True to form for the Stockholm jammers’ penchant for open structures and extended spontaneous interludes, there is a whole host of guests on their new live album, Root Jam. That’s nothing new for Siena Root, who even on their own number anywhere from a four- to a six-piece band, and whose last studio offering, Different Realities (2009), lived up to its title in terms of its diversity of approach and melding heavy riffs, jams and excursions into psychedelic and subcontinental-Asian songwriting.

Root Jam leaves space for plenty of that as well, and at nearly 92-minutes, the album is a two-disc beast. A cut like the organ-heavy “Words” reaches well over 12 minutes to end the record/set’s first half, and the whole midsection of the song is Eastern instrumentation met with killer guitar leads. There are several such passages throughout, and Siena Root know how to keep it flowing and cohesive, despite the variety they bring out of the music.

Transubstans Records was kind enough to let me host the more straightforward “The Rat” for your streaming pleasure. If you’ve never heard Siena Root before, it’s a pretty good place to start, the guest vocals adding soul to the bluesy groove of the riffs. Hope you dig it:

Root Jam is out in October on Transubstans Records. More info available at the label’s site. Here’s what they have to say about it:

Above all else, this extensive double live album is a resume of Siena Root‘s early years. This album features all the elements of the band, from their debut up to recent days. They have managed to pour the band’s dynamic energy from the stage right into this box of 91 minutes root rock. You will for sure find the good old heavy riffs, side-by-side with psychedelic vibes and groovy jams.

But there is more, much more to experience in this magnificent album. There are no less than nine guest artists featured, with a range from classical violin by Martin Stensson from Swedish radio symphonic orchestra, to legendary blues guitarist Maxi Dread. You will also find a lot of Siena Root family from the past such as Tängman and vocalists Oskar and Sanya performing songs on a new level. On top of it all you get previously unreleased material and two rare acoustic tracks that reveal a new side of the band. The album will also be released on LP by Headspin Records.

I just popped on Different Realities, the latest and fourth full-length from Swedish analog experimentalists Siena Root (on Transubstans, if you’re curious), and not only does it rock a good deal, but the concept of the record is pretty cool as well. There are 10 tracks total, but it’s two pieces of music under the headings “We” and “The Road to Agartha.” “We” is exceptionally well done retro ’70s vibes, guitar rock, intricate and a cool listen. I knew that, I’d heard either a promo of the record or some mp3s a while back, I can’t remember which.

It’s only after I got the physical album itself — do you see, downloaders, what you could be missing? — that the full dichotomy of the release made itself known. From previous listens, I just thought it was an album that started (relatively) straightforward and morphed into a huge India-style jam. Turns out not only is that on purpose, it’s the whole point. About “The Road to Agartha,” the band writes:

“The Road to Agartha” is a musical piece in the form of a raagmala. The raags, being the melodic framework of Hundustani classical music, are here presented together with both sha’abi and baladi rythms (sic) from Northern Africa. Also, the classic rock setting is in dialogue with traditional and medieval instruments from the very same places where people throughout history have been looking for entrances to Agartha. This is not only a meeting of cultures, but also a journey through time and space.

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