Weedeater Announce Tour Dates with Irata

Posted in Whathaveyou on May 23rd, 2019 by JJ Koczan

Weedeater (Photo by JJ Koczan)

Am I going to begrudge Weedeater doing more touring? No. No, I’m not. Is it time for the Cape Fear, North Carolina, sludge stalwarts to knuckle down and get to work on a new album? Yeah, it probably is. Four years removed from Goliathan (review here) and they’ve hardly gotten off the road at all. I don’t know if they have any new material sitting around or what, but even if they started writing now and took the next year to put it out, you’d have to say they were due. If nothing else, it would give them something else to sell at the merch stand, which I feel like as they come back around to cities time and again, has probably been visited by fans on more than one occasion. The thing though about Weedeater live? They’re pretty incredible. I mean it. Having just seen them a few weeks ago at Desertfest NYC (review here), I was reminded of their overall badassery and enduring wreck-all. They are one of a kind.

They’ll be out with Irata and they have a date with Pallbearer in Philly as well. So sayeth the PR wire:

weedeater irata dates

WEEDEATER Announce New U.S. Tour Dates

Cape Fear metal legends WEEDEATER have announced a new run of U.S. headliner tour dates in which they will be supported by IRATA. The trek will kick off on May 29 in Johnson City, TN and will conclude on June 3 in Charlottesville, VA. The run will also include a co-headliner with PALLBEARER on 5/31 in Philadelphia, PA. The full itinerary is as follows:

WEEDEATER U.S. TOUR DATES:
05/29: Johnson City TN @ The Hideaway
05/31: Philadelphia PA @ Union Transfer*
06/01: Dayton OH @ Turnbuckles and Brews
06/02: Washington DC @ Rock and Roll Hotel
06/03: Charlottesville VA @ The Southern
*With PALLBEARER, No IRATA

All of WEEDEATER’s albums are now available at fine stores nationwide and online at the WEEDEATER Bandcamp page.

WEEDEATER was formed by front-man/bassist “Dixie” Dave Collins. Following the release of their 2001 debut ‘…And Justice For Y’All’, WEEDEATER immediately established themselves as a force in the U.S. tour circuit and quickly gained notoriety in the American metal scene. In the time since, the band have released three critically-acclaimed albums: ‘Sixteen Tons’ (2002), ‘God Luck And Good Speed’ (2007), and ‘Jason… The Dragon’ (2011), and toured around the world with the likes of DOWN, SAINT VITUS, HIGH ON FIRE, and THE MELVINS, HANK III, EARTH, SUNN O))) and more. The band has played prestigious festivals such as Maryland Deathfest, Hopscotch Festival, Stoned From The Underground, Asymmetry Festival, Roadburn Festival, Hellfest, and many more.

https://www.facebook.com/weedmetal/
https://weedeater.bandcamp.com/
https://www.twitter.com/seasonofmist
https://www.facebook.com/seasonofmistofficial
http://www.season-of-mist.com/

Weedeater, Goliathan (2015)

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Deathwhite Begin Recording New Album Grave Image

Posted in Whathaveyou on May 10th, 2019 by JJ Koczan

deathwhite

Now a four-piece, Pittsburgh melodic doom metallers Deathwhite have announced they’ve begun recording their second album, to be titled Grave Image and released through Season of Mist. The same imprint stood behind their early-2018 debut, For a Black Tomorrow (review here), which offered an American interpretation of the kind of emotive doom proffered by the likes of Katatonia or Alternative 4-era Anathema. It was a full-length that I think flew under a lot of people’s radar, but as a fan of the style was something that hit a chord with me, and I’ll look forward to hearing what they come out with having returned to Cerebral Audio Productions to lay down the instrumental tracks while vocals will be done at Mana Recording in Tampa, Florida. Nice vacation, and I wonder if that means Erik Rutan (Hate Eternal) will be at the helm. Could be interesting.

The band made the announcement of work being done in short and sweet fashion via a social media post. I’ve also included the stream of the first LP below in case you’d like a refresher.

Have at it:

deathwhite cheat sheet

DEATHWHITE Enters Studio To Record New Album, ‘Grave Image’

It is with great pleasure to share we are currently in the throes of recording our second full-length album, “Grave Image.” The album will be released in the not-terribly-distant future via Season of Mist.

Cerebral Audio Productions’ Shane Mayer is once again overseeing the sessions; vocals will be tracked at Mana Recording in Tampa, Florida. And, much to our delight, the esteemed Dan Swano will handle mastering.

We are now a quartet, having added a second guitar player. Such an addition, along with new twists and turns in the songwriting process, make “Grave Image” an effort we are imminently proud of. We look forward to sharing more details as matters unfold. Until then…

http://www.facebook.com/deathwhiteofficial
https://deathwhite.bandcamp.com/
http://deathwhite.com/
http://www.season-of-mist.com/
https://www.facebook.com/seasonofmistofficial/

Deathwhite, For a Black Tomorrow (2018)

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Bask Recording New Album with Matt Bayles; Announce June Touring

Posted in Whathaveyou on April 4th, 2019 by JJ Koczan

bask

It was just the other day I was talking about an absolute generational landmark album Matt Bayles happened to produce — that being Leviathan, by Mastodon — and here comes word that he’s been brought aboard by North Carolinian four-piece Bask in order to helm the follow-up to 2017’s Ramble Beyond, which will also serve as the band’s debut on Season of Mist. Not saying Bask‘s next record needs to be a generational landmark or anything — no pressure, dudes — but it’s funny sometimes how these things tie together.

Presumably, and hopefully in terms of costs, by the time Bask start their touring in June at the Doomed and Stoned fest in Chicago, they’ll have the album in the can. As such, they should be itching to get back on stage, which of course only bodes well for those in their path. Barring any serious delay, it doesn’t seem unreasonable to expect the album before the end of the year, but of course one never knows when it comes to schedules and pressing and this and that. Worth keeping an eye out, in any case.

Word from the PR wire:

BASK Enter Studio with Legendary Producer Matt Bayles, Announce U.S. Tour Dates

Southern rock outfit BASK have entered the studio today to record their third studio album with legendary producer Matt Bayles (PEARL JAM, MASTODON, MINUS THE BEAR, etc.) The record will be released by Season of Mist, making it the band’s debut to the label.

Speaking about the upcoming effort and working with Bayles, the band comments: “We are beyond excited to announce that we’ve begun work on our third record, and label debut, for Season of Mist Records at Echo Mountain Studios. We hope working in a studio that’s played host to an amazing eclectic roster, such as Band of Horses, Widespread Panic and War on Drugs, and the skill of veteran producer/engineer Matt Bayles, who’s credits include seminal works from Mastodon, Isis and Russian Circles, will capture the spirit and shape of our latest batch of songs. We can’t wait to share them with you.”

Additionally, the band will be embarking on a headlining Southern U.S. tour this summer. BASK will first appear at Doomed and Stoned fest in Chicago on June 1 and then will kick off their official tour on June 9 in Atlanta, GA and will wrap up on June 15 in Greenville, SC. The full itinerary is as follows:

BASK Tour Dates:
06/01: Chicago, IL @ Doom & Stoned Festival
06/09: Atlanta, GA @ 529
06/10: Orlando, FL @ Standard Motorcycle
06/11: Jacksonville, FL @ Nighthawks
06/12: Savannah, GA @ The Jinx
06/13: Charlotte, NC @ The Milestone
06/14: Columbia, SC @ New Brookland Tavern
06/15: Greenville, SC @ The Radio Room

Hailing from the Asheville, NC, BASK was fully conceived in the fall of 2013 when guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note, and guitarist/vocalist Zeb Camp joined forces.

https://www.facebook.com/basknc
https://www.instagram.com/baskband/
https://twitter.com/thebandbask
https://basknc.bandcamp.com/
https://www.facebook.com/seasonofmistofficial
https://www.instagram.com/seasonofmistofficial/
https://www.twitter.com/seasonofmist
https://shopusa.season-of-mist.com/

Bask, Ramble Beyond (2017)

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Heilung to Release Futha June 28; Teaser Posted

Posted in Whathaveyou on March 28th, 2019 by JJ Koczan

So, I know it’s not exactly fitting with the atmosphere of the release or anything, but yesterday when the email came in with the teaser clip for Heilung‘s forthcoming second album, Futha, I was sitting at the kitchen table — as I will with the laptop — post-lunch with The Pecan and The Patient Mrs., and I put the teaser on, and the demon-voice came on, and the baby started impersonating it. I almost died. We’ve done “death metal growls” and stuff before, but he just picked up on what Heilung were doing in the minute-long clip and kind of ran with it. Needless to say, I worry about how he’ll do at pre-school.

But at least he’ll have good taste.

Heilung are way up high on my gotta-see-at-Roadburn list, and they’ve got a bunch of other dates booked as well. All info follows, courtesy of the PR wire. Teaser is at the bottom:

heilung

HEILUNG Tease Forthcoming Album, ‘Futha’

HEILUNG will be releasing their next studio album, ‘Futha,’ on June 28 via Season of Mist. The band have released a poetic album teaser in advance of the release.

The band comments, “‘Futha’ was three years in the making and was finished in the dark, Danish midwinter. But after darkness comes light, after winter comes spring, after suffering comes relief, after ‘Ofnir’ comes ‘Futha.’ Here’s what the spirits has to say about it!”

On the meaning of the album title, HEILUNG explains: “The majority of full rune set inscriptions start with ‘Futha,’ and is known to us as the first four letters in all runic alphabets. It is considered that our forefathers saw magic potential in engraving the full rune line, but there is also great significance in the beginnings. Science has no key for the meaning of only engraving the first couple of letters yet, but there is, of course, a surplus of theories. One of the theories we found inspiration in, is that ‘Futha’ holds the meaning of fertility and female gender. As ‘Ofnir’ focused on war and masculine notions, the great healing power of female wild strength is evoked in Futha. Those who have been present at a birth or have seen lionesses hunting know the spirit, and we welcome and embrace it in the sounds that were born during the creation of ‘Futha.'”

More album details will be revealed soon. In the meantime, you can purchase merch and their last album, ‘Ofnir,’ HERE.

HEILUNG have previously announced a European tour in October and November this year. The tour will kick off on October 22nd in Warsaw (PL) and will end about a month later in Paris (FR). Find the full list of tour dates below.

HEILUNG Festival Performances 2019:
04/11: Tilburg (NL) @ Roadburn Festival
04/17: St. Petersburg (RU) @ Aurora
04/19: Moscow (RU) @ Arbat Hall
06/20: Copenhagen (DK) @ Copenhell Festival 2019 (Exact date TBA)
06/29: Helsinki (FI) @ Tuska 2019 (Exact date TBA)
08/18: Borre (NO) @ Midgardsblot 2019 (Exact date TBA)
09/07: Selb (DE) @ Mediaval Festival 2019 (Exact date TBA)
10/19: Hameln (DE) @ Autumn Moon Festival 2019 (Exact date TBA)

HEILUNG European tour:
10/22: Palladium (PL) @ Warschau
10/24: Berlin (DE) @ Admiralspalast
10/26: Essen (DE) @ Colosseum Theater
10/28: Munich (DE) @ Circus Krone
10/30: Prague (CZ) @ Hybernia
11/01: Halle (DE) @ Händelhalle
11/03: Vienna (AT) @ Der Globe
11/05: Zurich (CH) @ Volkshaus
11/07: Kiel (DE) @ Kieler Schloss
11/10: London (UK) @ Roundhouse
11/17: Brussels (BE) @ AB
11/20: Paris (FR) @ Elysée Montmartre

Line-up
Kai Uwe Faust
Christopher Juul
Maria Franz

https://www.facebook.com/amplifiedhistory
https://www.instagram.com/amplifiedhistory/
https://heilung.bandcamp.com/
https://www.facebook.com/seasonofmistofficial
https://www.twitter.com/seasonofmist
https://shopusa.season-of-mist.com

Heilung, Futha album teaser

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Review & Track Premiere: Saint Vitus, Saint Vitus

Posted in audiObelisk, Reviews on March 19th, 2019 by JJ Koczan

saint vitus saint vitus

[Click play above to stream ‘Bloodshed’ from Saint Vitus’ upcoming self-titled album, out May 17 on Season of Mist. They’re on tour in Europe starting next month (dates here).]

Some 35 years ago, Saint Vitus defied the punk scene to which they mostly played at the time and issued their self-titled debut, an all-black cover with the band’s logo emblazoned on top, as though there was nothing else to say. And the raw doom that pervaded that 1984 release met that same barebones standard — as purely derived Sabbathian heavy as has ever existed outside the forebears themselves. With an undercurrent of hardcore punk’s upfront middle-finger-raised confrontation-prone attitude, Saint Vitus became one of modern doom’s formative and essential acts. They’ve come and gone over the years since and changed members and shape, but Saint Vitus are still Saint Vitus, and that would seem to be the message of their second self-titled release.

Also their third outing for Season of Mist behind 2012’s comeback studio offering Lillie: F-65 (review here) and 2016’s Live Vol. 2 (review here), it immediately enters conversation with the band’s earliest days thanks as well to the return of vocalist Scott Reagers, who rejoined the band in 2015 after a split with Scott “Wino” Weinrich (The Obsessed, etc.) — who had fronted the band since their reunion began at Roadburn Festival in 2009 — thereby keeping the proportion of original members in the band to two, as guitarist Dave Chandler remains the core of the group, while drummer Henry Vasquez (also Blood of the Sun) marks a decade with the group and bassist Pat Bruders (also Down, ex-Crowbar) makes his first appearance. For Reagers, it’s his first time fronting Vitus for a studio record since 1995’s Die Healing (discussed here), which was the band’s final LP until the 2012 reunion release. That makes the new Saint Vitus — a candidate for all manner of nicknames taken from its cover art, whether it’s ‘The Fog Album,’ ‘The Murk Album’ (I like that one), ‘Grey Vitus’ or any number of others — all the more an event than it even would be arriving seven years after Lillie: F-65, and as it brings the band back together with producer Tony Reed (also of Mos Generator), its nine-track/41-minute run succeeds both in capturing the feel of classic Vitus and pushing their sound to places it hasn’t yet gone in the 40 years they’ve been a band.

Two examples to that point, both late in the album: “City Park” and “Useless.” Following the swaying noise/crashfest of “Hour Glass,” “City Park” is not at all the first time Chandler has taken on the vocalist position in the band — one recalls “Just Another Notch” from Die Healing and “A Timeless Tale” from 1992’s C.O.D. (discussed here), as well as “When Emotion Dies” from 1990’s landmark V, and so on — and of those, it’s probably most akin to “When Emotion Dies,” but “City Park” is on a different mission. Its noise is set to the purpose of atmospherics and drama in a way that Saint Vitus have never done before, and Chandler‘s spoken word, almost a whisper, is dark and narrative and backed by guitar noise in an experimentalist way that makes the four-minute piece much more than just an introduction to the subsequent “Last Breath,” which serves as a six-and-a-half-minute culmination of Saint Vitus‘ doomed persona, with a signature riff and lumbering groove and Reagers telltale vibrato over top.

“City Park” sets out to embody that murk on the cover, that feeling of unease of being alone someplace in the darkness with a shapeless and probably imaginary malevolence. “It might be illusion,” Chandler speculates. Indeed it might, but “City Park” is one example of Saint Vitus trying something new for them. At the same time, after “Last Breath” has answered back to the filthy churn and tension of album-opener “Remains” — sure to be a crowd-pleaser — a feedback introduction to album finale “Useless” takes up 13 of a total 91 seconds of what’s both the fastest and most outwardly punk rock song Saint Vitus have ever written. Gang shouts, blazing speed, and a social comment lyric that reminds of early C.O.C., it’s a stripped-raw moment of thrust that, especially in the context of the band’s four decades, seems to be done in good humor. One can almost imagine Chandler introducing it from the stage: “Well it took us 40 years, but we finally wrote a punk song.”

saint vitus

Saint Vitus are no strangers to playing fast. The eponymous track that opened the self-titled is a prime example, or even “Blessed Night” from the last record, but “Useless” goes a step further in a very similar way that “City Park” takes what they’ve done before and brings it to a new level. Even the earlier “A Prelude To…” — which is actually longer than “Bloodshed,” which it would seem to have been composed to introduce — steps beyond the limits of what one might expect from them, with a minimalist creeper of a guitar line and a vocal showcase from Reagers that drifts to about the 2:20 mark before Bruders‘ bassline enters to begin the introduction to “Bloodshed” in earnest. And while “Bloodshed” — arguably the most outwardly catchy inclusion here — and the subsequent “12 Years in the Tomb” both have good speed to their push, the latter finding Chandler taking a particularly noisy solo as Vasquez dutifully holds the track together, they’re still well within Saint Vitus‘ wheelhouse.

Likewise, the mid-tempo centerpiece “Wormhole” — which would seem to be a complement/update in lyrical theme to the opiate-minded “White Stallions” from 1985’s Hallow’s Victim, the band’s second record and the last of Reagers‘ original run with them — does well in fusing faster and slower methods and brings nuance of layered vocals in the verses to standout lines like, “I always feel safe in a sacred place/Far away from the human race,” emphasizing a perspective that is no less quintessentially Vitus than Chandler‘s ultra-low guitar tone, which is not only intact throughout these songs, but reestablished as the foundational component that it is of everything they’ve ever done. Especially as this is the first Saint Vitus full-length not to feature original bassist Mark Adams — whose Parkinson’s diagnosis was revealed last year — Chandler seems all the more the center of what makes the band who they are. That doesn’t, however detract from Reagers‘ performance across this material, as from “Remains” to “Useless” (notwithstanding “City Park”), he brings the most classic feel to the material that ties together the album’s diverse presentation. He surfs the groove of “Bloodshed” like a master and is no less at home among the filth and sleaze of “Hour Glass” than in the lurching final verse of “Last Breath.”

Thus it is a two-pronged righteousness to be found on Saint Vitus‘ Saint Vitus. They bring to bear the sound that’s made their legacy span generations as it has while also pushing themselves to try ways of working they’ve never done before. It’s difficult to look at this album out of the context of Saint Vitus‘ past output, but I’m not entirely sure we’re supposed to. Rather, even the title — or lack thereof — seems to hint at the band coming full circle, both in terms of Chandler and Reagers re-teaming for a studio album, for their ongoing flirtations with punk, and for their reclamation of the style and tone that was so much their own from the very start. Saint Vitus‘ Saint Vitus could stand alone, but it doesn’t have to, and especially considering how much the band has done to shape modern doom, it is all the more admirable that the creative restlessness that drove their earliest days would still be so vibrant these many years later. Why rest on your laurels when you can fully embody the miseries and disaffection of our age?

Saint Vitus, “12 Years in the Tomb”

Saint Vitus on Thee Facebooks

Saint Vitus on Twitter

Saint Vitus Tumblr

Saint Vitus website

Season of Mist on Thee Facebooks

Season of Mist on Twitter

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Season of Mist website

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Saint Vitus Announce Self-Titled LP out May 17

Posted in Whathaveyou on February 27th, 2019 by JJ Koczan

saint vitus

Saint Vitus have never been much for following the rules, so hey, 35 years after making an absolute doom metal landmark in their 1984 self-titled debut, why not put out a new, also-self-titled album with original vocalist Scott Reagers back in the band? Season of Mist, which has been the band’s label home since their 2012 comebacker, Lillie: F-65 (review here), will stand behind the new offering — recorded, like its predecessor, by Tony Reed — and the band will support it on a month-long European tour beginning in April, celebrating the 40th anniversary of the band.

They’re streaming the track “12 Years in the Tomb” right now and as you can hear at the bottom of this post, the deranged style of founding guitarist Dave Chandler and Reagers‘ vocals sound like long lost friends finding each other after years apart. And so they are.

Album’s out May 17. Preorders are up now from the label, which posted the following:

saint vitus saint vitus

Saint Vitus – Saint Vitus

Taken from the album “Saint Vitus”. Release date: May 17, 2019. Order here: http://smarturl.it/SaintVitusShop

Seven years after their epic comeback album, ‘Lillie: F-65’ (2012), legendary doom metal trailblazers SAINT VITUS return with their eponymous new album. The band sees the return of their original vocalist, Scott Reagers, as well as the addition of new bassist Pat Bruders (DOWN, ex-CROWBAR), who join long-time drummer Henry Vasquez and founder/guitarist Dave Chandler. As if in a time machine, the seasoned quartet pick up where their 1985 classic ‘Hallows Victim’ left off. Saint Vitus delivers nothing less than the truest and most enduring representation of original and fundamental doom metal.

Tracklisting:
1. Remains
2. A Prelude to…
3. Bloodshed
4. 12 Years In The Tomb
5. Wormhole
6. Hour Glass
7. City Park
8. Last Breath
9. Useless

Recording: Heavyhead Recording co. Port Orchard, WA (US)
Producer/sound engineer: Tony Reed

SAINT VITUS ’40 F’N Years’ European Tour 2019:
w/ special guest Dopelord unless noted
Apr 3 Gothenburg (SE) @ Sticky Fingers
Apr 4 Stockholm (SE) @ Debaser Strand
Apr 6 Jyväskylä (FI) @ Lutakko
Apr 7 Helsinki (FI) @ On The Rocks
Apr 9 Oslo (NO) @ Blaa
Apr 10 Copenhagen (DK) @ Pumpehuset
Apr 11 Berlin (DE) @ So36
Apr 12 Hamburg (DE) @ Headcrash
Apr 13 Bomal-Sur-Ourthe (BE) @ Durbuy Rock Festival
Apr 14 Dortmund (DE) @ Junkyard
Apr 15 Cologne (DE) @ Luxor
Apr 17 Birmingham (UK) @ Mama Roux
Apr 18 Leeds (UK) @ Brudenell
Apr 19 Glasgow (UK) @ Audio
Apr 20 London (UK) @ The Underworld Camden
Apr 21 Paris (FR) @ Petit Bain
Apr 23 Nantes (FR) @ Le Ferrailleur
Apr 24 Toulouse (FR) @ Le Rex
Apr 25 Barcelona (ES) @ Boveda
Apr 26 Madrid (ES) @ Copernico
Apr 27 Barroselas (PT) @ Swr Metalfest
Apr 28 Bilbao (ES) Kafé @ Antzokia
Apr 20 Fribourg (CH) @ Fri-Son*
May 1 Milan (IT) Circolo @ Circolo Magnolia
May 2 Zurich (CH) @ Dynamo*
May 3 Karlsruhe (DE) @ Dudefest
May 4 Leipzig (DE) @ Ut Connewitz
*No Dopelord

BAND LINE-UP:
David Chandler (guitar)
Scott Reagers (vocals)
Henry Vasquez (drums)
Pat Bruders (bass)

https://www.facebook.com/saintvitusofficial
https://twitter.com/saintvitusband
http://saint-vitus.tumblr.com/
http://www.saintvitusband.com/
https://www.facebook.com/seasonofmistofficial
https://www.twitter.com/seasonofmist
http://instagram.com/seasonofmistofficial
http://www.season-of-mist.com/

Saint Vitus, “12 Years in the Tomb”

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Saint Vitus Tease New Album; Headed Back to Europe in 2019

Posted in Whathaveyou on December 10th, 2018 by JJ Koczan

saint vitus

Could it be a Spring 2019 release for a new Saint Vitus album and the band’s first to be fronted by Scott Reagers since 1995’s Die Healing? Well, I mean, yeah, it could. A March or April release is well enough time away for Season of Mist to get the promo-whatnot rolling for it, and the three words I’m keying into in the band’s short tour announcement below as snagged from social media are: “NEW RECORD READY.” I like the sound of that. Does that mean the thing will necessarily show up in time for the April 3 start of the European run? Not at all. But it means it’s possible, and I’ll take that for the time being.

Vitus celebrate 40 years in 2019, and if you missed word when the band put it out, original bassist Mark Adams has been diagnosed with Parkinson’s Disease and a GoFundMe has been set up to help with his medical expenses. Donate here: https://www.gofundme.com/mark-adams-parkinson039s-disease

More on the next Vitus LP when I hear it. Here are the tour dates in the meantime:

saint vitus tour

SAINT VITUS announce headlining European tour

SAINT VITUS have announced new European live dates for April and May 2019. A full list of confirmed shows for the ’40 F’N Years’ trek can be found below.

“NEW RECORD READY TO BLOW YOUR FACE OFF!!!!!!” – Saint Vitus

SAINT VITUS ’40 F’N Years’ European Tour 2019:
w/ special guest Dopelord unless noted
Apr 3 Gothenburg (SE) @ Sticky Fingers
Apr 4 Stockholm (SE) @ Debaser Strand
Apr 6 Jyväskylä (FI) @ Lutakko
Apr 7 Helsinki (FI) @ On The Rocks
Apr 9 Oslo (NO) @ Blaa
Apr 10 Copenhagen (DK) @ Pumpehuset
Apr 11 Berlin (DE) @ So36
Apr 12 Hamburg (DE) @ Headcrash
Apr 13 Bomal-Sur-Ourthe (BE) @ Durbuy Rock Festival
Apr 14 Dortmund (DE) @ Junkyard
Apr 15 Cologne (DE) @ Luxor
Apr 17 Birmingham (UK) @ Mama Roux
Apr 18 Leeds (UK) @ Brudenell
Apr 19 Glasgow (UK) @ Audio
Apr 20 London (UK) @ The Underworld Camden
Apr 21 Paris (FR) @ Petit Bain
Apr 23 Nantes (FR) @ Le Ferrailleur
Apr 24 Toulouse (FR) @ Le Rex
Apr 25 Barcelona (ES) @ Boveda
Apr 26 Madrid (ES) @ Copernico
Apr 27 Barroselas (PT) @ Swr Metalfest
Apr 28 Bilbao (ES) Kafé @ Antzokia
Apr 20 Fribourg (CH) @ Fri-Son*
May 1 Milan (IT) Circolo @ Circolo Magnolia
May 2 Zurich (CH) @ Dynamo*
May 3 Karlsruhe (DE) @ Dudefest
May 4 Leipzig (DE) @ Ut Connewitz
*No Dopelord

BAND LINE-UP:
David Chandler (guitar)
Scott Reagers (vocals)
Henry Vasquez (drums)
Pat Bruders (bass)

https://www.facebook.com/saintvitusofficial
https://twitter.com/saintvitusband
http://saint-vitus.tumblr.com/
http://www.saintvitusband.com/
https://www.facebook.com/seasonofmistofficial
https://www.twitter.com/seasonofmist
http://instagram.com/seasonofmistofficial
http://www.season-of-mist.com/

Saint Vitus, Die Healing (1995)

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Weedeater Announce December Tour Dates; Out with C.O.C. & Crowbar in Jan./Feb.

Posted in Whathaveyou on November 20th, 2018 by JJ Koczan

weedeater

You know the drill by now. Weedeater, touring. Isn’t that just kind of the state of things at this point? Already announced as taking part in a significant chunk of Corrosion of Conformity‘s upcoming run alongside Crowbar and Mothership in January and February, the band has newly unveiled a quickie stint in December that one assumes they’re undertaking in order to help with the expense of holiday shopping? They’re not making their way to a fest or anything, but in all seriousness, I think touring is how Weedeater eat (both weed and actual food, which may or may not contain more weed) at this point, so yeah, they’re sneaking in a few more dates before 2018 ends. This year has already seen them in Europe and across the US, found them hit with tragedy at the passing of drummer Carlos Denogean and beheld their apparent unstoppability in the wake of that. Why wouldn’t they hit the road again for a sweep up to Philly? Maybe they’re big Gritty fans. I know I am.

Stop me if you’ve heard this one before — and yes, you have — but here are some Weedeater tour dates from the PR wire:

weedeater dec tour

WEEDEATER announce extensive US tour

Notorious southern metal outfit WEEDEATER have announced an extensive US tour. The trio will undertake a short run of East Coast headline dates in December before joining CORROSION OF CONFORMITY on January 19 to begin a US Tour. A full list of confirmed dates can be found below.

All of WEEDEATER’s albums are now available at fine stores nationwide and online at the WEEDEATER Bandcamp page.

WEEDEATER was formed by front-man/bassist “Dixie” Dave Collins. Following the release of their 2001 debut ‘…And Justice For Y’All’, WEEDEATER immediately established themselves as a force in the U.S. tour circuit and quickly gained notoriety in the American metal scene. In the time since, the band have released three critically-acclaimed albums: ‘Sixteen Tons’ (2002), ‘God Luck And Good Speed’ (2007), and ‘Jason… The Dragon’ (2011), and toured around the world with the likes of DOWN, SAINT VITUS, HIGH ON FIRE, and THE MELVINS, HANK III, EARTH, SUNN O))) and more. The band has played prestigious festivals such as Maryland Deathfest, Hopscotch Festival, Stoned From The Underground, Asymmetry Festival, Roadburn Festival, Hellfest, and many more.

WEEDEATER TOUR DATES
Dec. 5 Chesapeake, VA @ Riffhouse
Dec. 6 Lancaster, PA @ Lizard Lounge
Dec. 7 Pittsburgh, PA @ Cattivo
Dec. 8 Baltimore, MD @ Metro Gallery
Dec. 9 Philadelphia, PA @ Kung Fu Necktie

WEEDEATER W/ C.O.C., CROWBAR & MOTHERSHIP:
Jan. 19 San Antonio, TX @ Alamo City Music Hall
Jan. 20 Oklahoma City, OK @ Diamond Ballroom
Jan. 21 Kansas City, MO @ Riot Room
Jan. 22 Denver, CO @ Gothic Theater
Jan. 24 Phoenix, AZ @ Crescent Ballroom
Jan. 25 Las Vegas, NV @ Fremont Country Club
Jan. 26 San Diego, CA @ Brick By Brick
Jan. 27 Los Angeles, CA @Teragram Ballroom
Jan. 29 San Francisco, CA @ Slims
Jan. 31 Portland, OR @ Hawthorne Theater
Feb. 1 Seattle, WA @ Neumos
Feb. 2 Vancouver, BC @ Rickshaw Theater
Feb. 4 Edmonton, AB @ Starlite Room
Feb. 5 Calgary, AB @ Marque
Feb. 7 Winnipeg, MB @ Park Theater
Feb. 8 Minneapolis, MN @ Fine Line
Feb. 9 Chicago, IL @ Bottom Lounge
Feb. 10 Flint, MI @ Machine Shop
Feb. 12 Cleveland, OH @ Beachland Ballroom
Feb. 13 New York City, NY @ Gramercy Theater

https://www.facebook.com/weedmetal/
https://weedeater.bandcamp.com/
https://www.twitter.com/seasonofmist
https://www.facebook.com/seasonofmistofficial
http://www.season-of-mist.com/

Weedeater, Goliathan (2015)

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