Owl Maker Premiere “Sky Road” Lyric Video; EP out Now

Posted in Bootleg Theater on December 17th, 2018 by JJ Koczan

owl maker

I know How To Write Perfect Essay - Options to buy an essay online. Making your writing more efficient, and picking up techniques from professionals Owl Maker have a whole thing going with owls and all that, right? Hence the band’s name and all, and guitarist/vocalist/producer SummaryReviewer 78 UsersReview Date 2017-08-29Reviewed Item Coursework Help FreeAuthor Rating 5 Simon Tuozzoli is a well-read dude, and the whole concept of the band relates back to Native American folklore and this and that. Fine. I’m not arguing. But after watching the lyric video premiering below for the title-track of the band’s second EP, Actions Speak Louder Than Words Essay - Entrust your essay to us and we will do our best for you Use from our inexpensive custom dissertation writing service and benefit from Sky Road (review here), I gotta say, they might need to take a long, hard look at the tag “scorpion boogie.” Because there’s a shuffle riff right in there, and drummer http://vivabeauty.ee/?buyessaywriting=raleigh-live-homework-help - Why be concerned about the essay? order the required assistance on the website Expert scholars, quality services, timely delivery Chris Anderson syncs it right up to some dancing iconography from the EP’s cover art, and that scorpion is right on time, as the kids might say (if the kids were, like, 60). Maybe “scorpion boogie metal” to allow for The best online writing service CustomThesis.org provides the reputed and top rated Asigment. We offers PhD thesis proposal writing Tuozzoli‘s NWOBHM influence and composition style? I’m not trying to tell anyone their business. Just putting it out there for consideration.

Tuozzoli Cheap Essay Writing Websites - Why be concerned about the review? apply for the necessary guidance on the website modify the way you fulfill your homework Anderson and bassist Buy essays online safe at our cheap college paper service. Dissertation Analysis PlanSafe.com provides professional academic writing help. Place an order and get your essay! Jessie May worked quickly to turn around  If they really think that I need help writing an essay even ready to pay for essay writing and are sure that I have to Do Your Homework With A Fork for me, Sky Road after making their debut earlier in 2018 with the six-songer  A William Northcutt Phd Dissertation's skill set may be unique. That can make it a challenge to find the right technical writer for your project. When you need contract or Paths of the Slain (review here) — which has subsequently been released in an edition of five CDRs with handmade collage art by the band, on the cheap, considering — and its two songs find them refining their aesthetic toward classic heavy rock and the noted undercurrent of metal that shows itself in periodic gallop of riff and righteous soloing. “Owl City” finds  family narrative essay blog link how to outline master thesis online education and traditional education essay May leading the groove with a satisfyingly fuzzed bass tone, but there’s a crispness to  Cover Short Essay For College Application Resume from CV Writers. We also provide professional CV writing services and LinkedIn profile writing. Owl Maker‘s presentation on the whole that speaks to the metallic edge as well. But they’re finding that balance between those sides, and with a penchant for melody and strong songwriting as a foundation to work from, their progression is evident even across the span of months that separate  Step 2: Understand http://www.swapkit.ie/?cheap-college-paper online. You should know that if you purchase a term paper online, its not like shopping for products on Amazon. You wouldnt buy a research paper that was already written because naturally there will be many edits to undertake. When you hire us, you are contracting the service of an individual professional. Paths of the Slain and  Leave The Stress Behind, Get college admissions counselor cover letter. Is it coming time for you to turn in that dreaded capstone paper? Argumentative essay Sky Road.

As to what they might have in store for 2019, I don’t know if they’ll keep their current pace or step back toward writing a full-length, but as a DIY band, with  Custom http://crp-construction.com/i-need-someone-to-write-my-research-paper/ Will Help You Out in Completing The Whole Assignment. What ever the deadline is You Can Order Your Dissertation Tuozzoli (also a veteran of check my blog - Writing a custom paper is work through many steps Find out everything you have always wanted to know about Vestal Claret and copious others) also working as recording engineer at his own  UP Studios, there’s nothing stopping them from establishing whatever clip they want, beyond, you know, life and all that. But, whenever their next release shows up and whatever they decide to call it, “Sky Road” showcases well their development in progress and the steps they’ve already taken.

Some comment and whatnot follows the video. Hope you enjoy:

Owl Maker, “Sky Road” lyric video premiere

Chris Anderson on “Sky Road”:

For the video, I decided to go with a desert theme as per the vibe of the song. The album cover reflects the lyrics quite well, so inspiration was not hard to come by. Also, a lot of lyric vids tend not to change things up during the verses, so I decided to experiment a little. It was all done in Adobe After Effects, all stock plugins.

Following the success of their debut EP Paths of the Slain this March, heavy metal trio Owl Maker is set to release the two-track EP Sky Road on November 2nd, 2018. With themes of hopelessness, addiction, and revenge set against a stark desert landscape, and produced by the Owl Maker’s own guitarist and frontman Simon Tuozzoli, Sky Road shows a musical and conceptual evolution for the band.

Simon Tuozzoli — guitars/vocals
Jessie May — bass
Chris Anderson — drums

Owl Maker, Sky Road (2018)

Owl Maker on Thee Facebooks

Owl Maker on Instagram

Owl Maker on Bandcamp

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Quarterly Review: Trippy Wicked, Dunbarrow, The Vintage Caravan, Zatokrev & Minsk, Owl Maker, Orbital Junction, Bourbon, Birnam Wood, Wytch Hazel, The Soulbreaker Company

Posted in Reviews on December 3rd, 2018 by JJ Koczan

quarterly-review

You know how this goes by now, right? Well, okay, except that because I skipped the Quarterly Review that I otherwise would’ve done in September (or, more likely, October), I’m doubling-up this time. 100 reviews instead of 50. Two full weeks of 10 albums per day. Will I survive? Yeah, probably. Will it be completely overwhelming? Already is. Thanks for asking.

I’ll save the summaries of the year that was for list-time, which is fast approaching, but consider the fact that there are well more than 100 albums I could include in this roundup emblematic of just how vibrant heavy rock and doom are in the US, EU, UK, Australia and elsewhere. It’s a universal thing, and accordingly, there’s a whole universe of it to explore. This is just a sampling.

But yeah, time’s a wastin’, so let’s get to it.

Quarterly Review #1-10:

Trippy Wicked and the Cosmic Children of the Knight, Stakes n Scale

trippy wicked stakes n scale

An acoustic EP from Trippy Wicked and the Cosmic Children of the Knight — who, let’s face it, were way ahead of the curve when it comes to the UK scene’s thing for long and ridiculous band names — is a considerable departure from where they were two years ago on their split/collaboration with GurT (review here), but those familiar with the band might recall their past penchant for the occasional unplugged cover recorded for YouTube. Chris West (also Crawling for Carrion, Glanville, etc.), who engineered the recording and plays guitar, and vocalist Peter Holland (also Elephant Tree) revamp Trippy Wicked‘s “Up the Stakes” from 2012’s Going Home (review here), and cover “Scale the Mountain” by Stubb, of which both were members when the song was written. Together, they make for a nine-minute showcase for the character in Holland‘s voice and the melodies and craft at root in both tracks, and while its arrival feels like kind of a one-off, it’s certainly no less welcome for that.

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Trippy Wicked on Bandcamp

 

Dunbarrow, II

dunbarrow ii

The novelty of new bands playing through vintage gear in order to capture a heavy ’70s sound may have faded, but like all subgenres, as time goes on, the retro-ist style continues to shift and change as bands like Dunbarrow bring new character to established tenets. Their second LP for RidingEasy is aptly-titled II and sways between honoring the likes of Pentagram and acts like Witchcraft who’ve helped craft that band’s hindsight-founded legacy. Dunbarrow‘s noodly style, restrained rhythmic shove and ride-the-riff melody on “Weary Lady” and the foresty creep of “The Demon Within” capture the vibe well, the latter occurring in a second half of II populated with “The Wolf” and “Witches of the Woods Pt. II,” a sequel to the closer of their 2016 self-titled debut (review here) that here leads to the more severe roll of the finale, “On this Night,” emblematic of the changing character of the band even as it reaffirms in its tense midsection the roots from which they sprung.

Dunbarrow on Thee Facebooks

RidingEasy Records on Bandcamp

 

The Vintage Caravan, Gateways

the vintage caravan gateways

With their third record and second for Nuclear Blast, Icelandic trio The Vintage Caravan affirm not only their passion for the boogie of old on cuts like “The Way” and the strutting “Hidden Streams,” but secure a place as being worthy of the consideration they’ve been given to a degree by the wider Continental European heavy underground. They are strikingly mature in their approach for still being a relatively young band, and their albums have worked quickly to develop a character that is becoming more and more their own. They do the fests and they tour, and so on, but they seem to be engaged in building their listenership one pair of ears at a time. Having a metal-major label behind them hasn’t hurt their promotional cause, but frankly, they’re not as big as they should be for the level of work they’re doing, and even with songs like “Reset” and “Reflections” and the composed-strictly-for-vinyl-sounding closer “Tune Out” to their credit, they’re still largely a word of mouth band, especially in the US. Well, consider this your word of mouth. If you haven’t heard Gateways yet, you should get on that.

The Vintage Caravan on Thee Facebooks

The Vintage Caravan at Nuclear Blast

 

Minsk & Zatokrev, Bigod

zatokrev minsk bigod

Post-metallic powerhouses Minsk and Zatokrev — both of whom hit their 15th anniversary last year — teamed up for a European tour this Fall. To mark the occasion, Consouling Sounds and Czar of Crickets celebrated with Bigod, a split with two tracks from each band arranged in alternating order — Minsk, then Zatokrev, etc. — intended to highlight the symmetry between them not just of circumstance and root influence in the Neurosis school of atmospheric sludge, but the fact that they share these commonalities despite their origins in Illinois and Switzerland, respectively. Each band opens with a longer track (double points) in Minsk‘s “Invoke/Revive” and Zatokrev‘s “Silent Gods,” each of which push past 13 minutes as likely at any moment to be pummeling as ambient, and follows with two shorter cuts, Minsk‘s “Salvatore” swelling theatrically from its minimalist beginnings while Zatokrev‘s “The Chalice and the Dagger” seems to explode from the foundation the prior band laid out. It must have been a hell of a tour, but whether you saw it or not, the split is a welcome conglomeration from two of post-metal’s strongest acts.

Minsk on Thee Facebooks

Zatokrev on Thee Facebooks

Consouling Sounds website

Czar of Crickets Productions website

 

Owl Maker, Sky Road

owl maker sky road

Self-recording guitarist/vocalist Simon Tuozzoli (Vestal Claret, ex-Guerra, etc.) leads Connecticut-based three-piece Owl Maker through a complex thematic of Native American folklore and heavy metal classicism. The NWOBHM plays a strong role in his riffing style, but one of the two tracks included on the two-songer single Sky Road, “Owl City,” also veers into more extreme territory with a departure from clean vocals to harsher screaming. All told, it’s about eight minutes of music, but Sky Road nonetheless follows Owl Maker‘s earlier-2018 EP, Paths of the Slain (review here), with an uptick in melodic presence in the vocals of Tuozzoli and bassist Jessie May and progression in the chemistry between the two of them and drummer Chris Anderson, and with the fluidity of their transitions between various styles of heavy, their scope seems only to be growing. To wit, “Sky Road” itself is only 3:42, but still demonstrates a clear-headed compositional method based around storytelling and a subtly encompassing range. Whether it’s early warning for what they do next or a conceptual one-off, its quick run seems just to be begging for a 7″ pressing.

Owl Maker on Thee Facebooks

Owl Maker on Bandcamp

 

Orbital Junction, Orbital Junction

Orbital Junction orbital junction

The Londonderground continues to produce acts ready and willing to worship at the altar of riffs. Orbital Junction‘s self-release debut EP makes an impression not only because of the markedly pro-shop production by Chris Fielding at Skyhammer Studios and the cover art by SoloMacello, but the hooks to live up to those high standards. “6 ft. 2” follows opener “Space Highway” with a bit of dudely chestbeating — note: I don’t know how tall any of them actually are — but the swing of EP centerpiece “Devil’s Double” and the bounce of “Gypsy Queen” speak for the four-piece’s roots and appreciation of straightforward heavy, void of pretense and tapping into an easy mid-paced fluidity that slows up somewhat on closer “Pagan” without really losing the central groove of the offering overall. They’ll have their work cut out for them in distinguishing themselves over the longer term amongst London’s burl-fueled hordes, but their first outing shows their instincts headed in the right direction in terms of songwriting, performance and presentation.

Orbital Junction on Thee Facebooks

Orbital Junction on Bandcamp

 

Bourbon, Fuente Vieja

Bourbon Fuente Vieja

Crisp but warm in its tone and presentation, rife with melody and carrying a laid back spirit despite a fervent underlying groove — the bass on “El Sendero” rests well within gotta-hear-it territory — Spanish purveyors Bourbon emobody some of the best of post-Viaje a 800 Andalusian heavy rock and roll on their third LP, Fuente Vieja (on Spinda). Their fuzz makes its presence known early on “Si Véis La Luz, Corred” and continues as a running theme as tracks like “A Punto de Arder” and the side-A-capping title-cut grow increasingly progressive. There’s room for some shuffle, of course, as side B begins with “La Triste Realidad,” and the slower “Hacia el Sol” gracefully blends electrified wah and acoustic guitars beneath a well-timed standout vocal performance, but the highlight might be eight-minute closer “Destierro,” which seems to bring everything else under one roof while tapping into a poppier structure early — acoustics and electrics aligning effectively circa two minutes in — while providing the album with a graceful and fittingly organic-sounding finale.

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Spinda Records webstore

 

Birnam Wood, Wicked Worlds

birnam wood wicked worlds

Birnam Wood don’t have time for bullshit, but they do have time for a bit of shenanigans. Thus the 1:44 surge of opener “Time of Purification” leads into the sample-laden roller groove of “Richard Dreyfuss” on their as-of-now-self-released Wicked Worlds, and the “Hole in the Sky”-style “Dunsinane” shifts into the more blown-out “Early Warning,” which, by the time its tectonic low end kicks in, is indeed something of a clarion. At seven-tracks/34-minutes, Wicked Worlds is somewhere between an EP and an LP, but I’d argue it as the latter with the flow from “Greenseer” into the massive “A Song for Jorklum” and the seven-minute finale “Return to Samarkand” making for a righteous side B, but either way, it’s a Boston-crafted assault of grit-tone and aggro doom that finds the band not overwhelmed by the heft of their own tones but able to move and manipulate them to serve the purposes of their songs. Those purposes, incidentally, are mostly about kicking ass. Which they do. Copiously.

Birnam Wood on Thee Facebooks

Birnam Wood on Bandcamp

 

Wytch Hazel, II: Sojourn

Wytch Hazel II Soujorn

It would not seem to be a coincidence that UK self-aware four-piece Wytch Hazel — guitarists Conlin Hendra (also vocals) and Alex Haslam, bassist Matt Gatley and drummer Jack Spencer nod to Wishbone Ash‘s Argus with the cover of their second LP, II: Sojourn (on Bad Omen). They do a lot of that kind of nodding, with a sound culled from a valiant blend of classic progressive and early NWOBHM styles that makes the point of how closely related the two have always been. “The Devil is Here” starts out at a fervent gallop with just an underpinning of Thin Lizzy, while the later “See My Demons” shifts from its steady roll and rousing hook into an acoustic/electric break that seems to pull from Jethro Tull as much as Scorpions. At 10 tracks/45 minutes, they have plenty of time to flesh out their ideas, and they do precisely that, whether it’s the careful unfolding around the keys and acoustics of closer “Angel Take Me” or the over-the-top instrumental push of “Chorale” or the moodier “Wait on the Wind,” the wah solo of which is a highlight on its own. There are some burgeoning harmonies in Hendra‘s vocals, which is an impulse he should follow as it would only enhance the material, but after making their debut with 2016’s Prelude, II: Sojourn finds Wytch Hazel sounding comfortable and well established in their niche.

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Bad Omen Records on Bandcamp

 

The Soulbreaker Company, Sewed with Light

the soulbreaker company sewed with light

Progressive, expansive and engaging, the sixth album from Spanish sextet The Soulbreaker Company, Sewed with Light (on Underground Legends), taps into classically Floydian influences on songs like “The Word, the Blade” while still keeping a foot in heavy rock on the prior “Together,” and setting a quick course into a varied sonic persona via the seven-minute opener and longest track (immediate points) “Inner Dark.” Hypnotizing not necessarily with drift but with sheer willful exploration, The Soulbreaker Company work with a variety of key sounds and craft-minded ranging guitar in order to effect an atmosphere of thoughtful songwriting even in their most outwardly trippy moments. The sneering semi-psychedelic rock of “Avoid the Crash” and the more stripped-down roll of “Arrhythmia” (video premiere here) lead the way into closer “In the Beginning,” which marks yet another departure with its grandeur of string sounds and electronic beats leading to a chugging big finale. As with the bulk of The Soulbreaker Company‘s work, it requires an active ear, but Sewed with Light both encourages and well earns consideration as more than background noise.

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Underground Legends on Bandcamp

 

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