Sorge Stream Self-Titled EP in Full

Posted in audiObelisk, Reviews on June 3rd, 2020 by JJ Koczan

SORGE (Photo by Matt Carter)

Washington D.C. newcomers Ghost Writer Synonym online for your research project. Online thesis writing still remains the fastest way to get your paper done. Sorge are set to self-release their self-titled debut EP on Friday, and when it comes right to it, one of the most exciting aspects of the 27-minute four-tracker is how settled it isn’t. From the Financial Accounting Help With Assignments is UK based Blog posts writing agencies offers high quality content for your blog. Hire professional blog content writers in UK. Danzig-ian wails, theatrical synth and rolling sludge riffs of opener “Faith of a Heretic” onward, the five-piece troupe seem to actively work to defy the conventions of microgenre, instead honing a sound that is both aggressive and thoughtful, but without the pretense inherent in so much prog-tinged modern heavy. “Faith of a Heretic” and “A Horse in Turin,” as well as the low-end-distortion highlight “Argent” and the driving finisher “Astral Burnout” are all marked by plotted guitar leads that underscore the band’s surprising level of self-awareness in terms of their methodology — this is not a group haphazardly tossing elements together and seeing what sticks — and the complexity of the progressions surrounding those solos, instrumentally and vocally, draws from an array of sources. It’s not a shock to learn there are multiple creative forces in the band, or that they have some measure of variety in their own personal tastes, but ? Are you a student who works a full time job? Don't have the time to write your thesis or dissertation? Try an online source link. With Sorge‘s Looking for writers who can write high quality ebook? Contact 3Leaps Content Writing Company. We are offering low cost Zimsec English Paper. Sorge makes all the more of an impression because of their refusal to let anything dominate their sound so much as their individualist impulses and concurrent tonal heft.

Two guitars — Joshua Gerras (also vocals) and Logan Boucher (leads) — plus Coursework Square offers seamless & quick coursework help & source link in UK, our coursework writers deliver quality work. Signup now! Christian Pandtle on bass, order your essay. Professional application essay and personal statement editing in Austin, TX, via email, or Skype. Professional Jake Filderman on synth and Picking a professional disobeying direct order essay is the most challenging task for students who have decided to seek writing assistance, hence the need for Mike Romadka on drums, and as they push into “A Horse in Turin” they sound like some futuristic vision of traditionalist doom, not quite catchy, but not quite not-memorable either, and the wash they bring to bear in the song’s midsection isn’t to be missed, either for its flourish of drama or the Sorge sorgesheer depth of its mix, solidifying around a lumbering riff before bursting forth once more, this time shifting into all-out blastbeating as though to further demonstrate their lack of constriction. “Argent” and “Astral Burnout” are shorter (the EP runs longes-to-shortest), but not my much, and the unbridled atmosphere of the first two cuts continues to hold sway across the churning severity surrounding the crashes late in the proceedings, squibbly soloing seeming to wink at more extreme metal even as laserz-yes-with-a-‘z’ synth accompany. More pummel awaits in “Astral Burnout,” but there’s a hint of melodic fluidity to come there as well — “Faith of a Heretic” had it too, for that matter — that speaks to the angle of growth click site for you free - professional and affordable essay to ease your life Get started with essay writing and craft finest essay ever Sorge might be looking to undertake over the longer term. If they’re the kind of band who are going to look to tour when/if such things are possible, they’ll likely get there that much faster.

They’re young, or at least young-ish, and sound it. There’s patience to be learned in their craft, but in the meantime, I’ll happily take the swinging finish of “Astral Burnout” and the overarching groove that seems to draw the different pieces of the song together into one entirety. Again, Assignment Help Experts offer Online Assignment Help and Pta Homework Help in Australia and US. Paper will be written by US and Australian Experts. Sorge‘s first release isn’t one that finds them declaring outright the rigid parameters of their sound, but rather, the place from which their scope will spread outward, and already they have a significant breadth at their disposal. As to which direction their work might ultimately take, I won’t hazard a guess onto to feel silly later, but for what it’s worth, they show an impressive level of command in their songwriting for a band both new and stylistically varied, and their forward potential only makes this EP more exciting to hear in the present.

You’ll find the four tracks streaming in their entirety below, followed by comment from the band.

Please enjoy:

Sorge on Self-Titled EP:

We’re rather proud of this as our debut release. It took us a little bit to find our feet together and start playing shows, but we all were friends before this so it was a blast playing together. The patience certainly paid off as our collective nerves couldn’t handle bombing a show. Best to practice in a smokey basement for two years, huh?

These songs were written collaboratively during that time, thus allowing us all to infuse our individual inspirations. Josh comes from more of a punk background, where I’ve always been into extreme metal. I also make electronic music as a solo artist, as does Jake. Logan was into shredding and technical stuff in high school. Heavy music was Mike’s first love, but he’s also dabbled in more genres than we can list. I find this interesting because it has been an eventful few years, all of us have changed as people throughout our writing and recording process. These songs, especially Faith of a Heretic and a Horse in Turin, are thus time capsule of sorts, capturing our collective feelings and imaginations from the time. We wanted to draw from our diverse influences while making fucking heavy music and are pleased enough with the results. We’re all our worst critics and when you’ve been drilling and writing for a few years it’s easy for those narratives to become the dominant ones in your head. We’ve been blown away by the initial reception and are so appreciative that people are getting what we’re putting down.

Recording the EP was a real trip. We’re pretty DIY but after self recording/mixing a two song demo we realized that we’re serious enough to be working with professionals. Mike and I were frankly kinda shocked when Kevin from Developing Nations got back to us, some of our favorite albums of the last few years were recorded there (e.g. Ilsa’s Corpse Fortress and Outer Heaven’s Realms of Eternal Decay). That being said, recording is expensive and we’re a bunch of young dudes so we ended up recording the whole thing in four days over two weekends without a click. Most stuff had to get done in one or two takes. That experience really solidified what we had already been screaming at each other for years: don’t waste a moment of your audience’s attention. We’ve written a ton since then and are extremely keen to get back on the road and in the studio when it’s safe to do so.

Joshua and I come from a background in western philosophy and were feeling adrift and depressed when we started this project. We kinda just started writing riffs together and before long had brought Mike, Logan, and Jake into the fold. I think we all realized on some level that doing something creative as a group is better than doing nothing at all and we were able to use that insight along with constant self-criticism to create something that we hope is more than the sum of its parts. We wanted to capture the urgency of living, that sense of restlessness that lives even in the most peaceful of hearts.

We’re at an interesting point in history and we couldn’t not express the low key, yet productive, angst that typifies our generation. We and especially those younger were born atomized and are conditioned to believe it’s the only way to live. Much our initial work into Sorge was driven by a need to prove to ourselves that disconnection is not the only way of living. Sorge is a German word meaning “care, or concern” and can refer to that fundamental concern we have for all beings, and thus for ourselves.

SORGE will independently release Sorge digitally on Friday, June 5th, with a physical release to follow. Find digital preorders at Bandcamp HERE.

SORGE:
Christian Pandtle – bass
Joshua Gerras – guitars, vocals
Mike Romadka – drums
Logan Boucher – lead guitars
Jake Filderman – synths

Sorge on Thee Facebooks

Sorge on Instagram

Sorge on Bandcamp

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Might Sign to Exile on Mainstream for Self-Titled Debut

Posted in Whathaveyou on June 1st, 2020 by JJ Koczan

might

How’s your lockdown been? Productive?  transition words for research papers Case Study Research Paper admission essay editing service scholarship college student homework helper Might‘s has. The German two-piece who got together in January after the dissolution of the punkier  Live Homework Help Pst - Put aside your concerns, place your task here and get your professional project in a few days put out a little time and money Deamon’s Child managed to record a self-titled debut and they’ll release it on July 17 through no less than  college dissertation school smith social work see it here phd thesis depression cpm homework help ccg Exile on Mainstream Records. Plenty of people have been writing, but this is the first made-in-quarantine album release I’ve heard about, though one can only imagine more are coming over the next however-many months, and  Leadership Dissertation Topics Online.Purchase custom essay.A Good Cover Letter For A Resume.Buy writing paper Might had a distinct advantage in this regard because, well, they live together. Not so much with the social distancing in that case.

Preorders and a teaser are up now for the partaking, and the mood is prevalent.

Have at it:

might might

MIGHT sign with Exile On Mainstream Records

MIGHT sign with Exile On Mainstream Records – Album up for preorder.

Preorder Link: https://shop.mainstreamrecords.de/product/eom96

The self-titled album will be released on the 17th of July as a vinyl with CD bundle and also digital on all platforms.

Empty streets, contact restrictions, breathing masks – a situation, we all would have considered completely absurd just a few months ago adds a new kind of dismalness to our daily life, which turns a sombre vision into some new normality. For a band whose inauguration falls into these times it’s a self-evidently influence on their artistic creation. Two days before the planned start of recording the world comes to a grinding halt with lockdowns implemented all over Europe. The married couple Ana Muhi (vocals, bass) and Sven Missullis (guitars, vocals, drums) moves into their own studio in March 2020 to record the self-titled debut album. The raw energy, subtleness and fragility of the written songs get pulled into a wake deeply influenced by the state of the outside world. Under circumstances and opportunities of a new level of concentration the tracks begin to form.

During the recording and now, throughout the album one can read out different questions and approaches relating to the state of the world as of today: a dichotomy between emotional safety and discomfort, between rage, despair and esperance becomes the common theme. While the world discusses topics such as ‘Flatten The Curve’, MIGHT create their own sine wave built from emotional interferences and amplification between music and personal experience, resulting in an album full of ethereal intensity. The record comes across like a soundtrack for the emotional movie we all seem to be acting in: depression, way outs, light and darkness, instrumental furor and acoustic reflection create a debate taking in arguments from several musical genres such as Black Metal, Doom and Sludge, PostRock and Shoegaze. This all happens organic and natural, taking the focus away from pure effects towards an emotional efficiency: the power of love as an answer to questions relating to death and live as fragments thrown into the lyrics.

Tracklisting:
Side A
1 Introduce Yourself
2 Pollution Of Mind
3 Vampire
4 Possession
5 Warlight

Side B
1 Weirdo Waltz
2 Flight Of Fancy
3 Mrs. Poise
4 Zero

Might is:
Ana Muhi – Vocals, Bass
Sven Missullis – Vocals, Guitar, Drums

https://www.facebook.com/might.earth
http://www.might.earth/
https://might.bandcamp.com/
http://www.mainstreamrecords.de

Might, Might teaser

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Days of Rona: Antonio Santos of Places Around the Sun

Posted in Features on May 28th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

places around the sun antonio santos

Days of Rona: Antonio Santos of Places Around the Sun (Lisboa, Portugal)

write buy research papers visit Paper argumentative essay on customer service ghost writing service How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

Besides the obvious bad financial side in all of this as a band we got a lot of time we wouldn’t get otherwise to really write our songs without any pressure of having to go to work the next day. And that is probably the best thing out of all of the things, our hobbies became a full-time job.

With the creative process it has also helped a lot since everything stopped and it left a lot of space for the creative mind to take place. I’ve seen a lot of new ideas, whether them being podcasts, Instagram lives or new music coming up in these last months and the best part is that everyone is attending to all of it because people want something to pass their time.

In a general view I think we’re making the best of it and still manage to finish the new album we’re currently working on.

Help On College Homework created by our leading professionals online. Affordable price rates and superb discounts will make our cooperation beneficial. How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

Here in Portugal, I feel like in a way we got very lucky comparing to a lot of other countries here in Europe. Our government reacted as fast as one would ever react with such a sudden threat.

Everybody at first shared the mind set of “The virus won’t ever get here”, foolishly enough since our country relies a lot on tourism, and thousands of tourists enter our country everyday. But when it came people actually reacted fast and a lot of people went into voluntary lockdown, but of course there were those people who felt like it was an overreaction. But now I think pretty much everyone is being aware and respectful of the rules.

There’s an uneasy feeling around everyone we know, since we all work in the film and music industry, we really depend on a lot of events that can’t happen right now and probably won’t happen in the next year.

But being all creative people I think we’ll all find some way or another to keep going and adapt to this new reality.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

The music community took a big hit, every band we know had their shows canceled and we were all obligated to leave almost everything in stand by. But I think everyone is aware of how hard it is for all the artists and people are sharing everyone’s work on their social media. It’s amazing to see so many people coming together to help everybody in need during this time.

Although there’s a little bit of discouragement, because we know we can’t play live, being one of the most exciting parts of being in a band, and of course the best source of income. But some of the best songs and ideas came from boredom and the need to make something, I think everyone that has the creative side should use this time to let it come into fruition. Everyone is at home and now more than ever people need the entertainment industry to help them get through all of this a little bit easier.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

Me personally, I was going through a really rough time mentally before all of this. And having to suddenly stop everything really made think and reflect on everything going in my mind and I got to value a lot of things that I always took for granted and I fortunately could channel everything through music, we were in the middle of recording an album, and luckily we stopped when we were about to record the vocals, which is something that can easily be done at home, so I brought my studio set up home and really took the time to record and write everything feeling like I had all the time in the world.

I recorded a vocal idea and sent it to everyone and we went back and forth a lot and I think that really allowed us to come up with stuff we would never had the time to do before.

We as band can’t wait to share what we’ve been working on as we feel like it has some of the best stuff we’ve ever wrote and hopefully sooner than later we’ll be able to play it live.

https://www.facebook.com/placesaroundthesun/
https://www.instagram.com/placesaroundthesun/
https://placesaroundthesun.bandcamp.com/
https://open.spotify.com/artist/6EtVFuD2ONPTRJ3rKnlUgi

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King Gorm to Release Self-Titled Debut July 31; “Beyond Black Rainbow” Streaming Now

Posted in Whathaveyou on May 26th, 2020 by JJ Koczan

king gorm

Those who’ve followed guitarist/vocalist Francis Roberts‘ work in Old Man Wizard or the pirate-themed Dread Crew of Oddwood should have some notion of what to expect from the relatively new outfit King Gorm, but the vibe — not to mention the band — is different across the latter’s impending self-titled debut, which is set to release July 31. The San Diego-based troupe dig into classic heavy progressive rock with a deft and masterful hand, retaining an air of cultistry without proving any more cartoonish than they intend. A track from the record, “Beyond Black Rainbow,” proves the point nicely, but is just a snippet of the band’s organ-heavy, weirdo-friendly wares. I’ll hope to have more to come on this one ahead of its arrival.

Until then, the PR wire brings ample backstory and info:

king gorm self titled

King Gorm release new single “Beyond Black Rainbow”

San Diego throwback rockers KING GORM have just released their new single “Beyond Black Rainbow” via their Bandcamp. The song is recommended for fans of Rainbow and Deep Purple.

Listen to the song here: https://kinggorm.bandcamp.com/track/beyond-black-rainbow-2

From King Gorm, releases July 31, 2020.

Some bands often claim they are ‘taking it back to the days of old’, but in King Gorm’s case it is quite literal. Much like their namesake – a Danish ruler from the 900s – the San Diego collective focus on telling bard-like tales, though updated in the form of classic rock. Their self-titled début album is a bold first step, reinventing familiarity by taking the legends of old and putting a modern spin on them.

Across the record, the listener bears witness to Hammond organs and screaming guitar solos duking it out, while bass lines and frantic drumming run like madmen underneath. The freshness of this music can be attributed to numerous factors, one of which being that it was recorded live from the floor (with only vocal overdubs), thus the chemistry of the musicianship shines through such as on “Four Heroes”. The band are also unafraid to go exploring, resulting in tracks like “The Witch of Irondale”, which swings from insistent prog rock to proto-doom in its 7-minute duration, or “Slaughter the King” and “Ultimate Reality”, two songs showcasing the wild nature of the band’s live show.

So which legends’ names are heard echoing within the album’s walls? Ritchie Blackmore figures prominently, not least for his fantasy-driven lyrics and powerful rock riffing (especially during Deep Purple and Dio-era Rainbow days). Elements of Led Zeppelin (the dragons and wizards-driven “Song From Brighter Days”) and Pink Floyd also float to the surface, such as in mastermind Francis Roberts’ soothing bard-like voice (which, for a latterday reference, also bears comparison with Motorpsycho or Arjen Lucassen). But this is more than an homage – there is a real sense of taking this music to places where those bands did not reach, reshaping it in exciting ways.

King Gorm is the sound of a band who may be relatively new to each other, but certainly not new to the game. With their combined experience in an eclectic mixture of bands like Old Man Wizard, Dread Crew of Oddwood, Kirby’s Dream Band, Beekeeper, Eukaryst, White Wizzard and others), there is no shred of doubt that these four can and have put together a top-notch rock n’ roll record that is bound to capture both classic rock and fantasy fans alike.

Track listing:
1.Intro
2. Freedom Calls
3. Four Heroes
4. Irondale Burning
5. Song From Brighter Days
6. Beyond Black Rainbow
7. The Witch of Irondale
8. Slaughter the King
9. Ultimate Reality

King Gorm are:
Francis Roberts – electric guitar, vocals, music & lyrics (Old Man Wizard, ex-Dread Crew of Oddwood)
Erich Beckmann – bass guitar (Kirby’s Dream Band, Grim Luck)
Dylan Marks – drums, percussion, vocals (Beekeeper, Fermentor)
Saki Chan – Hammond organ, ARP Odyssey, mellotron, vocals

https://www.facebook.com/king.gorm.usa/
https://www.instagram.com/king.gorm/
https://kinggorm.bandcamp.com/

King Gorm, King Gorm (2020)

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Stonegrass Release Self-Titled Debut; Vinyl Preorder Available

Posted in Whathaveyou on May 22nd, 2020 by JJ Koczan

I’ll bottom line it for you: Cool record, out today. Just listen to it.

Vinyl will be out later, but Stonegrass, which has Jay Anderson of Biblical and Comet Control on drums/percussion and Matthew “Doc” Dunn (many projects, most of them delightfully freaked out) on bass/guitar/flute/organ, capture vibes reminiscent of Here Lies Man‘s quest to educate the world on Afrobeat’s righteousness. The recording of Stonegrass‘ self-titled review has some circa-’74 tape grit and the vibe just oozes off jams both longform and cohesive.

Yes, I’ve said this before, but listening to this will make your day better. That’s all I can assure you of.

Thanks for reading if you did. Here’s album info and the stream:

stonegrass self titled

Stonegrass – Stonegrass – May 22

It’s out May 22nd digitally on Bandcamp and you can order the vinyl through that. Should ship late summer/early fall.

Let it go. Let it flow. Let it grow. When Matthew ‘Doc’ Dunn and Jay Anderson finally reconnected after the fall of their previous project, The Spiritual Sky Blues Band, that was the M.O. Barely using words to communicate, their instruments became highly charged positive ion conductors for a natural telepathy between these two local burnouts.

On board was Tony Price, manning the controls, with the results, of what you have here, their FRIED AS THE SKY debut LP.

It’s overcooked and burnt to the CORE, but once cooled, these jams come LEAKING out of your mind hole like an unholy baptism of PEACE.

Rough and frayed like yr mind, but comforting like yr old Uncle Billy’s drug rug. Ask the peyote coyote, he’ll tell you its no easy ride, but enlightenment never is. So take it EZ or just TAKE IT.

With more volumes to follow, Stonegrass will be touring this summer all over your mind. Let it burn. LET IT BLOW.”

Tracklisting:
Side A:
1. The Lady In The Moon
2. Tea
3. The Robe
Side B:
4. Frozen Dunes
5. The Highway (To All Known Places)
6. The Cape
7. Drive On

Stonegrass is:
Jay Anderson: Drums & Percussion
Matthew Dunn: Bass, Flute, Guitar & Organ

https://cosmicrangerecords.bandcamp.com/
https://www.youtube.com/channel/UCpVjMSgJgE0Mzs8c7NbzmaA

Stonegrass, Stonegrass (2020)

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Kryptograf to Release Self-Titled Debut June 12

Posted in Whathaveyou on May 12th, 2020 by JJ Koczan

kryptograf

Norwegian classic heavy rock newcomers Kryptograf have set a June 12 release date for their self-titled debut full-length on Apollon Records. If you know anything about me at all, aside from the fact that there’s an actual human being on the other side of the keyboard putting all these posts together, I hope it’s that finding new music and being exposed to stuff I haven’t heard before is my favorite thing. Of course, there are plenty older records that are treasure to me, but nothing beats hearing something cool for the first time.

To that end, Kryptograf‘s self-titled came down the PR wire this morning with the following info included. It runs an easily-consumed eight tracks and 38 minutes and reminds at times of early Kadavar on a song like “Omen,” but promptly gets proggier and spacier in “Seven” and saves a bit more of that vibe for the acoustic and harmonized “Ocean” later on. It’s a cool vibe throughout, whether it’s the beeps and bloops at the outset of “Crimson Horizon” or a fuzzy swing-rocker like “New Colossus,” and it’s just a band I’d never heard before who I dug and wanted to share with you. What the hell is better than that?

The single they have on Spotify, “The Veil,” opens the record, and you can hear that below. The PR wire didn’t have a ton to say about it, but it at least covers the basics:

kryptograf kryptograf

Kryptograf – Kryptograf – Apollon Records

Release: 12 June 2020

Inspired by the heavy sound of the late 60’s, the four old souls in Kryptograf will hex you with their collective vocals, destructive riffs and inventive songwriting.

After two singles, The Veil and Crimson Horizon, the debut album from this very exciting new act from Bergen, Norway, has finally arrived.

1. THE VEIL 3:17
2. OMEN 6:02
3. SEVEN 9:20
4. CRIMSON HORIZON 5:58
5. SLEEPER 4:48
6. OCEAN 2:40
7. NEW COLOSSUS 4:53
8. INFINITE 1:32

Line-up:
Vegard Strand – Guitar / Vocals
Odd Erlend Mikkelsen – Guitar / Vocals
Eirik Arntsen – Drums / Vocals
Eivind Standal Moen – Bass

https://www.facebook.com/KryptografMusic/
https://www.facebook.com/bergenapollonrecords/

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Sorge to Release Self-Titled Debut EP June 5

Posted in Whathaveyou on May 11th, 2020 by JJ Koczan

SORGE (Photo by Matt Carter)

Just a heads up here, I’m going to be hosting this EP premiere the week of its release early next month. I think on Tuesday the 2nd? Somewhere around there. Either way, Sorge are a newcomer band from Washington D.C., which is an area, that, like everywhere, is suffering from not being able to host live shows and all the rest of that fun stuff. So yeah, just keep an eye out. Gets swampy, gets a little weird. I’m into it. Sorge would have played Ode to Doom in Manhattan this month as well, but again, you know the deal.

Still, you can’t stop new music and why the hell would you want to try?

You can get a taste of Sorge‘s wares in “Astral Burnout” streaming at the bottom of this post, and hopefully you’ll look forward to the EP stream as I am.

The PR wire brings it:

Sorge sorge

SORGE: Washington, DC-Based Psychedelic Doom Quintet To Release Debut EP In June; “Astral Burnout” Now Playing

Washington, DC-based quintet SORGE presents their eponymous debut EP. Confirmed for release in early June, the band has unveiled the dynamic “Astral Burnout” for public indulgence.

SORGE (sor*guh) recently recorded their maiden EP. Fusing elements of stoner/doom, fuzz, sludge, and psychedelic metal and rock elements into an esoteric concoction of outer space and inner mind, Sorge delivers four crushing tracks totaling nearly twenty-eight minutes of sonic exploration. Elements of the fertile doom scene that birthed Saint Vitus, Internal Void, Place Of Skulls, Earthride, Iron Man, and many others show through, however, SORGE’s tunes reach far beyond said soil, infusing kaleidoscopic and ethereal elements into their sound.

Sorge was recorded with Ken Bernsten of Developing Nations Recording Studio (Full of Hell, Noisem, Ilsa), mastered by Mike Monseur, and completed with artwork by Ellie Yanagisawa and Bonner Sale.

SORGE will independently release Sorge digitally on Friday, June 5th, with a physical release to follow. Find digital preorders at Bandcamp HERE.

Sorge EP Track Listing:
1. Faith Of A Heretic
2. A Horse In Turin
3. Argent
4. Astral Burnout

SORGE:
Christian Pandtle – bass
Joshua Gerras – guitars, vocals
Mike Romadka – drums
Logan Boucher – lead guitars
Jake Filderman – synths

https://www.facebook.com/sorgedc
https://sorgedc.bandcamp.com
https://www.instagram.com/sorgedc

Sorge, Sorge EP (2020)

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Modern Witchcraft Sign to DHU Records for Self-Titled LP

Posted in Whathaveyou on May 8th, 2020 by JJ Koczan

modern witchcraft

I’ve been playing catch-up with the news all week. Am I caught up? No. Not at all. But, among the things I didn’t want to let slip through the cracks is this latest pickup from DHU Records of Nottingham, UK, merchants Modern Witchcraft. The five-piece’s self-titled debut was posted last year as a demo/here’s-a-thing-on-Bandcamp, and as the Netherlands-based imprint will, it snatched up the offering for an LP release as part of its ongoing mission to support the transition for emerging bands from digital to physical media, specifically that of the vinyl variety. If you can’t dig that, well, with all due respect, I think you should rethink your position.

The album, such as it is now, once again came out last year, so yes, it’s streaming. At the bottom of this post, as it happens. Feel free to dig in.

From the PR wire:

modern witchcraft modern witchcraft

New signing to DHU Records: Modern Witchcraft

DHU Records is excited to announce the signing of Nottingham, UK Heavies Modern Witchcraft!

“5 disparate east-midlanders who came together to create something dark, beautiful, and groovy”

Incorporating the crushing elements of all that is Heavy, and influenced by the likes of Neurosis, Iron Monkey, Charger, Johnny Truant among others, Modern Witchcraft wade through 5 filthy Doom Soaked Sludge Hymns on their debut self titled record. Initially released in 2019 as a ‘Demo’, this, was an absolute no brainer that 100% needed the DHU wax treatment.

Modern Witchcraft is re-released as of Thursday April 30th 2020, digitally with new artwork by Andrej Bartulovi? at modernwitchcraft.bandcamp.com

DHU Records is honored to release Modern Witchcraft (DHU048) on Limited Edition vinyl this Summer.

Go forth and listen to this thunderous 30min wall of noise & Hail the Serpent!

More info & details coming soon…

Side A:
A1. Daylight Suffers 4:59
A2. Holiday For Heathens 6:32
A3. Last Breath 3:14

Side B:
B1. Oh Apollo! 7:10
B2. Hydra 7:03

Recorded, mixed, mastered, and re-mastered by Ian Boult at Stuck On A Name Studio October 2018.
Artwork by Andrej Bartulovi?

Modern Witchcraft are:
Craig: guitar
Daisy: Vocals
Daniel: Bass
Maddie: Guitar, Flute
Jake: Drums

https://www.facebook.com/modernwitchcraftuk/
https://modernwitchcraft.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Modern Witchcraft, Modern Witchcraft (2019)

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