New England Stoner and Doom Fest II: More Lineup Announcements; Pre-Party Added

Posted in Whathaveyou on February 5th, 2019 by JJ Koczan

new england stoner doom festival 2019 art

It’s time to talk about the real potential of the New England Stoner and Doom Fest. No, I don’t mean the lineup. That’s awesome. You know it and I know it. I’m talking about the acronym. That’s always huge for a festival. How is it abbreviated? Think MDDF or SHoD or any of the DFs spread around the universe. These things matter.

I’ve seen NESDF tossed around for New England Stoner and Doom Fest, and that’s cool, but it’s missing the opportunity. You could have a festival abbreviated NES! Who the hell wouldn’t buy that t-shirt? I hereby cast my vote in the imaginary referendum on festival abbreviations for New England Stoner and Doom Fest to henceforth and forthwith and withhence be known as NES fest. Second the motion?

There’s reportedly one more band to be added and reportedly several in the running for that slot, so this might not be the final update before May 3-5 gets here and NES fest kicks off (see me using the acronym already?), and the lineup for a pre-party at 33 Golden St. in New London has been announced as well, which will be headlined by Fox 45, so, you know, more of a good thing and all that.

The full lineup as has been revealed follows. Note the Wretch reunion. NES fest!

New England Stoner & Doom Fest II

The New England Stoner and Doom Festival will make its return in 2019 on May 3,4, and 5 at Altones in Jewett City, CT.

Earthride
Brimstone Coven
Wretch
Kings Destroy
+1 TBA
Foghound
Pale Divine
Vessel of Light
Spiral Grave
Solace
Black Road
Curse the Son
Shadow Witch
Hell Camino
Clamfight
Eternal Black
Thunderbird Divine
Stonecutters
When the Deadbolt Breaks
Mourn the Light
Entierro
Bone Church
Buzzard Canyon
The Age of Truth
Void King
Horseburner
Scuzzy Yeti
Witchkiss
Cortez
Benthic Realm
Faith in Jane
Conclave
Set Fire
3 Parts Dead
Insano Vision
Old Earth Analog
Pinto Graham
The Stone Eye
Sentinel Hell

Pre-party @ 33 Golden St.:
Fox 45
VRSA
Dark Ritual
Owl Maker
Feed the Beast

www.newenglandstoneranddoomfest.com
https://www.facebook.com/events/1613285008788252/
https://www.facebook.com/NewEnglandStonerAndDoomFest/
https://www.saltoftheearthrecords.com/

Wretch, Bastards Born (2017)

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New England Stoner and Doom Fest II Makes First Lineup Announcement; Earthride, Brimstone Coven, Youngblood Supercult & More to Play

Posted in Whathaveyou on November 14th, 2018 by JJ Koczan

new england stoner and doom fest ii

Welp, I guess I know what I’m doin’ on May 3 and 4 next year. Calendar is marked. I was otherwise occupied during the first New England Stoner and Doom Fest earlier this year, but with the usual caveat that a piano might fall on my head between now and then, my plan is to hit New England Stoner and Doom Fest II as a priority, and the first lineup announcement has done nothing to dissuade me from that intention. Shadow Witch, Earthride, and Brimstone Coven are all vets of Maryland Doom FestEarthride are of course kingpins of that scene though release through NESDF-related Salt of the Earth Records — but Vessel of Light, Youngblood Supercult, Black Road, Set Fire and others it will be my first time seeing, so all the more reason to look forward to getting to Altones, which I hear kicks ass anyway.

And yes, I’m among the presenting media for the festival, but I don’t have the inside track or anything on who’s playing, so as the announcements come through for the bill, I’ll be just as surprised as everyone else. I’m looking forward to that too. There’s a good bit of diversity of sound already in the lineup, and any chance you get to see Brimstone Coven‘s harmonies in-person, you should do that. Bottom line is there’s a lot to like here so far, so dig in, and when I see the next round come through, that’ll get the same treatment.

For now, here’s the first poster and the list as posted on the fest event page on Thee Facebooks:

new england stoner and doom fest ii first poster

The New England Stoner and Doom Festival will make its return in 2019 on May 3 & 4 at Altones in Jewett City, CT.

Stay tuned for details!

www.newenglandstoneranddoomfest.com

Featuring:
Brimstone Coven
Earthride
Black Road
Vessel Of Light
Shadow Witch
Youngblood Supercult
Set Fire
Mourn The Light
Entierro

Many many more to be announced.

www.newenglandstoneranddoomfest.com
https://www.facebook.com/events/1613285008788252/
https://www.facebook.com/NewEnglandStonerAndDoomFest/
https://www.saltoftheearthrecords.com/

Earthride, Live in Los Angeles, June 13, 2018

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Live Review: Backwoods Payback, Set Fire and Owl Maker in New London, CT, 07.21.18

Posted in Reviews on July 23rd, 2018 by JJ Koczan

Backwoods Payback (Photo JJ Koczan)

Right down the block from where the El ‘n’ Gee used to be — the space is still there, with a new name and a line outside waiting to get in — is 33 Golden St., a classic rock and roll basement bar that feels immediately like home. It’s not dirty in that hey-it’s-rock-and-roll-so-we-never-need-to-sweep kind of way, and the room is warm and welcoming and they play Sabbath over the P.A., so somebody clearly has their head on straight. My guess is that would be the owner, Craig, though I didn’t get to meet him to tell him so.

The occasion for the trip to New London was to see Backwoods Payback, who’d so recently laid waste to Maryland Doom Fest 2018 in Frederick, MD, as part of heralding their new album, Future Slum, and the purpose for the long weekender was much the same. Joining them on the intended bill were Set Fire from Boston and Southern Connecticut’s Owl Maker, as well as Witchkiss, who dropped off at the last minute owing to a family emergency. Without the fourth band, it was an easy atmosphere to the evening. Three bands, cool vibe, stage tucked into the corner at the end of the bar. The place reminded me of what O’Brien’s in Boston might be with a little upkeep.

Owl Maker led off and were not entirely unknown to me, having checked out their March 2018 EP, Paths of the Slain (review here), Owl Maker (Photo JJ Koczan)from which they played a couple songs including “Freya’s Chariot” and “99.” Led by guitarist/vocalist Simon Tuozzoli, also of Vestal Claret and UP Recording Studio, the trio was completed by the punch of Jessie May‘s bass and the metallic-style drumming of Chris Anderson.

Deadpan humor and NWOBHM-inspired riffing — also a more direct line, with a cover of Iron Maiden‘s “Wrathchild” — ensued, and he had a few good ones, but I think my favorite song intro from Tuozzoli might’ve been, in full metal voice, “This song is one less than 100. This is ’99’!” Good fun. Formed in 2016, they’re still feeling out where they want to be sonically, but their pursuit of that is well-directed and they played 33 Golden with a solid idea of who they are as a band and how they want to get where they’re going. They have a new collection on Bandcamp called Summer Singles and I’ll look forward to hearing what they do next.

A couple familiar faces in the trio Set Fire, who played next. Three, actually. Drummer Rob Davol was a bandmate of guitarist/vocalist Jim Healey‘s in the trio Shatner and used to play in drunken rockers Cocked ‘n’ LoadedHealey of course featured in Black Thai and We’re all Gonna Die in addition to Shatner and various others along with his resonant singer-songwriter solo work. And keyboardist/synthesist Jess Collins used to play in Mellow Bravo, so all three members have significant roots in Boston’s fertile if insular rock underground. Along with the bands, Healey also helps put together the Grub, Sweat and Beers festival, which was held this weekend, and which Set Fire and Backwoods Payback would both play the night after this show.

Got all that? Despite their incendiary moniker, which to my mind

Set Fire (Photo JJ Koczan)

seems to foretell harsher noise rock, Set Fire‘s style is dug deep into classic straightforward heavy, shades of Soundgarden — the second cover of the night there, in homage to Chris Cornell — and other ’90s acts coming through as filtered through the distinctive vocals of Healey and Collins, either of whom could easily front a band on their own. Together, they make Set Fire a melodic powerhouse, and Collins‘ keys and Korg and Healey‘s double-neck guitar filled out the space a bassist might otherwise occupy such that there was no loss of presence either in the low end or on stage in general. They were encouraging to watch and clearly enjoyed the collaboration between the three of them. I did likewise.

I’ve all but stopped wearing a watch, so my sense of time isn’t what it used to be, but I know it definitely wasn’t early when Backwoods Payback took the stage. Maybe 12:30? Something like that. The West Chester, Pennsylvania, three-piece are absolutely locked in. Brutally locked in. More locked in than they know, and they know they’re locked in. And a band like that, you want to see as much as you can. So while it’s been mere weeks, I knew I wanted to catch them at this gig. They’d had van trouble leaving Long Island after the show the night Backwoods Payback (Photo JJ Koczan)before and managed to catch the last ferry across the Long Island Sound to New London, so perhaps guitarist/vocalist Mike Cummings, bassist Jessica Baker and drummer Erik Larson were a bit harried, but though they brought the culprit component on stage with them and at one point hoisted it like a slain beast to show the room, tubes flailing this way and that, their actual performance didn’t suffer in the slightest.

The highlight was the short, grunge-derived roll of “Big Enough” from Future Slum, but anytime Backwoods Payback want to show up and play “You Don’t Move” from 2016’s Fire Not Reason (review here), you won’t hear me complain. Air tight and still dangerous, their dirt rock aesthetic has matured but is especially propulsive with Larson behind the kit, each player challenging the others to play better, be stronger on stage. The result is a kind of torrent that’s weighted emotionally as well as tonally. When it moves fast it absolutely burns, as on “Generals” from the new record, or “Snakes,” which closed out, and when it grooves, as on “Day to Day” or the ultra-catchy “Dirge” from the last album, it holds a tension and a nod that seems ready to break out at any second. They’re in utter control, however, and as much as Fire Not Reason showed the force of this Backwoods Payback (Photo JJ Koczan)lineup, Future Slum shows how remarkably well they can wield that force.

They didn’t start early, so they didn’t finish early either — funny how that works — but the ride home wasn’t nearly as bad as some I’ve had in my time, and the show was easily worth giving up a bit of my otherwise rigid schedule to see. I didn’t even wake up the baby when I got in, so bonus. Great night all the way around, from arriving at the venue for the (overdue) first time to hanging out after, and one all the more worth appreciating for the infrequency of its caliber.

More pics after the jump. Thanks for reading.

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Jim Healey Announces Just a Minute More EP out Sept. 26; New Song Streaming

Posted in Whathaveyou on September 6th, 2017 by JJ Koczan

jim healey

Later this month, Boston singer-songwriter Jim Healey will issue his latest EP, Just a Minute More, in DIY digital fashion. Known for his work in heavy rock/metal acts like We’re all Gonna Die, Black Thai, Shatner and Set Fire, Healey‘s solo output — which, on this outing as it often does, features a full band behind him — resides in a soulful and emotional context all of its own, and the same voice so capable of channeling aggression into his heavier work once again proves itself capable of expressing a broader range of wistfulness and regret on songs like the new track “Faced” that’s streaming below as a first sampling of the upcoming release.

If you make your way over to Healey‘s Bandcamp, you’ll find plenty more to dig into as well, including his 2015 full-length, This is What the End Looked Like (review here), which continues to resonate as well. Healey‘s something of a well-kept secret of the Boston area, or at very least of greater New England, but his work translates regardless of region or other factors with the honesty of his performance and quality of his songcraft.

Here’s info on the release and the “Faced” stream, courtesy of Healey via the PR wire:

jim-healey-just-a-minute-more

NEW SOLO EP BY JIM HEALEY – “Just A Minute More”

RELEASE DATE: Tuesday, September 26, 2017

Jim Healey will release his third solo release entitled JUST A MINUTE MORE Tuesday, September 26, 2017.

JUST A MINUTE MORE is the follow-up to Healey’s second solo album, THIS IS WHAT THE END LOOKED LIKE, released in 2015.

The five song EP was recorded and mixed between February and June of this year at New Alliance studio in Cambridge by Jon Taft. The album was mastered by Nick Zampiello at New Alliance East Audio in Cambridge.

The album features performances by Jim Healey (vocals, electric and acoustic guitar), Joe McMahon (electric bass, keyboards, backing vocals), Kyle Rasmussen (drums, keyboards), Glenn Smith (electric guitar, e-bow guitars), and Jess Collins (backing vocals)

JUST A MINUTE MORE tracklisting (all songs written by Jim Healey)
1. The Road
2. You and I
3. Swamp Thing
4. Faced
5. Burn Up

https://jimhealey.net
https://www.facebook.com/JimHealeySolo
https://jimhealey1.bandcamp.com
https://twitter.com/jimhealey

Jim Healey, “Faced”

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