Skraeckoedlan, Witchrider, Parasol Caravan & Electric Hydra Added to Truckfighters’ Fuzz Festival #1

Posted in Whathaveyou on June 12th, 2019 by JJ Koczan

fuzz festival logo

As the initial promise was eight bands and there are now eight bands confirmed, I’m going to hazard the guess that the lineup for Truckfighters‘ Fuzz Festival #1 this December in Stockholm is complete. The second round of adds includes SkraeckoedlanWitchriderParasol Caravan and Electric Hydra, following up on the initiaL announcement, which included Truckfighters — obviously — GreenleafDeville and Motorowl. I think I noted last time around that I had been kicking around the idea of doing an Obelisk All-Dayer in Sweden, and indeed, Debaser Strand was a venue I had been looking at. This pretty much kills that idea. I was thinking June, not December, but how many festivals does one venue in Stockholm hold when there haven’t really been any there before? You see my point.

I’ll go back to the drawing board and figure something out, and maybe do something somewhere else. We’ll see.

And in the meantime, good for Truckfighters, not only doing the reunion thing after a shortlived hiatus, but coming back with something new on offer as well.

Dig it:

fuzz festival 1 poster

New bands announced for Truckfighters Fuzz Festival in Stockholm

We are happy to announce:

SKRAECKOEDLAN – Sweden. Norrköpings, finest stoner rock band. Recently released the stunning album ‘Eorþe’ they will deliver an experience out of the ordinary.
https://www.facebook.com/SKRAECKOEDLAN/

WITCHRIDER – Austria. The occult stoner sound from Graz will sound in Stockholm. Can not be anything but good music since these guys are born in the same town as Arnold Schwarzenegger.
https://www.facebook.com/witchriderband/

PARASOL CARAVAN – Austria. Classic stoner sound with a magic groove all the way from Linz. Yeah not just one but two bands from the country famous for the mountains and the stoner rock ;)
https://www.facebook.com/parasolcaravan/

ELECTRIC HYDRA – Sweden. Energetic garage style stoner rock. A great reason to show up early on the night of the festival!
https://www.facebook.com/electrichydra666/

With previously announced acts TRUCKFIGHTERS, GREENLEAF, DEVILLE and MOTOROWL the line up is now complete. Not time enough for more bands in one night. It’s gonna be a super rad evening as we guarantee every band on the bill is stellar. We intend to make this an annual event so grab your ticket and support the fuzzy scene. The sooner we sell out the bigger the plans for 2020 editions will become.

https://www.facebook.com/events/2228095327452231/
http://www.truckfighters.com/festival

Skraeckoedlan, “Creature of Doggerland” official video

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Høstsabbat 2019 Adds Skraeckoedlan to Lineup

Posted in Whathaveyou on February 22nd, 2019 by JJ Koczan

hostsabbat 2019 banner

Oh yes. Most certainly yes. Just a week after announcing Papir for its lineup this October, Oslo-based festival Høstsabbat 2019 taps into a different flavor of the progressive with Sweden’s Skraeckoedlan. The Swedish four-piece also recently announced the arrival of a new bassist and a tour with Vokonis (info here), and their third and latest LP, Eorþe (review here), is out now in Fuzzorama and an early-year highlight in tone and execution alike. These guys continue to be underappreciated in my book, and I look forward to seeing them in Oslo for the first time after having been a fan going back to their recently-reissued 2011 debut, Äppelträdet (review here). They’ve done nothing but kill it ever since.

They join a lineup headed by Ufomammut with more still to be announced — like another headliner — and from here on out will be a big reason I’m looking forward to getting back to Norway this Fall.

The fest’s announcement follows, as per the social medias:

hostsabbat 2019 skraeckoedlan

Finally we have the pleasure of welcoming the Swedish giants in Skraeckoedlan to Høstsabbat!

It’s been a long time coming. This band has nothing but gained reputation and following since their debut in 2010. We can’t get away from mentioning their stunning debut album “Äppelträdet”, which already is a classic amongst the fans.

With their recent epos “Earth”, released last Friday, cemented their place as pioneers of spaced out, psychedelic stoner rock. In collab with the Swedish writer Nils Håkanson, they have painted their own universe, with the first half of the album portraying the underworld, and the latter describing what’s happening on the surface of the Earth, amongst mammoths, octopuses and otherwordly creatures.

Make no mistake, this is a masterpiece, and we are proud to have them come play Høstsabbat with this effort in their back pockets. Sweden has proven their magic again.

MUSIC
SPOTIFY: http://bit.ly/SFskraeck
YOUTUBE: http://bit.ly/YTskraeck

http://bit.ly/HSfestivalpass

NEWSLETTER
http://bit.ly/NLhostsabbat

SPOTIFY PLAYLIST – HØSTSABBAT 2019
http://bit.ly/HS2019playlist

https://www.facebook.com/events/274561413173994/
https://www.facebook.com/hostsabbat/
http://hostsabbat.no/

Skraeckoedlan, “Creature of Doggerland” official video

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Skraeckoedlan Announce New Bassist; Touring with Vokonis

Posted in Whathaveyou on February 18th, 2019 by JJ Koczan

skraeckoedlan

I happen to know for a fact that Skraeckoedlan vocalist/guitarist Robert Lamu has the winged deer from the cover of Dozer‘s Through the Eyes of Heathens tattooed on his arm, so it’s easy to imagine he’s good and stoked to share the stage with Skraeckoedlan‘s usually-not-all-that-active countrymen forebears. That’s badass in itself, but word that Skraeckoedlan will share the stage this Spring with fellow badass Swedes Vokonis, will play Desertfest London 2019 and are welcoming a new bassist even as they release their third album, Eorþe (review here), on Fuzzorama only broaden the scope of awesomeness surrounding them at this point. The moral of the story? It’s a good week to be in Skraeckoedlan.

The following is culled from social media and the PR wire:

skraeckoedlan tour

Swedish fuzz-fictioneers SKRAECKOEDLAN announce Desertfest London appearance and Spring Tour with Vokonis

People of Earth!

We are super excited to welcome our new band member and bass player extraordinaire. Skraeckoedlan is once again a 4 piece.

Please give Erik Berggren the warmest of welcomes.

Skraeckoedlan live:
02.23 Malmö SE Plan B (Stad I Mörker)*
03.16 Göteborg SE Truckstop Alaska*
03.23 Köpenhamn DK Beta*
04.20 Borlänge SE Broken Dreams (w/ Dozer)
05.03 London UK Desertfest
05.17 Umeå SE Droskan (Make it Sound)*
05.18 Vilhelmina SE Folkets Hus*
06.01 Sundsvall Aveny (Club Deströyer)
* with Vokonis

Heading into 2019 with the help of Fuzzorama Records, Skraeckoedlan steer a course to Eorþe, their first album in over three years and undoubtedly their most progressive. With the big metal riffs of new single ‘Kung Mammut’ riding shotgun alongside the more introspective and explorative moments of songs like ‘Mammutkungens Barn’ and ‘Angra Mainyu’, the trio have cut a definitive and spellbinding record of light and dark. In addition to the CD and standard vinyl editions, Eorþe will also come in a limited-edition box set which sees the album split across two gatefold vinyl records; Earth: Above and Earth: Below. The set will come packed with pieces of merchandise that revolve around the story and feature alternative artwork.

Skraeckoedlan:
Robert Lamu – Vocals/Guitar
Henrik Grüttner – Guitar
Erik Berggren – Bass
Martin Larsson – Drums

http://www.skraeckoedlan.com/
http://instagram.com/skraeckoedlan
https://www.facebook.com/SKRAECKOEDLAN/
http://twitter.com/skraeckoedlan
http://www.fuzzoramarecords.com/
https://www.facebook.com/Fuzzorama
https://twitter.com/fuzzorecords

Skraeckoedlan, “Creature of Doggerland”

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Desertfest London 2019 Adds 29 Bands to Complete Lineup; Madness Ensues

Posted in Whathaveyou on February 5th, 2019 by JJ Koczan

What am I even supposed to say here other than ‘yes please?’ As Desertfest London 2019 rounds out its lineup and once again demonstrates its willful growth year after year, I’ll tell you this: there are a lot of bands listed below, and a lot of good bands. And if you’re reading this and you’re in London or you’re fortunate enough that you’re going to be in London for this festival, I know you’re hip to where it’s at. I get that. But seriously, if you don’t know, there re a few really must-see bands here, and it’s not all Amenra headlining. That’s great, and I’m sure it’ll be super-intense and very cool and all that.

But I’m telling you: don’t sleep on seeing High Priestess, BlackWater HolyLight, Worshipper, Salem’s Bend, Skraeckoedlan and Great Electric Quest. Some of those names are kind of buried near the bottom of this announcement, but really, you’d only be doing yourself a favor if you caught them. Let’s put Zed in that category too, and when they’re done, tell them I said hi. You probably already know all this, but I just wanted to highlight the point, since there’s a lot here and it’s easy to get overwhelmed. I get that too.

Kudos to the Desertscene team for focusing on what matters — the music — even amid pulling double-duty in putting together the first-ever Desertfest NYC, the lineup for which is still in progress. This fest looks amazing and I wish I could say I was going. Quite simply, it’s been too long.

Here’s the announcement:

desertfest london 2019 final announcement

Amenra to headline Saturday at DESERTFEST LONDON 2019 + day tickets and 28 more bands announced!

Showcasing the best of what the underground has to offer is at the core of DESERTFEST LONDON and this year’s line-up is the most eclectic, yet satisfying to date by ticking those “wish-list old school desert rock” boxes with Fu Manchu and Witch at The Roundhouse, whilst pushing the boundaries of heavy with the likes of HHY & The Macumbas and Grave Miasma. Year after year it’s about offering up a diverse bill that allows for discovery, whilst celebrating the musical foundations of the festival, and the final Saturday headliner and remaining 28 acts do just that.

DESERTFEST LONDON /// 3-5th May, 2019 in London
Weekend and day tickets on sale at this location

Desertfest are honoured to reveal that the incomparable AMENRA will celebrate their 20-year anniversary across the London weekend this May, bringing their uniquely atmospheric sound as headliners of Saturday’s mainstage and, for the first time in the UK, an even more intimate side of the band takes place at The Underworld on Sunday with solo performances from CHVE & SYNDROME. We would be proud to have Amenra headline Desertfest on any year, but to have them on the year they celebrate their 20th anniversary makes it all the more special for us and also the band themselves.

Desertfest are also pleased to announce a stage takeover from the mighty Riding Easy Records, the righteous west coast label will not only bring the sun (we hope) but a hefty dose of fuzzed out riffs from their roster. Headlined by rock’n’rollers ELECTRIC CITIZEN who refuse to be pigeonholed with a 70s proto-metal sound that chimes into psychedelic realms. Street-doom killers R.I.P will hit the UK for the first time and vocalist Fuzz is ready to bring it hard and loud. Completing the stage showcase are 80s punk heavy metal hybrids ZIG ZAGS, hazy Swedish doom newcomers ALASTOR and the low and slow psych goth-rock sounds of BLACKWATER HOLYLIGHT.

If that wasn’t enough Desertfest also adds thunderous space-rock psychedelic masters MONKEY3 to upcoming proceedings, the unforgiving primitive metal sounds of THE SECRET and LA party starters THE SHRINE, who haven’t graced DF with their amped up stoner-skate vibes for well over 5 years.

We also welcome back our long-time partners Human Disease Promo/When Planets Collide for another takeover of The Underworld on Saturday. Topping the bill, the riff muscle of Savannah, Georgia is brought back to The Underworld by the mighty bruisers BLACK TUSK. Dropping in straight underneath we’re living the doom dream of olde with Chicago legends in THE SKULL. Glasgow gives us two offerings this year in the form of explosive riff n roll filth-party heads ACID CANNIBALS, and to lower the tone whilst severely twisting some melons we also welcome their fellow city dwellers HEADLESS KROSS. As ever we chose to open up with a cataclysmic attack, hence why we’ve invited Brighton’s bleak hardcore oblivionists KALLOUSED to set the day into fittingly venomous motion. Bring your ear plugs, it’s gonna be a floor shaker!

And finally, Desertfest round off with the brilliant SKRAECKOEDLAN, BLANKET, SALEMS BEND, SURYA, HIGH PRIESTESS, ZED, KUROKUMA, GREAT ELECTRIC QUEST, PSYCHLONA, VIDEO NASTIES, ONE FOR SORROW, WORSHIPPER, MOUNTAIN CALLER & 1968 all added to the monumental 2019 line-up.

DESERTFEST LONDON /// 3-5th May, 2019 in London
All tickets on sale at this location

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest

BlackWater HolyLight, BlackWater HolyLight (2018)

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Review & Track Premiere: Skraeckoedlan, Eorþe

Posted in Reviews on January 11th, 2019 by JJ Koczan

skraeckoedlan earth

[Click play above to stream the premiere of Skraeckoedlan’s translated-lyric video for “Creature of Doggerland.” Their new album, Eorþe, is out Feb. 15 on Fuzzorama Records. Preorders are here.]

I generally assume that if I’m writing about something, you already know about it because you’re cooler than I am, because, frankly, that’s how it usually works. But if you haven’t heard of Skraeckoedlan — especially if you don’t live in Sweden — there’s a decent chance it’s because they sing in Swedish. The fuzz rockers have parted with bassist Tim Ångström since their 2015’s Sagor (review here) with Robert Lamu moving from guitar to bass in addition to vocals, while Henrik Grüttner handles the lone guitarist role as well as more vocals and Martin Larsson remains on drums. One might think the band’s third album and first for Fuzzorama Records, Eorþe, would be more stripped down as a result, but the truth is it’s the most progressive record they’ve made in the decade they’ve been together. Their 2011 debut, Äppelträdet (review here) — also recently reissued by The Sign Records from the original release on Transubstans — blended fuzz-drenched tonality with a post-Mastodon style of metal, but they’ve only grown more since then, and as they align with Fuzzorama, they continue an association with sadly-defunct countrymen Truckfighters that extends all the way back to the recording of their first album.

Indeed, one might look at Eorþe as inheriting the mantle of fuzzprog that the last couple Truckfighters albums were working toward, running a fluid nine songs and 54 minutes with a greater depth of melody and broader sonic reach than they’ve ever shown. Songs like “Mammutkungens Barn,” the earlier highlight “Kung Mammut,” the 10-minute “Elfenbenssalarna” and the acoustic closer “Peggys Sång” demonstrate the range of their composition, while even a song like the under-four-minute “Tentakler & Betar” finds a way to hit new ground with vocal harmonies and a pointedly forward thrust. Whether it’s an extended piece like “Creature of Doggerland” (note the English title), or the opener “Guldåldern” or the drum-led beginning of “Angelica,” Eorþe wants nothing for heft either in tone or construction — indeed, tone has been a strength of Skraeckoedlan all along and very much remains one — but even as they hold onto their stylistic weight, they turn into a more nuanced and individualized unit.

When it comes right down to it, Eorþe is Skraeckoedlan reestablishing themselves after a change in their dynamic. The shift from two guitarists to one, even covered in the studio by layering guitar tracks and whatever else, is not a minor one. It affects songwriting as well as how the material is played. And Skraeckoedlan pull that off, no question. For a band who’ve been around for 10 years and have experience recording and touring, that’s not a huge surprise. They should know what they want to sound like — at least to some basic degree — and be able to make that happen. Fine. Where Eorþe really succeeds though is in not only finding Skraeckoedlan make this claim on who they are as a band, but in moving their sound forward from where it was three years ago. Their work is richly textured and in listening to the melody in the chorus of “Mammutkungens Barn,” one can hear their heritage in Scandinavian metal coming through in more than just the language they’re using, but like the grunge-style opening riff of that song — reminds of something from the early-mid ’90s; is it Sonic Youth? — they bring each of their influences into a context that is their own.

They did the same on Äppelträdet in imagining a fuzz-metal stomp in the first place, but with just about every move they make on Eorþe, they do so with a greater scope and identity born of the maturity of their composition. As a result, Eorþe isn’t just Skraeckoedlan‘s finest hour, but a way forward for them in this new incarnation that builds on what they’ve done before. In the tension of “Guldåldern” or the atmosphere of the penultimate instrumental “Angra Mainyu,” their ability to craft a flow and mood across disparate elements brought into a single presentation is engrossing, and the confidence with which they execute the material is what allows them to carry the audience along every step of the way. LamuGrüttner and Larsson are in absolute control of their sound in these tracks, and the potential that always seemed to be residing in their sound has begun to bear fruit accordingly.

Skraeckoedlan have generally kept to a unifying science-fiction thematic over their years, writing about monsters and in this case specifically, mammoths and beasts that may or may not have tentacles and tusks, etc., but whether or not a given listener speaks Swedish, there’s no mistaking the intent of their craft. They are a band who have worked diligently to hone their approach, and while Eorþe is dense, and not a minor undertaking at 54 minutes long, they remain accessible through their use of melody and rhythmic momentum. The fluidity of Eorþe is not to be understated, and while I don’t know if they’re telling a unified story in the lyrics, the underlying point is that the album itself is unified, and the trio are unified in their mission to grow as a band. They have. They do. One hopes they’ll continue to.

In the largesse-laden instrumental stretches of “Elfenbenssalarna,” Skraeckoedlan make clear not only how they’ve developed, but that their commitment is to keep evolving as a creative force, and that the impact that was so much of their initial appeal remains an important factor in what they do. Listening to Eorþe, one can only be glad that’s the case, but the truth is that Skraeckoedlan have expanded their aesthetic to the point that they’re about so much more than just the volume at which one hears them. The melody, the quick turns, the ambience of Eorþe have just as much of an effect on the overarching experience of the songs as the fuzzy tones, shouts and consistent sense of lumber. Whatever it is that has one hearing them, though, they’re a band who deserve more attention than they’ve gotten, and regardless of whatever language barrier there might be with a broader public, Skraeckoedlan break through it like one of the tentacled mammoths of their own creation.

Skraeckoedlan’s website

Skraeckoedlan on Instagram

Skraeckoedlan on Thee Facebooks

Skraeckoedlan on Twitter

Fuzzorama Records

Fuzzorama on Bandcamp

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The Obelisk Show on Gimme Radio Recap: Episode 07

Posted in Radio on January 7th, 2019 by JJ Koczan

gimme radio logo

I wanted to get a little weird. You know, the last episode of The Obelisk Show on Gimme Radio was some of the best tracks from 2018, but in addition to some new stuff, some 2019 stuff — cuts from Skraeckoedlan and Thunderbird Divine — I wanted to make sure I included some songs that people might’ve missed in 2018. In fact, with Melody Fields early on in the playlist, that was a record I missed completely until I put up one or the other of the year-end lists and someone pointed it out to me on Thee Facebooks. It’s an awesome record. On the show, I mistakenly said it was released through World in Sound. The LP was on Kommun 2 and the CD was on Sound Effect. Credit where it’s due, because that record rules.

Likewise, “it rules” was also a running theme. Black Helium was a standout from that 100-album Quarterly Review that I did in December, and being able to stand out among 99 other releases certainly seems worth highlighting to me. I was digging the Horehound record as I was getting ready to review it, and Skraeckoedlan I’m also getting ready to cover (maybe later this week?), while Faith in Jane I haven’t had the chance to review yet but those guys are great. Also from the Quarterly Review was Child, Space Coke and Carpet, while Goblinsmoker belong to the UK’s ever-growing swath of bands with silly names and a destructive bent. And then at the end I wanted to space out like I used to do with the podcasts — just have it hit a point and go far out and not come back. Jam into the reaches. Plus it gave me an excuse to talk about Øresund Space Collective’s AR/VR artwork for Kybalion, which it awesome in its own right.

The odd-track-out I suppose is Witchcraft, but I talk about that on the show. It’s kind of a new-classic in my mind and something I wanted to focus on this episode. We’re moving into a new year and Witchcraft’s self-titled came out 15 years ago. I think the only reason it’s not already considered classic heavy is because it’s still so relevant, it hasn’t even allowed for that kind of distance yet. But make no mistake, that’s a classic album.

Anyway, considering I had to record the voice breaks on my phone because my internet was so craptastic at the time that I couldn’t go directly into Gimme’s back end software like I’m supposed to, I thought the show came out pretty well. If you listened, I hope you agree. And if you missed it, I hope you can catch the replay.

Here’s the playlist:

The Obelisk Show Ep. 07 – 01.06.19

Greenbeard Kill to Love Yourself Onward, Pillager
Skraeckoedlan Kung Mammut Eorþe
BREAK
Melody Fields Trädgränsen Melody Fields
Faith in Jane Mountain Lore Countryside
Horehound Sloth Holocene
Foot Sweet Stuff Buffalo
Child The Other Song I
BREAK
Witchcraft No Angel or Demon Witchcraft
Black Helium Summer Spells Primitive Fuck
Space Coke Kali Ma L’Appel du Vide
Rifflord The Other Side 7 Cremation Ground/Meditation
Goblinsmoker Toad King Toad King
Thunderbird Divine Qualified Magnasonic
BREAK
Øresund Space Collective Smooth Future Kybalion
Carpet Selene About Rooms and Elephants
Deep Space Destructors Floating Visions from the Void

The Obelisk Show on Gimme Radio airs every other Sunday night at 7PM Eastern, with replays the following Tuesday at 9AM. Next show is Jan. 20. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Skraeckoedlan Announce New Album Eorþe for 2019 Release

Posted in Whathaveyou on August 13th, 2018 by JJ Koczan

skraeckoedlan (Photo Mats Ek)

Well how about that? I said a thing might happen and it’s happening. Are you impressed at my prescience? No? Yeah, me neither. Fact is, that when Swedish fuzzlifters Skraeckoedlan announced the 180g vinyl reissue of their first album, Äppelträdet (review here), on The Sign Records, it wasn’t such a huge leap to think a new full-length would follow sometime soon.

Their third, it follows behind 2015’s Sagor (review here) and has been given the title Eorþe. The word translates to ‘earth,’ which makes sense given that the ‘þ’ character roughly equates to a “th” sound (if I learned nothing else from Icelandic black metal, I learned that), and while it’s a pretty ambitious stage-setter in terms of scope, Skraeckoedlan have only grown increasingly progressive as time has gone on, so it’s likewise easy to imagine the planet is only a launching point for the ground the record will actually cover.

There’s a teaser clip playing now — or at least it’s playing after you click play — at the bottom of this post that gives a quick sampling of the fuzzy depth of tone the band brings to bear this time around for what, suitably enough, will be their debut on Fuzzorama Records. The label announcement follows, via the PR wire:

skraeckoedlan logo

SKRAECKOEDLAN announces new album!

Fuzzorama Records proudly presents, from the imaginarium of author Nils Håkansson: Eorþe. As the enlightened has predicted since the birth of the aeons, 2019 will set in motion events of cosmic proportions. Be they good or evil or beyond our understanding of intent, questions better asked of species to come, for dim lay the waters of tomorrow’s reflection. But take heart, the seas will part in the springtime, and that which was meant for the depths will reemerge anew.

This fuzzy masterpiece will be released early 2019!

Skraeckoedlan:
Robert Lamu – Vocals/Guitar
Henrik Grüttner – Guitar
Tim Ångström – Bass
Martin Larsson – Drums

http://www.skraeckoedlan.com/
http://instagram.com/skraeckoedlan
https://www.facebook.com/SKRAECKOEDLAN/
http://twitter.com/skraeckoedlan
http://www.fuzzoramarecords.com/
https://www.facebook.com/Fuzzorama
https://twitter.com/fuzzorecords

Skraeckoedlan, Eorþe teaser

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Skraeckoedlan to Reissue Äppelträdet Oct. 12 on The Sign Records

Posted in Whathaveyou on August 7th, 2018 by JJ Koczan

skraeckoedlan

As you can see in the photo above, Sweden’s Skraeckoedlan were really just kids when they made their debut in 2011 with Äppelträdet (review here). Kids who kicked ass. That album, originally released through Transubstans, is set to arrive as a 180g vinyl and CD through The Sign Records on Oct. 12. I have an enduring affection for that record, as it was my introduction to the band, who’ve since grown into a progressive fuzz metal individualism drawing from a number of modern sources and made their own — as heard on their 2015 follow-up, Sagor (review here) — so it’s cool to see it getting back out to public ears and given a due deluxe-ification with new LP artwork and whatnot.

Skraeckoedlan have peppered out a few singles and live outings since Sagor, but one hopes for a third album maybe sometime in 2019. Last I heard, they were picked up by Fuzzorama Records, which seems only fitting since their relationship with Truckfighters obviously goes back a ways.

Info and preorder link from the PR wire:

SKRAECKOEDLAN – ÄPPELTRÄDET -The Second Coming-

Fuzz-science fiction rockers Skraeckoedlan are set to do the international release of their debut album ‘Äppelträdet’ (The Apple Tree), the 12th of October. Since its initial release 2011 in Sweden, ‘Äppelträdet‘ have been a gem hard to find. When the album was first released it reignited and marked the start of the modern Swedish stoner scene. The record will be released through The Sign Records and comes available on CD and vinyl with world wide distribution.

Äppelträdet is available for pre-order HERE

Originally recorded in 2010, in Truckfighters’ Studio Bombshelter, the album will once again see the light of day this fall, when it returns as a 180g transparent green vinyl housed in a single sleeve cover with updated artwork. A CD version with the original artwork will also be available, both versions featuring the ten seeds that grow to be the Apple Tree.

Also emerging anew are Skraeckoedlan themselves. While still singing in their native tongue, telling stories about mythological beings and cosmic wonders, having just come out of hiatus the band recently made the transition from quartet to trio. The as of now three-piece shares the following words concerning the reprint:

“The reissue of Äppelträdet is, in a somewhat allegorical sense, a celebration of what has been and to a certain extent of what still is, but it also serves as a kind of bridge to what will be. These are our roots and they grow deep.”

https://www.facebook.com/SKRAECKOEDLAN
https://twitter.com/skraeckoedlan
https://skraeckoedlan.bandcamp.com/
http://thesignrecords.com/
https://freighttrain.se/en/the-sign-record/skraeckoedlan/

Skraeckoedlan, Äppelträdet (2011/2018)

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