Live Review: Scott Kelly and Bruce Lamont in Chicago, 11.11.15

Posted in Reviews on November 13th, 2015 by H.P. Taskmaster

scott kelly and bruce lamont 1 (Photo by JJ Koczan)

It had been a few days since I’d gone outside. Seriously. In Chicago for a work trip, I’d been holed up either at the conference I was in town for or the hotel immediately adjacent to it. Dinner had been ordered in three nights in a row, and I’d gone precisely nowhere since arriving in the city on Sunday. Not healthy. Not living right. In the end, it was the phone call from hotel security — checking on the wellness of the room’s occupant, since housekeeping hadn’t been allowed to clean in more than 48 hours — that shamed me into leaving to see Corrections House bandmates Scott Kelly (also Neurosis) and Bruce Lamont (also Yakuza and Bloodiest). Shame sometimes does the trick.

As it happened, they were playing a different hotel, the Chicago Athletic Association Hotel, in a space carved out as the “Drawing Room” and decorated in what I can only describe as man-bun living room chic; dimly lit (as the pictures I got will attest — god damn I need a new camera), all things made to look old and comfortable, leather-bound everything, like the Harvard club where people go to talk about how their new app is going to do away with various plights of inequality. “Gamechanging” modern design by making it look like a slavemaster’s parlor. I’m sure it was all very expensive. It looked very expensive. Strange setting for a show.

bruce lamont 1 (Photo by JJ Koczan)Not to say that with Misters Kelly and Lamont both playing solo sets — they shared a guitar — it should’ve been in a dive bar. The chair I sat in was perfectly comfortable. It was the second night of the Kelly/Lamont tour, which may or may not be taking the place of a full Corrections House run to support that group’s new album, Know How to Carry a Whip, out on Neurot Recordings, and the plan seemed to be in order: Lamont would play first, Kelly second, and then they’d play together. Not a method entirely dissimilar from the first time I saw Corrections House early in 2013 (review here), but obviously a different sonic context without Sanford Parker‘s beats — likely on his way to the West Coast with Buried at Sea — and without Mike Williams of Eyehategod‘s semi-spoken drug poetics. Worth it to say that nothing felt overly like it was missing once the show got started.

Part of that is probably thanks to Lamont‘s kitchen-sink experimental approach. Surrounded by his saxophone, clarinet, the guitar he was sharing with Kelly, at least two vocal mics and sundry other processors, pedals and effects, he was able to create a wash of droning noise all on his own. Lamont‘s solo album, 2011’s Feral Songs for the Epic Decline, was the basis for some of the performance, but much of what he did was manipulated, echoed, spaced out, and layered into something new. I know Bloodiest have a new full-length coming at the start of 2016 via Relapse, but if Lamont hasn’t considered recording a follow-up solo outing live and putting it out even in limited numbers through War Crime Recordings, his label co-owned by Sanford Parker, he probably should. Some of the most affecting moments came as he tilted his head back and let loose a soulful howl that reminded me of some of the spaciousness he was able to conjure in Yakuza, but the whole set was saturated with creativity and Lamont‘s sense of controlling the chaos was palpable.

The switch to bringing out Scott Kelly was done via an extended saxo-drone and a wave of the hand. Both mics were already set up, and so Kelly came out from the crowd and picked up the guitar. There were a couple songs he played I didn’t recognize — maybe new, maybe covers I couldn’t identify — but his meditative takes on the works of Townes van Zandt are always welcome. He did “Tecumseh Valley” early in the set, but the highlights were cuts from his 2012 Scott Kelly and the Road Home album, The Forgiven Ghost in Me (review here). I’d be lying if I said I wasn’t hoping for “The Field that Surrounds Me,” but “The Sun is Dreaming in the Soul” scott kelly 1 (Photo by JJ Koczan)did just fine, and particularly following “The Ladder in My Blood” from 2008’s solo album, The Wake. “We Let the Hell Come” provided an intense finish to his solo portion — Kelly rocking back and forth behind the mic in a less neck-dislocating fashion than he might on stage with Neurosis, but definitely with a similar rhythmic sensibility — arriving at its title line after gravel-throated incantations for which he backed off the mic about a foot but that still came through clear in their intent and vision.

A similar wave brought Lamont back to the front. Together Kelly and Lamont offered renditions of Townes Van Zandt‘s “The Rake” and Neil Young‘s “Cortez the Killer,” before finishing off with the Corrections House track “Run through the Night,” taken from their 2013 debut, Last City Zero. Standing side-by-side, Kelly‘s guitar and Lamont‘s sax cast a Morricone-style spell over the room, a hard strum spacious with both adding vocals until Lamont, having layered backing “ooh”s, created a sufficient wash and apex that seemed to swell one voice at a time until appropriately consuming. The studio version of that song gets pretty noisy, but live, it was more melodic, and when Kelly got back on mic to whisper out the last few lines, the multi-layer barrage he cut through made it plain that nothing else would follow. They cut out together and the show was over with a quick plug for merch, which had been placed on a table behind them while they played.

It was raining outside when they were done, so I took a quick cab back to my temporary lair and tried to get a night’s sleep. No dice there, but I didn’t the least bit regret how the evening had been spent, whatever it took to get me out the door.

Thanks for reading.

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Scott Kelly and Bruce Lamont Announce Nov. Tour

Posted in Whathaveyou on October 26th, 2015 by H.P. Taskmaster

As it happens, I’m slated to be in Chicago for work the night that Corrections House bandmates Scott Kelly (also Neurosis) and Bruce Lamont (also Yakuza) play the second night of their upcoming solo-set tours. I wouldn’t mind seeing Lamont in front of a hometown crowd, and I’d presume that with Corrections House‘s new album, Know How to Carry a Whip, newly released, a decent portion of what they play when they get together on stage will be drawn, one way or another, from that. Plus, it’s Chicago, so Sanford Parker might be there. Sounds like a good time to me.

Should probably see if I’m actually going to be there before I start solidifying plans, but either way, this one seems like a win:

scott kelly bruce lamont tour

Neurosis’ SCOTT KELLY And Yakuza’s BRUCE LAMONT Join Forces For November Tour Run

Neurosis’ SCOTT KELLY and Yakuza’s BRUCE LAMONT will join forces later this Fall for a special stretch of US live dates. Set to commence November 10th in Detroit, Michigan, the pair will traverse eleven cities, with the trek coming to a close on November 21st in Pittsburgh, Pennsylvania. Both Kelly and Lamont will be performing material from their respective solo projects as well as tunes from CORRECTIONS HOUSE.

11/10/2015 Majestic Café – Detroit, MI
11/11/2015 Drawing Room @ The Chicago Athletic Club – Chicago, IL
11/12/2015 Double Happiness – Columbus, OH
11/13/2015 The Acheron – Brooklyn, NY
11/14/2015 Gorman Bros. Music – Syracuse, NY
11/15/2015 Middle East (upstairs) – Boston, MA
11/17/2015 Kung Fu Necktie (late show) – Philadelphia, PA
11/18/2015 Ottobar- Baltimore, MD
11/19/2015 The Funhouse – Jersey City, NJ
11/20/2015 Alternative Gallery – Allentown, PA
11/21/2015 Smiling Moose (late show) – Pittsburgh, PA

SCOTT KELLY (Neurosis, Corrections House) will deliver his signature hymns of pain, reflection and redemption with tracks off his solo outings — the bleakly atmospheric Spirit Bound Flesh and starkly minimalist The Wake as well as The Forgiven Ghost In Me album, released in 2012 under the moniker SCOTT KELLY AND THE ROAD HOME and tunes from the moving Songs Of Townes Van Zandt collection. With a sound that’s at once soulful, morose and healing few artists can manifest with such devout sincerity, when KELLY sits quietly, with his guitar, there’s rarely a dry eye in the room when he bows out at the end.

Multi-instrumentalist and vocal sorcerer BRUCE LAMONT (Yakuza, Corrections House, Led Zeppelin 2) has performed/collaborated with an array of artists throughout his storied career. On this run, Lamont will be performing versions of some of the material on his 2011-issued debut solo album Feral Songs For The Epic Decline as well as newer/unreleased material. As with his previous solo outings, LAMONT will be executing multiple instruments and a plethora of vocal styles, with an incredibly layered looping system that culminates into some of the most entrancing live solo artist work one could ask for.

In addition, both KELLY and LAMONT will unite each evening following their respective sets to deafen the masses with renditions of various CORRECTIONS HOUSE hymns. CORRECTIONS HOUSE – which features within its ranks KELLY, LAMONT, Sanford Parker (Buried At Sea), Mike IX Williams (Eyehategod) and recently institutionalized minister of propaganda, Seward Fairbury — unleashed their long-awaited sophomore full-length, Know How To Carry A Whip, TODAY via Neurot Recordings. A nine-track, forty-five-minute exercise in sonic indecency, the record was captured by Parker alongside Fairbury in a subterranean bunker complex in Vietnam and dispels a disconcerting air of danger, paranoia and looming defeat marked by an inexplicable sense of catharsis.

Corrections House, Know How to Carry a Whip (2015)

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Roadburn 2016: Scott Kelly, Steve Von Till, Midnight, Jakob, Ecstatic Vision, Black Moon Circle and More Added to Lineup

Posted in Whathaveyou on October 16th, 2015 by H.P. Taskmaster

What is this, the third, maybe fourth, announcement for the lineup of Roadburn 2016? As of this week we’re still half a year out from the launch of the festival next April in the Netherlands and I’m already starting to get that gosh-I-hope-I-get-to-go ache. Seems early for such things, but here we are, barely ankle-deep into the lineup and it’s only becoming a more and more severe issue. Steve Von Till and Scott Kelly from Neurosis added for solo sets? At the church, no less? That’s not even fair.

Never mind righteous space heavy of Black Moon Circle or the saw-it-coming-from-a-mile-away-but-it’s-still-right-on addition of Ecstatic Vision to the bill, the raw fuckery of Midnight? I feel like Roadburn 2016 could probably call it a day, maybe let Lee Dorrian add another couple of acts to his curated stage, and anyone who went would call the fest a win. As I say, it’s getting severe.

And it’s still just the beginning.

From the PR wire:

New additions to Roadburn 2016 including Scott Kelly, Steve Von Till, Midnight, and Jakob

  • SCOTT KELLY & STEVE VON TILL to play individual solo shows
  • Ambient post-rockers, JAKOB will perform
  • Heavy metal outlaws, MIDNIGHT, make their Roadburn debut
  • Plus more acts including Kenn Nardi and Ecstatic Vision


Neurosis are so much more than a band. At times, they seem to be at the heart of a sentient organism, fully functioning all by itself, with the activities of their members and of the entire Neurot family constituting the remaining organs and limbs of this fascinating creature. None of those activities are more deeply connected and enwrapped around that ever-beating heart than the solo careers of guitarists/vocalists SCOTT KELLY and STEVE VON TILL themselves. Therefore, it is but natural that the Neurosis 30th anniversary celebrations that will take place at Roadburn will also include a typically intimate and profoundly touching solo performance by each of the two musicians.

SCOTT KELLY and STEVE VON TILL will therefore complete the weekend-long Neurosis anniversary experience with both performances taking place at the Het Patronaat on Friday, April 15th. Each of them will be a life unto itself that must not be missed.

To find out more about Scott Kelly & Steve Von Till at Roadburn, click HERE


JAKOB will travel from far, far away to provide you with a moment of introversion – an hour of a special kind of beauty filtering through the weekend haze – all the way from their beautiful coastal hometown of Napier, New Zealand, but it will surely be as worthy for them as it will for us, when the connection is established between band and audience. JAKOB’s is a sharp beauty, good-natured but with a lingering, riff-ridden menace to it; soothing, but able to stay in your memory for a long time after you experience it. JAKOB will play Roadburn on Sunday April 17th.

To find out more about JAKOB click HERE


The twisted, bastard offspring of a Venom, Motörhead and Sodom threesome of debauchery, complete with a devil-may-care attitude which GG Allin himself would surely have been proud of, Cleveland’s MIDNIGHT might just provide the most reckless amount of fun you can have at a concert without breaking the law, or at least too many of them. Pack your leather jackets, bulletbelts and facemasks, because you’ll surely need them when MIDNIGHT take you to hell (…on the wings of Satan!) on Friday, April 15th, at the 013 venue. Steel won’t be stopped!

To find out more about MIDNIGHT at Roadburn, click HERE


Former Anacrusis guitarist/vocalist KENN NARDI brings his forward-thinking metal to the stages of Roadburn on Saturday April 16th. Between 1988 and 1993, in an era when thrash was anything but dark or progressive, Anacrusis produced four critically-acclaimed albums that were heralded as cornerstones of dark, angular, progressive thrash. The band dissolved shortly after releasing their fourth and final album, Screams And Whisper and this performance will mark NARDI’s first show in Holland since Anacrusis’ final original-era performance in 1993. A singer/songwriter at heart, but with a background in metal, hardcore/punk and early gothic rock, Nardi is an innovator whose works still resonate to this day. He will be performing a wealth of material from the Anacrusis catalog along with selected solo tracks.

To find out more about KENN NARDI, click HERE.


Icelandic ambient post-metallers, KONTINUUM – read more HERE
Philadelphia heavy psych trio, ECSTATIC VISION – read more HERE
Norwegian Psychedelic space rockers, BLACK MOON CIRCLE – read more HERE


Tickets to Roadburn Festival 2016 are now on sale! Ticket sales got off to an incredible start with many of the available weekend tickets being snapped up within the first few days. There are still 3-day, 4-day, and Sunday tickets on sale. Thursday, Friday, and Saturday day tickets will be released at a a later date.
It is also possible to book camping tickets via Ticketmaster.

Click HERE for all the details.

Roadburn Festival takes place at the recently upgraded, state of the art 013 venue, Tilburg, The Netherlands, between 14 – 17 April 2016. The line up this year includes Neurosis (30th anniversary), Paradise Lost (performing Gothic in full), curation by Lee Dorrian, Amenra, The Skull, La Muerte, Of The Wand And The Moon, and Green Carnation.

Steve Von Till, A Life unto Itself (2015)

Scott Kelly and the Road Home, The Forgiven Ghost in Me (2012)

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The Road Home Announce Full-Time Members and Tour Dates

Posted in Whathaveyou on January 14th, 2015 by H.P. Taskmaster

scott kelly (Photo by Mootown on Instagram)

Scott Kelly and the Road Home‘s “The Field that Surrounds Me,” taken from 2012’s The Forgiven Ghost in Me (review here), is one of those songs I go back to when I’m absolutely out of my mind. Needless to say, it’s come up a couple times since the album was released, and so I’m pleased to see Kelly and his Neurosis bandmate Noah Landis bringing in Munly J. Munly of Slim Cessna’s Auto Club and Munly and the Lee Lewis Harlots as a full-time member and moving forward with the project. Re-dubbed The Road Home, the trio will embark on a 12-date tour starting Jan. 22, joined for a couple shows by Mike Scheidt and linking up with the Karma to Burn/Sierra tour for a gig in there as well.

Hopefully they come east at some point so I can intend to go see them and, should I actually manage to do so, get pulled over on the way. Because that’s what happens every other fucking time I try to leave the house and go someplace in this godforsaken over-copped perma-gray wintry hellhole where I live. Fuck everything. Cool project though. I got sidetracked. Sorry.

To the PR wire:

the road home tour poster

THE ROAD HOME: Scott Kelly Solo Venture Takes New Form With Full-Time Members Noah Landis And Munly J Munly

West Coast Tour Dates Begin Next Week

With the addition of new full-time members, the project forged as SCOTT KELLY AND THE ROAD HOME — orchestrated by Neurosis’ founding guitarist/vocalist, Scott Kelly — has since taken a new form as simply, THE ROAD HOME.

Neurosis’ keyboard/effects wizard, Noah Landis, has been a part of the project since the creation of SCOTT KELLY AND THE ROAD HOME’s 2012-released debut album, The Forgiven Ghost In Me, providing baritone guitars and keyboards to the record and on stage. Yet, since his role in the outfit has become much more expansive and significant, in both inception and delivery of the tunes, his place in the lineup has therefore become more permanent. Additionally, renowned singer/songwriter Munly J Munly has joined the group in recent months, helping reshape the band’s sound. An iconic folk/country/gospel multi-instrumentalist who has helped shape the contemporary sound of Denver, Munly is part of several current acts, including his own Munly and the Lee Lewis Harlots, as well as Slim Cessna’s Auto Club, Denver Broncos UK and others, with releases on Smooch Records, Alternative Tentacles and more, in addition to being an awarded author, and so on.

Issues Kelly of the current state of THE ROAD HOME, “We changed the name because with the addition of Munly and Noah’s already prominent role in the process it felt that this had become a band of absolutely equal parts in every way. We will be working on new material throughout the year in preparation for a new record.”

As their next recorded chapter comes together, THE ROAD HOME’s new lineup will be playing live whenever possible, beginning with a newly-confirmed Western US tour which begins next week. From Thursday, January 22rd through Wednesday, February 4th, they will traverse through California, Arizona, Nevada, Utah, Idaho and Washington with twelve dates confirmed.

Additional tour and release news on THE ROAD HOME will be confirmed and announced in the months ahead.

THE ROAD HOME Winter Tour Dates:
1/22/2015 1234 Go! Records – Oakland, CA – in-store performance
1/23/2015 Metavinyl – Santa Cruz, CA
1/24/2015 Audies Olympic – Fresno, CA
1/25/2015 Against The Stream Buddhist Meditation Society – Los Angeles, CA
1/27/2015 TKO Records – Huntington Beach, CA – in-store performance
1/28/2015 Yucca Tap Room – Phoenix, AZ
1/29/2015 Dive Bar – Las Vegas, NV
1/30/2015 Heart of Gold Tattoo – Salt Lake City, UT
1/31/2015 Crazy Heart – Boise, ID
2/02/2015 The Shakedown – Bellingham, WA
2/03/2015 El Corazon – Seattle, WA
2/04/2015 Hawthorne Theatre front room – Portland, OR

Neurot Recordings released SCOTT KELLY AND THE ROAD HOME’s debut outing, The Forgiven Ghost In Me, in August 2012. Dissimilar to his previously-released solo outings, on this recording Kelly sought out additional musicians to help bring his written vision to fruition, recruiting the talents of Greg Dale and Noah Landis, as well as guest contributions from Jason Roeder (Neurosis, Sleep) and Josh Graham (A Storm Of Light, ex-Neurosis). The Forgiven Ghost In Me, flows with over forty minutes of foreboding Americana showcasing the ever-evolving artist brandishing some of Kelly’s most expressive hymns of pain, reflection and redemption to date.

Scott Kelly and the Road Home, “The Field that Surrounds Me” live in Hamburg, 2014

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Roadburn 2014: Scott Kelly and Mike Scheidt Artist Clinics Announced; Papir, Nothing and More Added to Lineup

Posted in Whathaveyou on March 6th, 2014 by H.P. Taskmaster

I’ll be completely honest: I’m not sure what all this means, but it would seem that Roadburn is going to be an even more packed weekend than I thought. Not sure where I got the impression, but I was fairly certain the festival was done adding to its lineup, and while I know there were a couple spaces that opened up on account both of Buzzov*en not being able to make it and the unfortunate loss of Selim Lemouchi, I think that’s accounted for here and then some, so maybe Roadburn isn’t done yet. Is it possible there’s still more to come? How much festival can one festival hold?

Here’s the latest from Roadburn‘s website:

Roadburn Festival 2014 Artist Clinics: Scott Kelly & Mike Scheidt, Friday, April 11th at V39

Following on from the 2013 festival, we’re very pleased to continue our artist clinics at this year’s Roadburn.

The clinics proved to be a great opportunity to give those of you attending the festival, many of whom are in bands or enjoy playing music on your own, and some some folks on the bill the opportunity to meet and learn from each other.

This year we have invited Neurosis‘ Scott Kelly and Mike Scheidt of YOB, a pair of sonic trailblazers playing a seminal role in creating punishing, slow, melodic and atmospheric pieces of work and both a huge influence on all things Roadburn. Both Scott and Mike are the embodiment of the spirit of the festival and we are looking forward to hearing them talk about their craft, artistically and musically. We feel very honored that Scott and Mike will give an insight in their creative spirit.

“I am honored to asked by my great friends at Roadburn to take part in this clinic”, says Scott Kelly, “I will bring myself to the table as clear and open as humanly possible. And I will answer any questions that you have to the best of my ability. I hope to see you all there.”

Scott Kelly and Mike Scheidt‘s artist clinics will be held on Friday, April 11th at the V39, located across from the 013 venue in Tilburg, The Netherlands.

Roadburn Festival 2014 will run for four days from Thursday, April 10th to Sunday, April 13th 2014 at the 013 venue in Tilburg, The Netherlands.

Änglagård, Reine Fiske & Nicklas Barker and Papir Added To Lineup For Mikael Åkerfeldt’s Curated 2014 Roadburn Event

We’re very excited to announce that Änglagård, Reine Fiske & Nicklas Barker and Papir have been confirmed for Mikael Åkerfeldt‘s curated 2014 Roadburn event on Friday, April 11th at the 013 venue in Tilburg, The Netherlands.

“I’m so happy to announce that Änglagård is taking part in my curated day at Roadburn 2014”, says Mikael Åkerfeldt, “If you don’t know them they are one of the three (together with Landberk and Anekdoten) pioneers of the second wave of Swedish prog /psychedelia. Just like the other two bands their sounds are heavily focused around the ghostly presence of the mellotron, yet the three bands sound nothing the same.

“I last saw them ”alive” last Summer and I was quite floored. Their show will be a winding musical journey of light and shade. Beauty and… the beast? Never mind my ramblings. They are amazing and you will love them. Just shut up!”

“Reine Fiske is in my opinion the best guitar player from Sweden and with that, one of the best in the world”, continues Mikael Åkerfeldt, “He’s got an ethereal quality that I’ve not heard anywhere else. And teaming up with the lord of dark psych and hellfire, Nicklas Barker just cannot fail.”

I’ve no idea what these cats are up to for Roadburn 2014, but I do know it’ll be fantastic. I do know there will be a Fender Stratocaster (yes, Reine?) on stage, and a mellotron. I will be there. Watching. Worshipping.”

“Denmark’s Papir will create their own extraordinary type of semi-improvised psychedelic rock by transcending the usual labels”, says Mikael Åkerfeldt, “Moody and unexpected twists and turns seems to be their trademark. Psych legends of the future? The band will appear twice at Roadburn but both sets will bear no resemblance to eachother. Exciting!”

Nothing To Make Their European Debut Appearance at Roadburn Festival 2014 with One-off Show On Thursday, April 10

We’re elated to announce that Philadelphian shoegaze four piece, Nothing, will make their debut European appearance at the 2014 festival on Thursday, April 10th at Het Patronaat in Tilburg, The Netherlands.

Nothing‘s first full length album, Guilty of Everything – released this week via Relapse Records – has elicited an overwhelmingly positive reception worldwide from fans and critics alike.

The nine tracks of guitar driven, darkly introspective shoe gaze deliver uplifting, life affirming melodies with one hand, and plunge into dark, despair with the other, and we’re confident that Guilty of Everything will rank among the very best Roadburn-releated albums of 2014.

Having premiered the track ‘Bent Nail’ from Guilty of Everything earlier this year, we’re very proud to host Nothing for their first show on European soil.

Roadburn Festival 2014 will run for four days from Thursday, April 10th to Sunday, April 13th 2014 at the 013 venue in Tilburg, The Netherlands.

Scott Kelly, “The Sun is Dreaming in the Soul” official video

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Scott Kelly and the Road Home European Tour Starts Tomorrow

Posted in Whathaveyou on February 3rd, 2014 by H.P. Taskmaster

Partnering alternately with Syndrome, The Leaving and Oldseed, Scott Kelly and the Road Home will begin a run of European tour dates this week that will carry them through the rest of this month and into next, supporting 2012’s The Forgiven Ghost in Me (review here). This will reportedly be the first time the trio of Scott Kelly (Neurosis), Noah Landis (Neurosis) and Greg Dale hit the road together in Europe, so not that you needed an excuse to go if you happen to live or find yourself in that part of the world, but you’ve got one just in case.

Dates and a promo video follow:

Scott Kelly and The Road Home: European Tour 2014

After nearly 100 European Shows Scott Kelly, guitarist and singer of Neurosis, proved that his solo work stands out alone.

Now, for the first time, he will come to Europe with “the Road Home”. His Band. The Band that recorded the highly acclaimed Scott Kelly and the Road Home – “The Forgiven Ghost In Me” LP/CD.

The Road Home are Noah Landis of Neurosis (Keyboards/Sounds) and Greg Dale who lately was on tour with Neurosis.

Together Scott, Noah and Greg continue to explore The Great Mystery.

Scott Kelly & The Road Home European Tour 2014!
Tue 04.02. BE Brussels @ DNA
Wed 05.02. BE Liege @ La Zone (1)
Thu 06.02. BE Arlon @ L’Entrepot (1)
Fri 07.02. FR Paris @ Espace B (1)
Sat 08.02. FR Bayonne @ Atabal
Sun 09.02. ES Mungia (Vizcaya) @ Olalde Aretoa
Mon 10.02. ES Coruña @ Mardi Gras
Tue 11.02. PT Oporto @ Passos Manuel
Wed 12.02. PT Lisbon @ Galeria Ze Dos Bois
Thu 13.02. ES Madrid @ La Boite
Fri 14.02. ES Barcelona @ Hangar
Sun 16.02. IT Bologna @ Freakout Club
Mon 17.02. AT Vienna @ Arena 3Raum (2)
Tue 18.02. CH Zurich @ Ziegel oh Lac (2)
Wed 19.02. CH Geneva @ La Gravière (2)
Thu 20.02. CH Martigny @ Sunset Bar
Fri 21.02. HR Zagreb @ Klub Mocvara
Sat 22.02. SI Velenje @ Klub eMCe Plac
Sun 23.02. HU Budapest @ A 38
Mon 24.02. SK Trnava @ Mala Synagoga
Tue 25.02. PL Krakow @ Lizard King
Wed 26.02. CZ Prague @ Klub Pilot
Thu 27.02. GER Dortmund @ Pauluskirche (3)
Fri 28.02. GER Leipzig @ UT Connewitz
Sat 01.03. GER Hamburg @ tba
Sun 02.03. DK Copenhagen @ KB18
Tue 04.03. NO Drammen @ Union Scene
Wed 05.03. SE Stockholm @ Lilla Hotellbaren
Thu 06.03. FI Tampere @ Klubi
Fri 07.03. LV Riga @ Cinema – K. Suns.
Sat 08.03. PL Warsaw @ Chmury
(1) Support: Syndrome
(2) Support: The Leaving
(3) Support: Oldseed

Scott Kelly and the Road Home, European Tour Trailer

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Wino Wednesday: Shrinebuilder, “We Let the Hell Come” Live at Scion Rock Fest 2010

Posted in Bootleg Theater on July 17th, 2013 by H.P. Taskmaster

The track “We Let the Hell Come” would wind up as one of the most memorable songs on Scott Kelly‘s 2012 Scott Kelly and the Road Home album, The Forgiven Ghost in Me. Interpreted with subtle, still-minimalist interplay of electric and acoustic guitar and Kelly‘s mournful, gravel-throated wonderings, it was a highlight of the record (review here), engaging with a sweet, sad melody and the persistent strum of Kelly‘s strings. Little in that version would link “We Let the Hell Come” to its prior interpretation — the song having been performed over two years earlier live by Shrinebuilder.

At the very start of the video below, filmed at Skully’s in Columbus, Ohio, as part of the 2010 Scion Rock Fest — Shrinebuilder headlined that venue for the night; YOB, Pelican, Acrassicauda and others also played — the band says that “We Let the Hell Come” will be on the next record. It may well still be, but more than three years later, a follow-up to Shrinebuilder‘s 2009 self-titled debut (review here) has yet to surface, and with the band’s members — Kelly (also in Neurosis), Scott “Wino” Weinrich (also in The Obsessed and Saint Vitus at this point, as well as putting out solo material), Dale Crover (the Melvins) and Al Cisneros (Sleep and Om) — busy with their respective main outfits, it may be that Shrinebuilder was a one-time planetary alignment that we won’t be fortunate enough to see again.

If that’s the case, all the better that clips like this one of “We Let the Hell Come” are out there — the song also showed up on Shrinebuilder‘s Live in Europe 2010 vinyl, which I regret not buying when I had the chance — to give a sampling of what might’ve been or, who knows, might still be when and if there’s a second Shrinebuilder outing. This video was filmed by Chris Kimbrough and I hope you enjoy and have an excellent Wino Wednesday:

Shrinebuilder, “We Let the Hell Come” Live at Scion Rock Fest 2010

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Wino Wednesday: Shrinebuilder Covers Creedence Clearwater Revival in Brooklyn, April 16, 2010

Posted in Bootleg Theater on April 3rd, 2013 by H.P. Taskmaster

I guess this show and the circumstances surrounding have become something of a tale to tell. In 2010, the supergroup Shrinebuilder were en route to play Roadburn and tour Europe to promote their self-titled debut and only album to date. Coming from the Western Seaboard, where all the members of the band — Scott Kelly and Wino on guitar/vocals, Al Cisneros on bass and Dale Crover on drums — were located, they got as far as New York before their flight was grounded like so many others at the time.

Not to be completely undone by that volcano — whose mere name, Eyjafjallajökull, strikes syllabic terror into the hearts of pronunciation guides everywhere — Shrinebuilder booked themselves a last-minute gig at Brooklyn’s Club Europa. While they were in town, they also recorded a session with Andrew Schneider for Coextinction Recordings that’s been featured here before. They had been to New York for a show about a month before and of course around the time the album came out as well in 2009 (review here), but as it was such a bizarre situation, and as they haven’t been back since, the Europa show has taken on a mystical kind of quality — not that anything these guys did wouldn’t already have had one.

Shrinebuilder did finally get to Europe, and they played Roadburn in 2011 as not the only act on the bill to be carried over from the year before. A self-released Live in Europe 2010 vinyl commemorated the experience, but since they basically started out as a headlining act because of the members’ pedigree in Neurosis, Sleep, Saint Vitus (etc.) and the Melvins, those earlier Shrinebuilder shows featured a couple covers, and on this one from Brooklyn of Creedence Clearwater Revival‘s “Effigy,” Crover and Wino show a classic rocking side of Shrinebuilder that was unlike anything else they did.

Enjoy and have a great Wino Wednesday:

Shrinebuilder, “Effigy” at Europa, Brooklyn 04.16.10

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