Scott Kelly and the Road Home European Tour Starts Tomorrow

Posted in Whathaveyou on February 3rd, 2014 by H.P. Taskmaster

Partnering alternately with Syndrome, The Leaving and Oldseed, Scott Kelly and the Road Home will begin a run of European tour dates this week that will carry them through the rest of this month and into next, supporting 2012’s The Forgiven Ghost in Me (review here). This will reportedly be the first time the trio of Scott Kelly (Neurosis), Noah Landis (Neurosis) and Greg Dale hit the road together in Europe, so not that you needed an excuse to go if you happen to live or find yourself in that part of the world, but you’ve got one just in case.

Dates and a promo video follow:

Scott Kelly and The Road Home: European Tour 2014

After nearly 100 European Shows Scott Kelly, guitarist and singer of Neurosis, proved that his solo work stands out alone.

Now, for the first time, he will come to Europe with “the Road Home”. His Band. The Band that recorded the highly acclaimed Scott Kelly and the Road Home – “The Forgiven Ghost In Me” LP/CD.

The Road Home are Noah Landis of Neurosis (Keyboards/Sounds) and Greg Dale who lately was on tour with Neurosis.

Together Scott, Noah and Greg continue to explore The Great Mystery.

Scott Kelly & The Road Home European Tour 2014!
Tue 04.02. BE Brussels @ DNA
Wed 05.02. BE Liege @ La Zone (1)
Thu 06.02. BE Arlon @ L’Entrepot (1)
Fri 07.02. FR Paris @ Espace B (1)
Sat 08.02. FR Bayonne @ Atabal
Sun 09.02. ES Mungia (Vizcaya) @ Olalde Aretoa
Mon 10.02. ES Coruña @ Mardi Gras
Tue 11.02. PT Oporto @ Passos Manuel
Wed 12.02. PT Lisbon @ Galeria Ze Dos Bois
Thu 13.02. ES Madrid @ La Boite
Fri 14.02. ES Barcelona @ Hangar
Sun 16.02. IT Bologna @ Freakout Club
Mon 17.02. AT Vienna @ Arena 3Raum (2)
Tue 18.02. CH Zurich @ Ziegel oh Lac (2)
Wed 19.02. CH Geneva @ La Gravière (2)
Thu 20.02. CH Martigny @ Sunset Bar
Fri 21.02. HR Zagreb @ Klub Mocvara
Sat 22.02. SI Velenje @ Klub eMCe Plac
Sun 23.02. HU Budapest @ A 38
Mon 24.02. SK Trnava @ Mala Synagoga
Tue 25.02. PL Krakow @ Lizard King
Wed 26.02. CZ Prague @ Klub Pilot
Thu 27.02. GER Dortmund @ Pauluskirche (3)
Fri 28.02. GER Leipzig @ UT Connewitz
Sat 01.03. GER Hamburg @ tba
Sun 02.03. DK Copenhagen @ KB18
Tue 04.03. NO Drammen @ Union Scene
Wed 05.03. SE Stockholm @ Lilla Hotellbaren
Thu 06.03. FI Tampere @ Klubi
Fri 07.03. LV Riga @ Cinema – K. Suns.
Sat 08.03. PL Warsaw @ Chmury
(1) Support: Syndrome
(2) Support: The Leaving
(3) Support: Oldseed

https://www.facebook.com/ScottKelly.official
http://www.myproudmountain.com/
http://www.neurotrecordings.com

Scott Kelly and the Road Home, European Tour Trailer

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Scott Kelly Takes to the Woods for “The Sun is Dreaming in My Soul” Video

Posted in Bootleg Theater on November 28th, 2012 by H.P. Taskmaster

If it seems like kind of a no-brainer to mix performance footage and nature shots to make a Scott Kelly video, it’s only because the songs are so damn organic. My Proud Mountain oversaw the putting together of this clip for “The Sun is Dreaming in My Soul,” from this year’s Scott Kelly and the Road Home full-length, The Forgiven Ghost in Me (review here), which is fitting, since they also released the album in the UK and Europe.

Kelly is on the road currently in that part of the world, and you’ll find his remaining tour dates courtesy of the PR wire after the video below. Please enjoy:

Scott Kelly’s solo tour is now underway and his only UK show at London’s Black heart is looming.

My Proud Mountain have this week released a brand new video for the song ‘The Sun Is Dreaming In The Soul’ – taken from his latest solo album The Forgiven Ghost In Me.

During this tour, Scott Kelly will play songs from his two most recent records which also includes, Songs Of Townes Van Zandt as well as The Forgiven Ghost In Me, both released earlier this year on My Proud Mountain in the UK/EU.

SCOTT KELLY (Neurosis)
Europe Tour 2012

Wed 28.11. FI Turku Klubi
Thu 29.11. FI Oulu Nuclear Nightclub
Tue 04.12. UK London The Black Heart
Wed 05.12. CH Luzern Sedel
Thu 06.12. CH Martigny Sunset Bar
Fri 07.12. CH Moudon Les Prisons
Sat 08.12.CH Delémont SAS
Sun 09.12. IT Parma Bandits Pub
Mon 10.12. GER Karlsruhe Jubez
Tue 11.12. GER Dortmund Pauluskirche
Wed 12.12. GER Leipzig UT Connewitz
Thu 13.12. GER Osnabrück Bastard Club
Fri 14.12. GER Berlin Jägerklause
Sat 15.12. PL Poznan Blue Note
Sun 16.12. GER Hamburg Molotow
Mon 17.12. GER Rostock Mau
Tue 18.12. DK Copenhagen Loppen
Wed 19.12. NL Groningen Simplon
Thu 20.12. NL Tilburg O13
Fri 21.12. LU Luxenbourg Decibal Bar
Sat 22.12. BE Brüssel Ancienne Belgique

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Scott Kelly Interview: Mapping the Road Home

Posted in Features on August 17th, 2012 by H.P. Taskmaster

Listening to Scott Kelly and the Road Home‘s The Forgiven Ghost in Me, it’s almost like Kelly — best known as the guitarist/vocalist of Neurosis — can’t escape the heavy. One doesn’t often think of folk-derived stripped-down singer-songwriterisms as being especially weighted, but even through lyrics about near-religious redemption and forgiveness, there’s a sense the spirit remains heavy. And more, the delivery remains heavy. Kelly, who is joined in The Road Home by guitarist/vocalist Greg Dale and Neurosis keyboardist Noah Landis and whose songcraft is at the core of the project, seems to just bleed the stuff.

Certainly the vast majority of his output over the last 25-plus years would bear that out, but more perhaps on The Forgiven Ghost in Me (review here) than ever before in Kelly‘s career, that sense of weight is given a counterbalance. Sure, tracks like “Within it Blood,” “We Let the Hell Come” and “The Field that Surrounds Me” — which features guests Josh Graham (A Storm of Light, also Neurosis‘ visuals) on guitar and Jason Roeder (Neurosis, Sleep) on drums — have darkened and foreboding atmospheres, but there’s an answer to them in “We Burn through the Night” and “A Spirit Redeemed to the Sun,” or even the title-track, “The Forgiven Ghost in Me.” One need only to look at the titles and find images of hell, blood, burning, the sun and fire, to get a sense of the penance that has been the price of even this partial redemption, but it’s there, anyway.

But more than this offsetting defeat and triumph, The Forgiven Ghost in Me is about the songs themselves. It is a gorgeous listen, reveling in its moodier moments but never quite letting go of its sullen melodicism. Flourishes of tape noise on the darker “Within it Blood” may seem on paper to work against, say, the deep breath that starts off the album before “A Spirit Redeemed to the Sun” begins, but in the actual listen, it’s fluid. Kelly is talking about the sharing of influences below when he posits that, “Music is a stream,” but you could just as easily apply that to the context of these songs and how he’s positioned them on the album.

In the interview that follows, Kelly discusses that positioning process, as well as his songwriting and what it was in these songs that seemed to warrant the input of Dale and Landis, as opposed to his 2008 outing, The Wake, which was directly a solo affair, and what separates Scott Kelly and the Road Home from his prior non-Neurosis collaboration with Landis in Blood and Time, and much more. Neurosis have a new album due for release in October called Honor Found in Decay (info here), but I wanted to focus this conversation more on The Forgiven Ghost in Me and the impact Kelly‘s solo work has had on a heavy underground that might not otherwise have so readily discovered the likes of Townes Van Zandt, to whom Kelly, Neurosis bandmate Steve Von Till and Shrinebuilder bandmate and acoustic tourmate Scott “Wino” Weinrich paid homage on the Songs of Townes Van Zandt three-way split (track stream here) just a few months back.

He was as brutally honest in conversation as he is in his songwriting, as regards his work, what goes into it from and through him, and the influence it’s had on others.

You’ll find the complete Q&A after the jump. Please enjoy.

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Scott Kelly and the Road Home, The Forgiven Ghost in Me: Burning through the Night

Posted in Reviews on July 26th, 2012 by H.P. Taskmaster

The idea of putting The Forgiven Ghost in Me, the new mostly-solo outing from Scott Kelly, in any kind of proper context is ludicrous. It’s like trying to cover a mountain with a tarp. For the better part of 30 years, Kelly has stood alongside fellow guitarist/vocalist Steve Von Till at the fore of Neurosis’ explorations and so has become one of the most influential figures of his generation in underground heavy. In 2001, Kelly released his first solo album, Spirit Bound Flesh, on which he began to incorporate the elements of country and dark Americana and also to refine his gravely, exhausted vocal approach that, while still closely related to his contributions to Neurosis, was on songs like “The Passage” more melodic and given an entirely new perspective. Joining forces with Neurosis keyboardist Noah Landis and others in Blood and Time, Kelly helmed the songwriting for 2004’s At the Foot of the Garden (Blood and Time would also release a Latitudes session in 2007 with a lineup that included Kelly, Landis and A Storm of Light’s Josh Graham and Vinnie Signorelli), and the track “Remember Me” from that album also showed up on his next solo outing, 2008’s The Wake. In the time since Spirit Bound Flesh, in addition to the Blood and Time outings, Kelly had released four albums with Neurosis – 2001’s A Sun that Never Sets arrived almost concurrently, 2003’s collaboration with Jarboe, 2004’s The Eye of Every Storm and 2007’s Given to the Rising – as well as begun the preliminaries for what would result in the 2009 self-titled debut from the supergroup Shrinebuilder, in which Kelly is joined by luminaries Al Cisneros (Sleep), Scott “Wino” Weinrich (Saint Vitus, The Obsessed, etc.), and Dale Crover (the Melvins). It wasn’t necessarily much of a surprise that The Wake found Kelly more developed and clearer-headed about what he wanted his solo aesthetic to be – he’d certainly had time to think about it doing everything else.

But still, The Wake was surprisingly cohesive. One can get a sense of where Kelly was headed with it listening in hindsight to Blood and Time’s Latitudes session, on which both Townes van Zandt and Roky Erickson were covered, but still, for many, it was blindsiding, and in no small part I mark it as a beginning touchstone of a new wave of “acoustic heavy” that in the last several months alone has found the likes of Mike Scheidt of YOB and Nate Hall of U.S. Christmas releasing similarly-minded solo outings, a clear thread between them being an influence from Kelly’s work on The Wake. In  2011, Kelly toured with Wino (then supporting his acoustic solo debut) and released a split single and earlier 2012 brought the Songs of Townes van Zandt three-way tribute between Kelly, Wino and Von Till, so as The Forgiven Ghost in Me arrives via Neurot with Kelly performing once again alongside NeurosisLandis, as well as Greg Dale under the moniker Scott Kelly and the Road Home, the album has no small task ahead of it in drawing together the Americana and drearily ambient styles in Kelly’s past work. This is unquestionably the album’s greatest success, and that the eight songs/41 minutes are executed with no sacrifice of emotional pull or songwriting acumen only makes the record more impressive. As in Blood and Time, Kelly has once again a fitting partner in Landis (who also recorded The Forgiven Ghost in Me) and throughout these songs, Scott Kelly and the Road Home manage to vary atmospherics while never losing a cohesive mood. The vocals play a large role in establishing the overall scope (Josh Graham does a guest spot late into the record on “The Field that Surrounds Me,” as does Neurosis/Sleep drummer Jason Roeder), but if the opening duo of “A Spirit Redeemed to the Sun” and “The Forgiven Ghost in Me” – the construction of their titles being not the only similarity between them – establish anything, it’s that it’s the songs themselves that are the focus of the album, and nothing else.

Even before it kicks in, one can already hear the organ behind Kelly’s guitar on the open-your-hymnal-and-turn-to-page-three opener “A Spirit Redeemed to the Sun,” on which lyrics like, “I’ve washed the blood from my hands/I’ve forgiven myself in my soul/And I stand before you as nothing and no one/But my hands draw the moths to the flame,” are delivered not with hopped up religious zealotry, but subdued resignation – a sort of restless peace. It’s a folk hymn in the end, with another layer of guitar added, but still a relatively sparse arrangement in terms of what’s actually included – organ, guitar, voice – for how full it sounds. That efficiency is at play across the bulk of The Forgiven Ghost in Me, and when it’s veered from, as on the necessarily busier “The Field that Surrounds Me,” it’s clearly done so on purpose. Most of the songs, though, feature some accompaniment for Kelly at least later in the track, as with the added guitar on “A Spirit Redeemed to the Sun,” and presumably those are the contributions of Dale, though I don’t know that to say for sure. In that regard, however, the title cut, which begins humbly with an intake of breath, joins “The Field that Surrounds Me” as one of the busier inclusions, with early-arriving electric guitar behind the central acoustic figure and – preceded by audible creaks of a chair – a multi-vocal chorus underscored by organ. But for the drums to come later, it’s about as “lively” as The Forgiven Ghost in Me gets, and listening to the rhythm of the acoustic line after that chorus, it’s almost “Stones From the Sky” repurposed. Excellently repurposed, at that, and if Kelly had that in mind when he wrote “The Forgiven Ghost in Me,” he certainly wouldn’t be the first to borrow from that pivotal Neurosis moment. Insistent as that musical hook is by its very nature, here it is patient and in service to a far less bombastic atmosphere – the chorus is more the highlight. “In the Waking Hours” begins with louder guitars and what sounds like tape hum in the background, playing up the organic atmospherics before the electrics come in once again, farther back and played with a slide. The progression isn’t a build, as such, but a definite apex comes later into its 4:28, the last minute or so devoted to a memorable guitar strum.

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