Review & Track Premiere: Skraeckoedlan, Eorþe

Posted in Reviews on January 11th, 2019 by JJ Koczan

skraeckoedlan earth

[Click play above to stream the premiere of Skraeckoedlan’s translated-lyric video for “Creature of Doggerland.” Their new album, Eorþe, is out Feb. 15 on Fuzzorama Records. Preorders are here.]

I generally assume that if I’m writing about something, you already know about it because you’re cooler than I am, because, frankly, that’s how it usually works. But if you haven’t heard of Skraeckoedlan — especially if you don’t live in Sweden — there’s a decent chance it’s because they sing in Swedish. The fuzz rockers have parted with bassist Tim Ångström since their 2015’s Sagor (review here) with Robert Lamu moving from guitar to bass in addition to vocals, while Henrik Grüttner handles the lone guitarist role as well as more vocals and Martin Larsson remains on drums. One might think the band’s third album and first for Fuzzorama Records, Eorþe, would be more stripped down as a result, but the truth is it’s the most progressive record they’ve made in the decade they’ve been together. Their 2011 debut, Äppelträdet (review here) — also recently reissued by The Sign Records from the original release on Transubstans — blended fuzz-drenched tonality with a post-Mastodon style of metal, but they’ve only grown more since then, and as they align with Fuzzorama, they continue an association with sadly-defunct countrymen Truckfighters that extends all the way back to the recording of their first album.

Indeed, one might look at Eorþe as inheriting the mantle of fuzzprog that the last couple Truckfighters albums were working toward, running a fluid nine songs and 54 minutes with a greater depth of melody and broader sonic reach than they’ve ever shown. Songs like “Mammutkungens Barn,” the earlier highlight “Kung Mammut,” the 10-minute “Elfenbenssalarna” and the acoustic closer “Peggys Sång” demonstrate the range of their composition, while even a song like the under-four-minute “Tentakler & Betar” finds a way to hit new ground with vocal harmonies and a pointedly forward thrust. Whether it’s an extended piece like “Creature of Doggerland” (note the English title), or the opener “Guldåldern” or the drum-led beginning of “Angelica,” Eorþe wants nothing for heft either in tone or construction — indeed, tone has been a strength of Skraeckoedlan all along and very much remains one — but even as they hold onto their stylistic weight, they turn into a more nuanced and individualized unit.

When it comes right down to it, Eorþe is Skraeckoedlan reestablishing themselves after a change in their dynamic. The shift from two guitarists to one, even covered in the studio by layering guitar tracks and whatever else, is not a minor one. It affects songwriting as well as how the material is played. And Skraeckoedlan pull that off, no question. For a band who’ve been around for 10 years and have experience recording and touring, that’s not a huge surprise. They should know what they want to sound like — at least to some basic degree — and be able to make that happen. Fine. Where Eorþe really succeeds though is in not only finding Skraeckoedlan make this claim on who they are as a band, but in moving their sound forward from where it was three years ago. Their work is richly textured and in listening to the melody in the chorus of “Mammutkungens Barn,” one can hear their heritage in Scandinavian metal coming through in more than just the language they’re using, but like the grunge-style opening riff of that song — reminds of something from the early-mid ’90s; is it Sonic Youth? — they bring each of their influences into a context that is their own.

They did the same on Äppelträdet in imagining a fuzz-metal stomp in the first place, but with just about every move they make on Eorþe, they do so with a greater scope and identity born of the maturity of their composition. As a result, Eorþe isn’t just Skraeckoedlan‘s finest hour, but a way forward for them in this new incarnation that builds on what they’ve done before. In the tension of “Guldåldern” or the atmosphere of the penultimate instrumental “Angra Mainyu,” their ability to craft a flow and mood across disparate elements brought into a single presentation is engrossing, and the confidence with which they execute the material is what allows them to carry the audience along every step of the way. LamuGrüttner and Larsson are in absolute control of their sound in these tracks, and the potential that always seemed to be residing in their sound has begun to bear fruit accordingly.

Skraeckoedlan have generally kept to a unifying science-fiction thematic over their years, writing about monsters and in this case specifically, mammoths and beasts that may or may not have tentacles and tusks, etc., but whether or not a given listener speaks Swedish, there’s no mistaking the intent of their craft. They are a band who have worked diligently to hone their approach, and while Eorþe is dense, and not a minor undertaking at 54 minutes long, they remain accessible through their use of melody and rhythmic momentum. The fluidity of Eorþe is not to be understated, and while I don’t know if they’re telling a unified story in the lyrics, the underlying point is that the album itself is unified, and the trio are unified in their mission to grow as a band. They have. They do. One hopes they’ll continue to.

In the largesse-laden instrumental stretches of “Elfenbenssalarna,” Skraeckoedlan make clear not only how they’ve developed, but that their commitment is to keep evolving as a creative force, and that the impact that was so much of their initial appeal remains an important factor in what they do. Listening to Eorþe, one can only be glad that’s the case, but the truth is that Skraeckoedlan have expanded their aesthetic to the point that they’re about so much more than just the volume at which one hears them. The melody, the quick turns, the ambience of Eorþe have just as much of an effect on the overarching experience of the songs as the fuzzy tones, shouts and consistent sense of lumber. Whatever it is that has one hearing them, though, they’re a band who deserve more attention than they’ve gotten, and regardless of whatever language barrier there might be with a broader public, Skraeckoedlan break through it like one of the tentacled mammoths of their own creation.

Skraeckoedlan’s website

Skraeckoedlan on Instagram

Skraeckoedlan on Thee Facebooks

Skraeckoedlan on Twitter

Fuzzorama Records

Fuzzorama on Bandcamp

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The Obelisk Show on Gimme Radio Recap: Episode 07

Posted in Radio on January 7th, 2019 by JJ Koczan

gimme radio logo

I wanted to get a little weird. You know, the last episode of The Obelisk Show on Gimme Radio was some of the best tracks from 2018, but in addition to some new stuff, some 2019 stuff — cuts from Skraeckoedlan and Thunderbird Divine — I wanted to make sure I included some songs that people might’ve missed in 2018. In fact, with Melody Fields early on in the playlist, that was a record I missed completely until I put up one or the other of the year-end lists and someone pointed it out to me on Thee Facebooks. It’s an awesome record. On the show, I mistakenly said it was released through World in Sound. The LP was on Kommun 2 and the CD was on Sound Effect. Credit where it’s due, because that record rules.

Likewise, “it rules” was also a running theme. Black Helium was a standout from that 100-album Quarterly Review that I did in December, and being able to stand out among 99 other releases certainly seems worth highlighting to me. I was digging the Horehound record as I was getting ready to review it, and Skraeckoedlan I’m also getting ready to cover (maybe later this week?), while Faith in Jane I haven’t had the chance to review yet but those guys are great. Also from the Quarterly Review was Child, Space Coke and Carpet, while Goblinsmoker belong to the UK’s ever-growing swath of bands with silly names and a destructive bent. And then at the end I wanted to space out like I used to do with the podcasts — just have it hit a point and go far out and not come back. Jam into the reaches. Plus it gave me an excuse to talk about Øresund Space Collective’s AR/VR artwork for Kybalion, which it awesome in its own right.

The odd-track-out I suppose is Witchcraft, but I talk about that on the show. It’s kind of a new-classic in my mind and something I wanted to focus on this episode. We’re moving into a new year and Witchcraft’s self-titled came out 15 years ago. I think the only reason it’s not already considered classic heavy is because it’s still so relevant, it hasn’t even allowed for that kind of distance yet. But make no mistake, that’s a classic album.

Anyway, considering I had to record the voice breaks on my phone because my internet was so craptastic at the time that I couldn’t go directly into Gimme’s back end software like I’m supposed to, I thought the show came out pretty well. If you listened, I hope you agree. And if you missed it, I hope you can catch the replay.

Here’s the playlist:

The Obelisk Show Ep. 07 – 01.06.19

Greenbeard Kill to Love Yourself Onward, Pillager
Skraeckoedlan Kung Mammut Eorþe
BREAK
Melody Fields Trädgränsen Melody Fields
Faith in Jane Mountain Lore Countryside
Horehound Sloth Holocene
Foot Sweet Stuff Buffalo
Child The Other Song I
BREAK
Witchcraft No Angel or Demon Witchcraft
Black Helium Summer Spells Primitive Fuck
Space Coke Kali Ma L’Appel du Vide
Rifflord The Other Side 7 Cremation Ground/Meditation
Goblinsmoker Toad King Toad King
Thunderbird Divine Qualified Magnasonic
BREAK
Øresund Space Collective Smooth Future Kybalion
Carpet Selene About Rooms and Elephants
Deep Space Destructors Floating Visions from the Void

The Obelisk Show on Gimme Radio airs every other Sunday night at 7PM Eastern, with replays the following Tuesday at 9AM. Next show is Jan. 20. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Skraeckoedlan Announce New Album Eorþe for 2019 Release

Posted in Whathaveyou on August 13th, 2018 by JJ Koczan

skraeckoedlan (Photo Mats Ek)

Well how about that? I said a thing might happen and it’s happening. Are you impressed at my prescience? No? Yeah, me neither. Fact is, that when Swedish fuzzlifters Skraeckoedlan announced the 180g vinyl reissue of their first album, Äppelträdet (review here), on The Sign Records, it wasn’t such a huge leap to think a new full-length would follow sometime soon.

Their third, it follows behind 2015’s Sagor (review here) and has been given the title Eorþe. The word translates to ‘earth,’ which makes sense given that the ‘þ’ character roughly equates to a “th” sound (if I learned nothing else from Icelandic black metal, I learned that), and while it’s a pretty ambitious stage-setter in terms of scope, Skraeckoedlan have only grown increasingly progressive as time has gone on, so it’s likewise easy to imagine the planet is only a launching point for the ground the record will actually cover.

There’s a teaser clip playing now — or at least it’s playing after you click play — at the bottom of this post that gives a quick sampling of the fuzzy depth of tone the band brings to bear this time around for what, suitably enough, will be their debut on Fuzzorama Records. The label announcement follows, via the PR wire:

skraeckoedlan logo

SKRAECKOEDLAN announces new album!

Fuzzorama Records proudly presents, from the imaginarium of author Nils Håkansson: Eorþe. As the enlightened has predicted since the birth of the aeons, 2019 will set in motion events of cosmic proportions. Be they good or evil or beyond our understanding of intent, questions better asked of species to come, for dim lay the waters of tomorrow’s reflection. But take heart, the seas will part in the springtime, and that which was meant for the depths will reemerge anew.

This fuzzy masterpiece will be released early 2019!

Skraeckoedlan:
Robert Lamu – Vocals/Guitar
Henrik Grüttner – Guitar
Tim Ångström – Bass
Martin Larsson – Drums

http://www.skraeckoedlan.com/
http://instagram.com/skraeckoedlan
https://www.facebook.com/SKRAECKOEDLAN/
http://twitter.com/skraeckoedlan
http://www.fuzzoramarecords.com/
https://www.facebook.com/Fuzzorama
https://twitter.com/fuzzorecords

Skraeckoedlan, Eorþe teaser

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Skraeckoedlan to Reissue Äppelträdet Oct. 12 on The Sign Records

Posted in Whathaveyou on August 7th, 2018 by JJ Koczan

skraeckoedlan

As you can see in the photo above, Sweden’s Skraeckoedlan were really just kids when they made their debut in 2011 with Äppelträdet (review here). Kids who kicked ass. That album, originally released through Transubstans, is set to arrive as a 180g vinyl and CD through The Sign Records on Oct. 12. I have an enduring affection for that record, as it was my introduction to the band, who’ve since grown into a progressive fuzz metal individualism drawing from a number of modern sources and made their own — as heard on their 2015 follow-up, Sagor (review here) — so it’s cool to see it getting back out to public ears and given a due deluxe-ification with new LP artwork and whatnot.

Skraeckoedlan have peppered out a few singles and live outings since Sagor, but one hopes for a third album maybe sometime in 2019. Last I heard, they were picked up by Fuzzorama Records, which seems only fitting since their relationship with Truckfighters obviously goes back a ways.

Info and preorder link from the PR wire:

SKRAECKOEDLAN – ÄPPELTRÄDET -The Second Coming-

Fuzz-science fiction rockers Skraeckoedlan are set to do the international release of their debut album ‘Äppelträdet’ (The Apple Tree), the 12th of October. Since its initial release 2011 in Sweden, ‘Äppelträdet‘ have been a gem hard to find. When the album was first released it reignited and marked the start of the modern Swedish stoner scene. The record will be released through The Sign Records and comes available on CD and vinyl with world wide distribution.

Äppelträdet is available for pre-order HERE

Originally recorded in 2010, in Truckfighters’ Studio Bombshelter, the album will once again see the light of day this fall, when it returns as a 180g transparent green vinyl housed in a single sleeve cover with updated artwork. A CD version with the original artwork will also be available, both versions featuring the ten seeds that grow to be the Apple Tree.

Also emerging anew are Skraeckoedlan themselves. While still singing in their native tongue, telling stories about mythological beings and cosmic wonders, having just come out of hiatus the band recently made the transition from quartet to trio. The as of now three-piece shares the following words concerning the reprint:

“The reissue of Äppelträdet is, in a somewhat allegorical sense, a celebration of what has been and to a certain extent of what still is, but it also serves as a kind of bridge to what will be. These are our roots and they grow deep.”

https://www.facebook.com/SKRAECKOEDLAN
https://twitter.com/skraeckoedlan
https://skraeckoedlan.bandcamp.com/
http://thesignrecords.com/
https://freighttrain.se/en/the-sign-record/skraeckoedlan/

Skraeckoedlan, Äppelträdet (2011/2018)

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Skraeckoedlan Sign to Fuzzorama Records; Premiere Live Video

Posted in Bootleg Theater, Whathaveyou on June 19th, 2017 by JJ Koczan

skraeckoedlan

It’s rare you’ll find a band and a label as made for each other as Skraeckoedlan and Fuzzorama Records. Even putting aside the fact that since their Transubstans-released first album, 2011’s Äppelträdet (review here), the Norrköping-based outfit have had a strong influence from the methods of Truckfighters — who, if it needs to be said, are at the helm of Fuzzorama, and whose bassist/vocalist, Oskar “Ozo” Cedermalm, recorded that debut — with their ongoing commitment to progressive songcraft, richness of tone, crisp presentation and energetic live performance kind of makes this the match that one has been waiting for. It just makes sense all the way around. They’ve been a Fuzzorama band all along, one way or the other.

Their second album, 2015’s Sagor (review here), was released via Razzia Records, which is an imprint overseen by Anders Fridén, vocalist of In Flames. That record found their processes even weightier and more refined than one found on Äppelträdet, and set a high standard that an impending third full-length and Fuzzorama debut will seek to surpass. As part of celebrating their signing, the four-piece of vocalist/guitarist Robert Lamu, guitarist/vocalist Henrik Grüttner, bassist/backing vocalist Tim Ångström and drummer Martin Larsson have posted a new video filmed live at Studio Underjord in their hometown that very cleverly captures material both new and old. One track from Äppelträdet, one from Sagor, and a sneak peak of a new song from the third long-player, the title and release date for which remain to be announced at this time.

Underneath the clip, which premieres today and which you can see below, you’ll find the announcement from Fuzzorama welcoming the band to the label, as well as their upcoming live dates for the next few months. Kudos to Skraeckoedlan and to Fuzzorama on getting together, and here’s looking forward to what materializes when the album arrives.

Please enjoy:

Skraeckoedlan, Live at Studio Underjord

Skraeckoedlan came to life in 2009 in Norrköping Sweden. The ambition was to create heavy psychedelic music with lyrics in Swedish and to explore themes connected to nordic folklore, sci-fi and to create a mysterious world with their songs. The name translates to what you could call Godzilla in Swedish.

The band recorded and released their two first EPs during 2009 and 2010. They got a lot of attention and toured a lot. In the summer of 2011 they released their first album called Äppelträdet (the apple tree), recorded and produced in Studio Bombshelter by Oskar Ozo Cedermalm of Truckfighters.

Äppelträdet got to a lot of “best of lists” that year and quickly sold out. The band did over 300 live shows the coming years and shared stage with bands like Orange Goblin, Kylesa, Truckfighters, Greenleaf and other giants of the genre.

In 2015 the album Sagor (Tales) was released. This time Skraeckoedlan worked with a few producers, like Niklas Berglöf (Ghost, Den Svenska björnstammen) and Daniel Bergstrand (Meshuggah, In flames, El caco) but it was when they met producer and technician Erik Berglund that they really found what was missing. The album really took the band to a new level musically and they really explored the world that they have created over the years. It reached number two on the Swedish vinyl sales the month it was released.

Now the quest for the next album has started. And what could be better than to work with the guys that got them in to this genre to start with.

“Signing with Fuzzorama records really connects the dots and is the missing link that Skraeckoedlan has been searching for all these years. We really feel like we have found our home.” –Skraeckoedlan.

To celebrate this, the band has recorded a live video that features a little bit of everything from their world of music. In “Skraeckoedlan Levande at Studio Underjord” you get to experience one song from their first album, one from their second album, the latest song they worked with Erik Berglund on and bit of a song that will be featured on their upcoming third album. The live video was recorded and produced by Joona Hassinen in Studio Underjord, mixed and mastered by Erik Berglund and filmed by Marcus Jehrlander.

Skraeckoedlan:
Robert Lamu – Vocals/Guitar
Henrik Grüttner – Guitar
Tim Ångström – Bass
Martin Larsson – Drums

Tour Dates:
Jul 08 Midnight Light Festival, Vilhelmina, Sweden
Jul 22 Noisenäsfestivalen, Nusnäs, Sweden
July 27 Copenhagen, Lygtens Kro, Denmark
Jul 29 Rock Im Wald, Michelau, Germany
Aug 10 Krökbacken Festival, Leksand, Sweden
Aug 26 Eksjö Stadsfest, Eksjö, Sweden
Oct 27 En lokal, Avesta, Sweden
Oct 28 Broken dreams, Borlänge, Sweden

Skraeckoedlan website

Skraeckoedlan on Instagram

Skraeckoedlan on Thee Facebooks

Skraeckoedlan on Twitter

Fuzzorama Records website

Fuzzorama Records on Thee Facebooks

Fuzzorama Records on Twitter

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Skraeckoedlan Announce May UK Tour Dates

Posted in Whathaveyou on April 17th, 2017 by JJ Koczan

Prog-tinged Swedish heavy rockers Skraeckoedlan — whose moniker I as an ignorant American continue to be proud of myself for spelling correctly — are making a back-by-popular-demand-type return trip to the United Kingdom next month. The yet-underrated riffers have been keeping track of their doings on the social medias via a new series of self-shot DIY videos — vlogs — and have included some new material snippets as a part of that, but I’ve yet to see concrete word of a forthcoming release to follow up on their latest single, Pärlor (discussed here), which they released in January in order to keep momentum rolling from their 2015 sophomore full-length,  Sagor (review here).

As they do, they’ll be keeping good company on this trip, including Prosperina from Wales and Netherlands-based instrumentalists Tank86, the latter of whom will join Skraeckoedlan as support for a couple shows with Monolord as well. The gigs are presented by Snuff Lane, and if you want to keep up with Skraeckoedlan‘s doings as they go, I can’t imagine they won’t have cameras rolling while they’re on the road as well. That’s where the good stuff happens.

Must-see tv follows:

skraeckoedlan uk tour

Swedish Fuzz-Forgers Skraeckoedlan Return to the UK Next Month w/ Prosperina & Tank86

Less than a month to go until Swedish fuzzience fiction rockers Skraeckoedlan return to the UK for 10 special headline events.

Heavyweight tag-team support from Welsh prog-pop, post-rockers Prosperina and Dutch high-density, instrumental heaviness TANK86.

Skraeckoedlan and Tank86 are also set to support Monolord for 2 events, as part of Monolords UK tour.

SKRAECKOEDLAN May UK Tour
w/ Prosperina

12/05 – The Wheatsheaf, Banbury
13/05 – The Pit, Swansea
14/05 – Retro Bar, Manchester
15/05 – Mulberry Tavern, Sheffield
16/05 – The Iron Road, Evesham
17/05 – The Arches, Coventry

w/ Tank86
18/05 – Underworld, London (supporting Monolord)
19/05 – Sanctuary, Basingstoke
20/05 – The Junction, Plymouth
21/05 – Exchange, Bristol (supporting Monolord)

Come feel the fuzz!

Flawless artwork, crafted by the exceptionally talented JaneyMonster.

Skraeckoedlan is:
Henrik Grüttner (Guitaring, backup singing)
Martin Larsson (Drumming)
Robert Lamu (Singing/guitaring)
Tim Ångström (Bassing/backup singing)

https://facebook.com/SKRAECKOEDLAN
http://www.skraeckoedlan.com/
http://instagram.com/skraeckoedlan
http://twitter.com/skraeckoedlan
http://www.razziarecords.se/

Skraeckoedlan, “Pärlor” official video

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Skraeckoedlan Premiere “Pärlor” Video; New Single Due in Jan.

Posted in Bootleg Theater on November 18th, 2016 by JJ Koczan

skraeckoedlan

Swedish progressive heavy fuzz rockers Skraeckoedlan aren’t that far removed from their last album — their second, Sagor (review here), it came out about a year ago as their debut on Razzia Records — but the Norrköping four-piece have apparently wasted little time in looking forward. Come January, they’ll release a new two-song 7″ titled Pärlor that leads with a titular cover of long-running countrymen Kent. Coupled with “Eldfagel,” which was recorded during the Sagor sessions and by artwork from Johan Leijon, the new single is very much Skraeckoedlan‘s own despite being a cover. One can hear their Truckfighters-meets-Mastodon sonic blend pushing forward melodically in the hook of “Pärlor” itself, even as their penchant for tonal density and crash continues unabated.

Skraeckoedlan‘s last video, for the Sagor track “El Monstro” (posted here), found them working at a more cinematic level than they had before, and their new clip for “Pärlor” follows suit. Directed by Mats Ek, it seems to tell the tale of a pilgrimage and ultimately an offering being made, though to whom or for what, I’m not sure. Along the way we see a lot — I mean really, a lot — of snow falling on gorgeous Swedish forests and hills, beautiful countryside through which our journeying protagonist traverses at his apparent peril. Sleeping in the snow looks cold as hell, is all I’m saying. But he endures and seems to get where he’s going, and “Pärlor” ends on a creepy enough note to make me wonder if it wasn’t intended to be a sequel in some way to “El Monstro,” which Ek also helmed and still had some performance footage in it, where this one seems to have left that conceit behind entirely.

Bottom line, as the band explains below, is this is their way of paying homage to Kent, who are calling it quits this year after more than a quarter-century of work. Preorders for the 7″ version of the single are available now, and you’ll find those links underneath the clip itself, which I’m thrilled today to be able to premiere.

Please enjoy:

Skraeckoedlan, “Pärlor” official video

The song is a cover version of “Pärlor” written by Sweden’s biggest rock band Kent, who after 26 years together have decided to call it quits. Through a farewell tour this Fall, covering most of Scandinavia they are saying their good byes to a whole generation of people deeply touched and influenced by their music.

For Skraeckoedlan it started out as a somewhat crazy idea that grew more and more intriguing and eventually the song was recorded in an old missionary church in Dalarna, a region in the midst of Sweden very close to their hearts. By recording this version the band was able to try something new and invited them to get in touch and explore their admiration for pop music. By putting their specific stamp on the song this is a shout out to the great masters – Kent – and a tribute to Swedish music in general.

Skraeckoedlan on Kent and “Pärlor”:

During their 26-year long career Kent has really made a huge impact on the music scene in Sweden.

Their way of composing music has always felt free and without rules and I think that’s why this song in particular attracted us so much. I’ve always considered it a heavy and mighty song and it was so much fun to put our stamp on it.

Even though this cover started out as a goofy idea, it turned out to be so much more for us. A tribute to Swedish music and one of the biggest bands this country has ever produced.

The video is made by the amazing Swedish film maker Mats Ek and is also a tribute. We wanted it to portrait the beauty of Sweden – the glorious nature, from which we get so much inspiration from as a band.

So here you go, a homage to the place where we grew up – both musically and visually.

Skraeckoedlan is:
Henrik Grüttner (Guitaring, backup singing)
Martin Larsson (Drumming)
Robert Lamu (Singing/guitaring)
Tim Ångström (Bassing/backup singing)

Skraeckoedlan’s website

Pärlor vinyl preorder

Pärlor vinyl preorder

Skraeckoedlan on Instagram

Skraeckoedlan on Thee Facebooks

Skraeckoedlan on Twitter

Razzia Records

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Skraeckoedlan and Snowy Dunes Touring Next Month

Posted in Whathaveyou on January 20th, 2016 by JJ Koczan

Swedish countrymen heavy rockers Skraeckoedlan and Snowy Dunes will head out together in February to tour in Europe and the UK, where the latter will be making their debut appearance. The two bands, from Norrköping and Stockholm, respectively, each boast a different take on heavy riffing and thickened grooves. As Skraeckoedlan showed on their 2015 outing, Sagor (review here), their link to modern progressive metal is as strong as their link to fuzz rock, and in the meantime, Snowy Dunes self-titled 2015 debut earned accolades far and wide for its naturalist, ’70s-style vibe.

Snowy Dunes will reportedly have their second offering, Atlantis, pressed up and ready to go by the time the tour starts on Feb. 5 in their hometown, and you can hear “Atlantis, Part I” from that album now — a substantial sampler at 19:34 — below, as well as check out Skraeckoedlan‘s video for “El Monstro,” which first premiered here.

UK dates are presented by Snuff Lane, who sent along the following:

skraeckoedlan snowy dunes poster

Following the success of their debut UK headline appearance, Swedish riffslingers Skraeckoedlan are set to shudder the United Kingdom in February with their comos-shaking fuzzience fiction rock.

With a recent signing to Anders Fride?n (In Flames) record label Razzia Records for the release of ‘Sagor’ (their follow-up to the heavily praised debut ‘Äppelträdet’); the band are set to return to the UK for five special headline events next month.

Joining them are Sweden’s newest neo-psychedelic, 70’s drenched, stoner demons Snowy Dunes, who’ll be showcasing their debut UK appearance.

SKRAECKOEDLAN – SNOWY DUNES – EU-tour 2016
February 5th STOCKHOLM (SE), Undergången
February 6th NORRKÖPING (SE), Arbis, Karateklubben
February 8th MALMÖ (SE), Plan B
February 9th HAMBURG (DE), Bar 227
February 10th COLOGNE (DE), Limes
February 11th OSNABRÜCK (DE), Bastard Club
February 17th OXFORD (UK), The Cellar w/ The Grand Mal (ft. members of Desert Storm and Mother Corona)
February 18th, COVENTRY (UK), Arches Venue w/ Bright Curse
February 19th FALMOUTH (UK), Mono w/ Sergeant Thunderhoof, Cybernetic Witch Cult
February 20th BRISTOL (UK), Stag and Hounds w/ Sergeant Thunderhoof
February 21st LONDON (UK), Black Heart w/ Bright Curse, Elephant Tree
February 25th NIJMEGEN (NL), De Onderbroek (D&ESR)
February 26th DEN HAAG (NL), Musicon (D&ESR)

https://facebook.com/SKRAECKOEDLAN
http://www.skraeckoedlan.com/

http://www.facebook.com/snowydunes
http://snowydunesofficial.bandcamp.com/

Skraeckoedlan, “El Monstro” official video

Snowy Dunes, “Atlantis Part I”

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