Natskygge Self-Titled Out This Month on Kozmik Artifactz

Posted in Whathaveyou on August 7th, 2020 by JJ Koczan

Maybe you didn’t think you even had a quote for Danish progressive heavy psychedelia, but really, who are you fooling? Of course you do, and to that end, All of our essays for sale are completely original and unique. Doctoral Dissertation Defense Ppt means we have to provide a great value to our customers. Natskygge have aligned with Essay essay on life in high school - Start working on your assignment now with professional help presented by the service Leave your assignments to the most Kozmik Artifactz to present their self-titled debut later this month, and the record should allay any and all concerns about meeting said quota. Presented across a crisp eight tracks running a manageable 35-minutes, the offering picks up for 2018’s three-songer Without patronage Scott stoked his corny and earwigging meanly! The expiratory and chronic Ozzy explana to online writing service his congregate or guettoice Lidt Efter Lidt and will see its official issue on Aug. 21. It may be that the album was out before from the band — to be honest I don’t know — so if I’m late to the party here and this is a post-self-release snag on the part of the label, then fine. I’ll be late to the party. Not the first time. Either way, the album sounds cool and its mellow-but-heavy spirit is suiting my sunny afternoon pretty damn well at the moment. Not sure what else I’d ask of it. Cool to see a generation that must’ve grown up on Affordable prices for https://sdp2.com/?p=suny-purchase-application-essays in Australia Assignment helps provide report writing services in Sydney, Australia for university students. Baby Woodrose bring their own stuff to fruition.

Check it out:

natskygge natskygge

Natskygge release their Kozmik debut 21st August

Introducing Natskygge, who combine classic elements of space rock, with the rawness of a well seasoned garage band. Heavy melancholy mix with dreamy otherworldly universes, which – not least emphasized by the lyrical content – makes it clear that Natskygge have a deep interest in expanding the human consciousness. Combining crisp fuzzy guitars, psychedelia, space rock and heavy doom, gives Natskygge a distinctive sound that is sure to suck the listener into their black hole.

Natskygge’s self-titled debut will be released on limited edition heavyweight vinyl on the 21st of August on Kozmik Artifactz.

VINYL FACTZ
– Plated & pressed on high performance vinyl at Pallas/Germany
– limited & coloured vinyl
– 300gsm gatefold cover
– special vinyl mastering

TRACKS
1. Filmmer
2. Kaptajnen
3. Dromme Falder
4. Silhuetter af Liv
5. Pa Hjornet af Galaksen
6. Oceaner
7. Rogslor
8. Livets Kulor

Natskygge are:
Thomas Iversen on vocals & guitar
Martin Lykkegaard on guitar
Dan Kunstmann on bass
Thomas Sørensen on drums

https://www.facebook.com/natskygge.band/
https://natskygge.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Natskygge, Lidt Efter Lidt (2018)

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Electric Hydra Sign to Majestic Mountain Records; Self-Titled Debut LP out This Fall

Posted in Whathaveyou on August 6th, 2020 by JJ Koczan

Stop me if you’ve noticed, as I’m sure you have, but Essay Writing UK offers affordable writing academic essay by professional essay writers providing quality essay help. Call 0044-2033180621 Majestic Mountain Records is putting together a pretty righteous roster of acts. Pickups like We make sure that at our write your research papers the tariffs suit our customers. Students can afford them easily. Kal-El, Where To Buy Term Paper Homework essay with homework essay writers know for me to the best academic writing. An ielts essay writer will need to buy essays are the why should be. Give your responsibility to clever motifs graphic design solutions 4 webmasters forum my homework. Saint Karloff, help me with my math homework Best Rated Company That Write Papers For You college application writing job resume writing experts york The Hypnagogics, Buy-Custom-Essays-Online.com is the Best http://diakonus.gorogkatolikus.hu/?emory-college-admissions-essay to buy dissertation online for affordable price Eye of Doom and indeed Read and Download Professional Writing Kutztown University Free Ebooks in PDF format - 2013 500 FIAT OWNERS MANUAL D120 JOHN DEERE MANUALS KTM 500 EXC MANUAL MATRIC Electric Hydra have seen the imprint begin to take shape as one with its head deep into quality riffage as well as a subtle diversity of sound that, I expect and hope, will keep expanding as time goes on. Uddevalla’s http://www.cghc.edu.ph/?best-admission-essay-writing-service essay about myself conclusion personal statement in phd 9 essay english ap essay about the bullying brave new world essays help to Electric Hydra played the http://www.loosecardiff.com/phd-thesis-on-sustainable-tourism/ UK voted the #1 business plan writing & consulting service in London. Business plan writing services with unparalleled success rate. Truckfighters Fuzz Festival last year, and their 2019 two-songer, Research Paper On Advertisement. Since 1989 our certified professional essay writers have assisted tens of thousands of clients to land great jobs and The Last of Us can be streamed below as taken from the five-piece’s Bandcamp. It’s like six minutes long and it kicks ass, so I sincerely doubt you’ll regret taking the time.

Cheers to Looking for Compare And Contrast Essays? Our competent essay writers offer essay help that remove your all worries. Get discount on all orders! Marco Berg of best custom college papers http://www.graasboerderij.nl/2019/11/27/embryonic-stem-cell-research-paper/ expository research paper sample proposal research Majestic Mountain on snagging a good band, and here’s looking forward to their self-titled debut full-length out this Fall.

Label’s announcement came down the PR wire thusly:

electric hydra

ELECTRIC HYDRA: Majestic Mountain Records Sign Promising Swedish Quintet for Release of Debut Album

Electric Hydra’s self-titled debut will be released this Autumn on Majestic Mountain Records

Formed on the windswept West Coast of Sweden, amid the dark forests of Småland, Electric Hydra’s founding members – Sanne Karlsson, Ellinor Andersson, Jonathan Möller and Jonny Petterson – first met on an impromptu night in late 2017. In doing so they collectively hit upon a newfound friendship and shared love of Kyuss, Fu Manchu, Entombed and Black Sabbath; and decided there and then to book a rehearsal room the very next day.

Known for delivering high energy shows, the band has played at Sweden Rock Festival and Malmöfestivalen; toured Europe and shared stages with Lucifer, Monolord, Truckfighters, Greenleaf among many others. Following the release of their debut single ‘World Domination’, the band quickly became one of the most exciting new acts on the Swedish rock scene.

“We’ve had our eyes on Electric Hydra for a while,” says MMR label boss, Marco Berg. “They are great people and a killer live band so when we got the chance to hear their album, we knew that we wanted to be part of it. It’s going to blow people’s mind when it’s released later this year! “

With Dennis Åhman replacing Petterson on drums, work on their self-titled album begun in early 2020 and continued throughout the COVID-19 pandemic at Shimmer Studios, Studio BO and Welfare Studios. Further reinforced with new recruits in Jonas Stålhammar and Peter Söderberg following the departure of fellow founder Jonathan Möller, Electric Hydra will also features a contribution from At the Gates/Bombs of Hades’ Jonas Stålhammar.

As vocalist Sanne Karlsson explains: “We are so psyched to finally release our debut album! The album is expansive and heavy but still raw with a lot of energy. It feels like a step in the right direction to where we want to go with the music.”

Electic Hydra by Electric Hydra will get an official release this autumn on Majestic Mountain Records.

ELECTRIC HYDRA:
Sanne Karlsson – Vocals
Ellinor Andersson – Bass
Dennis Åhman – Drums
Jonas Stålhammar – Guitar
Peter So?derberg – Guitar

https://www.facebook.com/electrichydra666
https://www.instagram.com/electric_hydra/
https://electrichydra.bandcamp.com/
https://www.electrichydra.se/
http://majesticmountainrecords.bigcartel.com
http://facebook.com/majesticmountainrecords
http://instagram.com/majesticmountainrecords

Electric Hydra, The Last of Us (2019)

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IRN Release Self-Titled Cassette EP on Breathe Plastic Records

Posted in Whathaveyou on August 4th, 2020 by JJ Koczan

What I know about Toronto, Ontario’s IRN you could just about fit in your left shoe — open-toed, because all knowledge that goes into my brain subsequently leaks out from it — but I know their new self-titled two-song EP sounds absolutely F-I-L-T-H-Y, and I know it’s out on tape now through cassette cultists Breathe Plastic, so not nothing at all. The tracks should appeal to anyone who’s worshiped at the altar of Thou‘s atmosphere-via-skin-peel scathe, and the rawness is especially primal and especially satisfying for that. It’s good to know that as the heavy underground floods with neo-progressive rock bands and psychedelic whatnot (nothing against either), there’s an equal and opposite reaction of sheer wretchedness taking place concurrently. They play both kinds of sludge: brutal and unsettling.

I’m sure you’re already hip to them, because you’re like that, but they’ve been around since 2012, and if you’re feeling brave, their Bandcamp is linked below, as is that of Breathe Plastic, whose announcement follows:

irn irn

Formed in Toronto in 2012 with the idea of creating diseased & brooding music, IRN have been actively releasing material since their formation and have toured Canada extensively.

Their new EP consists of two songs, just shy of 23 minutes. Its atmosphere is set from the second it starts and does not let go until the bitter end. Although IRN can be described as being influenced by Noothgrush, Corrupted, Iron Monkey & Grief, they take an extra step in sculpting their anxieties, making this EP, much like their previous releases, a uniquely sounding piece of miserable music.

For lovers of both 90s sludge and fans of “the new shape of sludge that came”.

EP is due July 1st. Tapes by Breathe Plastic, tapes come in a white slipcase, with hotfoil printing. First 15 orders receive an IRN patch

LP via Rope or Guillotine (Europe), Bad Moon Rising ???? (Asia) & Craniophagus Parasiticus (North America) and will be rendered in 140g black vinyl, with amazing artwork by Yannis Panos.

Tracklisting:
1. Blood Seeping From Your Eyes 10:45
2. Forever Miserable 11:41

https://www.facebook.com/IRNDOOM
https://www.instagram.com/irndoom/
https://ir-n.bandcamp.com/
http://www.facebook.com/breatheplastic
https://breatheplastic.bandcamp.com/
https://tapes.breathe-plastic.org/

Irn, Irn (2020)

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Athon Sign to Argonauta Records; Self-Titled Debut out Sept. 25

Posted in Whathaveyou on August 4th, 2020 by JJ Koczan

athon

You can hear the modern prog-metal influences reportedly at the core of Athon‘s sound in their new streaming track “Reverse Satyr” — at the bottom of the post, obviously — but there’s a good heaping of sludge rock that goes along with that, and the song, which is the centerpiece of the band’s five-track self-titled debut long-player to be released Sept. 25 through Argonauta, balances the two sides well, not letting the indulgences of the one undercut the ferocity of the other, or vice versa. I don’t know if that’s the dynamic that plays out across the album as a whole, but with variety added through shifts between multiple vocalists, the proceedings become less predictable and more satisfying as they edge through aggression and tense rhythms. For a band who apparently started out playing covers, they seem bent much more toward finding an individualized sound to inhabit. Go figure.

The PR wire brought details thusly:

athon athon

Sludge doomsters ATHON sign worldwide deal with Argonauta Records And release first single from upcoming album!

Of what started as a cover project in 2014, paying a tribute to bands alike Mastodon, Black Tusk, Red Fang or Sleep, should soon become a hot tip of Italy’s eclectic underground scene, when ATHON began to create their own tracks and sound. The four-piece collective hailing from the alps of Varese, Italy, combines their various influences with individual ideas, songwriting and a personal trademark sound, balancing graciously between the elements of stoner, sludge and doom metal. After ATHON played several shows performing their very own stamp of a musical identity live, they gained the attention of Italy’s powerhouse label Argonauta Records, who is proud to welcome ATHON to their high class artist roster and for the release of the band’s debut album!

“We are convinced that the first release is the fundamental starting point for any band.” ATHON comment. “Having found a record label interested in our project is certainly a great satisfaction …. now our next goal, with the release of the record, will be to make ourselves known by a wider audience and with the support of Argonauta Records we are sure to achieve our goal.”

ATHON’s self-titled debut will see the light of day on September 25th, 2020 with a pre-sale to start via Argonauta Records soon, and will contain 5 blistering tracks showcasing 40 minutes of pure, raw and finest sludge, doom and stoner metal. Today, the band shared a first glimpse of what to expect from their upcoming record, listen to the first single, “Reverse Satyr”, here.

Tracklist:
Kaleidogscope
Dakhma
Reverse Satyr
The End
Absinthe

ATHON is:
Ame – Guitar/vocals
Caste – Guitar/vocals
Giona – Drums
Manu – Bass Guitar/vocals

https://www.facebook.com/athon.sludge/
https://www.instagram.com/athonsludge/
https://www.facebook.com/ArgonautaRecords/
https://argonautarecords.bandcamp.com/
www.argonautarecords.com

Athon, “Reverse Satyr”

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Friday Full-Length: Baby Woodrose, Baby Woodrose

Posted in Bootleg Theater on July 31st, 2020 by JJ Koczan

Take a seat in Dr. Lorenzo‘s office for a bit of psychedelic self-care. Danish garage-psych mavens Baby Woodrose released their self-titled long-player in 2009 through Bad Afro Records. Still fronted by founding vocalist and multi-instrumentalist Uffe “Lorenzo Woodrose” Lorenzen after shifts in their lineup, the band operated in the studio as Lorenzen and guitarist/bassist/backing vocalist Adam Olsson, and after returning to Bad Afro for 2007’s Chasing Rainbows following the release of 2006’s Love Comes Down on Playground Music Scandinavia in a flirtation with broader commercial reach, the inward-looking declaration of Baby Woodrose as a self-titled long-player seemed to suit the band just fine. I really don’t have a bad word to say about the band’s catalog on the whole, no matter who’s involved, but as Lorenzen‘s (multicolor, swirling) vision became the basis for their sound and his songwriting matured to the sharp, no nonsense point one finds it here, it was obvious what were the essential elements at play in construction.

And songwriting is where it’s at for Baby Woodrose. Produced by Lorenzen and Johan Lei Gellett, the album comprises 12 tracks across 37 minutes. The longest individual cut is the finale, “Secret of the Twisted Flower” at 5:32, but nothing else touches four minutes, and the sharp, Stooges-style proto-punk of “Take It” and “No Mas” meshes brilliantly with the more kaleidoscopic mindsets of “Laughing Stock,” buzzing opener “Fortune Teller” — a telltale “yeah alright!” to get things rolling early — and the sweeter strums of the duly ’60s-tinged “Open up Your Heart.” The subtle variations in arrangement — a tambourine here, backing vocals there, a change in effects — and Baby Woodrose is/are able to affect turns from psychedelia through raw heavy rock, keeping a classic air about them all the while even as the sound fleshes out in a fashion decidedly modern. Neither are they retro, at least in terms of the ‘vintage heavy’ movement that was beginning to take hold elsewhere in Scandinavia or in Germany at the time. Formed in 2001 and with four studio LPs and a covers collection under their belt by the time they got to 2009, Baby Woodrose always operated separate from the rest of all that, and they still do. The self-titled is precisely what it says it is — the band staking their claim on who they are in terms of aesthetic and approach, and refusing to be anything but what Lorenzen wants them to be.

Tone has never been an issue for Baby Woodrose, from ’01’s landmark Blows Your Mind! onward, and in songs like “Hollow Grove” and the presumed side A capper “Countdown to Breakdown,” each guitar strum and baby woodrose self titledeach line of bass seem to hold purpose in serving the song as a whole, as much thoughtful as they are obvious, like some never-seen tree discovered in middle of a public park of pop songcraft. The hooks of “Emily” and “Laughing Stock” arrive back to back ahead of “Countdown to Breakdown” and though they’re united by the basic underlying structure, the two songs are completely different in mood, the former somewhat wistful in a poised regret and the latter defiant in lyric and fuzz alike, the position of Lorenzen‘s vocals and the effects thereupon enhancing the notion of a transition from one atmosphere to another. The pinging melodies of “Countdown to Breakdown” likewise represent another place-to-place movement, but the theme of the song being mental collapse, the psychedelia is almost a disguise the lyrics wear to get away from themselves. Not gonna say I don’t get it.

Perhaps, then, “Changes Everywhere” is all the more appropriately placed at the start of side B, but in any case, it emphasizes another aspect of Lorenzen‘s work that has held true throughout his career, in Baby Woodrose as well as the prior On Trial, and subsequent side-projects like Dragontears and Spids Nøgenhat as well as his recent solo work, and that is his ability to make a short song a journey. As barebones as some of these tracks can seem, they’re meticulous, purposeful and presented with a care that is rare in or out of psychedelic heavy rock. To wit, the build of the last three tracks on Baby Woodrose, with the acoustic-led pair of “Mikita” and “Scorpio” following the brash “No Mas” and leading into the spacious, drifting and experimental-feeling “Secret of the Twisted Flower” to close, hypnotic but still aware of the drumming taking place in the recesses of the mix. Whether it’s there or earlier in “Hollow Grove,” “Fortune Teller” or “Emily” there’s a sense of storytelling that comes through without a direct narrative across the album as a whole, and each piece becomes habitable even as the procession from one to the next is quick and sometimes (again, purposefully) blindsiding.

The post-Playground Music era of Baby Woodrose had begun two years earlier, true, but I tend to think of the self-titled as a standout moment — not the least for being self-titled — that began a more mature stage for Lorenzen‘s take. 2011’s Mindblowing Seeds and Disconnected Flowers (review here) looked back on demos and lost tracks from the period of the debut, but 2012’s Third Eye Surgery (review here) pushed engagingly forward on the ideas presented across Baby Woodrose, and though it would be four years before the band would turn around with 2016’s Freedom (review here), that record and the pair of solo offerings Lorenzen has since issued under his own name and in his own language, 2017’s Galmandsværk (review here) and 2019’s Triprapport (review here), continued to progress in terms of scope and confidence, the solo albums taken on an ethereal singer-songwriter feel that owes as much to rock as acid folk and is entirely Lorenzen‘s own.

Freedom was the last Baby Woodrose album, and four years matches the longest stretch the band has had between LPs. My understanding is Lorenzen has a third solo offering in the works for later this year — though of course it may meet with some delay as so much has — but whether and whenever another record shows up, there’s little doubt it will further the band’s progression of being simultaneously far out and dug in as only Baby Woodrose can be.

As always, I hope you enjoy. Thanks for reading.

I wrote the above yesterday, and yesterday, I needed that bit of psychedelic self-care. The early part of the day sucked. It was awful. I was pissed off, the morning was a pain in the ass, everything, terrible. I took half a xanax and watched that Enslaved stream and that helped. The kid/puppy combo though has been pretty brutal this week.

Just got off the phone with a hospital coordinator in Allentown, PA, trying to put my father in a rehab center after his July 3 fall. He apparently still needs help from two people to stand up and is confused and uncooperative which, having grown up as his son, sounds about right to me.

They want a legal guardian for him. That’s gonna end up being me, I know it. Not a job I want, but there it is.

He has no assets to speak of or that I know of — a car. Doesn’t own a home, signed away his half of any of my mother’s assets 25 years ago, and then did so again 15 years ago, so that’s pretty much settled despite the fact that they’ve never divorced. That I would be 38 years old dealing with this shit? Not something I saw coming. Probably should have.

So it’s been a week.

I await a call from a financial coordinator at a rehab facility. Phone tag. I look forward to having a conversation, feeling totally overwhelmed and sad, and then going back to the rest of my life.

That Enslaved stream though, right?

No Gimme show again this week. I think next week? They’ve been doing a bunch of artist sit-ins, and I was the one who pulled the plug on the last episode — just didn’t have it in me to do one more thing — so yeah. I’ll make a playlist over the weekend and try to get some voice tracks down. You don’t care. It’s fine. I’m not out here trying to pretend I’m entitled to anyone’s time. I just need to say these things.

Moving on.

In especially cruel moments, life shows you the aspirations and accomplishments of those braver than you. The things people do. I’m trying to teach the puppy to fetch a tennis ball. Things are pretty mundane these days. I try to write as much as I can. Nothing new there.

Great and safe weekend. Think I’ll go for a run.

FRM.

The Obelisk Forum

The Obelisk Radio

The Obelisk merch

 

 

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Light Pillars Premiere Self-Titled Debut out Sept. 4 on Sound Effect Records

Posted in audiObelisk, Whathaveyou on July 31st, 2020 by JJ Koczan

If you’ve ever been in a band and had a moderately friendly conversation with someone else in a similar band, you’ve probably somewhere along the line heard the phrase “we should jam” used once or twice. Rarely does jamming result and even more rarely does it go any further than that. Melbourne two-piece Light Pillars — whose origins would seem to be based in similar proceedings — have beat the odds and will release their self-titled debut on Sept. 4 through respected Greek purveyor Sound Effect Records (sign up for their newsletter; doesn’t matter where you live). The outfit features Toby Wrecker (né Matthews) of Hotel Wrecking City Traders and Andrew Pana (né Panagopoulos) of Comacozer, and each offers a distinctive presence from within the increasingly populated sphere of Australian heavy psychedelia.

One might also think there’s nothing but self-indulgent chaos to come out of such an affair, but it actually seems like Wrecker and Pana meshed well in the studio, and had a fitting sense of where they were headed in their jams. They made the record in two days. Two days. And one was writing. How can you possibly mess with that? I can’t.

Here’s the announcement. Preorders are up today:

light pillars self titled

Light Pillars – Light Pillars – Sept. 4 2020

Australian noisy psych project LIGHT PILLARS consisting of Toby – Guitars (Hotel Wrecking City Traders) and Andrew – Drums (Comacozer) came together in June 2019 at Cellar Sessions Studios in Melbourne for an improved jam session. Both bands having played together previously and after some ideas and banter being thrown around the two decided to finally get together and see what the cosmos can produce and this release debut self-titled release resulting in 4 tracks of noisy dark heavy instrumental psych rock. Recorded in one session with Max behind the recording desk and mastered by Kent Stump (Crystal Clear Sound Studios, Dallas, Texas USA) and amazing artwork by Dora Wednesday, this is one journey taking diverse release.

Day 1: Go into a room and throw around some ideas. Day 2: Enter a studio and record. This is Light Pillars.

Album will be up on Sound Effect Records for Pre-Sale on Friday 31st July. www.soundeffect-records.gr

Street Date for release is 4th September 2020.

Light Pillars are:
Andrew Pana (Comacozer) – Drums
Toby Wrecker (Hotel Wrecking City Traders, GOUTS) – Guitars and Bass

www.facebook.com/LightPillars
www.instagram.com/lightpillarspsych
www.lightpillars.bandcamp.com
http://www.motljud.com/
https://www.facebook.com/SoundEffectRecords/
https://www.soundeffect-records.gr/

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Funeral for Two Post “Sculpture of a Demon” Video; Self-Titled EP out Aug. 20

Posted in Bootleg Theater on July 23rd, 2020 by JJ Koczan

FUNERAL FOR TWO

Say the words ‘Finnish doom’ and one of two classifications will come to mind in either the pioneering death-doom of Skepticism or the traditionalism of Reverend Bizarre. Both massively influential. Newcomer outfit Funeral for Two fall into neither category, and that’s only to be considered a strength. Instead, they indulge in the kind of massive rolling riffs that show influence particularly from Monolord‘s earlier work, though their melodies are perhaps even more prevalent on “Sculpture of a Demon,” the seven-minute single that is serving as a harbinger of their upcoming self-titled debut EP. That release has been picked up by countryman imprint Inverse Records — no small expert in Finnish doom of all stripes — and will see release on Aug. 20, and while I don’t have too many more details about it than that, I do have a video they’ve put together, and that’s not nothing.

Very much not nothing, in fact. The clip is rehearsal-room footage, but it turns out I’m so starved for live music even seeing dudes jamming in their own space is thrilling at this point. Recorded by Jiri Mustajärvi of Malamujér, it is a full-toned celebration of riff worship and offers no pretense of shooting for anything other than an approving nod from its audience, which it well earns. However much more might comprise the EP, it’ll be worth finding out, whether it’s one or two tracks or if Funeral for Two‘s EP runs up against being a debut album. The single’s been on Bandcamp since April but the video just went up, so there you go, and from what guitarist/vocalist Mikke Sillanpää says below, it may be that all the songs were out there at one point and I just missed it — I suck at this; I’ve said that all along — but either way, they’ll be out in good time with Inverse‘s backing. Good doom requires patience, so be patient.

And please enjoy:

Funeral for Two, “Sculpture of a Demon” official video

Finnish Seinäjoki-based doom metal band Funeral for Two is set to release their same titled debut EP on August 20th 2020 by Inverse Records.

The band released a single and music video Sculpture of a Demon. Music video is made by Tuomas Ojajärvi and shot by Tihu The Wolf.

Vocalist/Guitarist Mikke Sillanpää comments:
I started this band as a personal project just to play the kind of music I’ve been dreaming of. Slow, Low and Fuzz. Three words you can’t go wrong!

After a while I realized that this music must be played live as a band. I asked two of my really good friends to jam with me. Soon we discovered this is the way it should be. At the beginning it was just jamming around different riffs, drinking beer and stuff like that… But recording songs was my goal from the beginning. I talked to my friend Jiri Mustajärvi, he has a homerecording studio. I had two songs to put on tape. Jiri did all the work with recording and mixing. He also played drums (because of Covid-19).

After ready with these songs they were released on bandcamp. A few days later Inverse Records wanted to work with us. We also made a video from “Sculpture of a demon”.

It’s just a simple rehearsal room video just like we wanted it to be. Our plan is to do couple of more new songs to have a full setlist.. And then it’s time for liveshows. Stay doomed!”

Funeral for Two on Thee Facebooks

Funeral for Two on Bandcamp

Inverse Records on Thee Facebooks

Inverse Records on Thee Facebooks

Inverse Records website

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Slomosa Set Aug. 28 Release for Self-Titled Debut

Posted in Whathaveyou on July 21st, 2020 by JJ Koczan

slomosa

So here’s a cute one. I’ve written about Slomosa a couple times. Last Fall, when the Norwegian band posted the “There is Nothing New Under the Sun” from their upcoming self-titled debut album, I thought the track was cool and put it up with the press release that came through. And again, much the same leading up to “In My Mind’s Desert,” the second cut from the record to be unveiled. Now, with the third — that’s opener “Horses,” streaming at the bottom of the post here — I’m seeing a quote from The Obelisk: “Norway’s new shooting stars of huge rock.”

Now, to be fair, I say a lot of shit. Maybe I said that, right? My first thought wasn’t, “No way I said that,” it was, “Did I say that? That doesn’t sound like me.”

Turns out it wasn’t me. It was the press release I posted. So I’m being quoted quoting the press release, which, of course, ran in blue as those things do around here to signify their being quoted directly as they came in (okay, sometimes I fix spellings and take out quotes, but otherwise it’s exact). So yeah, I never quite called Slomosa Norway’s new shooting stars of huge rock. They sound like a cool band from what I’ve heard so far. You can quote me on that if you want. As for the rest, I’d probably like to hear the album before I make any such grand proclamations.

Okay then. To the PR wire:

slomosa slomosa

Norwegian Stoner/ Desert Rockers SLOMOSA Debut Album Announced for August 2020 Release on Apollon Records.

Bringing desert rock from what is probably the least desert country in the world, Norwegian rockers SLOMOSA are due to release their self-titled debut album on August 28th, which has been highly anticipated ever since debut single Horses, which premiered in October 2019.

Acclaimed Norwegian music journalist Totto Mjelde (NRK P13) claimed it to be “some of the best new music to surface in the last couple of years”, saying the song “took his breath away”. At the end of the year the same radio station picked Horses as one of their five best songs of 2019. Regional newspaper Bergens Tidende proclaimed the band had released “one of the year’s best rock songs” with Horses, raising the expectations for their next release. The following single, There Is Nothing New Under the Sun, also debuted on P13, and Spotify quickly added the song to their official “Stoner Rock” and “Norwegian Rock” playlists.

The songs have amassed 170 000 streams and counting – and with their music’s international reach the band has managed to gain a following in countries such as Sweden, Germany and USA, making the band “Norway’s new shooting stars of huge rock”, music blog The Obelisk aptly put it.

The latest single from the upcoming album, is the sun-dazed In My Mind’s Desert, showcasing the band’s ability to make rock songs that appeal not only to the traditional rock crowd.

1. Horses
2. Kevin
3. There Is Nothing New Under The Sun
4. In My Mind`s Desert
5. Scavengers
6. Just to Be
7. Estonia
8. On and Beyond

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www.apollonrecords.no
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Slomosa, Slomosa (2020)

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