals over to Tilburg.”

With Majury and Chris Couzens on guitar and drummer / vocalist Marty Harvey also handling synth, Slomatics defy logic with their sheer amount of low-end output. As the follow-up to 2014’s Estron and 2012’s A Hocht, Future Echo Returns (2016) was the third in a trilogy of albums, rounding out an extended story that the band purposefully leaves open for interpretation.

“I’m delighted we’ll be joining the 2017 edition of Roadburn,” echoes Couzens. “We’ve seen some incredible performances in Tilburg over the years and been blown away how the locals embrace the hordes of music fans that descend on them. It’ll be fantastic to join that special atmosphere as a performer in April!”

* 300 copies on clear vinyl worldwide
* pre-sale starts september 12th 2017 on BurningWorldrecords.com

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Slomatics, “And Yet it Moves” live at Roadburn 2017

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