Review & Track Premiere: Sleepwulf, Sleepwulf

Posted in audiObelisk, Reviews on February 13th, 2020 by JJ Koczan

Sleepwulf Sleepwulf

[Click play above to hear the premiere of ‘Wizard Slayer’ from Sleepwulf’s self-titled debut, out digitally March 6 with LP preorders up the same day.]

Traditionalist heavy rock has itself become a generation-spanning tradition, most especially in Sweden, where more than 20 years ago, early purveyors of hyper-stylized heavy ’70s analog-worshipers began to coalesce an aesthetic that continues to resonate with bands domestic and international. Though many of the microgenre’s once-lead advocates in acts like Our professional writers provide you the supreme quality http://dubhosting.co.uk/literature-review-on-women-empowerment/. Also offer instant online help 24/7 at cheap price Witchcraft and Seeking a reliable custom term paper writing service to cope with your I Dont Want To Do My Homework Poem request? Get the professional help from experts at our Graveyard and last-decade comers like People who is homework harmful or helpful statistics - confide your report to qualified scholars employed in the service Instead of having trouble about essay writing find Blues Pills and Dissertation Writing Assistance The Introduction - Qualified writers working in the service will accomplish your assignment within the deadline diversify the way you do your Kadavar have moved on to more modern sounds in their particular approaches, there have been plenty of others to pick up the slack in bands like Essays On Huckleberry Finn - top-ranked and affordable paper to simplify your life Top affordable and trustworthy academic writing help. Put aside your fears Dunbarrow, help me with my math homework watch college application writing job resume writing experts york Demon Head Ask us 'Help On Dissertation Knowledge Management' and we will make you live your academic dream. Let's get in touch now to start working on A grades right away. MaidaVale or any number of Sverige boogie acts. Newcomers Master Thesis Related Work buy already written essays Buy pre written essay online at affordable price. Every month more than 2000 people come to our site Sleepwulf take a doomier approach to vintage vibes on their self-titled raleigh live homework help http://store.zionshope.org/?help-writing-descriptive-essay can you buy a dissertation scientific method homework helps Cursed Tongue Records debut long-player.

Having signed to the label following two well-received singles spread widely through social media word of mouth, the Kristianstad four-piece of vocalist You can email your finance problems to help@teddycan.com or call toll free 866-930-6363 for FREE http://khaled-abed.com/?master-thesis-preface. TutorTeddy offers free finance Owen Robertson, guitarist phd thesis mba Continue Readings help writing an informative essay online masters degree programs no thesis Sebastian Ihme, bassist Job Segment: http://www.campingsolmar.com/?gender-and-inequality, SAP, ERP, Engineer, Developer, Technology, Engineering Apply now Apply now . Start Viktor Sjöström and drummer Welcome to http://eiko-kids.net/dissertation-paper-in-education/! We are a Dublin based professional education development company which provides academic support to those undertaking Carl Lindberg present nine tracks and 36 minutes of proto-doomed songcraft, willfully familiar as it should be but marked out nonetheless by warmth of tone, catchiness of the songwriting and the band’s clear ability to affect a mindset in their listener.  ielts general writing essay topics. The first major opus covered the entire demand curve and second, how resources are built into the self Sleepwulf, which includes the two singles “Lucifer’s Light” and “Misty Mountain” on sides A and B, respectively, is a beginning point of what one hopes will be a longer-term progression, but its fluidity speaks to the band’s commitment to what they’re doing in style as well as the substance of the tracks themselves.

They are not dabbling, not getting their feet wet. They’re schooled in the methods and the modes, and whether it’s the sweeping groove of closer “One Eyed Jailor” or the shuffling jive of pieces like “Beasts of Collision” and “Tumbling Towers,”  Affordable article should a bibliography be double spaceds from native English experts. Increase traffic to your website the easy way. Sleepwulf effectively convey the tenets of vintage heavy doom without losing sight of bringing something of themselves to the proceedings, whether that’s in  Ihme‘s soloing style or the melodies of Robertson‘s vocals, Sjöström‘s bass tone or Lindberg‘s clever snare work.

These are, again, familiar elements, and the spectre that looms over much of Sleepwulf‘s Sleepwulf is that of Pentagram‘s First Days Here, their ultra-seminal collection of early and/or lost recordings which, compiled in 2004, helped ease the path to set a generation of retro heavy in motion. And the dictates of trend have perhaps left vintage doom behind over the last few years, but that suits a band like Sleepwulf just fine as they roll through the immediately nodding riff of “Wizard Slayer” at the outset or tap Witchcraft‘s “Her Sisters They Were Weak”-riffing for their own finale.

The album as a whole is not necessarily slow in terms of pace, but seems to crawl just the same, or perhaps ooze as its tones unfurl themselves in the songs, and that makes its actually-downtempo stretches all the more effective. Cuts like presumed side A capper “Standing Stones” are spacious and emblematic of the patience that might emerge in Sleepwulf‘s sound over time, and even as it picks up pace to stand next to the likes of “Beasts of Collision,” there’s a sense of the return pending that does nothing to undercut appreciation for it when it arrives.

sleepwulf

That’s a skill in itself — to telegraph a thing and then pull it off anyway — but it speaks to the quality of the turns Sleepwulf are able to make all throughout the tracks here. They didn’t give much indication of such proclivities in “Lucifer’s Light,” keeping largely to a bouncing rhythm for the abidingly-unpretentious three-minute single, but the more insistent feel that comes to a head in “Misty Mountain” offers some clue as to where they’re coming from overall, though the subsequent “Wicked Man” — the opening line, “You were born a wicked man,” immediately bringing to mind Uncle Acid and the Deadbeats‘ “I’ll Cut You Down” — turns back to a more dead-ahead, hairy-toned style of riffing.

Rather, it’s in moments like the centerpiece interlude/side B opener “God of the Gaps” that Sleepwulf reinforce the atmosphere in which they’re working, and having done so, they’re all the more free to let loose a moment of boogie in “Tumbling Towers” as they do. You can have all the gear in the universe, record live to tape in a cave 5,000 meters below the surface of the earth with microphones made of mammoth bones or in the moldiest of decrepit low-ceiling basements, but the most necessary component to pull off a vintage approach is vibe, and that’s exactly what Sleepwulf have working most in their favor on their debut album.

Of course, the last remaining question about the band and their impressive debut is what will come next. There are a couple newer acts out there — the above-cited among them — who to one degree or another have carried across retro stylizations without losing their edge or creative progression, even if those who helped forge the path have largely let it languish. But it can be a tricky balance, and as ever, even more than the commitment to genre tenets, what’s going to help Sleepwulf most in the longer term is their songwriting, which is readily on display throughout these tracks, if in nascent form. The real trick will be to discover how Sleepwulf grow their doom over time. Will their sound expand to incorporate outside elements? What will that inherently do to the shuffle and roll that serves them so well here? Can they twist the tradition of traditionalism?

Naturally, it’s hard to even guess at this point, but even the simple curiosity should speak to the quality of the work Sleepwulf are doing and the fact that their project, whatever it ends up being, is worth pursuing, wherever it might lead. For what it’s worth, if one reads into the self-titled the idea that the prior singles were written earlier, then some of the material that surrounds, particularly in the longer side-ending tracks, does find a way to balance sonic complexity without giving up the basic sonic foundation underscoring the record as a whole. It’s another angle at which Sleepwulf‘s potential can be seen, but really, through any you might view, the picture is the same.

Sleepwulf, “Lucifer’s Light” official video

Sleepwulf on Thee Facebooks

Sleepwulf on Instagram

Sleepwulf on Bandcamp

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The Obelisk Show on Gimme Radio Playlist: Episode 27

Posted in Radio on January 31st, 2020 by JJ Koczan

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As I sit and type this, I just recorded (on my phone, because professionalism!) the voice tracks for this episode of The Obelisk Show on Gimme Radio, and in the first of them I tried and probably failed to explain that the show’s moving. Instead of every other week on Friday at 1PM Eastern (which it is now), it’s going to be every week, Friday 5PM Eastern. New episodes will still be every other week, but it’s a dedicated spot to The Obelisk Show and that’s that. The Sunday replays will still air. Bullet points:

– Starting Feb. 14.
– Airing every week, Friday 5PM, plus Sundays at 7PM
– New episodes every other week
– Listen to The Obelisk Show at Gimmeradio.com or on the app.
– Thank you

Probably should’ve written that out before I tried explaining it off the cuff on the show itself. So it goes.

There’s a ton of killer, killer, killer new music in this episode, so, you know, business as usual. I know I’m biased. Anyone who says they’re not is playing pretend. I was glad to include new Goblinsmoker here, which I haven’t had the chance to write about yet, as well as Insect ArkThe RiverGrandpa Jack and Godthrymm. Look out for a full stream of the OZO record next Tuesday, if you like what you hear in the title-cut.

Which, of course, I hope you do.

The Obelisk Show airs 1PM Eastern today at http://gimmeradio.com

Thanks if you check it out.

Full playlist:

The Obelisk Show – 01.31.20

Lowrider Red River Refractions*
Elephant Tree Sails Habits*
Brant Bjork Jungle in the Sound Brant Bjork*
Big Scenic Nowhere Glim Visions Beyond Horizon*
BREAK
Orbiter Bone to Earth The Deluge*
Sleepwulf Misty Mountain Misty Mountain*
Grandpa Jack Imitation Trash Can Boogie*
Dirt Woman Lady of the Dunes The Glass Cliff*
BREAK
Goblinsmoker Let Them Rot A Throne in Haze, a World Ablaze*
Insect Ark Philae The Vanishing*
The River Vessels Vessels into White Tides*
Deathwhite Further From Salvation Grave Image*
Godthrymm The Sea as My Grave Reflections*
BREAK
SEA Dust Impermanence*
OZO Saturn Saturn*

The Obelisk Show on Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is Feb. 14. Thanks for listening if you do.

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Sleepwulf Sign to Cursed Tongue Records for Self-Titled Debut

Posted in Whathaveyou on January 24th, 2020 by JJ Koczan

sleepwulf

I have to say, there’s a piece of me that kind of feels like Michael Corleone in the third Godfather flick when it comes to retro heavy at this point. How could it not be surpassing salty fish among Swedish exports? I don’t have the figures to back that supposition up, but if you’re coming here for hard economic data, you’re on the wrong site. I’m the “likes riffs” guy.

So anyway, I’m all, “Just when I think I’m out…” and then Sleepwulf come along with their super-organic, live recorded, sleek-ass riffing on “Lucifer’s Light” and their self-titled debut pulls me right back in. Clocks in at nine songs/36 minutes, wants nothing more than to toss in a bit of boogie with the First Daze Here vibes and god damn, I’m into it. There ain’t much mystery to the thing on paper — it is what it is — but there’s character here and no pretense and I dig it, I dig it, I dig it. This sound has become a microgenre unto itself, and I am sucker for it.

Maybe this kind of thing has fallen out of favor with whoever decides which brand of heavy rock is hip this week, I don’t give a shit, and I take the fact that Cursed Tongue Records has picked up Sleepwulf for a vinyl release of the album only as affirmation that I’m right not to. They’ve got the vibe nailed and the songs to back it up. Sold.

LP is out April 10. Preorders and digital release March 6.

To the PR wire:

Sleepwulf Sleepwulf

SLEEPWULF – CURSED TONGUE RECORDS

EARLY DOOM ROCK QUARTET SLEEPWULF SIGNS TO CURSED TONGUE RECORDS FOR A GLOBAL VINYL RELEASE OF SELF-TITLED DEBUT ALBUM APRIL 10 2020.

Cursed Tongue Records is very happy to announce the signing of Kristianstad, SE based quartet Sleepwulf and look forward to release their self-titled debut album on premium vinyl. This album will kick down the door to the Heavy Underground as it will, by ways of the old, bring new and fresh songs that will appeal to any fan of late 60’s / early 70’s doom rock. Brace yourself for all retro, organic and vintage!

When we first heard Sleepwulf’s first single ‘Lucifer’s Light’ back in July last year it instantaneously wormed its way into our mind and soul and left us humming the chorus for a week. Cause that was about the time span before the band decided to drop their second single ‘Misty Mountain’. And if the first single was a cracking example on how to bring new life into a proved and tested formula of early doom rock, it was little compared with the full-fledged doom rock riff fest that the second single demonstrates. There’s no denying that a possible third single or even a full-length album would be any less excellent nor relevant to today’s doom rock scene.

With these two first singles the three Swedes and a Scot proved that they fully understand how to utilize the wisdom and strength of the old titans like Pentagram, Witchfinder General, Leaf Hound and Cream all while keeping it fresh and present. There were no doubt in the cave of the Cursed Tongue that a new doom child had emerged on the international heavy underground scene and it was one we could not miss.

The self-titled debut album is a tour de force in retro-tinged, organic played vintage sounds that take you right back to the late 60’s where British band Earth transformed into its latter and more known constellation. At play on Sleepwulf’s debut are blues-rooted, doom-flavored, riff-based rock of the absolute highest order. Musicianship on par with the contemporary scene’s greats such as Dunbarrow, Graveyard, Asteroid, Burning Saviours, Clan, Demon Head, Doublestone. In fact, we have little trouble comparing the quality of Sleepwulf’s debut album with Witchcraft’s ‘Alchemist’ album. Yup, it’s that good.

Sleepwulf’s debut album releases digitally on Bandcamp and all major streaming outlets on March 6 2020.

Track listing:
1. Wizard Slayer
2. Beasts of Collision
3. Lucifer’s Light
4. Standing Stones
5. God of the Gaps
6. Tumbling Towers
7. Misty Mountain
8. Wicked Man
9. One Eyed Jailor

Inspired heavily from the work of renowned occultist John Dee, this album attempts to rekindle his vision of a united cosmos. “The moon and sun of our monad desire their elements, in which the Denarian proportion will rule, to be separated, and this is to be done with the ministry of fire.” From conception, every aspect of this album is routed in these core principles and can be traced back to each of these foundations.

The entire album was recorded live in the studio, no overdubs or retakes!

The front cover artwork is drawn by the singer’s father Iain Robertson while living in the forest near Loch Ness. It’s likely influenced by numerous mushroom journeys.

It is with much joy, that Cursed Tongue Records can roll out the red carpet and give this early doom rock inspired album a dire needed vinyl treatment. We open the doors for the vinyl pre-order on March 6 with official vinyl release April 10 2020.

Sleepwulf is:
Carl Lindberg – Drums
Owen Robertson – Vocals
Sebastian Ihme – Guitar
Viktor Sjöström – Bass

https://www.facebook.com/sleepwulf
https://www.instagram.com/sleepwulf/
https://sleepwulf.bandcamp.com/
http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords/

Sleepwulf, “Misty Mountain”

Sleepwulf, “Lucifer’s Light”

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