Hooded Menace Announce June Dates

Posted in Whathaveyou on May 15th, 2018 by JJ Koczan

Finnish doom malevolents Hooded Menace are heading out in just to play the Death over Drachten fest in the Netherlands. The five-piece released their latest album, Ossuarium Silhouettes Unhallowed, this past January on Season of Mist and received the usual hyperbole-laden top marks for it that must be so boring to them by this time that they can’t stand it. Whether they can or can’t, they earned it as ever with the unbridled darkness of their atmospheres, only enhanced by a more dynamic take overall.

They’ll play a couple shows around the fest, including at The Black Heart in London, as the PR wire informs. I don’t know if larger touring is in the works or if these kinds of sporadic appearances will be it for now, but either way, if you’ve never caught these guys, they’re worth the hearing damage.

To wit:

hooded menace

Finland’s death/doom overlords HOODED MENACE have announced a string of European tour dates this summer. The mini tour kicks off on June 22 in Oberhousen, and sees the band playing at Death over Drachten in the Netherlands. A full list of dates can be found below.

HOODED MENACE are touring in support of their new album, ‘Ossuarium Silhouettes Unhallowed’. Their most ominous, dark, and mature album to date, ‘Ossuarium Silhouettes Unhallowed’ sees HOODED MENACE expertly weave dreary funereal atmospheres with dark melody, which only adds to emotional gravitas of what is sure to be one of the heaviest albums of 2018.

‘Ossuarium Silhouettes Unhallowed’, HOODED MENACE’s fifth full-length, is available here.

The album art, painted by Adam Burke (SOLSTAFIR, ARTIFICIAL BRAIN, VEKTOR, and more) and track list for ‘Ossuarium Silhouettes Unhallowed’ can be found below:

Track list
1. Sempiternal Grotesqueries
2. In Eerie Deliverance
3. Cathedral of Labyrinthine Darkness
4. Cascade of Ashes
5. Charnel Reflections
6. Black Moss

HOODED MENACE Tour dates:
Jun. 22 Oberhausen, DE @ Helvete
Jun. 23 Drachten, NL @ Death over Drachten (w/ SHINING, CARNATION)
Jun. 24 London, UK @ The Black Heart

https://www.facebook.com/HoodedMenace
http://www.season-of-mist.com/

Hooded Menace, “In Eerie Deliverance”

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Weedeater Announce Tour with Zeke and Sierra; Playing Maryland Doom Fest & Electric Funeral Fest

Posted in Whathaveyou on May 1st, 2018 by JJ Koczan

So Weedeater are playing Maryland Doom Fest 2018, headlining the final night of the thing on June 24. In true Weedeater fashion, they’re using this as the launch point for a 30-date run alongside reignited speedrockers Zeke and about-to-have-the-adventure-of-a-lifetime outfit Sierra. Because, hey, if you’re playing one show, you might as well play 30, right? Anybody??

Well, to be fair, in addition to MDDF, they’ll be at Electric Funeral Fest in Denver a few nights later, so it’s not just the one fest appearance, but you get the point, and the point is that Weedeater just keep touring. Every time they come off the road — they were just in Europe playing God Luck and Good Speed in full at Roadburn as they did on a US run this past February — I think maybe they’ll head back into the studio, but nope, they’re just waiting to announce the next tour, the next destination. Destination: everywhere.

Going coast to coast in the interim and even heading up to Vancouver, they start in Maryland and finish even closer to home in the Paris of the South, as the PR wire confirms:

weedeater

WEEDEATER announce US tour

Notorious southern metal outfit WEEDEATER have announced a new US tour that will kick off on June 24. The tour sees them supported by speed-rock rippers ZEKE, UNSANE (on select dates,) and SIERRA. A full list of confirmed tour dates can be found below.

WEEDEATER was formed by front-man/bassist “Dixie” Dave Collins. Following the release of their 2001 debut ‘…And Justice For Y’All’, WEEDEATER immediately established themselves as a force in the U.S. tour circuit and quickly gained notoriety in the American metal scene. In the time since, the band have released three critically-acclaimed albums: ‘Sixteen Tons’ (2002), ‘God Luck And Good Speed’ (2007), and ‘Jason… The Dragon’ (2011), and toured around the world with the likes of DOWN, SAINT VITUS, HIGH ON FIRE, and THE MELVINS, HANK III, EARTH, SUNN O))) and more. The band has played prestigious festivals such as Maryland Deathfest, Hopscotch Festival, Stoned From The Underground, Asymmetry Festival, Roadburn Festival, Hellfest, and many more.

WEEDEATER TOUR DATES
All dates w/ ZEKE & SIERRA
June 24 Frederick, MD @ Maryland Doomfest
June 25 Cincinnati, OH @ Woodward Theatre
June 26 Bloomington, IL @ Night Shop
June 27 Milwaukee, WI @ Cactus Club
June 28 Minneapolis, MN @ Studio B
June 29 Kansas City, MO @ Riot Room
June 30 Denver, CO @ Electric Funeral Fest
July 1 Salt Lake City, UT @ Metro Music Hall
July 3 Seattle, WA @ Crocodile
July 4 Vancouver, BC @ Rickshaw Theatre
July 5 Bellingham, WA @ Wild Buffalo
July 7 Portland, OR @ Bossanova Ballroom
July 8 Sacramento, CA @ Blue Lamp
July 9 San Francisco, CA @ Slims
July 10 Santa Cruz, CA @ Catalyst
July 11 Los Angeles, CA @ Union Club
July 13 San Diego, CA @ Soda Bar
July 14 Phoenix, AZ @ Club Red
July 15 Las Vegas, NV @ Beauty Bar
July 18 Albuquerque, NM @ Sister Bar
July 19 Dallas, TX @ Gas Monkey
July 20 Austin, TX @ Lost Well
July 21 Houston, TX @ White Oak Music Hall
July 22 San Antonio, TX @ Korova
July 24 Oklahoma City, OK @ 89th Street
July 25 Omaha, NE @ Waiting Room
July 26 Rock Island, IL @ Ribco
July 27 Rensselaer, IN @ Van Nationals
July 28 Nashville, TN @ Exit In
July 29 Asheville, NC @ Mothlight

https://www.facebook.com/weedmetal/
https://weedeater.bandcamp.com/album/goliathan
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http://www.season-of-mist.com/

Weedeater, Goliathan (2015)

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Hyborian on Tour with Weedeater Now; New Video Posted

Posted in Whathaveyou on March 20th, 2018 by JJ Koczan

I wish I had a title like ‘heavy metal riff machine.’ Best I can come up with is ‘dude who wakes up at 1:30 in the morning to write reviews,’ and frankly I don’t think that’s a title anyone wants. Kudos, then, to Kansas City’s Hyborian for earning that banner which they’re currently flying on tour with Season of Mist labelmates Weedeater. The run has been on for a few days, and it will take them into April, but they’ve got new fest dates booked in May and June as they continue to support the reissue of their Vol. 1 debut album on their already-noted new label home.

Hyborian also have a brand new video for the track “Maelstrom” that you can see below. It was directed by vocalist and guitarist Martin Bush.

Next time you’re looking for a definition of “up and coming,” here you go. Take it from me. I’ve been up since 1:30:

hyborian

HYBORIAN announce festival appearances, add new tour dates

Kansas City-based heavy metal riff machine HYBORIAN (Martin Bush – Guitar, Vocals, Ryan Bates – Guitar, Vocals, Justin Rippeto – Drums, and Anthony Diale – Bass) have announced new festival appearances in the months to come. HYBORIAN will appear at Kansas City’s Rock Fest on June 2nd alongside FIVE FINGER DEATH PUNCH, STONE TEMPLE PILOTS, and more. Additionally, HYBORIAN will play at Vintage Torque Fest in Dubuque Iowa on May 5. More information about Torque Fest can be found here. These two festival appearances follow the band’s previously announced North American tour alongside label-mates WEEDEATER. A full list of confirmed tour dates, including new shows in Tennessee, North Carolina, and Illinois can be found below.

HYBORIAN are touring in support of their acclaimed debut album ‘Vol. 1’. The album is streaming here.

‘Vol. 1’ is available across CD and limited edition LP formats at the Season of Mist E-Shop now.

HYBORIAN have been touring extensively since their 2015 formation. In addition to tours with GODMAKER and on their own, they have supported the likes of POWER TRIP, ACID KING, MUTOID MAN, WEEDEATER, IRON REAGAN, VEKTOR, WHORES and many more in the Midwest.

HYBORIAN TOUR DATES
Jun. 2 Kansas City, MI @ Kansas City Speedway (Rock Fest)
May 4 Dubuque, IA @ Fairgrounds (Vintage Torque Fest)

The “God Luck and Good Speed” tour w/ WEEDEATER and BASK
Mar. 21 Cambridge, MA @ Middle East
Mar. 22 Syracuse, NY @ Lost Horizon
Mar. 23 Pittsburgh, PA @ Cattivo
Mar. 24 Lansing, MI @ Mac’s Bar
Mar. 25 Cleveland, OH @ Grog Shop
Mar. 27 Lexington, KY @ Cosmic Charlies
Mar. 28 Chicago, IL @ Empty Bottle
Mar. 29 St. Louis, MO @ Fubar
Mar. 30 Memphis, TN @ Hi-Tone
Mar. 31 Little Rock, AR @ Whitewater
Apr. 1 New Orleans, LA @ Santos Bar
Apr. 2 Jacksonville FL @ Jack Rabbits
Apr. 3 Spartanburg, SC @ Ground Zero
Apr. 4 Asheville, NC @ Oddotorium *
Apr. 6 Champaign, IL @ Loose Cobra *
*No WEEDEATER

https://www.facebook.com/HyborianRock/
https://hyborianrock.bandcamp.com/
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https://www.twitter.com/seasonofmist

Hyborian, Vol. I (2017)

Hyborian, “As Above, so Below” official video

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Sinistro Offer Track-by-Track Look at Sangue Cássia

Posted in Features on March 1st, 2018 by JJ Koczan

Sinistro-Ines_Achando

While I’m sure it’s less of an issue for you because you’re more worldly and up on your stuff generally than I am, my ignorant American ass doesn’t speak Portuguese. Add it to a long and ever-growing list of sources of personal shames. The upshot of this, however is that when it comes to Lisbon-based doomers Sinistro and their third and latest album for Season of Mist, Sangue Cássia, most of what I’m going on in trying to understand the album and its eight component tracks — seven originals and a closing cover of Paradise Lost, with whom Sinistro toured Europe last fall — is second-hand knowledge and what of the overall mood I can derive from the atmosphere.

Fortunately, when it comes right down to it Sangue Cássia wants nothing for mood or atmosphere. Its doom runs through the pulsating emotionalist vein of the aforementioned Paradise Lost or even a melody-fronted My Dying Bride — lest we forget to mention top Portuguese metal exports Moonspell— with vocalist Patricia Andrade bringing significant character to pieces like “Petalas” and rolling 11-minute album opener and longest track (immediate points) “Cosmos Controle,” as well as the Euro-fest-ready loud/quiet trades and crawling tempo of “Abismo,” on which the guitars of Rick Chain and Ricardo Matias meet head-on with the low-end rumble of Fernando Matias‘ bass and the intermittent roll of Paulo Lafaia‘s drums, further synth ambience from Matias fleshing out an already deep-running arrangement mix.

And yet, amid this complexity of presentation — which, rest assred only grows more prevalent as the five-piece head toward the finale of “Cravo Carne,” though the threatrical “Nuvem” and “Gardenia,” which trades between some of the darkest metal and some of the brightest melodies oN Sangue Cássia as a whole — Sinistro maintain a sense of poise that lets them keep their feet firmly planted despite the swirling winds of the tempest they’ve created. Still, part of me sure would like to know what these songs are actually about, and fortunately the band was willing to comply with that desire — fucking imperialist American — and sent over the following brief track-by-track rundown.

Please enjoy:

sinistro sangue cassia

Sinistro, Sangue Cássia Track-by-Track:

“Cosmos Controle” explore different landscapes, ambience to describe a voyage. A lovers voyage lost in the night. A voyage into their feelings. Feeling so much it hurts.They lost each other.

“Lótus” Is a place where heaven in hell are together. Is an empty kingdom of a single man taking a peek  at emptiness in search of a divine encounter to save himself.

“Pétalas” Portrays an inner voyage in which existentialism is perpetuated , the escape, the mismatch. A plunge in our ruins to be reborn through purge.

“Vento Sul” Describe a state of mind where the questioning is permanent . The south wind is the element that will bring some answers. For that, you need to listen yourself and wait.

“Abismo” is a song where you get into a woman´s dialogue with mountain high walls. A place of two voices with wounds and wreckage sounds. From dialogue to a monologue,in silence, start a journey to find herself in and with the world.

“Nuvem” is a metaphor to speak about existence. In where do you want to see yourself and the impermanence of life.

“Gardénia” is a story about a woman who lives on the street describing her life memories and her loss.

“Cravo Carne” speaks about the age of fear, the time before the end. A reflexion about aging.

“Ferida” is a description about a man and his small town landscape as a form to ilustrate his soul wounds.

“Nothing Sacred” the song from Paradise Lost that we made a cover was a good challenge. We decided to choose a song that was not a obvious choice, in which the vocals would fit naturally.

Sinistro, Sangue Cássia (2018)

Sinistro on Thee Facebooks

Sinistro on Bandcamp

Sinistro at Season of Mist webstore

Season of Mist on Thee Facebooks

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Ester Segarra Photography Anthology Ars Umbra to be Released by Season of Mist

Posted in Whathaveyou on February 27th, 2018 by JJ Koczan

Here’s a fun fact: I’m fortunate enough to say that 2018 will be my 10th time attending the Roadburn festival. For most of those years, I have been fortunate enough to have a pass to let me take pictures in the photo pit; an experience for which I’m continually grateful. Among the many talented others with which I’ve shared that sometimes-cramped space between the audience barricade and the stage has been London-based photographer Ester Segarra. I’ve never said hi to her once. Not once. No introduction. Never said, “Hi Ester, my name is JJ. You probably have no idea who I am but I’m a big admirer of your work and just wanted to say hello,” like I practiced and swore to myself I would do last year.

Why not? Because Ester Segarra is fucking amazing. That’s why not. Because I’m not worthy of saying hi to someone whose talent reaches that caliber. Ester Segarra‘s photos have helped define the aesthetic of heavy metal for more than a decade. No. You don’t bother Ester Segarra even when you’re standing there waiting for the next band to come on stage. What you do is you make sure your big dumb head isn’t blocking her shot, and if it is — spoiler alert: it probably is — you get the hell out of the way quickly, because Ester Segarra not only earned the right to take that picture, she invariably will do a better job of it than just about anyone else.

It’s not every photog who gets an anthology published by Season of Mist with a companion record by Uno Bruniusson of In Solitude and Death Alley. But yeah, we’re not talking about every photog here, are we?

From the PR wire:

ester segarra

Season of Mist to release ESTER SEGARRA photo anthology with companion album by Uno Bruniusson (GRAVE PLEASURES, IN SOLITUDE)

Renowned photographer ESTER SEGARRA has been an integral part of the worldwide heavy music landscape for over 15 years. SEGARRA’s multitude of photos have been featured in every major metal magazine, a wide array of critically acclaimed albums, some of the most popular band photos circulating the internet, and has worked for perennial artists such as MAYHEM, ROTTING CHRIST, WATAIN, DARKTHRONE, ABBATH, ELECTRIC WIZARD, and many more.

After years of compiling her work, ESTER SEGARRA will release her anthology photo-book titled ‘Ars Umbra’ later this year via Season of Mist. The ‘Ars Umbra’ anthology will feature an original score composed by Uno Bruniusson (GRAVE PLEASURES, IN SOLITUDE, PROCESSION, and more).

Regarding the book announcement, ESTER SEGARRA comments: “The anthology, ‘Ars Umbra’ celebrates 15 years of my music photography. Pictures and music are presented in the form of a photo-book with an added original soundtrack, which I had specially commissioned from percussionist extraordinaire, Uno Bruniusson (ex-IN SOLITUDE, DEATH ALLEY, PROCESSION). His music has been created to provide a rhythm, a mind-space that alters the experience of the book. This project has consumed me for the last two years and I am very glad and honoured to have it finally released via Season of Mist, which is most fitting; considering their eclectic roster of bands, their boundary pushing attitude and their graphic art outlet E-Kunst. Having worked many times with this label before, I know their fire is as strong as mine. The time will soon come to unleash and fuel the flames of ‘Ars Umbra’!”

For over a decade, ESTER SEGARRA has re-imagined the visual aspect of heavy metal for bands like GHOST, WATAIN, ELECTRIC WIZARD, CATHEDRAL, MAYHEM, KATATONIA, PARADISE LOST, AT THE GATES, CARCASS, DARKTHRONE, ROTTING CHRIST, VENOM, ABBATH, and many more.

Through her lens, SEGARRA has captured some of extreme music’s most notorious players and in turn become one of the most prolific and significant contemporary music photographers.

More news about ESTER SEGARRA will be available at the Season of Mist website.

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http://www.estersegarra.com/
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Ester Segarra, Photo Exhibit at Roadburn 2011

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Review & Full Album Premiere: Deathwhite, For a Black Tomorrow

Posted in audiObelisk, Reviews on February 22nd, 2018 by JJ Koczan

deathwhite for a black tomorrow

[Click pay above to stream Deathwhite’s For a Black Tomorrow in its entirety. Album is out Feb. 23 via Season of Mist with preorders available here.]

Going by what your ears tell you, you’d have to be forgiven for guessing wrong at mood-metal three-piece Deathwhite‘s base of operations. Sweden? Nope. The UK? Nope. Poland? Nope. Romania? Nope. Some frigid former Soviet Bloc nation with little scene to speak of but plenty of passion and sadness to spare? Wrong-o, chief. The correct answer is Pittsburgh, Pennsylvania. Steel City. The trio choose to remain anonymous under their hooded robes — I’ve seen AM and LM listed as a partial lineup, so maybe there’s a pair of brothers in there, but maybe not — but when it comes to their debut album for Season of Mist, the nine-song/43-minute For a Black Tomorrow, their intention couldn’t be clearer. The mission of the album, front to back, is to pay homage to the greats of melancholic metal. Perhaps Katatonia, and in particular the Last Fair Deal Gone Down era of that Swedish outfit’s work, most of all, but definitely the oeuvre of the so-called ‘Peaceville Three’ — My Dying Bride, Paradise Lost and Anathema — as well.

Saying that might lead one to believe there are death-doom elements at play throughout For a Black Tomorrow, or that the band engages a rawness of production à la those groups’ transformative works in the early ’90s — a specific aspect I’d argue just about no one has been able to accurately recreate — but no. Deathwhite take on the atmospheric, emotional, and melodcally ranging side of these bands’works, and while tracks like the later “Death and the Master” offer some shouts and heavier thrust, and amid one of the album’s strongest hooks, the earlier “just Remember” proffers a riff with a sharper bite than that of, say, opener “The Grace of the Dark,” which unfolds at the beginning of Deathwhite‘s first album with a patience that immediately puts the band in command of both the aesthetic and the outward-moving progression of the LP itself. In other words, there’s an awful lot about what they want to do that Deathwhite have already figured out.

The band has two prior EPs in 2014’s Ethereal and 2015’s Solitary Martyr, but while I obviously have no confirmation to back me up, I’d more likely credit their cohesiveness as regards overall mission to members’ prior experience in other outfits. Do I know that? Nope. But though Deathwhite have been together for upwards of six years, there are still parts of For a Black Tomorrow that speak to pedigree beyond this band itself. The fluidity with which “The Grace of the Dark” unfurls atop double kick drums, building tension in its verse to release in the chorus, or how the subsequent “Contrition” picks up with a more urgent and metallic chug topped with a plotted but classy lead that fades out of the mix just as the first verse begins, the band galloping forward for the duration into the depressive acoustic/full-breadth tone trades that take place in “Poisoned,” a swapping out of layers masterfully handled by producer Shane Mayer that only make the fullness of tone in the subsequent “Just Remember” all the more resonant.

That song, along with the following centerpiece “Eden,” might be the emotional and aesthetic crux of For a Black Tomorrow — i.e., the moments at which Deathwhite‘s tribute is most readily paid to their influences. Once again, that’s primarily directed toward Katatonia, but there are darker impulses at work as well, in the guitar and bass tones, though the vocals and the pacing assure that the prevailing vibe is emotionally downtrodden in just such a specific way. It’s also gorgeous — especially “Eden” — so another manner in which Deathwhite seem to nod to their stylistic forebears is finding beauty amid the darkness of their making and not forgetting to highlight the one alongside the other. That, ultimately, is a major factor in what separates this kind of doom from its more workmanlike, traditionalist contemporaries.

deathwhite

It’s not until they come around to sixth track “Dreaming the Inverse” that Deathwhite cross over the five-minute mark. One could argue this shows a monotony of structure, but that’s simply not the case — rather, it’s an efficiency of songcraft from which the trio begin to branch out as For a Black Tomorrow progresses toward its finale title-track. After “Eden,” “Dreaming the Inverse” (5:01) brings turns between double-kick gallop and quieter, brooding verses, the sudden moves between one and the other a familiar tactic and not entirely dissimilar from what Deathwhite already brought to “Poisoned,” though heavier on the whole and more soulful vocally. That vocal soul sets up the primary impression that “Death and the Master” will make over the course of its six and a half minutes, as a rawer shout — still melodic, but the delivery changes, to be sure — emerges to top the fuller push of the band behind it.

As one of the most engrossing moments of For a Black Tomorrow, “Death and the Master” takes on a declarative vibe that could be derived from Primordial at least in part or perhaps unintentionally, but it’s a powerful standout either way, and though an interlude of some sort might’ve worked well to separate the two, “Death and the Master” still doesn’t necessarily overshadow “Prison of Thought,” which follows, the two songs rather acting as complements as the latter revives shifts from hard-driving distortion and acousti-poetics, settling by its finish on a raucous but still very much controlled payoff. “For a Black Tomorrow” itself rounds out, the band quickly dropping a lyrical reference to Anathema‘s “Shroud of False” from Alternative 4, and moving through a return to the shorter songcraft of earlier pieces, but with something of a looser feel as the guitar leads the way through. There’s still a tension in the chug, but open-ringouts remind of the patience in “The Grace of the Dark,” and the vocal harmonies that top the final section before the fadeout in the song’s second half are nothing less than beautiful. One could hardly ask for a more appropriate ending.

What Deathwhite present on their debut album is a powerful showcase of aesthetic. They prove readily in these tracks that they know what they want to sound like, know where they’re coming from in terms of influence and style, and know how they want to bring that to fruition in their own work. As the question was eventually put to the likes of AnathemaKatatoniaParadise Lost and My Dying Bride, sooner or later, Deathwhite will have to answer how they’ll be able to take these elements and craft something more individualized from them — that is, something to distinguish them from their forebears in the subgenre — but that is perhaps best left to time and the natural development of the group over their next however-many releases. As regards For a Black Tomorrow, it speaks with resonance to a certain depression of spirit and though Deathwhite may seem a novelty at first for the simple fact of their surprising geographic locale, there’s nothing in these nine songs that feels like a put-on or a less than genuine expression on its own level.

Deathwhite on Thee Facebooks

Deathwhite on Bandcamp

Deathwhite website

Season of Mist website

Season of Mist on Thee Facebooks

Season of Mist on Twitter

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Mark Deutrom to Reissue The Value of Decay April 6

Posted in Whathaveyou on February 21st, 2018 by JJ Koczan

mark deutrom

Originally released in 2011, The Value of Decay is the second reissue from Mark Deutrom to come down the line this year via Season of Mist. The first was 2001’s The Silent Treatment, his solo debut, so in essence we’re fast forwarding a decade. During that stretch, Deutrom had a couple self-presses out but so far as I can tell not an actual album under his own name, so that 10-year leap might actually put him at his second outing, which, you know, would make sense being the second reissue and all. Yeah, that’s me, doing the hard math. You’re welcome.

Of course, one still awaits word of Deutrom‘s next studio offering, which would follow 2013’s Brief Sensuality and Western Violence (review here), as well as news from his band Bellringer, whose 2016 debut full-length, Jettison (review here), was rife with weirdo joys, but presumably we’ll get there sooner or later. Plenty to chew on in the meantime.

The PR wire has info on The Value of Decay, which you can also stream at the bottom of this post:

mark deutrom the value of decay

MARK DEUTROM announces “The Value of Decay” reissue

MARK DEUTROM, former MELVINS bassist and prolific musician from Texas has announced the second in the series of reissues coming this year. The reissue, for ‘Value of Decay’ (2011) will be released worldwide on April 6 as an expanded edition featuring a bonus track. ‘The Value of Decay’ is available for pre-order here. The album is streaming here.

The cover art and track list for ‘The Value of Decay’ can be found below.

Track list:
1. From the Deepest Well
2. Darksider
3. Dim Candle
4. Au Printemps
5. Love Story Pt. 1
6. Making a Killing
7. Love Story Pt. 2
8. Buried in the Jewel
9. Victor’s Closet
10. Love Story Pt. 3
11. Cities of Gold
12. Blood Fairies
13. Perish the Thought
14. Curtains
15. Love Story Pt. 4
16. Empire Sands

MARK DEUTROM just released ‘The Silent Treatment’. The critically acclaimed album is available as an expanded edition, featuring artwork and a bonus track. ‘The Silent Treatment’ is available now at the Season of Mist E-Shop.

MARK DEUTROM will release his 6th solo album via Season of Mist. More information about this new album will be available in the weeks and months to come.

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Mark Deutrom, The Value of Decay (2011/2018)

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Weedeater Announce Tour Playing God Luck and Good Speed in Full

Posted in Whathaveyou on February 5th, 2018 by JJ Koczan

weedeater

Am I wrong, or is it time to start thinking of Weedeater as a straight-up blues band? I know they’re heavy and sludgy as hell, but in terms of their ethic of just getting on the road and apparently being there forever, proffering tunes with the ultimate lack of pretense, and doing their thing regardless of in whatever direction the world around them might be spinning — not to mention all that downtrodden whathaveyou — more and more they just seem like blues to me. Already confirmed for Roadburn 2018, Desertfest London 2018, Desertfest Berlin 2018 and Maryland Doom Fest 2018, the North Carolina trio hit the road next month playing 2007’s God Luck and Good Speed in full.

Why that record? Well, it was kind of a breakthrough for them when Southern Lord put it out in 2007, it’s got a catchy title, and hell, maybe after three solid years they just got bored of continuing to push 2015’s Season of Mist debut Goliathan (review here). Look, sometimes you need to change things up. It helps fight the blues.

From the PR wire:

weedeater god luck good speed tour poster

WEEDEATER announce ‘God Luck an Good Speed’ US tour

Notorious southern metal outfit WEEDEATER have announced a ‘God Luck and Good Speed” US tour that will kick off on Mar. 15. WEEDEATER will perform their classic album ‘God Luck and Good Speed’ in its entirety for the first time. A full list of confirmed tour dates can be found below:

‘God Luck and Good Speed’ was the first full-length WEEDEATER recorded with long-time engineer Steve Albini (NIRVANA, HIGH ON FIRE, PJ HARVEY) and was originally released on July 31, 2007.

WEEDEATER was formed by front-man/bassist “Dixie” Dave Collins. Following the release of their 2001 debut ‘…And Justice For Y’All’, WEEDEATER immediately established themselves as a force in the U.S. tour circuit and quickly gained notoriety in the American metal scene. In the time since, the band have released three critically-acclaimed albums: ‘Sixteen Tons’ (2002), ‘God Luck And Good Speed’ (2007), and ‘Jason… The Dragon’ (2011), and toured around the world with the likes of DOWN, SAINT VITUS, HIGH ON FIRE, and THE MELVINS, HANK III, EARTH, SUNN O))) and more. The band has played prestigious festivals such as Maryland Deathfest, Hopscotch Festival, Stoned From The Underground, Asymmetry Festival, Roadburn Festival, Hellfest, and many more.

WEEDEATER TOUR DATES
All dates w/ HYBORIAN and BASK
Mar. 15 Atlanta, GA @ Basement
Mar. 16 Chapel Hill, NC @ Local 506
Mar. 17 Richmond, VA @ Strange Matter
Mar. 18 Philadelphia, PA @ Kung Fu Necktie
Mar. 19 Brooklyn, NY @ Saint Vitus
Mar. 21 Cambridge, MA @ Middle East
Mar. 22 Syracuse, NY @ Lost Horizon
Mar. 23 Pittsburgh, PA @ Cattivo
Mar. 24 Lansing, MI @ Mac’s Bar
Mar. 25 Cleveland, OH @ Grog Shop
Mar. 27 Lexington, KY @ Cosmic Charlies
Mar. 28 Chicago, IL @ Empty Bottle
Mar. 29 St. Louis, MO @ Fubar
Mar. 30 Memphis, TN @ Hi-Tone
Mar. 31 Little Rock, AR @ Whitewater
Apr. 1 New Orleans, LA @ Santos Bar
Apr. 2 Jacksonville FL @ Jack Rabbits
Apr. 3 Spartanburg, SC @ Ground Zero

https://www.facebook.com/weedmetal/
https://weedeater.bandcamp.com/album/goliathan
https://www.twitter.com/seasonofmist
https://www.facebook.com/seasonofmistofficial
http://www.season-of-mist.com/

Weedeater, God Luck and Good Speed (2007)

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