Sólstafir Play Two Nights in Tokyo; Euro Tour Next Month

Posted in Whathaveyou on September 1st, 2015 by H.P. Taskmaster

solstafir

Globetrotting Icelanders Sólstafir are playing Japan this week in support of their 2014 Season of Mist release, Ótta (review here), which as we come to the end of summer 2015 has been on my mind with the lingering threat of colder weather. The band have been touring their collective arse off for Ótta, playing in Europe and North America, where they’re basically introducing people to who they are and what they do — I’ll make no attempts to claim I’m Johnny Groundfloor; this spring was my first time seeing them too — but as processes go, that one seems to be going well. I would not be surprised to have them come back to the States before they do another record, but after Japan it’s Europe next on deck, so we’ll just have to see what winter brings.

Other than a massive amount of repeat listens for Ótta, that is. Sorry, but some records are just made for low temperatures.

This, from the PR wire:

solstafir euro tour

SOLSTAFIR kick off tour dates in Japan

Enigmatic Icelandic rock band SOLSTAFIR have kicked off a trek to Japan tonight, where the band are performing two exclusive dates in Tokyo alongside British progressive legends, ANATHEMA. The Japanese tour dates see the band perform ahead of their previously announced European tour alongside MONO and THE OCEAN, taking place later this October. A full list of confirmed tour dates can be found below.

SOLSTAFIR are touring in support of their critically acclaimed new album , ‘Otta’. The album is streaming here, and is available now at the Season of Mist E-shop.

SOLSTAFIR Japanese tour dates:
8/31 Tokyo, JP @ Liquid Room w/ANATHEMA
9/1 Tokyo, JP @ Liquid Room w/ANATHEMA
SOLSTAFIR European tour dates:
10/12 Aarhus, DK @ Voxhall
10/13 Oslo, NO @ Vulkan Arena
10/14 Stockholm, SE @ Debaser Medis
10/18 St. Petersburg, RU @ Zhal Ozhidaniya
10/19 Moscow, RU @ Volta
10/21 Vilnius, LI @ NEW YORK
10/22 Warsaw, PL @ Proxima
10/23 Berlin, DE @ Heimathafen
10/24 Leeuwarden, NL @ Into the Void Fest
10/26 Cologne, DE @ Live Music Hall
10/27 Wiesbaden, DE @ Schlachthof
10/28 Munich, DE @ Backstage
10/29 Bologna, IT @ Locomativ
10/30 Mezzago, IT @ Bloom
10/31 Lyon, FR @ CCO Villeurbanne
11/02 Toulouse, FR @ Metronum
11/03 Lausanne, CH @ Les Docks
11/04 Zurich, CH @ Harterei
11/05 Paris, FR @ Trabendo
11/06 London, UK @ Electric Ballroom
11/07 Leeds, UK @ Damnation Fest

http://solstafir.bandcamp.com/album/tta
https://www.facebook.com/solstafirice
https://www.facebook.com/seasonofmistofficial

Sólstafir, Ótta (2014)

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GIVEAWAY: Enter to Win a Weedeater T-Shirt and Free Goliathan CD!

Posted in Features on August 19th, 2015 by H.P. Taskmaster

weedeater-obelisk-admat-FIX

[TO ENTER GIVEAWAY: Leave a comment on this post with your email address in the form. You’ll be contacted at that address if you win.]

Free Weedeater. It’s an idea whose time has come. The North Carolina trio just wrapped an East Coast tour with Kings Destroy in support of their new album, Goliathan (review here), which is their fifth long-player and their first for Season of Mist, and today I’m thrilled to be able to host this giveaway for a Goliathan CD and t-shirt!

You know the protocol by now, just enter by leaving a comment on this post and a week from now (or thereabouts) I’ll dig through and pick a name and an email address at random and notify the winner. It’s not necessarily a formal contest, but if you wanted to name your favorite Weedeater album title puns/wordplays in the comment, that might be taken into account when the winners are chosen. At very least it gives you something to put in the comment.

Just for easy reference, here they are:

  • …and Justice for Y’all
  • Sixteen Tons (not really wordplay, but still a cool title)
  • God Luck and Good Speed
  • Jason… the Dragon
  • Goliathan

All of the above were reissued last year by Season of Mist as well. If you haven’t heard Goliathan yet, Weedeater‘s latest swampsterpiece is a high point in their sludgy assault, new drummer Travis Owen (ex-Artimus Pyledriver) fitting right in alongside bassist/vocalist “Dixie” Dave Collins and guitarist Dave “Shep” Shepherd. Tracks like the weirdo banjo blues “Battered and Fried” and the full-tonal thrust of “Bow Down” find the band toying with expectation like so many beaten livers, and the result across the board is a record both entirely their own and pushed further than ever before into that strange, malevolent world they create.

Sound like something you’d want to win? It is. Have at it. God luck to all who enter, and good speed to Season of Mist for letting me host the giveaway.

[TO ENTER GIVEAWAY: Leave a comment on this post with your email address in the form. You’ll be contacted at that address if you win.]

Weedeater, Goliathan (2015)

Weedeater on Thee Facebooks

Weedeater at Season of Mist

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Der Weg einer Freiheit Announce US Tour Dates

Posted in Whathaveyou on August 5th, 2015 by H.P. Taskmaster

der weg einer freiheit

Touring to support their third album, Stellar, German black metallers Der Weg einer Freiheit will come to American shores for the first time next month. The tour focuses on the East Coast and hits into the Midwest, but the roundout gig at the Saint Vitus Bar in Brooklyn has to be a focal point. They’ll be joined for the run by labelmates Barishi, and there’s still one date yet to be announced, so I guess if you’re somewhere between Chicago and Rochester, NY — here’s looking at you, Pittsburgh — it might be a good time to reach out.

The PR wire brings details:

der weg einer freiheit us tour

DER WEG EINER FREIHEIT announce first-ever US tour

German underground black metal visionaries DER WEG EINER FREIHEIT have announced their first-ever US tour. The tour, which begins on September 24 in Allentown, PA will see the band travel throughout the American east coast before concluding on October 7 in Brooklyn, NY. The tour sees the band joined by newly-signed label mates BARISHI. A full list of confirmed tour dates can be found below.

DER WEG EINER FREIHEIT are touring in support of their ambitious new album, ‘Stellar’.

Established in 2009, DER WEG EINER FREIHEIT have since made waves across the underground black metal scene in Germany with the release of two full length albums and well-received Eps in between. In their short time as a band, DER WEG EINER FREIHEIT has already toured alongside SHINING, ENSIFERUM, THE OCEAN, and more, and already performed at several festivals in Europe including Graspop, Summer Breeze Open Air, Hellfest, Blastfest, With Full Force Open Air, Barther Metal Open Air and Wolfszeit Festival.

“[DER WEG EINER FREIHEIT is] the future of German Extreme-Metal” – Mille Petrozza, Kreator

DER WEG EINER FREIHEIT tour dates:
9/24 Allentown, PA @ Good Weekend
9/25 Chesapeake, VA @ Riffhouse Pub
9/26 Raleigh, NC @ The Maywood
9/27 Charlotte, NC @ Tremont Music Hall
9/28 Atlanta, GA @ The Earl
9/29 Nashville, TN @ The End
9/30 St. Louis, MO @ Fubar
10/01 Madison, WI @ Willy Street Bar and Grill
10/02 Chicago, IL @ Reggie’s Rock Club
10/03 TBA
10/04 Rochester, NY @ Bug Jar
10/05 Burlington, VT @ Nectar’s
10/06 Allston, MA @ O’Brien’s Pub
10/07 Brooklyn, NY @ Saint Vitus Bar

http://www.derwegeinerfreiheit.de/
https://www.facebook.com/derwegeinerfreiheit
https://www.facebook.com/events/1648815962029459/
http://derwegeinerfreiheit.bandcamp.com/album/stellar
http://www.season-of-mist.com/
https://www.facebook.com/stardustnyc

Der Weg einer Freiheit, Stellar (2015)

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Kylesa to Release Exhausting Fire on Oct. 2

Posted in Whathaveyou on July 30th, 2015 by H.P. Taskmaster

kylesa

Yeah, yeah, Kylesa have a new album coming, that’s very cool. Look at that frickin’ list of tour dates! Kylesa don’t need to be touring like that at this point. I mean, there are breaks in there, but if they wanted, the Savannah, Georgia, outfit could probably take it down a little bit in terms of the road work. People know who they are, have a pretty good idea of what they do — as much as one can as regards Kylesa from one album to the next — so it’s not like they’re going door-to-door-punk-rock spreading the word two ears at a time. Point is it looks like a lot of shows. I guess they’ve found a way to make it sustainable. Not everyone does.

And while the album title Exhausting Fire — which is the follow-up to 2013’s Ultraviolet (review here) — doesn’t do much to capture the energy they bring to the stage, no doubt it will prove of its own merit, Kylesa having yet to stagnate in what seems a creative progression as unrelenting as their touring cycle.

The PR wire brings album details, tour dates and the new song “Lost and Confused” for previewy enjoyment:

kylesa exhausting fire

KYLESA announce new album, ‘Exhausting Fire’

Savannah’s genre-defying quintet KYLESA have announced a new album titled ‘Exhausting Fire’, to be released by Season of Mist on Oct. 2. The band are streaming the first track from the new record titled “Lost and Confused.” Pre-orders for ‘Exhausting Fire’ will be available across several CD and LP formats at the Season of Mist E-Shop.

Regarding the new album, KYLESA vocalist/guitarist Phil Cope comments: “‘Exhausting Fire’ is an album we really put our hearts on our sleeves for. We’ve always done that, but emotionally, it’s probably the most honest and raw album we’ve ever done.”

Guitarist/vocalist Laura Pleasants continues, “No band sounds like us and we don’t sound like any other band. After all these years of experimenting with different styles and sounds, we’ve really developed our own thing and I can faithfully say that we sound like us. With this album, we’ve successfully made a record that incorporates all the elements we’ve always played with into a record that works on its own.”

The album artwork and track list for ‘Exhausting Fire’ can be found below:

Track List:
1. Crusher
2. Inward Debate
3. Moving Day
4. Lost and Confused
5. Shaping The Southern Sky
6. Falling
7. Night Drive
8. Blood Moon
9. Growing Roots
10. Out Of My Mind
11. Paranoid (bonus track)

KYLESA have announced a tour across the U.S. The tour, which begins on August 29 sees the band traveling throughout August and September, before concluding in Seattle on November 22.

KYLESA tour dates:
8/29 Durham, NC @ Motorco
8/31 Charlottesville, Va @ The Southern
9/1 New York, NY @ Gramercy Theater
9/2 Montreal, QC @ Cafe Campus
9/3 Toronto, ON @ Mod Club Theater
9/4 Chicago, IL @ Reggie’s
9/5 St. Louis, MO @ Ready Room
9/6 Louisville, KY @ Zanzabar
9/7 Augusta, GA @ Sky City
10/6 St. Petersburg, FL @ State Theatre
10/7 Miami, FL @ Grand Central
10/8 Orlando, FL @ The Social
10/9 Savannah, GA @ Jinx
10/10 Asheville, NC @ New Mountain
10/13 Columbus, OH @ The Basement
10/14 Grand Rapids, MI @ Pyramid Scheme
10/16 Cleveland, OH @ Grog Shop
10/17 Pittsburgh, PA @ Altar Bar
10/19 Boston, MA @ Brighton Music Hall
10/20 Philadelphia, PA @ Black Box @ Underground Arts
10/23 Richmond, VA @ The Broadberry
10/24 Washington, DC @ Rock & Roll Hotel
10/25 Atlanta, GA @ The Drunken Unicorn
11/6 Pomona, CA @ The Glass House
11/7 Los Angeles, CA @ The Fonda Theatre
11/8 San Francisco, CA @ The Fillmore
11/10 San Diego, CA @ The Irenic
11/11 Phoenix, AZ @ Club Red
11/13 Austin, TX @ Red 7
11/14 Houston, TX @ Warehouse Live
11/15 Dallas, TX @ The Prophet Bar
11/17 Colorado Springs, CO @ The Black Sheep
11/18 Denver, CO @ Summit Music Hall
11/19 Salt Lake City, UT @ The Complex
11/20 Boise, ID @ Neurolux
11/21 Portland, OR @ Hawthorne Theatre
11/22 Seattle, WA @ The Crocodile
11/6 Pomona, CA @ The Glass House
11/7 Los Angeles, CA @ Fonda Theater
11/8 San Francisco, CA @ The Filmore
11/10 San Diego, CA @ The Irenic
11/11 Phoenix, AZ @ Club Red
11/13 Austin, TX @ Red 7
11/14 Houston, TX @ Warehouse Live
11/15 Dallas, TX @ Prophet Bar
11/17 Colorado Springs, CO @ Black Sheep
11/18 Denver, CO @ Summit Music Hall
11/19 Salt Lake City UT @ The Complex
11/20 Boise, ID @ Neurox
11/21 Portland, OR @ Hawthrone Theater
11/22 Seattle, WA @ Crocodile

http://shopusa.season-of-mist.com/predefined-search?id_list=65
https://www.facebook.com/KYLESAmusic
http://season-of-mist.com/

Kylesa, “Lost and Confused”

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Wildlights Premiere “Lights Out” from Self-Titled Debut

Posted in audiObelisk on July 15th, 2015 by H.P. Taskmaster

wildlights

North Carolina two-piece Wildlights will no doubt earn a comparison or two to their Season of Mist labelmates in Floor with tracks like “Hellfire Forever” and “Onward Upward” from their impending self-titled debut full-length, out Aug. 21 via the aforementioned, but neither is that the beginning and end of their sonic sphere. Comprised of guitarist/vocalist Jason Shi of ASG and ThunderlipsJohnny Collins on drums, the duo hit on a blend of upbeat vibes, resonant melodies and weighted groove that find a middle-ground between accessibility and weight. Shi‘s vocals are immediately identifiable for anyone who’s listened to ASG — and perhaps they’re an underappreciated distinguishing factor in that group as well — but the dynamic in Wildlights is on its own trip, shorter cuts like “Lights Out” and the airier-into-a-big-finish closer “Big Frontier” shooting for unabashed catchiness in their hooks, while “New Year Repeat” and the earlier “Snow Song” add arrangement flourishes via a quiet guitar line at the start and an organ (or organ-sounding) finish, respectively.

Worth mentioning plainly is the production of Matt Hyde (Monster Magnet, Slayer, etc.), whose crispness in the guitar and drums suits Wildlights‘ presentation remarkably well. wildlights wildlightsCuts throughout the 12-track/41-minute release are relatively short — “Hellfire Forever” is the longest at 4:33 — but for the kind of efficiency they’re looking to convey, it wouldn’t work if they weren’t, and while still vinyl-ready in its runtime, it’s not as though the album is lacking substance. As it is, small shifts like the tempo change of “Climb in the Throne” and the departure from the early rush of “Anchors” and “Rebel Smiles” that “Part of the Sea” brings with its winding riff feed into each other over the course of the front-to-back listen, and Wildlights proves to be more of a full-album experience than it at first seems, as memorable as individual tracks and parts can be over its span. At their root, Shi and Collins benefit from the songwriting experience both have and execute a record that seems barebones because its structures are so apparent and so much of the appeal but also has a considerable amount of atmosphere to go with, immersing the listener almost before they know what’s happened.

By way of evidence, I have the pleasure of hosting the premiere today for “Lights Out.” One of four cuts on WildlightsWildlights under three minutes long, it nonetheless engages with its heft, the tonal presence of Shi‘s guitar and the push of Collins‘ drums. Please find it on the player below, followed by more info from the PR wire, and enjoy:

WILDLIGHTS’ brand of hard rock is truly timeless. Featuring ASG’s Jason Shi and THUNDERLIP!s’ Johnny Collins, their direct, honest sound draws equally from the driving, melodic, SoCal-spawned skate/desert rock and the heavy, blues-based sound of the South. Their self-titled, Matt Hyde (PORNO FOR PYROS, MONSTER MAGNET, FU MANCHU, SLAYER) produced album shines with stunning tracks like “Rebel Smiles”, “Anchors”, “Lights Out”, “Lions”, “Part of the Sea” and more. More than just a mere collection of tracks, WILDLIGHTS is a soundtrack to life that resonates hope.

Track List:
1. Anchors
2. Rebel Smiles
3. Part of the Sea
4. Snow Song
5. Hellfire Forever
6. Pictures
7. Onward Upward
8. Lights Out
9. New Year Repeat
10. Climb in the Throne
11. Lions
12. Big Frontier

Line-up:
Jason Shi (ASG)- Vocals, Guitars
Johnny Collins (Thunderlip) – Drums

Release Date: August 21st

Wildlights on Thee Facebooks

Preorder at Season of Mist

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Video Surfaces of Saint Vitus with Scott Reagers — “Born too Late” Live in Austin

Posted in Bootleg Theater on June 3rd, 2015 by H.P. Taskmaster

saint vitus with scott reagers

I’m going to be honest: I can’t even pretend to know what’s going to happen with Saint Vitus at this point. The legendary doomers are currently two nights deep into a European tour that will carry them to and through Hellfest in Clisson, France, later this month, and following the arrest in Norway last fall of vocalist Scott “Wino” Weinrich (he of Wino Wednesday fame), they’re touring as the four-piece of guitarist Dave Chandler, vocalist Scott Reagers, bassist Mark Adams and drummer Henry Vasquez, which actually puts them as close to their original lineup as they can get after the 2010 passing of founding drummer Armando Acosta. Nonetheless, how permanent any of this is, with Reagers stepping in for Wino in the frontman role, what the band’s plans are and whether or not they’ll follow-up studio comeback, Lillie: F-65 (review here), which was released in 2012 on Season of Mist, I simply have no idea.

As a fan of the band, it’s exciting to have Reagers back singing for them much as it was exciting to have Wino singing for them when they first got back together in 2009. Their 1984 self-titled debut is a watershed moment in American doom — as pivotal, essential a release as anything the genre produced before or since — and to think of Reagers singing “Saint Vitus” and “White Magic/Black Magic” again makes it easy enough to get on board. Minus “The Psychopath,” that entire album was aired at Vitus‘ tour-kickoff on May 23 at Red 7 in Austin, Texas, as well as cuts from 1985’s sophomore outing, Hallow’s Victim and their 1995 post-Wino/post-Chritus Linderson/pre-Wino reunion with ReagersDie Healing. 1995, incidentally, was the last time the band performed with Reagers up front. Two decades ago. Here’s the setlist as reported to the interwebs:

Dark World
One Mind
Zombie Hunger
War is Our Destiny
White Magic/Black Magic
Trail of Pestilence
White Stallions
Burial at Sea
Look Behind You
Mystic Lady
Saint Vitus
Born too Late

Of those, only “Look Behind You” and “Born too Late” were originally vocalized in the studio by Wino, so Chandler and company have definitely shifted their focus, but as the clip below shows, Reagers is readily able to take on the anthem as well that has become so much a signature of Vitus and what they represent. If you’re one for bootlegs, there’s a killer version of Reagers singing “Born too Late” on Let the End Begin — one of the band’s several not-quite-official live albums — and here’s how he handles it nowadays:

Saint Vitus, “Born too Late” live in Austin, TX, May 23, 2015

SAINT VITUS European Tour 2015:
June 1 Livorno, IT @ The Cage
June 2 Bologna, IT @ Alchemia
June 3 Giavera del Montello, IT @ Benicio Live
June 4 Innsbruck, AT @ Weekender Club
June 5 Wien, AT @ Rock in Vienna
June 6 Zagreb, HR @ Vintage Industrial Bar
June 7 Beograd Stari Grad, RS @ Dom omladine Beograda
June 8 Budapest, HU @ A38
June 9 Prague, CZ @ Modra Vopice
June 10 Warsaw. PL @ Hydrozagadka
June 12 Talinn, EE @ Rockclub Tapper
June 13 Helsinki, FL @ Nosturi
June 14 Tampere, FL @ Klubi
June 16 Oslo, NO @ Blå
June 17 Götebor, SE @ Truckstop Alaska
June 18 København, DK @ Copenhell
June 19 Deventer, NL @ BWH
June 21 Clisson, FR @ Hellfest Open Air – The Valley

Saint Vitus on Thee Facebooks

Saint Vitus website

Season of Mist

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Weedeater, Goliathan: Battered and Fried

Posted in Reviews on June 2nd, 2015 by H.P. Taskmaster

weedeater-goliathan

For those who would be inclined to do so, there are really two ways to take on listening to Weedeater at this stage in their career. One can take a record like the 10-track/34-minute Goliathan, the fifth full-length of their 17-year tenure, first for Season of Mist and first with drummer Travis “T-Boogie” Owen, as a primer for the live experience. No doubt that’s where the hard-touring Wilmington, North Carolina, outfit has always made their primary impact both sonically and as a spectacle, guitarist Dave “Shep” Shepherd calmly oozing tone on one side of the and bassist/vocalist “Dixie” Dave Collins bugs out his eyes and lets loose both a wave of consuming low-end and a visceral rasp, stomping his foot, banging his head, pounding whiskey, and just maybe vomiting, all the while. One can listen to tracks like “Cain Enabler,” “Goliathan” and “Claw of the Sloth” and imagine the riots incited by the band, who’ve been on the road since long before anyone showed up to see them and have the presence to show for it, up to and including Owen‘s turned-sideways kit as part of the show. One can take Goliathan on that level and be stoked to see Weedeater the next time they roll through. I won’t argue against approaching the album that way. It works, it’s valid, and Steve Albini‘s production, as it did on 2011’s Jason… the Dragon (review here), rightly plays to the rawness of the band’s approach, obviously going for a “live” or at very least organic sound.

The other way to listen to Goliathan, however, is as the most forward-thinking album Weedeater have ever done. Yes, there’s a lot about it that remains intact from their past work. Collins still loves his puns, as “Battered and Fried,” “Cain Enabler” and the epilogue “Benaddiction” remind — the latter an answer to the introduction “Processional,” playing off the band’s Southern and/or Baptist roots — but there’s more going on than that and the expectation-meeting quota of swing (even with Owen in place of Keith Kirkum, this element remains) and vicious extremity of sludge. The opener and closer, for example. “Procession” leads the way into Goliathan with quiet keyboards and duly evangelical flourish of lap steel guitar, Collins adding a semi-spoken grunt of a verse to the mix, and while the progression itself, if it was transposed to full-blast guitar, bass and drums, would be right in Weedeater‘s familiar domain, the opener’s turn of arrangement sets up Goliathan‘s more adventurous approach. Jason… the Dragon had these turns as well, and much to its benefit, but Goliathan uses them more efficiently, and that goes for “Procession,” the spacey guitar minimalism of “Benaddiction,” “Battered and Fried”‘s swampy banjo twang. Even the penultimate “Reprise,” in revisiting the title-track’s steady roll, shows Weedeater with more of a clear head for songwriting and a full-album presentation than they’re often given credit for having, and add to that the speedy punkish weirdness of a song like “Bully,” of which the verses seem to be little more than taunts, and Goliathan becomes an even more nuanced experience.

weedeater (Photo by Scott Kinkade)

That’s not to say there isn’t plenty of bludgeoning as well, nor that said bludgeoning isn’t as righteous as any Weedeater have presented before. The vocals on “Cain Enabler” are near-painful to the ear for the permanent damage one imagines they might’ve caused Collins‘ vocal cords, and as the longest track at 5:25, “Claw of the Sloth” seethes and writhes with a brutality all the more prevalent for how readily the band seems to wield it, and whether it’s a more upbeat progression like that one, a mid-paced stomper like “Joseph (All Talk)” or the densely toned lurch of “Goliathan” itself, the central vibe of rural strangeness and otherworldly threat remain — monsters covered in mud, no help for miles. CollinsShepherd and Owen capture many of the aspects of Weedeater‘s sound that has made them the pivotal act within underground heavy they’ve become, but it also goes further than that and pushes not only beyond their earlier albums like their 2001 …And Justice for Y’All debut, 2002’s Sixteen Tons or their 2007 breakthrough, God Luck and Good Speed, but beyond what they accomplished on Jason… the Dragon as well. Perhaps most impressively of all, Goliathan reminds that when it comes to it, Weedeater are going to do whatever they want to do, as they did before their reputation came to precede them and as they no doubt would even if it didn’t. The record’s uncompromising nature just happens to find multiple modes of expression, and in that, the band deliver a work that, on whatever level one might want to take it on, proves worth the effort to do so.

Weedeater, “Cain Enabler”

Weedeater on Thee Facebooks

Season of Mist

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audiObelisk Transmission 047

Posted in Podcasts on April 22nd, 2015 by H.P. Taskmaster

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

If you listen to these podcasts on the regular, you might notice this one is a little different than other recent editions have been. I was all set to start it off at a raging clip as per usual and then that Bison Machine track stood out to me with that warm bassline and I just decided that was the way to go, start off languid with that and My Sleeping Karma and ease into the rawer and meaner stuff from there. There are a couple jarring moments here and there, but that’s kind of the idea too, and I think overall across the board it flows well across the two hours, the second of which builds across All Them Witches’ jams and Ichabod’s sludge rock right into the atmospheric doom extremity of Bell Witch. Three songs in about 55 minutes. Awesome.

You might also notice the tracklist below has time stamps. Listed is the start time for each song, so if you get lost along the way, that should hopefully provide some point of reference. In case there was any doubt I pay attention to the stuff people say in comments to these podcast posts.

As always, hope you enjoy:

First Hour:
0:00:00 Bison Machine, “Gamekeeper’s Thumb” from Hoarfrost
0:07:12 My Sleeping Karma, “Prithvi” from Moksha
0:13:39 Weedeater, “Claw of the South” from Goliathan
0:19:00 Sinister Haze, “Betrayed by Time” from Betrayed by Time EP
0:24:15 Sun and Sail Club, “Dresden Fireball Freakout Flight” from The Great White Dope
0:26:11 Lasers from Atlantis, “Protectress” from Lasers from Atlantis
0:33:29 Arenna, “Drums for Sitting Bull” from Given to Emptiness
0:39:40 Mirror Queen, “Scaffolds of the Sky” from Scaffolds of the Sky
0:45:47 Les Discrets, “La Nuit Muette” from Live at Roadburn
0:51:02 Cigale, “Harvest Begun” from Cigale
0:54:49 Black Mare, “A Low Crimes” from Black Mare/Lycia Split

Second Hour:
1:00:03 All Them Witches, “It Moved We Moved/Almost There/A Spider’s Gift” from A Sweet Release
1:24:09 Ichabod, “Squall” from Merrimack
1:33:39 Bell Witch, “Suffocation, a Burial I – Awoken (Breathing Teeth)” from Four Phantoms

Total running time: 1:55:50

 

Thank you for listening.

Download audiObelisk Transmission 047

 

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