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Review & Video Premiere: Blackwülf, Sinister Sides

Posted in Bootleg Theater, Reviews on February 19th, 2018 by JJ Koczan

Blackwülf sinister sides

[Click play above to view the premiere of Blackwülf’s video for the title-track of their new LP, Sinister Sides. Album is out Feb. 26 on Ripple Music.]

Indeed, it is a darker, moodier and perhaps even more sinister aspect of themselves demonstrated by Oakland heavy rockers Blackwülf on their second album for Ripple Music and third overall, Sinister Sides. The four-piece — who may or may not have ditched the umlaut since their last outing, 2015’s Oblivion Cycle (review here) — refine their periodically aggressive take on heavy rock with punker and classically metallic roots throughout the neatly-executed eight tracks and 40 minutes of Sinister Sides and one can find songwriting growth in the employment of a diverse set of vibes, whether that comes in the early Alice in Chains snarl of opener “Gate of Sorrow,” its side B companion “Blind to Fate” and the subsequent Blind-era C.O.C. groove of “The Tempest,” the semi-acoustic “Waiting on Tomorrow,” which seems to owe part of its aesthetic to Down‘s “Landing on the Mountains of Meggido” and part to Tony Martin-era Black Sabbath balladry, or the subsequent “Dead to the World,” which reignites a doomly focus in transposing the central riff of Sabbath‘s “Children of the Grave” to suit the band’s own political purposes.

Those include, one is obliged to note, a guest appearance from Geof O’Keefe, whose presence — and tone — hangs heavily throughout Sinister Sides, giving it all the more of that sinister feel. The founding member of Pentagram and Bedemon shows up on three cuts in total: the post-opener title-track, as well as “Sinister Sides” and the album’s penultimate inclusion, which is a beefed-up take on Cream‘s “Sunshine of Your Love,” and while I’m not sure the latter’s heavy hippie blues is really suited to the crunch with which it’s delivered, it obviously puts to rest any doubt about the band’s roots in classic heavy rock and sounds like they had a blast in the studio putting it together.

If, say, you’ve had a miserable cold for the last week and continue to feel resoundingly shitty — just as a happenstance — you’ll no doubt want to aim your sneezes elsewhere from O’Keefe‘s guest spots. That is to say, among those who know enough to know, dude is kind of a big deal. And having him in for one song would be a considerable coup on the band’s part, but his playing on three separate tracks spread throughout the record — two on side A, one on side B, assuming the vinyl splits the tracklisting in half, which works timing-wise — also puts Sinister Sides at considerable risk as regards the work done by frontman Alex Cunningham, guitarist Peter Holmes, bassist Scott Peterson, and drummer Dave Pankenier being outshined by the pedigree of O’Keefe. It’s a credit to the band that they’re not, and not only that, but it’s a credit to the band that O’Keefe‘s showcase tracks — yes, even that Cream cover — are fluidly integrated with the rest of the material.

blackwulf

Part of that success stems from the work done by the opening salvo of “Gate of Sorrow,” “Sinister Sides” and “Waiting on Tomorrow,” which offer three distinct and seemingly disparate styles between them while nonetheless maintaining a fluidity of their approach. Songwriting? Confidence? Sheer performance? Whatever lets the band do it, they move from aggro grunge-infused heavy rock to spirited traditional doom and into acoustic-minded ’80 metallurgy in a manner that more or less allows the remaining five tracks to go where they please. A scope has been set. It’s not as off-the-wall genre-bending or experimentalist as some other might be, but nor is it intended as such. Blackwülf‘s interest with Sinister Sides isn’t so much to reshape heavy rock and/or doom in their own image, but to draw elements from those sounds and others like the NWOBHM and punk and ’90s alternative to create something of their ow from them.

I’d argue that as their third full-length — reasonable to expect as a moment of arrival for any band who are going to have one — Sinister Sides comes out a winner in that effort. By the same token, I don’t think Blackwülf are finished with the process of refinement clearly at work in these tracks. “Gate of Sorrow,” the more dramatic vibe of closer “Battle Line” — which doesn’t seem to come out of nowhere in part because of the work “Waiting on Tomorrow” does earlier on the record — and even “Sinister Sides” itself belong thoroughly to them, and the fact that Blackwülf step so boldly forward to claim this array of styles as their own, informing their listeners one track at a time that this is who they are as a band some six years on from their founding, speaks indeed to Sinister Sides being that stated moment of arrival for them.

As the doomly swing of “Dead to the World” and the darker-hued shuffle in the rhythm of “The Tempest” show, there’s no shortage of commitment to definition that’s been made by Blackwülf here, but it’s hard to see where the band are beholden to anything other than their penchant for memorable structures and crisp, precise execution of their material. Sinister Sides finds Blackwülf not only keeping good company, but working diligently to push themselves forward as well, and while that may not be what the ultimate narrative of the album centers around — even I have to admit “Geof O’Keefe plays on this record” makes for a catchy lead — anyone who actually takes the time to dig into these songs will discover that it’s Blackwülf themselves who come out on the other side of the proceedings sounding stronger than ever before. A touch of villainy suits them. One hopes they continue down such a multifaceted yet cohesive path.

Blackwülf website

Blackwülf on Bandcamp

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Blackwülf on Twitter

Ripple Music website

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Ripple Music on Bandcamp

Ripple Music on Twitter

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Blackwulf to Release New Album Sinister Sides & Perform at SXSW with Geof O’Keefe

Posted in Whathaveyou on January 1st, 2018 by JJ Koczan

blackwulf

In case you were wondering what ‘keeping good company’ looks like, it probably looks something like bringing Pentagram/Bedemon founder Geof O’Keefe onstage with you to perform at the release show for your new album (on which he also appears) at SXSW this March in Austin, Texas. The laudable move will be undertaken by Oakland aggro heavy rockers Blackwulf as they look to follow-up 2015’s Oblivion Cycle with their next album for Ripple Music, dubbed Sinister Sides. New Year’s Day would seem to be as good a time to make the announcement as any, so what the hell.

You might recall Bedemon released the Symphony of Shadows (discussed here) full-length in 2012 and went on to play Psycho California in 2015 with Wino in the frontman role alongside O’Keefe (interview here). 2015 also saw Relapse reissue the collection Child of Darkness of classic material from the band first founded in 1973.

Blackwulf makes the association public thusly:

BLACKWULF – SINISTER SIDES

The sold-out successes of 2015’s “Oblivion Cycle” (Ripple Music) and 2014’s “Mind Traveler” (Wickerman) releases prompted metal luminaries as mighty as Lars Ulrich (Metallica) and Geof O’Keefe (original Pentagram) to pick up on copies of the albums and publicly name check the band.

Combining vintage ‘70s head banging riffs with doom cloaked soundscapes and vintage heavy metal and hard rock, BLACKWULF is bracing for even greater heights of heaviness with their upcoming Ripple Music follow-up release, “Sinister Sides”. The eight-song album comes complete with gatefold and colored vinyl, and finds the ‘Wulf ambitiously venturing farther afield, deep into extended vintage hard rock sonic jams and dark breakdowns, all the while keeping one matted paw within their established heavy headbanging riff songwriting approach.

The band, unchanged from its original lineup since 2012, features singer Alex Cunningham, guitarist Pete Holmes, bassist Scott Peterson, and drummer Dave Pankenier.
Something classic is made new again: joining BLACKWULF on “Sinister Sides” as a special guest lead guitarist is doom legend Geof O’Keefe, one of the founding members of Pentagram and Bedemon.

O’Keefe’s discovery and subsequent affinity for the band led Blackwulf to invite him to play some lead guitar (and even a gong!) as a special guest on “Sinister Sides”.

O’Keefe’s trademark doom vibrato and vintage guitar heaviness is featured on three tracks on the album: “Dead to the World”, “Sinister Sides” and a blistering cover of Cream’s “Sunshine of Your Love”.

The chemistry is next level: O’Keefe is “very happy with what resulted” and hails the new Blackwulf album as “easily their best result to date, with extremely strong material and arrangements…the production is superb”. Additionally, O’Keefe will be storming the stage alongside the band at the official Ripple Music showcase at the South by Southwest Music Festival in Austin Texas in March 2018.

Blackwulf’s “Sinister Sides” will be officially released at the South by Southwest Festival, and the band will support it taking to the road, with gigs across the US and jumping across to the UK for a short run anchored by an appearance at Desertfest London in May 2018.

www.blackwulfusa.com
www.blackwulfusa.bandcamp.com
www.facebook.com/blackwulfusa
www.twitter.com/blackwulfusa
ripple-music.com
https://www.facebook.com/theripplemusic
ripplemusic.bandcamp.com
youtube.com/user/GroovesandRipples/
twitter.com/RippleMusic

Blackwulf, Oblivion Cycle (2015)

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